#anyway just a funny thing to think about. it would be so fun if it existed but i'm not the one who's going to take on that challenge

[felassan]

David Gaider on Alistair, under a cut for length:

"Ah, Alistair. Depending on who you ask, he's the adorable woobie with the biggest heart or the irritating, over-used man-child. Yes, he is indeed all of those things. Good characters have flaws to go with their virtues. Ugly spots. That is literally their humanity. He was a bit of a bear to write, at the outset. James (Ohlen, the first creative director on DAO) had this idea he needed to be a grizzled Warden veteran - older, distrusting. Everyone hated him instantly. I call this the Carth Onasi Problem, and suggested to James that maybe I try something else. My observation says that the characters who are generally liked the most are the supportive ones. Enthusiastic. Funny? Sometimes, sure, but that's *not* required. I need to digress. See, at the time James had this (regrettable) period where he believed everything could be derived from a formula. He even sold this idea to the founders, Ray and Greg. Google 'BioWare formula'. Anyway, how this relates is because James thought the DAO cast needed a Minsc: a comedy character who would become super popular and, ideally, the icon of DA. "Isn't that Alistair?" you ask. "Arguable," I say, "but no." James had me to up a huge list of 'comedic archetypes' and I wrote some possible dialogue for each one. Then he had the team vote. The winning archetype? The Buffoon - like Homer Simpson or Peter Griffin. James was pleased. I was not. "The problem," I said, "is I don't find the Buffoon funny." 😅"

""But you're a professional." "Sure, I *can* write him... but comedy isn't science. I need to find him funny. If I write him, the only comedy I'll mine is where he makes fun of himself." James took that on board and then passed the character onto someone else. The result? Oghren. I rest my case. So back to the supportive character: that was my thought for a new Alistair. It was a special case, after all - the DAO PC was thrust into a terrible situation. They needed someone who had their back. A bud. A *likeable* bud. I was watching Buffy at the time, and my thoughts drifted towards Xander. Now, I know Joss Whedon is persona non grata these days, but this was 2006, OK? I was watching Buffy and thought, "man, Xander is such a wasted character" and considered how to fix him. Then I realized this might work for Alistair. Plus, I wanted to see if I could replicate the Whedon vocal patter. That was the new Alistair: a more useful and likeable yet equally dorky version of Xander. We had very strict rules in DA about language: no modern speech styles, colloquialisms, any words that came into use in our world after 1900 got severe side eye... but Alistair? Alistair got a blanket pass. Was it great that the lead writer's leading man got to break the rules? I guess not, but it's my opinion that you can break those kinds of rules - selectively, in small doses. Too much and you break the illusion. And it worked. Alistair was an instant hit. Not just with the team, but with the fans."

"Confession time? Yes, I knew Goldanna wasn't meant to be Alistair's mother. But neither was Fiona, originally. I think fans caught wind of some revisionism at work, and OK it's true. I had a more Arthurian idea for his birth but I stopped liking it... yet not soon enough to go back and make edits. Should I have just left it be, left Goldanna as his mother? Maybe. It was one of those writer things I just couldn't let go of and I probably could have used someone to sit me down and go "Gaider, please. Just stop." I still like Fiona, and where I took it. But I probably shouldn't have gone there. Casting Alistair was SUCH a chore. He required a weird mix of devilish charm, but with enough sincerity and adorkableness it didn't come off as smarmy. Every audition went full smarm... until Steve Valentine up and appeared out of nowhere. In the midst of a batch of audition files, there he was. We brought Steve in "just to try out", and he pulled it off. Even the "frog time" line, which (seriously) nobody else could. And when he got to the romantic lines, Steve's voice turned into pure butter without, again, sliding into "oh, he's slightly creepy". Both Caroline and I were sold. And he was so gloriously easy to write. It's a well I'd probably return to... a bit too often, maybe? Maric, then Anders in Awakening, and then Alistair kept popping up in future games and the comics because, yes, he was pretty much the breakout comedy character of DA. Which still makes me happy. 😁 CORRECTION: Goldanna was someone Alistair thought was his *sister*, and her mother his mother. Look, it was almost twenty years ago, OK? 😅 --- I actually had a whole scene written in DAI where Fiona tells him, but the requirements were so specific for them both to be in Skyhold and it seemed like it'd be relevant only to a small small sub-section of fans (and confusing to everyone else) so it was dropped. Rightfully so, I guess."

