#anyway she’s a really interesting take on the evil queen trope

[spectrum-color]

All of the Cersei discourse in the fandom lately has been disappointing because so much of it flattening her into either woobie victim or innately evil crazy lady, while the whole point of her character is that she’s both a victim and a perpetrator.

She was abused by Robert and sold like property like Tywin, but in turn she abuses those she recognizes can’t fight back like Sansa, Margaery, or Tommen, because she learned from her father that “strength” means domination and stomping on those beneath you in the hierarchy. She shaped Joffrey into a monster because she believed that’s what a king should be. She sees the gendered violence that’s been inflicted on her and instead of rejecting the misogyny that permeates Westerosi culture, she decides that women in general deserve it but she doesn’t because she’s special and actively perpetuates it on others. She is the embodiment of the rot that has been eating the House Lannister alive since Tywin, with his obsessive fear of being laughed at or disrespected, tried to turn them into discount Targaryens.

[cuddlefishextrodinaire]

i just finished reading the first book in the Tale of Magic series(it's called "Tale of Magic"), the prequal to the Land of Stories series, and i think it's actually quite interesting, at least in the aspect of Madame Weatherberry.

see, it's a common trope among books to show characters, especially the mc, to reject the lifestyle of hatred and choose to be hopeful and nice and all that, but this book, while it does that exact trope with Brystal (the main character) it also does the exact OPPOSITE with Madame Weatherberry.

correct me if i got some parts wrong, but Madame Celeste Weatherberyy was obviously very strong in magic, and even at that time, there was a lot of hatred towards the magic kin, and she saw this, but didn't choose to act on it, insetad choosing to take the more common high road, where they choose to stay above the depraved depths of people who choose to act on the hate in unhealthy ways, and stay above it all. But see, where it gets interesting is that it. . .doesnt really work. Like, she TRIED but she still ended up hateful and spiteful and literally transformed into a murder machine that was her best representation for all of the hatred and anger she had had directed towards her even when she was just a child, just because she was magical.

now, in the end, she/the ice queen are sent off, far away from humanity, too some distant mountain, so that she can't harm anyone else. Now, this is all pretty stereotypical, but i thought it was interesting that the author chose to show what happens when someone internalizes all of the hate, and doesnt deal with it, but still presents them in a (realitevly) positive light. like, yeah, the snow queen was slaughtering folks and all that, but Madame Weatherberry was shown to be kind and loving, and i think that's a good representation of the double-sidedness that can be found in people.

i think that i am hateful and embittered, with a lot of anger bottled up that i occasioanlly deal with by lashing out at people with and just generally degrading the quality of life i experience, so i liked seeing someone who was a major character, who wasn't the villain, and wasn't the main character who heroically fights of the evilness of hate and all that. that's bullshit and i hate that trope. i think, for once, we should have a mc who EMBRACES the hatred and USES it. like, hatred can be used for more than what caused it, you know?

also, i know this might be obvious, but i think that this series might be an alagory for the homosexual experience. like, people are hated for being the way they are(homosexuals and gender queer), and the reason for that is that there is a holy religion (christianity, catholcism and islam, perhaps?) that says that it is immoral and frankly, disgusting to be that way, and there are places you can send your kids to "fix" them (conversion therapy). now naturally, this theor doesnt hold up everywhere, like how the Book of Faith is changed to fit the men's narrative and agenda (the bible isn't changed, which i assume is what this analogy is suggesting) and there are several other things that don't fit, but my theory is further suppoted by how in book three, i think, Xanthous confesses to Emerelda that he's gay, so i actually do think that this series is meant to be a representation for the homosexual/gender queer experience.

idk.

this was longer than i was planning but whatever, i know no one will se it anyway.

[finitefall]

Heya! I have a feeling we’ll get Winds of Winter either this year or next year. Probably next year. But… can I confess something? GRRM isn’t like D&D from everything I have seen. Unlike them he cares about his story and his characters very very much. And I know Dany is one of his favorites and he fully supports her ending slavery. With Fire and Blood if she must. Unlike the two hacks who think Dany is evil for killing slave masters (“good and innocent” slave masters they tried to portray). But… I never thought we would get that disgusting awful ending that we got in the shitty season. That’s why part of me is really really afraid that what if GRRM is gonna give Dany an awful ending? I suppose I could accept Dany dying if she dies as a hero and to protect her people and her loved ones. But I much rather she lived even if she doesn’t become Queen. But… I have seen a lot of comments on YouTube and social media and on Discord and they said that it’s obvious in the books Dany will go mad. I really just want our girl to get a good ending but it seems these idiots are determined to make people like me scared that she will end the same way in the books. And some of these guys even claim to like Dany but that it’s obvious she’ll go mad.

I feel you. While waiting for season 8, I still had hope, even though by then I knew D&D and it shouldn't have come as a surprise that they would give us this awful, out of character, misogynistic ending. And yet, it hit me hard. So I understand that when people say the books are different and she's obviously not gonna have this awful ending, we can think: "well, I didn't expect the show would do this either even after all the crap they had done in the previous seasons, so better be prepared this time". But as you say, GRRM isn't D&D. Their social and political opinions aren't the same at all. Martin isn't talking about "innocent slavers" and isn't against revolution.

There are already plenty of differences between her characterization in the books and in the show. It still didn't make sense in the show, but it would make even less sense in the books. Now, we can criticize GRRM for some things, but throwing away everything from the previous novels and doing fan service for those who loved season 8? I don't think so. We already know Tyrion isn't gonna be reading her the Geneva convention in the books (he was whitewashed to the point of being stupid when he joined Dany in the show), we know Varys isn't gonna join her, so we won't have those two telling the emotionally fragile woman to "fight her darkest impulses".

We know Martin wrote a heroine's arc for Dany, and that he likes to subvert tropes. Everyone looked for a boy, but it's Daenerys who's Azor Ahai returned/TPTWP. It's not a sword that's Lightbringer, it's the dragons. Now, there's a fear that she will die saving the world, which would be very disappointing (I agree with those posts here and here), although not as awful as the show's ending.

Those who claim to love Daenerys because she's "such an interesting villain" are just antis Dany. Their Dark!Dany foreshadowing doesn't make any sense. Those are the same people who claim they're not against her fighting slavery, but she should do it peacefully, meaning they don't want her to actually fight slavery at all and are totally on the same page as D&D, even though they won't admit it and tell us it's all right to like her as a villain. They’re going on and on about how it’s more interesting and more subversive if Dany doesn’t end being a hero, but there’s literally nothing interesting or subversive about Dark!Dany. Her ending in the show fell into the oldest sexist tropes.

Who are those people who claim to love Dark!Dany, anyway? Take a look around tumblr: almost all of them are Sansa stans who also loved their fave ending up QITN. Like that makes sense when you've read the books. Dany isn't gonna become mad or a tyrant, Arya isn't gonna leave to travel the world (nonsense ending for Arya too, it was really for every main female character besides Sansa to be gone) or become a psychopath, Sansa isn't gonna become QITN. We're delusional? No lovely, they are. If you want reassurance, just play along next time you see someone who claims to love Dany and says it’s obvious she’ll go mad. Tell them that you could see this happening, that she would indeed be a better and more interesting antagonist than the others, that the only thing you wouldn’t like if this happened is that no main female character would end up without power corrupting them which would be sexist, and wait for their answer. It’s not gonna be “there’s Arya, don’t worry!”, because Dany and Arya stans actually get along in the fandom and most of us love both of them (Dany stan first, but Arya is my second favorite). No, it’s gonna be "there’s Sansa”.

[semi-imaginary-place]

ffxiv 5.x dancer, gunbreaker, blue mage

dancer: thravnair is such a weird mix of victorian london and orientalist eroticized middle east. so you have heavy cotton blouses and corsets and then... dancer costume bikinis. also i cant be the only one that thinks the dancer specific sets look better on female character models like ok get rid of the bra to a "vest" but why change the color that's a good red, or if you're going to change the color at least go with something interesting like a peacock green/blue. waht was that questline in kugane about dancers. dancer didn't exist. oh it was weaver. i liked that one. although the lore drops were mind bending. this plot is really contrived. should have just stuck to dance troupe touring the continent. ah yes distracting the masses from systemic problems instead of actually solving said problems. sounds like we're the propaganda machine, a tool of the state to suppress discontent. you're going to dance in the middle of nowhere instead of inside ishgard? i think this is the worst questline i've seen since heavensward. also how are you a famed historic dancing trope when you have 1 apprentice dancer and that's it. and after so much emphasis on how Ranaa is just a girl and so young just declaring her the successor is kinda of stupid. nashmeira staying just for eorzea seems like a flimsy excuse for ranaa to become leader also like it's not only eorzea that has suffered. I'd argue a lot of garlean occupied territory is worse off and since radz at han has official ties to the garlean empire you have like visas and can legally get in where the player character can't. also why train recruits in eorzea instead of in thravnair.

gnb: sophie's comments on gridania was a nice touch. i get the feeling it's going to a plot point when someone confuses sophia for editha. why would you continue you walk after getting attacked. the smart thing to do would be to assume another one along the route is planed and cancel for the day. oh at the beginning the bandits got sophia confused. cabbage fairy! ok i love this. this is the wrong story to tell about domestic abuse. the devs set up what looks like an abusive stalker ex but oh no the woman was lying and evil all along. women already struggle enough getting others to believe spousal abuse and rape is real without stories like this. Like npr just had a story today about how Kazakstan a few years back just outlawed spousal abuse and now has their first big public case about it. so a story with that setup but jk the woman is just a liar is in bad taste. sophia has a somnus addict radar apparently. Radovan had a wife and kid. I was under the assumption that most hrothgar weren't doing monogamy or marriage (in the american sense anyways) but had many men and one queen. I wonder if Radovan was a part of less traditional society and or married a woman of a different race. wow the yellowjackets are giving a pretty important job to a bunch of new adventurers with no record. I've gotta say I'm quite charmed by radovan. sophie mentioned she was part of some resistance, I wonder why she decided to give up the fight. aw no need to leave sophie behind after all the core tenent of party battles is dps is mitigation.

what is radovan up to with cato this reminds me of the yellowjackets in the last quest. bozja... ugg i don't wawnt to grind in bozja but i want the lore... lol radovan took mamula right past the ishgard front gates. ther's been good thematic development through out these quests all building up to engineer dude from the harpsicordist hiding jealousy to the father gambling away his family and trying to win them back, to cancer criminal overlord confessing. Each as been an escalation in scale as well as the remorse and attempts to compensate for their wrong doings. this questline is going hard and straight with the promises must be kept, your word is binding. anon client is sus i wouldn't take a job with so few details. yup a trap. and he isn't even a full blood garlean so he'd never be truly respected or promoted.

typos in chat! even with audade down why would garlemad stop pursuing mammula. also bozja was 10+ years ago why defect now. "its not for me to judge him" as one of those directly affected yeah it is, it's not for pc or sophie to judge him but you can radovan. honestly we could have just waited in revenant's toll for this dude or tried to intercept him in limsa or ishgard since we're several days behind. chasing each other in circles smh. sophie could always go along with the rebuilding project too but I don't think she'd like bozja. bro... drop the contact info, how are bozjans suppose to find you. also i get for the quest pacing but like go grab dinner together at least. i should introduce radovan to eric, they'd either hate each other or love each other. More than a cat radovan reminds me of a dog. When that dude started talking bout catching a lion instead of a goat i did think he was talking about radovan and got a little skeptical.

blu: i do think this premesis is flawed, if "the new word" is the americas analogue than it's about equal distance from hingashi and eorzea who's to say some blue mages didn't make the trip west across the sea. what's a trip to a foreign land without being robbed blind? new lore drop martyn can tell namazu apart uh martyn do you have an international copyright on you'r sales pitch and job stone? yeah questionable since white and black are eorzea forbidden arts. i don't actually think fuukumen festival is cutting into the masked carnival profits all that much, they are catering to VERY different geographic audiences. customers in kugane wouldn't be goinging all the way to uldah just to see the masked carnival. oh good i don't actually have to do masked carnival. do you know how long it took me to do dirty rotten azumagia. i even remember the name from the weeks it took me! uh did kageyama replace gogo? that's amon's reskinned model doesn't even look like a roe.

noooooooooooooooooooooooo they just animated the into i actually have to fight him... this is bad for my nerves. well i got to second phase. i wonder if i can final sting. after interrupting mimicked imp song I can't heal. I now I interrupted it since I get the big flashing INTERRUPTED text on the cast bar. i'll deal with you later or maybe never. where's my extra easy job quest instance mode... Trying to do blue mage Anything Gogo and after interrupting mimicked imp song I can't heal. I now I interrupted it since I get the big flashing INTERRUPTED text on the cast bar. Anyone know what is happening. This is way before the doom spell casting even starts. I'm on healer mimicry with exuviation. DAMN YOU BLUE MAGE QUESTS LOCKING STORY CONTENT BEHIND ACTUAL SKILL CHECKS I HATE YOU MASKED CARNIVAL. it's like dark souls. the difficulty is being able to memorize a pattern of specific spells and when to use them, once you memorize the pattern it's all reflexes, there's no creativity. i hate dark souls. I like there being challenge content in this game, I just don't want story content to be gated by it.

restarted my game and tried the next day and didn't run into this problem. beat the stage idk what was going wrong yesterday. i don't think an ul'dahn court of law has any jurisdiction in kugane i mean uldah isn't even in alliance with hingashi. was this one giant thing about copyright and pirating.

[atopvisenyashill]

I get it when people say the "mad queen" trope is problematic, but they should complain with the autor lol I'm just analyzing what is written!

i was gonna try to save this for when i got to adwd but i am simply not reading fast enough lmao. anyways yeah you're right!!!! i think plenty of "dark dany" theorists are well aware that the specific ending of "jon murders dany" doesn't look, like, fantastic optics wise and i honestly can't think of a single dark dany person who doesn't feel that in order for that story line to not make us want to rip our hair out or beat george's ass is if basically every other named ruler (save maybe Edmure and Sweetrobin) is a woman, lollll, like no one is unaware of how it comes off!!

I mean hell, that's been a point of criticism for cersei's character even, about how tyrion and jaime are more about showing us that they aren't as evil as they are perceived or that their "evil" so to speak is actually way different than what others perceive their evil to be (ie, tyrion is not a bad person because he's disabled but he sure is for murdering shae, and jaime isn't a shit person for murdering aerys but his tendency to shut down emotionally has completely wrecked his family and he doesn't want to admit it) whereas Cersei's chapters are more "yeah she's evil and crazy and a huge bitch but there's a really good reason for that actually" which is certainly interesting and a great way of exploring her character (and he does this AMAZINGLY) but it also stands out kind of obviously against her brothers. this is essentially the same point of criticism people have had for his writing for years (as in, it's a blind spot of his, which makes sense bc he's an old man from jersey but still) which is that he's really good at exploring why something is sexist or related to patriarchal values but he's not super good at building an actual feminist character as in a character who is a proto-feminist. If anything, a kind of "oh george i'm not sure you thought through what that looks like from the outside" ending is way more in line with how that man writes than "dany is a hero who kills the others then takes her rightful place as queen of the seven kingdoms alongside her nephew-husband" ending is.

[meanqueens]

I always find your choice of faves really interesting, it's seems not many people like them all in the same time . Some people like sansa but absolutely hate cersei and either dislike or indifferent about alicent . Some like cersei but hate sansa and find alicent to be a discount version of cersei , some even say that alicent is the queen that cersei could never become.

What has made you like alicent, cersei and sansa? (Please Don't think i am trying to make you feel bad over liking them , there is nothing bad or shameful about liking fictional characters even if they're not morally good)

thank you for your ask!! and don’t worry, i know you come from a good place!

i think my love for my golden trio comes from their differences in handling their very similar life situation: women as pieces in a patriarchy’s game.

sansa stays kind; she places her courtesies between her and everyone else like a shield, but she never loses her sweetness, just learns when, where, and how she can let it out. she’s not quite free even now, but she has stood strong, unbroken, and even pushed back when she could; she’s a wolf fooling the world into thinking she’s a sheep. there’s so much power in holding onto love (love of family, friends, maybe even romance) even in the darkest of circumstances, and watching sansa believe and keep believing has given me courage in my own life.

cersei became wildfire; there was no way out of her gilded cage and so she resolved to burn it all down, make everyone suffer the way she has suffered. all her life she’s been a pawn, a broodmare, but she’s found her ways to rebel (like sansa, even) however these rebellions are by design to hurt as many people as possible, or just with a carelessness that it doesn’t quite matter if they do. she’s decided to be selfish, because she hadn’t been allowed to do so for so long as a piece. but underneath all that fire is a true victim of the system, and although she is the closest thing to an “evil queen” at the moment, we’ve been privy to how she became this way and it’s… well, it’s actually heartbreaking. she’s more than the trope, because she’s been written to show that she is a human being, after all. cersei appeals to the bitterness in me that says, “wouldn’t it be nice just to burn it all down?”, but also the twinge of desperation to just get what you want for once.

alicent (per F&B, i do so love what HOTD is doing with her character, but i loved her from the source material originally so i’ll take it from there) broke; she starts as a pawn without history because no one cared to write it down, moved around the chessboard of king’s landing by her father (the one with the agency). she becomes a queen and a mother (like cersei), but instead of trying to punish the system, she works within it to get what it promised; she gave the king a son, so why shouldn’t that son be king? alicent fights in the deadly game of thrones because it threatens the security of herself and her family, but ends up losing everything anyway. she is less of a villainess than at first glance, considering who is recounting her story in the first place. F&B always has and always will be biased history, but there’s such impactful framework that alicent has been granted that allows her to be more than a wicked stepmother. she is a complicated woman in a complicated situation where everyone else is fighting for themselves, so why shouldn’t she? i love that.

[wisteria-lodge]

Archetypes: Sorting Hat Chats

I’ve been asked about my rationale for naming different primary/ secondary combinations. I did this originally as a tool to help me sort characters - I wanted to see how these types tend to be used, so I could more easily see what subversions looked like. I'll run through my thoughts, but know there’s a lot of variation within each category. But even WITH that variation, I do think that each one has its own specific energy that makes it interesting to talk about. An explanation of the terms I'm using.

DOUBLE LION “THE REVOLUTIONARY”

Pretty straightforward. The Lion primary knows something is wrong, they know it in their bones even if they can’t articulate it, and they’ve got to go out and do something about it. Probably charging at whatever power structure is directly in front of them. It’s unlikely you find a character leading a revolution who isn’t a Double Lion. These guys are intense, inspirational, single minded.

The villain version of the Lion primary tends to be the person who “went too far" or "became the monster they were trying to fight.'' But I think that the much more interesting Lion primary villain trope is the Traitor. Since Lions work from their feelings, and their philosophies can’t necessarily be articulated or linked to individuals outside of them - they can definitely have their head turned while still feeling moral about it.

One of my favorite examples of this Revolutionary archtype is actually Christian Bale‘s character from Newsies. He’s the spark that starts the unionizing revolution, but 100% needs his Badger and Bird lieutenants to keep him focused and keep him from defecting

LION SNAKE “THE ROBIN HOOD”

These guys are similar to the Double Lion - they will recognize a cause or injustice revolutionary style - but Robin Hood doesn’t go up and bang on wicked Prince John’s door. His move is the snake secondary one: confront the problem indirectly. Undermine the regime by stealing tax money and re-distributing it to the poor. Be simultaneously Robin Hood the outlaw and Robin of Locksley the noble, infiltrating and getting information. The Lion Snake is more likely to work within society (or deliberately separate from society) versus just breaking everything down.

LION BIRD “THE LAWMAN / THE VIGILANTE”

The fact that the Lion Bird can either be the Lawman or the Vigilante shows off the very clear hero/villain split you get with Bird secondaries. We also see this with the Snake Bird (simultaneously the Mastermind and the traditional Villain) and the Double Bird (either the Scientist or the Mad Scientist.) This is why I think I had such trouble naming the Badger Bird. I wasn’t leaning into the duality of the Bird secondary enough. The Badger Bird can be the King Arthur, or he can be the Mob Boss, and he’ll look kind of similar either way.

The Lion Bird also has that Lion primary conviction and drive, but they want to follow up on it with investigation, evidence, and plans. I actually think there need to be more stories about Lawmen turning into Vigilantes and vice versa. Because Lion Birds are their Cause no matter what external alignment gets attached to it.

LION BADGER “THE LINCHPIN”

This is my own sorting - although when I came up with this name I still thought I was a Double Bird. The linchpin is the pin-axle thing at the center of a wheel that prevents the whole thing from falling apart, and I think it's a good way of talking about the energy of this combination. The Badger secondary means they’re a lot less single minded than the other Lion primaries: their power comes from being part of a group. They become the emotional “heart” a lot, and have a way of quietly keeping things together just by existing. They can be leaders, but a Double Lion will lead from up front while a Lion Badger will lead from in the middle (if that makes sense.)

I do think it’s really funny that this is a common sleeper villain trope. Peter Pettigrew, Prince Hans, and Randall Boggs of Monsters Inc. all became integral to a group, and then exploit their position within it. They’re kind of the evil bureaucrat. Maybe that's a good trope for children’s media

DOUBLE SNAKE “THE TRICKSTER”

This is another straightforward one. Double Snakes are in it for themselves (and maybe like three other people.) They're going to be clever and tricksy about how they get what they want, and will not mind doing things backward and unofficially. And they won't mind if you know that's what they're doing. There’s something very unapologetic about the Double Snake which makes for very attractive characters. They are consistently voted the sexiest... and when they’re villains they’re fun villains. You know what they want, and what they want is not that complicated. I think that’s a big reason for the appeal of Snake primaries in general. They’re the easiest primary to understand and explain.

SNAKE LION “THE LANCELOT”

I used to call these guys “The Rebel,” which... is too generic, doesn’t really mean anything. So I started thinking about the Lion secondary as the Knight secondary, and I liked that. Double Lions are the Crusader Knight, riding for their Cause. Bird Lions are Grail Knights, riding for their own personal truth. Badger Lions are Champion Knights, here to help the helpless and defend the innocent.

And if that's that case… Snake Lions have to be the Knight Errant, the knight who rides for his lady. It is that simple. Lancelot might be a Knight of the Round Table, but he’s riding for Arthur the person, not Arthur the King. And for his lady, Queen Guinevere. I feel like his dilemma is one that’s common to a lot of Snake Lions: what happens when they’re forced to split their loyalty? It’s tragic, but Lancelot can’t have Arthur and Guinevere simultaneously.

(At least not until my awesome Arthur/Guinevere/Lancelot OT3 which I will totally write at some point :)

SNAKE BIRD “THE MASTERMIND / THE VILLAIN”

The classic. We see a little more of the Bird Secondary split, and well… this is your stereotypical villain. They want power. They’re going to use an elaborate plan to get it. There’s a lot you can do with this sorting, but I actually do think it’s fun that whatever you do, this slight undercurrent of villain and/or mastermind… never quite goes away.

SNAKE BADGER “THE LOVER”

The Love Interest sorting. Chances are very good that if there is a love interest (who does not serve some other role in the story...) they're going to be a Snake Badger. Devoted to one person, solving problems by caretaking. This is the Badger secondary who is likely to have the smallest group, which is just going to make them look excessively devoted to their friends. This type is pretty gender neutral, which is fun. A lot of female love interests, but also your Mr. Darcys and Peeta Mellarks.

One of my favorite things about this trope (mostly just because I think it’s funny...) is that if you write a character who is not supposed to be a love interest, but who is a Snake Badger... subconsciously I think people are going to read them as a love interest anyway. Looking at you Jaskier, Horatio, and even Captain Barbossa.

DOUBLE BIRD “THE [MAD] SCIENTIST”

I think that (especially if you aren’t a Bird Primary yourself) your response to hearing a fictional Bird Primary’s motivation is kind of …huh. That seems random. Or oddly specific. You get your Hannibal Lecters, whose entire motivation is... wanting to eat people while drinking nice wine.

Double birds seem especially unusual, just in terms of society. They are Bird secondaries and they interact with the world through gathering data, but their Bird primaries mean that data can literally lead them to any conclusion, no matter how potentially wacky. These guys consciously build themselves from the ground up, and that can make them kind of detached - either in a logical way, or an unmoored way. They're written as either really stable, the rational mentor figure. Or really... not. And that’s how you spot a Bird villain. They’re not after money/power/safety, they’re after something weird.

BIRD LION “THE GRAIL KNIGHT”

This is the trope of Perceval or Galahad, questing after the Holy Grail chalice... which is really just meaning, and truth. It’s a personal quest. Grail Knights tend to ride alone, and a lot of the things that concern them are metaphysical, to do with identity, purpose, things like that. You can have extremely different Bird Lions, but I do think there is a sort of spiritual core there. Doctor Harleen Quinzel sees freedom and truth in whatever the Joker is doing, and then once she recognizes his hypocrisy, has to go build her own meaning.

I actually think these guys are pretty easy to spot because of that Lion secondary. When they change direction, they change direction, and there’s probably a period of despair between the direction changes. I’ve talked about how Bird Lions having a habit of falling apart pretty dramatically, and that’s where this idea comes from.

BIRD BADGER “THE SURVIVOR”

A rare sorting, but an interesting one. I call this one “the Survivor” or “the Last Man Standing” because, well, they seem to be. They seem remarkably stable. This is the Bird primary least likely to be a villain, and maybe the sorting least likely to be a villain. I think what’s going on is that they are grounded and integrated in whatever community they happen to be in (because of that Badger secondary), but they can define themselves and rebuild themselves in the Bird primary way. This makes them uniquely suited to building a new version of themselves for whatever situation they happen to find themselves in.

Maybe a better name for these guys would be “The Adapter.”

BIRD SNAKE “THE ARTIST”

Like all Bird primaries, these guys are inspired by their own projects and their own worldview, but because of that Snake secondary, Bird Snakes have a more easy-going ‘take the world as it comes' kind of energy. They are “the Artist” because everything they do is art: they want to use themselves and the world around them, put all of that towards whatever their Bird primary happens to be interested in.

You can have villains like the Nolan Joker, or the Talented Mr. Ripley, who kind of turn the world into their own personal philosophical social experiment. Or Scotty from Star Trek whose meaning is solely the well-being of the Enterprise. Maybe they just like traveling, and that's all they need. (It's a way for the Bird primary and the Snake secondary exist very happily together, so I wouldn't be surprised if that was pretty common.)

DOUBLE BADGER “THE PEACEMAKER”

Badgers are interesting, because while I think they’re generally regarded as “correct,” they’re also seen as kind of boring. That’s the case with both Badger primaries and Badger secondaries, which means it is doubly reflected in the Double Badger. They often get written as simplistic, the sweet Jane Bennet type who loves everybody and caretakes everybody and just wants everybody to get along.

They are often the targets of what TV Tropes used to call “Break the Cutie.” What could be more interesting than making this character, who wants to be happily part of a community, be forced to build protective models, be all tortured and angsty? I actually think we’re seeing a return of the Double Badger as an interesting character in their own right, with people like Aziaphale, and I'm here for it.

BADGER LION “THE PROTAGONIST”

What can I say? There are a lot of protagonists that are Badger Lions. They want to help the group - so we know they're the good guys - and then they charge and make stuff happen. Lion secondaries are very useful in fiction - you drop them into a situation and stuff just happens. I also think of this as the Starfleet officer sorting - because if you’re a Starfleet officer, either you are the sorting, or can model it really well.

I will say that this is kind of the stock Protagonist sorting, the way that the Snake Badger is the stock love interest and the Snake Bird is the stock villain. There’s just something sort of generic good guy about this one, which is why I want to see it used as a villain sorting more. Badger villains - mostly people who define ‘human’ very narrowly - are insanely terrifying.

BADGER SNAKE “THE ADVISOR”

Possibly “the Power Behind the Throne.” This is another one I had difficulty pinning down. I called it “the Politician” for a while, which unfortunately came off as a little bit more negative than I meant it to, since I think this sorting has a lot in common with Lion Badger, the linchpin of a heroic team. The difference is that Lion Badger takes on that role kind of unconsciously, while the Badger Snake does it very consciously.

Their loyalty is to the group, but their skill set is all about subversion and different ways of going around the group, which is why there’s an interesting contradiction at the heart of Badger Snake. A lot of real life Badger Snakes struggle with feeling like “bad people" and it's too bad. These guys are ridiculously powerful and competent when they are sure of themselves, and I love seeing them in action

BADGER BIRD “THE KING / THE MOB BOSS”

Another difficult one, despite (or because) I really like them. I was calling them “the Architect” because “The City Planner” sounded too boring… but that’s what they do. They’re all about the community but they problem-solve the way all Bird secondaries do, by prepping, and gathering knowledge. I talked more about this in the Lion Bird entry, but Bird secondary seems to have this villain split going on, and that’s what I see here too. This is a controversial love-them-or-hate-them sorting, and I think that’s why. There’s a lot of room in whether or not you see this sorting as villainous.

[missdawnandherdusk]

The Serpent Beneath

Draco X Gryffindor!Reader

Request: @daltonacademia Draco x Gryffindor reader and maybe like a faking dating type of situation? I am a sucker for the faking dating trope lmao. Maybe you could even spice it up by making it kind of an inside out version of enemies to lovers when they act lovey-dovey in public but in secret despise each other until they slowly get feelings??

A/n: Okay so this is part one because I’m evil, but part two will be up soon enough. Let me know what you think and I love you guys so much!

“Look, I’d love to go with you but...” I scrambled for an excuse. “But I’m dating someone already,” Yeah, that worked.

Harry wasn’t convinced. “Really?” He raised an eyebrow, crossing his arms.

“Yes!” I said a bit too enthusiastically.

“Who?” He demanded.

“Uh,” then I saw him from across the room, coming in right in front of Snape, to his seat beside me. “Malfoy,”

“Malfoy!?” Harry’s eyes bulged. “Are you bloody joking!?”

“Oi, this isn’t your seat Potter,” Draco sulked, pushing past him. “Make a fool of yourself in front of Y/l/n on your own time,”

I gave a tense smile as Snape called the class to order. Slumping in my seat, I glanced nervously over at Draco. What in the world had I just done?

“What’s got Potter so off? You refuse to kiss his feet this morning?” Draco muttered toward the end of class that was filled with glares and offhand comments from Potter all the while.

“I might have told him we’re... dating,”

Draco stiffened beside me, sitting up ramrod straight. His hands clenched into fists as he sat there glaring at the front of the room. All things considered it could have been a worse reaction. He could be yelling or hexing me. Still his stoicism worried me.

As soon as class was dismissed, Draco remained seated, still rigid. His hand came to my wrist with a vice grip and I had no choice but to stay put. I tried to not let my nervousness leak into my facial features. Especially as Harry glanced back at us still sulking. I managed a smile.

When the room was clear, he let go of me and stood, shoving excess parchments and quills off the table.

“Are you absolutely daft!?” He shouted. I shrank back in my chair.

“I panicked okay!?” I bit back. “He asked me to the Yule Ball and chosen one or not I cannot stand him,”

Draco anger flitted to confusion before resting on something neutral.

“Ickle Gryffindor can’t stand Saint Potter?” A devious smirk was playing at his lips. “I thought it came with the territory,”

“Oh, you’re not a picnic either Malfoy,” I snapped. “Bloody Slytherins,”

“And yet you chose me,” He was toying with me now, as a cat cornered a mouse. “Is this admiration I see?”

“It was mistake,” I huffed grabbing my bag and standing. “Do you get off on making me miserable?”

He caught my arm as I went to leave. I shook him off. There was something mischievous in his eyes as he smiled at me. It left an unsettling pit in my stomach.

“Do you not want me to walk me to your next class?” His feigned innocence was a serpent waiting beneath a flower.

“Shove off Malfoy, I already have enough of a mess to fix. I don’t need this from you,”

“Well, the way I see it,” He grabbed his bag walking along side me. “Is that if you can’t stand Potter and the only way you’d think to get out of dating him is to ‘date’ me... and I’d love to see Potter knocked down a few pegs...” His smile curled into something wicked.

I stopped in my tracks and gaped at him.

“I’m not some toy you can fight over! And I don’t like you!” I exclaimed.

“But do you hate me enough that you won’t consider a fake relationship with me over whatever train wreck it would be with Potter?” Draco really scared me sometimes.

I worried my lip with his question and started to walk to my next class. He kept pace with me as we walked. His silence baffled me, allowing me to think clearly for the moment.

“Okay,” I muttered, pausing in an empty hall. “Deal,” 

“Deal?” He seemed skeptical.

“Don’t get me wrong, I loathe you entirely, but... if you can get me out of having to date Potter or constantly turn him down... then deal,”

“Glad to be in business, darling,” Draco drawled, and I had to do everything not to cringe at the pet name. “See you after class?” He leaned in as if to kiss my cheek.

“Buy me dinner first, Malfoy,” I hissed, flinching away. “But... see you after class,” I achieved a small genuine smile.

McGonagall looked down on me as I entered class late and took my seat beside Hermione. 

“Is it true?” She whispered urgently. “Are you dating Malfoy?”

I nodded, not taking my eyes off McGonagall as she lectured. It was uncharacteristic of Hermione that she spoke to me during class. She was normally keenly intent on learning the new material or getting ahead on things we haven’t covered yet. Now all she could do was gape at me before tearing her eyes away to McGonagall.

“How in the world can you date Malfoy?” She hissed as we left class, before freezing, seeing that Draco was waiting in the hall, leaned causally against the opposite wall. He pushed off of it and made his way over to me, offering his hand and glancing to my bag. I raised my eyebrow at him, and he offered a seemingly sincere smile. I passed my bag to him.

“I’ll see you later Hermione,” I smiled tensely.

She eyed us suspiciously but made her way down the hall in the direction of the library where she would spend her free time this afternoon, akin to every other afternoon.

“How was class?” Draco asked, leading me down the halls in a direction of no consequence to me.

“Fine,” I stammered out. “Just McGonagall. Hermione and I are already a few lessons ahead anyway.”

“You favor Transfiguration, then?” He mused, as if he were actually interested.

“Uh... I prefer Astrology, but that’s not really the use of magic is it? Just stories.” I shrugged and smiled. “What about you Malfoy? You’re a Potions protégé, is it your favorite?”

“Uh, yeah,” He didn’t seem too sure. I pointed it out. “Well, I never really thought about it. I have to be good at everything, so why favor one subject over another?”

I glanced up at him, confusion furrowing my brow slightly.

“What?” He demanded, snideness leaking into his tone. It brought me back to reality. 

“How... Slytherin of you,” I noted with a teasing smirk. He rolled his eyes at this.

When we were out of earshot and eyesight of anyone and his demeanor changed fractionally, still giving way to a serpent under a flower. If I wasn’t careful, I would start to marvel at the miracle of the flower and overlook the threat that lurked beneath. His expression became somber and something more akin to what I was used to. A grimace. I missed the false smiles that lit up his eyes.

Flower. Serpent. Right.

“Do you really want to get dinner tonight?” His curt tone pushed me back a fraction.

“Oh... uh.” I wrapped my arms around myself in protection. “Sure?” 

It was a weekday, meaning that we’d have to eat in the Great Hall and my stomach felt uneasy about sitting anywhere near other Slytherins. Fake dating Draco or not, they were malicious to any sort of outsider, especially a Gryffindor who was friends with Saint Potter.

“I’ll pick you up at seven outside your portrait.” He passed my bag back to me now that we were outside the aforementioned portrait.

“Okay,” I barely got out as he swept down the hall and down the stairs. I watched him go, leaning over the railing to see if there was some way to know the difference between the serpent and the flower, and which one was truly the act.

“Fraternizing with a Slytherin,” The Fat Lady scoffed. “You should be ashamed,” I bit my lip, giving the password and the portrait opened begrudgingly.

Should I be ashamed for the situation that I had found myself in? The easy answer was yes. I should. Not only was I fraternizing I was being courting by a Slytherin. Draco Malfoy was an egotistical arrogant bigot who I should avoid at all cost. Not be in a false relationship with. And for such selfish reasons too. I was using Draco, but on the same note, he was using me to get at Harry. We only cared for the other enough for what they could do in our favor.

It was a mess.

I ducked my head and flopped onto a sofa in the Common Room.

“Oi! What the bloody hell are you thinking!?” And there was the lecture I was expecting from Harry, and probably every other student on this campus, and myself. But this was Harry, an equally egotistical arrogant loudmouth, who I loved to hate just as much.

“I’m sorry,” I snapped sarcastically. “I didn’t know that you controlled who I dated or not.” My tone was acidic.

“But Malfoy!? Malfoy!?” Harry demanded. “It’s got to be a joke!” It was.

“Just because I rejected you doesn’t mean you’re allowed to call my relationship with someone else a joke!” I shouted drawing my wand. A small crowd had formed in the Common Room. I didn’t know who they would side with, but the odds weren’t in my favor, that much was sure.

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part 2

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masterlist

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more like this:

gryffindor!reader series

ten things i hate about you

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@coffee-addicti @msmcsmutt @ravn-87 @artemismohr18@whygz@crazywritingbug @bitemebro522 @zombiesnips-blog@savingdraco  @akari180 @slytherin-emerald @queenfeatherwings @fanficflaneuse @go-whovian-universe @spicyshenanigans @darling-im-not-okay-i-promise @katsukink @takemetothekingdom @strangerr-things @tmnt-queen@hxneybgb @belcvayelena @moviesbooksandfandoms   @cocochanelthepupper @ninacotte @braelynn-johnston     @jiggllyy @darcypotter-blog  @thiccheerioss@lottie289 @beautiful-pegasus@tceedlmao @anonymous034 @bi-andready-tocry @dragonsandbread @the-queen-of-hell-things @alienmotel  @oh-itsnothing @sunflowerxsadnessw @fattycooter @fanficsigottaread @gweaslvy @strawberriesonsummer @gaysludge @ray-of-sunrise @artist-bby @shadowsingeraxolotl @quillsareforwriting @wollymalfoy @lilpieceoftoast @paper-cats @floweryjh @hufflautia @livize75 @annie-mcl @riathearora @live-like-luna @justathoughtfulangel @coconutdawn @skteaiy @naughtygranger @dragonsandbread @abundantxadorations @moony-artnstuff @and-then-a-girl-with-luv @1-800-luvsick @pandas-rice-field @in-slytherin-we-trust @emmaa-t @introvertedrae @infinity1o1 @echpr@dekulover @marshmallowtraver @cereuselle @lonely-skywalker @sleepysnapesnake @hoeforthefictional @coldlilheart @helen-paris @rosie-starlit-sky @vulture-withafile @hogstupefy @eveft @iraniq @groovyfluxie @cool-weirdo-wannabee-author @rosegold-thorns @criminaly-supernatural @ghostofdolans @mxl-foyrecs @ginger-haired-queen @bex4whovian @kellyrose193 @unlikelygalaxygiver @marvel-trash-was-taken @one-edgy-bitch@supersouthy @garbagejay@rejectedlonelyasianchild  @lucymxwell @coldlilheart @elia-the-bibliophile @biggalaxydreamland @fuckbuckyyy @hopem1218 @youareinllve @tyrusparker @3rdofkingdomtrees @i-mmunity @zero-nightshade @graym01 @fandomtrash88 @snakey-drakey @ceeellewrites @thatguppienamedbae @pinkleopardss @angel-blogging @xhoney-bee-x @jovialthings @samanthahaigwood @minigigglybabi @clumsy-writing-rdb @lahoete @yourenotafailureoverall @m-winchester-67 @shiningstar-byulxx@clumsy-writing-rdb @dracosathenaeum @dracofeltonmalfoy   @harryslouis @iilovemusic12us @itsbebeyyy @dumspirospero-1 @kaye-lantern @anerroroccurrrrred @franbow29 @big-galaxy-chaos @itsbebeyyy @gryffindors-weasley @ornella0910 @ultrabuzzlightyear @phantomface1983 @emmalee12 @kuyrukludenizkizi @aubreylovesthegames @deafeninglandpersonempath @ackermanbitch @oingo233 @drismultiverse-blog @majicbamana @harrypotter289 @marinettepotterandplagg @cupidpoison @brownwheatrice @introvertedrae @gryffindors-weasley @frecklesandfirecrackers @bitchinbadgers @mkstover @dracomalfoyreader @mortallythoughtfulgurl @sakumorubywy @smileycount @ceeellewrites @is-it-really-a-secret @blogforharrypotter @spencerreidisbootiful @lam-ila @justawilddreamerchild @heavenlyrainyparis @trappedgoose-in-a-writblr-room @dracomalfoyreader @spellbinding10 @justawilddreamerchild @queen-of-the-coven @potterpasties @trudabest @theonlystoriesiliketoread @daltonacademia @jemmakates @dannighost @imagines-andshizz @unstableye @hahee154hq @malfoystylinson @idkmanicantenglish @subpar-life​

[celiabowens]

underrated SFF books (YA and Adult)

So uhm, since I keep seeing the same books on my dash all the time (and I like them too, just...there’s more! to read!) here’s a list of less popular SFF books, divided into YA and Adult. I’ve tried to mention when there is lgbt rep and the trigger warnings. Also, books written by poc will be in bold. Please point out any typo or mistake or if I’ve forgotten specific rep/tw mentions.

All of these are books that I’ve read and enjoyed (by enjoyed I mean anything from 3 stars and above), but if anyone wants to add titles please feel free to do so!!

YA:

The Star-Touched Queen by Roshani Chokshi: beautifully written, fairytale-like story rich in mythology (inspired by several Hindu myths. There’s a full list on goodreads indicated by the author herself). Roshani’s prose is gorgeous.

A Crown of Wishes by Roshani Chokshi: it’s a companion novel to The Star-Touched Queen, but both can be read as a standalone. I liked this one more than its companion and I particularly loved how the romance was written (slow burn, but specifically, the author really highlights the mutual respect between the characters, we love to see it).

The Young Elites by Marie Lu: fantasy trilogy set in a world inspired by Renaissance Italy, in which children who survived a mysterious and deadly illness ended up with strange and dangerous powers. Secret societies and a female villain!

The Kingdom of Back by Marie Lu: historical fantasy following Mozart’s sister, Nannerl, a girl as talented as her brother, but afraid of being forgotten because of the lack of opportunities she has to be seen and heard. Nuanced sibling relationship, no romance.  

The Midnight Lie by Marie Rutkoski: fantasy f/f romance! Both a coming of age story set in a society with a rigid class system and a slow burn f/f romance with a lot of banter. TW: abuse.

The Weight of Feathers by Anna-Marie McLemore: magical realism. The book follows two families of traveling performers that have been locked in a feud for over a generation. This was the author’s debut and I remember getting an arc of it and being impressed by both the prose and how the forbidden love trope was handled.

When the Moon was Ours by Anna-Marie McLemore: another magical realism novel. One of the main characters is a trans boy and the book focuses on issues of racism and gender. One of my favorite YA!

Strange Grace by Tessa Gratton: fantasy romance set in a village that periodically sacrifices a young man in order to keep a deal with the devil that ensures their prosperity. Also, polyamorous and non-binary rep.

The Rise of Kyoshi by F.C. Yee: first book in a duology following avatar Kyoshi’s life. It explores the political and cultural aspect of the Earth Kingdom and Kyoshi’s past. Bisexual rep.

Descendant of the Crane by Joan He: sort of a murder mystery fantasy, as the main character finds herself suddenly thrust into power once her father has been murdered. The story has a slow build up to a last part full of twists and machinations and it features lots of court intrigue. Warning: the ending is quite open and afaik there isn’t a sequel planned as of now.

The Bone Houses by Emily Lloyd-Jones: a quite unique take on zombies influenced by Welsh mythology (it’s super cool). The novel follows Ryn and their siblings, as they try to get by after their parents’ death by working as gravediggers. Only well, the dead don’t always stay dead. The characters read a bit younger than they are imo. There is chronic pain rep.

The Magnolia Sword by Sherry Thomas: retelling of the original ballad of Mulan. The book follows Mulan, who’s trained her whole life to win a duel for a priceless heirloom, as she joins the army. There’s a lot of political and historical details, which I really appreciated. Do not go into it expecting a fun adventure though. The descriptions of war aren’t extremely graphic, but be aware of the fact that most of the book is set during a conflict.

The Candle and The Flame by Nafiza Azad: standalone fantasy set in a city on the Silk Road! It’s a quite slow-paced tale about love, family and politics. It has lush descriptions of landscapes and cultures (and FOOD, there are some really great descriptions of food). It’s a very atmospheric book and while I struggled a bit with the pace I’d still recommend it.

Forest of a Thousand Lanters by Julie C. Dao: sort of an East Asian inspired retelling of Snow White, but following the Evil Queen before she became Snow White’s stepmother. I honestly haven’t read its sequel (which should focus on Snow White herself), but I do think this can be read and enjoyed as a standalone too.

The Queen’s Thief series by Megan Whalen Turner: it’s hard to point out exactly what this series is about because it has evolved so much with time. It starts out as classic quest/adventure series with The Thief (which may seem a classic and simple book, but is actually full of foreshadowing and has a really clever set up), but develops into a complex and intriguing political fantasy in The Queen of Attolia and The King of Attolia (and then goes back to the quest theme in book 5, Thick as Thieves).

Adult:

A Fist of Permutations in Lightning and Wildflowers by Alyssa Wong: I’m cheating with this one because it’s technically a short story but I love Alyssa Wong’s stories so I’m putting it here anyway. It can be read for free and you should just...read it.

The Poppy War by R.F. Kuang: grimdark fantasy (TW: abuse, self harm, rape, drug abuse), inspired by Chinese history. It’s adult, but follows younger MCs and the unique blend of different historical periods/inspirations makes it extremely interesting. The characters are extremely fucked up in the best possible way, plus the use of shamanism is awesome. Please make sure you check all the TW before reading.

The Sword of Kaigen by M.L. Wang: a Japanese-inspired militaristic fantasy, with elemental magic, a badass housewife dealing with her past and hiding a sword in her kitchen’s floor. It has interesting and nuanced family dynamics and a great reflection on propaganda and the use of narratives.

Empire of Sand by Tasha Suri: first book in an epic fantasy duology inspired by Mughal India (TW: abuse, slavery). I really liked both Empire of Sand and its companion and I find them pretty underrated. Both books have great slow burn romance (with a focus on mutual trust and respect) and focus on culture, religion, self acceptance and politics.

Gods of Jade and Shadow by Silvia Moreno-Garcia: a fantasy bildungsroman set in Mexico during the Jazz age. It’s a great approach to adult SFF as it follows a young girl on a life changing adventure. It features Mayan mythology and a god slowly becoming human (this trope is everything!).

The Bear and the Nightingale by Katherine Arden: a coming of age story inspired by Russian folklore. The trilogy as a whole has one of the best arcs I’ve ever seen: each book is perfectly self-contained and has its own arc, but also fits perfectly in the bigger picture of the trilogy. The atmosphere is amazing, the cast of characters is extremely well developed. Also frost demons are better than men.

The Binding by Bridget Collins: historical fantasy, but with very minimal fantasy elements. It’s set in a world vaguely reminiscent of 19th century England. I’d say this book is about humans and self discovery. It’s about cowardice and the lies we tell ourselves and those we wish we could tell ourselves. Gay rep. (TW: abuse, sexual assault, pretty graphic suicide scene).

The Divine Cities trilogy by Robert Jackson Bennett: starting with City of Stairs, it follows a female diplomat and spymaster(!!). The whole trilogy features an interesting discussion about godhood, religion, fanatism, politics, without ever being boring or preachy. It has complex and rich world building and a pretty compelling mystery.

