#anyway i love all of you so so much i don't caRE if i'm being dramatic

[jd-loves-fiction]

Hello hello :3

I'm not sure if you take platonic requests so if you get to mine and you don't, pls lmk <3

Anyway. I would like to request platonic Boothill, Sampo, Mydei (if you can't write him yet then it's okay) and the Astral Express crew (you can leave out characters if it's too much) with a reader who is a former slave like Aventurine but they escaped by force and now respond to certain gestures with violence. Think about it like a wounded animal you're trying to approach. They lash out, bite, scratch, attack, anything.

🌑hello dear welcome!! I do take platonic requests 🫡and you can request as many characters as you want just know the more there are the longer I'll take😅 also I love love this idea 👀👀

✦ 𝐁𝐨𝐨𝐭𝐡𝐢𝐥𝐥 ✦

Ooh he gets it

You can't exactly hurt him, given the metal body, but even if you try he won't hold it against you

The circumstances might not be the same but he undoubtedly became a different, not violent, man after what the IPC did to his planet

Plus being a galaxy ranger is a lonely existence by design

He respects your need to distance yourself from people

But I feel there's a nurturing side to Boothill he doesn't get to tap into very often

So there's a part of him that will try to comfort you? Relate to you? He doesn't know what he's doing himself but something in his heart breaks for you and pulls him towards you

One stubborn fella about helping you but quite sturdy, let's say he's the guy letting the dog bite him to get its anger out and know that he can be trusted 🥺

✦ 𝐒𝐚𝐦𝐩𝐨 ✦

Menace I love him

Sampo is a con-man salesman - he wants to know everyone's secrets so that he can exploit them for his benefit

But there's some lines even he won't cross

He's got a soft heart somewhere in there (deep in there) so you can expect that he'll go easy on you when he comes to his scheming

Plus he knows how to calculate risk, so if messing with you is highly likely to get him fucked up, he won't try you... Too much

Another man whose life wasn't exactly easy (which is why he's the way he is) and with a soft spot for people with a similarly difficult past

I think he'd find his own way of showing companionship, implying that you can talk to him about stuff if you want (tho he won't blame you for thinking he's just trying to get to your secrets) and stuff like that. He'll just be very subtle about how honest he's being

Let's say he's the guy slowly leaving treats for the dog and pretending like he doesn't care if it likes him or not (he really does, he's incredibly intrigued)

✦ 𝐌𝐲𝐝𝐞𝐢 ✦

New character so bear with me

I feel like you're very similar in this way

He's got a heart of gold under all that aggression, specially when it comes to his people

He's just bad at expressing it in a gentle way😅

His childhood was... Traumatic to say the least, violence is all he knows

Another sturdy guy, he's literally immortal and seems to enjoy a good fight so hitting him in any way might just start a sparring session💀

If he doesn't know you, he wouldn't engage, he's got better things to worry about

But if he does, you might get to see a gentleness from him no one thought him capable of

He's a patient man but he genuinely wants to see you learn to live with your trauma like him

I don't think he's done healing, mind you, but you might be able to learn something from each other about living with your demons

✦ 𝐖𝐞𝐥𝐭 ✦

So much father energy LORD

The way he just immediately takes Sunday under his wing? Guiding him gently and patiently? That's a dad right there

He's deeply altruistic so he will try to help you please don't fight it����

He's canonically one of the strongest characters so don't worry about hurting him. The fact that you even had to live through what you did, hurts him much more

Gentle but insistent, is how I'd describe him

He will not give up on you no matter what and that is a promise

When and if you decide to open up, he's a great listener

But even if you don't, he'll be there always🫡 because he genuinely just wants to see you be happy

✦ 𝐇𝐢𝐦𝐞𝐤𝐨 ✦

A fearless woman if I ever saw one

On the express she mostly keeps to herself, y'know navigating

But she undoubtedly cares deeply about the team so if you're part of it (let's say you are) you're included in that sentiment

She's not exactly... Motherly, per say, but she does care. She's just a bit... Awkward about it?

The type to do things like invite you to have coffee with her (don't drink it), or offer to teach you about navigating and stuff like that, just try to make you feel included

Not the type to outright ask about what happened but will listen if you tell her and will not judge - she doesn't see anything wrong with the way you handled things (Sunday train flashbacks)

Knows you're capable of protecting yourself, but will become somewhat protective of you

Tries to avoid setting you off as much as possible, she can hold her own no problem but she'd feel terrible if she hurt you in some way

✦ 𝐌𝐚𝐫𝐜𝐡 𝟕𝐭𝐡 ✦

Sunshine incarnate

Might come off as overly friendly upon first meeting so if that sets you off well... she'll learn her lesson... maybe

Doesn't remember her past so if you don't wanna talk about yours it's all good with her

But if you do, she's a surprisingly good listener

Tho if you decide to be rude or aggressive to push her away, she'll definitely take it to heart, at first

She'll mope about it for a bit before her determination takes over

She wants to be your friend damnit 😡

She'll call you out for being rude but stick around regardless

She's got thicker skin than expected and she's hard to shake off (like a puppy...) if she decides she wants to be your friend, that's what she's gonna do

Plus after that first time, being rude to push her away won't work, she'll just talk right over you

In the end, she might just win you over through sheer determination 😭

✦ 𝐃𝐚𝐧 𝐇𝐞𝐧𝐠 ✦

Oh he cares so much bless him

Dan Heng is extremely protective of those he's close to

If you're in the express, you're immediately included in that

Quiet comfort is his thing

Like sitting together quietly because you just need some company while he reads or even offering a game of chess as a distraction

Doesn't blame you for how you react, but if you become physically dangerous to be around he will be the first to restrain you

Just because he gets it doesn't mean he likes seeing the people around him get hurt

I feel like he's got some words of wisdom regarding how to make peace with your past

But beyond that he's good to have around because he doesn't push for answers at all

Nobody knew about his past when he came onto the express so he'd be kind of a hypocrite if he cared

It's inevitable that he becomes attached and when he does he becomes just as protective with you as with any other member of the express, regardless of your past

[dunmeshistash]

ive always wondered if milsiril's overprotectiveness of kabru was less because of infantilisation (although she def like all elves has that problem) and more so out of guilt. she was a captain of the canaries during the Utaya incident I believe and she witnessed what happened and she couldn't stop it. and she left the canaries because of it and took in the kid who was the Only survivor, raised him in extreme comfort so he'd never see the horrors again and didn't want him anywhere near the dungeons! like i think learning self defense for defenses sake would have made her hesitant but she would have obliged but because it was specifically for the dungeons she was so against it. also like he must have had a rough few years dealing with that trauma as well which doubled her protectiveness

I believe it's a mixture of both, I don't think you can really take away the guilt (actually unsure if that's the best word to describe it) nor the race relations from how Milsiril sees Kabru.

I am the Milsiril apologist ™ but the fact she see's Kabru as a child even now is a big part of their relationship, she's a mother that can't grow up (both for being an elf and for her own issues) and that has to cope with her children outgrowing her fast

Putting a read more cause as usual when it's about Milsiril I talk too much

We can see in every way Milsiril acts that she sees Kabru at most as a toddler during his time with her, she's hand feeding him, has him in a room full of toys and talks about him like he's a cute baby.

I think people are too mean about this side of Milsiril tbh. I think it makes her interesting and it's clear (to me at least) that she does her best to provide for her children even if she doesn't truly understands them. Even in that first interaction with Kabru where she's trying to hand feed him they were *already* training with swords beforehand.

Milsiril also talks to Kabru in a way that kinda seems to expect him to understand more than what a small child would like we can see in the AB extra

So her infantilization doesn't extend to underestimating him at least, rather I think that's how she shows affection (which is still bad 😭)

Anyway, about her trauma with the dungeon and guilt (or maybe shame? Fear?), I do think that was one of the motivations for her to take Kabru in as I said in this post (beware I am a Milsiril apologist and I am VERY biased in seeing her in a more positive light, doesn't mean it's true) but I think that side of her manifests in her sudden switches from crybaby mom to ruthless master

Milsiril is very emotionally unstable from what we can see, she's really trying to convince Kabru not to go into dungeons and when tears don't work she switches into training him so hard he'll give up on his own. I've seen people call this her "true colors" or say she was using "crocodile tears" but in my opnion both the tears and the threat are genuine, I don't think it's a planned switch but rather the fact she's unstable to begin with, both the crybaby mom and the scary swords master are her true self.

Anyway! I think both guilt and infantilization are intertwined in her love towards Kabru, I've said this before but she's a flawed caretaker in a world where she does not have the resources to become a better one. She's traumatized she's depressed and she's an elf, but she's the only one (that we know) willing to at least *try* to treat the people she cares for the correct way. If it wasn't for Milsiril Kabru would have been raised by elves like Rin was (and we know that went very bad, they traumatized her), and Mithrun might not have received the proper rehab he needed to go back into the canaries (He might have managed but we see Milsiril put in the effort to help him cope besides being the one to tell him about Utaya)

That is all to say: Milsiril is still flawed!! It's part of what I love about her, and it's the reason so many people dislike her too. I'm saying this cause sometimes when I go on my Milsiril rants I get asks putting down Kabru to raise her up and that's like, very uncomfortable lmao. Even if she did her best he still was the one that to deal with all of her shortfallings while being raised and he's still the one responsible for getting to where he is, she just made is easier than it could have been.

Disclaimer as is usual for my Milsiril posts: I'm a Milsiril fan, my interpretations of her are very charitable because I often see people being way too uncharitable about her. Please read the original material and make up your own interpretation, this posts only contain what I think it's relevant for my point not an objective view of the whole. I've also already made several posts about her and I don't want to keep repeating myself so if you think I glossed over something important that's probably why.

Edit: thinking more about it, maybe rather than feeling guilty herself she might blame "elves" as a whole for the failure in Utaya, it does say she left it "in disgust". It's not that clear how she feels about it.

I still think it's shared trauma though, I don't think it's possible for Milsiril to not have been affected by what happened there and I think it's part of why she doesn't want Kabru to go to dungeons again. But her way to cope is to turn away from it (and blaming "elves" might be part of how she copes) while Kabru's is to face it so it doesn't happen again

[torpublishinggroup]

Love. Magic. Betrayal.

Januaries—a stunning new short story and novella collection from bestselling author Olivie Blake!

Dive into stories of twisted fairytales, contemporary heists, absurdist poetry, and at least one set of actual wedding vows.

[the-clock-of-the-time-dragon]

Man, for someone who keeps invoking media literacy, you sure seem to be struggling with accurately addressing the points that I've been making.

1) He is good at lying to people about who he is, all while being able to make himself likable 2) He is secretly unhappy and has been thinking about the day with the Lion Cub a lot

Here's part of where I think we fundamentally disagree: I don't think he's much of a liar tbh. He doesn't care enough to lie. If anything, he seems almost incapable of it at times. He has coping mechanisms — namely: telling himself (and others) that even though life is pointless, that's actually awesome because you can do whatever you want and not have to worry about anything — and one could, I suppose, argue that he's lying to himself in that sense? But he does clearly WANT to believe it, and acts accordingly. True, Elphaba sees discontent within him and assumes he must be hiding some inner depth (because how can he possibly be unhappy if he's empty inside?? selfish and shallow people don't feel bad about stuff or help others!), but I think his later actions actually show how shallowness can sometimes have its own kind of depth, and selfishness can have its own kind of beneficence. I'm aware this isn't intuitive or prima facie stuff — that's why I posted an analysis about it.

I think it’s a much more plausible headcanon that he has always been working as a double agent than your headcanon that he’s decided instead to randomly embrace being a fascist.

Honey, here's the thing: contrary to what you suggest, mine is not a headcanon in this case. At all. He became a fascist soldier. All ulterior motives (speculative or not) aside: that is simply what he did. It's text. I never said he "embraced" it in the sense that he liked it. It's directly stated that he doesn't like his situation. But that didn't stop him from quite literally choosing to be in that situation. Sucking up whatever other feelings he has and doing it anyway.

Maybe it’s hard to “reconcile the compassionate boy we saw in the woods with a fascist commander” because he isn’t one?

