#twins meta

[syrena-del-mar]

Volleying Hearts: Navigating Love and Insecurities in Twins the Series, Ep. 10

We're heading into the last leg of Twins The Series and I am still loving every second of it. This show has been giving me everything I wanted since the first time I watched the

I might be in the very small portion of viewers that aren't completely frustrated by this show, at least from what I can tell with all the reviews that came out with the latest episode, but that's because I can't wait for shit to hit the fan. I'm actually okay with the fact that they're waiting until episode 11 for the truth to come out, because I predict—I'm really hoping—that the fallout is going to be painful for everyone.

Man, Sprite has been so love-starved since his childhood that I completely understand why he still hasn't come clean to First about who he really is. Yes, it's terrible that he still hasn't confessed and yes, he has had several opportunities presented to do so. But how do you build up that confidence to lose maybe the only one who loves you for being you? The only one that sees you more than just a nuisance? Sprite doesn't have that confidence, he doesn't even have enough self-worth to believe that First would still love him even if he wasn't Zee.

Not only that, growing up Sprite was the more passive twin, he was the people-pleaser out of both of them. He was the one that let kids mock him and his brother. He's the one that tries to smooth over the fallen puzzle, when all he is met with resounding disapproval. Sure, Sprite was able to leave volleyball behind, but it's not exactly like his father had chosen him either, so of course he felt like he was the black sheep. Hell, he'd been doing double practices for two collegiate level sports and his father doesn't even stop to ask him if he's alright. Not even Salmon truly asked if Sprite was okay. Almost everyone in his life has reinforced that it would be better if he was just like Zee.

So Sprite's selfish. He's been starved of love so he hoards the affection like it's precious commodity. He takes what he can get as Zee, because he believes that First will only love him as Zee. Zee is the one that First has history with. Zee is the one that he saw everyday in their club. Sprite is not Zee, his parents have made that abundantly clear with how they lookover Sprite for Zee. If the people who should love him unconditionally prefer Zee, why would First be any different?

And he clings to as much love as he can get from First while being Zee. It’s the way Sprite holds tightly onto First’s neck, as if he’s afraid that if let’s him go, he’ll will disappear. Sprite asks First to not overthink his changing personalities, but First (reasonably) responds that he's not able to do that. Sprite accepts its, but the way his face shifts and his nose twitches tells a different story. Those nose flares are so incredibly subtle, but it really shows where Sprite is at mentally with the conversation, almost as if he’s trying to keep his own insecurities at bay. It's not that he just understands First's words at face value, but also he's self-aware of how losing First is a very real possibility if he were to find out that he's been lying to him this whole time. So he curls himself in more into First, closer to his heart, because for now he does have him.

There's the irony, First loves Sprite because he's Sprite, not because he's Zee. First might be the only one that truly understands even a fraction of what it's like to be cast aside by a parent because of Zee. He's been subjected to Zee's apparent disdain for years, he's been with him competing for his father's attention, only to fall short. He's not their coach's, his father's, favorite, no that's Zee.

And now that "same" Zee that hated him, now showers him with so much love and attention. It's like a dream for First, only that each time that the actual Zee returns without him knowing, that same dream turns into a nightmare. Every insecurity that he had in competing against Zee comes back and he can't help but think that Zee is only fucking with him, metaphorically and literally, to kill the competition. In his eyes, there's no complete security in their relationship, not when Zee goes from hot to cold at a moment's notice and especially not when he sees Zee a little too close to Salmon.

First loves Sprite so much, that he's being tortured by his love because he is being left in the dark. Even when they're together, cuddling after having sex, their minds are so far apart that they can't even truly bask in their love. Each one worrying about two different possibilities and what it means to them and their relationship.

So yeah, Sprite could have and should have come clean about not being Zee. I'm sure later he will later realize that it would have been easier to explain how he was actually Zee's twin, Sprite, than whatever pain they're going to endure when the truth actually comes out. But when you feel undeserving of love, and those around you seem to agree, opting for switching lives may seem like a gentler path.

[sparring-spirals]

Went through my kith and kin tag after that last post and once again lying on my floor thinking about. vex snarling at vax about his judgement being swayed by a pretty face-

(another person vax is brave enough to love, even if its dangerous. looking for the good and the kindness and the humanity among the darkness, trying to bring it forward, let vex experience it, even when it can leave him bleeding)-

and vax snarling at vex about her judgement being swayed by her desperation to be accepted-

(another time vex sees a way to secure safety and security and approval, which is safety and security, in a different form. for her, her and vax and trinket and everything she loves, safe in one place, where they can belong, they can stay)-

and. oogh.

