#anyway I don’t even know why I

[marybatson]

like just a stream of consciousness thought rn but I don’t think I can ever peacefully read fanfiction based on hero comics bc it genuinely bothers me when people do a big cast scene and only get maybe 1 or 2 ppl who are obviously their only faves correct (close to it) in characterization bc they don’t bother to be respectful of the other ppl so just make them caricatures of what they think they’re like bc they’ve never read their comic in their life. genuinely breaks me out of the immersion. no offense if u don’t know anything abt a character except how they’re portrayed in like idk the animated movies and still write them idk what to tell u. maybe just care about the world ur writing for more js..

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[the-meme-monarch]

prompt failed he thought it was pretty sick actually

(👍if you ship scc go away)

[syrupfog]

Goodnight, Prince

[tsuchinokoroyale]

Happy new years… let’s stay hydrated together ✨

[pizzaqueen]

A snippet from a future fic I'll probably never write, where Steve is a widower with two teenage kids, and he and Eddie randomly meet up, rekindling their old flame. This is when they've been together a while:

“Thank you,” Steve says, coming up behind Eddie at the bathroom sink.

Eddie pauses, catching Steve's eye in the mirror. “What for?” he asks, mouth foamy with toothpaste.

Steve slips his hands along Eddie's hips, hooks his chin over Eddie's shoulder. “For loving my kids.”

“You don't—” Toothpaste dribbles down Eddie's chin and he stoops to spit what's left in his mouth into the sink, gathering his hair to one side. He rinses his mouth out, wipes his face with a towel, then turns to Steve. “You don't have to thank me for that. Of course I love them.”

“Not everyone I've dated has.”

“They're idiots.” Eddie grabs the hem of Steve's shirt, pulling him close. “I mean, first of all, they're part of you, and I don't think I could love you and not love them. But...” He trails off, a small smile tilting his lips. “They're amazing kids.”

Pride swells in Steve's chest; he slides his arms around Eddie's waist and says, “They are.”

“And I'm pretty damn honored I get to be part of their lives,” Eddie says, “so thank you,” and he butts his head gently against Steve's.

Steve huffs and slides his hands up Eddie's back, pulling him into a tight embrace. “I love you.” He presses a kiss to Eddie's neck.

“I love you too.”

“And they both love you as well.”

Eddie lets out a shuddering breath. Steve knows how nervous Eddie was, when they started dating, that he wouldn't be welcomed, but it's almost like he's always been part of their family now. “Good to know,"”Eddie says.

Steve holds Eddie a little tighter. All those years ago, back in Hawkins, when they ended things, Steve thought he'd never see Eddie again. But here they are, together—a family—and Steve's never letting him go this time.

[givemeureyes]

just once i would like to see one of those typical batman almost dying scenes where he comes super close to death and then last second his brain is like “no! gotham needs you” and then he survives with the power of whatever the fuck but instead of “gotham needs you” it’s “your children need you”

like yeah gotham is your city to protect or whatever that’s fine and fun but where’s the like… “you have kids at home bruce”

where is it dc

[tesco-finest-aromantics]

i feel like the queer community lost when we started policing labels and making sure everyone used the Correct™ labels instead of letting a person decide what feels right for them

[fantasykiri5]

A pair of birds of prey for days 15 and 16 of @hermitadaymay !!! Definitely not a day and a half (?) late

[cowardlykrow]

Owen → Cringe gays [affectionate] → Wife

[cowboy au]

[yashley]

Say something true!

[wield-the-mighty-pen]

You know what still bothers me about the end of season 5?

We still have no idea what exactly is it that Gabriel wished for AND we have no idea what he used to pay for his wish

All we know is that a wish was made and were then shown a scene of an idyllic alleged (dare I say even eerie?) utopia, in which he is deemed a hero and the entire world, his son included, has seemingly forgotten about every wrong he has committed.

A world everyone appears to be happy and serene, the heroes of Paris able to have fun as there is no occasion for them to need to step in. A world where fast progress is able to occur without any consequences being brought up. A world where Adrien is apparently happy and is “blessedly” unaware of all the things that Gabriel has kept from him, and hasn’t caught on to anything being amiss

How the only thing that appears to have been taken away from Gabriel was possibly his life, which was something he was mere hours from losing anyway. And regardless of whether or not this was a real sacrifice, it seems to pale in comparison to what he potentially wished into existence

It just feels to me like there is a subtle ticking going on in the background, counting down to the eventual explosion of this unstable wish

[heyclickadee]

Massive fandom salt under the cut:

You know, if it were any other character besides Tech, if it was any other character in the exact same situation, I don’t think “he’s dead” would be the default conclusion. I really don’t.

And just to be clear, I’m not talking to people who related to or identified strongly with Tech. A lot of us feel like Star Wars kicked us in the face and we’re so used to autistic characters being disposable. I think Tech is alive*, sure, but I’m also sympathetic to the idea that hoping he might come back is just an ask too far—especially after the finale. I get it. We’ve got a reason to land at that conclusion.

The rest of the fandom, though?

I’ve seen people argue that Fives could be alive for years. Fives—a secondary character (yes, he’s a secondary character, I love him and yes he got his own arc in The Clone Wars because that show was an anthology and could take time to do that, but he was a secondary character) who got shot in the chest and breathed out his last on screen in Rex’s arms—is someone who comes up every time we go to a location clones could turn up. I’ve seen arguments that Mayday—who had an agonizing on screen death—could have been alive. People argue that Maul could come back. Ventress had a very unpopular on screen death and burial and DID come back. And I’m okay with that! I’d be cool with any of them coming back. But they all had far more definitive deaths than Tech did (Maul several times over).

So why

Exactly

Is the default position in the fandom

That the ONE main character

In the entire TBB show (in fact the only character in that show besides background stormtroopers) and most of Star Wars as a whole

Who supposedly dies off screen—remove everything else, take out the foreshadowing, take out every suspicious line, take out the total lack of confirmation and the lack of closure, remove ALL of that, we don’t even need to touch it all, let’s just look at the fall itself—in a long fall that we don’t see the end of because the camera cuts away while he’s still alive

Whose body neither we NOR THE PROTAGONISTS ever see

Is totally and irrevocably dead

In Star Wars?

You know, the franchise where Echo and Gregor both got blown up and were fine, and where Fennec got shot in the gut and then laid facedown in the sand and then in a bantha for hours, and was also fine? That Star Wars? The Star Wars franchise where people live just because? Why have we collectively decided that the rules of storytelling, let alone Star Wars, don’t apply to this one guy in particular?

And to be clear, I don’t think the default would be, “Oh he’s just alive and coming back in the next thing,” I think it would be, “He might be alive, he might be dead—we don’t know.”

But just—“he’s dead and always will be,” is such a wild conclusion for the fandom at large to come to about something this ambiguous.

*To be completely clear, when I say Tech is alive, I don’t mean he was supposed to come back and then got cut. I just think he’s alive, is still coming back, and was planned to do so.

[iwritenarrativesandstuff]

literally the easiest way to make someone care about a character and make them feel well-rounded beyond basic traits like personality, sexuality, ethnicity, etc, is to give them an actual character arc, and it’s shocking how many people do not seem to fully realize this

you cannot just cram a bunch of tropes. tropes are not the main event, they are tools to tell the story you wish to tell. emotional impact comes from the lead up, so you can’t just jump ahead and expect the payoff to work. “I want this character to just ___ already!” but they’re not there yet. that’s where the arc comes in - how do they get there?

and! most importantly, and this is something I really want people to think about when writing - the most important relationship your character should have, always, is with the world and society around them. defining your character purely through their interactions with other characters are, I find, how a lot of female characters end up feeling flat or not engaging with the themes as much as the male characters, and also how queer and non-white characters wind up as devices for other characters’ development instead of being more fleshed out

[goldkirk]

hey this isn’t aimed at anyone in particular but I’m saying it for the record here: if I tell you no, please stop messaging me about fundraisers and mutual aid.

I get enough messages that it’s impossible for me to keep up without devoting at least half an hour each day, when I’m not even on tumblr that long most days. Me having a boundary about this isn’t a moral failing, it’s a lifeboat for me on my own blog.

In my personal life I’m already advocating and donating literally as much as I can spare. This is not me not caring, it’s just me not willing to interact with that on the one place I go online to not interact with irl news and world events for the most part.

I cannot be upset all the time. I cannot be upset everywhere. I cannot use all my emotional and mental energy fielding my own upset from ongoing events. My options are to hold boundaries about this or stop coming online at all.

I’m all for sharing information and signal boosting to reasonable extents, but the scale of it this year is so large and so enduring that it is literally not possible to for me to participate on every account I have. I’ve previously shared links to Gaza eSIM donations and a major hub of verified Go Fund Mes here and elsewhere online. We, the online humans, know how to look those things up ourselves by now. There are many, many people choosing to do advocacy work, and right now, I can’t be one of them.

If you’re extremely upset when I tell you I can’t share/donate right now about a Gaza family or personal fundraiser you ask me to share here, just unfollow and block me. That’s what those buttons are for. Protect your own emotions and energy and get me off your feed instead of staying upset and continuing to engage with online people or content that upsets you.

Please don’t send repeated angry messages based on manufactured purity politics and moral outrage into my messages and inbox when I exercise the right to run my own blog.