#anyway tell me about your own stories!!

[dapg-otmebytheballs]

Since so many of us are on a nostalgic trip I want to keep this party going and get to know others a bit better too so tell me in the tags/reblogs/comments: How did you first get into Dan and Phil?

[skunkes]

[dukeofthomas]

I can't find it now but there's a post about suspension of disbelief and how it's broken when the story starts trying to excuse it. "character gets knocked unconscious for hours but there's no further issues from this" okay 👍 "and actually this makes perfect sense because of this and that" um no it doesn't why are you lying to me. like i am willing to ignore the holes and the discrepancies!! all you need to do is let me and not bring unnecessary attention to it!!!

and all that is my issue with the whole robin child soldier argument. like i am willing to ignore it i am willing to engage with the fantasy literally all you need to do is NOT try to convince me that Actually It's Fine Because They Want To Do It or whatever. like literally just shut up about it and i can engage with the fantasy!!

[whollyjoly]

hot in the day, hot in the night, hot as the coal coming to tread, light on your bed, here we go oh, listen whistle roll (baby the, the sun is getting low)

the bucktommy cowboy au nobody asked for part two (part one) (part three)

(song insp.)

[novantinuum]

continually annoyed by how every single post i've seen supporting the notion that "the journal pages in BoB were fakes" just feels like thinly veiled anti material

[fountainpenguin]

Things that happened in Martyn & Cleo Double Life canon:

Cleo hoping to find her soulmate and start a life with them

Cleo dumping Martyn without giving him a chance to explain his side of the story, but hearing him out when he comes to her later

Martyn watching Cleo through his spyglass and telling the audience she seems safe and happy even though he thinks it's weird she's outside at night

Martyn, after he's had time to consider how he wants to play this, spinning a story about trying to be a provider for her and Cleo explaining that she wanted him, not things

Cleo not being remotely impressed by the "I was providing" sob story, lol

Martyn calling Cleo selfish for choosing to be with Scott because she's supposed to be HIS soulmate and he wants a partner

Cleo willing to forgive Martyn if he meets them halfway

Martyn refusing to meet them halfway because he doesn't think he did anything wrong

Martyn screaming about how Cleo's building bridges with Scott but "When will she think about mending our bridges???"

Martyn explaining to Cleo that he doesn't understand why his Session 1 actions bothered them

Martyn centering his character arc and roleplay on trying to win Cleo back without actually apologizing

Cleo giving Martyn a flower and stating that if he loses it, she'll be real cross with him

Cleo chasing Martyn out of her yard because he tried to put an HOA sign on her base and she wanted to make it clear that she wasn't associated with them and their hate for his base (even though she does think his heart base is strange)

Martyn attacking Cleo after she said attacking is a form of affection to her

Cleo setting boundaries with Martyn and explaining what he can do to get her back

Cleo sighing when Scar set her up on a date with Martyn, but taking the chance to talk to him instead of walking out

Cleo genuinely wanting Martyn in her alliance

Martyn and Cleo giggling constantly when they chat

Scar asking if Martyn wanted him to play a romantic music disc for him and Cleo (and Martyn getting excited and saying yes)

Martyn offering to take Cleo's armor and weapons to the deep dark so he can enchant them and bring them back while she stays safe

Cleo gifting Martyn diamonds, expecting nothing in return but not wanting him to die from lack of a good sword

Martyn and Cleo forming a secret alliance that allows Cleo to live with Scott while being on good terms with Martyn

Martyn expressing frustration that Cleo wants to keep this alliance secret because he wants them to be public allies; Cleo softly shushes him when people approach and might overhear

Martyn telling Cleo that she's putting out a lot of mixed signals because she keeps reeling him in and then pushing him away, claiming he is very confused about where he stands with her

Martyn teasing Cleo by punching her off a cliff and accidentally killing her and feeling so bad about it that he apologizes profusely despite roleplaying as someone who refused to apologize for Session 1

Martyn and Cleo immediately threatening Bdubs together when he said hi to them while they were hanging out, sdkfj

Martyn genuinely apologizing to Pearl for dumping her after Session 1

Martyn hiding under Cleo's bed while she defends him from an enderman attack

Cleo offering to let Martyn move into her house after Etho and Joel grief his base; Martyn saying he might take her up on that

Cleo and Martyn agreeing to move out and base together at Box

Cleo trusting Martyn with the location and resources of her red life base

Martyn rushing to Cleo's aid in the deep dark and trying to turn everyone against him instead

Cleo responding to Martyn's panicked shouts for her to eat by opening her inventory to get food (and drowning because she forgot she was in water)

Cleo hanging back and letting Martyn attack Scott while she does nothing to stop him from doing so, implying as much as she likes Scott, she won't kill Martyn (and herself) for him (and/or she trusted Scott to handle himself even though he ran away while Martyn was shooting at him)

Things that did not happen:

Cleo unwilling to forgive Martyn or consider being his friend and partner

Martyn and Cleo hating each other

Thank you for coming to my TED Talk

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That

[torgawl]

if you call himmel pathetic i'm throwing hands at you. himmel showed the purest form of love for frieren and you guys think that's pathetic? what's pathetic is not respect other people's feelings or boundaries and acting like people owe you anything just because you like them. himmel was happy to have a friendship with frieren within her own conditions just because he genuinely enjoyed her as part of his life. he was happy to wait for her for his entire life is he had to but he also never stopped living for himself. that's fucking beautiful. loving someone so much you are able to let them go, not wanting to change who they are or impose anything on them? unconditionally, nonetheless? that's the point of life.

[sskk-manifesto]

Ep 5!!!

[silverwhittlingknife]

hiii! i just wanted to reach out n let you know that i just spent the last few days speed reading all your ao3 work bc i literally couldn't put it down. the way you write dick really just scratches my brain in the best way possible. he's a little (read: very) neurotic and it just. his motivations are so clear in your work, not in the sense that there isn't tension and anxiety but in that his core personality, his drive to help and the anger and trauma that has built him, his need to always be performing and catering to those around him, it comes across sososososos SO well. he was the first character that got me into comics and since then i've kinda stopped reading him bc i have lots of issues w tom taylors run (not the point so i digress) but you have really inspired me to go back and read more of his old stuff so thank you! you have such a clear grasp on his character and its something i admire very much! ur very very talented! and i really appreciate you sharing ur art! hope ur doin well :)

HI THIS IS SUCH A NICE COMPLIMENT???? <3333 This is so nice & sweet & it made my whole day!!! THANK YOU I AM HUGGING YOU ACROSS THE INTERNET AHHHHHH

he's a little (read: very) neurotic and it just. his motivations are so clear in your work, not in the sense that there isn't tension and anxiety but in that his core personality, his drive to help and the anger and trauma that has built him, his need to always be performing and catering to those around him

YEAH IT's HIMMMM i love this description <333

THANK YOU YOU ARE LOVELY & KIND PLS ACCEPT THIS DOG PICTURE AS TOKEN OF MY GRATITUDE

[vt-scribbles]

Something seriously lacking in my art is the ability to tell a story in a single illustration.

I've gotten so used to drawing my characters standing around doing random things that I've never practiced telling a full tale/putting implications into my pieces that require more thinking/looking.

It also comes from a lower amount of details in my works by default [since I like to get pieces done fast], but I'm tired of using that as an excuse.

[scamera-writes]

Her. An Essay.

The spring air lies heavy in your lungs as you breathe in deeply, the bright smells assault your nose and waves of nostalgia roll off the hills. You know this is her favorite season so you’ve dressed prepared for the chill in the air.

It's a long walk to the meadow with a shovel in hand and wheelbarrow pushed in front of you, but you do it. When you get there, a girl smiles up at you from where she is playing in the grass.

You know her age, but do not say it. You know her name, but do not say it. You know her, but do not say it.

She says hello in that sweet mellow tone that sounds so foreign yet so similar and tastes like syrup on your tongue. Her eyes are wide and shining, but blissfully not tear stained- like your own- and her cheeks are round with a warm flush as her smile softens.

You do not meet her eyes, those same beautifully colored eyes that match yours, searching for a hint as to what you’re doing here. You gaze across the meadow instead but still catch a glimpse of her blue denim overalls and green shirt.

They match your own in a way.

You finally say hi back and take the shovel to the dirt under a beautifully perfect sycamore tree that arches into the sky; it rises before the two of you, right in the middle of the meadow. The dirt stains your clothes as you drop to your knees, using your hands more than the shovel to dig at the layered earth.

You hear soft footsteps behind you but don’t look up from your work. To your side you see the girl walk up to you again and she places a small flower behind your ear before grinning and moving to lay in the sun near you.

You pluck the flower out from behind your ear to examine it. A white petunia. A wistful familiarity to the flower washes over you and you tuck it back behind your ear before moving back to the freshly unearthed dirt.

You can feel her watching as you dig this pit, you hate the feeling of dirt under your fingernails. The mud cakes on your hands and crackles with every movement; it makes your skin crawl but you don’t give up now. After a small hole is dug, you grab the large stone and tools brought in the wheelbarrow and begin to carve. She sits next to you now, her smaller hands grip a rock in her own palms and she plays with it gently.

You carve a name you didn’t think you’d ever write again into the rock and place it at the top of the pit. She recognizes the name, tips her head smiling gently, and in an understanding manner she stands up.

And walks away. Around the back of the sycamore tree she disappears and then reappears.

She plucks a sycamore leaf off the ground when she´s visible again and looks up as you smile at her. She drops the leaf into the hole you've dug, then helps you repack the layers of sediment that you both know you’ll unearth again, in the future, to be intertwined together in the end.

But not now. Now, the earth is resealed and she smiles sweetly, laying a makeshift bouquet of petunias and poppies with a gentle hand.

You get up and hold a hand out for her, she doesn't look away from the earth you've both just moved and instead runs her hands over the top of the rocks again before sighing with a big smile. She gets up and grabs your hand, it's so much smaller and softer than yours yet you can still feel the dirt on both of your hands.

She grips your hand a little tighter, following your lead as you walk towards home, flower still tucked behind your ear you notice a matching flower behind her own. And you smile.

When you get closer to the house, her eyes are wide with soft recognition, a place so familiar to the both of you yet it feels cold and empty at the same time. You invite her inside again, it's been so long for you both, still the house is like an old friend, in a way. You hold open the door and she steps through.

She walks over to the dinner table and sits down at the far side, gesturing for you to sit on the other but you shake your head politely.

You aren't ready yet.

You ask if she’d like a drink, and she nods. You already know what she would like so you don’t have to wait for her to tell you. Passing over the tall glass with ice clinking in it feels like a ritual. You don't want to let go. You do. You sit down across from her.

You know what's coming next and it's hard. You know you have to accept it. Losing her again won't be easy but you know it's not permanent this time.

She takes small sips of her drink, smiling over to you but neither of you attempt to make small talk anymore, you both know how the interaction will end.

And it's not bittersweet. Neither of you are upset. She is content in a way you don’t think you quite understand yet. But you think you feel complete, whole and peaceful for possibly the first time in your life.

It's enjoyable to watch her glowing eyes look at you with respect and admiration, to be able to grow into what you did makes her heart beat with something adjacent to love.

And as you leave the house, knowing you will be reunited in the end, to be buried in love & hate, happiness & anger, and warmth & heartache. You know it's love. It's always been love.

For her.

-Her. An Essay. (By me)

Happy trans visibility day. This is an ode to the girl I was. We will be buried together in the end. I love you, take care.

[cave-monkey]

It dawns on me that the journey to the west took 5,040 days exactly, right, and while the book goes from tribulation to tribulation, there were still only 81 of those. And they were missing one when they got there. And some of the tribulations Tripitaka went through happened before the journey even started.

So, even being generous and saying that most of the tribulations that occurred during the actual journey could be said to have taken a few days to handle each, that's still only about 10% of the journey. A tribulation was anything that happened that put Tripitaka in danger or presented any sort of obstacle to him. Anything even remotely exciting would have fallen into that ~10%, and nothing else could have happened, because otherwise they wouldn't have gotten west one moderate inconvenience and/or major trauma short of the prize. (I mean, unless the thing that happened managed to not involve Tripitaka at all in any way, but that's very hard to do when you are all attached at the hip.)

