#and. there's that motherfucker right there.

[gffa]

Sometimes you get so used to Darth Vader as a terrifying walking nightmare, someone who can and has literally killed people with his mind, who has reached across entire starships in space to choke a motherfucker out, someone who will literally shoot himself out an airlock to spin drive himself onto another moving starship to forcibly board it while in open outer space, someone who can and has ripped ships right out of the sky, someone who has taken on a thousand rebel fighters with guns and came out with everyone dead but him, who is the most powerful fighter the galaxy has ever seen. And then sometimes he just.

Casually chucks his lightsaber NOT IN A SPINNING ARC LIKE YOU WOULD THINK, no, this trash can man sends it TOP END OVER BOTTOM, THAT IS NOT A SPINNING SABER OF DEATH, THAT IS AN ASS OVER TEAKETTLE THROW. What other character could ever do both half so well. We got us a trash man that can do both.

[dreamwritesimagines]

Sunshine [11] - Blast

AN: My loves, thank you so so much for your wonderful support and lovely comments and HCs! ❤️ You’re amazing! ❤️

I hope you like this as well, and please don’t forget to tell me what you think, thank you! 🥰

Pairing: Logan Howlett x Female!Reader

Summary: Every break up has an aftermath.

Word Count: 4244

CW: Explicit language, angst, adult themes MDNI

Series Masterlist

The month after your brutal breakup hadn’t been so easy.

When Theo was around, you made sure he didn’t notice anything. His happiness was the most important thing for you, it had been that way ever since he was born, so you weren’t going to ruin it. Every weekend, you pretended you were incredibly happy and that nothing was wrong at all, despite the heartbreak you were going through.

Your friends were the only people who knew just how sad you were, and they had formed a very united front to change that.

“We have found the one.”

You pulled your brows together as you filled Jamie’s cup while Nik gave you a proud smile and Julie sat up straighter, repressing a squeal.

“You two are dating, so you’ve already found ‘the one’” you used air quotes, making Nik roll his eyes.

“Not for us!”

“And Julie would’ve told me if she found the one.”

“I’d also be shouting it from the rooftops, but this isn’t about me.”

You threw your head back. “I’m not gonna go on a blind date.”

“Hear me out,” Jamie said, fishing his phone out of his pocket. “This guy has been approved in the group chat.”

“What group chat?”

“Our group chat.”

Your jaw dropped. “You guys have a group chat without me?”

“Yes because it’s being used purely to find you your Mr. Right.”

“And we know it’s been only a month since you and Logan broke up but fuck Logan,” Julie added. “I’ve been carrying a magnet in my purse ever since you told me about your break up, just in case I run into him.”

Nik turned to look at her better. “You’re joking.”

Julie grabbed her purse and took out a small horseshoe magnet, making your eyes widen.

“I don’t play about my threats,” she told Nik. “That motherfucker broke my best friend’s heart, so I’ll point this magnet at his—”

“Where did you even get a magnet like that?” you cut her off and she shrugged.

“I googled it.”

“I’ve only seen these in cartoons,” Nik mused, reaching out to get the magnet from Julie before Jamie cleared his throat.

“Our point is,” he said. “You’re better off without Logan, and I think you’d really like this guy.”

You heaved a sigh, resting your elbows on the counter.

“Guys I really appreciate all the effort,” you said and stole a look at Julie. “And the magnet but—seriously, you know how much I hate blind dates.”

“Well does it count as a blind date if we show you his picture?” Nik asked, getting the phone from Jamie before turning the screen so that you could see the picture.

Even you had to admit, he looked cute. It was as if Jamie had decided to find you someone the complete opposite of Logan; he seemed younger than him -around Jamie’s age if you weren’t mistaken-, he had dirty blonde hair, and just from the picture alone, you could tell he was the type of person who liked to smile, a lot. Judging by his white coat, he worked in the same hospital Jamie worked in, and you stole a look at him.

“Your coworker?”

“He works in ER,” Jamie said. “Saved a kid’s life the other day.”

“And I’ve met him,” Nik said. “He’s like a cute puppy but also a badass.”

“And he is very handsome, you like handsome,” Julie sang tauntingly and you ran a hand over your face.

“I really don’t think it’s a good idea.”

“Why not?”

“I’m not over Logan yet.”

“The best way to get over someone is good sex,” Julie pointed out. “We’re not telling you to move in with the guy. We’re just telling you to just…go on a date and see where things go.”

“And it could help,” Nik said softly. “You know, distracting yourself from your ex.”

You bit inside your cheek, then clicked your tongue.

“Ugh, fine,” you muttered, making them grin. “But if I don’t like him, I’ll leave and you guys will delete that group chat. Alright?”

“Deal.”

                                                 *

 One of the things you hated about blind dates was that you always got incredibly nervous right before. The urge to text them and stay in instead would always get the best of you—now to think of it, the only person you didn’t get that urge with was Logan.

Well.

Logan was out of the picture, and you had to deal with that.

But if anything, at least Jamie knew this guy and was friends with him, so the odds of him being an ass was pretty low.

You pulled over in front of the restaurant before checking your phone to see whether it was in fact the right place, then slipped a little in the seat. This was by no means your first rodeo but…

You really wanted to just go home and get under covers and listen to Julie’s break up playlist.

“Worst case scenario, you’ll just have one drink and go back home,” you muttered to yourself. “Come on soldier.”

You checked your makeup in the rear mirror, then got out of the car and locked it before you smoothed out your dress and made your way to the restaurant. The hostess greeted you and after you gave her your name, you followed her into the restaurant.

Oh, he was already there.

If Logan wasn’t at the back of your mind, you were sure that you would’ve been excited. He really was a good looking guy, the smile that appeared on his face upon seeing you looked very genuine, and the fact that he jumped on his feet to greet you was a great sign.

However—

Okay no, you were not going to think about Logan tonight, not at all.

“Hi!” he said and you smiled back.

“Hi,” you said and you extended your hand but he went for a hug before he paused and made a move to shake your hand but this time you were the one who went for a hug, so you gave him a curt hug before pulling back.

“Jesus—sorry, that was awkward,” he said and you tried to control your giggle at the look of slight regret on his face.

“No worries,” you assured him and he gave you a tentative smile.

“I’m Hayes.”

You introduced yourself as well before the waiter pulled your chair for you and you thanked him, then sat down. Hayes followed you suit, then motioned at his wine glass and the appetizers.

“I hope you don’t mind.”

“No no, not at all,” you said and looked up at the waiter who put the menu in front of you. “Can I get the same as well? Thank you.”

Waiter nodded and walked away from your table, and you turned to Hayes.

“Uh, hi again.”

“Hey,” he said with a chuckle. “So uh…blind but not so blind date?”

“Sounds about right,” you said. “I mean I saw your picture.”

“So have I.”

“Jamie showed it to you?”

“Technically no.”

You blinked a couple of times. “How’s that?”

“Jamie has a picture of you and your whole friend group on his desk,” he admitted as the waiter brought your wine and you thanked him. “I saw your pic there and I asked about you in a way that was very subtle in my opinion but Jamie disagrees.”

You raised your brows, smiling slightly. “You’re not serious.”

“It was kind of like Jamie was an app and I was fervently trying to swipe.”

A small laugh escaped from your lips and you covered your mouth. “Oh my God…”

“Am I giving off serial killer vibes?” he asked to no one in particular. “Because I swear I save people for a living, that’s not—it’s just that you are very pretty and I’m very rusty when it comes to all this.”

You lowered your hands to give him a bright smile.

“You’re very sweet,” you said. “I didn’t think you were rusty.”

“No?” he asked and let out a breath. “Thank God.”

“It’s been a while?” you asked him after a moment of hesitation and he hummed.

“Listen, rusty or not I know talking about previous relationships is a red flag.”

“I don’t mind,” you said. “Let me guess, you had a long relationship and…?”

“And walked in on her and my best friend.”

“Ouch.”

“Former best friend.”

“Still ouch,” you said with a grimace. “I’m sorry.”

“It’s okay, I mean—I changed cities but it has to be for a good cause. At least that’s what I’m choosing to believe.”

“Sounds like a good plan.”

“How about you? I find it hard to believe you go on blind dates if I’m honest.”

“Oh I’ve gone on blind dates,” you assured him. “And uh—my friends have made it their life mission to matchmake me, they apparently have a group chat where they approve people.”

Hayes pulled his brows together. “Holy shit, I’ve been approved in the group chat?”

“Yes you have,” you said. “Congratulations.”

“I feel very validated,” he mused, making you giggle. “No seriously, knowing Jamie, this is the same as passing a very difficult exam with a jury.”

“Yeah he’s very protective, especially after—” you stopped yourself and Hayes shot you a lighthearted look.

“Hey, I talked about my ex.”

“Well, I got dumped,” you said with a shrug of your shoulders. “And Jamie never approved of him, so now he’s like extra careful.”

Hayes hummed and lifted his wine glass slightly.

“Well, on behalf of all men in this city, we’re all very glad that your ex is an idiot.”

You scoffed a laugh and lifted your glass as well.

“Yeah well,” you trailed off, trying your hardest to not let your thoughts drift to Logan. “So you’re an E.R. doctor?”

“I am,” he said. “And you?”

“Oh I…I’m just a waitress,” you said with a shrug of your shoulders, that feeling of inadequacy hitting you out of nowhere once again. “Nothing too exciting.”

“Do you like where you work?”

“Yeah, I’m friends with everyone there except my boss,” you said. “It’s pretty nice. And you? I heard you saved a kid’s life the other day.”

A bright smile appeared on his face. “Yeah, that’s why I like working in the E.R. I can actually make a difference in just seconds, you know? It makes me feel alive, like I’m doing something right with my life.”

You nodded your head. “I can imagine. Sounds wonderful, really.”

He sipped his wine.

“So tell me more about you,” he said. “Jamie says you have a son?”

“Yeah!” you said, your eyes lighting up at the mention of Theo. “Yeah I do. Theo. He’s the cutest kid in the world, and I’m very objective about it.”

That made him laugh. “At first I thought Jamie was a father, with all the drawings in his office…”

“Oh he still keeps those?”

“With all due respect, it’s like a shrine in his office.”

“You should see his and Nik’s fridge, they have like one picture there and the rest is Theo’s artwork.”

“Really?”

“He had his artist phase, now he’s—” you started but were cut off when your phone started buzzing. You gave him an apologetic look.

“Excuse me,” you said as you grabbed it out of your purse, but as soon as you saw the name flashing on the screen, your heart dropped.

Logan.

A part of you -the petulant part of you- wanted to reject the call but you took a deep breath, then licked your lips and then answered.

“Hello?”

There was a second of hesitation on the other line before he cleared his throat.

“Theo is fine,” he said. “But he needs you here.”

Your head shot up. “What? What happened?”

“There was a small accident—”

“What accident?” you asked, your heart leaping to your throat as fear crashed down on you. “What—is he—”

“Like I said, he’s completely fine, I promise,” he said, his deep voice soothing your fear as always. “He had a nightmare, his powers took over and he blew up the wall in his room accidentally but he’s fine and so is everyone else. He locked himself in the basement though, and refuses to come out.”

You could feel your throat tightening but you took a shaky breath, then nodded as if he could see you.

“I’m on my way,” you said and hung up before turning to Hayes.

“I’m so sorry,” you said, pushing your phone into your purse. “Theo is…he’s in a boarding school in the city but he—he had a nightmare and he locked himself in the basement.”

“Oh I’m sorry,” Hayes said, frowning. “Is he okay?”

“Yeah,” you said despite the anxiety churning your stomach, then stood up. “But I need to go, he must be terrified.”

“Of course,” Hayes stood up with you. “Would you like me to drive you there?”

“No no, I can drive,” you said. “I really appreciate it though, thank you.”

“Oh it’s nothing, really,” he said. “I hope he’s feels better.”

“Sorry, again.”

“You have nothing to apologize for,” he said. “Is it okay if I get your number from Jamie?”

“Sure!” you said. “I’ll—I’ll see you around I guess?”

“Have a nice night,” he said and you gave him a curt smile, then made your way out of the restaurant, your heart beating in your ears.

                                                 *

If it were any other time, you would’ve been nervous to see Logan after a month, for the first time after your break up but you were so worried about Theo that it didn’t even cross your mind that Logan would be the one to greet you.

Which, of course he was the one to greet you by the door. He probably took your scent the moment you drove through the gates.

He looked almost frozen the moment you stepped out of your car but he recovered very fast.

“Hey—”

“Where is he?” you asked without so much as glance in his direction as you walked past him into the mansion and Logan easily caught up with you.

“In the basement,” he said. “Follow me.”

When you two got to the basement, Storm and Jean were already there.

“Hey, he’s totally fine,” Jean assured you the moment she saw you and Storm nodded her head.

 “We could’ve opened the door but we didn’t want to scare him any more than he already is,” she assured you. “He only said he wants you, and now he’s not talking to us.”

“But he’s not hurt in any way,” Logan added. “I don’t smell any blood or pain, and Jean already checked his mind.”

You raised your brows, then took a deep breath.

“Thanks,” you said and smiled at Storm and Jean. “Really, thank you so much. I can take it from here.”

“You sure?”

“Yeah,” you said and swallowed thickly. “It’s not the first time this happens.”

Storm and Jean exchanged glances before Storm turned to you.

“I’ll just go and check the other students then.”

“And I’ll fill Charles in,” Jean said, squeezing your arm in a reassuring manner before they both walked away and you ran a hand over your face, then walked to the door of the basement and knocked softly.

“Bean?”

The only answer you got was a sniffle, breaking your heart to smithereens. You could feel your own eyes burning but you frowned, forcing yourself to focus.

“Bean, are you there?”

“…Yes,” his small voice reached you and you took a deep breath.

“You think you can open the door?”

“I had a bad dream.”

“I know,” you said, nodding fervently. “Everyone has bad dreams, it’s completely normal. And what do we do when we have bad dreams?”

“We have hot chocolate because that makes them go away.”

“Exactly,” you said. “So can you open the door please?”

“People will be angry at me.”

“What? No!” you said. “No one will be angry at you, I promise.”

“Mommy, it was an accident,” he said, a hiccup escaping him and you rested your forehead against the door, squeezing your eyes before swallowing the lump in your throat.

“I know,” you said. “And so does everyone. No one is angry at you—Logan, is anyone angry at Theo?”

Logan came closer to the door so that Theo could hear him better.

“Not at all,” he said. “If anything I’m a little jealous. Blasting walls is so badass, I’d love to be able to do that.”

“You hear that, bean?”

“Really?” Theo’s hopeful voice reached you and Logan smiled slightly.

“Sure bub. And hey, turns out we’ll have to decide on your superhero costume sooner than you think.”

“There you go,” you said. “Superhero costume sounds fun—”

A meow cut you off, making you tilt your head.

“Bean, is there a cat in there with you?”

“…No.”

Another meow reached you and you raised your brows.

“Theo.”

“I found him here and we’re friends now.”

“Okay,” you muttered more to yourself. “Theo—”

“His name is Sir Bartholomeow,” Theo added as if it was imperative that you knew that information and you heaved a sigh.

“Very creative bean, but can you please open the door? So that we can drink hot cocoa and I can meet your friend?”

There was a momentary hesitation and another sniffle before you heard the lock turning and you took a step back so that you could see him better. Theo was still in his pajamas, his glasses slightly crooked over his face as if he had put them on in a hurry, his wide teary eyes looking up at you. In his arms, he was holding probably the grumpiest looking cat you had ever seen in your entire life so tight that it was a wonder why the cat wasn’t trying to escape. A breath of relief left you and you crouched down to get to his level.

“Hi bean,” you said gently. “How about we give your friend to Logan so that they can be friends and I can make sure you’re okay?”

Logan stepped closer. “Yeah bub, I can take the cat—”

“Sir Bartholomeow,” you and Theo said at the same time and Logan cleared his throat.

“Yeah, him.”

Theo sniffled again before tentatively handing Sir Bartholomeow to Logan, and you checked whether he was hurt anywhere before pulling him into a bone crushing hug. Theo was still shaking like a leaf and he mumbled ‘mommy’ before burying his face to your chest while you stood up with him in your arms.

“I’m here,” you said softly, still holding him tight. “I’m here, it’s fine. I swear everything is gonna be fine.”

                                                  *

Theo never liked being away from you and that turned into a whole different level whenever he had a nightmare. You would be lying if you said you weren’t relieved to have him in your sight so after he drank his hot chocolate, you had carried him to bed and stayed with him until he fell asleep, humming the lullaby he used to love when he was a baby.

There it was again.

Times like these, you always remembered just how utterly alone and clueless you were in this whole thing.

You could feel the tears pricking your eyes as you looked down at him, then leaned in to kiss his head and pulled the covers over him, and walked out of the room as quiet as a mouse.

 The mansion was mostly quiet, and even though you could still hear the voices coming from the kitchen, you desperately needed to be alone in case you burst into tears, so you walked through the hallway to step outside, the cold wind hitting your face. Heaving a sigh, you made your way to the stairs to sit down, and wiped at your eyes furiously before wrapping your arms around your knees, fixing your gaze on the stars glimmering in the sky.

You heard the front door open before the familiar footsteps came closer and you felt him drop his jacket over your shoulders before he sat down as well.

“Hi Logan,” you rasped out, sniffling and he offered you a hesitant smile.

“Hey,” he said, putting the bottle of whiskey between you two before he made a face. “Shit, I forgot to bring glasses.”

You scoffed a laugh. “We’ve done worse things than drinking from the same bottle.”

“Right,” he said after a beat and you grabbed the bottle to take a swig, grimacing at the burn before putting it down again.

“How’s your arm?” he asked and you took a shaky breath, then shrugged your shoulders.

“Healed,” you said and turned to look at him better. “I don’t even think about it anymore.”

He was too smart to miss the double meaning of your remark and his lips twitched for a moment.

“I’d bet,” he muttered. “Fun date then?”

You pulled your brows together in confusion and he nodded at you.

“I haven’t seen you in that dress before and you smell like someone else.”

You smelt like—

Oh. Hayes had hugged you.

“I don’t have the capacity to get into that bullshit right now,” you stated and Logan swallowed thickly, then nodded again.

“Right,” he said. “Of course.”

For a minute, the only thing you could hear were the crickets and the sound of the faint wind in the air before Logan take a deep breath.

“He’s fine, princess.”

You bit at your nail, blinking back the tears before you shook your head.

“No he’s not,” you said. “You and I both know that he’s not fine. Not really.”

“He’s too powerful,” Logan said. “Accidents like these will happen, you can’t really avoid them. What matters is that he hasn’t hurt himself or anyone else.”

You took another sip of the whiskey.

“Having you here helped a lot too,” he said. “He calms down when he sees you, that’ll be good for him.”

You clicked your tongue.

“Yeah, for now,” you muttered and Logan frowned.

“For now?”

“Yeah,” you said. “Until he grows up and hates me for everything I’m doing wrong as we speak.”

“That’s not true.”

“No no it is, I’m fucking up big time,” you said with a dry laugh. “Jesus, my mom said I had no idea what I was doing and I was too busy arguing with her that I didn’t even see it but it’s true. I have no clue.”

“That doesn’t mean you’re doing something wrong.”

“I’ve been doing everything wrong,” you told him, blinking back the tears. “He’s too little to see it now, but sooner or later he’ll see that everything that happened to him is my fault, even the fact that his powers showed up—”

You had to stop talking when your voice cracked and you tried to swallow the lump in your throat, sniffling again. He reached out for a second as if he wanted to wipe at the tears falling down your cheeks but then paused, pulling his hand back, his jaw clenching like he was in pain. You wiped at your eyes furiously, letting out a shaky breath.

“I’m terrible at this,” you said, nodding to yourself while Logan kept his burning gaze on you.

“I promise you, you’re not,” he said. “Theo adores you, and I think you’re the best parent I’ve ever seen in my life which in case it has escaped your notice, that’s a lot of years.”

You raised your brows, wiping at your nose before you cleared your throat and took off the jacket to place it into his lap, then stood up with Logan following you suit.

“I can drive you home,” he said and you threw your shoulders back, trying to pull yourself together.

“I had like three sips of whiskey, I can drive.”

“I can still drive you, it’s been a long night.”

“I’m fine.”

“No I want to,” he insisted and you tilted your head, giving him a questioning look. His eyes met yours before he took a deep breath.

“I just…” he trailed off. “I want to—I want to make myself useful.”

You frowned, staring at him. “Why?”

“No reason,” he said. “Don’t get me wrong, I don’t ask for anything, just…like I said. I want to make myself useful. I need to make myself useful.”

Your stomach did a flip as a painful smile curled your lips.

Oh.

This. You were familiar with this.

You had been through the same. You were in fact going through the same right now, frantically looking for something to ease the pain. Your solution was to follow your friends’ advice and try to date around, ignoring the way it just felt wrong when you were still in love with him, and Logan—

Logan was dealing with it in such a Logan way that it was almost ironic how you didn’t see it coming.

“It’s not going to help,” you said, your voice a mere whisper and he gulped, his jaw clenching.

“It could,” he managed to say through his teeth and you sniffled, shaking your head.

“It won’t,” you rasped out. “I’m sorry, it won’t.”

The agony that flashed over his handsome features twisted at your heart but you managed to smile at him.

“Good night Logan,” you murmured and walked away from him, painfully aware of his eyes following you.

[vampiricvenus]

Even if op wasn't American (WHICH THEY ARE) do you think the US is the only country in the world with separation between executive, legal and justice systems? THAT'S WHAT A REPUBLIC IS. I'm not American, and my country works like that too.

Did you have to be this fucking condescending to top it off too all while demonstrating you have no idea how anything outside the US works?

Also? Executive orders. Biden has used them to bypass congress just so they can keep killing Palestinian civilians, but the motherfucker wouldn't do it for abortion rights. Probably because he doesn't give a shit about abortion rights, but he really, REALLY wants Palestinians dead.

it actually really grinds my gears that for the last like what few years after roe v wade was overturned and people have already been dying due to lack of abortion access and gynecological care that wasn't enough to spur anyone into action but the minute the evil cartoon president gets reelected NOW all of a sudden everyone is like "oh no my abortion rights!" girl they're already gone! joe biden and the DNC saw to that! they're gone! and now this past year like every year they dangled it like a carrot in front of a horse in your face to try and get you to vote for them and it didn't work because they're not only doing nothing to protect healthcare for anybody but they're taking their time instead to sponsor and commit genocide. but no it's only donald trump who's evil and no one else in the world and once he's gone everything will be the perfect utopia it once was right? 🙄

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[benevolenterrancy]

@fluffypurpleglitterdemon hey. hey. i just want to talk.

[suchawrathfullamb]

No, the flannel and the wolf cut don't make you look like Will Graham. I see a lot of people trying to emulate Will's style or hair but of course it doesn't satisfy them because they're not fully getting what they actually wanted, which is the Will VIBE. So here's a guide, for you, because I love you, and fashion and aesthetics and the codes of physical appearance.

How to Give Will Graham

(oh and do check out my vibe analysis where we go into the spiritual code of Will Graham using astrology and numerology).

Now, I'm sure you didn't aim to give "plaid and kaki" vibes, right? Maybe you did, in that case you can move along. But if not, you were aiming for Will by just copying his clothes, which would never work because he doesn't give plaid and kaki guy, he gives sexy confident motherfucker with a gun who isolates himself because he thinks he's too cool but also because he is a menace and has no patience for people.

In other, better lol, words, he has the codes of disinterested academia. I made that up. But it's accurate.

It's the code of intellectuality but without the academic flair of formality.

Sam Winchester has almost the exact same wardrobe yet the vibes are different (the character arc is the same, interestingly enough), Sam is softer and kinder, and Will is more fuck everybody get out of my sidewalk vibes.

So there's an arrogance to Will. He isn't interested in what most are, he thinks most things are boring. And he's also hiding his true self, which comes out a bit more in Season 2 when he have the Slut Fashion Transition, which is excellent. Translating that to his style, you have outfits that carry a bit of an edge, although concealed to avoid exposure, and lack of attention to detail. So Will would not care to choose patterns because that is too much detail, or belts, or too many layers. His mind is busy with other things, he cannot focus on styling details.

So you can evoke the vibe without copying his exact outfits. As long as it has the elements of a put together but simplistic academic "southern" style. Which is also known as rugged americana.

(post prison inspired)

(twitchy man, season one inspired)

[themeridian]

I've come to make an announcement.

shadow the hedgehog's a bitch. ass. motherfucker.

he pissed on my fucking wife

thats right. he took his hedgehog fuckin quilly dick out, and he pissed on my FUCKING WIFE and he said his dick was

T H I S B I G

and i said that's disgusting. so im making a callout post on my tumblr dot com:

shadow the hedgehog, you got a SMALL dick. its the size of a walnut, except WAY smaller.

and guess what? heres what my dong looks like

[explosion sounds]

thats right baby! tall points, no quills, no pillows.

look at that it looks like two balls and a bong!

he fucked my wife so guess what?!

im gonna FUCK THE EARTH!!

THATS RIGHT THIS IS WHAT YOU GET!

MY SUPER

LASER

PISS

except im not gonna piss on the earth.

im gonna go higher!

im pissing on the MOOOOONNNNNN

how do you like that trump? i pissed on the moon you idiot!

you have twenty three hours before the piss droplets hit the fucking earth

now get out of my fucking sight before i piss on you too!

[madonnamadeofasphalt]

EA & Bioware honestly did an incredible job at killing any enthusiasm I had for a new Dragon Age. Fucking hell, man, I've played the first two games so much I could probably go through them with closed eyes and still pick all the right dialogue options to get My Exact Personally Canonized Plot. And the only reason I didn't do the same thing with DA:I is because it was made after EA completely gave up on optimizing their shit so the fucking thing takes up like a billion terabytes of disc space and takes 10 hours to download and install. I honestly think it's the best-written cRPG franchise to ever have a budget that doesn't involve a list of Kickstarter backers or getting an eccentric Estonian billionaire fixated on the project. And the gameplay is also there, I don't really care about that part.

Then they proceeded to fire all the talent that made me love those first three games, and scratch and restart the production twice, and be suspiciously cagey with any details or gameplay footage for a fucking decade, so my hype consistently went down and down. And yet I still managed to hold out some hope that somehow, by some miracle, it wouldn't fucking suck.

I kept that hope until the trailer dropped. You know the one. The one where we see a bearded Varric. This, I think, was the exact moment when I lost any desire to play fucking Veilguard.

Like, first of all, Varric being there at all is already an issue. Leave the man alone. His presence was already kinda forced in DA:I. And after DA:I and Tresspasser, his story couldn't be more finished if he got killed, eaten, shitted out, condemned to hell, redeemed by divine sacrifice, bathed for eternity in the everlasting light. There is no point to Varric anymore. Whatever arc they've given him in Veilguard, and I don't even give a shit enough to read the spoilers before writing this post, it has no business existing. Fuck you. The only reason he's there is because he's a recognizable IP, and when you're a certain kind of soulless corporate moron, you think there's nothing more important than putting a recognizable IP in whatever new bullshit you're trying to peddle. Maybe if you didn't fire every decent writer in your trash fucking company, you'd have someone to tell you about the importance of Ending The Fucking Story When The Story Fucking Ends.

But that's not even the core of the problem. Beard? they gave Varric a Beard? Varric I fucking hate everything that's even tangentially connected to dwarven culture with a passion which is why I've made a point to shave my beard all my life to spite anyone who gives a fuck about it Tethras? beard? you gave him a beard? He changed so much offscreen in the goddamn timeskip between these two games that he got a motherfucking berd? fucshhfdbeard? feadsgfsvarricafgfdh BEARD? yyousftoiuslyhhabevarricasgsfucningbeardandthivkimgosabedineditit?beard????

PS. (edit after finding out spoilers) I've gone to TV Tropes to read up on Varric's role in DATV after writing this (just in case I'm wrong and dumb, and there's actually a deeply compelling narrative reason for his presence), and, well, this shit is cheaper than I thought. And more importantly, just as I thought, there appears to be no justification for the beard beyond "adding a beard is a cliche way to show that a bunch of time has passed, and we didn't care enough to think this shit through". I'm fucking tired, man.

PPS. (edit after reading the rest of big spoilers) This is so much worse than I could even begin to suspect. This is worse than the final season of Game of Thrones. This is the final season of Game of Thrones if they straight-up fired GRRM, burned his notes and hired a showrunner who's only read a one-page summary of the first six seasons. This is fucking depressing, man. I'm genuinely fucking sad. So many subplots that were started over the course of these three games, that were clearly going somewhere, scrapped in favour of a simplistic good vs. evil story that would get rejected by fucking CD-Projekt in 2007 for being too basic. All because the artists who poured their hearts and souls into this bullshit franchise got thrown out like trash by its "owners". Morrigan's kid, the Well of Sorrows, all the implied complexities of Tevinter politics, the Crows, the Old Gods, Andraste. All went to shit. Death to capitalism.

[theinfamousmaybelle]

I know, right? Like, these motherfuckers think it's cool to just 'hate' on a character. Do they realize the character is meant to be written that way? Like, guess what: the world doesn't revolve around you (the haters). Being rude too someone is not cool. It does not make you seem cool. Hating on somebody is not fucking cool, it is shitty and pathetic. It does not make you seem like the coolest person ever, it makes you sound like an asshole and a dickbag.

Harassing someone is not cool, either. If you don't have anything nice too say, don't say anything at all. That's a rule I go by. Kat poured her heart and soul into her writing and people shitted all over the female characters. What about the males?

'Oh, Ruin killing billions upon trillions of innocent people is okay because he 'stopped something bigger' from happening'? Oh yeah definitely (sarcasm) 💀. 'Oh, Bloodmoon hurting Earth is okay because he was made too kill'. Yeah, sure it is, buddy 🙄 like, are we forgetting what Moon did? He abused Sun. But nooo, everyone glazes past that. I love Moon, but goddamn, you guys are oblivious!

Oh, and don't get me STARTED on the Earth and Pollux hate. Earth being a tool and walked all over is okay because she's a 'woman'? But the moment she is even a little selfish, people shit all over her character because they are pathetic little assholes who don't care about people. At least people who apologize for hating have some HUMANITY. People are shitting on Pollux as well, because she was acting 'childish' and being a 'hypocrite'. Whilst the hypocrite thing is true, she doesn't understand basic emotions, you can't expect her too know. Women get so hated on...like, stop being sexist!

If you childish ass fuckers think that you can get away with this, you are so fucking wrong. All you children who are immature? Get mature. Or leave this community. GET A LIFE. TOUCH SOME GRASS. DO ANYTHING OTHER THAN SHIT ON CHARACTERS. If you wake up every morning and think 'wow, time too hate on anyone who doesn't share my opinion' then you can go unfollow me. 'A little sensitive too getting blocked, so maybe don't do that. But please, if you're a hater, unfollow me.

It is genuinely not fair. Kat is living in a hell you haters created. She has a right too quit. Nobody can blame her. If I see any of you miserable fucks doing that, I will personally call you out and then block you. Nobody deserves too go through that shit. You haters are the reason she quit. You are responsible for this.

Thank you for reading.

Genuinely

If you think it’s funny or cute to harass Queenkatluv or mock her for stepping away from a fandom that has gone out of its way to make her feel unwelcome

Block me. I don’t want to see you. Unfollow me immediately. You are not welcome in my community

Kat is a wonderful writer, and voice actor, and extremely sweet and kind and the VAs stuck their necks out for me when I was being harassed for months on end. None of the VAs deserve the shit this fandom puts them through, and it’s this fandom’s fault that she is leaving. She already left the discord, she abandoned her askbox. She is now being harassed in her personal DMs on Twitter.

This is bullshit.

You do not belong in this community if you think this is acceptable behavior.

[lovemybluebully]

Wade dragging a featherduster up and down Logan's shaking stomach would definitely drive him wild, especially if he'd brush it all over his bellybutton and ribs. All the while, Wade's other gloved hand is tickling his upper ribs/armpits while cooing at him "Coochie Coo, little honey badger~"

I see something like this happening if Wade catches Logan when he's drunk and gets the idea to play his ego against him. He's already been casually poking Logan's ribs as they banter with Logan chuckling and weakly swatting at him with the most delayed reactions before Wade spots the feather duster laying out nearby. Then he sets the bait.

"Ha! You? Uh uh. Sorry, but no way, Peanut. There's not a chance in Hell that you'd be able to keep your arms up while I use that on your tummy."

Logan snorts and rolls his eyes as he pounds down the rest of the liquor bottle he's been drinking.

"Pffff, gotta be fucking kiddin' me, Mouth. Do you know who the fuck I am? I'd barely even feel that shit."

"I know exactly who you are, which is how I know you wouldn't be able to stand it. You're practically a living Tickle Me Elmo," Wade reaches over and gently scribbles fingers over his stomach to make him giggle and prove his point, smirking at seeing how easily Logan took the bait.

Cue Logan's drunken bravado prompting him to plop down somewhere and rip his shirt off over his head before laying down in all his hairy, muscly bare-chested gloriness and folding his arms behind his head.

"Well go on then. Do your worst, motherfucker."

He definitely doesn't have to tell Wade twice.

Logan is very used to the rough tickling that Wade normally inflicts on him, but this is something totally new. As soon as those feathers make first contact to swish across his belly his nerves are already lit on fire, yanking a gasping giggle from the back of his throat. His stubborn pride is in no way letting him back out of this though.

Back and forth, up and down, the feathers brush over his deceptively vulnerable abs and Logan is bucking and squirming and squealing out flurries of giggles. He's rolling on his back, trying to suck in his tummy to give him a micro-second of relief, but the feathers are only then dragged up the ribs of whatever side he's given up at the time.

Since Wade had first discovered that he was ticklish, he has carefully mapped out ever hot spot on the man's skin and knows exactly where to target. He goes back and forth, twirling the feather duster in each armpit as Logan's laughter goes wild and he thrashes around. His arms shake and tremble from the strain of wanting to pull them down so badly, but he does not falter.

Though Logan nearly loses it completely when Wade plucks free a single feather and starts swirling it around and deep inside his navel, all the while using playful teases to try to get him to break mentally.

"Coochie coo, big guy. Are the big, bad feathers too tickly for the cutie little honey badger? Hmm? Oh my, listen to that squealing. That must tickle pretty bad, huh? Let's say we try these between your toes next time."

Despite everything, Logan defies the odds and somehow finds the strength inside him to keep his arms up the entire time and Wade finally decides to concede after he realizes he's been tickling him for like twenty minutes now. 🤭

"Okay okay, fine. You've proved me wrong. I guess you win this one, tough guy," Wade stops as he puts the feather duster aside with a half-dead, panting Logan now giving him the biggest, cockiest smirk of all time.

"Told ya....asswipe. What.....What do I win?"

Wade hadn't really thought of a proper trophy, but knew there was only one acceptable answer.

"This," Wade's grin grows equally as big as he grabs Logan's ribs with his itching fingers and tickles viciously up them right into his deathly sensitive armpits. The X-man explodes into hysterics and still tries to keep his arms up to assert to Wade how tough he really is, but that glory only lasts for a few moments before his arms come slamming down.

Still the alcohol in his body keeps his mood light and his ego is back out once again in full force to taunt Wade to the max.

"Thaaahaat all you gohahahahot, fuck faahaace?! Wh-Who's thahahahat ticklin' mehehehe?! Wade?! Ohohor my fuhuhuhuckin' grandmahaha?! Aaaahaheheheheheh! I'm abohohohout to f-fahahall asleeheeheep here!"

Wade really loves him a drunk Wolvie. 💗🍻💛

[unicorn-academy-brainrot]

as requested, sapphire dorm in their PJs!

omg i just noticed that isabels jersey is backwards cuz i flipped the canvas too many times LMAO but i thought she'd probably wear some old gym clothes, maybe she wears a scrunchie to bed too, so i put it on her wrist. and valentina's beauty routine starts with a good night sleep in some silky pjs and a giant mug of skyberry tea in the morning

layla is obviously getting some late night reading time and i thought it would be cute for her to have a silky bonnet too! rory's fit was heavily inspired by this meme that my friend sent me:

my friend said rory was a “honk shoo mimimi motherfucker” and they were so right

and here's the duo that we know and love, complete with mr glitterhooves. hope u guys like <3

[more-than-tender-curiosity]

I’m really curious as to your opinions on each of the Gatsby films. What do you think they did right/wrong? What do you like/dislike about casting choices? If you could make your ideal Gatsby movie rendition would you take any inspo from the existing movies?

(I would add the broadway musical into that list just for the heck of it but we all know that was just funky music loosely wrapped in Gatsby paper)

Oh good heavens...

Okay. So. I'll just talk about them in order of release. And again these are my OPINIONS !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THAT I WAS ASKED FOR !!!!!!!!!!!!!!!!!!!!!!!!!!!!! NO YELLING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I WILL CRY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SO many spoilers ahead. You have been warned.

1926

Obviously this film is lost, but we have the trailer, photos, and Fitz's own reaction to it, which was to say he and Zelda left halfway through. It's not even based off the book, either, but based off a play based off the book, so one can imagine that given the filmmaking style of the time and its disconnect from the source material, it likely wasn't the most accurate adaptation.

Accuracy isn't everything in terms of what makes an adaptation 'good'—it's definitely a factor, though, along with entertainment value, justification for any alteration to the story, attention to detail, Genuine Caring For The Source Material, acting, casting, etc...all of these go into consideration, at least for me.

The casting seems alright for this version. Daisy has dark hair. Nick's taller than Jay and visibly, uhhhhhhhhh...well, like...have you ever heard of 'gay face'? But it ends about there, as Tom looks like he's 50, Jordan is...just not right, and as is often the case, Wilson is somehow beyond 'faintly handsome'? Do they just not have enough middies running around in Hollywood?

The costumes are obviously pretty accurate, though very clearly 1926 trying to do 1922. The skirts are. UP there. And I get that jay's shirts are monogrammed but a hand-sized monogram on each jacket? What? Did they think audiences would lose track of which brunette man was which?

Here's a photo. God nick is such a cunt look at him

I can't accurately give the whole film a rating but what I know of it gives it a 6.5/10. Bonus points to jay for pushing the no white shoes after labor day rule up to the very brink.

1949

...listen.

In terms of accuracy to the book, this is not the best. It's just not. It's a star vehicle for Alan Ladd who, at the time, was popping off hardcore in the film noir market, so they fiddle faddled with the tone a bit and shot it in black and white despite having access to color, amped up the crime (jay smokes some bitches in the first five minutes??? takes a hefty swing at a man at a party????) and then said uhhhhh what book are we adapting again?

East Egg and West Egg are scrambled, which goes against the whole 'east coast/old money' vs 'westerners/new money' thing. Nick and Jordan are married in the beginning before flashing back. Nick's just not hypocritical enough in this one, either, which is bothersome, because that's the whole point of his character in the novel—that he can't see his own faults for the more glaring faults of others.

They press fast forward a lot. Like there's no drive to new york or meyer lunch—nick and jay just snuggle in his boat watching the green light and jay tries to lie to nick and nick catches him immediately and jays like AH. YA GOT ME. HA HA. ?????????

if it weren't for alan ladd I would not watch this movie. Don't get me wrong, I love Macdonald Carey as Nick, but I think playing across from anyone else, this would be entirely forgettable and borderline unwatchable.

Alan Ladd. Alan Ladd. Where do I begin with Alan Motherfucking Ladd. This man is Jay Gatsby personified. I know that's controversial because 2013 has brainwashed people into thinking jay gatsby is over six feet tall, but there is something so distinctly perfect about casting a malnourished 5'7 midwestern blonde with such intense parental issues that he never recovered from the sickness that is an impoverished American childhood as jay gatsby. Alan Ladd was underestimated, spat on, put down from day fucking one. Every single time he got ahead in life he was cut down at the knees until finally, finally he found validation and celebrity in playing these soft-spoken, angel-faced killers onsreen. Only it wasn't enough. It was never enough. It could never fill that void and he could never get ahead of himself. You want to tell me that doesn't mirror the fuck out of Jay's life? You want to tell me there was a man in Hollywood at the time who could so deeply understand this character, even through the bullshit rewrites to try and mold the story into something it wasn't? There are even accounts of him taking reporters to his bedroom to show them his closet, saying 'not bad for an okie boy'. That's Jay. That's Jay in pure essence. Never having enough, and so excited to show what he had. Literally look into his past at all and you will mourn his lack of control over the direction the film took, because I know damn good and well if he had been more than just everybody's favorite film noir star at the time and a more respected name, he could have really pushed and pulled to peel back the story and pull better performances from the rest of the cast as a result.

Bonus points for having a really fucking weird Dan Cody and Ella Kaye. Both were distinctly, visibly, vocally predatory toward Jay and it's like the directors actually looked into prior drafts, even if I know damn good and well they didn't. I don't even know if they read the damn book.

Costumes were fine. I wish wish wish wish it had just been in color (THEY COULD HAVE DONE IT.) so that we could see if jay got his pink suit. I swear to god the sight of alan ladd in a pink suit would actually kill me.

I'll give this one a 7/10 overall, points dinging for accuracy to the novel and pacing and some really weird choices, like having jay come from the rainbow division in the war (????) to making nick like...offer to spank jordan. i don member THAT from the book. Most of these points come from Alan Ladd.

Uh. Here's myrtle getting hit by the car

1974

oh boy.

Where to begin? The film is a fucking mess. It's a goddamn motherfucking mess and I can only watch it if I cut Jay and Daisy out of it entirely, which is a shame, because I love both of their characters (for different reasons) but. oh my GOD.

So they got truman capote to write the screenplay at first. unfortunately he made nick and jay skinny dip, and jordan was a vindictive lesbian, and it was 1974 so they weren't about that noise at ALL. There's other stuff in that script too and it's honestly...not a great script to begin with, but that meant they had to REWRITE THE ENTIRE THING WITH JUST WEEKS TO GO BEFORE PRODUCTION. THEY ASKED FRANCIS FORD COPPOLA (THE GODFATHER.) TO WRITE IT AND HE DID IT IN THREE WEEKS IN A HOTEL ROOM, HAVING BEEN UNFAMILIAR WITH THE BOOK, THEN CLAIMED THEY DIDN'T EVEN USE HIS SCRIPT AFTER ALL??? HUH? HUH WHUH?

you can tell. oh boy you can tell. 'jay' and 'daisy' sit around talking in silent rooms for several minutes at a time, just...expositioning all over the place. it's...astonishing.

that's another thing. i...am aware mia farrow is a beloved actress and she did wonderful things onscreen in other films but she is totally and completely unwatchable as daisy. if I knew no other adaptation, she would make me hate daisy with a blind fucking rage. it's not even that she's a bad actress in this—she just does not fit the role even a LITTLE. she's shrill and loud and like...i don't know if she's on coke or what (I mean it's the 70s.) but she just whines and flails her way through the film in an entirely undaisy sort of way. like where is this girl with the sad, lovely face and the voice that's a deathless song? her voice isn't full of money in this, it's counterfeit. she owes me a debt for making me have to listen to her. she only got the job because her name was big at the time and she just asked for it and got it, no audition, no screen test, no nothing. i wish they would have switched lois chiles into daisy's role rather than have her playing jordan, because she was just a much better match for the character.

1974 has one of my favorite toms at least. I've said it before but he's got that sort of frustrated, unsatisfied disinterest, a sort of distraction about him that really lends well to the whole notion of forever chasing down his college days and all that.

WEIRD fuckin chester mckee in this one, but points for being the first fuckin film to show my man onscreen! there's even an elevator scene in this one but it's not between nick and chester, unfortunately. though there is immense sexual tension regardless.

SPEAKING OF NICK! SAM WATERSTON MY BELOVED!!!!

Yet again another flawless casting along the lines of Alan Ladd as Jay. He's such a bitch. I don't think Nick is the same if he's not a cynical gay little cunt some of the time and despite being apparently one of the nicest people in Hollywood, sam just GETS IT. HERE is someone who floats above reproach like his shit don't stink. HERE is someone who will throw the blame on just about anyone but himself—and has to let jay into that same bubble of protection. HERE is someone who knows he's useless but is too afraid to admit it to himself because he's turning 30 and is about to face a crisis of mortality. he's judgemental and critical and somehow pulls off the sort of mind-altering gay panic nick very explicitly experiences around jay every 5 seconds in prior drafts of the book. i wish you all understood how hot nick thinks gatsby is. i wish you all knew what I know. sam waterston knows. and he gets it. he also just looks like nick. like crooked teeth and awkward nose and all. that's nick. i wanna kick him in the shins.

i gotta talk about jay's house in this one. it's bad. why does he live in a greek temple. like. nick describes jay's house in the book. he does. he's a faux provincial palace. almost a fairytale castle. that's on purpose. why. is he living in a marble box. is it supposed to be a tomb. are you making death jokes. fuck you Robert Redford

speaking of Robert Redford. did anyone let him know who he was playing in the movie or did you just hand him a script and tell him to start wherever. I get that jay isn't known for his brains but I have never seen a more confused lead in a film does he even know the camera is rolling or does he do that naturally

costuming is unmemorable and inoffensive except

YOU CALL THAT PINK? PINK?

6/10. Saved by Sam Waterston. Rendered unwatchable by Mia Farrow.

2000

OH BROTHER THIS GUY STINKS

No seriously who let the BBC do this. 5 million dollar budget and they used 4.9 of it on jordan's fuck ass bob.

I don't even know where to begin. I guess I should start at the beginning. The movie opens to Jay dead in the pool, which is the best part of the movie because he's dead.

Nothing about this film is good. I...I hate to say that because I try to find a little good in every adaptation but holy CHRIST. I have only seen this one in parts because I physically cannot sit and watch the whole thing at once.

Nick is played by Paris from Romeo+Juliet. He's not good. Even the one scene I kind of sort of like, at the end where he burns all of jay's papers(?????) is kind of undercut because HE STILL WRITES THE BOOK?? THE EXPOSE??? WHY BOTHER??? HE'S ALREADY DEAD????

I don't remember tom in this. I barely remember Jordan, but she's really, really into Nick and it's kind of upsetting to watch from a visceral standpoint. It's very uncanny valley. That's a NotJordan. the real jordan would never.

it gets worse.

Whoever thought they should cast whatever his name is as Jay—death. death to all of them. That is the most smarmy, leering, dickweed of a dude I have ever had the displeasure of existing near. It's like if the jay equivalent of people who make hating daisy their entire personality got to design jay's characterization for this film. There are no good parts to him. It's just like every single person who's boiled him down to jUsT a CrEePy StAlKeR OWO got to write a film. i would even be down for that point of view if it was well-acted and well written but UNFORTUNATELY, THE ACTING BUDGET WENT TO JORDAN'S WIG,

I can't even remember. 1974 and 2000 blend together for me.

The costuming is so bad but like. whatever. i thought I could live with it.

until.

oh dear god why does daisy have 2007 hollister hair it's 1917

you get more than one photo this time because I know most people haven't seen this film

tell me this didn't come off a CW vampire show in 2011

IS THAT RENESMEE?

SMILEDOG IS THAT YOU?

THE HAIR?

and of course, jordan's 4.9million dollar fuckass bob

Like i get it. period dramas are hard. but good fucking god. im so uncomfortable looking at every single person in this film

BONUS:

1/10 only because i get to watch NotJay die twice

i need a breather

...

2013

okay

In terms of direct, faithful adaptation, I think this one is the best. Like they didn't technically skimp on anything super major, didn't really try to put scenes in a blender. There's clearly, like. a whole script.

I'm already a Baz Luhrmann fan. I have been since the 7th grade when I saw this little movie called—

Romeo + Juliet. No, not tgg. I saw that next, though, and was obsessed. Love. Love!

I love when you can tell an adaptation is made by someone who actually cares about adapting the source material. Very key words there. Adapting. Source Material. Cares About. Because all of these other adaptations are clearly just looking to use a classic novel to make a movie but bazco clearly wanted to Adapt The Great Gatsby For Modern (At the time) Audiences.

I like a lot of the decisions made there. Casting an Indian actor as Meyer Wolfshiem—even if it goes against the explicit description of him in the book as this small beady eyed little weirdo, I think it was a better call to give a lesser-known (to American audiences) poc actor a role rather than continue digging the antisemitic hole Fitzgerald decided to dig himself for some reason.

The music too. It gets so much flack but I totally get what Baz was going for and it was honestly a little ahead of its time in 2013. To take a very White story (I could talk about the implications of Jay being mixed/black/otherwise poc all day) and apply our generation's equivalent of jazz ("oversexualized black people music") to forcing modern white audiences to face the fact that we absolutely will still sit here and find any reason to try and justify the erasure of black influence on the culture of America at any given point—it's chef's kiss. Shut the fuck up about it. I'm tired of hearing shit about the music being anachronistic. Yes, I would have loved to hear more period-accurate rejuvenated jazz covers in there. NO it would not be swing because hey bitch that too is anachronistic, it wasn't around in 1922. You can't have it both ways. Baz had a point to make and he teamed up with JAY Z to make it and yet again a bunch of white nerds got mad that they had to confront their internalized racism.

Yes, it is that deep. Everything is. To pretend it isn't is cowardice.

Anyway! The CGI pisses me off. It always will. If it's marvel or mordor I really don't give a damn, with that kind of budget you can afford some practical effects and save the CGI for moments where it can ACCENTUATE the practical effects to heighten the sense of mystification Nick undoubtedly felt upon entering this world. There's just no excuse for a lot of their effects and it's very disappointing to think of them trying to act in all these hollow blue environments.

Finally, FINALLY there's some depth to nick and jay's interactions. There's been this sort of disconnect in every other adaptation thus far and I'll give credit to Tobey Maguire and Leo DiCaprio for being friends for six thousand years before taking these roles, because the chemistry is Something Else.

that being said. tobey maguire was a really weird choice for nick carraway. I...don't really see it. I've called it Gooberfication before, as if they're sort of dumbing down his character and making him more palatable for the audience. I don't think it was an acting choice on Tobey's part but a choice made by the filmmakers themselves. There's no point in the book where Nick tries to make himself out as this friendly aw shucks ah geez scuse me ass goober, even when he's trying to claim he's like this unjudgemental dude. He lets you know outright that he'll do just about anything to get out of a conversation. He lies about his relationships, breaks up with people on a whim, is cynical and critical and has a barb to his tongue EVEN AROUND JAY (like when he considers asking to see Jay's rubies, knowing damn well he doesn't have any fuckin rubies.) And that's BEFORE jay dies. He's even worse after that, and I do appreciate the framing device of having Nick write this book while in recovery from...That Event.

which brings me to Baz Luhrmann Ships Natsby, Fuck You. He does. Oh my god. How are they queerer here than in actual fics I've written? Literal fireworks when they meet??? Nick being the one to call jay and hear the gunfire. that is his HUSBAND. "he did not know it (his dream) was already behind him" AS NICK STANDS BEHIND AN IMAGINED VERSION OF JAY. NICK HAVING TO PUT HIMSELF AWAY IN A MENTAL HOSPITAL AFTER GRIEVING HIM FOR YEARS???? BECOMING AN ALCOHOLIC INSOMNIAC WITH DEPRESSION, ANXIETY, AND FITS OF ANGER?????????????? BECAUSE HIS NEIGHBOR HE KNEW FOR THREE MONTHS DIED???????????????????????????? H. HELLO?

GOD.

Anyway. Speaking of their meeting, the song used in the background is Rhapsody in Blue by George Gershwin, which was professed by Fitz to have been THEE gatsby song, so that's a very nice touch. All the newspapers about Jay are written by prior Fitz characters. Even the clippings in Jay's scrapbooks attempt to add realism to the world but they...don't make sense entirely but that's fine. I know the filmmakers read at least Trimalchio but I don't know if they read the Princeton Draft. Either way, good on them.

Will never forgive this film for twinkifying Nick Carraway. Will never forgive it for planting the seed of top jay/bottom nick in the minds of the youth. I completely blame this movie for it. I don't think Jay was even topping Daisy at this point. He couldn't top a sundae. Even if he's played by Leonardo DiCaprio.

SPEAKING OF DAISY!!!!! I think Carey Mulligan did a damn good job at playing her accurately and as as much of a person as she could while still having the film's pov limited to Nick. Carey's a very good actor and she pretty clearly did her research to play Daisy, and was just very well cast. Now if the costume designers had simply allowed her to keep her natural hair color. Same with Jordan/Elizabeth Debicki. Daisy's brunette. Jordan's blonde. It's right there in the book in several places. I've talked about it forever. WHY would you go to the effort to change your actors' appearances when they were already accurate? Why? Why? Are you incapable of imagining a desirable woman who isn't blonde?

that being said, all jordan bakers should be 6'3. Elizabeth debicki, no notes.

tom's fine in this one. myrtle and George are too. chester actually gets to like. appear onscreen and try to get nick into the bedroom but UGGHHHHHHHHHHHHHHH of COURSE there's no elevator scene because nothing is ever fair or right or good. that's not MY chester (iykyk) but it is certainly A chester which is better than NO chester.

I would like to say that the Plaza scene in this film is the best of any of them. I believe beyond a shadow of a doubt that Jay was at a point in his health that if Wilson hadn't killed him, a heart attack would, and that's precisely the behavior exhibited in 2013's plaza scene. This is a man who has been twisting himself up into a tighter and tighter ball his entire life and has now just fucking sprung open because he's realized this is it, this is the end, everything I have done has been entirely pointless and I'm about the lose the one last fucking thing I have to live for and it's my fault because everything has been since the day I was born. Like I won't say it's 'mask off' and this would have been some sort of normal explosive behavior for him if he did end up getting to 'keep' daisy (because obviously shes An Object,,,,, right,,,,) but this...was coming regardless of whether tom dragged it out of him or not. it really exhibits just how much was going on behind the scenes that not even nick was privy to. just imagine how much pressure wolfshiem put on him in the end to keep going, keep working, as if his life isn't on the cusp of completely turning upside down.

(putting a space here because tumblr got mad about how much I wrote.)

that's one tiny little thing I absolutely adore about 2013. it's a blink and you'll miss it moment where meyer AND GOONS are in jay's office and he asks jay what's going on. It's so simple but so fucking menacing. it's so subtle. the implication that meyer has jay in a chokehold and the more time he spends with daisy, the more meyer gets pissed, and the more meyer gets pissed, the more likely he'll cut jay out of the business entirely, and jay's holding on to this tiny little string of assurance that he can manage it all for daisy and it's worth it for daisy and he's still the pretty face for the front of the company and meyer NEEDS him for that and if meyer needs him then it'll be okay, he can balance daisy and the business it'll be FINE—until it isn't, obviously. he originally turned daisy down when she suggested running away because all his money is tied up with meyer and if he runs, either meyer will track him down and kill him because he knows too much or he has to start over again. of course eventually he comes around to realize that running is their only option but it's too late and he knows that by the time he blows up at the plaza. he hit his breaking point and ruined everything. and leonardo DiCaprio is the only one who I think really captured just how fucking wound up jay really was.

I'm not talking about the broadway musical anymore

but if i were to make my own gatsby film...

I've never actually thought about it enough to pin down a cast. I have, however, considered that if for whatever reason I was given the opportunity to make any sort of adaptation of it, I'd probably have a black Jay regardless, and I think Ncuti Gatwa would be a really fun choice. Look at him. Imagine you're drunk and gay and this is across the table. Nick I get it.

I would try to keep in line with the book as best I could, though, because it's important to me. I live and breathe the history of this novel and I can see all the lives woven into each minute detail and I would hate to not do it justice.

...

Otherwise...I do spend hours a day daydreaming about turning Gatsby into a limited series a la Anne with an E, albeit more adult in nature due to the subject matter. But I can see it in my head so clearly. I wish wish wish I could. Maybe one day. If only.

[ivys-garden]

I WAS RIGHT MOTHERFUCKERS WIOOOOOOOOOOOOOOOOOOO

NEVER FUCKING KILLL YOURSELF

[sharp-silver4795]

EJ is a cat, istg

Important Information: these are head canons about how cat-like EJ is, impersonal “you” form is used.

Warnings: mentions of sickness (no clue how I got there), v0m1t, d34th/mourning, po15on, ven0m, respiratory obstructions, c4nc3r and other IRL issues/diseases are briefly mentioned.

He purrs. HE. PURRS.

He loves being pet. Specifically some good scritches

Scritch his head, behind his ears, or even his chin.

Depending on how much he likes what’s going on, you can feel it in his back, chest, neck, or all three.

Wiggle Wiggle

The demon has a lot of “soft spots” that make his whole body vibrate with how happy it makes him.

When he rests on top of you and you rub that spot just below his ribs he’s practically wiggling around- Do. NOT. Stop!!

He thumps his foot or headbutts when he’s excited. He’ll even try to headbutt the air.

Unsolicited Licking

If you’re sitting calmly together, and he feels safe, you’re going to be licked.

Specifically near your wrists and forearms.

He does it out of love, and showing you that he feels safe, so he proves that you are safe. He’s not biting you, right?

*Bap*

He’s a playful motherfucker when he wants to be.

Granted, it’s not a full on *bap*, it’s really just ‘Bitch! Gimme pets. You have no choice.’

Warning Signs: How NOT to die

If his tail is moving a lot, run. He has barbs that extend when he’s threatened. It’s more of a last resort, if one comes off he’ll be bleeding for a long while, but he will break one off under your skin if it feels necessary.

He can “purr” when he’s sad. When he stretches out his neck and flings his head back a bit (I hope this makes sense) almost like he’s reaching for something but just with his head, he makes small noises/vibrations in his throat. He’s lonely, sad, stressed, anything like that.

He’s sleeping in the open. Bitch, no he isn’t. At his core, he’s a great hunter. Even in the animal kingdom, it isn’t uncommon for predators to make themselves look harmless. The second you get close enough, you’re dead.

Warning Signs: He’s Sick

The “cat stretch” means he’s either starving or about to puke. Usually the latter.

White flakes on his skin is a common, semi-deadly, disease for the Rose Demons. It’s called Skaal (scale). Make sure he doesn’t open his mouth and that he doesn’t touch it. It will go away on its own if he leaves it alone.

Despite how it looks, if he’s rubbing his face on the floor, it means there’s probably something stuck- either in his eye sockets, his throat, side vents, anything. Do. Not. Approach. You will end up in the obituaries tomorrow.

If there’s a white goop coming out of his mouth and he’s gagging, give him the Heimlich ASAP! If you leave him he’s gonna blow up his organs- literally, he probably forgot to breathe and now has too much hydrogen bouncing around his body.

It’s not as bad as you think

White foam from his mouth is NOT rabies. He can’t get rabies. However, he CAN overeat and get himself sick. Being the prideful dumbass he is- he doesn’t wanna puke, even if he knows it’s best if he does and that if he refuses to he’s gonna make it worse on himself later. If there’s white shit coming out of his mouth, yank him to the nearest bathroom and lock him in there his claws are too big for most push-locks. It’s better that way.

If he looks like he’s twitching and he seems pale, get the fuck out! Let Liu handle him!! 🔞

He has random mounds on his back when he’s hungry. He doesn’t get cysts or cancer, so he’s just hungry. Back away or get eaten.

If it looks like he has a snake in his abdomen, like something is moving in there, let Liu handle him. 🔞

If he looks really pale, and his liquid keeps coming out of his sockets and his mouth, he isn’t sick. He’s mourning. It could be a lot of things, but just let him cope for a while.

Divider Creds: Sister-Lucifer

Header Creds: MEEE!!

[pulchrasilva]

Uh oh the misery. Imagine dragons were so right. Everyone wants to be my enemy and by enemy I mean these bitchass motherfuckers who haven't paid me back my fucking deposit

[moe-broey]

Something funny/fully unintentional actually, pulling up my Askr refs/Aether Resort Inn specifically:

It even has the blue ribbon....

The design philosophy behind the bear really was. Imagine a teddy bear. Most standard bear possible. That's it there you go. And I guess I fucking delivered LMFAOOO

WHICH. Is Not hard to do, but I just think it's funny. Because I was putting sooooo much thought into it, so much characterization here on both sides.

Alfonse, not knowing what to pick, goes for the safest option. Its face kinda makes him think of Moe, too. The eyes are mostly covered by fur, hard to see.

Moe, upon receiving this. Trims the fur away so "it can see". Ties a ribbon around its neck. Unsure when this happens/how much of a bond they have, but it does have Alfonse on the mind when it does this. If it's still early on, maybe it's just to honor him? He was nice to me, after all.

And ofc just. The bear being a stupid ploy in the first place. One of Many things that Moe used to determine how much it can trust Alfonse, what kind of person he is. Guy who is SO normal.