#anne umland

[gregdotorg]

idk why this snapshot with a feliz navidad note on the back from felix gonzalez-torres to moma curator anne umland is labeled an "exhibition copy." i hope it means umland kept the original, though.

image: photo of a section of a light string as installed at the national portrait gallery rn

[the-bone-queen]

Recently finished Translation State by Ann Leckie, which always makes me think about the way autistic people are often robot and/or alien coded. Yet, those books make me feel seen.

Full poem under the cut.

Translation: Human

by E. Smith Umland

It’s the wires that are wound wound/ing

threaded with bone//

does the autonomy keep you up at night?

how do you digitize / decay </close

enough to open> your stomach

to make an entrail/ed prediction

[[de/carbonization of the body

]] shot through with electricity

ending up in the land //fill/>

matter of swelling matter of

sweating. <water drunk//

sun sought/ > [does the autonomy

// come from

you?]

[objecteiespai]

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Què és un cartell reivindicatiu?

f. En manifestacions i altres actes públics, cartell amb consignes o diversos missatges, que s'exhibeix amb propòsits normalment reivindicatius .

pancarta | Definició | Diccionari de la llengua espanyola | RAE - ASALE

Tipus de cartell:

en relació

Disseny gràfic de l’exposició Màquina climàtica a l’hivernacle del parc de la Ciutadella. L’objectiu de la mostra és descobrir-nos el passat i el futur dels hivernacles, i molt especialment del de la Ciutadella. A més, la proposta també parla dels efectes del canvi climàtic. El nostre projecte parteix de la interpretació de les plantes que es troben en l’estructura d’aquest emblemàtic edifici tot donant-li protagonisme.

Curadora: @marionabene Disseny gràfic: @taller_torrents Muntatge: La central de projectes Imatges: @adriagoulaphoto

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per Oscar Guayabero

Mario Eskenazi, Andreu Balius, Twopoints.net, Raúl Goñi, Ladyssenyadora, David Ricart y David Torrents & Jacqueline Molnár.

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EINES

COLLAGE

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a la Biblioteca

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Seminari. Mestres del collage

 Dawn Ades: El collage, el fotomuntatge i l'avantguarda europea

 Diane Waldman: Joseph Cornell, un univers de somnis Anne Umland: Un desafiament a la pintura: Miró i el collage als anys vint  Dominique Dupuis-Labbé: El collage cubista: Picasso, Braque i la realitat

Carolyn Lanchner : La “bona noia ” de dadà : els fotomuntatges de Hannah Höch

 Matthew Gale: Germana pertorbació: de De Chirico a Ernst

Alícia Suárez: L'avantguarda russa Lourdes Cirlot : La influència del collage en l'art de la postguerra a Europa i als Estats Units.

 Fèlix Fanés: Avantguarda i cultura de masses. Tres exemples

Accés al Catàleg de la Biblioteca

Catàleg

Revistes accessibles a sala

Recursos de cerca

Accés al Servei de Biblioteques UAB

Biblioteques UAB, Serveis alumnes escoles adscrites

[orderjackalope]

In 1876 poet Julia Ann Moore was beloved by the people of Grand Rapids, precisely because her poems were so bad. Eventually she went national… and cruel audiences stopped laughing at her poems, and started laughing at her.

Transcript, sources, links and more at https://order-of-the-jackalope.com/i-started-a-joke/

Key sources for this episode include A.H. Greenly's "The Sweet Singer of Michigan Biographically Considered", Rudolph Umland's "The Blessed Sweet Singer"; Thomas J. Riedlinger's Mortal Refrains; Mark Twain's Crossing the Equator; and, of course, Julia Ann Moore's The Sentimental Song Book, The Sweet Singer of Michigan Salutes the Public, and A Few Choice Words to the Public, With New and Original Poems.

Part of the That's Not Canon Productions podcast network.