Except he literally is. That is what he became. Your insistence that he worked his way through the ranks of a fascist military without ever doing any of the actions that make someone fascist is beyond belief. Like obviously I understand that your contention here is that he didn't "become" a fascist on an ideological level. He just went through the motions without internalizing or identifying with the fascists' ideas. But I'm afraid plenty of German (or hell, Confederate) soldiers were "just fighting for their loved ones" and "didn't actually believe in all that stuff": but they fought anyway. And they fought on the wrong side, and did the things that came to define what we think of when we talk about their regimes. You are doing exercises in idealization. Becoming a fascist is as much (or more) about physically carrying out the acts of fascism as it is about adhering to what it proposes. Rejecting the latter does not erase the former.

Maybe if you “read by sheer text; on the actions and statements on the page” you’d realise that his actions in act one don’t make sense in act two if you read him as part of the regime?

He. Is. Part. Of. The. Regime. You don't get to say he was somehow set apart on some abstract level from the force that he commanded. Good Lord.

My point about the challenge of reconciling Fiyero between Act I and Act II was not "wow, this doesn't make sense, he must have changed so drastically!!!" I literally explained my point. He hardly changed at all — and that's interesting. The ways in which he did change are equally interesting — because they aren't positive, contrary to what one may usually expect from a character arc of a male lead in a fantasy story. In most such stories the male lead confronts his flaws and he either overcomes them or makes peace with them. Fiyero does neither — which is completely in character and honestly a perfect and natural evolution from where he began — and from a writing perspective I absolutely love it, lol

Oh sorry, Fiyero should have just gone down to the resistance job shop and got a top post there!

I know this is tongue-in-cheek, but the fact your unironic insinuation underneath it appears to be that... *checks notes* rebellions do not have job openings for charismatic men of action...??? Where were you going with this??? lol

The resistance that, as far as we know, basically doesn’t exist, as it doesn’t seem like Elphaba has got much help either (we know there’s rebel Animals that shelter her, but she’s also at the point where she tries to beg her father for help and seriously considers just giving up and joining the Wizard).

Hon... has it occurred to you that by the time we get to Act II... the rebels are fringe and weak because they've been repressed for years by the forces Fiyero volunteered in? Like, we are TOLD that there are rebels. That's a fact. We know that one of the primary activities of the Gale Force is violent repression against Animals. Come on. You're good at extrapolation. Put two and two together here.

But in all seriousness: no movement? Start one then. If it's really that deep. Sounds like a skill issue to me.

Someone has to do this job, if it’s not Fiyero it’s someone a lot worse. We know Fiyero has compassion for Animals, we know Fiyero wants to protect Elphaba (we literally see him doing so three times in act 2). If Fiyero places himself in command, however grim it might be, he now has some degree of control over Oz’s army and how much damage they can do to the Animals and Elphaba.

The damage has been done though. On his watch. To some extent on his ORDERS even. The Animals are all but erased from Oz. Elphaba is so deep in hiding that Fiyero, with all the resources at his command, hunting her desperately, still turns up nothing every time. "Someone has to do this job", when the job is fascism, is not a defense. In fact, "I was just doing my job" is a very well-known and infamously horrible non-defense particular to this exact context. It'd be a better overall argument if him being captain instead of someone else had actually made some objective difference to the end results, but we don't see that. Like I guess you could really stretch things and credit Fiyero for there still being a small holdout of rebel Animals around at all?? Like maybe if he hadn't been there, they'd have been dealt with a bit more aggressively or something? But that seems like a pretty meager end to try and justify his means.

It wasn’t planned that he’d meet her in the throne room, no, but it certainly was planned, by putting himself as the head of the search for the Witch, that if she was found in a dangerous situation he could get her out of it. He manages to get all his guards away and for her to escape safely, he couldn’t have done this if he’d been in any other position.

And he couldn't have achieved anything comparable in ANY other way besides doing fascism? Really?

Imagine, if you will, an alternate scenario: Fiyero doesn't join the Gale Force, and instead joins with the rebellion. Elphaba finds him. They're working together to save Animals again, like old times. They do stuff together and they have each other's backs if either one is caught in a tough spot. Fiyero never gets engaged to Glinda. Is that not a MUCH less convoluted, far more sensible plan? The fact that all explanations for why Fiyero chose anything OTHER than that seem to boil down to weird borderline fascist apologia, is how I know my points are valid.

you told me him being in the Gale Force achieved nothing, it saved Elphaba’s life and allowed the ending to happen.

The logic here is just... Okay. Hon. If he. Had chosen. Something else. The sequence. Of events. Would be. Radically different. And Elphaba. Would not. Have been. In the. Situation that. You give. Him credit. For saving. Her from. At all.

If you joined the Mafia "to protect your family", and then your cousin follows you into a meeting one day and almost gets shot, but you stepped in and stopped it, that doesn't somehow mean things went according to your plan; you only "protected" them from a scenario they would never otherwise have been in had it not been for you, lol

Even her sad verse in Thank Goodness imply she joined because she wanted it (and only later found out it wasn’t quite how she planned).

And y'know a very particular way it wasn't like how she'd planned? She didn't plan on getting it as part of her abuse. Being showered with nice things is a well-known abuse tactic, because it's enticing and allows the abuser to insinuate that their victim was consenting and enthusiastic about what happened to them. There's more to it, absolutely — Glinda is perhaps the most complicated character in the show — but the fact you insist on victim-blaming over and over is... wow.

No one was going to imprison her,

The guards physically detained her and Elphaba had to break the laws of fucking physics to get them to let go, wtf are you talking about, lmfao

there’s literally no reason at all to enslave her,

Except that she's the closest person in the world to their new Public Enemy #1, and can be leveraged in about a million different ways in their favor. Glinda has intel. Elphaba might have been tempted to try and come back and get her. She's a perfect bargaining chip in case Elphaba got too aggressive too: the Witch might back off if Glinda's life were threatened. And, as the Wizard quickly discovers: Glinda is really likable and sociable and boosts morale wherever she goes. So they made her theirs, and dulled her pain by trying to appease and cater to her in every superficial way available. This is Abuse 101, hon.

But ok, let’s take your “enslavement” fantasy scenario. Fiyero is literally the next candidate for Morrible to “enslave”, she knows he and Elphaba were at least tentative friends, she might even have realised he was also absent after the day with the Lion Cub, he’s dating Glinda and his royal connections and fame and likeability make him a useful asset. If Morrible really is blackmailing people to join her on trumped up charges, it would be very easy for her to either use the Lion Cub situation to blackmail into it, or threaten to hurt Glinda if he does not.

"Fantasy"... jfc dude, lol

Fiyero wasn't literally in the palace in the clutches of the guards as a perceived accomplice to the Witch at the end of Act I. The situations are apples and oranges.

Tbh as far as we know, Fiyero didn't really know a ton about Elphaba to begin with; certainly no specific useful intel. There's no reason to think Morrible ever put two and two together vis-à-vis the cub — a slacker student like Fiyero being absent from class isn't weird. And even if for some reason she did get suspicious enough to press the matter, there's so little she'd have to go off of that he could literally just say he ducked out when the whole class started spasming, and that's pretty much that. And yeah sure he's "dating" Glinda, and may under the right circumstances be manipulable if she got threatened: but let's not forget this is also the dude who abandoned her the very first chance he got, and then pointed a gun at her as a bluff without a second thought. He doesn't care enough about Glinda for that to be really leverageable, and it's not like Morrible wouldn't know that: his unenthusiastic response at their engagement announcement would tell her, if nothing else had by that point.

But then... Fiyero didn't ever need to be coerced to become what he became. He volunteered. Glinda was caught in the attic and knew a certain regime-delegitimizing, worldview-shattering secret — I fail to see how there is any scenario you can seriously propose in which the Wizard letting her go with that knowledge, with her closeness to Elphaba, etc., could even be halfway tenable from the Wizard's perspective. It actually defies belief that you can misread her situation as badly as you are.

This is headcanon.

Nah. He literally sang two separates songs about it. Dancing Through Life's whole thing is "nihilism rocks because you can just do stuff and never worry about it", and his part in So Long As You're Mine has him going "I don't care about anything except acting on our desires in this fleeting moment". I don't need to headcanon anything to simply point out that those sentiments are neither deep nor considerate (and, as I have said: don't have to be), lol

This is canon: he pointed a gun at the Wizard to help Elphaba escape. He had to escape too.

He spent years specifically trying to find her, with the heavily implied desire to run away with her. And what did he do the second he saw her? Ran away with her. Say she hadn't been in danger: say she was either undiscovered, or was reconciled with the Wizard. Do you think — based on your own version of him, double agent headcanon and all — that he would have been content NOT to leave there with her then? That after years of searching, he would just let her fly out of there and leave him behind again? Did we watch the same show?? At this point your take on him is even more reactive and thoughtless than mine, if you think his character would allow him to not only deny his passion for her but also to stay in a situation he regards as meaningless and insufferable. As I said to begin with: he can be protective of her AND do so shallowly and selfishly. Reread my original post if you need a refresher on what makes his attachment to her shallow and selfish; and friendly reminder that my saying these things is not a diss, I'm a fan of Genuinely Self-Absorbed, Deeply Shallow Fiyero.

“He doesn't think about the potential consequences of abandoning Glinda; for never cared about either his own safety or hers,” I’m sorry, are you really blaming Glinda telling Morrible and the Wizard to spread a rumour about hurting Nessa on Fiyero? Talk about fucking victim blaming.

Genuinely baffled as to your thought process here — I never said one word about what you're referring to, I was literally just pointing out that Fiyero didn't remotely consider that his fiancée could potentially catch some flak for his unexpected treason, or that leaving her totally alone with her abusers could worsen her situation (as we actually do see by the time of March of the Witch Hunters, where Morrible is far more directly and openly cruel to her than she was when Fiyero was there). This should be familiar to anyone who's seen abusers behave differently when other people are around, but flip a switch as soon as they have their victim all to themselves.

Not the Elphaba faking her own death plan! That must have taken days as the scarecrow. And careful manoeuvring of everything involved!

Cute, but you do realize you're agreeing with my point, right? Unless you're NOT being sarcastic, in which case... Okay. Fiyero did not plan the Melting. We aren't told how far in advance Elphaba planned the Melting, or what degree of input Fiyero had in it (hard to coordinate beforehand considering she was in a whole different part of Oz than he was, he was with Dorothy at the time, and, y'know... she only just learned that the Scarecrow was him MOMENTS before the Melting) but the pieces were all there and so simple that he could intuitively figure out basically what she was trying to pull off. Secret passage. Fire. Water. Rumor. Literally all he had to do was play along with the stage she'd set. It doesn't exactly take a Doctor of Thinkology.

Well I have happy news for you! He no longer has a hollow existence! That’s literally what act two is trying to tell us! Elphaba: Fiyero, you frightened me. I thought, I though you might have changed. Fiyero: I have... changed. * You’ve got me seeing through different eyes Somehow I’ve fallen under your spell and somehow I’m feeling it’s up that I fell

I hate to burst you bubble... but he hasn't changed for the better. I already said that. He still has a hollow existence — he tells us just how hollow it is in Thank Goodness — he just looks to Elphie as his one and only solace. I've elaborated on some of the layers behind it, but basically I argue that he chose Elphaba as his object of desire precisely because that is what she represents to him, in its purest form. Desire. She's "the one that got away"; the one he can't find; can't reach. The only thing in his meaningless life that's unavailable — and therefore tantalizing. She's the only one who doesn't swoon over him or get caught up in his carefree dissociative escapism. She's the one with a sexual tension so palpable but so frustratingly unresolved (until As Long As You're Mine ofc). She's the only challenge in his life that isn't an ineffable internal conflict between his id and superego: and in fact soothes that conflict because she stimulates them both.

[Wicked Act II spoilers]

[edited for tone and clarity of purpose, apologies for initial crudeness and frustration]

Okay, obviously I'm biased, but I'm gonna need the Fiyeraba shippers to please set a lot of your people straight about some things. I've seen way too many people trying to say that Glinda is just a selfish bimbo and that Fiyero is a virtuous and selfless figure more worthy of Elphaba's love. I'll set aside for now the idea of "worthiness" in this context. But let's start off with Fiyero joining the Wizard. Hoo boy...