[source thread]

User: "The Buffy vibes were strong in DAO and I was very happy with that at the time. What I loved about DAO was the mix of dark themes entwined with bits of levity. That's how I like my angst. Dark, broody with a side of ha-has and y'all delivered in DAO for sure." David Gaider: "That's a me thing. I like going dark - really dark - and then pairing it with light, comedic moments. It provides peaks and valleys in the tone, and prevents either from becoming overwhelming. Hey if it worked for Shakespeare (alas, poor Yorrick), it can work for DA, right? 😉" [source]

[azaharinflames]

Will you share your theory on what you think is happening behind the scenes of 911?

Hi, Nonnie!

Sure! As long as everyone is aware this is purely speculation, and nothing I say should be taken as proof of anything, I have no problem.

I've gone over a few things in my head, to be honest. I thought that JLH having filming conflicts could've been a major factor, and I still don't exactly disagree with that initial idea, but overall I think it was one of the things that threw TM for a loop.

Now, I've seen a lot of people theorize that perhaps Angela is leaving and that is what is causing so much chaos in BTS, but I am on the fence about this. I do think she might've asked to not have such a big role moving forward, especially if they get a season 9 (which I am also on the fence about ngl), like perhaps retiring, or just having a more laidback position training new recruits. The seeds are planted for that, not so much for her fully leaving. And it would give Angela more free time to dedicate to other projects (which, yes please. I need her in new projects ASAP).

So... (and please don't kill me for this, it's just a theory).

I think it all comes back to Ryan. And that he perhaps is leaving, or actively wants to leave. I will try to explain myself as concise as possible:

A couple of months ago there was already speculation about this. In all of his individual interviews (which were a lot, to be honest), Ryan made a point of talking about his work beyond 911 and talking about what he would like to do after 911.

On top of the individual promo, there was an uncharacteristically high amount of BTS dedicated to him and the godforsaken mustache. To the point where they threw a mustache party. And in the pics of that party, the vibes were that it was a party for Ryan, not in general.

Small thing, but Josh randomly dressing up as Eddie for Halloween. Perhaps unrelated, but I wanted to add it.

The 911 account reposting and celebrating Ryan's 100th ep, when 1. it wasn't his 100th (if we count the eps he was actually in) and 2. it was also JLH's, and yet they didn't say a thing about it. Ryan reposted that as well and the message he reposted it with was more nostalgic than anything else. Very much giving 'it was an honor to work with you, what a journey'.

I could be wrong, but I do think his contract ends this season. So, that just adds to it.

The timeline of the move to Texas. By the reactions alone I was fully expecting Eddie to leave for Texas at the end of 808, and then to be back with Chris (in a lazy way of solving their conflict off-screen) by 809-810. But the way he's currently thinking about it makes it very sus for me. As in, it can be a thing for the end of the season, and an actual goodbye for Eddie.

Of course, nothing of this has to actually happen, and it's quite possible it just exists in my brain. But this makes sense in my funny brain because then it explains why BT had to break up so soon... because they wanted Buck to feel completely isolated.

We know 809-10 will deal with Maddie being kidnapped. That alone will make Buck spiral. But if on top of that his best friend is also leaving... well, being alone just adds to the isolation and the angst. Because if Tommy was still around he'd be able to lean on him, and have him help him through this. But it seems like the writers wanted Buck fully alone for this, because sure, seeing a character never learning and being completely isolated is so much fun.

If this ends with BT getting back together, I honestly don't know. It wouldn't surprise me if Tim doesn't know. But, all in all, I wouldn't be surprised if RG deciding he's done is the thing that kinda created the domino effect.