Holding these twins in my hands. squishing them like playdough. one of them fights desperately to find the kindness and good and light even when its a fools errand. leaves himself open and hurt for a little bit of light. if it keeps vex safe, happier. one of them counting and calculating and running and cruel because the world demands it. keeps the counter going and going and does the hard things if it keeps vax whole, and okay. one close range and one long.

they'll hurt each other if it keeps the other whole. they'll gladly get hurt if it keeps the other safe. the world is harsh, and they are surviving. what the fuck. theyre such a fucked up pair. they love each other so much.

[stompandhollar]

like. imagine seeing your sibling at 18. and then not seeing them again until you’re 28. and then not seeing them again until you’re both 58. but you’re identical twins so every time you look in the mirror you wonder if this is what they would’ve looked like.

imagine never needing glasses but your brother did, and then in your adulthood your eyes get worse and you suddenly need glasses and you pick out the same frames your brother wore.

imagine always protecting your brother growing up cause he was different and kids picked on him. but you always protected him. and then you have a falling out and neither of you speak for years, and then finding out that in those years you didn’t speak, he was being isolated and tortured by a monster and didn’t think you’d come if he called. but then he calls and you go. and his house has blood on the floor in every room and writing on the walls and his journal devolves into paranoid ramblings. and you can’t protect him because you showed up and he got ripped away. and you can’t even ask him what the writing or the blood or the state of the house means because he’s gone. and you don’t have a penny to your name so you have to clean the blood up yourself and fix the house and live there. so you board up his room.

[akanemnon]

Kirby drip✨And also Fall

[peachhoneii]

What I find fascinating is how Stan and Ford project onto Mabel and Dipper differently.

Stan sees a lot of himself in Mabel and Dipper. He sees the positive in Mabel and some negatives in Dipper. Stan misguidedly tries to correct those aspects he sees. He also worries about the Ford-like similarities in Dipper too.

Unintentionally, Stan's teasing pushes Dipper away but manages to pull him back in enough to reassure Dipper that Stan loves him unconditionally. He was misguided in correcting parts of Dipper that Stan saw in himself and hated. It was the method, not the intent that was wrong.

Ford saw 100% of himself in Dipper. In the show, the focus was on Dipper and Ford, because Ford could not separate the Stan v. Ford dynamic in his mind when it came to Mabel and Dipper. He loves Mabel. He finds her charmingly delightful, but he also projects his feelings of Stan onto Mabel. She is Dipper's Stan, therefore she's holding Dipper back from his true potential.

We know that's not true. Stan knows that's not true. It takes Stan "dying" for Ford to get this. It takes him losing his brother to open his mind to the idea that he and Mabel also have similarities. In the ARG, he realizes Mabel is as curious and weird as he is, and he effortlessly finds their similarities when he lets go of that Stan-projection and humbles himself.

Just goes to show that despite Mabel and Dipper's parents having their marital troubles, they've created a healthy home for their children where they can have their own separate identities. That's a major factor into Stan and Ford's issues is the treatment they received in their childhood. They were a single unit, not individuals.

While Stan was codependent on that dynamic, Ford felt suffocated. It's why he wanted to branch out so badly.

Carrying Stan suffocated Ford, but arriving at Gravity Falls forced him to entertain the idea that he also relied on Stan in an entirely different way than Stan relied on him.

[adh-d2]

No but it's...

the way they naturally fall into eachother's roles when the other isn't there.

the instinctual head-tilt when Crosshair stabilized his rifle on Tech's shoulder, as if they'd done it a thousand times before.

It's the fact that Tech clearly told Phee all about his brother.

It's the sad, fond smile on Crosshair's face when Omega said Tech made her memorize all the plans ("of course he did").

It's the way Tech knew exactly where to look for that mirror.

[nenoname]

Parallels and contrasts between Stan and Bill in the new book and website

Aka miscellaneous thoughts that I'm too lazy to condense into something comprehensible– what you see is what you get folks! (Book stuff, DVD commentaries! The website that came out when I was trying to write this out and is now making me pull my hair out! But in like a good way? That god damn poem!)

not necessarily same coin stuff but I sure am thinking about it.

