#anyway him ... scar

[oaxleaf]

love myself a cockroach of a character. i look at them and go ”how is that fucker not dead? they should be dead. they should be dead ten times over. how are they not?” and 90% of the time the answer is a combo of sheer stubborness and homosexuality

[egophiliac]

everyone out of the way, this is the only thing I'm going to be thinking about from now on.

(okay, there is one more thing)

[hinamie]

every so often i have to relearn how to draw yuuji or he starts fighting me

[arinmoss]

Beautiful trans man for the lads :3

[morrithal]

The thing about Wyll is that he Gets It. He knows the story. He knows the kind of man his father is and the kind of man he was supposed to be. He knew what Mizora was when he made the pact. He knew what it meant. And he was just a kid, and his city needed saving, so he did it, and he paid that price, and even knowing all of that he still tried to appeal to his father for understanding and forgiveness.

He sold his soul to do the right thing. And he was cast out. And he knew what character that should have made him.

He knows the story he's in, and every day he chooses who he wants to be instead.

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[the-nothing-maker]

Holy blemishes

(Mel is my main D&D guy from @luposlipaphobya's campaign, Val Cardinal !)

[sotc]

dragon age origins first playthru giving me brainrot <3 ft my bb warden, miss buckethead, Milana Tabris

(hello zevran romancers, i bring a gift of the best mans 🤲)

[linktoo-doodles]

I'm sorry scar

[chrisrin]

HE'S GONNA STEAL--NOT JUST YOUR HEART--BUT EVERYTHING YOU OWN AS WELL!!!

[skeletoninthemelonland]

ref sheet that shows the extent of his injuries (he's in his pajamas)

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[uncharted-constellations]

They’re disgustingly codependant, theyre travelers, theyre investigators, they’re playing footsie at 50,000 feet.

Also a full mockup of the arm because im proud of it

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[madbard]

Headcanon that Dust absolutely resents how much he resembles Classic. There are elements of this back in Dusttale, with how Dust prefers to hide his face and identity while building his LV, but this is more out of practicality (and even shame) than anything else. He doesn’t want his victims to recognize him because it’ll make it harder for him to sneak up on people, and a part of him really doesn’t want them to know that he was the one who killed him. The longer this goes on, the more his disguise transforms from a way of hiding his shame to a way of distancing himself from who he used to be. Sans would never kill all those people, but he isn’t Sans anymore. He’s not really a person anymore, he is the act of murder itself. He is Dust.

I think this would get way worse when Dust leaves his AU and enters the multiverse though, because right off the bat he encounters murderers, just like him… who don’t look innocent. Horror, Killer and even Cross are set completely apart from who they used to be. They are scarred and twisted and nightmarish. Looking at them doesn’t trigger memories of a happier, innocent past. They have renamed themselves, taken on a new identity - but for them, this change was physical as well. No one will ever mistake them for Sans.

So Dust wears his hood. He hides his face. He keeps his magic burning constantly, because if he stops his eyes will darken and there will be nothing setting him apart from the monster who died, years ago, the first time a knife ripped through his chest. The others realize it, too… Horror probably wouldn’t care either way. Cross would understand the desire to distance oneself from an old identity, but would ultimately be in a similar boat as Horror. Killer would bring this up to taunt Dust once he realized it bothered him - and would quickly get bored with it. Ultimately, the others would just accept Dust’s refusal to show his face, his hatred of his own voice and reflection, as part of who he is.

I like to imagine that one day, the gang get into a serious combat. It’s vicious and close; both sides are bloody and exhausted by the time it’s over. If one side wins, it’s by a hair, and not much of a victory. In the dazed silence following the battle, Nightmare slowly assesses each of his acolytes, ensuring that they are still alive and intact. When he reaches Dust, he pauses. The assassin is bloodied, slumped over. His HP is steady but low; he’s taken a lot of hits - more than most monsters would have been able to survive. His hand vanishes beneath his hood, carefully inspecting his face. That night, back at the castle, Dust steps in front of a mirror. He takes a deep breath and, for the first time in years, removes his hood to look his reflection in the eye. The combat left deep wounds across his face, injuries that would never heal completely, that would leave him permanently scarred.

Dust looks at his battered reflection and smiles.