#anyway here goes!

[faeriedays]

“#i loooooove fashion stuff its so cool #especially good omens metas #like i can rant to you about crowley's costume designs all day long”

I’m listening 👀👂

Sorry it took so long for me to reply! I was busy writing this out all day, lol.

It's long so I'm putting a 'Keep Reading' for anyone who wants to back out.

So I'm not very good at explaining things and these have probably already been mentioned but here goes :) I also have images but I messed up their formatting (I do have image descriptions though, even if I'm bad at writing). Warning for probable spelling mistakes and if something doesn't make sense, I literally have spent all day doing this instead of homework and I am so excited that I might have missed something in editing.

Before we dive deep, I’m going to list off the bat the outfits I don’t necessarily talk about or use as examples all that much in this essay thing/rant:

I’m going to put the knight outfit here because I don’t talk about it in great detail here but it’s still amazing and I love it. It definitely plays in with the classic ‘all black, nice shape, cool texture’ package that you’ll read about later. He must’ve been so uncomfortable in this but he looks great, I also wonder if he had long luscious locks underneath that helmet 👀

I also don’t talk about his Original fit much, but it's still so slay. I like how Crowley is wearing dark gray and not just black in his beginning outfit, because it already shows that he’s not quite on the side of evil but a shade of gray. He never was on the side of evil…think about it, most of his outfits have some sort of color other than black, even if it’s really dark gray...

I think the Angel fit is important because first of all he’s adorable and secondly it gives us more insight to what his rank could have been based on his sleeves and collar. It also makes me sad because he’s just a little guy !!! Poor thing.

And though it’s one of my favorite things, I don’t talk much about the 70s fit even though he’s literally so handsome I can’t even. The shirt, the boots, the glasses, the moustache...I want to be him, he’s sososo gorgeous aughhhh,,,,, (I also think his big chunky watch is really funny lol)

Oh, and I almost forgot his pretty little turtleneck. This outfit doesn’t vary much from his other outfits, and also it’s possibly normal for him to be wearing this garment, considering he wore a turtleneck in 1966. I just think it’s fascinating how he changed his outfit for a fun little date with Aziraphale going around SoHo. That’s really cute of him. 

I also think it’s funny that the only 3 times he wears a turtleneck is 1967, this time, and his angel disguise. They’re his ‘time to be mischievous’ garments, because in 1967 he’s robbing a church, modern day he’s sneaking around SoHo with his angel, and in Heaven, well, he’s infiltrating it and going through secret files.

And as I was editing this, I forgot his Eff Stuff Up Jacket. He wears this in the deleted scene where he took down the phone networks, and idk I just thought it was cool. The fake ID card is great too. He’s doing it with style, he is.

Look at that beautiful demon right there. I love how his lapels point down towards hell when he does this, since he’s doing a hellish task. That’s really neat.

Moving on...

First of all let's talk about the color palette. This is kind of obvious so don’t judge me, but I absolutely love the colors that are picked out for him. Mostly black, yes, but also red (which I find fascinating as it is the contrasting color to Hell's green look and also the stereotypical 'devil' color), and sometimes a dark gray or an oxblood. I think it's just really cool because no matter how many different outfits, Crowley, like Aziraphale, has mostly the same colors.

I think it’s nice (well maybe not nice, nice is a 4 letter word…) how he has a more warm-toned, deep, rich palette while Aziraphale’s colors are more cool toned and light, complementing each other (as always, but you’d assume that the warm, caring angel would have more warm, full tones and the cold, aloof demon would have the opposite). 

I’d also like to add that since Crowley has his beautiful snake eyes, he’s likely dichromatic, meaning he can see in two colors, blue and green, but also that he could be colorblind to red (this is probably why Aziraphale dresses in blues, but it also makes me wonder about Crowley and his outfits; does he think he’s dressing in grays or a less saturated red?) Anyway, more images because he's pretty and I like colors :)

 His selective color palette means that a lot of what makes his outfits, well, his, is something else. This would be mainly texture. Whether it's scaly (like his snakeskin…‘boots’) or ruffly (see 1827 for a major example of this, just look at these freakin patterns omgomgomg) or an almost stripy texture (like the 1941 suit and Bildad’s fire fit), Crowley's outfits benefit because of those extra touches. They make his outfits stand out, especially with a ‘limited’ color palette.