Yes, he was initially somewhat less tolerant of the propaganda against Elphaba than Glinda was; yes, he was secretly trying to find her so he could run away with her or whatever. But honey: those facts DO NOT fully absolve his actions as the Wizard's top officer, or selfish recklessness throughout Act II. I see so many popular threads and posts romanticizing and whitewashing with "oh but he didn't REALLY join the Wizard, he just pretended so he could try to get to Elphie! It's all for love, and he sacrificed everything for her!" As if the literal captain of the literally fascist forces responsible for the oppression of Animals wasn't equally responsible for said oppression?? Hello? Fiyero really didn't think of seeking out Elphaba in ANY other way that DIDN'T involve becoming *checks notes*... the trusted leader of the troops committing all the abuses she's fighting against in the first place???? Like it's cool and all that he helped with Brrr, and it's all well and good that he planned on betraying the Wizard as soon as he found Elphaba (which took literal years, so I guess we're left to assume he was prepared to just keep doing fascism indefinitely if she didn't show up????), but uh... it's kind of concerning to how eager some of you are to make excuses for this dude volunteering as the head of the Ozian Gestapo??? smdh

He didn't accomplish anything from it either, by the way — like yeah, we get it, he did everything he did whilst silently fantasizing about running away with the Witch he was being paid to hunt. Fine. But I can't be the only one who doesn't buy that as an actual excuse???? Like, guys: nobody forced him to join the fascist army — even with crazy ulterior motives. He wasn't coerced into it; it wasn't his only choice or anything. Searching for Elphaba did not somehow compel him to go and volunteer to follow (or to give!) orders in the name of the dictator who was trying to have her assassinated the entire time. He could have just not done all that. (Genuinely so curious how the second film plans on covering that material tbh)

Glinda made several questionable decisions that can be (and have been) debated, but she is still very unambiguously a victim. Her position in the Wizard's regime was foisted upon her. There are things we can discuss, but I find that many folks need reminding that Glinda would undoubtedly have been disposed of (or worse) if she failed to make herself useful. I mean hell: she wasn't even supposed to meet the Wizard in the first place — she was only there because of Elphie. If she'd tried to resist, it would have immediately gotten her labeled the Witch's accomplice. As soon as she'd chosen not to get on the broom, her fate was out of her hands, and all available options were varying degrees of horrible.

That's not the case with Fiyero. He went to the Wizard all on his own; no one ever cornered or forced him into it. Thinking Animals are people, and having a crush on Elphaba, simply did not stop him from carrying out the regime's orders — for years. It's not clear exactly how long he's been captain at the start of Act II, but the clear implication is that he's been a soldier for most of the time skip. I've seen Fiyeraba accounts with headcanons about him acting as a double agent, secretly doing stuff to help Animals — and that's a great idea, it would indeed serve to make a lot of his actions way more palatable — but until we actually get to SEE some of that (maybe they'll add it for the movie version of Act II; we'll have to see), there is nothing in the story to suggest that. He certainly didn't do a damn thing for all those Animals who were enslaved and caged in the Wizard's palace — and we don't see a single other Animal outside of there in Act II, so as far as we know Fiyero has participated over those years in the near-total removal of Animals from Ozian society. In the name of "finding Elphaba". Not fighting for her cause. Just finding HER. For HIMSELF.

It's fine to have a ship you like, obviously — and there is genuinely a lot to like about Fiyeraba, I don't dislike the idea of them as a couple or as friends — but come on guys: please stop those out there idealizing Fiyero as somehow a clear "morally-superior" alternative to Glinda, lol. The dude had power, access, and opportunities, for years, that he could have wielded in any number of really selfless, revolutionary ways. He didn't. And I propose (apparently controversially): he simply didn't want to. And that — at the end of the day — is (much as some would like to deny it) true to his character. He always WANTED to be self-absorbed and shallow, and all his actions are consistent with that. Elphaba saw depth and discontentment in him, yes: but (and I cannot stress this enough) when given the chance, he channeled that in the wrong direction. He didn't confront that and become a better person — for the most part he just displaced and projected it onto Elphaba as an object of obsession, and put on an even thicker pretense than before.

All his actions — regardless of the complexity he has deep down — are those of a man who never gives one fuck about anything or anyone, except (kinda sorta) Elphaba. But even then: at no time does the care he has for her seem to extend to caring about any of her wants or needs outside of sexual validation from him, or how she might feel about his actions, or indeed the impacts of those actions upon her, her cause, or anyone or anything else. I don't think it should be all that controversial to say: he doesn't think through the wider repercussions of anything he does — thoughtlessness is just one of his core character traits. He doesn't think ahead or see meaning in anything outside of what can temporarily excite him, in the moment. I think people place a little too much weight on Elphaba clocking him with regard to his internal pain, and seem to expect (understandably of course) that she is not only right, but moreover that he will grow from that in a positive direction, based on her influence.

But he doesn't. If anything, we get a surprising inverse: he pretty much proves her wrong. Not to say he didn't have hidden depth and all that, like she said: but his hypothetical heart of gold proves not to really amount to much in practice. He doesn't grow out of his shallowness and his self-centeredness: he grows into it in a way that he hadn't quite yet in school. Where once he was only masking an internal listlessness, after he's been cracked open by Elphaba he decides to be genuinely self-absorbed and deeply shallow, not just coasting by. He performs in new ways — as a soldier, eventually as a "fiancé", etc. — but by Act II we meet a Fiyero who has staked the last remaining shred of humanity in him on the vain pursuit of the only object of his desire that has ever been unavailable to him, and firmly chosen to say to hell with everyone and everything else.

When put to the test, Fiyero sacrifices Glinda, the Animals, and all else that Elphaba actually cared about, to pursue his own unresolved crush from college. Mostly to get in her pants, really — as harsh as I'm sure that sounds. But let me be frank: that is literally all he ever accomplishes in the show. He gives her dick one time, and one of his castles, and that's it. That's the culmination of his years trying to find her — years in which he actively worked as one of the stormtroopers (or even the one commanding them) committing untold crimes against Animalkind (who, again, it seems have been all but erased from Oz by Act II): y'know, the very crimes Elphaba sacrificed her life to try and stop????? He spent the most important time of his life — of his own free will — being a fascist soldier, but he "did it for her" somehow, so according to some, it's perfectly fine. Heroic, even. Yikes??

But let's make something very clear (since my original version of this post caught a lot of flak, including slurs and other rudeness):

I like Fiyero. I find his role extremely interesting (I could do a whole dissertation on him, but I'm especially a fan of the way his proving Elphaba's assessment of him wrong presents a fascinating parallel and contrast with Glinda, which I think is lost on a lot of people). But PLEASE stop with all the misguided Glinda slander and idealization of Fiyero. By all means, thirst! But don't give me all this bullshit about him deserving Elphaba more, or being super deep, or being really principled or noble or whatever else. He does have layers, and quite intriguing ones, but his insides are straw — he isn't meant to have some deep, overwrought emotional core or motivations; he has passions that he acts upon when given the chance. That's it. And that's fine. Actually kind of refreshing in a story rooted in simple children's fantasy but rife with intensely complicated personalities. Fiyero makes it his mission to represent denial of depth and embrace of raw, spontaneous desire — and I for one love that, and wish others appreciated it.

And in all seriousness, shipping wars aside: by the end of the story, it's Glinda who is ultimately vindicated, and has — for all her faults — made the necessary choices to fulfill Elphaba's wishes, bring down the regime, etc. And all that despite herself. She's miserable: not just because of the mistakes she made, but because of her correct moves as well. Fiyero is simply not — and could never be — that person. And that's okay! Like I said: I am not anti-Fiyero. Fiyero's willingness to throw it all away for the sake of sheer, overriding passion is a huge part of what people like about him, of course — and it's an obvious factor in the attraction between him and Elphaba, because she has her own flavor of that impulse as well — but I'd actually argue that it's not romantic, it's his fatal flaw. And thematically that's fantastic! But I just don't believe that it somehow means he "deserves Elphaba more" because he "gave up his life for her" or whatever. In part because NOBODY truly "deserves" Elphie tbh, not 100% (and I question anybody who claims otherwise), but ultimately because I don't accept the idea that his fleeting acts of passion make up for all the shit leading up to them (or even proceeding after them tbh). At least Glinda managed to do what Elphaba always wanted in the end — but I would die on this hill even if Gelphie didn't exist.

You don't have to agree with my analysis of Fiyero and his choices, relationships, etc. — that's fine. What isn't fine is trying to portray Glinda as some kind of spineless traitor whore for the Wizard and Fiyero as a conscientious hero who earned Elphie through self-sacrifice. That's just not the story that was written. It's WAY messier and more interesting than that.

[bckwardsfrwards]

could you do dr phosphorus x reader relationship headcanons on a alien reader

Absolutely! Thanks for the ask :D

These are for a GN reader! Headcanons below the cut sorry for the long wait I have a lot of projects I'm working on at the moment!

At first he'd be a bit weary, You being from an entirely different planet and all. But he'd be quick to warm up to you once he realized you weren't a real threat to him. (Not that much is)

He'd crack stupid jokes with you most of which you don't understand. But his genuine attempts to make you laugh slowly start to work. And when you reference something from your homeworld he's equally puzzled. You both laugh anyways putting the cultural difference aside.

He often seeks you out since you more than tolerate his presence. He was so used to being alone or disregarded that he easily latches onto your genuine attention.

You often find yourselves telling stories from your past, some pleasant but most not. You sympathize with the doctor and all he has lost.

"Courting" with Doctor Phosphorus is a little strange to say the least. You're unused to Earth's unspoken societal rules and rituals. So when he is openly being flirtatious you're a little oblivious to it. You can't see his eyes and you don't understand the meaning of prolonged eye contact, so when you finally figure out his intentions of romancing you you're a little embarrassed at your obliviousness.

Actually dating the doctor is an interesting experience for the both of you. You've never been with an earthling and he's never even seen an alien before you. But you quickly catch on to what he likes.

You learn Phosphorus hasn't known a friendly touch in 15 years and without thinking too much you pull him into an embrace. He's a bit shocked when you pull back and you're completely unharmed. Casual touches quickly become one of your favorite things. Tracing the outline of his bones over his translucent skin.

You can see through him both literally and figuratively. He's not as good at hiding his emotions as he thinks. He seeks you out often just for the comfort of your presence. Whether it's sitting together in companionable silence or just holding hands, feeling the heat radiate from him.

You learn that it's not as hard to read Phosphorus as you originally thought. The way the flames on his head grow a little hotter and burn a little brighter when he's upset. How after a particularly draining mission he'll be more needy for your touch than normal.

He has no shame when it comes to your relationship. Often joking openly with the other commandos about it. Holding your hand in the back of the transport car. Trying his damnedest not to let you out of his sight. He's overly cautious and for good reason, he's terrified of losing you.

You can hold your own in a fight but whenever you find yourself injured he's gentle with you. Attentive and overly cautious making sure that your wounds are tended to. He tells you it's because he was an actual doctor once but you can tell it's just an excuse to worry over you.

As snarky and sarcastic as he is, he is also very genuine and caring. He tries to put your needs before his own whenever he can. Deflecting and claiming he doesn't need to be doted on. But you do anyway, you show him the same gentleness and affection that he so clearly craves and he melts into it.

You show him love he hasn't known in this body and he isn't sure how to handle it. He's torn between giving in and staying reserved. But he lets you in, lets himself be vulnerable and cared for.

That's all for now, maybe I'll do a part 2 and include NSFW headcanons :)

[miraculouslbcnreactions]

I haven't seen the London special—and I don't want to—but I've read the plot and something just occurred to me.

Why did Bunnyx need Ladybug's help? Why couldn't Bunnyx have figured things out and fixed the timeline herself? I know only the 14-year-old Bunnyx was left, but that gives her ample time to do SOMETHING.

According to Marinette, she believes that the Rabbit Miraculous is actually the most powerful of all the miraculouses. That means a whole lot of responsibility, which she gave to Alix when she let her keep the Rabbit Miraculous PERMANENTLY.

So, why didn't Alix just fix the timelines herself? She was the Present Alix, which means nothing has happened to her at the moment. She could've brainstormed her way into figuring out what happened, who it is, and stopped them herself.

I don't know. Maybe it's just me, but I feel like if you give someone a miraculous that YOU YOURSELF BELIEVE IS THE MOST POWERFUL MIRACULOUS, YOU'D GIVE IT TO SOMEONE WHO CAN ACTUALLY WORK BY THEMSELVES???

And it's not like I'm saying Alix can't ask for help, but it just feels like her first thought was: "I gotta get Ladybug!" And not "Oh my God, the timelines are changing, I have to figure out who it is!"