(Also: I do not believe Oliver was telling Tim to fire Lou and end BT. Sorry. I just don't really see it. Nor do I think there were actual conflicts between actors BTS, as much as everything they're doing right now does feel a bit weird)

Anyway, thanks for letting me rant, Nonnie! My inbox is always open for ranting, venting, or discussing

Take care <3

[madbard]

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

[cheshiresense]

Oh my God, you mentioned wanting to write a thing about when Starrk finally let's his reiatsu out, and honestly, I've been thinking about that so much!!! Like here is Starrk, who has been keeping his reiatsu down to around average, who sleeps all the time, so doesn't stand out, who stands beside Ichigo, Ichigo who crazy stands out, also Starrk who joins the 4th, the 4th who everyone else considers to be weaklings!! You imagine the look on everyone's face the first time he let's lose!?! Maybe some bullying goes too far, and Starrk, who nobody thinks much of, just smacks them down hard!!! And everyone is like WTF lol 😆

sorry, I just love the idea of when people realize that Starrk is actually strong like Ichigo!! So 😁 funny!! Anyway, thanks for sharing your thoughts about this. I love reading them.

Lol yes it's one of those scenes that you see happen in so many different ways and all of them would be fun. I'm undecided on how I want to do it Officially so I'm putting it off (or maybe I'll just write several of them lmao).

I imagine it would have to be very serious bullying for Starrk to take that much action, cuz like he really isn't the sort to step in for every little thing. If it happens to someone he considers one of his, he might note it down and then quietly go and prevent it from happening again from behind the scenes, but in real time, he'd rather diffuse the situation or leave it to the "victim" to handle it and only step in if it looks like they really can't, and even stepping in would just be a sharp word or two to run the bully off. He's not a straightforward bleeding heart the way Ichigo is, cuz the hit-the-problem-so-it's-no-longer-a-problem method is def Ichigo's go-to strategy, he would absolutely smack the shit out of someone bullying Asuka or Rangiku in front of him and be done with it right then and there, prob flaring his reiatsu without even meaning to cuz his control's a lot better these days but it's also kind of 0 to 50, well-hidden or flashing neon sign, no in-between unless he really concentrates 😂 It's another reason Starrk would have little reason of his own to act, cuz like Ichigo would absolutely beat him to it.

For me, I could prob imagine him unleashing his reiatsu/revealing his strength if someone's about to die and the threat is big enough that he actually has to flex. He's just not someone who'd easily show what he can do, and hiding it from the likes of Aizen and the Quincy wouldn't even be his top reason. It's more like lingering PTSD--his strength doesn't bother him anymore now that he's had years of proven control under his belt, and he's even needed every last bit of his power over the past decade of war, but subconsciously, he's still not 100% comfortable with just letting anyone feel it, even tho he has enough control now that it wouldn't hurt them unless he wants it to because what if? So like, his first instinct will always be to keep it locked down, and for minor stuff (altho minor is relative for him I guess lolol), pulling out that much power is def a last resort.

Again, it contrasts what Ichigo would do. Ichigo's just used to overkill. Like even before he got his powers, he learned that an overwhelming show of strength would solve most of his gangster-related problems very easily, plus he lived in a household where Isshin only backed off from kicking him into a wall or something by kicking first or kicking back. And then after he got his powers, it's not even really his fault that he internalized a "might is right" kind of mindset /points at the entire fucking SS invasion arc and honestly every arc after that/. And also he spent his first years of Shinigami-ing running around with an unsealed Zanpakutou and zero reiatsu control, being in a constant state of Shikai is natural for him, and (moving into this AU's headcanon territory) it took him several months into the Quincy War before he finally learned to seal it away and actually have other ways of fighting that isn't just flinging Getsuga Tenshous around. He uses Bankai the way other people use hand-to-hand combat or Kidou spells, so even now, his first instinct is to just hit the problem hard enough so that it won't get back up to do more harm, and for him, that applies to everything from schoolyard bullying to fighting monster-gods. And on top of all that, his actions are largely driven by emotion. More than anything else, his first reflex is to protect, and that often leads to him throwing way more power at a threat than he actually needs to. He knows how to be more subtle these days, but it's not his preferred method and def not a reflex either the way it is with Starrk.