In addition, he is often dressed in the kind of clothing that accentuates his height and build. He wears waistcoats that almost bring a cinched waist effect (and accentuate that pretty little waist of his!!! god i wanna see him in a corset so bad), and sometimes he wears vertical patterns/textures to make him seem even taller, which is especially fitting for a lean demon.

His shoulders are accentuated with either a puffy sleeve (see 1827 or 1601) or a squared off look (see modern day and various suits from time). It definitely gives a nice touch and affects his overall shape and appearance.

I also just wanted to mention in this section before I move on that I love how his lapels point up like little demon horns. I think that's cool 😈.

Okay this part is one of my favorite parts. Crowley LOOOOOVES to adorn himself. B U T T O N S (this mfer is addicted to buttons), serpent pieces, bows; you name it, it’s probably going to end up in his outfit. He is so fancy and with time brings even more ways to add glitter and glam to his clothing. And he isn’t careless with his accessories either; his extras line up with his outfit and instead of distracting from the rest of his garments, brings it all to a more composed, complex look while making it still look complete and not ‘busy’.

It’s also good to notice that he usually wears jewelry/metal that is either silver or black. Gold isn’t his color and he knows it; this is especially important because that’s a ‘heaven’ color (white, gold, light gray) while silver is more of a hellish color (silver, green, black).

The bows and neckwear:

The buttons !!!:

The snake pieces, the snake pieces! Whether it’s a texture, a silver piece, whatever it may be, there’s always something snake related in his outfit.

Another thing I find fascinating is the fact that modern Crowley wears a lot of clothes that appear in the ‘women’ section and things that would not be considered stereotypically masculine, but rather androgynous. He dresses like a snazzy little lesbian and I adore it. (Looking at those super skinny, too tight jeans,,,)

Girl you ATE.

I am now going to go on a tangent about the fact that Crowley is not afraid to dress in a way that would worry and/or agitate people. He plays with expression and probably loves when people give him weird stares. Whether he dresses in a surprisingly feminine way (see Mesopotamia, see the Crucifixion, see Ashtoreth), whether he dresses like a mourner (see Rome and kind of 1827 a little bit), whether his outfits go against the status quo (literally pick your poison), he is always doing it in style.

Images:

It's interesting for her/him/whatever Crowley wants forever to dress more feminine at the earlier two times, because it would be more customary for her to be accompanied by a man, meaning she's giving off the vibes that she's related to Aziraphale by blood or marriage. I think that's cute tbh. I also love Ashtoreth, she is SERVING, I love her hair, I love her vibe, I love how she was inspired by Mary Poppins. She reminds me of Mrs. Andrews from the Mary Poppins musical.

More images:

I didn’t know where to put this but I wanted to mention that Crowley in 1827 is dressed masculine but more flamboyant than Aziraphale at this time, and corrects pronouns/honorifics when Mr. Dalrymple tried to say ‘Mr.’ Nonbinary ICON right there I love them.

Okay now let me give a more fascinating and detailed example of Crowley being a weird little guy, Rome.

Oh, Rome. Crowley is basically dressed like either a dead guy or a tourist tbh and I think that’s hilarious.

The laurel wreaths are usually either for emperors/high class (which was probably what Crowley was going for after tempting one) or they’re in funeral portraits. The wreath represents your achievements in life and Definitely is not street wear.

His hair is definitely not in style with the military chic kind of vibes that were going on at the time like Aziraphale’s–no no no, his curls are more fit to be a lady’s hairstyle (if he’d grown his hair out ofc). 

The dark clothes definitely give a mourning kind of palette, but that’s relatively normal with Crowley. What isn’t is his weird shawl thing with the red zig zag that is definitely foreign and most certainly draped the wrong way.

He’s wearing a pin and ring brooch??? That’s definitely not from Rome. That’s more of a British Isles thing–this kind of pin and ring brooch is not from Rome. But it’s very weird because unlike the Romans, who loved snake jewelry as it represented rebirth and healing, the British Isles did not do snake jewelry. So where’d he get this commissioned?