It’s been said that a large part of Ford’s relationships with Bill, Fiddleford and Dipper was him trying to fill a hole that his estrangement with Stan had left, with none of them clicking in that same way. Dipper was directly compared to Fiddleford as someone who was completely charmed by Ford but is ultimately too anxious of a person to properly deal with the life he's offering nor pull him back when he starts going too far. Meanwhile, Bill is more analogous to Stan but to the extreme with all the doubts that Ford had been fed about Stan (that he was using him, he never grew up, he betrayed him, sabotaged the machine on purpose) turning out to be exactly true with Bill.

The book has Bill saying flat out that Ford wanted the charisma Bill had and then shows that at the peak of Ford's loneliness he was being envious of Stan's charisma, social skills and hands.

[STANLEY COULD HAVE MADE HER LAUGH]

(There’s an irony that Stan always thought that Ford was the popular twin even after doing embarrassing stuff like the kissing machine – if you haven’t seen the Swine Before Time Stan commentary get going, it’s great)

Then Bill swoops in with jokes and endless encouragement and the nickname only Stan used for him, all this in a way tailored for Ford to immediately like him while also reminding him of Stan but "better."

(The show rarely used it but Bill’s use of Sixer is extremely frequent in Journal 3 alone but the comics solidify it as being a pretty personal childhood nickname that kid!Stan used as his default way to call Ford.)

And then you see all of this working because Ford straight up writes Bill’s words using Stan's handwriting (and it turns out that Ford’s capital letter ‘for emphasis/angry’ font in general is the same as Stan’s handwriting too)

(It’s important to note that this is different from all the fonts that Bill uses for himself!)

All of this leads to the deja vu of Ford getting stabbed in the back by someone he was codependent on over a machine he thought was going to change his life for the better

Other things in the book that I’ve seen others point out and noticed myself:

Bill trying to reinforce that Ford would be alone without him, and threatening to tell Stan that Ford never loved him but the first thing Stan does in his letter is tell Ford that he loves him with their childhood code

Stan also only uses ‘Sixer’ in his letter when he normally tends to use a mix of nicknames post-Weirdmaggedon (sure it’s only twice but idk I find it noticeable)

Stan ripped a dollar in half when Bill taunted the reader earlier about how they wouldn’t do that

The promo photo vs the one in the book, Ford’s face being untouched vs Stan’s. While I initially interpreted this as “Bill’s book being a way to torment Ford” and then “him ending up having a meltdown at the thought of Stan”, the new poem kinda gives off an ominous vibe of "him moving on to focus on Stan instead whether he wants to or not"

Ford writing “miss you” in the bro code soon after arriving at Backupsmore which is shown in the Fiddleford photo, then Bill taunting Ford that he misses him

Bill and Stan now have another parallel of losing everything because of a genuine mistake but only Stan was willing to work to make up for it while Bill doubled down and became far far worse

The utter hatred Bill has for Stan being able to win in the end and get back his family

Both of them being institutionalized, with Stan’s mentioned in Guide to Mystery and Nonstop Fun (which has references to Bill liking Mabel for her chaos, silly straws, etc. Also Dipper basically came up with the Author theory but slightly wrong from theorising about the ink blot like a year before the Ford reveal)

(saturn devouring his son perfectly depicts my emotions when reaching this part of the book)

(EDIT: I was thinking about how Bill giving Ford three days to open the portal striked me as odd for some reason... and then I remembered;

Stan gave Mabel 3 days for their bet as well. Both of them specifically say 72 hours too.)

And now for the stuff we know from the website:

Bill having severe family issues with daddy issues implied since only his mum is mentioned directly with her trying to comfort him as a kid vs Stan having severe family issues with a definite focus on his dad while his mum was the only one to ask about Stan during that meeting with the principal and her being the only one to show up to his funeral

Both of them wear their dad’s hat despite of all of this

Bill starting a billion cults and has a lawyer called Multilevel Mark, Stan having his Scientology-esque cult being shot down by irl Disney and as a kid having his “technically a pyramid scheme” comic being shot down by a publisher

(I doubt that Stanentology would’ve gotten far but also you can see that a trend that the main way Bill gathers followers is by reading minds and revealing secrets only the victim would know, so let's hope that Disney-let-him-start-a-cult AU Stan never gets mind reading abilities)

Despite how we know how Stan is traumatised as hell from losing Ford, it’s noticeably isn’t referred directly in the Wheel of Shame (like you can’t tell me that the time between pushing Ford into the portal and starting the Shack isn’t as rock bottom as it gets, Bill literally recognises Stan in the first place by thinking about his brand). This probably is because Bill knows that they managed to repair their relationship and he’s fucking pissed about it.

There's further parallels between Stanley and Bill in poem; with lies and redemption and home, and further association with fire for the both of them

“Saw his own dimension burn.

Misses home and can't return.”

“Always dragged his family down.

One mistake, disowned, denied,

Only thing to do was hide.”

“One way out: the open road.

Reinvent, retry, reload.

A girdle, eyepatch, fathers fez,

"I'm a new man!" so he says”

“One way to absolve his crime.

A different form, a different time”

“His big break, it finally came,

Redemption from a life of shame.”

“Says he's happy. He's a liar.”

“Truth is just whatever sells.

When you've lost track of your lies,”

“Lie until you aren’t lying anymore”

Bill in a rotting corpse of a snake oil salesman

This triangle can fit so much self-loathing projection while being a hater

(Also it's funny that Bill is so insistent that Ford had to be the one who came up with the plan

Like look at this

See ‘em cogs turning in Stan’s head while Ford has clearly given up hope)

“How dare he dress up fancy when his jokes suck!!”

There's a parallel of Ford projecting onto Dipper in a way that makes him feel like kindred spirits with his nephew but Stan projects on Dipper in a way that causes him to be more harsh even if he has good intentions. Meanwhile Bill projects onto Ford in a more positive light in comparison to Stan, who in this case Bill wants to rip him and himself into shreds whenever he thinks of the guy. Bill’s shared love for fun/chaos with Mabel (despite them being so different at their core) is why he likes her the most out of all the Pines but that doesn’t stop him from trying to murder her (although I think most folks don’t know about that interview where Alex was like “yeah, I think Bill would’ve burnt Ford alive the moment he got the equation, he’s done playing with his toys at that point”)

Other tidbits:

I find it interesting that the full version of the Wheel of Shame has blue sparks and fades to grey scale (which automatically reminded me of his mindscape)

Stan signing off as Stanley in the book – this ain’t anything huge to chew on I'm just very over emotional about this… but also there’s Bill being called Billy by his family/in the codes

Ford thinking of Stan as childish/someone who never grew up and then we get hit by “yeah Ford always had some part of himself stuck at 18” oof

Ford underestimating Stan’s control over the mindscape, not knowing that he’s able to hide memories in Dreamscaperers, manipulate the layout of his mindscape enough to trick Bill and memory!Stan telling Dipper how to use the mindscape which Bill was genuinely surprised by

I'm headcanoning that Stan doing so bad at that history test is due to some latent bs from what Bill knows which is all crazy conspiracy level stuff

I think it's also intensely funny that all of the Pines promise that they'll murder Bill if they ever see him again and then they immediately turn to Stan and go “now it's your turn to write a letter! :D!!”

(I feel like the main requirement that the Theraprism has for Bill before he can reincarnate is mainly acknowledging his family idk which honestly would fit even better if his soul becomes Stan’s)

EDIT: I FORGOT TO MENTION THE OUROBOROS PASSWORD (or... uh oroborous which is a typo when theres a suspicious amount on the site which may mean somethng but i digress) anyway that leads to the Shack Axolotl lore where it bluntly states that Ford released it despite it showing up 30 years later anyway

and theres....

[breesperez139]

Dc x Dp Prompt #2

Danny loved his life. After his reveal to Jack and Maddie as a half ghost went right, everything started falling into place.

Vlad stopped his insane schemes once his parents were set loose on him. Sure he’s still mayor but he funds the town, keeps them protected from unwanted visitors, and is no longer trying to kidnap/adopt/clone Danny anymore.

Speaking of clones, Ellie was officially adopted into the family. She didn’t live with them full time with her obsession being freedom, but at least she has a home to return to now.

Dan was also adopted into the family. He is still on probation but turns out having their adopted family again (and as many ghost fruits as he wants) helped ease the rage. That’s not to mention Dan’s and Skulker’s bi-weekly figh- errr meetups.

Well at least there’s been no property destruction since he’s been crowned. After he and his rogues began scheduling their own meetups, his grades started going up again. So while he may never become an astronaut like he always dreamed of, he could still go up to space and see the stars whenever he wanted to.

Sure, being king wasn’t exactly what he wanted in life (or death) but he could protect his ghosts and liminals better this way. And considering his entire town is either ghost or liminal, it was just easier to protect them from the GIW and the government in general with a crown on his head.

Besides being king isn’t all bad either. He’s rich now meaning they won’t be racked up in college debt, he has cool artifacts that were gifted to the ghost king over the millennia that were left untouched but he’s not about to return them (they were gifts to the ghost king, practically funeral gifts like flowers but more rare and expensive), and he has crazy powerful Ancients as friends/family/mentors/protectors. He’s still a baby in ghost years and a minor in human years so he’s not expected to do much either way.

Life was going great, especially after Amity Park adopted ghost etiquette and ecto-infused food and beverages.

So why the Ancients are the Justice League of all people standing outside his front door with the Batman looking thoroughly freaked out the moment he opened the door? He hasn’t said anything yet either!! Stupid fucking government heroes.

[luckyfox3000]

DC X DP PROMT #11

Hello again wonderful strangers! I present to you another promt! (Similar to the last one)

Tim drake had a twin brother.

Daniel drake, the second son, born exactly three hours and 47 minutes after Tim.

Why does no one know this?

It was kept secret. Daniel was never expected. He was an addition to their idea of heir. And not only that, but he was a meta.

Of course the Drakes couldn't have a meta son, I mean, could you imagine the scandal?

So, the Drakes did what they could, kept the boy hidden until he was 5 years of age.

After that they found dealers, people who could take the boy without connecting him to the drakes.

And so, Daniel Drake ceased to exist.

Hey Tim?

Yes Dick?

Wasn't there another boy with you? At the circus I mean. You know, the night you saw me for the first time? I could've sworn you had a look alike, maybe a twin brother?

... what brother?

Feel free to add on or use!

Please tag me if you write this, I really would love to see this written!!!😖😁

[toxictoad]

Okay so: A Tale of Two Stans DIRECTLY parallels Dipper and Mabel's conflict in Dipper and Mabel vs The Future.

Ford/Dipper: Want to move on to the next stage of life and be mature. Frustrated that their twin wants to stay where they're at. Ford's admission to WCT vs him offering Dipper the apprenticeship

Stan/Mabel: Wants to stay with their twin and have fun. Doesn't want to move on and grow up. Doesn't want to be alone

The difference is that things just didn't go right with Stan and Ford. Ford could've told Stan sooner about how much college meant to him. Stan could've told him right away when he broke the science project. Ford could've stood up for him. Stan could've stayed on the phone.

Stan doesn't say "Please" because he doesn't want to be weak. he doesn't want to beg. He doesn't want to let his mask slip- especially around Ford because Ford was supposed to be the one who understood, but he doesn't anymore. Ford doesn't say "Thank you" because he's never been able to trust anyone except Stan, and in his mind Stan ruined his life on purpose.

Dipper and Mabel make up. Dipper stays with his sister, and they won't be joined at the hip forever, but they still love each other. Mabel learns to embrace the uncertainty of the future. Dipper learns to value the present.

The kids teach their grunkles things. Things they thought they were too old to learn. They teach them how to be siblings again.

"I love you, but you hurt me my whole life. I forgive you every time, because I know I hurt you too"

[sonik-kun]

Jiang Cheng never brought up his own sacrifice because he didn't want Wei Wuxian to feel indebted to him again, not because it would make his own sacrifice obsolete.

He wanted to let him go so he could be free to live with Lan Wangji and maybe to hopefully even start afresh again.

Jin Ling, who knows his uncle well, even acknowledges that he wanted to say something to Wei Wuxian when the pair left.

Jiang Cheng is a selfless person for this reason. He knew how much it would destroy Wei Wuxian if he told him what really happened.

He never held his sacrifice over him in that moment. He never held it over him in the core reveal scene. And he never held it over him even when their tensions first started when Wei Wuxian decided to protect the Wen and left him for a sect that tried to destroy his own.

Jiang Cheng kept that secret to himself because he understood Wei Wuxian and ultimately because he loves him. He doesn't want Wei Wuxian to owe him anything, and he doesn't want him to feel indebted to him. All he wanted was his bro back. And even then, he let Wei Wuxian go in the end because he saw that that was what he wanted.