Holy cow they really were just walking. ALL THAT TIME. No wonder Zhu Bajie was stirring the pot at any given opportunity. It was literally the only thing to do.

[leavethebagelalone]

hey uh hot take here but if your hc is that a canonically pansexual/bisexual character is actually gay, even when the creator explicitly says otherwise, your opinion is wrong. sorry i don't make the rules

[bleue-flora]

https://www.tumblr.com/tobi-smp/765541010649530368/tobi-ctommy-lore-in-2024?source=share

I can't decide what you want me to say... I mean I think I covered all the points of why this doesn't work already... in fact I’d say half of that roleplay seems like there like literal feelings as ccJack expresses when he first logs on, and the other half seems to be ccTommy trying to retcon stuff to please his fans in with ccJack actually outright disagreeing with him. Mind you I planned on watching it but honestly Tommy’s comment about op pissed me off to the point that I didn’t care, however given that comment and Jack logging on as a joke to begin with that sets the tone for this to take place and that context is important. Also, Jack literally spawns in the prison so let’s say we are retconning shit, what are we retconning? Because the bench was in prison, Jack was in prison with his first statement being basically ‘bet you didn’t expect to see me be here again’ framing things as we’d expect taking place right after the finale for Jack. And if he’s in the prison then that lore took place, meaning Jack set off the nukes like he says so in the messages. So, we can’t retcon the finale it happened and that’s why Jack is where he is, what you are changing is the potential aftermath. However that still doesn’t make sense to me. If the Incident stopped the nukes and the Egg, then if they have their memories and are wandering around as if things never restarted then presumably the Incident didn’t happen, but if that didn’t happen, then the nuke and Egg wouldn’t have been stopped so they’d be dead… right?… unless we gotta recon allll that lore — oops but wait we can’t because Jack literally spawned next to the bench Tubbo placed in the prison so that lore has to be canon to make sense… so then we are back to the Incident Had to happen to stop the nuke and if it did happen then we do some speculation and such and say everyone left and Tommy and Jack stayed, which again more work than accepting the actual lore.

Also - who is Tubbo selling honey to if everyone is gone? - and if people could leave this whole time why didn’t they before? (Unless we just mean leave the area aka the start at their Incident houses?)… which in that case everyone didn’t leave, Tommy left and went back to the dsmp area and presumably not many followed… like I just it doesn’t make sense, I want to be on your side innitors I really do, I want to understand you, in the same way I want to understand why retconning the staged finale makes sense to people, but this finale just doesn’t work. It’s closer to George’s whole stream that turned out to be a dream… like it’s this same thing like staged finale, where people take the part of the lore that aligns with their narrative, not taking all the truth just the bits they like. And that’s just a headcanon/fanfiction at that point. Just because you took lore doesn’t make it true, you took some of the facts but not all of them to use it to fit your idea but that doesn’t mean it actuality fits your idea. And spreading posts with screenshots with no links to videos or clips or full context just - OMG Jack and Tommy did lore and retconned the finale - which is not what happened. Context is important, in the same way reading someone’s posts without the connecting ones or months later can become harmful to people. It’s taking things out of context and then cutting off the edges to make it say what you want. Like it’s a huge part of the political problems right now because people can’t even agree on the damn facts.

Why? Because this right here. This grabbing things that align with your beliefs and ignoring the other facts and logic that contradicts it. It’s the picking and choosing - oh I like this lore so that’s canon but I don’t like this so that’s not canon - It’s shaping the truth to fit your narrative and claiming it’s still truth even when it no longer fits. Tommy burning down Tubbo’s house doesn’t align with how you view Tommy as this golden boy -> oh it’s not canon. Dream pretending to be evil to get put in prison -> yea that’s not canon. The finale where Tommy and Dream see eye to eye for the first time -> yeah that’s not canon. But this short convo a year later after the dsmp has officially ended, where Jack is literally disagreeing with him -> yea of course that’s the real canon.

It’s like taking a book and ripping out pages you don’t like and then glueing pages over the other ones in the end and trying to sell it as an original copy...