Bro is so unfashionable, and he’s homeless, gay, has aids, and is new in town /ref new in town. His dark glasses are probably the only thing that’s relatively normal here, as it makes sense that his glasses could exist in this time period, whether they be from Rome or any number of other places.

✨Snazzy ✨

Which brings me to my final topic: his sunglasses. I love how they change to reflect himself throughout history. Of course he follows the latest trends in fashion and such, but I also appreciate his little spin on them.

Here are some of my favorite pairs:

So yeah, in summary I love Crowley’s overall design and how it suits him over the course of 6000 (or let’s be real, millions of) years.

What's your favorite outfit (and also can I have a freaking wahoo after this, I'm so out of breath metaphorically)?

PS: I bet you’re wondering, ‘well what about the angelic disguise???’ Well fret not, for I loveloveloveee the heaven disguise. It just didn’t make sense to group it with the things I was talking about earlier, so here goes:

He’s still in grey, which is nice, but it’s really light grey. He also is wearing a turtleneck, which I find funny. Perhaps this is because most of the angels don’t wear a stereotypical dress shirt, so it helps with blending in. His jacket, however, is specifically not heaven-like. It’s far too casual, and even zips up, which leads me to believe that this is supposed to be satire on how professional the angels are supposed to be. He does have the color-coding right, though; he has a white shirt under a darker color jacket.

His thick ass tie is hilarious. It’s bright, it’s flashy, it's glittery, and it would seem very suspicious and attention-grabbing to me if I were an angel. I also find it fascinating that he does this, as gold is shown to be not as fashionable in season 2 (I’ll be using Uriel as an example in a moment). I think he does this so that he can show how tacky angels are and how not up-to-date he is with them. 

Crowley’s tie:

Uriel (a very fashionable angel indeed) keeping up with the trends:

You can see in the set of images how the angelic fashion changed from copious amounts of gold to no gold at all. 

Finally, I want to talk about his other accessories. 

The headband is really silly, and it gives him a little bit of poof in his bangs, which ever so slightly mirrors him when he was an actual angel. The black with light swirls definitely gives off a tacky vibe. 

His glasses have lighter colored metal frames, which I find interesting too. 

And he didn’t dye his tattoo gold for this btw. He put a freaking STICKER of his tattoo over his actual tattoo. That is HYSTERICAL to me I can’t even.

Overall, the fit almost gives off a Y2K vibe to it. I think that’s interesting too because maybe that’s the last time before the Apocawhoops that he saw the Angels’ clothing? I dunno, and that would also be interesting because he usually tries to dress as modern as possible, maybe he's being a couple decades out of date for the funnies. Anyway, it’s working and it is hella funny. And I love Muriel’s expressions during this scene, they are not convinced.

So, in summary, our snakey boi decided to dress in the tackiest, most satirical way for his angelic disguise. He does not look like a bee in this beehive, he looks like a poorly-dressed wasp, hehe. I wonder how Aziraphale would've reacted if he saw Crowley's disguise...

(also, I didn’t mean for this to end up as a ‘Do you love the color of the sky Crowley’ kind of post, I just find fashion, especially historical, really fascinating and I definitely didn’t get all my words in but I think it’s more than enough for now)

[geezmarty]

(bellara/taash) nerd/jocks lovers rise up

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[artilite]

world cold and harsg.... sifmmira warm and soft.....

[stil-lindigo]

the fox god.

a comic about a trickster.

--

creative notes:

–

all my other comics

store

[bloggingboutburgers]

Yeah, I know "not all aro/aces" and all, but please don't use "not all aro/aces" as an excuse to not explore anything exclusively aro/ace ever. Otherwise any trace of aro/aceness might end up effectively lost to fandom osmosis.

To sum up... If you wouldn't be homophobic that way, please don't be aphobic that way.

[doodoodinklefart]

pov fallin in love w ur homie cuz he's so pretty all of a sudden?!?!