If Alix is going to run to Ladybug every time the timeline changes, why give her the responsibility of making sure nothing happens to the timeline in the first place??? If it's going to be like that, Ladybug might as well have just kept the Rabbit Miraculous herself, since it seems like she'll be the one shouldering the job anyway.

The show's obsession with making Marinette do everything herself has created massive flaws in the narrative and makes a ton of characters look bad - or at least poorly suited to their hero role - because they generally default to only doing what Marinette tells them to do. The show will even go out of its way to punish characters when they take initiative. If your name isn't Marinette, then initiative is always, always punished. And if your name is Marinette? Then it depends on the writers' mercurial whims and not anything even remotely resembling logic.

Alya suffers the the initiative = bad curse all the time like in Optigami where she decides to take the turtle to the day's fight even though she was only told to take the fox and the bee:

Rena Rouge: Mirage! (an illusion of Ladybug is created) And voila! A cool little Ladybug illusion to keep Style Queen busy while I'll… (Rena Rouge looks at the Turtle Miraculous container on the Miracle Box and takes the Miraculous) Longg: Did the guardian ask you to do that? Rena Rouge: Just a precaution.

This should have been Alya's moment to shine. A moment where she took initiative and it paid off, showing Marinette that she could trust others to make their own calls. Instead, this choice is painted as Alya being blinded by her love for Nino and leads to Shadow Moth almost getting the turtle because he just so happened to make a perfect clone of Nino and Alya unknowingly gave the clone the turtle. (Why does this show love evil twins so much? This is basically a the same plot as the season four final. Get a new gimmick! This one is just dumb.)

Even more annoyingly, the one who unmasks sentiNino isn't his girlfriend, it's Ladybug even though the thing that exposes sentiNino is something unique to Nino and Alya:

Ladybug: I guess it was only here to help repair everything. (looks confused when she sees her compact mirror) (Sentinino gives Alya a simple hi-five) (Ladybug remembers Alya and Nino's special hi-five in a flashback) Ladybug: (looks at both of them with curious look) We're gonna have to be a lot more careful now. Shadow Moth knows the identities of some of the people I have given a miraculous and apparently he's decided to use this information. (looks at Sentinino) Isn't that right, Shadow Moth? (Alya becomes shocked, and Sentinino panicks as he got exposed) Ladybug: I'm sorry Alya, you better move away from him. This isn't Nino, it's a Sentimonster. Alya: Huh? (gasps)

It's Alya and Nino's special handshake!!! Alya should be the one to figure it out, not Ladybug!!! Writers, stop this! Let Marinette have competent allies! She's not suddenly less cool if other people are useful! Also, stop making love a bad thing! Alya and Marinette both suffer every time they're open with their love interest and I hate it. Whatever happened to romantic love being a good thing?

Anyway, all of the Optigami nonsense leads to an ending that makes zero sense:

Alya: Shadow Moth almost unmasked you because of me. I should have never taken the Turtle Miraculous. Marinette: It's true, you did make a mistake, and that's why I'm gonna have to make a difficult decision. The most important thing is to learn from our mistakes. And today, I learned that I need an ally who can replace me in case something happens to me one day. (hands Alya the Fox Miraculous) From now on, you will keep the Miraculous of the Fox with you, and I'm gonna tell you everything I know.

This ending does not fit the episode in the slightest. Why does Alya's failure make her promotion material? How was the turtle even a failure when it would have been fine if that was really Nino? How was anyone supposed to tell that wasn't Nino when the peacock is so stupidly overpowered? It's so dumb!

This episode should have been Alya earning her promotion by being awesome, taking initiative, and noticing things Marinette didn't. What is the point of having a reporter who never notices things? Why does Marinette decide to give Alya secret knowledge and a full-time miraculous in an episode that was all about Shadow Moth almost winning because he knows the temp heroes' identities? Why does nothing about this show make sense? Writers, what are you doing???

The saddest thing about this Marinette-first approach is that it's not even making Marinette look good. This goes beyond the asinine "Marinette must always be wrong" rule. The problem here is that the narrative has made many of the secondary characters feel incredibly important. As a result, the audience naturally expects those characters to have important roles. When those character are then denied the roles that they should have, the audience gets angry and the anger usually gets directed at Marinette. For many viewers, it feels like she's hogging the spotlight and denying herself help even thought those things are poorly thought-out choices made by the writers and not intentional flaws that are meant to be part of Marinette's character.

I know one person whose favorite character is Alix, Alya is one of mine, and a huge portion of the fandom loves Adrien. All characters who should have been allowed to shine, but who got shoved to the side in favor of Marinette. The casual watcher is not going to blame the writing for that. They're going to get mad at Marinette because she's basically the avatar of the bad writing, forced to do the most asinine things so that she maintains the spotlight even if it's slowly killing her character while making every other character look pathetic and/or ineffectual.

[abbysimsfun]

Sims In Bloom: Generation 2 Pt. 129 (Nancy Landgraab and the SanMy Ballerinas)

Nancy Landgraab loved when Ash was in the city with her family. Where he belonged - if it were up to her, anyway. Her reputation for coldness preceded her, and she used it to her advantage in the cutthroat world of business, but those who managed to get beyond her icy exterior knew a different woman.

Her grandchildren were all but immune to tough judgment from Nancy, and she was thrilled to have them together at the penthouse for Easter. Today, she had both Ash and Bridgette with her to visit one of her pet interests - the SanMy Ballet School at the Performing Arts Centre.

"Pearl said she's even better at ballet than the last time I saw her," chattered Ash from a stool at the back of the room. "I asked if she can do the splits and she said of course she can."

"Most ballerinas are flexible enough to do the splits."

"Can you do the splits, Nan?"

"When I was a ballerina, I could."

"Nan! Nan! I'm a ballerina!" babbled almost four-year-old Bridgette, tearing off her coat to copy the dancers.

(Ash has called her Grandma Nancy before, but since Bridgette started talking, now they both call her Nan. I wanted something different than Grandma since that's what Ash calls Daisy, and I can't believe it took me this long to come up with Nan for Nancy!)

Ash's friend, Pearl, was the best young dancer in her age group, and Nancy had kept an eye on her for years. In her youth, Nancy almost made it herself, but a broken ankle ended her dreams and pushed her to focus on the family business.

Did this leave her bitter? Maybe. But she channeled it into serving on the board of the SanMy Ballet Company, focusing her interests on helping young dancers develop through the connected school.

The older girls were hard at work teaching their students. Elyse Rockwell was a classic beauty, quiet and reserved. She didn't talk much, but she was polite. Nancy liked her.

Natasha Lobo was the girl Nancy thought would drop out of ballet when she was young. She fought struggles at home, she was short, her hips too wide (this chapter is written from Nancy's POV and I disagree but Nancy's a cow), and it took her forever to learn simple grace. But now, Natasha was just as good as Elyse - probably better. Natasha reminded Nancy of herself and she respected her work ethic.

Then there was Sierra Prairies. Oh, Sierra. They could be the best ballerina to ever lace on a pair of slippers, but he insisted on being, well...zirself. Nancy didn't understand Sierra, but she was a good ballerina and great with the younger students.

As practice ended and the girls dispersed, Nancy applauded with a scowl as the girls nervously made their way to the intimidating CEO. "Sierra, we've been over this. Ballet is all about performance, but it's not a clown circus. What are you wearing on your face? And your leotard..."

"It's just animal print, Mrs. Landgraab. How aren't you itching through that drab wool coat?"

"This drab wool cost four-thousand simoleons."

Sierra laughed, unbothered by the wealthy woman's disdain. "You've got to learn to thrift, Mrs. Landgraab. Way better designers at way better prices, just because some rich trendsetter tossed them away when they were ready to spend another four grand on another ugly coat."

"Sierra, maybe don't talk to the school's top donor like that," Elyse suggested carefully. "It's nice to see you again, Mrs. Landgraab."

"I think your coat looks amazing, Mrs. Landgraab. You rock whatever you wear." Toddler Bridgette grinned up at Natasha, pulling at her tights until the blonde picked her up with a smile. "Your granddaughter's getting big. She'll be with us at the school in no time."

Sierra cleared her throat. "Suck up," she said, pretending to cough. "Tash, you're pretty, but you're so obvious. She comes in to see random practices over Easter break! She already cares about the school."

"Sierra Prairies, bite your tongue. Flattery will get you anywhere." Nancy smiled warmly at Natasha. She wasn't sucking up for the sake of the school, but herself. If students wanted to be considered for the company after they'd finished their training, Nancy was the SanMy Ballet Company's most influential board member.

She introduced her grandson as a friend of Pearl Richards, the school's prize student, forgetting entirely that Ash's cousin, Tetra Bell, had recently enrolled.

"Hey Ash," Tetra said, joining the conversation as the girls finished up after class. "My mom says to tell Aunt Heather to plan her wedding to Uncle Conrad already."

Nancy pursed her lips quietly. She was learning to hold her opinion of Ash's mother when her grandson was around.

"There's no time to talk about weddings. I came today to let you know I'm bringing in a film crew next week to show off the new studio. We'll finally be able to get out of this basement that smells like a sewer, and get some great promotion filmed for the school."

"We?"

"Practice before then. Get your spray tans early enough so they're dry when you put on your leotard, dye your roots neon pink if you must, but leave the face stickers at home."

Sierra opened her mouth to protest, but Elyse and Natasha both shushed her.

"I'm asking for one afternoon without stickers on your face, Sierra. I can't imagine they're all that good for your skin, anyway."

Sierra raised her hands apologetically. "I'm joking, Mrs. Landgraab. I can take myself seriously, believe it or not."

"Does that mean you'll show up in a leotard that doesn't look like you stole it from a showgirl in Lucky Palms?"

"What's a showgirl?" Ash wondered innocently.

"It's what your grandmother thinks becomes of every failed ballerina just because she-"

"I didn't fail as a ballerina, Miss Prairies. I broke my ankle and it ended my career."

"It can happen to the best," Elyse said warmly. "We really appreciate everything you do for the school. Even Sierra."

The pink-haired ballerina frowned. "Were you really the best?"

"I could have been big," Nancy admitted proudly as the children began to head home. "Took me a decade to work the ankle back to strength enough just to run on a treadmill."

"Could you still do some moves?"

Nancy shook her head. "Not many. But I still have more grace in my fingertips than any of you."

Easily persuaded, the girls got Nancy out of her expensive coat and into a pair of ballet slippers. She bent and stretched her toes over the polished hardwood, reconnecting with the moves that once flowed through her with as much muscle memory as walking.

She practiced the long forgotten skill as the students packed up to leave, and Elyse kept Bridgette company while Sierra and Natasha goofed off in the corner. Maybe they were showing off for her, which Nancy the board member certainly didn't mind. The company was sorely low on male dancers these days, so Sierra filled the masculine steps while he danced with Natasha.

Sierra whispered something in Natasha's ear with a flirtatious grin. Nancy chuckled to herself, seeing something between the girls that maybe they hadn't even recognized themselves. But they were stealing her thunder.

"Oh, go put that spark inside in a Layla Delarosa book," Nancy laughed. "I'm practicing here." ->

<- Previous Chapter | Gen 2 Start | Gen 2.1 Summary

Gen 1 Start | Gen 1 Summary

NOTE: Tetra Bell, Ash's cousin and the daughter of Holly and Kris, is literally five years old and should not actually be in this ballet class with these older girls. She's no prodigy like Pearl, but she aged up recently and I wanted her to be here to fill the class and show her off. The other girls in the class besides Pearl are Cristal and Noemi Zest, Nancy's nieces who she ignored.

I made them skill and then got them chatting with Nancy and just kinda let what happened happen before setting up the poses. Sierra really did make Nancy angry before I had Nancy practice ballet, and Elyse spent the most time autonomously chatting with the kids after practice ended. Natasha autonomously picked up Bridgette when she asked and also autonomously sucked up with that hand on chest compliment for Nancy. Natasha skilled up in ballet and fitness the fastest of the three.

A huge, enormous, gargantuan thank you to @changingplumbob for sending me these beautiful sims and letting me play in the sandbox with them and the Ballet mod by @janesimsten! I know @paracosmic-sims created Sierra, @bloomingkyras created Natasha, and Elyse was created by @simmerbeans, and they're all stunning! Thank you! Additionally, thank you @paracosmic-sims for sending me in the direction of some awesome and colourful cc for Sierra, which I love even more because it really blows Nancy's goat!