Of course, Starrk also understands "might is right" just by dint of being a Hollow, but he's basically spent a thousand years as someone too strong for anyone to fuck with just by existing, so he doesn't have the same kind of exposure to physical conflict that Ichigo grew up with that would make violence his first instinct.

Aanndd omg this ran away from me lmao sorry, you get a speedrun analysis on Starrk and Ichigo instead 😅

TLDR I'm still not sure of any exact scenarios that would force Starrk to show his hand, I don't want to wait until a Sternritter shows up or a final showdown vs. Aizen happens because that would take forever before we get there (I mean I could just jump right in there since this isn't a whole fic, but in-universe-timeline-wise, I'd prefer it happening earlier), but it's difficult for me to imagine that something in everyday life or even just a Hollow extermination mission would be enough to make him reveal even a bit of what he can really do.

Case in point, if you remember that mission in SP canon where Shunsui brings Ichigo and Rangiku along on a mission into the Rukongai to gain experience, and Ichigo sees a Hollow about to attack Shinji who hadn't spotted it yet, but he also didn't want to leave Rangiku unprotected, he went straight for unsealing his Zanpakutou and basically hand-delivering a shopping list of unusual or downright unique abilities to Aizen via Gin. In this AU, if Starrk goes along, he would never do such a thing, and in fact, he'd stop Ichigo and just fire a damn Byakurai or something across the clearing and kill it that way. Even if Ichigo doesn't have the finesse to pull off a low-numbered Kidou spell on the fly, he could've chosen a higher-numbered one and that would've still revealed far less to Aizen than unsealing his Zanpakutou would. But again, subtlety isn't his strong suit. He now at least has the presence of mind to think about the consequence of leaping into the fray without thought, it would leave Rangiku wide open, but his first instinct is still to use overwhelming strength to protect the people he cares about.

In contrast, Starrk may be a soft touch compared to basically every other Hollow and quite a few Shinigami, but he has the maturity and just the general personality to go for the strategic option. He has a far more tactical mind, implied even in canon to rival Shunsui in that department, so rushing in just isn't in his nature.

The only other way imo is if someone just... asks. Reikaku (reiatsu-sensing) is a thing Shinigami learn. In canon people can sense exactly who's coming just by their reiatsu (if they know them), not just if they're a Shinigami or a Hollow or even a Human, but it doesn't really expand on how. So I imagine you have to have a good feel for the person's reiatsu, it's the same as my age headcanon for reiatsu, not only can someone halfway decent at sensing reiatsu be able to get an idea of the other person's age, they would also be able to recognize and associate that reiatsu signature with that person since everybody's is different, but obviously they would have to be exposed to it a few times to learn it. Starrk's reiatsu is very unique so once or twice would be enough, and I can see a situation where the kids might ask to feel it for that reason, or a mission might require the team leader to ask, etc. etc. So yeah, that's all I got.

[centrally-unplanned]

I played some Victoria 2 today (a Japan campaign ofc, and admittedly with the Historical Flavor Mod), to sort of reflect on it in relation to Vicky 3. It is rough going back to the economy of Vicky 2 after playing 3, let me tell you - you knew intellectually it was "bad" system before, but you loved it anyway because of the full package. But now you can see the alternatives and remove the quotations, it is just bad! Building an ammunition factory that requires sulfur, having domestic RGO sources for sulfur but they are not producing enough to supply even one factory, and just not being able to do anything about it that isn't drastic or long-term because the world market is feeling fucky today is unacceptable once you have played a game where that isn't true. My industrialization strat should not waffle between "build a railroad for a 5% bump in output" and "invade Indonesia", give me a middle ground here guys! And it does not stop there - capitalists are useless, "build factory on RGO and expand forever" is optimal 99% of the time, key technologies will like double your output making them forced decisions, etc.

And, if you are can't build factories because you aren't civlizied yet...you have no econ game at all. You just do virtually nothing. Now that you see how that isn't required, the mechanics are ruthlessly bad in key ways.