[aster-draws]

Identity shenanigans are a hallmark of all superhero fanfictions and i will never get tired of writing them.

This is from chapter 19 of my fic Better Halves (and other such falsehoods) which is like 100k (so far) of Tim and Danny being idiots like this please go read it it's a labor of love.

just the painted bit below the cut :) if you want it

[friendshapedhorrors]

Let’s play a fun game called am I masquerading as an autistic person and acting how I think someone with autism would act or am I simply learning to unmask

[theoldkyokodied]

It's always funny in sillydelphia or whatever. Sorry i can't concentrate on making a joke, there are women right in front of me (pointing at my own genderbend iasip drawings, sweating profusely)

[rjshope]

i gasped

[sporeclan]

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I mean... someone was gonna have to tell him SOMETIME, right?

[another-goblin]

By the way, Ratio duck has some boring sciency stuff in his book, while Herta has a drawing of somebody fighting a trotter with a sword (upd.: it might be our Trailblazer with a bat). She also does a twirl sometimes. She's clearly a superior duck.

[afterthelambs]

It’s funny that Sumire is the one with the Cinderella persona and Akechi is the one with the prince outfit and yet the most Prince Charming-coded thing in the game is Joker holding onto a single glove, waiting for its owner to return after the magic that let them spend a brief time together was over. The glove is functionally the same as a glass slipper. So in conclusion detective prince? more like disney princess--

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[sthilarions]

During a case many years ago, a witch made a poppet (roughly equivalent to the popular conception of a “voodoo doll”) of Edwin. They defeated the witch soundly and got the poppet, but there’s no safe way to destroy it. The only place Edwin and Charles trust as safe enough to keep it is inside Charles’s backpack, where no one but Charles could possibly get to it.

Charles largely forgets about it, buried deep deep down in the bag, until Edwin is held captive, less than a year after their jaunt to Hell, and there’s absolutely no way to get to him until the portal opens again at the next full moon, and he’s going crazy with worry, imagining Edwin in all sorts of misery without Charles not even able to so much as comfort him. He’s digging mindlessly through the bag when he gets to the poppet, and, he realizes, there is this one thing he can do.

He pulls it out with a care he wouldn’t give to a Faberge egg, because this is the most precious thing in the world, in any world, and looks at it for a moment. Then he reaches out ever so gently and strokes its hair. He murmurs reassurances to it - it’s alright, I’m sorry, I love you. He sings lullabies, curls around it and hugs it against him so, so carefully, tilts his head down and presses kisses to its soft curl-covered head.

He doesn’t let the poppet go for even a moment on all the days until the full moon returns, even as he’s preparing for battle, preparing to absolutely fucking obliterate the bastards that are holding Edwin.

Just as the portal opens, he finally places the poppet back in his bag, in the safest, warmest corner. He hefts the arsenal in his arms and strapped to his back and floating around him and charges through.

He tears through the stronghold in minutes, and he does literally mean through - he’s left a trail of smoking rubble behind him where ghost-proof walls used to be - and finally, finally gets to Edwin, and -

“Ah, Charles, there you are. Not to worry, I’m quite alright. There has been some sort of force - “

Charles doesn’t even hear him as he wraps himself around Edwin, and his body follows the same motions it has for weeks now, stroking hair, pressing kisses, murmuring muffled you’re alright I love you you’re alright I’m sorry I love you I’m sorrys into Edwin’s hair, which is even softer in reality than on the poppet, and Edwin says -

“Ah. That was you.”

Charles can’t see or hear anything other than Edwin, at the moment, but he can’t not see Edwin, so he has a very clear view as Edwin reaches his arms out and, with a few words, takes control of all the magical weapons and orbs and so forth that have been trailing after Charles.

And he hears when Edwin says “Well, then, Charles, shall we depart?”

And he feels it when Edwin lifts him as effortlessly as he lifted the poppet, holding him so he can keep his nose buried against Edwin’s neck as Edwin blasts his way out.

And he definitely feels it when, a few very loud minutes later, they’re back in their office, and Edwin’s head turns to meet one of his kisses.

“It’s alright, Charles. I’m sorry I left you alone. I love you.”