Special thanks to Dave Blomenberg for coming on to discuss poetry with us! And thanks Dorothy White, Eric Leslie, David L. White, Greg Armstrong, Sam Link, Steven White, Kristen Harkness and Richard Le Poidevin for contributing their vocal talents to this episode!

This week we're co-promoting with fellow TNC podcast The Curiosity of a Child. Join Richard and Anton as they look at the quirky and unusual as well we the mundane from around the world as well as seeking out local history, events and characters.

Discord: https://discord.gg/Mbap3UQyCB Facebook: https://www.facebook.com/orderjackalope/ Tumblr: https://orderjackalope.tumblr.com Twitter: https://twitter.com/orderjackalope Email: jackalope@order-of-the-jackalope.com

[stargir1z]

when a person is commodified, there is a certain death of self involved there.

curator anne umland on warhol’s marilyn

[karmaalwayswins]

The Museum of Modern Art “How to See: Joan Miro” (2019)

This video accompanies the Museum of Modern Art’s exhibition, “Joan Miro: Birth of the World”. In it, curator Anne Umland and Miro’s grandson, Joan Punyet Miro, walk through the gallery and discuss their interpretation of some of the paintings. Interspersed are video clips and quotes from the artist.

I saw the show in New York a few weeks ago and quite enjoyed it. I found it interesting to realize that Miro was deeply interested in poetry, and tried to translate what he learned from poetry into the work he created. Other influences were Surrealism and the Spanish Civil War. 

Two pieces stood out for me in this exhibit. “Portrait of Enric Cristofol Ricart” is a portrait of one of the artist’s friends, collaged with a Japanese print. “Dutch Interior I” is Miro’s interpretation of a Dutch painting, Hendrick Maertensz Sorgh’s “The Lutanist”.

The show ends on June 15, so there isn’t much time left to see it. Of note, The Museum of Modern Art is closing for renovations this summer, so this weekend is your last chance to go until late October. More information on “Joan Miro: Birth of the World” here:

https://www.moma.org/calendar/exhibitions/5031?

Another review here:

https://www.nytimes.com/2019/03/14/arts/design/miro-review-moma.html

[moma]

Curator Anne Umland gives an introduction to the exhibition Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction.

Join us on Facebook tonight at 6 p.m. for a live-streamed walkthrough of the exhibition with Anne and artist Lisa Yuskavage. Visit here for more information about the exhibition. 

[merelygifted]

Inside Meret Oppenheim's 'Otherworldly, Witty, Whimsical' Show at MoMA, the Swiss Surrealist's First U.S. Museum Retrospective in a Generation | Artnet News

Meret Oppenheim, 1982. Photo by Harry Croner.

Meret Oppenheim, Object (Objet [Le Déjeuner en Fourrure]) (1936). Photo courtesy of the Museum of Modern Art, New York.

Meret Oppenheim, Pair of Gloves (1985). Collection of the Kunstmuseum Bern, gift of Ruth von Büren. Courtesy of the Museum of Modern Art.

Meret Oppenheim, X-Ray of M.O.’s Skull (Röntgenaufnahme des Schädels M.O.), 1964/1981. Hermann and Margrit Rupf Foundation. Kunstmuseum Bern. Photo courtesy of the Museum of Modern Art, New York.

Installation view of “Meret Oppenheim: My Exhibition” on view at the Museum of Modern Art, New York. Her sculpture The Green Spectator (1959) blocks a doorway between galleries, a design choice envisioned by the artist in set of 1983 drawings for a possible retrospective of her work. Photo by Jonathan Muzikar, courtesy of the Museum of Modern Art, New York.

Meret Oppenheim, Red Head, Blue Body (1936). Collection of the Museum of Modern Art, New York, Meret Oppenheim Bequest. Photo by Sarah Cascone.

Meret Oppenheim, Stone Woman (1938). Photo by Sarah Cascone.

Meret Oppenheim, Ma Gouvernante (My Nurse), 1936. Collection of the Moderna Museet, Stockholm. Photo by Sarah Cascone.

If you know the name Meret Oppenheim, you probably associate the artist with one thing: fur. A new exhibition at the Museum of Modern Art, however, proves the Surrealist to be an artist of endless creativity and incredible versatility who drew, painted, and sculpted in a wide range of media and materials.

“She just had a remarkable imagination and unrivaled ability to get up in the morning and never do the same thing twice,” Anne Umland, the museum’s senior curator of painting and sculpture, told Artnet News. “It’s pretty radical that throughout her five-decade career, she managed to remain committed to a very otherworldly, witty, whimsical sensibility.”

The show, titled “Meret Oppenheim: My Exhibition,” is the artist’s first U.S. exhibition in 25 years, and it features numerous pieces that are being shown in the country for the first time. It originated at Switzerland’s Kunstmuseum Bern, which has the world’s largest holdings of the artist’s work, and is co-organized by the two museums and Houston’s Menil Collection.  ...

[justfilms]

Scanners - David Cronenberg 1981

[justforbooks]

Francis-Marie Martinez de Picabia, commonly known as Francis Picabia, was born on 22 January 1879. He was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

Public collections holding works by Picabia include the Museum of Modern Art and Solomon R. Guggenheim Museum in New York; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tate Gallery, London; the Musée National d'Art Moderne, Paris; and Museum de Fundatie, Zwolle, Netherlands.

From 6 June through to 25 September 2016 at Kunsthaus Zürich and then from 21 November 2016 through 19 March 2017, the first retrospective of Picabia's work in the United States, Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, took place at the Museum of Modern Art, New York, co-curated by Anne Umland and Cathérine Hug. The retrospective was widely discussed by international art critics such as Philippe Dagen from Le Monde.

Among the artists influenced by Picabia's work are the American artists David Salle and Julian Schnabel, the German artist Sigmar Polke, and the Italian artist Francesco Clemente. in 1996, French artist Jean-Jacques Lebel initiated and co-curated the exhibition Picabia, Dalmau 1922 (with reference to Picabia's solo exhibition at Galeries Dalmau in 1922) shown at Fundació Antoni Tàpies in Barcelona and the Musée National d'Art Moderne, Centre Pompidou. In 2002, the artists Peter Fischli & David Weiss installed Suzanne Pagé's retrospective devoted to Picabia at the musée d'art moderne de la ville de Paris (MAMVP). The Museum of Modern Art, New York, organized a major retrospective of his entire career, shown from 21 November 2016 to 19 March 2017.

List of works by Francis Picabia

Photo Above: Francis Picabia in his studio c. 1912

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[mtaartsdesign]

“I’m always thinking about what can be better...And if you don’t get it out there, the situation will never change.” - Faith Ringgold. Ringgold’s provocative artwork has been a bold response to politics and social injustice for more than half a century. Best known for her narrative quilts, the activist-artist's work also explores domestic scenes and celebrates notable figures. Her #MTAArts mosaic project "Flying Home: Harlem Heroes and Heroines (Downtown and Uptown)" (1996) installed at the 125th Street (2,3) subway station honors esteemed figures from Harlem, where she was born. https://www.nytimes.com/2020/06/11/arts/design/faith-ringgold-art.html

Tune in tonight, (Thursday, June 18) at 8pm for a live Q&A with artist Faith Ringgold and MoMA The Museum of Modern Art Curator Anne Umland. https://www.moma.org/calendar/events/6674

[objecteiespai]

El collage (del francès, coller: enganxar) és una tècnica pictòrica consistent en la realització d'una pintura o dibuix amb un o més objectes superposats o no, enganxats a un suport. El collage es pot compondre per complet o solament en part de fotografies, fusta, pell, diaris, revistes, objectes d'ús quotidià, etc. Quan l'objecte resultant se separa de la paret, parlem d'assemblage. La tècnica oposada al collage és el décollage (en francès, literalment "desenganxament"), que consisteix a construir una imatge arrencant o esquinçant parts de l'original de manera que sol quedar al descobert la imatge de sota.

Història

Encara que es considera que va ser Picasso qui va inventar el collage el 1912 amb la seva pintura Naturalesa morta amb cadira de reixeta, està en discussió si va ser primer Picasso o Georges Braque. En tot cas, trobem un precedent amb l'art trobat del dadaista Marcel Duchamp. Amb aquest gènere artístic, l'artista tria un objecte, objecte trobat, el qual sacralitza com "art", des d'una pedra que crida la seva atenció en un camí a una imatge que li agrada en una revista. Dels objectes trobats al collage hi ha només un pas. El collage ha estat utilitzat, doncs, en les avantguardes històriques de principis del segle XX: Futurisme, Cubisme, Dadaisme, Surrealisme, Constructivisme… Així mateix és una tècnica habitualment emprada pels creadors del Mail art en la difusió dels seus treballs.

via: També és utilitzada en la il·lustració de llibres infantils...

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COLLAGE

Seminari. Mestres del collage

 Dawn Ades: El collage, el fotomuntatge i l'avantguarda europea

 Diane Waldman: Joseph Cornell, un univers de somnis Anne Umland: Un desafiament a la pintura: Miró i el collage als anys vint  Dominique Dupuis-Labbé: El collage cubista: Picasso, Braque i la realitat

Carolyn Lanchner : La “bona noia ” de dadà : els fotomuntatges de Hannah Höch

 Matthew Gale: Germana pertorbació: de De Chirico a Ernst

Alícia Suárez: L'avantguarda russa Lourdes Cirlot : La influència del collage en l'art de la postguerra a Europa i als Estats Units.

 Fèlix Fanés: Avantguarda i cultura de masses. Tres exemples

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La historia del collage.Del cubismo a la actualidad

Wescher, Herta

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a la Biblioteca:

Accés al Catàleg de la Biblioteca

Catàleg

Revistes accessibles a sala

Recursos de cerca

Accés al Servei de Biblioteques UAB

Biblioteques UAB, Serveis alumnes escoles adscrites

[artbookdap]

"Just to say, its extravagance rewards thorough exploration for it introduces a rare thing: an early female modernist who worked steadily over the course of several decades. Restless, undeterred, Meret Oppenheim deserves a place in any modernist pantheon you can assemble."⁠ ⁠ Read up on 'Meret Oppenheim: My Exhibition' at @themuseumofmodernart — the first ever major transatlantic Oppenheim retrospective, and the first in the United States in over 25 years — in this excellent review by @robertasmithnyt @nytimes via linkinbio⁠ ⁠ May we also recommend the superb exhibition catalog edited with text by Nina Zimmer, Natalie Dupêcher and Anne Umland.⁠ ⁠ #meretoppenheim #surrealism @ninayeszimmer @anne_umland @kunstmuseumbern @menilcollection #meretoppenheimmoma https://www.instagram.com/p/ClTo0SoudIL/?igshid=NGJjMDIxMWI=

[visualskills2]

Bibliography

Videos

Berning, T. (2020). 1_1_2. [online] vimeo.com. Available at: https://vimeo.com/391723496 [Accessed 17 Aug. 2021].

Bewsey, S. (2018). The Embodied Experience of Drawing One-Day Symposium - Friday 13th April 2018. [online] vimeo.com. Available at: https://vimeo.com/267261033 [Accessed 23 May 2021].

Calligrascape (2016). How to Make a Cola Pen for Calligraphy. [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=0iLMNO3QD0c [Accessed 10 Sep. 2021].

NRK (2009). Bergensbanen minutt for minutt Bergen–Oslo (full HD 50fps). [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=d_S_13TWn1c [Accessed 4 May 2021].

Made by Edgar (2018). How To Make A Homemade Cola Calligraphy Pen (FREE Template Included). [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=Fq0iPacHOOY [Accessed 10 Sep. 2021].

Walker, W. (2021). Walking in Bath, England - Stunning Royal Crescent, The Circus & more! [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=zM73N8SZ0yU [Accessed 4 May 2021].

TATE (2018). Thomas Demand – Presidency | TateShots. [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=09Rlf1DR3Y0&t=207s [Accessed 9 May 2021].

The StudyTube Project (2020). Victorian Letter-Writing Etiquette Rules. [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=KsKHF1ci1wA [Accessed 10 Sep. 2021].

tinlunstudio (2020). Homemade Cola Pen How-To // Modified Design for Better Calligraphy. [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=9rDy_oWL3xQ [Accessed 10 Sep. 2021].

Pages

Armitstead, C. (2020). Only 980 years to go! Parties and fears as 1,000-year-long piece of music turns 20.  [online] the Guardian. Available at:   https://www.theguardian.com/artanddesign/2020/sep/22/longplayer-980-years-to-go-parties-fears-1000-year-long-piece-of-music-turns-20  [Accessed 12 May 2021].

Berning, T. (2019). Strange Case. [online] www.tinaberning.de. Available at: https://www.tinaberning.de/strange-case [Accessed 17 Aug. 2021].

Bloch, S. (2017). Le Un - Société civile. [online] Serge Bloch. Available at: https://www.sergebloch.com/#/le-un-civile/ [Accessed 25 Jun. 2021].  

Boddington, R. (2019). “My pictures give you an image of your future memory”: Thomas Demand in conversation with It’s Nice That. [online] www.itsnicethat.com. Available at: https://www.itsnicethat.com/features/thomas-demand-in-conversation-art-photography-200519 [Accessed 9 May 2021].

BOZO, Dominique; [et al.]. Musée Picasso París: catálogo de las colecciones. Vol. I. Barcelona: Polígrafa, 1985, nº. 245, pp. 129-133 y 141-142

Castillo. M, (2018). Power Paola on turning her coming-of-age graphic novel Into an animated movie. [online] Fundación Gabo. Available at: https://fundaciongabo.org/es/node/6090 [Accessed 24 Jun. 2021].

Costa, M. (2016). Give a Hand to the Refugees. [online] Behance. Available at: https://www.behance.net/gallery/45772911/Give-a-Hand-to-the-Refugees.

Galleria Continua (2021). Dibujos y Grabados 2021 by Joseé Antonio Suárez Londoño. [online] Galleria Continua. Available at: https://www.galleriacontinua.com/artists/jose-antonio-suarez-londono-71.

GarcíaS. and Olivares, J. (2018). Las Meninas. Bilbao: Astiberri.

Hickman, L. (2011). My favourite film: Koyaanisqatsi. [online] the Guardian. Available at: https://www.theguardian.com/film/filmblog/2011/dec/15/my-favourite-film-koyaanisqatsi.

Maijala, M. (2021). Marika Maijala. [online] Picturebook Makers. Available at: https://blog.picturebookmakers.com/post/641363857835720704/marika-maijala [Accessed 12 Dec. 2021].

Museo Picazzo Malaga (2021). Cubismo: Bodegones. [online] Museo Picasso Málaga. Available at: https://www.museopicassomalaga.org/coleccion/cubismo-bodegones-0.

Sala, D., Maria Serna Aguirre and Zweig, S. (2018). El jugador de ajedrez : según la novela de Stefan Zweig. Bilbao: Astiberri, Junio.

TEMKIN, Ann y Anne Umland (dirs.). Picasso Sculpture. [Cat. exp.: The Museum of Modern Art (Nueva York), 2015–2016]. Nueva York: The Museum of Modern Art, 2015, pp. 78 y 90]

Turtle, Michael (2003). “The Little Girl Who Challenged a Nation.” Time Travel Turtle, Michael Turtle,  www.timetravelturtle.com/mafalda-statue-buenos-aires-argentina.

Suárez Londoño, J.A. (2002). José Antonio Suárez Londoño. Untitled. 2002 | MoMA. [online] The Museum of Modern Art. Available at: https://www.moma.org/collection/works/128958 [Accessed 25 Jun. 2021].

Suárez Londoño, J.A. (2008). José Antonio Suárez Londoño. Untitled #259. 2008 | MoMA. [online] The Museum of Modern Art. Available at: https://www.moma.org/collection/works/147237 [Accessed 25 Jun. 2021].

Szczepanski, K. (2015). The Invention of the Wheelbarrow. [online] ThoughtCo. Available at: https://www.thoughtco.com/the-invention-of-the-wheelbarrow-195264.

Timbo (2017). Virus Tropical - Trailer. [online] Vimeo. Available at: https://vimeo.com/240558114 [Accessed 24 Jun. 2021].

Wallstreet International (2014). John Virtue (b. 1947), No. 8, 2011-2013, Acrylic on canvas, 1828.8 x 5486.4 mm. [online] Wall Street International. Available at: https://wsimag.com/sainsbury-centre-for-visual-arts/artworks/38438 [Accessed 23 May 2021].

Wikipedia. (2021). Slow television. [online] Available at: https://en.wikipedia.org/wiki/Slow_television [Accessed 30 Apr. 2021].

Book

Roxana, M., Thomas, D., Jeffrey, E. and New, A. (2005). Thomas Demand. New York: Museum Of Modern Art.

[moma]

Take a closer look at Remedios Varo’s painting “The Juggler” (1956)—a new acquisition to #MoMACollection—with curators Anne Umland and Cara Manes. Varo is one of the most important women artists associated with the Surrealist movement, though she rejected the label. Learn more about her magical, mystical worlds and why this work is sure to shake up the conversation in the galleries.

[learningjournals]

Personal research

Pablo Picasso

I have mixed feelings about Picazzo. It is was today, I am certain he will be cancelled. He was not tormented, he was just an abusive man. As an artist, I do not connect with his more popular work and when I do, it is from the knowledge that is Picazzo, a more educated eye and understanding of the context of his work, which is a valid perspective but not my normal approach to art. 

In this entry, I am going to show a work that I found interesting and Intriguing. Picazzo creates in this period sculptures that are quite fascinated.

1911-1920 Cubismo: Bodegones

The first picture is called “Avignon, summer of 1914″ 

PIcazzo create hybrid propositions in which the pictorial enhances its image condition in sculpture (“a proposiciones híbridas en las que lo pictórico potencia en la escultura su condición de imagen” Museo Picazzo Malaga, 2021). Basacally, he used elements normaly associated with painting and drawing to crate a less scupltural and more illustrative sculpture.

Guitarra by Picazzo 1912 in the Museum of Modern art in New York

La Guitarra (The sculpture above) is lovely. It is fun and different. Capture your attention for the right reason. Different from the Guitar, the other two are quite intriguing. If you do not read the title you can not understand the idea behind the piece. They are quite abstract.

Copa, periodico y dado 1912, Museum National Paris-Picazzo

Copa, Periodico y Dado (1912) and Avignon, summer of 1914 were created with recycling materials and industrial ones. using recycling materials was not common at that time.

BOZO, Dominique; [et al.]. Musée Picasso París: catálogo de las colecciones. Vol. I. Barcelona: Polígrafa, 1985, nº. 245, pp. 129-133 y 141-142

Museo Picazzo Malaga (2021). Cubismo: Bodegones. [online] Museo Picasso Málaga. Available at: https://www.museopicassomalaga.org/coleccion/cubismo-bodegones-0.

TEMKIN, Ann y Anne Umland (dirs.). Picasso Sculpture. [Cat. exp.: The Museum of Modern Art (Nueva York), 2015–2016]. Nueva York: The Museum of Modern Art, 2015, pp. 78 y 90]