#anyway here we go sorry for the lateness

[lemongogo]

sry i dont know what 2 draw anymore T_T . elendira portrait #999

[deoidesign]

quick traditional piece for fun ^^

[robotsafari]

redrawing my favorite gba chain of memories scenes with my own interpretations part 1(?):

“You’re thinking about me… You’re afraid of the darkness I command.” (NOT SHIP)

[camellia-thea]

okay. just rambling here, but, i think armand took more than just the end of the interview away from daniel.

we got that little moment about that night, saying 'you asked me to' to louis. 'you asked me to take this from you, you could not live with it,' leading into, 'i look after you when you cannot look after yourself, i make those choices for you.'

we know that during the chase and devil's minion era, daniel was an addict, who was, by his own admission, slowly killing himself. he was also addicted to blood.

it's really not too far to make the jump, if devil's minion occurred, that armand made the choice to step in, in his own mind, for daniel's best interests. i know this isn't a unique jump to make, but; again with armand's "i look after him when he cannot look after himself" continual reiteration, i think it's a fair assumption.

he can also replace and blur memories, which makes the discussion of alice and paris -- why the dessert from that night? -- and how immediate and sincere his answer of "she wanted to say yes, but she didn't trust you. you hadn't given her a reason to." this could be the night he took them away, replaced himself with alice, planted something similar for her to start the relationship, then step back and watch it fall. and i think the thing that stands out there is just how tender he is while saying it. there's an undercurrent of something else entirely underneath, it isn't a dig at daniel in the moment, despite the pushing earlier in the scene.

and then in s1, when louis say to daniel, "i'd give it to you now." and the cut to armand, still in disguise, and his micro-expression of horror, the way he stiffens and looks away... and the little moment of what i read as conflict when daniel says no. his jump to "may i be excused?" i can't tell in the moment, if he's horrified about the offer itself, the fact that it is louis offering to turn daniel rather than himself, or the fact that daniel denies it. because i don't think armand could actually let daniel die if this was the case.

the disguise itself-- why pretend to be rashid? i think part of it is to try and hide behind a human persona to keep those memories at bay; especially given the little moments of flashback that got triggered by little mannerisms. i can't decide whether they're intentional pushes or not, whether armand wanted/wants daniel to remember on his own, or wants to keep it under wraps. i think, even if he believes he doesn't want it to come forward, he truly does deep down.

and once he's revealed himself as armand, the way he gazes at daniel, his beautiful boy. the continued "our boy", from both he and louis, the "he's still in there, somewhere..."

and i think "our boy" is also really interesting, because why would daniel be armand's boy, based solely on the moments that louis initially remembered? armand didn't really have any emotional connection to daniel that night, sure, he saved him, but that doesn't really mean anything; he saved daniel for louis, not for daniel's sake.

and, jumping back "our boy,[...] he's still in there somewhere"... there's implication that louis might know about it? again, i don't think this is related to the original interview, or at least, limited to it? i don't have anything concrete here, just vibes, but again, why is armand's boy still in there somewhere?

and sure, some of these are reaches and i don't think i'm necessarily right, but god it would be deliciously awful if i was.

[stone-stars]

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.

[quibbs126]

I do kind of hope a series gives us a Megatron and Optimus with a “strangers to respected enemies/rivals to potentially more (at least in the fanfics)” sort of dynamic

Because I feel like that doesn’t really happen, at least not to my knowledge. I feel like if Megatron has a respect for Optimus, it’s usually due to their long, shared history, not something that develops over the course of the series

And I know some people say that’s what happens in TFA, but no, it really doesn’t. The two never reach the “respect” part, with Optimus hating Megatron for being an evil villain, and Megatron seeing him as a nuisance at best and never bothering to learn his name, only calling him it once like 2 minutes after being told it earlier in the fight, which I think in context doesn’t really count for much

I just feel like it’d be neat to properly explore, especially since I’m realizing we seem to have it fairly consistently be that they were “old friends” for a while now, let’s shake it up a little

[caluupin]

saw an AAI screenshot from a tweet and had to draw it

[hopeinthebox]

tagged by the lovliest @aprylynn and @cordiallyfuturedwight to kick off this year's musical archive

tagging favs: @thvinyl @kimtaegis @jihopesjoint @visionsofgideontheninth @hoseeok @eoieopda @monismochi <333 and whoever else this (dis)graces the dash of

[bugsinshoes]

"O sweet Juliet, thy beauty hath made me effeminate, and in my temper softened valor’s steel!"

[glownery]

wishing everyone who celebrates a happy easter and an even happier transgender day of visibility 🐣🪩🫶🪽

[brandileigh2003]

I'm not looking forward to 8 hours in car and then non child proof house with special needs kid who's been having a rough couple of weeks.

With in laws where I flip a coin whether they're going to be assholes or not.

And I'm still sick with a not so fun new... I don't know what to call it. Not necessarily side effect. Or complication. But. It's freaking embarrassing.

(ha! Tumblr goes... You've reached 30 tags. So write in your post. Not in tags. It's not the p.s.s.s.s. that you used to write to your best friend 😂)

[front-facing-pokemon]

[telesodalite]

Been thinking about idw1's outliers lately, and how sort of wild the whole concept is from a worldbuilding standpoint, and it struck me that most confirmed outlier abilities tend to be really useful, or flashy, or powerfully dangerous, and few to none tend to be like, really boring, or totally impractical, or even entirely useless? Which, doesn't really make sense when considering the fact that outlier abilities are seemingly random.

Surely not everyone who's born an outlier gets something useful?

And I don't mean like, "good" useful, but any sort of useful, even if that means you can kill people with your voice, or give a power boost by exploding yourself, those are still "useful".

But surely there had to be some with abilities that were totally impractical, or nonbeneficial, or at the very least just insignificant or purely aesthetic and pointless?

[devilsskettle]

i feel like i’ve been WAITING for the other shoe to drop wrt people’s opinions about watcher for this very reason. not that i think the reaction is completely not understandable but the greater the parasocial relationship, the greater the fallout as soon as public opinion shifts. you don’t have a relationship with these people they’re just content creators, chill

[elegyofthemoon]

😊

[lynnesgalaxy]

otgw au featuring several of @bustersnax characters cjdjdjks love this au