And an extra shout out to @fallstaticexit's Nancy in The Art of Being Seen. She made Nancy look so good as a teenage ballerina that it altered my head canon for her forever! (But in this timeline, she loves to get freaky with Geoffrey!)

WCIF Poses: Pearl doing the splits is from Child Gymnastics Poses by @flowerchamber. Sierra and Natasha are posed using Ceci's Couples Dance I poses (before cut) and RayGun @rayw05771's Ballet Duet poses (after cut). Bridgette was posed using Toddler Ballet poses by @daisylove126, which are so cute, and since they come with an all-in-one option I just played that through while the other girls skilled and it looked like she was dancing along. My heart!

WCIF cc? Elyse and Natasha's bodysuits and tights come with Jane Simsten's Ballet mod (same for what they wore in yesterday's promo). Sierra is wearing @candysims4's Let It Go bodysuit and Marzmerizingsims' Decora face sticker accessories. In yesterday's promo, she wore @joliebean's Cindy leotard with tights.

[issilya]

I hate answering this because it's something I really go back and forth on when it comes to Esha.

Like, she's a crow. An alienage elf with a fucking death wish. She probably doesn't see a reality where she doesn't die young.

It's not that she wants to die - fuck no she doesn't! Before death takes her, she will break her fingers clawing out of its grasp.

But. She's a pessimistic realist, if that makes sense. She doesn't allow herself to dream of the future, because the future is unsure and cannot be trusted. She accepts the reality she is in - the reality of being Viago's bloodhound. The reality of having to cheat death on the regular. She's fearless, but part that fearlessness on the job? It's not being resigned to her fate. It comes from the fact that she's afraid of being alive. She's afraid of the future. She's afraid to dream. She's afraid of the good times because the good times always end and hurt so fucking much when they do. So it's easier to not have them. Just resign herself to the here and now.

And then, despite all of that, she actually does enjoy what she is. She enjoys the thrill like the adrenaline junkie she is. And she's aware of it.

So it's not that she's really *opposed* to getting married. But she's also not really that into it. She never thinks it's something that happens to her, period. That's it, move on.

If that ever comes up between her and Lucanis, she goes full panic and full denial mode. Like, what do you mean? She's an alienage elf. He's the goddamned First Talon. Doesn't matter if they killed gods, there is a gap between them that makes this difficult. Uncomfortable.

And then it means actually committing to something long term. It means looking to the future. It means dreaming. And that's not something she ever allows herself to do.

All that not even taking into the account what it would mean politically. She's a de Riva, not a Dellamorte, she will not become a Dellamorte regardless of how devoted she may be. Names are who you are and what shapes you, and she would not change hers. It would be like erasing her identity. And then, what does it mean for the First Talon to marry someone who will not give him children? Because even if she ever wanted to, she can't. Does she want to? Eh, probably not, but it's not like she ever considered it knowing she can't anyway. It doesn't bother her, but it does carry weight once *marriage* is a question. Like, do you think Caterina doesn't care about having her bloodline continue? Because I'm sure she does and family pressure is helluva drug (poor Lucanis).

So I think the answer to that is... I don't know. I think she *would* get married, but it would require a lot of work to break down all the walls and shatter all the fears she has.

But once she's okay with it - oof, then there's issues about Andrastian rites vs elvish rites and all that shit. She's not disconnected from her roots. Even after all that, she still sees is as something that's important. It's not about gods, fuck the gods - it's about the community. The rites that keep the community together, the history that gets carried. She understands that, and she's not willing to just play the part of an Andastrian wife. What does that even mean for these two? How Andrastian is Lucanis, anyway?

Jokingly, maybe they almost break up over this and then decide to elope. Have a ship captain marry them because ship captains can do that. I have no idea. They're a tangled mess of opposites and conflicts and I love them. I'm not even sure they get a happy ending after all.

/edit

Yeah after considerations it's not about whether or not she wants it or how she wants it, if they get married, it would be Lucanis pulling some shit like asking her and then within 10 minutes having the ship's captain marry them, because if she has time to think, her brain will overload on panic - gotta get her while she's still in shock lmao

Hey, hope you all had a good weekend! Unfortunately, it’s Monday =/ Fortunately, it’s time for Rook Intro Hour! 🍀🌺🌼🌸

How it works: I ask you a question about your Rook(s) and you answer it with as much brevity or verbosity as you desire. You can do this whenever you want, and I’ll reblog it + add some comments! There’s no time limit— if you want to do the older ones, they are collected here! (The post is updated on Fridays!)

Today’s Question(s): Does your Rook want to get married to their LI(s)? Do they care about where? Is there a specific tradition/traditions they want to follow, when they do? Who would they invite? What would they wear?

Have fun & thanks for sharing!

[stars4noah]

HALLEY'S COMET- seven.

{WARNINGS}: swearing, wee bit of arguing, LOVE CONFESSION YAY

w.c- 1,379

a.n- SURPRISEEEE SHAWTAYYY!

{TAGLIST}: @lacy1986 @collisionofyourkissmakesitsohard @chey-h @rumoured-whispers @oobleoob @dontwantthemoney @n0n3xsisting

i sat in my bunk for the rest of the night, trying to fall asleep but i couldn't. instead, i drew in my notebook and wrote down the occasional lyric that popped into my mind.

fuck. this was going to be good.

READER'S POV.

today was another day, which meant yet another unbearable show with noah. i decided to make the most of it, though. i wasn't going to let anything bring me down.

he'd been in a bitchy mood all day, but it really wasn't my place to investigate or stick my nose where it didn't belong. instead, i walked around the arena as i fiddled with my camera, adjusting the settings and making sure it was ready for the show tonight. like always, i wasn't paying a lick of attention to where i was going. despite that, i could feel noah's eyes on me. staring me down like a hawk.

before i knew it, he was approaching me with that scowl on his face.

"why are you so happy today? it's making me sick." he spat.

i raised an eyebrow, stopping in my tracks and looking up at him. "why are you so grumpy?"

"doesn't matter. do you have to be so happy all the time? it's getting on my nerves."

"yes, because unlike someone here, i actually enjoy life." i countered.

"i enjoy life, thank you very much." he said, looking down at me as he crossed his arms. "i just hate hearing you hum and seeing you wandering around like a lost puppy. you're gonna drive me into insanity."

"right." i said, looking back down at my camera.

"why can't you just be miserable like the rest of us?" noah mumbled as he moved closer to me. he was practically towering over me at this point, being at least a foot taller than me.

"not everybody is as miserable as you." i corrected. "and i prefer to focus on the good parts of life rather than the bad."

"what if there aren't any good parts?" he asked. he was being serious, he always saw the world in a negative view. he hated the way things were going, and i could tell.

i raised an eyebrow. "don't sound so miserable. there's not one good part in your life?" i asked.

he rolled his eyes. "it's called depression, sweetheart. ever heard of it?"

"course i have, idiot. what about your parents?"

noah rolled his eyes again. "you think they care? they're part of the reason i ended up like this."

"okay... what about your friends?"

he sighed, looking over at folio, nicholas, and jolly. "i mean— my bandmates are fine. they just don't know how to read a person."

he pointed to folio. "he's too damn happy." he pointed to nicholas. "he doesn't understand sarcasm half the time." he pointed to jolly. "and he's the sweetest guy that you'll ever meet. too damn sweet. "they don't know what I'm going through, or what I'm feeling."

"then tell them." i suggested. "nobody's gonna know what you're going through or if you need help if you keep it bottled up inside all the time."

noah scoffed. "seriously? telling my feelings will make me look weak. they wont understand, anyways. i'll just sound stupid and dramatic."

i furrowed my brows, crossing my arms. "that's not true. you're not stupid or dramatic for asking for help."

he sighed and looked at me again. "you don't know anything about me, okay? you don't know what i'm going through. what i've been through."

"oh, i wonder why? maybe because you refuse to talk about it. grow up, noah. i'm trying to help you, and you're blatantly pushing me away and refusing it." i scoffed.

he frowned deeply. "i am grown. and i didn't ask for your help anyways."

"yes, you're grown physically. mentally? no."

he scowled. "and who are you to tell me these things? you don't know what's going on in my head. don't act like you know me."

"i'm not. i'm trying to help you. let me help you for once." i said, my eyes softening. i knew he was hurting, i knew he was in pain. but i couldn't do anything about it if he didn't let me in.

"well i don't want your help." he snapped back. "i don't need you or your shitty advice. i'm fine on my own."

i shrugged, trying to pretend his words didn't hurt me. "okay." i said, walking off just like that. he didn't want my help? he wouldn't have it.

i could hear him call my name for me to come back, but i ignored him. i was tired and hungry and really not in the mood to deal with his bullshit.

before i knew it, he was coming up behind me, grabbing my wrist. i sighed, turning around. "what?"

he looked at the ground, biting his lip. "i didn't mean it.." he said.

i furrowed my brows. "which part?"

"um.. everything, actually."

i was beyond confused. what the hell was he talking about? he took a deep breath, and i could tell shit was about to go down.

NOAH'S POV.

i stood in front of her, looking at the ground. i knew that if i looked at her, her eyes would be all it took for me to spill everything i ever thought. which i ended up making the mistake of doing. my breath caught in my throat as i looked at her.

"Y/N, i... fuck how do i say this?" i mumbled, running a hand over my face.

"spit it out, noah. i don't have all day."

i took a deep breath, looking back at her. "the real reason i broke it off with bailey.. it because i'm in love with someone else. i knew that bailey couldn't give me what i wanted. she couldn't give me the life i wanted to live, the happiness i know i deserve." i said.

"and how does this come back to me?" she asked.

"you're that someone else." i said.

she froze, looking at me with wide eyes. fuck. i just messed it all up. all because i couldn't keep my mouth shut and i just had to tell her how i felt. good job noah, now you just ruined everything.

which is what i thought before i felt her lips on mine.

oh.

oh.

she feels the same.

i melted into the kiss, my eyes closing as i gently cradled her face. i knew i didn't deserve this. i didn't deserve her love or her patience or anything about her. how could i? i'd been nothing but a huge dick to her for years. how could she ever feel the same?

she pulled away and i looked down at her, breathing slightly heavy. "how..."

"because i know you, noah. i know you never meant to hurt anybody. you just didn't know any better. you didn't know how to confront these feelings. you were confused. and that's okay. it's okay." she said softly.

i could feel tears well in my eyes, and for the first time in a while, i didn't feel so alone. i felt loved. i felt happy. i knew that this was what i wanted for the rest of my life. to be with her. to be loved by her. maybe a marriage and a few kids to top it all off.

woah, too fast.

i took a deep breath, wrapping my arms around her in a tight hug. "thank you.." i whispered.

"for what?" she asked.

"for loving me, despite how i treated you."

she pulled away with that smile i loved oh so much, cradling my face. "don't thank me. thank yourself for deciding to open up. you don't have to be scared, noah. i'm not her." she said softly, and that just made me tear up even more.

i knew she wasn't bailey. bailey couldn't even compare to the way Y/N made me feel. but the reassurance was the only thing i needed to be so sure about the way i felt.

i loved her. and i needed her. more than i needed air.

"now come on," she began. "we have a show to get ready for. then we can pick up right where we left off."

[the-court-of-dreams]

ONYX STORM SPOILERS

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Quotes that KILLED ME in Onyx Storm.

1)

To the ones who don’t run with the popular crowd, the ones who get caught reading under their desks, the ones who feel like they never get invited, included, or represented. Get your leathers. We have dragons to ride.

Books have always been a safe place for me. I still remember picking up The Hobbit when I was still a kid, closing my bedroom door and going on an adventure. I'm almost 25 now and I still love going on adventures. From magic schools to institutes, hidden cities to castles, forests to enormous capitals. With cars and ships and horses and broomsticks and dragons. Every story, a new adventure. Every book, a new journey. Oh, how I love travelling!

I only ever had one friend who loves reading as much as I do and our conversations about books, the hours we spend making theories, and analysing everything that happened... they are some of my most beloved moments. (Nikita, you are the joy of my life) My other friends don't understand as much, it's okay. I' ve always been the kid hiding books under my desk, staying up past my bedtime with a light under the covers. So yeah... that dedication really got me.

I was invited to places, but I almost never felt included while being there. That was okay too.

I always preferred riding dragons anyway.