Jiang Cheng and Wei Wuxian both decided to move on in the end so they can grow into better people. The JC antis in this tag, who keep bringing up the same discourse, should do the same thing. They might feel relief if they do. 🥰

[syrena-del-mar]

BL Meta Masterlist

Hello! If you've landed on my page, it's likely that you came across one of my various BL metas that I've posted. I watch way too many for my own good and I try to write as much as I can when a show captivates me (though half of them become half-finished drafts rotting away). The actual number of meta that I have written in the last year, since La Pluie aired, has increased so much that I've have started to lose track of what I've written. So I'm compiling them all onto this list, which will be regularly updated with the new posts that I write.

Be My Favorite

Embracing the Waters of Uncertainty

Exploring Enclosures and Privacy in 'Be My Favorite'

Folklore of Flowers: Wisterias in 'Be My Favorite' Episode 6

Kawi's Journey with Self-Worth and Pisaeng's Reassurance

Dead Friend Forever

An Ode to Older Siblings: New in Dead Friend Forever, Episode 9

Celestial Pleasures: Miscellaneous Thoughts on PheeJin's NC Scenes

Dead Friend Forever is More Than Just A 90s Slasher Film Imitation

Echoes of Guilt: Exploring the Thin Line Between Tee's Redemption and Salvation in Dead Friend Forever, Episode 11

Examining the Use of Movie Posters in Dead Friend Forever, Episode 8

On Non's Medications: Lorazepam

On Non's Medications, Part 2: Quetiapine Fumarate

Selfish Desires and the Class War: Dead Friend Forever, Episode 10

The Nine Circles of Hell: Dead Friend Forever, Episode 7

KinnPorsche

Interlocking Narratives: Exploring the Chains of Kim and Chay

La Pluie

A Jungian Perspective on La Pluie

Balancing Self-Absorption and Love in La Pluie

La Pluie: A Tale of Tender Hearts

La Pluie meets Nora Roberts

The Depths of Inner Turmoil: Exploring Isolation, Connection, and Vulnerability in La Pluie Ep. 10

Third-Child Syndrome: Birth Order Theory in La Pluie

Last Twilight

Blind Spots of Motherhood: Last Twilight, Episode 10

Moonlight Chicken

Alan, the Textbook 'Nice Guy'

In Support of Uncle Jim

My Stand In

Navigating the Conflict in My Stand In: Surrender and Softening in Love *NEW*

Only Friends

Boston, the Machiavellian Prince?

Notes of Desire: Sand's Possible Soundtrack

Threads of Boston's Intimacy: Crochet, Cotton and Connections

Very Rarely Do Men Know How to Be Altogether Wicked or Altogether Good

Step by Step

Carnation Flowers: Motherhood, Weddings and Juxtaposition of Sexualities

"Foliage, Flowers, and Feelings, Oh My!" in Step By Step Ep. 8.

The Birth Order Theory: The Only Child in Step By Step

Shorter Dive on Birth Order in Step by Step

Twins

Volleying Hearts: Navigating Love and Insecurities in Twins the Series, Ep. 10

Miscellaneous Metas

Revisiting Houses of Thai BL: Dead Friend Forever and Deep Night

[tsnbrainrot]

the acolyte confirming mae and osha are 'technically' the same person and giving them opposite arcs (osha choosing the dark side by murdering sol in cold blood vs mae choosing the light side by letting her sister/her attachment go because it's what she wants/what will be 'best' for her) truly emphasizes star was' core message that no one is above the dark and everyone can be redeemed. they're the same person. it can go either way at any time. we can choose the dark at any point. we can choose the light at any point.

[stompandhollar]

Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.

I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.

Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”

Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.

That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.

It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”

Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.

And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.

Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.

[akanemnon]

Wow, not even 5 seconds in and they're already starting a fight.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[emmabirb8]

So it's been theorized/HC'ed that Stan put off wearing glasses for as long as he possibly could because he reminded himself a little too much of Ford (among other reasons). And now I'm wondering-

Is that also partially the reason he decided to start wearing the fez hat and eye patch too? He not only designed a persona for himself as "Mr. Mystery," the Mystery Shack mascot gimmick, but he also purposely dressed himself in a specific way that, I'm realizing now, was distinctly different from anything Ford ever wore. He was disguising himself while, ironically, using 'Stanford' as an alias. He effectively saved himself the heartache of having to see his brother's face every single day when he looked in the mirror AND confronting the mistake he most certainly blamed himself for all those years.

...I'm not well 😭 💔