#another old drawing from last year

[peocokruu]

The boy and the girl from The Horizon

[puhpandas]

family photo 2.0

[jonathan-cranes-mistress-of-fear]

Entered a local town museum's photography contest, didn't even get honorable mention. :/ really bummed. But, didn't expect much considering it's probably family voting for family. Ya know, small town nepotism at it's finest.

Here's what I entered, these are older photos from vacations but I always really liked each one for various reasons.

[puppyeared]

save me old flipnote studio MVs.......

[triangle-strategy-notes]

Quahaug Concept Art

Quahaug's concept/reference art! Translation notes and image id under the cut.

Translation notes:

"OP sort of powerset" was literally translated as something like "cheat-like." I feel like OP is the more common English term for that sort of thing, so that's what I used, but some of the meaning was probably lost there.

"Older-tween-ish" was specifically a reference to a particular middle school year for children who are about 12-13 years old. Since grades and names of grades vary a lot from country to country, I just went with "older tween."

ID:

[Image id: Several images displaying different parts of 2 pages of the Triangle Strategy artbook, with both the original Japanese as well as versions with English translations. There are several disclaimers noting that the translator doesn't speak Japanese, and that there are likely many mistakes.

On one page, there is a large colored version of Quahaug's canon portrait, along with a smaller, uncolored version. There is an illustrator's note at the bottom that translates to read, "'Manipulating time' is an OP sort of powerset, so though he looks like a child, I aimed to create a look for him that conveyed a sense of unknowable power. (Tatsuaki Urushibara)".

On the second page, there are many drawings of Quahaug, including a closer bust-up portrait in which he's compared to Lyla, with an arrow and label reading, "Mother." There's also several notes that explain the construction of his costume. The costume is labeled as a Greek "phelonion" (a priest's outfit with no real sleeves, just draping fabric). There is a small drawing of this version, with an arrow leading to another drawing that does have sleeves, with the note, "If you can't display this in pixels, use this one." There are several notes that explain how this draping cloth should be considered his everyday clothes, while the ceremonial decoration that goes around his neck is placed over it. There is a close up of the ceremonial dressing's fastenings underneath the metal decoration. Some more notes highlight details on his staff, emphasizing the hourglass on top and the small wheel to the side that can be turned to flip the hourglass. A larger piece of text underneath one fullbody drawing reads, "Character Who Manipulates Time."

On the second half of the second page, there are drawings of some beta designs for Quahaug. He looks much more punk-ish. On one bust-up portrait, there are the captions, "The burden of the time demon caused some of his hair to go gray…." and "All-natural highlighted tips." On the same portrait, he is snapping his fingers, and there's a note that reads, "Manipulating time is as easy as snapping your fingers. You just have to want it or whatever." A speech bubble near his head reads, "I don't think of Anna as a mother." A caption pointing to some green markings on his arm reads, "Demonic time seal on body." In a fullbody drawing of his beta design (which is made up mostly of chains that barely cover him as well as a long roughed-up cloak, there is the note, "Almost naked cloak."

At the bottom of the second page, there is another note that reads, "Initially when we hadn't quite figured out the setting, we had an idea for a more older-tween-ish character as displayed here, but after discussing it with the producers and Mr. Ikushima, we went with his current form. As a boy who manipulates time, I placed an hourglass at the tip of his staff, and his face resembles that of his mother, Lyla. (Tatsuaki Irushibara)". /end id]

[sysig]

Really digging out the old OCs now; Pan-na, Pilok, Azalea, squirrel boys Will and Damien, and Cupid and Venus <3 (Patreon)

[skeletalheartattack]

do you have any pets in your life (don't have to be yours i just wanna see aminals..) :0

hi jack :) can you watch this while i go smoke

[chiropteracupola]

hi :) I saw in your tags you might draw boromir……..And uh. I’m just here to say I would absolutely looooooove to see your boromir 📯

well hooray! stay tuned, then - perhaps that'll be a reality sometime in the vague future!

[noctilu-uca]

Art i got admitted into a district art show for waooww

[arolesbianism]

Sier? I haven’t even met her! Laugh.

[inkats]

Looking for something specific in old sketchbooks and finding so many fun things to finish

[franzfriday]

hello!!!! i just got into gankutsuou like february of 2022 and im obsessed hi glad to see you posting again

Hello!!! That is very exciting, I love to see people getting into Gankutsuou this much later from when it originally came out. It just has that charm about it, ya know?

Also, me 'posting again' is relative. I posted once in the past like 2 years??? And now this ask of yours is going to make it twice woah. But nonetheless, it is very kind of you to drop by and leave me an ask :) Basically what I'm trying to say is don't count on me updating again anytime soon. But then again... Maybe I will. Every now and then maybe??? I don't know! Bide your time and hold out hope lol only time will tell.

[maaarine]

Why are British teenage girls so unhappy? Here’s the answer (Caitlin Moran, The Times, Sep 13 2024)

"The report, by the Children’s Society, found that British 15-year-old girls are the most unhappy in Europe.

British girls aged 10-15 are “significantly less happy” with their life, appearance, family and school than the average boy — and their happiness is still declining.

Boys’ life satisfaction, meanwhile, remains broadly stable. (…)

But I still didn’t have an “aha!” moment about why this so disproportionately affects girls until… I talked to some teenage girls.

It was at a party, and I went to vape with them on the patio. Because I take my nicotine like children do.

“Duh — it’s the boys,” one said when I brought it up, as all the others agreed.

“The boys?” I asked.

My last book, What About Men?, had been all about how much boys struggle these days: their loneliness; their suicide rates. I’d spent the past year feeling very sympathetic towards boys.

“Yeah, well, who do you think they’re taking out their unhappiness on? It’s us,” another girl said.

“One boy at school used to draw a picture every day of how ugly I was,” a third girl said. “Every day for two years.”

“They’ve all got ‘Rate The Girls’ polls on their WhatsApps,” the first said. “They mark you down for weight gain, haircuts, what you say.”

“But then, if you’re hot, it’s just as bad, in a different way, because they’ll be talking about how they want to f*** you.”

The girls discussed coping techniques. Bad news: none of them worked.

“The only way you can stop them is if you become ‘one of the boys’ and hang out with them. But then,” the second girl said with a sigh, “all the other girls call you a slut. Because you’ve gone over to the boys’ side.”

“Surely it’s not all the boys?” I said. “There must be some nice boys?”

“Oh, yeah,” one girl said. “But they keep their heads down. Because… well, look.”

She showed me the Instagram account of her friend. Under every picture she posted of herself — smiling in a new dress; with her dog — dozens of anonymous accounts had replied with the most rank abuse.

“Fat.” “Slut.” “You gonna try and kill yourself again, for attention?”

“They’re all boys from her school,” she said. “And look, this one boy tried to defend her.”

I saw a series of messages from a brave teenage boy, posting things like, “You’re all big men, leaving these replies under anonymous accounts.”

As I could see, this boy immediately became a target too. Mainly accusations that he was “white knighting” this girl: “You wanna f*** her, bro?”

“So,” I asked, “you don’t think it’s social media pressure to be beautiful, or the economy, that’s making girls so sad?”

“Well, yeah, them too,” the first girl said. “But, Monday-Friday, 9-3, I’m not on social media. I’m not… in the economy. I’m just with these boys. And no one talks about how horrible they are.”

I thought about another recent report, showing a 30 per cent ideological gap between Gen Z men, who are increasingly conservative, and Gen Z women, who are increasingly progressive.

I thought about Andrew Tate, who has nine million mostly young male followers — and faces human trafficking charges, which he denies.

And I thought: maybe these girls are on to something. Maybe more people need to vape with teenage girls and ask them for the school gossip."

[ukulelekatie]

I just revived my old iPod touch that I haven’t used since ~2013 after believing it to be dead dead for years and oh my god it’s like opening up an old time capsule. There are photos of me and my friends that I haven’t seen in years, taken in an old high school building that doesn’t exist anymore. I have games that are no longer downloadable on the app store. It’s running iOS 5 with the original skeuomorphism app icons. I still have the youtube app. My contacts app is full of maiden names and deadnames. The music app has songs I haven’t heard in almost a decade but still remember all the lyrics to. A daily alarm set for 5:30 AM (god I can’t believe I had to wake up that early in high school) and another set to 11:11 PM to remind me to make a wish. Reminders to finish homework assignments, or to write my application essay for the university I ended up attending, and one marking the release date for the final episode of Cabin Pressure. The last thing I googled was “how to draw people hugging”.

Possibly the strangest thing is that the tumblr app still opens, but it’s stuck in a permanent snapshot of 2013 where it won’t show me any new posts no matter how many times I refresh. My dash is full of old BBC Sherlock posts from long-lost mutuals who have either since deactivated or got unfollowed or changed urls so many times that I don’t even recognize them. Lady Gaga and Game of Thrones are the top trends. My profile shows my previous url and icon, with only 43 followers. I feel like a time traveler

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[tojigasm]

Thinking about older!Logan and how he'd definitely clock the crush you have on him as soon as you meet him.

It's amusing to him, and unfortunately for you, Logan wasn't born yesterday and he absolutely catches your long stares when you think he's not looking or the way you avert your eyes from his whenever speaking to you.

He thinks it's cute and a little stupid on your behalf – a twenty year old something kid crushing on some fifty year old man old enough to be your father.

But it's when the two of your eyes meet from across the room that he knows he's completely fucked because damn if you're not the prettiest thing he's seen in a good fifteen years or so and damn if he doesn't want to treat you the way he knows boys your age aren't

When he finally gets you alone, it escalates faster than either of you could've imagined.

"Shy little thing arent'cha?" He comments from his seat beside you, "Am I really that mean and scary?"

For a moment, you don't realize he's speaking to you until you look up to scan the room before meeting his eyes.

Logan seems to have followed your eyes, scanning each nook and crevice along with you.

"See any ghosts?"

Your eyes narrow slightly in annoyance.

"M'not shy."

Logan hums from his seat, leaning forward to pick up his cigar from the table. Settling back into his chair, he takes a long drag.

"Sure y'rnot." He replies with a smirk, smoke pooling from his lips as he exhales through his words.

You don't break eye contact with him this time, and he's got you right where he wants you.

"M'not." You repeat.

"Oh, I know you're not." Logans voice suddenly shifts to a lighter tone, laced with tease. The switch throws you off for a moment. "Don't think I haven't seen you, do you?"

And there's no need for him to elaborate. You've been caught in your school girl crush that, in reality, you know you won't get in trouble for but it's the fear of disappointing the older man that strikes a chord of anxiety through you.

You don't say anything to that, and the two of you only stare at one another before Logan's placing his cigar back down into the ashtray and motioning for you to come towards him.

You obey without question, partially in response to your training with him and partially wanting to show him how good you can be, how good you are – you have complete trust in him.

Logan seems to sense the slight of your unease, helping to lead you to straddle his lap as you sit down atop him.

His thighs spread out beneath you, helping to keep you balanced.

"That's better, huh?" He asks.

You nod, eyes drifting downwards to where your hands have begun to trace over the detailed lines of his leather suit.

There's quietness to the moment. One that seems as though it could last forever as Logan keeps a gentle hand on your thigh and the other on the arm of the chair, content on letting you distract yourself for the moment.

"Jesus," Logan comments, making you look up to meet his eyes again.

He cups a hand to your jaw, softly turning your head left and right to look you over.

"Can tell you right now," he cuts himself off with a hesitant inhale, the pads of his gloves running along your hips as he slides his hands up and down the shape of your waist to your thigh, "– When I was younger I would've been all over ya'."

Something about the image that draws your mind makes your core ache and your legs weak – imagining a younger version of the older man in the moment, the whitesh grey streaks in his hair bring you back to earth just as fast.

Logan holds your chin with two of his fingers, pad of his gloved thumb stroking your soft skin, and in the same moment, the two of you are kissing.

His lips are soft against your plush ones. His tongue is rough as he takes his time to run the wet muscle up the insides of your cheeks and around your own tongue.

You run your nails through the short of his hair, tangling your fingers in the thick of his tufts.

Logan groans into the kiss, shuffling down the seat to spread his thighs out further beneath you.

His hand comes up to cup your heat, and you gasp into the kiss before grinding your hips into his large palm.

Logan smiles into the kiss.

It only takes him a moment before the pad of his thumb is deftly pressed against your clit through the layers of your suit and you're pulling away from the kiss to moan.

Your brows furrow, and your hands drop from his hair to rest atop his shoulders, letting out soft moans and hums as his finger circles your bud.

"There we go." Logan kisses the curve of your jaw, pulling back to lean against the chair, watching as you relax into his hold.

"That feels good." You manage through a whimper, humming lightly as he shifts his movements to figure eights over your clit.

Logan gives a half chuckle, "I bet it does." His free hand holds you by your hip, keeping you still as you begin to rock into his hand.

"Right there, huh?" He asks, and you nod weakly, rolling your hips into his hand.

"M'close." You breathe.

Logan nods, "Tell Daddy where you want him."

You're quick to obey, dropping your hand from his shoulder to hold his wrist in place, letting out a choked sob when he runs his fingers over your sensitive folds through your suit.

There's not much warning besides a moan that gets caught half way up your throat as you cum.

Logan only continues to run his fingers over your cunt, stroking your folds before your pushing his hand away, swallowing soft gasps for air as you relax against him.

You can feel him kiss the top of your head, his hand stroking up and down the soft of your back while your fingers are tangled with the other.

"Y'okay?" He asks into your hair.

You nod.