2)

Xaden is mine. My heart, my soul, my everything. He channeled from the earth to save me, and I’ll scour the world until I find a way to save him right back.

Wow, that didn't take long at all, huh? Straight in the fucking feels.

3)

I could reach the rank of Maven, lead armies of dark wielders against everyone we care for, and watch every vein in my body turn red as I channel all the power in the Continent, and I would still love you. What I did doesn’t change that. I’m not sure anything can.

Such a good start for me and my fucking heart. Thanks, Rebecca... I really appreciate it.

4)

If I’m to be court-martialed for helping Braxtyn defend his people, then I shall welcome the trial. All who channel from dragon and gryphon alike should flourish under the wards, and now Aretia will be that haven should one of the others ever return.

Lyra... I fucking stan!

5)

So with all the love in my heart, put your fucking uniform on, because we need you.

Look, I'm not saying that Ridoc is my favourite character in this book... but... Ridoc IS my favourite character in this book.

I died with the whole squad dynamic, but the four of them will always hold a special place in my heart, I fucking love these kids.

6)

Even hundreds of miles away, he’s still taking care of me and doesn’t even know it.

I KNEW this godsdamned book would be full of angst....BUT DID IT HAVE TO BE ALL OF IT??? DID IT REBECCA????

7)

You might be angry when you realize I didn’t wake you to say goodbye. But it’s only because I no longer fully trust my ability to walk away.

—Recovered Correspondence of His Grace, Lieutenant Xaden Riorson, Sixteenth Duke of Tyrrendor, to Cadet Violet Sorrengail

FUCK ME MAN....Come on...WHYYYYYYY????

8)

But the thought of you being out there, beyond the wards, facing down a known attack of venin, triggered something in me I’ve never felt before. It was hotter than rage, and sharper than fear, and cut deeper than helplessness, all because I couldn’t get to you.

Fuck you.

9)

I would have killed anything and anyone in that moment to reach you. No exceptions. I would have channeled every ounce of power beneath my feet without hesitation if it would have landed me at your side.

Double fuck you.

10)

If I’d been there, beyond the wards, I would have drained the very earth to its core to keep you safe.

TRIPLE FUCKING FUCK YOU!!!!

11)

Pain isn’t new to me, Jack. She’s an old friend I spend most of my days with, so I don’t mind if she sings to you.

Violet Sorrengail... you are the most badass bitch to ever badass. (I feel like that's SUCH a Remi thing to say. Fucking finally.... iykyk. Shout out to @skyfallscotland for writing fucking masterpieces. Getting notifications from you always makes my day. If any of you are into fanfcition, i STRONGLY recommend reading everything this girl has written. You can start with Fear and Flame. Thank me, and HER, later.)

12)

“We live by the Codex—” I try again.

“I live by you. When have I ever given a fuck about the Codex or the Code of Conduct?” He cradles my face and leans down, resting his forehead against mine. “I am yours and you are mine, and there’s no law or rule in this world or the next that will change that.”

I love them so much it hurts.

13)

Love of my life. You have nothing to be jealous of.

😭😭😭😭😭😭😭😭😭😭

14)

“There’s no magic here.” He tugs me against him. “No power. No lure. No taunting reminder that I can save everyone if I just reach for it and take what’s offered. It’s only…peace.”

For the first time since fetching the luminary, I seriously debate Tecarus’s offer.

When I tell you this book was PAINFUL for me....I'M NOT FUCKING KIDDING.

15)

"...Sgaeyl…" He glances up at the trees as if he can see her in the sky above us, a look of longing on his face.

If I had a dollar for everytime this book broke my fucking heart.

16)

“My consort,” Xaden replies casually. “Violet Sorrengail.”

I'm deceased.

17)

I can’t quit watching Xaden’s eyes in case their flecks change back to gold whenever I see him during Signet Sparring.

They never do.

Like my heart will never again NOT be broken for these two.

18)

“The pain. The mess. Give it to me. I’ll hold it. I know that sounds ludicrous, but I’ll find a way.” I lace our fingers. “I will hold everything you don’t want to feel because I love every part of you.”

This ship... this fucking ship...

19)

“Seems Catriona has found someone worth lagging behind for.”

I loathed her in the previous book....but gods did the poor girl go through it in this one....

20)

“There is no cure for me.” He presses a kiss to my forehead. “That’s why you have to become better than me. There’s only you.”

I seriously don't know why I'm putting myself through this torture.

21)

When things get…shitty, I hope you can look down at it and imagine us sitting there together when this is all over. That’s the vision I’m going to cling to: you and me, holding hands, looking over the city.

This right here broke whatever soul I thought I had left. It just hurts so much when the characters cling to a future that I fucking know isn't going to happen.

22)

It’s almost like this room is removed from time itself, a tiny corner of the world where we simultaneously live together yet don’t.

Rebecca literally...WHYYYYY????

23)

I didn’t reach for any form of power because even in that state, I knew it could take me back to day zero, and day zero doesn’t give me you. I clawed my way back to myself and left.

Screaming, crying, throwing up.

24)

While most deities allow temple attendants to choose their timeline of service, only two require a lifetime of dedication: Dunne and Loial. For both war and love change souls irrevocably.

For the love of Gods, please let this be some kind of clue.

25)

I love you more than this city. Do not die defending it.

Screaming. Crying. Throwing up.

26)

At some point I’ll stop looking for her, right?

I KNOW Andarna had her reasons... but my girl Violet did not deserve that after everything she's been through.

27)

His smile instantly becomes a core memory.

MY smile instantly becomes a core memory....as in I don't think I'll have one again.

28)

You’re not a weapon of destruction. You’re not venin. You’re the artery power chooses to flow through. You’re life.

I fucking ship this SO MUCH. I love me some enemies to lovers, slow burn, full of angst shit.

29)

When push comes to shove, I'm not the best of us. She is.

YES VIOLET, THAT'S YOUR BESTIE!!!!!!

30)

“That’s a little menacing,” I admit to Feirge. “Then let us be menaces,”

I ADORE multiple povs. I've been waiting for Rhi's and Imogen's pov for 3 books, and I was NOT disappointed. Wish I could have more of them though.

31)

She’ll rip the very sky apart before she and Glane accept defeat.

GO IMOGEN! GO! GO! GO!

32)

The flame of perpetual rage that lives in my chest burns hotter. Fuck that horde. Fuck the venin who ride them. Fuck that unholy vortex of a tornado at the end of the northern field, and fuck the orders to stay grounded in these winds.

FUCK! I love this girl so damn much.

33)

I’m glad it’s you with me. Parapet to Malek’s own doorstep. I’m so sorry I have to go first this time.

To be honest, I didn't really care about Quinn for three books now... but I SOBBED in these 3 pages.

34)

And you should tell him, Gen. Tell him, and you find some happy.

And the fact that she preached for my second favourite ship of the series with her dying breath??? Miss Quinn, you have my heart. I didn't care for your existence for three books, but man, did you get me in the end.

35)

“We made it a good one.”

This one cut me so fuckign deep I had to stop for a good ten minutes. I did not see it coming. I did not think I'd care. I still don't understand why I did. But I really, really did.

36)

“I’m not leaving you!” He leans in and slides his hand behind my neck. “I’m not leaving you, Imogen,” he repeats, softer this time.

If these two don't end up together, I'm gonna make it everybody's problem. I PROMISE!

37)

“You have been the gift of my life,” I tell Tairn.

I've read some theories that Tairn will die in the end... First of all...HOW DARE YOU? And second of all... REBECCA DON'T YOU DARE, I WILL-

38)

She was the first to choose me, to elevate me above all others, the first to see every ugly side of me and accept it all, and every single person in this fucking canyon will die before they remove a single one of her scales.

The fact that Xaden channeled for Violet but really turned to save Sgaeyl... I did not expect that. And although it was painful as fuck to read through... to me it was perfect and a job really well done.

39)

Shadow brings quiet. My soul departs like pieces of ash from a fire, flaking free and drifting away as power consumes the space it once inhabited. I’m no longer on the ice—I am the ice.

Xaden...baby...no....

40)

Save them, the last remaining pieces of me beg, holding on with teeth and claw to keep from being torn away, too.

I will never... ever... recover from this.

41)

“I love you.” Violet’s voice cracks the cold, and a silken thread of warmth wedges itself in the opening before it seals shut, locking it in place.

No. Wait. I grab for that thread with desperate hands, clawing to keep her as more of my pieces are blown away, lost to the void. She is warmth and light and air and love.

This was so fucking painful to read I literally have no fucking words.

44)

I love her. That is the emotion I cling to, the fire of pure power burning at the feeling’s edges, and I know if I take it any further, it will be the next and final piece to float away.

😭😭😭😭😭😭💔💔💔💔💔💔

45)

“What did you do?” My head snaps toward Imogen, and a deep sense of foreboding takes root in my chest. She slowly lifts her gaze to mine.

“What you asked me to.”

How THE FUCK am I supposed to wait who-knows how long for the next damned book???

All in all, I really enjoyed this. I never got bored and I didn't mind the side missions at all.

The xaden×violet of it all shattered my heart. I definitely loved their relationship more than the previous books (It really reminded me of their dynamic from one of the best pieces of literature I've ever had the pleasure to read, a fanfiction piece called Storm in the quiet by @justallihere. She is truly the best.).

I just knew this was coming, and all of their trying would lead to this... it tore my heart apart. I love heavy angst in my books, but it hurts like a motherfucker when you have to wait for the next book in a series. I've promised myself I would never start an unfinished series ever again but oh well....

I loved the side characters so much, and I feel like I got to see them more and get to know them better in this one.

Ridoc is the best comic relief character I've read in a long, long time, and I love him so much (I almost had a heart attack when I thought the cook actually stabbed him.)

Aaric is a little shit and I'm so here for it. His exceptionally well written character was one of the highlights of the book for me.

Imogen and Garrick are my babies and I want them to end up together SO FUCKING BAD.

Also, the Drake and Mira crumbs? Chef's kiss.

I have to admit I was very fed shipping wise.

Unexpectedly, I also laughed my ass off in this book... so I'll probably make another post with all the times I died of laughter. Who would have thought?

My soul will definitely need mending and a good dose of fanfiction to get me through the long wait. To the people who are gifted enough to write these fanfcitions, you are my heroes. Cheers!

Final thought, Xaden Riorson, THE MAN that you are.

Accurate image of me after finishing Onyx Storm:

[ronancecats]

ok you got me super curious. why don't you like steve?

This is gonna be a long one, so unbuckle your seatbelts, slam on the brakes, and do a front flip out of the windshield.

I'm going to break it down by season because that will help me get all my points down, and I don't want to leave anything out. Also, a little disclaimer: I do like Steve's writing, and I appreciate the way he's developed and the role he plays, but with that being said, I still don't like him as a character.

I'm going to try and explain each reason the best I can, but I low-key suck at that so I'm sorry if anything seems confusing.

SEASON 1:

season 1 is the season that is most self-explanatory of why I don't like him, I don't think anyone genuinely likes him in season 1.

-He literally slut shamed Nancy. Like...I don't care if he was only a teenager/had bad friends. He would've been 17 and old ENOUGH to understand the consequences of that and that it would hurt Nancy...that's why he did it in the first place.

-he was awful to Jonathan, and I'm not necessarily talking about the breaking camera thing, I'm talking about what he said to him before the fight. He called him queer (a slur back in the 80's), insulted his family, and insinuated that he had something to do with his little brother's disappearance.

-He pressured Nancy into sex. NO, HE DID NOT SA HER. It was consensual, but with that being said, something can still be consensual and enjoyed while having pressure on top of that. Also, he didn't stop Carol when she was mocking Nancy and making her uncomfortable; he was smug about it. But yes, I understand he was just a teenager then.

-He just, in general, didn't respect her boundaries at all and made Barb's disappearance about himself AT FIRST.

SEASON 2:

-He left Nancy, black out drunk, at a party. Yes, he was heartbroken, but he left her there and she was really lucky that Jonathan was there.

There's not much else in season 2 honestly. Mostly my feelings about him in s2 come from the first couple episodes when all he wanted was to make Nancy forget about her guilt and leaving her at the party. But yeah, I don't care about him in s2.

SEASON 3:

There's nothing necessarily bad about him in s3. I just hate how they made him this big character but then pushed Jonathan to the side, but that has nothing to do with his character. That's just a personal pet peeve I have with the duffers.