But! But but but! I think Vicky 2 is a still a better game. The funny thing about that "I don't have enough sulfur" thing is that I didn't even care. I built the factory "for the future", subsidized it, it outputted zero bullets, and I barely notice because you make so much money anyway you can generally ignore it. I build the factories primarily so I can have clerks staffing them and generating research points! Is that insane game design? Yeah, it is! But it is insane game design that doesn't get in the way. Nothing stops me from building a factory, it just isn't very good. Wanna build a huge military? Encourage some soldiers with your national focuses and go to town. Want to declare war on someone? You can just do that! And then I take the army I built, click it on enemy, and it fights them - revolutionary new approaches to game design folks.

Even politics, where Vicky 2 definitely does get in the way a lot and is actively not-good, it is at least more permissive and more importantly simple. If you have elections you get events to shift voter ideology, and national focuses to boost party support that work exactly the way you would expect. If you are autocratic you can just swap who is in power! Liberals support political reforms, socialists support economic reforms, if you have a majority support for a law click a button and it passes. Done. Putting socialists in power in 1870 Japan might result in a revolution, sure, but it works, you can try it, and try to beat the militant tide.

Meanwhile in Vicky 3 if you are autocratic putting a "minority" faction in power literally breaks your government and prevents you from passing any laws. You can technically do it but you just die immediately. Wanna build a coalition then, where conservatives & agrarians ally together? You technically can again, but the penalty for "non-compatible" coalition partners is so high it 90% of the time crashes you into 0 anyway. So you have the "option" of switching parties, but...you can't. You just have to appoint the landowners every time or you die. So what is the point? Why have the option? Let me play the game!! Let me try reforming things and face a revolution I have 40% odds of losing to! That sounds fun, why are you rigging the game against that?

I tried an Iran run in Vicky 3 earlier, and I had a revolution against the landlords, who had ~50% of the "faction" points in government. I won, and so their points got knocked down to ~0%, how that works. So I made a new government, right? Well, no! Every faction left was "incompatible" with each other and none of them alone could even muster like 30%. I had literally no government capable of passing laws. So I fucking quit the game? Because this was the product of winning a revolution, why would I continue?

In Vicky 2 fascists win a revolution and they coup the government and it's fascist now. You get the fascist laws and can pass reforms they like. There ya go. Done. Is it interesting? No, not really. But it works! It doesn't literally stop you from playing the game.

My Japan game actually started as Satsuma, since in HPM Tokugawa Japan is split into substate Daimyo. I modernized via encouraging intellectuals, took military & railroad reforms, built a modern land army, and built up relations with the other domains. I launched the Meiji Restoration, got 60% of the Daimyo on my side, won the civil war. Began building factories everywhere, built up my industry, built up my research output. Used the new tech & money to build a larger army, fought the Qing in a tough war but got Korea & Taiwan, allied with the UK & built up a steamer industry to get a modern navy. Then Russia got into a crisis with Greece and so the UK and I backed Greece and broke Russia, with me claiming some territories around Manchuria in the process. Later I invaded China proper to annex Manchuria itself and get some treaty ports, easily now because my military was much more advanced. From all that my infamy was high so I coasted into the endgame and pivoted to culture techs to trigger "decisions" around modernizing Japan that gave me bonuses while having nice historical flavor to them.

And generally the game just didn't get in my way on doing all that. I could "tell the story", which for an easy game like Vicky is normally what you are here to do. Vicky 3 is a much better economy simulator, but telling the story beyond that is such a chore, and often impossible. On politics, diplomacy, and especially military, it is philosophically a step backwards such that its more "developed" mechanics cannot compensate for the mistake.

(I think it is funny how much better a gameplay experience the "narrative via decisions" of Vicky 2 w/ HPM is. They give flavor to the nations with a ton of bespoke, scripted events. Which...just works because they are straightforward. Vicky 3 wants to be "emergent" and so limited such events, but missed the forest for the trees there)

I find this sad because honestly there is a "blended" version of these two games that is amazing. Vicky 3's econ system (with tweaks ofc like making trade valuable) and philosophical commitment to minimal military micro (SO finicky in Vicky 2 to replenish armies where individual brigades die off, ugh), with a system that understood storytelling is first. Let players do things, and then give them consequences that are manageable in response. Get out of the way of the stories your sandbox game is built to tell.