Foundryside by Robert Jackson Bennett: heist fantasy following a thief as she’s hired to steal a powerful artifact that may change magical technology as she knows it. Set in a Venice-like merchant city. Also, slow burn f/f romance.

Jade City by Fonda Lee: sort of a gangster urban fantasy, heavily inspired by wuxia and set in an Asian-inspired metropolis. It follows a pretty big cast of characters, each with their own journey and development. It features nuanced family dynamics and a lot of political and economical subplots. Not extremely prominent, but book 2 features m/m side rep.

Trail of Lightning by Rebecca Roanhorse: inspired by Native American culture and specifically by the idea of subsequent worlds. It has a kickass MC and a good mix of original elements and typical UF tropes. TW: the book isn’t extremely violent but there is death and some gore.

A Memory Called Empire by Arkady Martine: space opera inspired by the Mexica and middle period Byzantium. It focuses on topics like colonialism and the power of narratives and language. It has one of the best descriptions of what it’s like to live in between spaces I’ve ever read. Also very interesting political intrigue and has a slow burn f/f romance (and a poly relationship recalled through flashbacks). I ranted a lot about it already.

Ninefox Gambit by Yoon Ha Lee: a Korean-inspired space opera with a magic system based on math. It’s honestly quite convoluted and difficult to follow, but it also features some of the best political intrigue I’ve ever read. Plenty of lying, backstabbing and mind games. It also features lesbian and bisexual rep and an aroace side character (TW: mass shooting, sexual assault, abuse). I also really recommend Yoon Ha Lee’s short-story collection Conservation of Shadows.

The long way to a small angry planet by Becky Chambers: character driven space opera featuring a found family journeying through space. A fun read, that also deals with topics such as sexuality and race. Quite easy to go through, as the world building and plot aren’t particularly complex themselves. f/f romance.  

The Empress of Salt and Fortune by Nghi Vo: an Asian-inspired fantasy novella that gives a voice to people usually silenced by history. It follows a cleric (non binary rep) as they chronicle the story of the late empress, retold through objects that she used in her life. It focuses on bonds between women and the power that lies in being unnoticed. f/f side rep.

The Black God’s Drums by P. Djèlí Clark: an urban fantasy novella, based on Orisha mythology and set in an alternate, sort of steampunk, New Orleans. I really like how creative Clark’s worlds are and how good he is at writing female characters (which rarely happens with male authors).

The haunting of tram car 015 by P. Djèlí Clark: novella set in an alternate steampunk Cairo populated by supernatural entities. It’s set in the same world of a Dead Djinn in Cairo, which is a short story you can read for free.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone: epistolary novella set during a time-travel war. It has gorgeous writing and an amazing f/f romance. As a novella, it’s quite short but it’s beautifully crafted and so complex for such a short book!

The Citadel of Weeping Pearls by Aliette de Bodard: a novella set in the Xuya universe (a series of novellas/short stories set in a timeline where Asia became dominant, and where the space age has empires of Vietnamese and Chinese inspiration), but can be read as a standalone. It’s a space opera featuring a disappeared citadel and the complex relationship between the empress and her daughter as war threatens her empire.

One for My Enemy by Olivie Blake: self-published urban fantasy following two rival families in New York. Sort of a Romeo and Juliette retelling but with gangster families and magic. Honestly recommend all of her books, I love how Olivie writes and especially how she writes female characters.

[persepholline]

I've read that article about the romanticization of the Darkling and while I absolutely understand people who are pissed off/sad and I agree that it's shitty, I find LB's attitude towards Darkles stans very funny in a "girl what are you doing" sort of way because it's so petty like I've never heard of a bestselling author writing a portion of their fans into their books as a crazy cult before, it clearly hit a nerve

I'm new to the fandom but the feeling I get is she wrote something problematic ten years ago and became very embarrassed about it afterwards so she turned on the fans that liked it as a way to absolve herself. Especially since fandoms in general have become a lot more focused on discussion of what constitutes healthy/acceptable relationships to write about. And in a way I get it I had a huge Twilight phase in high school and afterwards I was super embarassed about it because of how problematic and cringe it was. But now with distance and more maturity I'm able to both still see why it was problematic and also why I was drawn to it (mostly the very unhinged representation of female desire) and like...it's really not the end of the world and no it never made me believe that breaking into somebody's room at night to watch them sleep was actually ok in real life lmao. This feels so obvious to me but apparently it needs to be said.

(More under the break this is turning into an essay, I've been thinking of this a lot recently)

And of course it's good to have these discussions about how historically romance tropes have echoed social dynamics of men's shitty behavior being romanticized and excused. But these days they often are so simplistic and focused on chasing clout that they become this weird new puritanism and moral panic about oh now women are reading novels it's going to make them hysterical or something

So you have these weird assumptions that you can't like a character and also be critical of their actions, or enjoy certain parts of a character and not others, or wish they were written differently and like them more for their potential (which I'm sure stings a bit for an author lol) - it assumes that if you like a character it means you would approve of their actions in real life, or that people just stupidly reproduce whatever they see on TV. That tendency to treat fictional characters like real people is the thing that actually worries me, to be honest, because it indicates a lack of distance and critical capacities regarding how stories are used and received. But people - fans and authors - are so scared of being called out as problematic and harassed for it that they're going to shy away from any nuance.

And yeah I think that it's good that standards of what constitutes an ideal relationship are evolving and becoming more feminist and communicative and all that and we definitely need more of that. But not all fiction has to be aspirational! Sometimes you just want to read about fucked up shit, because it's cathartic or fascinating, even healing at times because with fiction you are absolutely in control and can choose when to close the book. Toxic relationships in fiction can have an appeal specifically because they go to extremes of feeling that we don't want to go to in reality, in exactly the same way as horror movies or very violent action movies - which I don't see a lot of people besides fundamentalist Christians argue that they turn you into violent psychopaths (and that feels very obviously sexist). And for women, who are often taught growing up that love is the purpose of life, the "saving someone with your ability to love" can be a power fantasy in the same way that being a buff superhero who saves the day with their capacity for incredible violence can be a power fantasy for men. Still doesn't mean those women are going to fall in love with actual murderers or that those men are going to start beating up people at night. And love is scary, and weird, and weirdly close to horror at times, with all the potential for loss of self and being vulnerable and overwhelming feelings and potential for being horribly hurt and it should be possible for stories to explore that without anybody screaming about how this is going to Corrupt the Youth or something

And I mean I get it LB wanted to write a cautionary tale for teenagers, but it just did not work for reasons a lot of people have already written about - the fact that the Darkling is the leader of an oppressed minority and is the only one with a real political agenda to end that oppression in the first trilogy, the fact that he helps Alina come into her own power while her endgame LI is someone she keeps herself small for, that she's shamed for wanting power after growing up without any, a generally very wonky conception of privilege, and a lot of other stuff with yucky regressive implications to the point where stanning the villain actually feels liberating and empowering which is a surefire sign that the narrative is broken (unless it's a villain focused story lmao). But of course that Fanside article makes almost no mention of the political dynamics, it's all about interpersonal stuff which is an annoying trend in YA, there are those massive events happening in the background but it's made all about the feelings of the hero(ine) ; war as a self-development quest (which is kind of gross). Helnik is kind of an example of this too - I like them, I think they're fun ! But Matthias spends a big part of the story wanting to brutally murder Nina and her kind, and he mostly changes his mind because he finds her hot. Like you don't feel there is some sort of big revelation that his entire moral system and political framework is completely rotten ; it's all better because of feelings now.

As a teenager that kind of sanctimonious bullshit would have annoyed the hell out of me ; I read those books in my early twenties and I found the ending so stupid I wouldn't have trusted any message or life lessons coming from them. And I liked reading/watching dark stuff as a teenager, as a way to deal with the very intense inner turmoil I was dealing with - and I turned out fine ! Meanwhile I've seen several times women in very shitty relationships being obsessed with positive energies and stories ; they were so terrified of their life not being perfectly wholesome they ended up being delusional about their own situations.

Like personally I think the Darkling is a compelling, interesting, alluring character and also a manipulative, murderous piece of shit and that Alina should get to punish him (like in a sexy way) - but he's also the end result of centuries of war, oppression and trauma and reducing that to "toxic wounded boy" feels kind of offensive ngl ESPECIALLY since the books don't offer any kind of systemic analysis or response to oppression beyond "the bad guy should die" and "now the king/queen is a good guy our problems are solved!!!!"

In Lives of the Saints, we see how Yuri is abused extremely badly and almost killed by his father, and so when his father dies when the Fold swallows Novokribirsk, he thinks the Starless Saint has saved him. Later in KoS/RoW he's turned into this fanatic who explains away all the Darkling's crimes. The other followers talk about how the Starless Saint will bring equality for all men. Then the Darkling comes back and actually thinks his followers are pathetic, which feels again like a very pointed message to his IRL stans. Which is absolutely hilarious to me. Like oh no, if he was real he would not like you and think you're pathetic ! Yeah ...but he's not. Real. Damn right he would not like the fics where Alina puts him on a leash. I'm still going to read them. What is he going to do about it, jump out of the page ? Jfjfjjdhfgfjfj

Anyway I think the intended message is "assholes will use noble political causes for their own gain and to manipulate people" and "being abused/oppressed is not an excuse to behave badly." Which. Sure. But that's kind of like...a tired take, honestly ? A big number of villains nowadays are like this ; either they've been bullied as kids, or they're part of an oppressed group, or they have "good ideals but too extreme". This is not surprising because a lot of mainstream heroic narratives present clinging to the status quo as Good and change as chaotic and dangerous. And like sure in real life people often do bad shit because they're wounded and in danger. But if you want to do a story like that, you have to do it with nuance, talk about cycles of violence, about how society creates vulnerable people to be exploited, about how privilege gives you more choices and the luxury of morals, etc. The Grishaverse does not have this level of nuance (maybe in SoC a little bit but definitely not in TGT). So it kind of comes off as "trauma makes you evil" and "egalitarianism is dangerous" and "if you're abused/oppressed you're not allowed to fight back". And ignores the fact that historically, evil generally comes from unchecked privilege.

I guess my point is that there are many things I like about LB's writing, she knows how to create these really exciting character dynamics, and the world she has created is fascinating. But these stories are not a great starting point for imparting moral lessons. And her best characters tend to be, at least in canon, the morally grey ones. I hope one day she'll be at peace with the fact that she wrote the Darkling the way she did and leave his fans alone but in the meantime I'm just not going to take this whole thing seriously I'm sorry

[killian-whump]

Different nonny but can I ask why you don’t like season one XD

Oh sure, sure :D

It's not so much that I don't like it, really. It's more that Colin's not in it and without him around, I just don't have enough interest in the show.

I actually started watching the show when the first episode aired. I loved the Fables comic book series (at least the first few volumes of it before I lost interest XD) and was excited by the premise of fairy tale characters in the modern real world.

BUT... I wasn't fond of the actress cast in the lead role, and felt that the added "...but they don't know they're fairy tale characters!" premise would be frustrating to watch. Even now, the whole "audience knows something the characters don't know!!" trope is one of my very least favorites. It... makes me nervous, somehow? Like, I wanna just reach into the TV and shake everyone, like "WTF JUST KNOW WHAT I KNOW ALREADY, THIS IS SO TIRING"

So I watched episode 1 and... none of the rest 🤷‍♀️

It was in S2 when my mom started telling me I might wanna start watching the show, because they'd added Captain Hook to the show and the guy playing him was exactly my type - "dark hair and eyebrows for days". Still, I resisted until the next week, when she told me they had him tied to a tree and, "Well, I guess I could take a little peeksie..."

And that's when I developed a new-found interest in the show. Or, at least, in one particular pirate/actor on the show. Even then, I still didn't like the lead actress and was pissed that they seemed to be aiming to pair the hot pirate with her character. I would've preferred him getting with the hot Evil Queen XD So I kinda just watched half-assedly and didn't pay much attention to anything else going on. It wasn't 'til the S3 finale that I decided I might actually be okay with him being a big old dope for Emma, because he was at least really, really good at it.

I have a weakness for men who willingly throw themselves into proverbial space/time holes for the woman they love. It's a problem.

ANYWAY... When they brought Frozen in for S4, I started paying attention to that storyline and those characters... and then paid more attention to the other other characters... and eventually went back and watched all of S2 and S3... and kept watching regularly for S4 and everything after that...

And I started watching S1. I really did mean to watch the whole thing. Honest! But... Well, it was the same problems (mostly) the second time around. I still hate the "I know something you don't know" trope that S1 utilized... and even though I'd grown to kinda sorta like the lead actress, I had (by then) grown to REALLY like that pirate actor, and... Well, I honestly kept wondering what adventures HE was getting into whilst the action on the screen was taking place. When you find yourself distracted from what you're watching by wondering if an off-screen character is boinking another off-screen character at that moment, it's kinda maybe time to turn off the TV and go read some fanfic or something.

ANYWAY... So yeah. I still haven't watched the entire thing. Probably never will at this point, honestly.

[dangermousie]

2020 End of Year Post - kdrama edition

You can find my 2020 cdrama post here: dangermousie.tumblr.com/post/638449659546845184/2020-end-of-year-post-cdrama-edition

This is only going to cover kdramas that aired in 2020; if it originally aired another year, it’s not on this list.

It’s been a pretty lackluster kdrama year. There are probably only 5 kdramas I truly loved and only three of them I was really obsessed over. Better luck in 2021!

DRAMAS WATCHED

(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

42 Born Again - so bad, so incoherent, so insane, I have no idea why the leads signed up for it (and unlike some of the other watchers, I think it was awful from the very start.) There is literally nothing about this drama that makes sense.

41 Love with Flaws - a bunch of people who should be tried under the Geneva Convention.

40 Sweet Munchies - Jung Il Woo proves his inability to pick a functional script.

39 Meow the Secret Boy - if you ever wanted to bang a cat, this drama is for you. Not being a furry, however...

38 Do Do Sol Sol La Sol - I lost braincells just typing out this title.

37 When I Was the Most Beautiful - the only way it’s not the dumbest, most pointless melo of 2020 is because Born Again considerately came out the same year.

36 Woman of 9.9 Billion - if you want to watch an artsy French movie about miserable people, but only badly made, boy do I have a drama for you.

35 Lies after Lies - screams after screams.

34 Backstreet Rookie - people were up in arms about various problematic plots. I am a survivor of many plots much more problematic but even I couldn’t survive how utterly boring and annoying this drama was and how utterly irritating the leads were. This has taken Ji Chang Wook off my top favorites into “should I even check his latest Lovestruck in the City? Probably not” territory almost single-handedly (Melt Me helped, to be fair.)

33 Men Are Men - boring is boring.

32 Dinner Mate - two beautiful boring people eat out a lot.

31 Was It Love - no it wasn’t.

30 Alice - Joo Won in the shower can make up for a multitude of sins but not plot nonsense of such magnitude. When you find yourself thinking it would be better if he hooked up with the alternate universe version of his mother because at least then something entertaining would happen, you know it’s bad.

29 More than Friends - started out OK, then made me hate basically everyone and kept going.

28 Start-Up - honestly, it’s probably more decent than its place here, but the toxic and batshit fandom for it (the worst this year) made me feel like breaking out in hives any time it’s even mentioned.

27 The Spies who Loved Me - how to take a good cast and waste it.

26 Private Lives - it was good but it never took off with its concept and spent more time on the incoherent plot than the OTP which was its one strength. It’s a decent drama but coming after Heartless City and My Beautiful Bride from the same writer, it’s a disappointment.

25 Record of Youth - as high as it is due to Park Bo Gum hard carrying this entire awful drama on his shoulders and doing it so well I finished it. Alas, while he is in one drama (and that drama is great), the rest of the characters and the entirety of the script are a pointless useless mess.

24 Do You Like Brahms - excellent first third, mediocre middle, and terrible last third. I don’t know what musical term applies to this? Diminuendo, I think.

23 I’ll Go to You When the Weather is Nice - nice and mellow but nothing much happens.

22 Forest - mainly for Park Hae Jin’s excellent and frequently naked bod.

21 The Ballot - I didn’t love it as much as everyone did but it was well-made.

20 Hyena - more romance and less weird law stuff would make it better.

19 365 Repeat the Year - surprisingly solid.

18 The Game Towards Zero - see 365.

17 When My Love Blooms - very old fashioned, very lovely.

16 Chocolate - also very old fashioned and very lovely but also with Yoon Kye Sang performing medical procedures bleeding and shirtless. MMM.

15 (tie) Secret Royal Inspector - a fun if run of the mill sageuk.

15 Find Me In Your Memory - best melo this year.

14 Mystic Pop Up Bar - surprisingly good even though I wasn’t planning to check it out.

13 Where Your Eyes Linger - came out of nowhere but was tender and hopeful and lovely.

12 Itaewon Class - Park Seo Joon hard carries a drama that is already excellent. Love it.

11 Psychopath Diary - Yoon Shi Yoon is such a treat in a hilarious, cynical, dark comedy.

10 Kairos - more like ouroboros.

9 Queen Love and War - in a year where sageuks are very rare, this was solid and surprisingly moving and shippy.

8 The King Eternal Monarch - people didn’t like it but I did. It’s no masterpiece and both the leads and the writers have better dramas, but it was a lovely romantic fairy tale for me.

7 Mr. Queen - sharp, hilarious, and some of my favorite actors.

6 Psycho But It’s OK - healing, sharp cinematography and even sharper chemistry.

5 Crash Landing on You - the last ep pissed me off so much this drama is dead to me but I loved it so much until then I can’t place it lower in good conscience.

4 Train - who knew I would go this hard for an OCN drama or that OCN would do romance so well? But this time-travel mystery romance is just incredible and I shipped the OTP and rooted for the characters and loved every last bit of it.

3 Run On - this is the drama Record of Youth wanted to be but failed. Smart and lived in, you feel like you are peeking at real people, but also even four episodes in, I am so invested in the main characters separately and together, and care for them so much, it’s a little frightening.

1 (tie) Tale of the Nine Tailed - my perfect fantasy romance. I liked it better than Goblin, yeah I said it.

1 Flower of Evil - all the tropes I love in one incredible package. I would rewatch episodes waiting for new ones trying to puzzle the story and to stay withdrawal but it works just as well on rewatch. Lee Jun Ki brings his trademark tortured intensity and for once, both his leading lady and his script back him up and are worthy of that. It’s perfect.

FAVORITE DRAMA

It’s a tie between Tale of the Nine Tailed and Flower of Evil but if I had to pick just one, FoE, because it had me seriously obsessed and guessing about the protagonist and gave me the narrative tropes I love so much and an OTP that statisfied all my hurt/comfort kinks and then some.

WORST DRAMA

Born Again - honestly, this is so bonkers it almost becomes good but alas...

FAVORITE MALE CHARACTER

Do Hyun Soo/Baek Hee Sung, Flower of Evil - he is so messed up, so on edge, so traumatized. Yet capable of so much warmth and caring even as he himself doesn’t realize his humanity. FoE is basically a story of a man pushed and punished by the world for his entire life who, because of one woman, finds a safe place and peace and slowly comes to life without realizing it, and watching his desperation to keep this small bit of normalcy is so heartbreaking and exciting all at once. Plus, you start the drama thinking he’s a psychopathic serial killer and end it (if you are me) thinking he must be protected at all costs and if anyone even looks at him wrong they must suffer, and that’s quite a change!

FAVORITE FEMALE CHARACTER

Nam Ji Ah, Tale of the Nine Tailed - she is so funny and tough and smart and loving and amazing that I will totally buy that a literal demi-god will do anything and everything for her and love her for literal eternity.

NEEDS TO BE MURDERED

Dad in Record of Youth - yes in a year with serial killers and supernatural demons, I picked a normal character from a mediocre drama. It’s his everyday awfulness to his family that hits so hard and I am sad he never got his comeuppance.

FAVORITE SHIP

Ji Ah x Yeon - a fearless reporter and an immortal demi-god who’s been hoping for his human beloved to reincarnate. A really rare set-up where the OTP is equally ride or die, so compatible and completely BAMF. I got why he waited for her for that long and then fell in love with her all over again. Perfection.

Runner up: Flower of Evil - he is so messed up he literally does not believe he is capable of love or empathy, but he falls in love with her anyway and so utterly she permeates his entire life. She is tough as nails and only believes what she sees and is the sole person who believes in him against the world. She loves him but he needs her. She needs him but he loves her. They are amazing.

FAVORITE SECONDARY OTP

Seo Dan x Gu Seung Jun, Crash Landing on You, North Korean x Conman were so good I shipped them harder than the main OTP and the end of that storyline pissed me off so much I dumped the drama and didn’t finish it for months (and it’s still dead to me.)

NOTP

Record of Youth - it started out and they didn’t have much chemistry but the dialogues were interesting and I thought the chemistry would grow. It didn’t and deteriorated, their dialogues became boring and relationship had zero development (about as much as the supposed female lead.) I think we were supposed to feel bad they broke up and they were going for a bittersweet open ending, instead I found myself happy about the break up of two incompatible, chemistry-less people and hoping for the love of God they never get back together.

FAVORITE SCENE

Yeon and the bridge of knives, Tale of the Nine Tailed - Yeon choosing to undergo the creeptastic bridge of knives for a chance to save Ji Ah, who at that point he is not aware is the reincarnation of his Joseon love because, as he says, he doesn’t care if she is or isn’t, it just would be more horrible to have her die than to undergo the horrific torture he is undergoing, and then the sequence with his catching her, her weeping over him and the fact that she is the original Joseon girl revealed and all the bandaging and his watching her sleep and all that loveliness, is everything for yours truly.

Runner up: Hyun Soo having that break-down at the cliff at the end of ep 15 of Flower of Evil as Ji Won desperately tries to convince him she is alive and he finally stumbles to her.

Runner runner up (it’s my list, I will do what I want): Do Won preparing to blow his brains out to give a chance to Seo Kyung to live in Train.

BIGGEST CRUSH

Seon-Gyeom, Run On. Yeah, I know. Im Siwan is tiny, delicate featured and has a runner’s build, none of which are things that normally appeal to me. But his character is so odd, so honest, so unflinching in pursuing what he thinks is right, so incapable of self-pity despite plenty of reasons for it, and so ridiculously attractive when he smiles, I don’t even care.

BEST SCENE STEALER CHARACTER

Kim Bum, TotNT - I started out being annoyed by him and ended up looking forward to his scenes and being distraught by his ending.

NEEDS A SEQUEL

Honestly, none. I was fine with all the endings. I wouldn’t mind seeing post-end life of Tale of the Nine Tailed characters or the OTP settling into their literal new world in Train, but I am good.

TROPE THAT NEEDS TO DIE

Time jump that solves all the problems off screen or alternatively years pass and everyone is frozen - something that kdramas need to learn and need to learn badly. See Record of Youth, Brahms and Start Up.

FAVORITE TROPE WE’VE SEEN A LOT OF

Men who are ride or die for their OTP - this was a great year for this - the male leads of four of my five dramas were beyond anything on that scale (only exception is Run On because it’s still too early to tell there.) Yes PLEASE.

BIGGEST DISAPPOINTMENT

This was a banner year for that what with Start Up, Do You Like Brahms, Record of Youth, and Private Lives all starting out well and nosediving off the cliff but winner is Crash Landing on You. I loved it so much for bulk of its run but the last episode pissed me off so much I deleted all my files and called it a day.

BIGGEST GOOD SURPRISE

Flower of Evil - I had no expectations of this drama and wasn’t even planning on watching it despite liking both the lead actors because yet another “look at evil serial killer be evil” drama with no romance was not my thing. Luckily someone convinced me there might be some romance and I peeked curiously. Honestly, their promo campaign was the most misleading and dumbest thing ever.

Runner up Psycho but it’s OK - I have never liked Kim Soo Hyun in anything before and the drama premise seemed WTF but it was shockingly good and KSH totally blew me away.

Hardest Working Lead

Yoon Shi Yoon - he starred in two (!!!) dramas in 2020 playing three characters and not only were both these dramas awesome in a lackluster year, but if it wasn’t for the fact that I knew it was the same actor and the fact that the characters shared a face, I would have never believed that they were played by the same actor. So good!

2020 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

None. Covid Year gave me PLENTY of time

BEST NON-2020 DRAMA I’VE WATCHED IN 2020

My Beautiful Bride and Deserving of the Name - I was obsessed with both of them and honestly, they were much better than the bulk of 2020 kdramas I watched.

MOST ANTICIPATED IN 2021

The Moon That Rises in the Day, Hong Chun Gi, Joseon Exorcist, Island,  Frightening Cohabitation, Snowdrop.

[sanchoyo]

danny phantom episode 4-7 Thoughts: (under a readmore because, these got kinda long!)

-the outfit danny had to buy for dash's party. CLASSIC 2000S i cannot stop laughing. And also showing up to the party and everyone is dressed like the trio is hilarious. and further proof that everyone looks good dressed goth.

-dash has a closet full of cute lil bear plushies?? LOVE that. adorable. also his response to danny trashing his room fighting a ghost was SO valid if somone BROKE MY BED IN HALF ID BE PISSED TOO.

-technus being like 'oh smart, u should be a tutor!' then later being like 'forget tutor, be a teacher!' :) supportive king <3 I also really like his upgraded suit/design. AND SPOCK CAMEO??? HELLO??

-the music in this show is super. its so funky. I looked it up and the guy who does it, guy moon (awesome name) also did music for other cartoons like fairly odd parents, barnyard, chalkzone, billy & mandy, AND some actual movies like FIGHT CLUB??? the whiplash I got from reading that)

-sam being rich explains a lot about her, actually.

-I know the moral of the episode was supposed to be 'dont ditch your friends for popular people/spend a lot of money on clothes that arent You to Fit In'. but tbh. it wouldve been easy for danny to have been like 'well, okay, ill come but only if my friends can!' but I get. that hes 14. so. not a lot to say there.

-BOX GHOST IS BACK!!!!! also, danny sitting up and wearing the dress/wig/makeup. umm thats how I dress everyday LMFAO. unironically me. (hate the jokes that boil down to 'haha funney man in dress' tho. but this is a look)

-jazz being protective of her brother once again being like NOOO YOU GUYS BETTER NOT STAKE OUT HIS (actually haunted) LOCKER!! shes aware of how people perceive him and she wants to help :( which is also probably why she told dash to invite him to that party even tho she had no interest in going!! she wants to help him out :(

-gotta say im with tucker on the whole 'should danny use his powers to get back at bullies' debate. 100% yes. let him teach kids to fight back. making dash throw his food at paulina out of the blue? no. but when hes actually about to pick on someone? yeah! for self defense? YEAH! if dash and his friends just threw food at him, I think rather than. idk doing sneaky shit with frogs he couldve just threw it back and not pulled punches if they tried to fight. I kNOOWWW its a kids show so they are like 'if u fight back ur just as bad!! violence bad!!' but. theyre HIS POWERS. WHO CARES.

-like my only gripe is that dash really isnt LEARNING ANYTHING WHEN DANNY GETS BACK AT HIM IN THE MOST PETTY INDIRECT WAYS. whatever they had to add a bully psa episode I guess. I hate it and I hate the way cartoons usually handle it because these methods simply Do Not Work. 'aND YouRE USinG YOur poWErs FOR EVill???!' this is Not Evil. even when poindexter takes dannys body, theyre only being 'nice' bc hes stealing soda for them!! bitches deserve what they get (nothing too brutal bc theyre high schoolers but damn, if they pick on danny he doesnt need to be the 'bigger person' he needs to start biting people)

-SAM TRYING TO SMUGGLE FROGS OUT OF THE BIO LAB?? girl in middle school when we had to dissect frogs we could opt out, also, they came to us already dead and preserved...

-sidney's lingo and the fact hes in black and white is sending me. also, danny is a ghost celebrity apparently for being a halfa?? ok. thats interesting to know

-the DENTIST BEING EXCITED ABOUT THE COTTON CANDY FLOOD IS THE FUNNIEST THING SO FAR.

-I LOOOVE the trope of 'wishes gone wrong'. not crazy about the stereotypical genie, or the use of the dreamcatcher looking design. (also, I KNOW theyre scientists but the way theyre handling a cold...are the fentons ANTIVAX)

-the genie. she. whitewished paulina. JKASDFHKJ. (the ghost literally just being hello kitty???? im dying) 'why do i feel that im special and wonderful? because I AM! <3' paulina ilu self worth queen. felt bad for her also getting possessed by (2) boys later who were arguing INSIDE HER. WTF.

-imagine being the guy trapped in his now flying car. he thought danny and tucker were HALUCINATIONS. imagine being trapped in a flying car with two, what you think are imaginary arguing 14 year olds convinced ur gonna die. i WOULD say this dude is gonna need so much therapy, but he seemed totally fine and excited when they landed (I would be happy too if a chicken was on my head. chickens rule) stoner rights

-sam's bat slippers??? iconic. SO cute.

-I think desiree's backstory is so :( do all ghosts have messed up sad backstories?? poindexter's was sad too...cannot imagine box ghost has any kind of fucked up backstory. but what if. his mom got pushed off cliffs by boxes...........a la cruella... anyway her 'no man may lay a hand on me' iconic. ilu

-I know danny has no concept of how much bras cost but my god dont attack tucker with some girls bra. those are so expensive.

-its really. well its not a GOOD THING he went into the portal and got fucked up, but its good danny was the one to do it rather than sam or tucker. because even tho he was being influenced by desiree and kept getting more malicious and it prob wasnt 100% him...he sucked as a ghost like most the people he 'pranked' were innocent ppl just Chillin and he didnt want to help anyone at all. I think danny is the most responsible out of them but also, hes 14 and shouldnt HAVE to feel obligated to fight every ghost. hes a good kid and wants to, but I also feel like he feels like...responsible for the portal turning on?? because his parents did give it up,, but it was an accident and not his fault (if anything, why was the on switch on the inside. why was it that easy. why was there no safety measures. that seems like smth OSHA needs to hear about). like thats my son. hes a good boy. and hes never done anything wrong in his life, ever. if anyone hurts him im killing everyone in this room and then myself. etc.

-danny's curfew is 10PM????? DUDE. when I was 14...shit I couldn't be out that late, I had to be back at like, 8 at the latest, and my parents had to know exactly where and who I was going with, AND i had to call/text them regularly...is this a case of my parents being overbearing, or the fentons sucking??? the only time i could EVER be out that late was if I was at an overnight sleepover or smth...

-the vultures have lil fezes. why do they have fezes...theyre so fuckin funny 'ask him for directions' 'I KNOW WHERE IM GOING' these ghost vultures are my new grandpas. pick them up, put them in the adopt box.

-'I wonder why those guys were trying to waste dad!' THEYRE GHOSTS. YOUR DAD HUNTS GHOSTS. why is that not a conclusion you'd immediately jump to??

-*jazz voice, clearly disgusted* WISCONSIN???

-mrs fenton with the lab coat and leg warmers and PERM. YESSS STYLISH.

-was going to say 'ew billionaire' @vlad but. super valid he used his powers to assumedly steal and cheat to get that money, thats how all billionaires do it! but ew hes a SIMP. and spending your billions on FOOTBALL STUFF?? you are Not Valid overall. I DO respect the fact you have a castle instead of a mansion. in wisconsin. if youre going to be stupidly rich might as well go all out, torches on the wall and all. I DO like his ghost form's little kitty ears. catman. and his cape! every design can benefit from a cape. and how different his forms look, like danny looks the EXACT SAME IN BOTH FORMS ASIDE FROM COLOR CHANGES. vlad's is like,, I could believe they were different people!! also I love the drama. but dude you are fighting a 14 year old. lame. also he was like, telling danny he wanted his mom and him and like, wanted him to renounce his dad?? WHAT ABOUT JAZZ?? bitch. those r MY kids and they are both important and special. I do agree they need better parents but thats not u sir <3

-I thought vlad's 'little badger' nickname for danny came from the football mascot of the packers, but google says they have NO MASCOT?? so now I'm like?? is it because his hair is sometimes black and sometimes white?? I hate to give him props but thats a PERFECT NICKNAME. theyre also tiny and vicious!

-why did I get so excited that Skulker is back!! its been like. 2-3 eps LMAO. AND THE DAIRY KING. ICONIC I LOVE HIM. hes the nicest guy ever :) more nice ghosts please. danny cannot be fighting alone everytime with no ghost buds like every ghost being hostile sucks :(

-mr. fenton knew vlad was controlling him, but a few episodes ago he had no clue danny was doing the same thing...is it something about how malicious the ghost is?? he just seemed to think his memory had gaps the first time, this time he was INSTANTLY LIKE 'GHOST'. then again in this ep when danny did it again he was just slightly confused but not immediately freaking out like he did with vlad possessing him!!

-'my parents will accept ME NO MATTER WHAT' so. so why haven't you come out to them yet, danny?? if you really think that?? if theres no harm, and you're sure??? if vlad is a real problem, wouldnt that make dealing with him easier, to expose him???? SO WHY HAVENT YOU COME OUT YET?? COULD IT BE,, MAYBE YOU HAVE DOUBTS ABOUT WHETHER YOUR PARENTS ACTUALLY WILL ACCEPT YOU??? 🤔 ... 🏳‍🌈 I get why people say He Is Trans. I totally totally get u danny.

-sorta unrelated, but it just occurred to me in one of these eps they go to casper HIGH not casper middle school??? theyre 14?? dont highschools usually do ages 15-18? (I didnt go to hs so I might be wrong, if I am ignore this...) freshmen are usually 14-15, could just be a case of them not turning 15 yet but they will sometime in the school year (I say they because tucker said he was 14 too)? I know the show has 3 seasons, so by the end of it will they be older? thatd be neat but usually cartoon characters stay the same age...I love shows where you can see the characters age and grow up, though...three seasons seems like a long time to spend on like, 1 year...

[antiloreolympus]

10 Anti LO Asks

1. to add to the antisemitism anon: its usually jewish webtoon readers who point this out within LO circles, so they're likely more prone to notice these tropes used over non-jewish readers, even if most wont because of how often antisemitic tropes are just common place at this point. i doubt rachel used them intentionally, her refusal to listen or fix that or any actual complaints and issues is a bigger problem to me. It shows a lack of listening and being conscious of others.

2. IM SO GLAD FOR THIS. I feel like you can't give critiques of this series without someone getting upset about it.

Anyway, I wanted to see if anyone has noticed that the art style just isn't consistent?? Also.. the features of the main characters feels more and more... bad?? Idk what it is but it makes me UNCOMFORTABLE.

3. If RS has based Persephone off herself and she is attracted to men like Hades then I really feel sorry for her.. bc no woman with common sense or at least some self esteem would be attracted to men like that

4. The theory about Hades being evil and orchestrating the whole thing is the only theory i’ll ever support about LO and the one which would actually give a good ending to an awful comic, however i agree with you that this theory has a high chance of not coming true since Hades is our ~soft emo boi who deserves nothing but love and the beautiful Persephone ~

5. Lore Olympus: Allmighty and powerful god Hades, slave owner, rich CEO, lord of the dead, have his romantic interest, future queen, overpowered goddess of Spring... Doing the dishes.

Amazing.

6. Can i just say that there is no more need of a modern adaptation of any mythology not just HxP.. bc if they’re gonna be as shitty as LO there better not be any.. I would 100% support a comic which stays true to the mythology and actually portrays it as it is (bad stuff and all) rather than have some modern interpretation of it where 99.8% of the mythology is changed and the artists don’t even bother to learn more about it and the whole plot and scenarios don’t even make sense not to mention the way the characters are designed

7. The fact that people pray to and work with these deities, to this day, with no respect to the fact is a bit tone deaf. There are ways to have your own interpretations and be respectful. Also no offense to Mads, he’s phenomenal in what he do, but using him as Hades inspo isn’t it.

8. RS creating the chapters week by week shows that she couldn’t care less about actually learning and properly interpreting the mythology she’s basing her comic on.. how are you gonna give yourself a week or so to read about greek mythology? When it comes to anything that has to do with a country’s culture you need to take at least a year to actually educate yourself on it and also need to ask and communicate with natives and academics of that country if you’re gonna make a comic on it

9. I feel like Rachel based her remake off of an already pretty popular webcomic (omgcheckplease) and just made it straight. And with a plotline that seems to be jumping all over the place.....

10. The only reason why RS went with a HxP interpretation or whatever is bc she knew if she would make sth this shitty and the characters were just original characters from her she wouldn’t be half as famous as she is now

[legionofpotatoes]

we decided to watch all story cutscenes from the new resident evil village videogame on a whim, since it’s not really our cup of tea gameplay-wise but seems to be this massive zeitgeist moment that made us morbidly curious. And I know how much everyone cares about my thoughts on things I know very little about, so. let’s get into it huh gamers. and yeah spoilers?

for context, I’ve only played resident evil 4 and a small portion of 5. I also read the wikipedia entry for 7’s plot recently. all this to say I was only vaguely aware of how tonally wacky the series was going in

I also completely gave up following the plot of the mutagens’ soap opera, so that paid off in spades here as you might imagine

anyway so that baby in the intro. that baby’s head is just massive. humongous toddlerdome. when ethan finds the baby’s head in a jar later on. there is no way that head would fit into that jar. bad game design. no not even game design. basic stuff. one hundred years in prison for jar modeler

if I see a single functional hetero marriage in video games I will cry tears of joy. I understand their misery is kind of The Point irt them badly working through the hillbilly romp trauma but like. sheesh. at least set that up as an emotional story goal the plot will help resolve. but nope they start off miserable and it goes nowhere

I know I know the mia thing has a huge wrinkle in it but like. not really in terms of dramatic function?? set up a happy end to the re7 nightmare (miranda can keep up appearances for all she cares) and then take that all away from angry griffin mcelroy for manpain. it will still absolutely work to set up the dramatic forward momentum. why throw in this cliche Hollywood Tension in their marriage if you’re not going to address it oh maybe because it’s normalized as automatically interesting because nuclear families are a self-propagating pit of a very narrow chance at emotional happiness relying on social stigma to preserve their empty function oops my baggage slipped in yikes abort mission

I called him griffin mcelroy because I saw his face on twitter and. yeah. I will continue to do this occasionally. my house my rules

... fuck the reason I’m hung up on this is specifically because the rest of the game is so tonally dexterous (which is a shining point to me! more on that later!), and yet they felt weirdly compelled to create the aesthetic trapping of a family-at-odds trope without following it through too well. a sign of both the good and the bad stuff to come

but listen the real reason why I wanted to talk about any of this is to nitpick the fascinating backwards-engineered nucleus of the entire thing; in that this game essentially creates a melting pot of just SO many disparate horror tropes and then makes a no-holds-barred unhinged effort at weaving thick lore to piece them all together. it is truly a sight to behold. like straight up you got your backwoods fright night situation, your gothic castle vampires, your rural-industrial werewolves, and don’t forget your bloated swamp monsters over there, with then a hard left turn into robotic body horror, and the entire ass subgenre of Creepy Doll writ large, and the bloodborne tentacle monsters, and a hellboy angel bossfight, which rides on the coattails of a mech-on-mech pacific rim bonanza, and just jesus henry christ slow down

almost all of these are textural hijack jobs that don’t really get into the metaphor plain of any of those settings but the game sort-of makes an argument that the texture IS the point and revels in it. It is kind of admirable almost. The same reason why the intro felt boxed in and unmotivated is also why the rest of the game just blasts off of its hinges to the point of complete and self-indulgent tonal abandon. I kinda loved that about it. lady dimitrescu made sure to hold her hat down as she bent forward in mahogany doorways and then suddenly she’s a giant gore dragon and you settle in your temp role as dark souls man with Gun to take her ass down. Excellent??

this rhino rampage impulse to gobble up every horror aesthetic known to man comes to head when the game wrestles with its FPS trappings in what is the most hilarious solution in creating visceral player damage moments. Since most cinematics and the entire game is in first person, that leaves precious little real estate for the devs to work with if they really want to sell griffin’s physical crucible. To wit. This dude’s forearms. Specifically just the forearms. They are MASSACRED throughout the story. The poor man lives out the silent hill dimension of a hand model. by the end cutscene he looks like a neatly dressed desk clerk who had decided to stick both his grabbers into garbage disposal grinders just a few hours prior. like in addition to everything else it manages to rope in that tinge of slapstick violence into its general grievous genre collection except this time it IS for a lack of trying! truly incredible

but wait his miracle clawbacks from everything his poor paws go through are retroactively explained away, yes, but far too vaguely and far too late to console me as I sat and watched everyone’s favorite baby brother reattach an entirely severed hand to his wrist stump by just. placing it on there. and giving it a lil twist ‘n pop terminator-style. and then willing his fingers back into motion right in front of my bulging eyes. this game just does not care. it does not give a shit. and boy howdy will it work to make that into one of its strongest suits

cause generally speaking resident evil was THE premiere vanilla zombie content destinaysh for like a decade, right? and as the rest of the world and mainstream media started encroaching and bloodying its blue ocean it went and just exploded in every single conceivable horror trope direction like a smilodon on catnip. truly, genuinely fascinating franchise moves

yeah the big vampire milf is hot. other news; grass... green. although I do love the implication that her closet is just identical white dresses on a rack. cartoon network-level queen shit

apropos of nothing I’ve said there’s also this hobo dante-devimaycry-magneto man, and I can’t believe this sentence makes sense. anyway he made that “boulder-punching asshole” joke referring to chris redfield and it was probably the only easter egg that really landed for me and boy did it land hard. I have not seen him punch the boulder in re5, mind. I had only heard about how funny it is from friends. and here this dude was, probably in the same exact mindset as me, trying to grapple with that insane mental image. with you on that ian mckellen, loud and clear

I advocate vehemently against the shallow pursuit of hyper photorealism in art direction but I gotta admit it works really in favor of immersive horror like this. the european village shacks especially gave me super unchill flashbacks to my rural countryside retreat in western georgia. I could smell the linoleum dude. not cool

faces are weird in this game. can’t place it. nice textures, good animation, but the modeling template is... uuh strange? and the hair. it has that clustered-flat-clumpy look that harkens to something very specific and unpleasant but I just don’t know what. sue me

griffin’s mental aptitude to take all this shit in stride and end every seemingly traumatizing bossfight involving some fucking eldritch being yet unseen through mortal eyes by essentially throwing out an MCU quip is just. What the fuck dude? I mean that was funny how you casually yelled the f-word at a god damn werewolf that you considered a fairy tale an hour ago but are you like, all right?? it was swinging a sledgehammer the size of a bus at you, ethan

oh oh the vampires are afraid of cold and your last name is winters. I get it haha

Pro Gamer Nitpick: boss fights seemed a bit unnecessarily long?? idk why the youtuber we picked decided the ENTIRE propeller man fight counted towards the vital story scenes he was stitching together, but man mr big daddy lite there really had some get up and go huh??

why are they saying dimitrescu.. like that. is it really how you say that word or is the english language relapsing into its fetish for ending every single word with a consonant at all costs

I’m not saying it’s a dramatic miss of a twist in context of all that’s going on, but the “you died in the last game actually and have been DC’s clayface ever since” revelation is low-key. it’s. it’s just funny to me, I dont know what to say. century-old god-witch fails her evil plan after she mistakenly removes heart from what was definitely NOT just some white guy with eight fingers after all

chris realizing he’s about to become the player character and immediately swapping out his tsundere trenchcoat for the muscletight sex haver sweater

the little bluetooth speaker-sized pipe bomb he taped to his knife was nuclear?? really??? I must have missed something because that is just too good. I buy it though I totally buy it. chris just got them fun-sized nukes in his car trunk for, you guessed it, Situations

anyway this is all for now just wanted to briefly touch on how unexpectedly funny and tonally irreverent this seemingly serious game turned out to be. did not articulate any cathartic story beats whatsoever but my god it had fun connecting those plot points. he just fucking put his severed hand back on his stump and it Just Worked todd howard get in here

[jacscorner]

Princess Peach, The Royal Druid

Princess Peach in D&D would make for a good NPC. That would be leaving well enough alone. But Peach has been a playable character in a number of games, so I think it's only fair that she gets to be a potential player.

There's...actually a LOT better builds for Princess Peach if you wanted to capture a specific feel for Peach. Hell, if you REALLY wanna go in this direction, you should go the route Tulok the Barbarian went in his own Peach video. Won't lie, saw it a year ago and felt a bit deflated since part of what he did was what I wanted to do and had abandoned this since I didn't wanna be called a copycat.

But, eh, screw that. We just ended up coming to a similar conclusion, even if for different reasons. No shame in that. D&D is 90% inspiration anyway! Heck, this dumb 'Super Mario Campaign Setting' project is just playing stuffing Mario tropes and conventions into D&D.

So, since we built Mario and Luigi into D&D, it only makes sense we make a Playable Peach!

So, the reason Princess Peach is being built as a Druid is to go in line with what we've got for the setting if you followed the link up there; our Peach is the ruler of the Shiitake Hills, a series of hills covered in mushrooms as far as the eye can see.

And since canonically, Peach is served by mushroom creatures, naturally, I'm implying she's a Circle of Spore Druid. Being the latest of a long line of Spore Druids.

...And boom. I don't think I really need a big explanation for this. At least, I personally have no reason to put more options on the table. Peach hangs around the Toads, which in canon are Mushroom people, so her D&D Counterpart, ergo her class.

Peach, in this setting, would be a Lawful Good Elf. Probably a High Elf, the first born daughter of the Royal Druids. As such, it is her duty to learn the Druid Arts and carry on the tradition. Personally, I'd play it that the previous Queen and King was slain by the main villain of the campaign when she was young, leaving her to be raised by her Halfling Attendant and being taught the arts for the council of Druids who serve as the Queen's advisors when she becomes of age. There, clean cut, and gives someone who can run the kingdom while Peach is away, but doesn't take away her level of authority. All in a nice, pink bow.

Though, if you wanna multiclass, or perhaps wanna go for a 'Peachette' build, as the Princess' younger sister who goes on adventures instead since 'Peach' herself is too valuable, then here's a few suggestions.

01. Cleric

This is the one I originally would've gone with if not for my Shiitake Setting. Peach IS a healer in Super Mario RPG, so I think it makes sense for her to be a Cleric. I'd think Life Domain, which for our Shiitake Hills setting, would be either Avus or Mater (or Eldstar and Mama of the Star Spirits, lol).

02. Sorcerer

So Peach definitely has some kind of magical power. I don't think Peach is the 'ditzy blonde' type, but I don't think Peach is cracking open old tomes and learning witchcraft. Ergo, she's probably a Sorcerer, being born with her magical powers.

I'd think Divine Soul, but could you IMAGINE if she was of Draconic Bloodline? That'd be so scandalous~ And could be an interesting plot line...

03. Bard

Peach is charismatic. She's cute, she's eloquent; people like Peach. You'd be hard pressed to find people who don't like her.

Well, except this guy.

But yeah, for the most part, everyone wants Peach! I'd imagine College of Glamour. Though, you could play her up as a ditz as a cover for a College of Lore or Whispers. Just a fun little idea for RPing.

04. Warlock?!?!?!

Yeah, this is more of a fun one, but this is based on that one time Peach got possessed by the Shadow Queen in Paper Mario: Thousand Year Door.

I don't know, I just think this is more of a funny possibility. Cause there's so many different ways to play this one. Do you wanna go full Goth, Bad-Bitch Princess? Or how about someone trying to hide the sinister nature of their powers? Is she cursed? Maybe cursed during the adventure and so it's mechanically supported by getting those Warlock powers? Or did she make a deal with this evil entity? Does she have a bubbly outer shell, hiding a more sinister personality?

Well, I think that's everything I wanted to talk about!