S3 was definitely his best season and the only one I can say I liked him in. They let him focus on his platonic relationships instead of making him chase after Nancy the whole time, and I like that. If they kept him like this for s4, I probably wouldn't dislike him as much as I do, but they just had to make him go back to that and it ruined him for me. Hopefully in s5 they'll let him be like his s3 self again.

SEASON 4:

-the six nugget speech. OH MY GOD BROTHER EUGH. I could make a whole essay about this, but long story short, it was completely unhinged and just shows he only wants Nancy for his dream, and he doesn't really care about her dreams in a romantic sense. He's in love with the idea of her, not her.

In conclusion, I only like Steve when they don't make his entire character revolve around Stancy and that dead relationship. Let Stancy die, I BEG OF YOU. It's better for Steve, Nancy, Jonathan, and literally everyone who watched the damn show without rose-colored glasses for Steve.

If they just let the love triangle die in s2, I can almost guarantee that I would like Steve more. But alas, they didn't and kept it around as if we don't already know how it's going to end.

Anyway, I probably went into way more detail than you wanted me to, but oh well. I wanted to be honest.

[summers-art]

need to know ab tomorrow comes today please

🎵Song #33 Tomorrow Comes Today by Gorillaz 🎵[Full playlist]

ABSOLUTELY!! Thanks for asking, Gorillaz and Daft Punk really shaped my childhood with their music (Gorillaz 2001, Demon Days, Discovery, Human After All); that's why I had to include their music 🫶💚

So this is very late in the playlist so let me catch you up to speed on the playlist story:

Okay great, now you're all caught up!

So Metal Overlord came into the picture (Song #30-31) and got his ass beat, naturally (Song #32 The Line) and now we're here in the aftermath of the battle. Things are looking pretty bleak, but still open enough to not be completely hopeless. It's kinda hard to talk about this song without also rambling about the other one's before and after it so I'm gonna do it along with the lyrics since they're pretty short anyway.

LYRICAL BREAK DOWN BELOW 👇

Everybody's here with me Got no camera to see

Very much a reference to #32 The Line's lyric: "Please don't let them see me" which is like ...oops! This is the big boss battle my guy, like in the end of Sonic Hereo's - literally everyone is here to see this shit!! That must be so embarrassing for you 🫤 ooooh well, that's what happens when you have a public mental breakdown I guess. The camera I think could also literally be his screen eyes thing, maybe that got smashed in during the fight. Bc I love pain 💔

Don't think I'm all in this world The camera won't let me go The verdict doesn't love our soul The digital won't let me go

Like the whole playlist has been toying with: strings, wires, entrapment, the machine is inescapable. Metal is a robot so of course the digital won't let him go. It's literally a part of who he is. You cannot change this Puppet boy, I'm sorry baby.

Yeah, yeah, yeah, I'll pay (yeah, yeah)

The defeated attitude!! Makes me so depressed. Metal Overlord lost the big battle and now he's just like yea okay... I give up, you won. I'll pay for everything, the damaged I caused and all that shit. I don't care anymore. This is like his lowest point, so the way this is phrased and sung is just so perfectly sad to me, I love to suffer 💔💔

When tomorrow, tomorrow comes today

☝️HOLD ON! The talk about the future is still like, a CRUMB of there still being hope. You wouldn't talk about a tomorrow if you didn't think there was one- would you? At least, I interpret the line when tomorrow comes today as in: it hasn't happened yet.

Stereo, I want it on It's taken me far too long

LET ME GET META HERE FOR A SECOND- it could have been pretty easy to end the whole playlist here and leave on a very bittersweet/open ended note of Metal Overlord being defeated and then we just don't know what happens from there. But leaving the stereo on? Yea there are literally two songs left here on the list. So leaving the stereo on to play these last two songs changes the vibes of the story and the characters trajectory A LOT ACTUALLY.

The taken me far too long also perfectly reflects the last two songs that are yet to come; Song #34 Too Long (lmao) and then #35 Love Like You, notably the line: "When I see the way you look / Shaken by how long it took". But I shouldn't go too much into that one as I have an ask for that one to break down so I'll go over all those details at a later time teehee 🩷

Don't think I'm all in this world I don't think I'll be here too long I don't think I'll be here too long I don't think I'll be here too long

Oh lord, oh no- the brain fog is hitting him, the disassociation is taking over. That is one of those aspects I've also tried eluding too in previous songs on the list like, especially as a cue for when the murder robot programming has kicked in. Listing examples from the top of my head we have: #11 Kitchen Fork: "Who's that kid who wakes each night / Takes me on these wretched rides?" (I could list every single lyric of that song, please ask me about this song)

#24 Blur "Can't remember what I did last night / Maybe I shouldn't have given in / But I just couldn't fight" #27 Magnum Bullets: "My conscience paralyzed / Against the rising tide / Of haunting memories that drown a wasted life"

Yeah, yeah, yeah, I'll pay When tomorrow, tomorrow comes today

We have reached the end, I have nothing new to say about the lyrics. But I think the songs flows pretty well into the song after that, Too Long. Like The Line has a drum beat that kinda comes and goes, it is very ethereal sounding more reliant on piano to keep the pulse, then Tomorrow Comes Today has a darker sound and grounded beat that goes throughout the song and then we have Too Long which got an even steadier drum machine and a slow build electric dance song. There is an evolution here... I hope people see/hear it and that I am not making shit up. I want to say my 10 years in Music education gives me some ethos here

I knew I wanted another Daft punk song but it took me too long (HAH) to decide on which one. I almost went with Something About Us and I LOVE that song, it is a perfect song for when you are dying and want to confess your love, or a forbidden love - enemies to lovers sorta stuff or what have you. But that was also when I had Rusty Cage by Soundgarden on the list bc I wanted a hopeful ending about Metal breaking free!! But I wasn't happy with how I could make it flow in the playlist so once that sound was out so was Something About Us and Too Loong sorta replaced them both but for different reasons. That's just how the cookie crumbles sometime. I'm happy with the choice tho, I love that song, idc if it's 10 minutes long it is going on my playlist that is already 2 hours long and you will LIKE IT! I could've ended the playlist at Too Long but I hated that it just faded at the end and didn't have "a real ending" so to speak so that's why Love Like You survived the cut, that song actually makes the transition to the 1st song sound rly good which I do pay attention to because I have this playlist on repeat like a madman.

Okay I think I'm done rambling about this, for now

[ilikekidsshows]

Let's be real, what weight does being called a salter by most Marinette stans even hold anymore? I'm not trying to be a bitch, I'm serious. What does that even mean anymore?

Marinette stans are more often than not very transparent with their priority being defending their made up version of Marinette. So their arguments barely ever hold up when put to the test because they don't care for what actually happens in Canon.

So why should I be offended by being called a salter and awful person by people who switch the moral approach of their argument on a dime flip every time a new episode drops? One day prior they chew you out for saying that Marinette will act jealous and sabotaging again because she never learned shit, and next day with the new information they turn around bending over backwards to justify why Marinette still acting that way is actually totally realistic and no problem at all.

Excuse me? How am I supposed to take you serious after that?

Or the way Marinette stans before Kwamis Choice swore and yelled from their self claimed moral high horse that Ladynoir will totally get fixed in season 5 and that Cat Noir was only sidelined so much because now season 5 will have Marinette dedicated to making it up to him and returning the partnership to one of equals again as Ladynoir becomes canon as pay off. Only for that to NOT have happened at all, so suddenly Marinette stans pulled a 180° and suddenly go on bout how there was nothing to fix anyway, and that accountability shouldn't always require immediate communication and effort to fix the unfair treatment. It's fine if that only happens in season 8 or 9, that's "realistic" and its what makes Adrien's support so "great". Because he understands that redeeming oneself shouldn't need to include... accountability... though of course only when it MARINETTE. Everyone else and Adrien in particular taking all accountability is just him being mature and fair to her uniquely stressful and soul crushing circumstances that make it unbearable for her to do the same in return.

She cries about being awful once or twice so no need for her to apologise or acknowledge or fix what she did wrong if she isn't comfortable with it yet. Don't you see how awful and cruel you are for saying that redeeming yourself needs of you to redeem yourself now? Dont you see that Adrien understands that Ladybug can't give anything right now and that his love language is selflessly serving her and wants nothing in return because that's the right thing to do in his position? She still loves and respects him so much, he just understands that she shouldn't need to show it if she needs to heal first through Adrien taking care of her.

Do you even understand the beautiful DEPTHS of redemption? And how long it takes sometimes to do so for a broken complex individual like Marinette? Seriously, in my made up season 10 all of that will have played out in a way where non of that will ever have been a problem, just stfu you don't GET it like I do ��

This is an actual paraphrased conversation I had with a person who's opinion I once respected a lot and I wished my paraphrasing made it worse but honestly, that's exactly what they said. And I'm still taken aback that they said that. But they sure weren't the only Marinette stan I found saying things like that.

What the FUCK am I supposed to take from that besides the revelation that they just do not apply any kind of moral baseline to Marinette's character? What is there for me to respect?

Marinette stans say they are against bullying until Marinette does it or benefits from it. Then they openly romanticise and defend it with the only argument being "that wasn't bullying, Marinette wouldn't do that!" as if that changed what happened on screen. All it reveals is that Marinette stans' words don't mean anything, their moral standards are entirely dependent on who is doing it and benefiting from it. Thats not a moral standard, that's a biase you don't owe up to.

Marinette stans say they are against violence and abuse of power until Marinette does it or benefits from it. Then they will defend hypocrisy with whatever random excuse they come up with in that moment that more often than not is either "that doesn't count cuz I said so" or "it's fine that Marinette benefits from sexist double standards and a clear main character biase bc it is her show". Once again showing that they don't actually draw any kind of line moral wise for Marinette's actions and the writing, their opinion of said morality entirely depends on what works best for Marinette. And then they get angry when that gets called out.

I won't lie, I do think that some people in this collective therapy group here ARE to harsh sometime, but I can definitely respect that alot of them make it clear where they simply draw the morality line and they won't budge on their core beliefs the show is shitting on.

There is a massive difference between simply salting Marinette and angrily speaking up against something you think is genuinely morally wrong or harmful in a kid's show like this.

Alot of people I see around here say that they wished they could go back to liking the show, Marinette (or whatever character) the way they were once used to but simply can't because the show keeps on making whatever problems they had worse.

I don't necessarily always share the points of no return but I can fuck with the reasoning because it's a consistent angle they always stand by that goes beyond the complaint that their fav is simply not getting the special treatment or has hurt feelings. I can trust most Adrien stans I see who dislike or salt on Marinette to form a proper argument and a whole pov that stays consistent when you bring up other parts of the show.

I can't say that I've had the same experience with Marinette stans and for me it's obvious why. Marinette stans were never forced by the show to take a step back and lay down their core principles they won't budge on because Marinette always gets put first and that's what they care about the most.

They can say however they like that they don't support bullying, ableism and abuse, they are absolutely doing so with full chest voice for their Marinette biase, they are just not willing to reflect on that bc that would reveal to them that their made up Marinette isn't real.

They have no coherent moral baseline in their arguments, they're proudly hypocritical, and then get angry when you call them out for going back and forth on their moral "standards" in a discussion about moral principles.

What is there to respect anymore? Being called a salter by them has long started feeling like a compliment because for me it became synonymous with "isn't changing their option on a fucking whim the second a new episode dropped". And if that makes me a salter, then so be it. I'm not throwing my moral principles out of the window for a cuddled protagonist who's became the poster girl for harmful white feminism on kids tv.

---

The irony, when I went to my inbox to read this message I saw that a Marinette stan had also sent me an ableist insult. Some Marinette stans have no convictions or moral standards even for their own behavior, and the extreme individuals in the Marinette fandom never fail to prove the criticisms of them correct in a single harassing message. Like, of course they’re gonna excuse Marinette bullying people, they themselves would most likely do the same for petty reasons. I can be petty too, but my pettiness takes the form of me feeling immense moral superiority whenever I delete one of these little hate messages. Like, I might be a jerk about a fictional character, but at least I’m not a pathetic anonymous troll in someone’s inbox.