[rosewasalsohere]

(AHHHH I LOVE THE ART SO MUCH MY CHILDHOOD IS SCREAMING RN)

Anyway! What is the crew’s favorite thing to do when they are bored?(sorry if the question is boring)

I like ur energy XD (I've been in the fandom for a while, too!)

I honestly didn't think I'd get questions anymore since I don't post stuff as often anymore, so the question isn't boring! I appreciate it, actually :]

ANYWAY! (Gonna involve the OCs, too)

Cuphead: Funny enough, drawing. I see Cuphead as some secret artist. He just doesn't talk about it because, and I quote, "Hey. No one asked!"

Mugman: Baking!! Bro would LOVE to make sweet treats for himself and others. Of he can't, he'll just talk and hang out with his brother.

Bendy: I feel like dancing would be obvious, as well as reading (specifically 'The Adventures of Felix the Cat' lol)

Boris: Practicing instruments! Gotta stay in tune, ya know?

Felix: Writing and research. And I mean like that research you do for fun when you're really curious about something.

Baccarat: Card games, probably. If he's lucky, he can convince someone to gamble something.

Idris: He's almost NEVER bored. But if he is, he'd probably be fine with doing whatever catches his attention and interest.

Diana: Drawing and reading. Sometimes, she'll even read a story and draw what she thinks a certain part would look like.

Thanks again for asking ^^

[inventors-fair]

Substantial: One-Word Runners-Up ~

Our runners-up this week are @arixordragc, @bergdg, and @helloijustreadyourpost!

@arixordragc — Buck

We live in a funny world where this card does exactly what it says on the tin, and it's a common that does something strangely unique in the world of bite spells. I don't have to talk about what this card is doing for limited or whatever, and I don't have to talk about the intended flavor. Everyone agreed that this card was solid enough to be commendable. The reason I'm putting it here first is because a) we do things alphabetically, and b) it's missing that one final aspect that I want to talk about during commentary. If there was a specific reason not to add flavor text here, I'm curious what it was. Regardless of that choice, I'll stand firm that it was detrimental not to add it.

Here's the problem: does that take away from the mechanics of this card? No, not at all. Does it add anything to a designer's repertoire to be able to write flavor text? Personally, I think so. I also think we're in a niche in the custom design sphere where we're jacks of all trades—and at this point I'm getting a little niche philosophical, so I'll try to cut to the chase with what matters. Every part of a card's presentation for these contests needs to be available at a first glance, not because it would be expected of someone in a professional design setting, but because custom design demands that all aspects be accounted for. This is a general waxing and I hope you don't take it as a lambasting of anything; this card rocks and we on the team were surprised it hadn't been done before. I find it fun and clever and slapsticky and perfectly befitting of the setting. I just wish there was that last little push to make these sensations gallop to life.

@bergdg — Liquidate

I remember when these weird hybrid combos were introduced in Strixhaven, and as someone who had been playing (badly) with hybrid since my first designs in high school, I was pleased as punch to see them back in action. With this card, I think there's no reason to ding it for the mid-hybrid split, and if I was super generous I'd say that the split and the art go together quite well! Even if there was more in-line themed art direction, I think that seeing someone's brain dribbling out as they split apart their mind from Ashiok's whispers... Highly impactful. Great Ashiok callback with both the flavor and the effect.

Dissolution, as it relates to liquidation, isn't as common a definition as one might expect, but you're not the only person to have used it for this contest. And the creature/planeswalker is definitely being turned into liquid here. As a rare it's a perfectly reasonable killspell, and while it might not be the absolute eye-popping card to open from a pack, I'd be happy to run it in a control draft shell. Blue's milling and black's destruction meld together quite nicely here—a liquid blending of effects. Could it have been uncommon? That's a big maybe, but I don't mind it as a rare and especially not as a control sideboard card. "I'm gonna Liquidate your dragon." That tracks, heh. I'm a fan.

@helloijustreadyourpost — Draw!

OW, my ORGANS. You shot me right in the organs! Well, anyway. Red being secondary in fighting is underutilized, I feel. And for moments like this, you have that real competitive sense that feels pretty solidly in-color for it. As the flavor goes we did have the card Quick Draw from OTJ, but this one is a far more in-situational card rather than an explanation of whatever "wild magic" is. Frankly, I wished that OTJ had had something comprehensive going into it, and I know I'm not alone there. The flavor text is by far one of my favorites from you so far. It's punchy with a drawl. It's demonstrably about the situation you're creating, distant from a story but at the same time defining the moment. You are the sharpshooter here in control. I really love it.

I also feel that the grokability of the rules text makes sense. To me. It's a little heavy-handed, I gotta admit, or at least it's a lot of text to do something that only that much text can do. I'm sure that I'm overthinking it more than I am analyzing it at this point, and considering the bar for commons these days, I'm sure it would be fine. That sort of replacement effect that relies on a timing effect is still a little wonky, though, or at least it might be in the brains of newer players. That said, there are other ways that these fight-to-bite effects could be seen on other worlds, and I'm really curious about what could be opened up with this. Maybe it could replace with other triggers, or for types, or whether or not a creature is equipped/enchanted... Lots of options for the mechanical side here! But it starts with this card, with two cowpokes and two thunder pistols. Man, I just think it's awesome. I can picture the wounds already.

Small note on general commentary! I thought I'd get ahead of myself this week and do some commentary in advance. Hooray! Around 40% of them are done, but there are still the remaining 14 cards to write up.

This was a surprisingly popular contest, and the more popular contests get the harder it is to finish commentary on time, what with working Saturdays. I'm just letting y'all know in advance about that, since keeping you informed is important.

Be good, folks! @abelzumi

[hauntingofhouses]

i didn't liveblog episodes 8-10 + bonus epilogue cuz i was lazy <3

but anyway here are my thoughts on those final episodes + the overall season:

i forgot how much i hated jaune's voice so i FELT THAT when jaune said "WAS THIS WHAT I ALWAYS SOUNDED LIKE" i felt that. i felt that deep in my bones. crwby bring back dilf jaune NEOWWW

im so intrigued by the whole blacksmith/tree lady/person/thing and all the lore we got about the two brothers and their experiments in the ever after before they moved on to create remnant. where are they now? off in some other realm messing shit up? calling themselves "gods" but theyre the most messy characters in the whole show i swear

loved the whole ruby finding herself sequence

i never cared much for neo or torchwick before but v9 made me actually find them interesting. neo's whole castle in the ever after was cool and i love how a crazy realm like the ever after works to somehow amplify neo's overactive imagination semblance

the way weiss was into jaune had me lowkey shipping them idk i just find it funny. but again they shouldve kept jaune as a dilf <- biased dilf-liker

even though i didn't like the mouse named little, i could appreciate his role in the story by the end, especially in regards to the relationship with ruby, considering he seems to symbolise the more naive and optimistic version of ruby from earlier seasons. also me finding little annoying tracks considering i also did use to find ruby annoying as well (SUE ME but dont worry i dont think so anymore and i like where ruby's character is at now)

the ending was really sweet with all of them returning to remnant hand-in-hand

i loved the bonus epilogue ending and it's sad it got cut due to all the constraints the show's faced but i hope we will get to see something like what was shown pan out in v10. also the epilogue gave me MUCH needed qrow content cuz i've missed my stupid bird man. i love that he cried at seeing the mural of ruby, but i wish they would acknowledge that yang is ALSO his niece yknow??

the mention of vacuo's "history of colonisation" is very interesting to me and i cannot wait to see more of this setting!

seemingly no development was made this volume in regards to how to beat salem and nothing is even hinted about that in the epilogue either so im really just wondering how the gang's gonna pull this off. i do understand that this volume was a much needed moment of respite for the characters tho, and appreciate all the development we got in that department

CONCLUSION:

it was fun and i can't wait for v10!! hopefully i'll remember everything that happened so far by the time it releases LMFAO. also it really cemented my love for nuts&dolts AKA tragic doomed yuri but on the bright side bumbleby is alive and thriving ❤️

rwby volume 9 liveblog

thanks to @kkglinka i am watching rwby again. i just finished rewatching previous episodes as a refresher, and man i realise i slipped up when i mentioned my fav character was salem lmfao i was thinking of CINDER. girl is such a bitch i love her.

but anyway. new volume. here we go.

starting with episode 1 ruby finds a talking mouse and the tone from the season finale of v8 has drastically shifted LMFAO.

we then cut to blake and weiss who've found each other but no sign of yang. then immediately have some antics with a whole rat pack who ambush the two.

okay now ruby's here and the three of them reunite. yay! not a very happy reunion, theyre all more confused and unsettled than anything and i cant blame them. im confused as hail too.

OKAY new monster??? doesn't look like a typical grimm and it talks, seemingly narrating what it does. i love the vibe, very creepy, love that.

AND YANG!!!!

omg i'm lowkey disappointed that blake's first reaction upon the monster running off isn't to jump into yang's arms. like girl talk about a delayed reaction but fine okay she's just being cautious making sure the monster is thoroughly chased away.

THEN GF HUG!!!!! i love them. i miss them a lot. feeling lots of feelings

but then okay plot and weiss revealing everything that happened after they fell since she was the last one of them who fell down the bridge.

AND UGHHH RUBY'S REACTION TO PENNY 😭😭😭 my nuts&dolts heart 😭😭😭 why must they keep HURTING me this way

okay and blake mentions her gut feeling again. THEYRE IN A FAIRY TALE !!!!!

okay the new opening reveal slaps and looks like neo is gonna be a very prominent character this season. jaune will be showing up soon too no doubt, and a mysterious silhouette. and then OH allusions to alice in wonderland? the girl is alice? she's brown? i'm here for this.

aight bring on episode 2 baybey

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[cerealmonster15]

theres just so much comedy potential for twst ships to go on double date hang outs.... leomal (malleo?) + kalisil go to the beach or something. kalims burying silver in the sand while leona and malleus try to drown each other in the ocean :^)

[canecone]

Hello creatures of the night 😍😍 I have come back to fix the planetlord design

I need to stop pushing myself so far to the point the quality is the worst when I get long periods of inspiration 😔

[skitskatdacat63]

Roleswap anyone??

Tell me Fernando wouldn't make a fantastic general/emperor, and that Napoleon wouldn't make a fanastic driver/tp!!

[scificrows]

The Roombabot Diaries

"Even without full scan function, I still had my dark vision filters and my own mapping data, so with the fixed point of the corridor hatch, I could retrace my steps to the ramp. It just looked awkward and stupid because for the first part I had to navigate like a floor-cleaning bot." - Martha Wells, System Collapse (Video and audio description below the cut)

VIDEO ID:

An animated video of Murderbot, in a full environmental suit (featuring a little 'Perihelion' logo on its chest and an opaque helmet).

Murderbot is wandering around a dark space, the sound of its footsteps on the stone floor are audible. It walks in a straight line to the right until it hits a pillar with an audible 'thunk' noise and stops. A grumpy smiley face appears next to it.

It recalibrates, making little chirping calibrating sounds, then turns and moves towards the viewer until it seems to hit the camera (again with a 'thunk' noise and a little frowny smiley face next to it) and recalibrates again.

It turns its back to the viewer and starts walking again, this time seemingly hitting the wall in the back. It recalibrates again, then turns to the right and starts walking again. After a few seconds it stops briefly, two exclamation marks appear next to it along with a beeping noise, then it quickly walks out of frame.

[sysig]

Go play pretend on your own (Patreon)

[variksel]

peachyville horror has done Something to my psyche and i dont know if i enjoy it only bcs its slow and painful ......... for the first time in my life im sitting here, 5 days before a new episode is coming out, and im getting excited about it being dndads tuesday soon

[soupmanspeaks]

you ever wonder if the Glamrocks's face tracking acts up when they look at Glamrock-Freddy, like they'll look at his face, and the recognition will register as Freddy, but their systems for whatever reason or another think that there is a face overlapped on Freddy's do you think they see two small squares next to him, at his side, roughly child sized, but no one is physically there.... right...?