Marinette stans lie when they say they don't support bullying, because they excuse it when Marinette does it as well as when they themselves do it. Like, I’m not saying they’re all like this, I get these messages so rarely that there’s no way the entire Marinette fandom is full of assholes. Still, this isn’t the first time I got an anonymous message from some random hater right after I posted something spicy about Marinette and it isn’t the first time such a message included at least one example of ableism. It's just a fact that a lot of Marinette stans are hateful liars who spout ableism as soon as they can do it anonymously, so, like, why should we take anything they have to say seriously anyway? Every time a Marinette stan says: “I don't support bullying or harassment” there’s a high chance they actually mean: “until someone says something spicy about the flawless queen Marinette, then I’ll use bullying and harassment without hesitation”. We really shouldn’t care one bit what these people have to say, because they’ll say whatever suits their agenda of the day.

When I say I don’t support bullying or harassment, I mean it and I live by it. I don’t do it, because I don’t think anything can be solved by sending people hate mail, nor would I get any satisfaction from it. I don’t even want to encourage anyone else to do so. That’s part of the reason I invite people to send their gripes to me; this blog is already a Miraculous-negative space, so here people can put their grievances into words without anyone who’s just minding their business getting harassing messages, even when people send me stuff clearly inspired by a specific person or group. Like, Marinette stans can make a fuss about how we’re terrible people for discussing our gripes amongst ourselves, but we aren’t the ones harassing other people here.

Although, since I’m being honest here, I have to say I do agree on the harshness. I don't always agree with everything the anons who message me say 100%, but I try to focus on the parts I do agree with or have something to add to. I’ll even admit I sometimes look over a response draft and wonder if I’m being too harsh, but often I’m just not motivated to watch my tone. I know from past experiences that Marinette stans don’t care how you’re wording your criticisms, just the act of criticising Marinette makes you the bad guy.

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh

[fernlessbastard]

hot take moment cwilbur is literally just psychotic as all hell and i think people got way too comfortable villianizing the shit out of a man who was clearly portraying signs of severe mental illness. cwilbur was like im so fucking paranoid and scared and i think everyone is out to get me and hurt me and ive spiralled to the point i cant reach out to the people closest to me because im so afraid and lost in this spiral and im having constant panic attacks and hurting myself because i dong know what to do with myself and the only way out for me is to die. and everybody was like EVIL MAN WHO ENJOYS HURTING OTHERS AND IS ABUSIVE ON PURPOSE AND A VILLAIN AND SHOULD NEVER BE TRUSTED AGAIN. and then he came back and was like im still deeply troubled and afraid but im desperately trying to make up for the wrongs i did in the past and the people i hurt in my own way and communication is really hard for me but i hope people know that im truely sorry and i love them. im going to try my hardest to fix this in the only way i know how and then respectfully remove myself from the situation because i feel thats the kindest thing i can do to the people ive hurt. and people were like ABUSER ABUSER ABUSER EVIL MAN ABUSER. like girl

Yeah no based true real no questions asked

I'd hope I manage to portray Wilbur the way he deserves in my content, cause that man is heavily bpd coded and he just needs therapy and someone who genuinely loves him but also can handle his bullshit (which has exclusively and reliably been Quackity like, canonically)

But yeah no completely agreed. The man has issues and has definitely fucked up a lot but at the end of the day he really does need love and care and patience, but also boundaries (and therapy and meds, obviously)

[ruvviks]

// oc deep dive.

tagged by; @aztarion and @devilbrakers, thank you so much!!

tagging; @mojaves, @deadrlngers, @ordinarymaine, @claudiawolf, @adelaidedrubman and YOU!

What common/uncommon fear do they have?

Nathan has a lot of fears stemming from his paranoia. Tangible ones such as getting captured or killed by MOBIUS, his friends walking away from him, or someone following him home; as well as more unrealistic ones, such as somehow ending up back in STEM, or getting stuck in a time loop, or a giant sinkhole all the way to the core of the earth opening up right at his feet.

It also happens often enough that certain actions don’t necessarily scare him, but make him uncomfortable or highly on edge (often with good reason); think of someone locking the door of the room he’s in– especially when it’s just them two– or getting too close without warning. He often fears people he gets too close to will end up treating him like the Administrator did, which is why it takes a while for him to let Sebastian get any closer physically, despite warming up to him relatively fast.

A more uncommon fear he has is waking up one morning and having lost one of his senses or his ability to speak. Aside from the mental erosion that had become a growing issue among Union citizens, MOBIUS observed a similar kind of process in its agents who regularly jumped in and out of STEM for general maintenance and the like– presumably caused by the constant changes in brain activity, which more than often led to exactly what Nathan’s fear mentioned above describes. While he was among the agents who worked both in and outside of STEM on the Union environment, he was lucky enough to never suffer the consequences.

Lastly, he is deadly afraid of Anima. Despite not having shown any other symptom of succumbing to the STEM domination process, Nathan would have started seeing her around sometime before Lily vanished– presumably got her attention after some of his escapades in the secret labs in the Marrow– and he has not been able to sleep soundly in STEM ever since. While his fear of her mostly acts up when he’s in a STEM environment, it definitely translates over to the real world as well; during bad mental health episodes he has auditory hallucinations of her, and she makes regular appearances in his nightmares too.

Do they have any pet peeves?

When people are too passive. Nathan can’t stand it when he’s expected to initiate everything, from conversations to taking action, both in a work context (scheduling meetings, deploying new code) as well as personal context (scheduling to hang out, doing household chores). He also doesn’t like having to constantly ask people to do what they’re supposed to do– though this irritation more than often extends a little too far, to things he is expecting of people but never told them about.

Loud and unexpected noises, especially when done on purpose. Fireworks would be a great example of this, and they piss Nathan off no end. He gets snippy when people raise their voice at him for no reason, or when they keep banging their fist on a surface to get others’ attention.

Getting cut off in traffic. Nathan’s road rage is easily awakened and he can get a little drastic with it. His reflexes are fast enough to brake on time to avoid ending up in someone’s trunk, but will in that same breath speed right back up to crash into them on purpose as revenge for pissing him off.

What are three items you can find in their bedroom?

A large ring binder full of old code snippets, notes from various projects he worked on back at MOBIUS, and all his research ranging from neuroscience all the way to electrical engineering. Nathan is a little old-school in that regard– he’d much rather have all his research physically with him than save it all to some online storage platform and risk losing it like that.

A jigsaw puzzle, made entirely out of different pieces that he’s collected over the years (stolen from others’ puzzles, found in various locations, stolen directly from the store, etc). The full piece would total up to nearly 2000 pieces, though it is still missing a large chunk in the center; the result is an abstract piece containing mostly darker colors, though with various bursts of color scattered around like flowers in a field. Nathan isn’t the artistic type, but the project keeps him busy and he considers it a type of self-expression.

The knife he killed his parents with when he was sixteen years old. He’s not entirely sure why he kept it all those years– perhaps to remind himself what got him to where he is now, or because it’s the only thing he still has from that time of his life. Either way, it’s kept safe in the top drawer of his nightstand, easy enough to reach in case someone breaks into his apartment.

What do they notice first in a person?

First: State of mind, overall mood. How approachable do they look; can he afford to lower his guard or does he need to tread with caution, can he get close without worrying about a knife to the stomach or should he keep his distance? Nathan rarely shows immediate interest in someone’s overall personality, he would rather want to know which of their emotions he’s gonna have to deal with during their interaction(s).

Second: Body language. Ties in with the first thing mentioned– cautiously watching for threats, waiting to see if they make a move to touch (or harm) him so he can step out of their range. But it also extends a little further; Nathan tends to mimic others’ body language in conversation to make himself appear more approachable. If someone gestures a lot, he will do the same.

Third: Their smile, if relevant. Smiling is an eye-catching action to him, since he’s not one to quickly do so himself. It’s attractive to him; if someone smiles at him, you’ll be able to catch him staring.

Fourth: Scars, and other (skin) details. Nathan isn’t one to ask about them, of course– but they’ll catch his attention anyway, for a brief moment, since some of them already tell a story on their own even without words.

Fifth: Nervous tics, if relevant. By this point he’s been in conversation long enough to pick up on the little details– a slight thrill or shakiness to their voice, a thumb running over the side of their index finger, a nose twitch. In some cases it eases his mind, knowing the other person isn’t confident in their conversation either; in other cases it sets off alarms in his mind, and makes him wonder if there’s more going on than what they’re showing or telling him.

On a scale of 1 to 10, how high is their pain tolerance?

Physically: 7. While he doesn’t quite look like it, Nathan can take a hit or two. Most of his injuries happen in STEM– though with the way the technology works, the pain is very much real, and in some cases the scars are lasting even in the real world despite the damage having been sustained in STEM. To an extent, Nathan even enjoys the pain; it’s grounding for him, and keeps him from dissociating. When it gets too much to handle he simply drinks it away.

Mentally: 10. Nathan’s life has been a constant downward spiral; sent to a youth detention center after being wrongfully accused of killing his younger sister, and he was bullied relentlessly there, which continued until long after his release both at school and at home. At MOBIUS, he was required to work shifts in their HQ as well as in the Marrow, in the Union STEM environment– he was required to be mentally strong, or he would have already started suffering from mental erosion by long-term STEM exposure after his first few trips in. It takes a lot to break him (or so he likes to believe).

Emotionally: 4. Once you get past all the barriers, Nathan is pretty sensitive. He doesn’t deal well with rejection or misunderstanding, and is prone to assuming things are all his fault the second something goes wrong. It’s easy to upset him, though he won’t easily show; but the damage often takes a while to repair.

Do they go into fight or flight mode when under pressure? (Or freeze or fawn?)

Fight, more than often; though it may appear as flight at first, since Nathan’s favored combat approach is stealth and he will always find cover before doing anything rash. In certain cases, however, he would be more likely to freeze; especially anything related to Anima or an enemy type like her, where fighting is out of the question, and he knows that a single wrong move can mean his demise.

It translates to non-combat situations too– often willing to talk to people but his initial response is to get defensive and close himself off, and if not given a moment to regain himself it can lead to either fighting or freezing; biting back with similar ferocity or shutting down altogether, unable to pick up his rational train of thought in the heat of the moment.

It really depends on the type of confrontation, though; taking his own state of mind and who else is involved into consideration. He’s known to fawn when a situation starts feeling a little too familiar– generally surrounding the abuse he suffered from partially his parents, but mostly the Administrator.

What animal represents them best?

Wolf; bordering on dog motif, but cautiously so, requiring infinite patience and understanding to win his trust. Nathan is loyal and guarding to those he cares about, but he values his freedom– his choices and decisions are his and his alone, and anyone who tries to take that away from him will suffer the necessary consequences.

How would a stranger likely describe them?

Curious, above anything else. Distant, reserved; surprisingly well-spoken, almost technical in his interactions with others as if the whole conversation is pre-programmed in his mind. Nathan isn’t necessarily cold towards others, but people would also not be quick to describe him as kind; though there is a certain warmth to the way he speaks and looks at people, despite the fact he very rarely smiles and isn’t one to quickly compliment someone else.

Appearance-wise, people tend to notice the white strands in his black hair first. They’re clustered at the front of his head, and match with the white hairs in his left eyebrow and the white eyelashes in the outer corner of his left eye. Nathan has very pale and rough skin, patchy but dark facial hair covering up most of his acne (/scarring); and part of the skin around his left eyebrow is lacking pigment, though it’s a little hard to see. He has very pale and bright blue eyes, which can be a little unnerving when staring at them for too long. Many people cannot maintain eye contact with him for very long.

Do they have any hobbies?

Nathan’s career is directly intertwined with his hobbies, and he enjoys working on code even long after cutting ties with MOBIUS. Software development, application optimization– his laptop runs on an operating system that he coded entirely himself, and whenever he has some time to spare he can be found tweaking and optimizing it and adding new features.

To no one’s surprise, he’s a gamer. Shooters, roguelikes, survival horror– he does not play all too often as his schedule often doesn’t allow for it, but he generally doesn’t have a hard time playing on higher difficulties and enjoys the challenge. Nathan has tried his hand at game design and development too, but stopped quickly when he found it too similar to developing the Union environment in STEM.

And last, surprisingly, would be writing. Journaling, some sort of attempt at poetry, or articles he would want to send in to some website or appropriate magazine but never does– a lot of Nathan’s writing is for his eyes alone, but it helps as an outlet, it keeps him grounded. For a while after leaving MOBIUS, he worked on writing tech manuals for various employers to earn some extra cash, which also ties directly into his interests.

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell