#and will basically have normal teenage developments now that he's being socialized with other kids
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pocketramblr · 11 months ago
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For the AU ask game, what about a roleswap between Izuku and All might?
Fun fact: a role swap does not necessarily mean an age swap. It really depends on what roles are being swapped.
1- The Symbol of Peace, Dekiru, has been the Number One Hero for a few decades. Happy, bright, and always moving, his smile is the only part of him not covered by his lucky green rabbit costume. Toshinori was a few years out of college when he was rescued in Dekiru's debut, and sometimes when he's sad or needs motivation, he goes back and watches videos of it. Which is why what he's seeing is impossible:
2- Dekiru's mask torn off, revealing a child's face, still round and freckled even with the pale skin and dark eye bags. Toshinori would think he was just a kid cosplaying the hero, except that kid definitely just saved his life from the villain now knocked against the wall, and even as the kid is passed out on the ground too, a thin layer of smoke is flowing from the neck of his costume, trying to obscure his face, too late. When Toshinori gets closer, black tendrils flip out from his arms and stand threatening over him. Toshinori holds up his hands, "I just need to check your pulse and airway" and he's allowed closer to do that. The kid wakes a few minutes later, and in a crack of green lightning, they're dashed away to the roof of a nearby building, the kid panting. Toshinori asks what's wrong, how can he help?
3- Dekiru sighs, and then tells Toshinori everything. He was created in a lab by a villain trying to get a very specific quirk. He couldn't wait however long it took babies to manifest, and he didn't want to deal with adults, so Dekiru has always been a child. But even then, the villain would not get the quirk he wanted. Dekiru escaped with some help- don't ask- made pro hero, made number one hero, and went and killed that villain a few years ago. However, doing so weakened him- he used to only need one hour of sleep a day to reset and get 23 of quirk usage and crime fighting. Now he only gets two hours of energy from each hour spent asleep, though he really does try to push it. Hence, just passing out now. He's swaying on his feet now, actually. Toshinori offers to carry him to his agency- he could throw his bright yellow suit jacket over the kid and carry him on his back, without the mask no one would realize who he was, just assume he's taking his kid home. Dekiru says it's fine, actually, and flies them both off the roof- only to fall the last few feet. Bright red, he agrees, though he tries to use float to be as light as possible as Toshinori's back. Not that it's needed, the man isn't as fit as he was when he was younger, but he's still plenty tall and strong.
4- except, ah ha, you know how they kinda left the villain from earlier there? Whopsie attack number two a few minutes later, and Toshi just puts Dekiru down behind him and grabs a pipe to fight back with. With the villain defeated, Dekiru looks up at Toshinori, and asks if he wants his quirk. He'd make a great hero, and probably would be able to do more with it than Dekiru can, since he'll only need to rest more and more over time. Toshinori accepts, walks Dekiru back to his agency, and gets a number to talk about it later.
5- later, Toshinori asks what will happen to Dekiru when he gives up his quirk. The kid is evasive, and Toshinori is pretty sure he'll lose his repowering speed even more until it goes away. He asks if Dekiru has ever done anything besides sleep and fight. Dekiru hasn't, and Toshinori ties his acceptance of the quirk to the fact that Dekiru has to gain something too. A normal life, friends, school, something. Toshinori suggests UA- they changed their rule to allow quirkless students, so Dekiru could get his license that way and prepare using support gear, have a second run at a real career and life instead of giving it up all to Toshinori. Dekiru admits that Nedzu was one of his fellow lab rats kept by the villain and would probably be all too excited to approve of this, but don't expect not to end up owing Nedzu a favor after this. So, Toshinori begins training physically again, this time to receive a quirk, and Dekiru begins studying, since he never needed school before and has several years to catch up on if he's going to be ready for high school in a months. Toshinori gains a provisional licence in the winter and can get a full one after a year at an agency, which Nedzu insists be UA. After sending Dekiru off to the entrance exam with a good luck and double checking all his support gear, Toshinori gets invited to watch, and almost has a heart attack when Nedzu stamps "Accepted" on the paperwork as Dekiru dismantles a giant robot, sliding the stack over so that he can see that on the top of the boy's form, his name is listed as "Midorya Izuku" and for emergency contact, "Yagi Toshinori (Uncle, legal guardian)"
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tarobytez · 3 years ago
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disability in the Six Of Crows Duology; an analysis of Kaz Brekker, Wylan Van Eck, and the fandom’s treatment of them.
****Note: I originally wrote this for a tiktok series, which im still going to do, but i wanted to post here as well bc tumblr is major contributor to what im going to talk about
CW: ableism, filicide, abuse
In the Six of Crows duology, Leigh Bardugo delicately subverts and melds harmful disability tropes into her narrative, unpacking them in a way that I, as a disabled person, found immensely refreshing and…. just brilliant. 
But what did you all do with that? Well, you fucked it up. Instead of critically looking at the characters, y’all just chose to be ableist. 
For the next few videos paragraphs im going to unpack disability theory (largely the stuff surrounding media, for obvious reasons) and how it relates to Six Of Crows and the characterization of Kaz Brekker and Wylan Van Eck, then how, despite their brilliant writing, y’all completely overlooked the actual text and continuously revert them to ableist cariactures.
Disclaimer: 1. Shocker - i am disabled. I have also extensively researched disability theory and am very active in the disabled community. Basically, I know my shit. 2. im going to be mad in these videos this analysis. Because the way y’all have been acting has been going on for a long ass time and im fuckin sick of it. I don’t give a shit about non-disabled feelings, die mad
Firstly, I’m going to discuss Kaz, his play on the stereotypical “mean cripple” trope and how Bardugo subverts it, his cane, and disabled rage. Then, I am going to discuss Wylan, the “inspiration porn” stereotype, caregivers / parents, and the social model of disability. Finally, I will then explain the problems in the fandom from my perspective as a disabled person, largely when it comes to wylan, bc yall cant leave that boy tf alone.
Kaz Brekker
Think of a character who uses a cane (obviously not Kaz). Now, are they evil, dubiously moral, or just an asshole in general? Because nearly example I can think of is: whether it be Lots’O from Toy Story, Lucius Malfoy, or even Scrooge and Mr.Gold from Once Upon A Time all have canes (the last two even having their canes appear less and less as they become better people)
The mean/evil cripple trope is far more common than you would think. Villains with different bodies are confined to the role of “evil”. To quote TV Tropes, who I think did a brilliant job on explaining it “The first is rooted in eugenics-based ideas linking disability or other physical deformities with a "natural" predisposition towards madness, criminality, vice, etc. The Rule of Symbolism is often at work here, since a "crippled" body can be used to represent a "crippled" soul — and indeed, a disabled villain is usually put in contrast to a morally upright and physically "perfect" hero. Whether consciously on the part of the writer or not, this can reinforce cultural ideas of disability making a person inherently inferior or negative, much in the same way the Sissy Villain or Depraved Homosexual trope associate sexual and gender nonconformity with evil. ”
Our introduction to Kaz affirms this notion of him being bad or morally bankrupt, with “Kaz Brekker didn’t need a reason”, etc. This mythologized version of himself, the “bastard of the barrel” actively fed into this misconception. But, as we the audience are privy to his inner thoughts, know that he is just a teenager like every other Crow. He is complex, his disability isn’t this tragic backstory, he just fell off a roof. It’s not his main motivation, nor does he curse revenge for making him a cripple - it is just another part of who he is. 
His cane (though the shows version fills me with rage but-) is an extension of Kaz - he fights with it, but it has a purpose. Another common thing in media is for canes to be simply accessories, but while Kaz’ cane is fashionable, it has purpose.
The quote “There was no part of him that was not broken, that had not healed wrong and there was no part of him that was not stronger for having been broken.” is so fucking powerful. Kaz does not want nor need a cure - its said in Crooked Kingdom that his leg could most likely be healed, but he chooses not to. Abled-bodied people tend to dismiss this thought as Kaz being stubborn but it shows a reality of acceptance of his disability that is just, so refreshing.
In chapter 22 of SOC, we see disabled rage done right - when he is called a cripple by the Fjerdan inmate, Kaz is pissed - the important detail being that he is pissed at the Fjerdan, at society for ableism, not blaming it on being disabled or wishing he could be normal. He takes action, dislocating the asshole’s shoulder and proving to him, and to a lesser extent, himself, that he is just as capable as anyone else, not in spite of, but because he is disabled. And that is the point of Kaz, harking back to the line that “there was no part of him that was not stronger for having been broken”. 
I cried on numerous occasions while reading the SOC duology, but the parts I highlighted in this section especially so. I, as many other disabled people do, have had a long and tumultuous relationship with our disability/es, and for many still struggle. But Kaz Brekker gave me an empowered disabled character who accepts themselves, and that means the world to me. 
Keeping that in mind, I hope you can understand why it hurts so much to disabled people when you either erase Kaz’s disability (whether through cosplay or fanfiction), or portray him as a “broken boy uwu”, especially implying that he would want a cure. That flies in the face of canon and is inherently fucking ableist. (if u think im mad wait until the next section)
Next, we have Wylan.  
Oh fucking boy. 
I love Wylan so fucking much, and y’all just do not seem to understand his character? Like at all? Since this is disability-centric, I’m not going to discuss how the intersection of his queerness also contributes to these issues, but trust me when I say it’s a contributing factor to what i'm going to say.
Wylan, motherfucking Van Eck. If you ableist pricks don’t take ur fucking hands off him right now im going to fight you. I see Wylan as a subversion another, and in my opinion more insidious stereotype pf disabled people - inspiration porn.
Cara Liebowitz in a 2015 article on the blog The Body Is Not An Apology explains in greater detail how inspiration porn is impactful in real life, but media is a major contributing factor to this reality. The technical definition is “the portrayal of people with disabilities as inspirational solely or in part on the basis of their disability” - but that does not cover it fully. 
Inspiration porn does lasting damage on the disabled community as it implies that disability is a negative that you need to “overcome” or “triumph” instead of something one can feel proud of. It exploits disabled people for the development of non-disabled people, and in media often the white male protagonist. Framing disability as inherently negative perpetuates ideals of eugenics and cures - see Autism $peaks’ “I Am Autism” ad. Inspiration porn is also incredibly patronizing as it implies that we cannot take care of ourselves, or do things like non-disabled people do. Because i stg some of you tend to think that we just sit around all day wishing we weren’t disabled. 
Another important theory ideal that is necessary when thinking about Wylan is the experience of feeling like a burden simply for needing help or accommodations. This is especially true when it comes to familial relationships, and internalized ableism.
The rhetoric that Wylan’s father drilled into his head, that he is “defective”, “a mistake”, and “needs to be corrected”, that he (Jan) was “cursed with a moron for a child” is a long held belief that disabled people hear relentlessly. And while many see Van Eck’s attempted murder of Wylan as “preposturous” and overall something that you would never think happens today - filicide (a parent murdering their child) is more common than you would like to believe. Without even mentioning the countless and often unreported deaths of disabled people due to lack of / insufficient / neglectful medical care, in a study on children who died from the result of household abuse, 40 of 42 of them (95%) were diagnosed with disabilities. Van Eck is not some caricature of ableist ideals - he is a real reflection on how many people and family members view disability. 
Circling back to how Wylan unpacks the inspiration porn trope - he is 3 dimensional, he is not only used to develop the other characters, he is just *chefs kiss* Leigh, imo, put so much love and care into the creation of Wylan and his story and character growth that is representative of a larger feeling in the disabled community. 
That being said, what you non-disabled motherfuckers have done to him.
The “haha Wylan can’t read” jokes aren’t and were not funny. Y’all literally boiled down everything Wylan is to him being dyslexic. And it’s like,,,, the only thing you can say about him. You ignore every other part of him other than his disability, and then mock him for it. There’s so much you can say about Wylan - simping for Jesper, being band kid and playing the fuckin flute, literally anything else. But no, you just chose to mock his disability, excellent fucking job!
Next up on “ableds stfu” - infantilization! y’all are so fucking condescending to Wylan, and treat him like a fucking toddler. And while partly it is due to his sexuality i think a larger portion is him being disabled. Its in the same vein of people who think that Wylan and Jesper are romantically one sided, and that Jesper only kind of liked Wylan, despite the canon evidence of him loving Wylan just as much. You all view him as a “smol bean”, who needs protecting, and care, when Wylan is the opposite of that. He is a fucking demolitions expert who suggested waking up sleeping men to kill them - what about that says “uwu”. You are treating Wylan as a burden to Jesper and the other Crows when he is an immensely valuable, fully autonomous disabled person - you all just view him as damaged. 
And before I get a comment saying that “uhhh Wylan isn’t real why do you care” while Wylan may not be real, how you all view him and treat him has real fucking impacts and informs how you treat people like me. If someone called me an “uwu baby boy” they’d get a fist square in the fucking jaw. Fiction informs how we perceive the world and y’all are making it super fucking clear how you see disabled people. 
Finally, I wanted to talk about how the social model of disability is portrayed through Wylan. For those who are unaware, the social model of disability contrasts the medical model, that views the disability itself as the problem, that needs to be cured, whereas the social model essentially boils down to creating an accommodating society, where disability acceptance and pride is the goal. And we see this with Wylan - he is able to manage his father’s estate, with Jesper’s assistance to help him read documents. And this is not out of pity or charity, but an act of love. It is not portrayed as this almighty act for Jesper to play saviour, just a given, which is incredibly important to show, especially for someone who has been abused by family for his disability like Wylan, that he is accepted. 
Yet, I still see people hold up Jesper on a pedestal for “putting up with” Wylan, as if loving a disabled person deserves a fucking pat on the back. It’s genuinely exhausting trying to engage with a work I love so much with a fandom that thinks so little of me and my community. It fucking shows. 
Overall, Leigh Bardugo as a disabled person wrote two incredibly meticulous and empowered disabled characters, and due to either lack of reading comprehension, ableism, or a quirky mix of both, the fandom has ignored canon and the experiences of disabled people for…. shits and giggles i guess. And yes, there are issues with the Grishaverse and disability representation - while I haven’t finished them yet so I do not have an opinion on it, people have been discussing issues in the KOS duology with ableist ideals. This mini series was no way indicative of the entire disabled experience, nor does it represent my entire view on the representation as a whole. These things need to be met critically in our community, and talked about with disabled voices at the forefront. For example, the limited perspective we get of Wylan and Kaz being both white men, does not account for a large portion of the disabled community and the intersection of multiple identities.
All-in-all, Critique media, but do not forget to also critique fandom spaces. Alternatively, just shut the fuck up :)
happy fucking disability pride month, ig
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pissjesus · 2 years ago
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… Which one of Gorillaz’ members do you think has the highest chance of being able to be in a “normal” relationship? Because I��ve pondering this question myself and I can’t come up with an answer. Other than “not Murdoc” but then again, he might be most likely to be seeing someone, not in any serious or committed way, but still. Everyone else also got their own quirks and oddities that might make being in a relationship difficult. So, what do you think?
Hmmmmmm there’s a lot to unpack. I know other people might interpret them differently, but based on the way I tend to write and headcanon them:
First off we know Murdoc is a chronic disaster and professional home-wrecker. Though he claims his enlarged heart is open to love, I think he enjoys the pursuit more than the actual relationship, if his mountain of personal issues isn’t standing in the way to begin with. I don’t think his relationships last because he’d either sabotage them out of fear or just get bored. He’s also jealous, but doesn’t see commitment as a two-way street. (Siggy has pretty much wormed her way into girlfriend status by now, but it’s because it’s my OCxCanon era and I want to dream. The loophole to making it work is by not living together— not even entertaining the prospect of doing so)
Pros: Probably very exciting and spontaneous; treats you extravagantly to show off
Cons: Jealous, non-committal, bored easily, has a slew of baggage he refuses to unpack
Noodle seems pretty adjusted on the surface but she completely missed out on socializing with people her age as a kid/teenager, which *has* to make her a little strange. I think she’s competitive and compares herself to others. She’d be bored by someone who’s not as smart or interesting as her but also jealous if they were smarter/more interesting. I also think she’s stubborn and tends to assume that what *she* wants is what everyone else wants, so she’d do things with good intentions but they might not be what the other person wants or needs. I also think she’d take rejection and criticism *very* personally. I also headcanon her as going back and forth between identifying as bi/lesbian, which isn’t a bad thing— just something she’s also going through.
Pros: Adventurous and passionate, would kill and die for you
Cons: Competitive and can come across as condescending; doesn’t take it well if told she needs to do something differently
Russel seems like he’d be very private about his relationships if he has them, and I don’t think he has many. Having his dead friends possessing his body means his thoughts and feelings were never truly private, so he’s probably a little repressed. That, and I think he’d have trouble moving on from losing Del— both feeling like he’s betraying his friend by moving on and also being afraid to get close to someone in case something happens to them too. I also think he’d feel responsible for the other person’s feelings all the time, but also won’t accept help.
Pros: Incredibly giving, sweet, and attentive
Cons: Distant and closed-off; feels too guilty about things that aren’t in his control
2D, I feel, is probably the most likely to pursue romantic relationships and I think he falls in love often and hard and is heartbroken over all of them. He’s definitely the most conventionally romantic, but he’s not very good at putting in the actual work: like communicating, setting boundaries, and attentiveness. Hot take, but I think he has the capacity to cheat. He’d feel really guilty, but he’d give in to temptation. I also think that if anyone wants to date 2D, they’d have to realize they’re basically dating Murdoc too because he won’t fucking leave
Pros: Romantic, fun to be around, patient, and trusting
Cons: Not very attentive, too invested too fast, would rather avoid conflict than work through it, has a tendency to develop co-dependent relationships, has a horrible little friend that’s always there and is also trying to fuck you
I don’t have a very conclusive answer to who’s the best at relationships— I’d say they’re all probably a little disastrous but if they found the right disaster who can handle their microcosm of strangeness, there’s hope for any of them
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antiloreolympus · 3 years ago
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10 Anti LO Asks
1. TBH I wish Hera didn't change her mind do fast to suddenly support HxP because that would be so much better in terms of drama (esp since it's supposed to be a romance story and all) and it could have been more of showing and proving they're a good couple over the course of the comic instead of her having very real concerns then dropping it out of nowhere. It feels like that was the 1st case of RS being too scared to actually let HxP have any struggles so the story feels flatter for it.
2. So during the trial we can see Hades being super protective over Perse and not afraid to oppose his brother to the point he became aggressive over normal questioning. Such a good boyfriend eh? Where was that energy when his brothers made fun of Minthe? He didn't even bother to make them remember her name. He let his friends abuse her for the sheer fact of being a nymph. But what am I expecting from a guy who dumps his girlfriend for a teenager he just met🙄
3. Guys guys guy, the reason Persephone hasn’t made any female friends is because she’s so traumatized of her last friends dying. That’s why Persephone can’t make friends with other gods
Cause she can only make em
4. it's kinda funny but also sad LO is now in that group of media where critics/fans are basically like "yeah its a badly drawn male fantasy lying its feminist with bad writing and a mountain of bad ideas and countless inconsistencies but its not SUPPOSED to be GOOD" like?? what??? how is now a mark of praise its actually bad?? is this a new white fandom thing i dont get it 💀
From OP: I don’t get it either. Especially with LO since that implies RS isn’t trying to make LO a good story.
5. Just wanted to say Im really happy I found your blog, it opened my eyes to how bad LO is and i finally stopped wasting my money on fp. I think the part that gets me the most is how Persephone's character is not consistent. I mean, she's very naive but shes also super smart. She's had no experience with other people but she's also very good at manipulating situations (aka manipulating Minthe), she is very pure and never had any sex experience but she's also extremely sensual. Not to mention her body, she's not skinny but she's also not fat, she's tiny and kinda childish but at the same time has curves everywhere? It's like come on RS just choose one lmao
6. I saw the Tiny Head Apollo ask and. He looks like a goomba from the mario bros live action
7. I don't even think Persephone is (or really was) a bad character, she was fine if not underdeveloped, but Hades is like literally awful? Like we are introduced to what seems to be a socially awkward guy in a cruddy relationship, only to find out he's an entitled capitalist with violent temper tantrums who cheats on his mentally ill girlfriend with his sister in law, take advantage of impressionable young women who need the help, and literally owns slaves?? like he had negative development??
8. literally the most greek myth accurate thing in LO is that the SFX font is called "Phobos" (who he and his twin were cut to instead have random love named kids??) and thats it.
-----FP Spoilers/Mention-----
9. Episode 188 Spoilers:
Eris get out of here while you can, you shouldn’t be tarnished by a terribly written comic like this. Get out of here, girl, please (at least, I’m 80% sure it’s my girl Eris)
10. ExCUSE ME, Persephone wants to study Law? Since when?? And why tf do the Greek gods meet in a Gothic style building? I noticed the windows and other details. It makes it look like they are in the UK or the US? (For ep. 188) 
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thefanficmonster · 4 years ago
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Oblivious
Valkyrae (Rae) x Reader (Gender Neutral) ft. Corpse Husband
Warnings: None
Genre: FLUFF, Humor, RPF (Real Person Fic)
Summary: In the most desperate of times, we may or may not be used to hearing the phrase ‘Beggers can’t be choosers’ which is exactly why Y/N’s found themself asking the most hopeless of cases when it comes to love and romance - Corpse, for help.
Requested by Xara. Hi darling! Thank you so much for this wonderful request you’ve sent me - I love writing for Rae (excuse my bi excitement, I’m just a HUGE simp) and I can’t thank you enough for giving me the opportunity to do so. Sorry it’s been two months since you requested this but here it finally is and I hope it makes up for the wait. Love, Vy ❤
“Corpse, I’m in desperate need for help.“ I don’t even bother with a friendly or even polite greeting. Being best friends for as long as we have, Corpse and I excluded the politeness that comes with phone calls a long time ago, especially when calling with an emergency. Though, let’s be honest, if I’m calling him on the phone and not on video chat like I usually do, it is an emergency.
“Given that you’re asking me, I can imagine how desperate you are.“ He has the audacity to laugh in response, causing me to roll my eyes. 
Now, don’t get the wrong idea - I love Corpse with all my heart. Him and I have been through A LOT together considering we know each other since we were teenagers. However, there are some instances in life when he simply doesn’t get me. Not that he doesn’t try to, he does and does so very hard, but he rarely succeeds. Trying is what matters, of course. Given that he is my only close friend, I can only ever turn to him with my problems though I try my best not to bother him too much, but when things get REALLY tough, I can’t help but go and vent to him. Luckily, he’s always been very understanding, but it may be because he feels like he owes me for all the times he has turned to me with his problems. I’ve tried to explain that he shouldn’t feel such a way, but that’s rather hypocritical of me cause I feel the same way.
Alright, enough digressing, back on track!
“Desperate doesn’t even begin to summarize how I feel.“ I sigh, plopping down on the couch in my living room, kicking my feet up on the coffee table as I cover my eyes with my hand. “Brutally miserable is, I think, the correct term to use here.“
I hear Corpse let out a quiet ‘oof’, one I think he hoped I wouldn’t hear. “And what led you to finally give in and ask for help, not that I can offer you much?”
I can’t help but snort at that, a snort that serves as a replacement to slapping myself across the face. “Rae texted me yesterday asking if I’d like to play Minecraft with her and I took THREE HOURS to respond! Not on purpose, I just couldn’t think of something good to say!” I know I sound like a whiney kid, but I think I’ve passed that threshold LONG ago. Of course, this whiney kid version of me only surfaces around Corpse and Corpse only. No one else is allowed to see me like this or that would legit be the end of any sort of pride I may have left in me.
“You mean you couldn’t choose between ‘Sure, I’d like that!’ and ‘Of course, I’d love to!’? Please say yes.“ Corpse already sounds disappointed and he hasn’t even heard the worst of it yet.
“No and sit tight, it gets worse. I...“
He cuts me off, “Wait, no, don’t say it. Let me guess - you turned her down? Keep in mind if you say yes I’m hanging up on you.”
I remain silent, pinching the bridge of me nose and cringing as hard as my facial muscles are willing to allow. I can’t say yes, not cause he’ll hang up but because admitting it makes it more real, and the more real it is the more depressed it’ll make me and I will go back to being a self-deprecating mess that refuses to be productive or properly functioning - aka ‘Whiney Kid Maximum’.
“I’m hanging up.“ Corpse says after waiting five seconds for my response that only comes in the form of dead silence which is more than enough of an answer in and of itself.
“No, please don’t!“ I squeak out despite my agony, “I’ll never break the cycle if you don’t help me, Corpse! I’m a hopeless case!“
“You’re a hopeless case with or without me, Y/N.“ He states, angering me ever so slightly. “Not only cause you really are, but because I have nothing useful to offer you. Not even a single advice. Even if I did, giving it to you would by hypocritical when considered how bad I am on this field myself. Hell, the very person you’re head over heels for is my personal matchmaker. If anything, you should be asking her how to swoon her...“ He pauses.
So does my brain.
For a second we’re both quiet, the silence on the line suggesting big plans are being developed - well, not on my end but still.
“Now there’s an idea...“ He mutters more to himself than to me.
“No!“ I shriek fearfully, “Please, if you love me even the tiniest bit, Corpse, don’t put me in a situation where I have to be alone with Rae! Not IRL not in a Discord call - not in ANYTHING. I close up and end up seeming unfriendly and rude because of my inability to talk to her like a normal human being! I don’t know what’s wrong with me, I just can’t do it! So please don’t make me.“
I maybe can’t read minds, but hell if I can’t at least have a rough guess of what’s on my best friend’s mind - I know he’s already scheming and coming up with odd solutions to my problem - some of which will cause me more problems but let’s not even mention those. That being said, I need to prevent him from actually carrying out any of his absurd schemes, otherwise it’s game over for me.
“Hmm, ok fine, but only cause I wanna spare you your own awkwardness. Consider it charity.“ He sighs, the disappointment even more evident now.
I sigh too, but I do so in defeated relief. It’s bittersweet, to be honest. “Thank you.”
“Don’t.“ He says sharply, “Don’t thank me. It’ll make me feel like I’m encouraging your behavior.“
Well, screw my feelings, I guess. I’m left on this battlefield alone, aren’t I?
Corpse hanging up the call confirms that I am, indeed, alone.
                                                             *  *  *
“Hello?“
“Are you still in bed, for the love of God? It’s noon!“ Not only did he have the audacity to wake me up with his phone call, but now he has the audacity to judge me on my sleeping habits as well. Some darn nerve he has.
“What do you want, Corpse?“ I grumble out, groggy and now grumpy too. The last thing I need is the only person I can turn to turning on me. Especially not now. I don’t need his or anybody else’s judgement of me or my life, it’ll hurt too much.
“I want to know how long you haven’t showered, Y/N.“ He barks back, causing me to roll my eyes. “And when’s the last time you actually ate something healthy and nutritious and not just greasy takeout?”
“I showered last night!“ I straighten up and frown, feeling offended despite his questions being justifiable. I think that’s exactly why I’m pissed off, to be honest - he knows me and my habits too well. “And you’re just being hypocritical on the eating part!“
“Whatever.“ He mutters, allowing me to feel at least a tiny sense of victory for having proven him wrong, “Get your ass up and come play Minecraft with me, you need to be cheered up asap.“ He continues, much to my dismay. “And don’t even think about saying ‘no’. If you do, just remember, I have your address and a strong will to kick your ass into shape.“
“Into shape? We’re going to the gym or something?“ I’m honestly confused and intrigued now. Maybe the gym isn’t such a bad idea, I’m sure I could become really good friends with the punching bag.
Corpse sighs exasperatedly in a way I can basically hear him roll his eyes as well, “Not that kind of shape, Y/N. Just get on Discord, seriously, I’m worried about you.“ 
That sentence strikes a nerve. Something about that genuine concern in his voice reminds me that I still need to move on from focusing so strongly on just my failures, no matter how big or small, and keep pushing forward, if not for myself then for the people who care about me. For Corpse especially, seeing as how he’s sort of been my babysitter ever since my feelings towards Rae started to consume me whole and suffocate me. I don’t know how or when it happened, in fact I can best describe it as the Titanic: I was doing ok and then instead of hitting an iceberg the iceberg of feelings hit me and I started sinking. Corpse was there to offer me a hand to help me keep at least my head above the surface. He can’t pull me out of the water but he’s not willing to let go either. I’m afraid holding on like that will tire him out to the point of letting go of me completely, but I’m afraid of sinking too. You see my dilemma here, no?
“Ok, give me twenty minutes.“
I would have probably continued sleeping or just chilled on social media, refusing to get out of bed for at least another hour, but the debt I feel towards Corpse is stronger than the desire to be a slob so I motivate myself with every power my fragile mind can fish out of the void and push the covers off me, shivering at the drastic change in temperature around my body now that I’m exposed to the rather cool air in my room, my pajamas hopeless at providing me with any warmth.
Twenty minutes later sharp, I’m seated at my desk, in front of my computer with my headphones on, taking one last encouraging breath before entering the call where Corpse is waiting for me.
“Yo.“ I greet him half-heartedly, drawing invisible abstract patterns on my desk with my finger as if I’m avoiding eye contact with him IRL.
“Glad to see you haven’t lost your sense of punctuality at least.“ He chuckles, sounding a lot more pleasant and a lot more like my friend Corpse and less like sergeant Corpse Husband who was speaking with me on the phone earlier.
“Very funny.“ I murmur in my now common brooding manner, “Anyway, enough about me, how are you doing? Anything interesting happen since we last spoke?“
“You mean in the past ten hours? No, nothing interesting apart from that I managed to catch a few z’s.“ He replies as I join the Minecraft server, managing to get a smile out of me.
“Hey, that’s nice to hear! Good for you, Corpsie.“ I say, honestly proud and happy for him.
“Yeah, and just so you’re not calling me hypocritical on the topic of eating, I’m currently cooking myself lunch.“ He points out, now just straight up peacocking, “On that note, I got a pot on the stove so you’ll have to excuse me for a sec.“
“Please go. Don’t set your apartment on fire the first time you cook” I snicker, leaning back in my chair and fetch my phone to kill the time while he’s gone to tend to whatever attempt at a meal he has prepping in his kitchen. I feel bad for his stomach, and his kitchen, already.
“Corpse? Hi!“
Oh no. No, no, no, no, no - tell me that was an auditory hallucination and I didn’t actually hear that just now! TELL ME!
“Rae?“ I blurt out, almost falling backwards out of my chair, eyes wide, jaw hanging slightly.
Just then I get a text from Corpse:
Consider me dead and carry the convo. I know you’ve got this, Y/N
Oh that prick is gonna get it!
“Y/N? Hi! Sorry, Corpse didn’t mention you’d be playing with us, but it’s so nice to be hearing from you! It feels like it’s been forever.“ Rae replies, cheery and enthusiastic as ever, just like the absolute sweetheart she is.
With Corpse absent from his position, without his metaphorical hand holding mine, I’m metaphorically sinking and drowning. Maybe the drowning part isn’t so metaphorical after all, considering I actually am drowning in all the thoughts produced by my mind at the moment. A mind that’s going completely haywire, might I add.
“Hehe, well, funny thing, he didn’t tell me you’d be playing with us either.“ I chuckle anxiously, already breaking out in a nervous sweat. I solemnly promise to kill Corpse first chance I get, that way he’ll at least be dead for real.
“He set us up, huh? What’s his game, where even is he?“ Rae asks, properly confused as she should be.
All on-point questions, hun. And I can’t answer any of them logically.
“Um, you know, he’s off doing...something.“ And there go my conversational skills out the window, I hope they send me a postcard one day.
“Whatever, enough about Mr. Ominous. Tell me, what’s been keeping you busy?“ Oh crap, this is the question I’ve been fearing. Mostly cause I’m not prepared for it. “Actually no, let me rephrase: Why have you been avoiding me recently?“
‘Oh crap’ squared. Tripled.
“Whaaat? Avoiding you? Where’d you get that idea?“ I’m aware of my high pitched voice, but it’s not like I can do much to tone it down. Every part of me is in critical panic mode and rationality has accompanied my aforementioned conversational skills out the window.
“I don’t know, Y/N. Ignoring my texts, leaving me on ‘Seen’ and then declining my offer just to accept the same one coming from Corpse - can’t really blame me for finding it shady.“ She replies, her words making me wince and hide my face in the palms of my hands as though it’ll shield me from Rae’s brutal honesty and forthrightness. 
“I’ve been...bad at replying to everyone lately, nothing personal, I swear.“ Yeah, that sounded convincing, good gosh-darn job, Y/N!
“Why’s that?“ Something about her tone suggest she knows I’m lying and is just humoring me and my agony. I don’t know if to thank her for it or wish she’d just rip off the band-aid and confront me head-on. In that case I’d have only one of two options: freeze up or spill my guts. Honestly, I don’t know which is worse. “I thought you’d reach out to me, given you’ve found yourself in a pickle.”
I frown, confused and wary like I’m walking on thin ice over a pool of sharks, “Pickle? What pickle?“
“Corpse mentioned you needed dating advice.“ She replies simply as though it should’ve been obvious and as if it’s the most casual, regular and normal thing. Little does she know...
“Um, yeah, I guess you can call it that.“ I murmur sheepishly, my cheeks reddening.
“Who’s the lucky girl?“ She asks, the excitement now replacing the previous suspicion she was fronting, making me nervous as hell.
My heart skips a beat, “How’d you know I’m crushing on a girl?“
“Uh...“ She stumbles over her words, pausing to collect her thoughts and formulate a response, “Corpse told me!“ When the reply finally arrives it’s as high pitched as mine was earlier, suggesting something ain’t right.
I stay quiet, my mind and heart racing which is quicker. My leg is bouncing, my fingers are tapping the keyboard rhythmically as I rack my brain, pushing it to put the pieces of this enigmatic puzzle together, connect the dots.
When it finally does, I’m left with a horrific end-result, a realization that makes me go pale as a ghost, “He told you who said girl is too, didn’t he?” I say, my voice barely above a whisper. I keep the tone low so she doesn’t notice how shaky it is.
It takes her a few seconds to reply, but when she does I kinda wish she hadn’t, “Maybe...”
My first instinct is to excuse myself from the call, pack all my kitchen knives and drive to Corpse’s house but with my limbs having lost any and all feeling in them that is practically impossible. So, I settle for my second instinct which is hiding my face in the palms of my hands as though they can shield me from the immense embarrassment Corpse has set me up for.
“Listen...“ I start, not sure where I wanna go with this, “You don’t have to say anything, I get the hint. No need to bother with a gentle reje-“
“I like you too, Y/N!“ Rae cuts off my rambling with a melodic laugh, “I’m sorry, but you can be very oblivious sometimes, and I just wanted to give you a taste of your own medicine for a bit. Sorry if I freaked you out.“ Judging by her tone, she’s not sorry at all. In fact, she’s one step away from bursting out into laughter.
“Trust me, ‘freaked out’ doesn’t even begin to describe it.“ I sigh, exasperatedly, sinking into my chair alike a deflated balloon. “You and Corpse are gonna pay for that heart attack you led me to the brink of!”
This time, she doesn’t hold back, letting out the laughter she’s been holding back this whole time, “I don’t know how Corpse will do that, but could I pay my dues with a brunch on Friday?”
My eyebrows shoot up, “Miss Valkyrae, is this you asking me out on a date?“ I ask teasingly - aka with more confidence than I feel.
Please say ‘yes’. Please say ‘yes’. Please say ‘yes’.
“I don’t know, what do you think, Y/N?“ She asks, tone just as teasing as mine.
“Hey, I’m not as oblivious as you claim I am!“ I argue light-heartedly, “Does 2PM work for you?“
“Any time works for me.“ Rae replies, a smile blatantly evident in her voice. A smile that unleashes a flock of butterflies in my stomach.
And just like that, I have a date with the girl I’ve had a crush on for the longest time. It happened so fast it’s practically a blurred part in my mind, but one thing I’m sure will be crystal-clearly imbedded in my mind forever is that brunch on Friday. Just then, I get yet another text from Mr. Schemer himself.
That wasn’t so hard now, was it?
Some nerve he has, I swear to God.
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paperpennies · 3 years ago
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Please tell me about your AU idea where Sasha and Milla meet in Brazil as teenagers and basically end up long-distance dating before either of them become Psychonauts ^_^
Oh hey look at that, totally out of nowhere, not prompted by me at all! (@2somethingelseyoumightknow2 and @strawberry-et also asked me about it but it seems redundant to answer three separate asks. I didn’t think three people would actually do it lol. Also sorry for taking 8 years to answer.) This idea came out of just smushing two thoughts together. Then I got weirdly attached. Buckle in; it’s gonna be pretty long.  Under a cut to avoid annoying feed scrolling.
So, AU is: Sasha mom lives, meaning he turns out a lot better emotionally adjusted since he grows up with at least one attentive parent. His dad is better too- still pretty emotionally constipated but not, like, broken the way he is in canon. The family also has 4-5 more kids after Sasha. This does mean they’re pretty poor but they do okay. 
His mother is a schoolteacher, who is somewhat unusual in the time period for working and being a mom of a big family at the same time. She and Sasha are quite close; he gets a lot of his intellectual and curious side from her. In his eyes, he’s much more like her than like his dad (although people who know them both would say he’s a lot more like his father than he thinks). His mother also knows about his psychic powers, having noticed them as soon as they started showing up, but his dad and siblings (probably) don’t. 
The story starts when Sasha is 14-15 years old. He’s getting increasingly bored living in a small rural town with few opportunities related to his interests, and his developing psychic powers (and probable undiagnosed autism) make things even more complicated and difficult for him. His mother gets an opportunity, probably with some kind of charity organization, to go teach German/English and maybe other stuff in Brazil for a while. She decides to take it, and take Sasha with her so he can have some different life experiences. She also takes his youngest sister along, since she’s still very little and dad’s already going to be left alone with three other kids. 
(Also, my assumed age for Sasha and Milla in the games is like mid-30s, which, if the games take place in mid/late 80s, would mean they were born in the mid-50s. That means they would be 14-15 in the late 60s. So that’s the timeline I’m going with here.) 
So they go to Brazil. The school Sasha’s mom is working at is either at or associated with an orphanage- maybe a church that has a school and an orphanage. Of course, Milla is there. I don’t have a lot of the details locked in here. It’s hard because we know nothing about Milla’s family or life before she was working at the orphanage, so I’m really just pulling this out of nowhere to fit in with this AU. For the purposes of this, she has no family and is living at the orphanage and going to the school there (even though that’s sad and I kinda don’t like it. May change it. Hm.)
Anyway, Sasha’s mom is teaching at the school; Sasha is doing basically independent study. I also haven’t decided if Milla is in his mom’s classes, because I haven’t decided what age group(s) she’s teaching. Either Milla’s in her classes or gets employed (or volunteers) to babysit Sasha’s little sister and that’s how she comes to be around. Oh, and also for the purposes of this, Sasha’s mom already spoke Portuguese before this, and Sasha’s been learning it prior to arriving there, so he’s like conversational at least. 
Either way, Sasha and Milla meet. Despite having some initial personality conflict, they find they have a weird connection to each other. Milla is curious about this feeling and interprets it as maybe being a crush, although it feels a little bit different. She decides to try and befriend him to understand it better, and also because that’s just what Milla does. She’s the sort of person who makes people her friends half-against-their-will just by being friendly and caring consistently until they can’t deny that they’re friends.
Sasha, meanwhile, is wary of her and her enthusiasm because he’s not great with the social stuff, especially with the culture and language gaps at play. He’s also wary of the feeling because it seems psychic-related, but he doesn’t know what that means. Plus Milla is like super pretty and nice and he gets tongue-tied and red-faced whenever she talks to him, but he definitely doesn’t like her shut up Mom.
Over time, Milla’s determination prevails, and they become genuine friends. He hides the fact that he’s psychic at first, but eventually does tell her. He asks her if she’s sure she’s not psychic, because she really seems psychic somehow. She doesn’t think she is, but he theorizes she’s probably not quite normal, at least, and that’s where the connection they’ve felt from the beginning comes from.
Since they’re actually perfect for each other, their friendship grows deeper over the months they spend hanging out. By the time Sasha has to leave, they’ve developed real romantic (in a 14-15 year old way) feelings for each other. They don’t ever really talk about it, but promise to write.
And they do. Sasha’s siblings start referring to the girl he writes to as his girlfriend to tease/annoy him, but eventually it sticks. He stops protesting, although he never confirms whether or not it’s true, and it starts being matter-of-fact to them instead of a joke. On Milla’s side, she still talks about him to her friends like he’s still there, and she gets the penpal-boyfriend teasing, too. It doesn’t really bug her, though. They save up money over a few years to go and visit each other, and talk about their relationship enough to be sort of “official”. It’s rough since they rarely get to see each other in person or even talk on the phone, but they keep going. 
Years pass, and some things change and others don’t. Sasha mother dies when he’s in his late teens, and he and his dad start having bigger and bigger issues between them in the wake of greiving. He leaves home as soon as he’s sure his younger siblings will be fine without him around. Out and about in the world, he gets recruited into the Psychonauts within the next few years (the specifics of this don’t matter too much for this AU). Milla goes on to work in her orphanage, the thing she’s most passionate about. They still keep close in touch, and get to see each other a more often now that they’re grown up and Sasha has better access to international travel. They finally decide “okay yes, we really are actually dating” even though it’s still long distance. Sasha’s colleagues 100% do not believe his story about having a beautiful long-distance girlfriend in Brazil, because that would sound fake af even if wasn’t coming from the very serious, not-romantic-at-all Sasha. Even his picture of them together does not convince them.
Then, the thing happens. Milla’s orphanage burns down, and her psychic powers finally fully awaken. Because of her knowledge of psychics, she realizes what’s happening, but it’s still a horrifically traumatic event. Sasha takes a leave period to come and help her, finds that it’s even more serious than he’d expected, and puts her in touch with the Psychonauts directly for some better assistance. He’s too close to her to do more than an initial check-up himself. 
They find Milla has a lot of potential and extend an offer to join the intern program (which at that time spans a larger age range than later on). She rejects the offer at first, tries to go back to her life, but later decides she needs to make a complete change and accepts. Sasha’s colleagues are shocked to find out she is indeed real. She graduates first out of her class, as one of the best levitators the organization has ever seen. Technically, she and Sasha aren’t supposed to be romantically involved as agents, but the Psychonauts have always been pretty loosey-goosey about that rule (given the history of its founders). 
So that was a novel in length. It’s not necessarily that interesting in this form, but there’s the AU. I think the interest would be the specifics of how their relationship would play out as a story, if they met young enough and under the right circumstances to not to get stuck in the hang-ups their relationship has in canon. If you read this far, tell me what you think! Thoughts, feelings, emotional outbursts?
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teddy-bear-surprise · 3 years ago
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hi!! how are you? i seen your post about wanting to write headcannons or blurbs and i didn't know if you wanted them to be birthday related but osbddkndjdd staying up until exactly 12 am with peter and once it hits, the reader gives him a bunch of kisses & let's him now how happy she is to be with him!!!
This story is also available on AO3 and Wattpad!
Hi! Thank you so much for the request, I'm doing great today and I hope you are too <3
MASTERLIST
Title: Midnight Birthday
Word Count: ~2.4k
Warnings: None (they joke around about poop and farts, which makes me sound immature, but I promise it’s funny and not like serious)
Context needed: Y/N
I deviated slightly from the prompt on accident, but I hope you enjoy it :)
Your phone rang loudly for the third time, prompting you to finally pick up. Normally, you would ignore everyone’s phone calls, but you realized that Peter was the one calling you. You had set a special ringtone for him, just so this wouldn’t happen, yet he still had to call multiple times just to get your attention.
“Hey, Peter! Sorry I didn’t pick up before… You know how it is, right?”
Peter chuckled on the other end of the line, “Yeah, I know. We should really come up with a better system for you. I don’t even want to imagine what would happen if there was an emergency and they had to call you. I know you can’t see me right now, but just the thought gave me goosebumps.”
You heard him shudder, “I’m sure you’re very goosebumpy, Spider-Kid.”
“Hey!” He asserted jokingly, “You know that I prefer ‘Spider-Man’, you know that. And don’t be mean to me! I’m over here calling to invite you out to dinner and this is what I get? I am beyond hurt. I will never recover.” Peter emphasized each word as sarcastically as he possibly could.
“Oh, get over yourself drama queen. Spider-Boy, Spider-Kid, Spider-Man, it’s all the same thiiinnggggg. Just take the compliment, hun. In thirty years– when you’re all old, wrinkly, and a Spider-Senior –you’ll be missing the days when people called you Spider-Kid. Now, what were you saying about dinner?”
“I said I wanted to invite you out to dinner! Were you not listening?”
You rolled your eyes and wished he could see your face right now. “I got that part, genius. I meant like what kind of dinner… Y’know, Where? When? The details, Pete, the details.”
“Oohhhh, that would make sense.” He laughed quietly, shaking his head at his own stupidity. “I was thinking that we could go to that restaurant you love, you know the one you were talking about the other day… Ummmm I think it was called Sveleka? Right? So we could go there around 7…”
Peter’s voice trailed off as he tried to remember the details of his plan and you cut in. “It’s Veselka, but that would be great, Pete. I’ll see you there at 7, love you.”
You hung up the phone before Peter even got a chance to reply. Your phone skills were rudimentary, to say the least, and it always got you into trouble. Luckily, Peter understood your bizarre hatred of phones and phone calls, allowing you to talk to him without worrying too much.
You knew that his birthday was tomorrow and you had developed a plan of your own. It was supposed to be a surprise, and the last thing you were expecting was for him to ask you out to dinner the night before his own birthday. In a way, it made you appreciate him even more, knowing that he loved you enough to randomly call you and ask you out to dinner. But now, thanks to his unexpected decision, you only had two hours to rearrange everything before meeting up with him for dinner. You stared at the giant teddy bear sitting on your bed and sighed. Even though your plan was technically easier to carry out now, you felt a twinge of annoyance about having to modify your schedule.
Originally, you wanted to sneak into Peter’s apartment, along with May’s help, and surprise him with a giant teddy bear that said “I love you” when you hugged it. Ideally, you would get there right at midnight, as the night turned from August 9th to 10th, and show him that you cared. That you cared about his birthday, his happiness, and his wellbeing.
You shook away the thought and positioned the teddy bear so that it looked like it wanted to give you a hug. In between its warm, fluffy arms, you placed a small box. This box was technically Peter’s real present. It contained a small, circular locket with one half of a glass spider and a key. In the very same box, you included a long handwritten note telling Peter how much you loved him and how proud you were of him. Once you rearranged the box and bear to your liking, you began to get ready.
The closet of your apartment was minuscule, as was the whole place, and the limited space had led you to develop a very limited wardrobe. Your outfits only consisting of basic black pieces, one dark green jacket, and three pairs of shoes. Peter always joked that he loved how your closet all looked the same, claiming that it made it easier to find you if you ever got lost in a crowd. You both knew that was far from true since everyone in Manhattan loves wearing black, but you appreciated that he was so kind about your unconventional fashion decision.
You grabbed a simple, long black skirt and a silky black tank top, changing out of your pajamas. It might have been five o’clock in the afternoon, but pajamas stayed on until you left the house. That was just the rule. While you fixed your hair and makeup, you began to worry that Peter would figure out your plan. It was a slightly irrational thought, especially since he was socially inept and on multiple occasions forgot when his birthday was. Still, the thought plagued your mind until the moment you were ready to leave.
As you walked to Grand Central station, you texted Aunt May, letting her know that the plan had changed. May had been the biggest supporter of you and Peter’s relationship from the start. Honestly, she was the only one you could trust because she was the only one who could keep both your and Peter’s identities a secret. You hopped onto the Six heading downtown, hoping that she would reply before your service completely cut out.
You: Hi, May. Peter invited me out for dinner at the last minute so we might have to rearrange a bit.
May: This is why I told you to make plans with him ahead of time, so we wouldn’t run into any bumps like this.
You: I know, sorry. I wasn’t expecting him to do this.
May: I was kind of expecting it… I made a bet with myself that he would do this and it looks like I won!
You: You bet on us?? Is this like a reoccurring thing???
May: Definitely not. That would be immature. I’d never do that.
You shook your head at your phone, laughing at how obvious it was that May bet on your and Peter’s relationship. To you, May was like a second mother, or just a really cool aunt. She seemed to understand how to be just serious enough, but not stiff. Not to mention that she was ten times nicer and more supportive of you than your actual mom.
You: I’m gonna pretend that the last part of the conversation never happened. But what I wanted to tell you was that I’m going to meet Peter for dinner around 7 at Veselka so I won’t be able to go back to my apartment and then to Peter’s in time. I just left the bear at my apartment and I’m thinking of asking Peter to go home with me after we eat, what do you think?
May: Sounds like a solid plan, kiddo. Good luck, and please don’t let Peter eat too many of those sauerkraut pierogies this time, he was gassy for two days. It wasn’t fun.
You: Thanks for the gross heads-up, May. Byeeee
You got off at Astor Place and walked in silence towards the restaurant. You were looking at the ground, head hanging low, when Peter called out to you from across the street.
“Y/N, hi!”
You looked up at him and smiled at the goofy boy waving at you. “Hi, Peter!”
Jogging across the street, you made eye contact with him. He held out a hand towards you, helping you onto the sidewalk, and embraced you. Peter kissed the top of your head softly and gave you one last squeeze before letting go.
“So, I guess we’re both early then. I gotta say that I’m shocked, Parker. I wasn’t expecting you to get here before me.”
“What can I say, I’m full of surprises.” Peter winked at you.
---
The two of you merrily ate your dinner, with Peter threatening to instigate a food fight more than once. You talked about anything and everything, by the time you two were ready to pay the bill, it was almost 11 and you were stuffed.
Peter rubbed his hand on his stomach, poking at it, “I think it would be physically impossible for me to eat any more. Like I would just spchwoooo,” he mimicked an explosion with his hands, “explode.”
“I’m just glad we didn’t order any of those sauerkraut pierogies, May said they made you all gassy last time. I don’t even want to know what would have happened if you ate those and the stuffed cabbage.”
“What?! May said that? I never get gassy. Ever.” Peter lowered his voice, “I’m literally superhuman, it takes more than some sauerkraut and cabbage to mess with this iron stomach.”
“That’s not even close to being true. You had explosive diarrhea after that burrito two weeks ago, and don’t blame the food, you were the only one out of the three of us who got sick. Did you forget that May and I had to take you to the hospital? Because I don’t think that counts as an ‘iron stomach’.”
The two of you argued about stomachs, diarrhea, and food the rest of the way to your apartment, stopping every few minutes to point out airplanes flying overhead. You insisted on walking home so you could arrive almost exactly at midnight. Plus having Spider-Man by your side was basically a guarantee of safety, even in Manhattan. Peter held your hand the whole time, swinging it like a smitten teenager. After walking nearly fifty blocks, you arrived at your apartment. You noticed that Peter seemed hesitant, only lightly resting his foot on the first step leading up the building.
“C’mon, let’s watch a movie or something. I don’t want you to leave yet.” You pouted and tugged on Peter’s hand, pulling him up into the doorway.
“Well then, I guess I’m not leaving.”
---
The two of you were cuddled on your small couch watching Buzzfeed Unsolved, Peter’s favorite show, but you weren’t paying attention. Every few seconds your eyes would dart up at the clock, waiting for the hour hand to strike 12. Peter was entranced, never letting his attention deviate from the screen, and he didn’t even notice that you weren’t looking at the TV. The minutes went by slowly and you were counting down the seconds until midnight, gripping onto Peter’s arm. He thought that you were just scared by the prospect of unsolved murders, not that you were anxiously waiting for his birthday.
The last second passed and the clock struck 12, you immediately jumped out of Peter’s embrace and turned to him. Peter sat up in shock, confused by your sudden movement. You took the opportunity to straddle him and grab his face.
“Happy birthday, My Love.”
You peppered his face with sweet kisses and his eyes widened. His body softened under your touch as a feeling of love and happiness filled his heart. Peter snaked his hands up your thighs, letting them rest on your hips, and squeezed softly. You gave him one last kiss on the lips and rested your forhead against his.
“I have a surprise for you, Birthday Boy.” You lifted yourself off of his lap and held your hand out to him.
Peter took your hand and followed you obediently, curious to see what his surprise was. You opened the door to your room, revealing the large stuffed bear and its matching box. Peter let go of your hand and excitedly ran towards your bed.
Before he could say anything, you began speaking, “I know it’s not much, and I know you probably thought that I’d have like a trail of rose petals in here or something like that. But I wanted to show you that my love for you isn’t just about our physical relationship, my love for you i-is emotional and wholesome. I love you, Peter Parker. I truly love you and I’m so happy that you’re mine. I mean, every morning I wake up, I remember that I’m dating you, and that makes me the happiest person in the world.” You reached over to the box in Peter’s hands, “So, Peter Parker, will you accept this key?”
You opened the box and Peter’s cheeks glowed red. His eyes sparkled with excitement as he nodded his head.
“Yes! I love you so much too. I- Thank you,” He paused, “Oh no. Wait, I don’t have a key for yo–”
“Pete, this is your birthday present. I wouldn’t expect you to give me a gift on your birthday, silly.”
He rambled energetically, “You’re right… I’m still going to get you a copy though. Oh my gosh. I love this so much, and is this a spider because I’m Spider-Man?! Where’s the other half? This is so cool!”
You held up your matching locket, opening it to reveal the other half. “Yep, it is because you’re Spider-Boy. The best superhero in town. And, don’t throw away the little note at the bottom. Well, don’t open it now, but if you ever need a reminder of how much I love you, just read that note.”
Peter held your hands in his and pulled you down, both of you crashing into the giant teddy bear. The second you fell onto it, it blurted a freakish, distorted “I love you”, scaring both of you. You jumped up and looked at a wide-eyed Peter.
“Y’know, maybe we don’t need the bear. I don’t really want to be on the next episode of Unsolved.”
You laughed at Peter’s joke, pushing the bear onto the ground and kissed him. His soft lips tasted like the blueberry dessert you shared and his skin was as soft as butter.
You pulled away, foreheads resting together once more. Peter whispered, “Thank you for giving me the happiest midnight birthday, darling.”
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All of this stems from me thinking about that time All Might punched Izuku on the beach. Also none of this really expands on how the other students of 1-A and U.A. interact with Izuku.
Hey, y'all ever think about the fact that before U.A. Izuku had never had any good teachers, (that we've seen) all of his teachers were complicit in or encouraging of his bullying. So he probably doesn't have much trust in teacher figures. I mean, sure All Might is the #1 hero and his idol, but during his first ever in person interaction with him he shattered his dreams and then flimsily builds them up again with the 'gift' of a quirk, training Izuku for the power. (Kind of telling him he needs to change himself if he wants to be worthy of having a quirk, even if All Might means in the physical sense). ALSO, All Might (who was quirkless before Nana gave him One For All) is implying to Izuku that the only reason he's worth effort is that when he is given OFA he won't be quirkless. Izuku is gifted the status of human. A quirk is necessary to be treated right, granted human rights, and considered of worth. Ok he gets into U.A. then in his first ever class with All Might as a teacher, he's essentially complicit in Bakugou's treatment of Izuku just like all other teachers he's had. (Also he has no teaching license?) (Bakugou should have been trained in the correct and appropriate usage of his gauntlets). Now Aizawa is another story teacher & trust wise. When he first meets him with the quirk test Aizawa seems to write him off, yes he doesn't have the full story of Izuku's life previously but it should be in Izuku's file that his quirk status was recently changed, Aizawa should have known. Teachers don't normally read all their students files in upper grades (idk about other countries but in the U.S. I mean). Though I know they all at least have important information skimmed. Like IEP's and learning disabilities and special needs. However because this world is different from ours and Aizawa is meant to be training these kids and that's his main focus, taking care of them, he should read all of their files, not just like extreme basics (I'm not even going into my thoughts about treatment of other students in 1-A).
During USJ I think Izuku kind of begins to develop the first dregs of trust in Aizawa, or at least kind of develop the idea that Aizawa won't just outright let him die, because of how hard Aizawa fought for the kids (and Izuku knows his fighting style and abilities so he understands what this fight is for Aizawa) but he wouldn't trust him emotionally what so ever. That brings me to the Sports Festival, All Might tells Izuku to 'show the world he is here' but he gives no Izuku 0 guidelines and no guidance for how to do that or to what extent so Izuku just tries his best to frantically fit what he thinks is All Might's standards for him are to avoid upsetting the person who gave him worth (😒). Then after his fight with Todoroki where he breaks his arms terribly, to the extent of nerve damage and permanent disability, Recovery Girl tells him she won't heal these types of injuries again. So Izuku is back to patching himself up just like he would after Bakugou's beat downs, out of his fear of angering his teachers, without any support. Isolated again. Next is internships, Gran Torino is actually pretty good, if a little harsh. He treats Izuku like he would a perfectly normal teenager but Izuku is anything but, he's got truama all over the place. Gran Torino'a prank is not funny for someone who's been told to off themself and beaten down their whole life. Then all the Stain shit happens where Izuku is literally just trying to save his friend from dying and he actually calls for back up like he should! And gets reprimanded for it (like should he have just let Iida die??? Damn). After internships is final exams. His idol, his teacher, beats him down, using him as a baseball bat to smack another student. (Why are they fighting people who should be taking care of them and guiding them, and does All Might not understand that these are 15 year olds. Like sure villains won't go easy on them but god damn dude). Not only that but while Izuku attempts to work with Bakugou, he gets punched in the face. And no one acknowledges it so he's right back to previous school experiences where Bakugou hurts him for no reason and no teacher does anything. Izuku is perfect at working with others, using his quirk ingeniously, strategizing against a wide range of foes and more, why is he being used to correct Bakugou, to help Bakugou. Why aren't they helping him better himself?? Why aren't they giving him a challenge that's right for him. It's not like he won't work with Bakugou for lack of trying, and Bakugou is his abuser so I don't think it's wrong of Izuku to not want to work with him. They had to have been watching! It's an exam. And after that is training camp, and Bakugou's kidnapping. Not only does Izuku shatter his arms saving a like 7 year old from a sociopathic mass murderer. Izuku then feels it's his fault that Bakugou was kidnapped by the League, thus he feels responsible to rescue him, and none of the teachers even give them the reassurance that they're actually doing anything to save Bakugou so they take it into their own hands. (Also, counseling, excuse me U.A. get these kids some therapy??? So much trauma, from just their time at U.A. alone not counting previous traumas). And then Kirishima basically guilt trips him into going to get Bakugou back while Ixuku is still recovering from shattered arms, yet again. So Izuku goes and then his friend (Someone he saved from becoming a murderer!!! Well, saved him from death via serial killer.), punches him in the face while Izuku is trying to, PEACEFULLY, reason with him.
Then, after they succeed and Izuku watched his idol, his teacher, his mentor, get almost killed. And Izuku meets All Might on the beach probably thinking All Might will try to comfort and reassure him, and most likely wanting to check on All Might. And he walks up to this paragon of safety and peace, and gets punched in the face. WHAT THE HELL. Okay sure All Might then goes on to tell Izuku he's proud of what he did and blah blah blah. But it's never acknowledged that All Might, his teacher and idol, punches him in the face for doing something risky??? No adult should use injury and violence as a punishment against a child. No matter how frustrated, annoyed, upset, and/or angry with the child they are. It's unacceptable.
And that's not even taking into account everything else that happens later. Like dorms happen, Aizawa and All Might come to everyone's house to talk about taking their children and boarding them at U.A together. But when they come to Izuku, Aizawa let's the man with no teaching license talk to the Midoryias alone (😒). I'm with Inko, they've failed Izuku in so many ways already! Why should she let them take him from her completely? But All Might uses his social/political weight as ex-symbol of peace to 'convince' her to let Izuku move into the dorms. So now they all move in and gather on the front lawn with Aizawa. And he basically publicly shames the kids who went to Kamino for going, even though they didn't tell them what was happening or reassure the kids that they were already planning to rescue him. EVEN THOUGH the kids didn't fight, didn't engage, they literally were all released from the hospital and out of school, under the watch and care of their parents, not explicitly told not to go, weren't told not to follow Momo's tracker, and actually acted in a logical manner to save their friend (though Bakugou is not Izuku's friend 😒😒😒). What they did wasn't even technically illegal because even if there was an attempt to charge them with public quirk usage; Todoroki was the only one to use his quirk and they could claim self defense. The school has no control over them being in Kamino, it's a place you can't forbid someone from going to a public place. So they shouldn't be reprimanded. Honestly Aizawa should have been proud of them (I think he's jealous there was nothing he could do for Oboro when they lost him during school). And next is the license exams which is a whole other thing. I should stop here because it's a lot. HAHAHA NOPE. Okay, so they develop their special moves but not really given and guidance or hints on how or anything. Like I get this is something they need to do for themselves but there should be some sort of basis. They're still kids, 15-16 years old. I understand that they're training to be heroes (which I have thoughts on child soldiers man but that's not what this is about) but still! License exam day comes and Aizawa hasn't really given them much on what they'll be doing, how it will work, and who else will be there (😒). This is about as far as my rant will go until I've watched more of the anime and read more of the manga. I'm a little behind but that stems from personal problems so. I'll update this further when I watch/read more of the story.
This was originally posted like 3/24/21 but it's been edited 3/28/21.😘
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okayto · 4 years ago
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Mini-Review: Love, Chunibyo & Other Delusions!
I’m so glad @littlestartopaz​ recommended this to me, because it was SO GOOD.
Yuta wants to start high school afresh: new school far from home, new classmates who don’t know he spent middle school acting out the fantasy of being the mysterious and magic “Dark Flame Master,” new him. But one of his classmates has delusions of her own, and after she accidentally discovers his embarrassing past, Yuta is unwillingly drawn into her life and a growing circle of friends with their own quirks.
The “chunibyo” of the title basically means “8th grade syndrome;” a phase in middle school where some kids inhabit and act out their own fantasy stories, positing themselves as dark magicians, magical girls, and other wielders of magical powers.
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I had avoided this for a while, until it was specifically recommended to me, because honestly, it sounds embarrassing, right? It sounds like it’s gonna be an embarrassing manic pixie dream girl scenario. But what it actually contains is the story of how a mixed bag of students--some actively chunibyo, others not--become friends and develop very endearing close relationships, while arguing and frustrating each other because that’s what friends do.
Now, the idea of being the star of what’s essentially your own fantasy-action anime is embarrassing, but what’s notable is that the show doesn’t really hold the chunibyo characters up for mockery. Sure we might laugh at them, but hey--it’s funny to watch friends be silly together. And most viewers, just like some of the characters who have moved on from their chunibyo phases, probably easily understand the mix of soul-wrenching embarrassment and (mild?) fond sentiment that comes with remembering our middle school selves.
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But let’s be real: the reactions the two former chunibyo students, Yuta and Shinka have to being reminded of middle school, are #RELATABLE
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Rikka, our title chunibyo, in particular uses her fantasy in part to cope with grief, coming from an extended family that (without getting spoilery) didn’t help a young girl to deal with a very hard and life-changing time. Now that she’s in high school, her older sister blackmails Yuta (using an a voice recording of one of his chunibyo speeches) into helping deal with Rikka and things (like the cat she wants to adopt) that pop up.
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One thing the show is very good at, though, is not making a single thing the reason behind a character’s chunibyo. One may have started their fantasy inspired by another person, or prompted by an event, but it’s also (while active) part of their personal narrative that influences how they spent their free time, how they see the world and keep blogs or diaries, etc.
But at the same time, they’re still teenagers, and their inner view of themselves...doesn’t always translate skills.
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I said the show is primarily about friendship. A lot of that friendship is between Yuta and Rikka, but they accumulate a little group, mainly through Rikka’s attempt to start a magic club. Recruit 1: Kumin, a polite, quiet senpai with no chunibyo history or aspirations.
Kumin starts off seeming like a background character, but by the second season it’s clear she’s not just there for jokes about how she’ll take a nap anywhere. She’s perceptive, and genuinely enjoys watching the others act out their scenarios.
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Compared to the other characters who are boisterous in their chunibyo activities (Rikka, Deko, Satone), or vociferously trying not to get drawn in to chunibyo activities (Yuta, Shinka), Kumin is happy to watch and offer encouragement, but she’s also willing to participate if a chunibyo scenario calls for a group.
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Incidentally, the show does a really interesting thing where occasionally, we’ll be drawn “inside” the chunibyo world, seeing what Rikka/Deko/whoever see: a fantasy land, big magical weapons, anime-grade magical attacks. Occasionally we’ll also see what this “really” looks like--a couple people running around waving umbrellas at each other--but often we only get the fantasy version. It’s clear that Rikka and co. are legitimately on some level engaging in a shared imagination, and the times when a reluctant character (particularly Yuta or Shinka) willing steps in to the shared illusion are genuinely sweet.
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Speaking of, Shinka (aka Morisummer) became one of my favorite characters. Like Yuta, she was chunibyo (”Morisummer the magician”); like Yuta, she chose a high school where she didn’t know anyone expressly so she could reinvent herself as a normal teen. And like Yuta, she’s getting dragged kicking and screaming into chunibyo again.
It would’ve been so easy to make her a bad character. She’s pretty, puts a lot of effort into being popular and likable at school, trying to keep up a good teen girl image, despite being fairly sarcastic at her core. And as loathe as she is to admit it, she likes her friends (even if she won’t admit they’re friends, even if half of them are actively chunibyo, even if she says she’s only hanging around so she can make sure all traces of chunibyo-Morisummer are erased from the internet).
Shinka gets drawn in to the group through Rikka’s apparently only pre-existing friend: Deko, a fellow chunibyo who follows Rikka (or “Eye of the Wicked Lord Shingan”) as her master, and is extremely devoted to the great magician Morisummer. So devoted, in fact, that she has several physical copies of Morisummer’s book containing all her wisdom...aka Shinka-Morisummer’s blog, which Shinka has tried to erase all trace of.
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Needless to say, the two don’t seem to get along great.
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Deko’s dedication to chunibyo and Morisummer irks Shinka; Shinka’s claim to be Morisummer irks Deko, who refuses to believe the great magician could ever be this sarcastic, mundane girl. Deko’s refusal irks Shinka, bringing out the sarcasm and bluntness Shinka tries to hide from the school at large.
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Obviously, they actually become close friends, but heaven help you if you actually say so.
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The entire series is an exploration of relationships, and Yuta’s developing closeness with Rikka (hey, we knew it was going to happen) is also sweet. He’s a genuinely likable boy, embarrassed by the vestiges of his former self he sees in Rikka, but often willing to meet her on her level, and both of them also learn/reaffirm the importance of doing things their way, and keeping both of them comfortable, rather than acting a certain way or performing specific acts just because their classmates think their relationship status mandates it.
Speaking of classmates--and I know this is getting long but I CAN’T HELP IT, I LIKED SO MANY ASPECTS OF THIS SERIES--the characters aren’t ridiculed at school. Sure, some people think they’re weird, but there’s no shunning, no arc involving teasing or bullies. Rikka’s often content as a loner, but when she attempts to join in a social circle, she’s welcomed. Shinka’s obsessed with reinventing herself and appearing normal and seems to think that otherwise she’ll be cast out, but multiple characters mention that others at the school notice how she behaves (oddly, on occasion) and there are no social repercussions. Truly nice for a show that has characters spending quite a lot of time in school.
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Verdict
English dub? Yes, and it’s got strong performances. Rikka’s voice actor in particular does a fantastic job capturing the difference between chunibyo!Rikka’s confidence and command, and regular!Rikka’s, well, normal awkward teenageness. (Plus, I also found her lower-than animegirl-average voice enjoyable.) (Double plus, I honestly think her English voice is better than her original Japanese voice at showing the difference between her emotions and chunibyo/reality.) Deko’s VA is fantastic showing the enthusiasm of the 9th grader (and what enthusiasm, Deko is like the Energizer Bunny), and Shinka’s VA manages to show her alternating annoyance, cheerfully sweet ideal self, and organizized leader voices.
Visuals: Fine, and I really liked the chunibyo designs for each character’s chunibyo phase. The contrast between chunibyo-vision (giant magic weapons; mysterious lights, fantasy landscapes) and reality (an umbrella or soup ladle; a strip of lights taped to the floor; a local park) was really well done.
Worth watching? Yessss. It’s very manageable--two 12-episode seasons--and while each season contains its own arc (you could stop after the first one, but why), together they make an excellent story. Heck, I think the second season is equal to, if not better than, the first, because the friend group is well-established and even more fun to watch.
Where to watch (USA, as of October 2020): Netflix (dub, sub); Crunchyroll (sub), HIDIVE (sub & dub, plus OVAs and film)
Click my “reviews” tag below or search “mini review” on my blog to find more!
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devilsskettle · 4 years ago
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(^^^ from howling (and bleeding) at the moon: menstruation, monstrosity and the double in the ginger snaps werewolf trilogy by erin m. flaherty) 
tw for discussion of suicide ideation
okay. so. i agree with the “doppelgänger narrative” idea but the idea that brigitte “[comes] to stand for the symbolic order she resists so enthusiastically at the start of the film” is, in my reading of the ending, a misinterpretation of what ginger’s “monstrosity” signifies in the film. flaherty’s reading follows a common structure of creature features in which the monstrous transgresses social norms, so the overarching conflict is the “other” vs. normalcy. in that case, killing the monster at the end is a return to normal and reinforces societal expectations. however, i don’t think that ginger snaps is actually that kind of story. at the beginning, both ginger and brigitte “resist so enthusiastically” being part of society to the point of rejecting life, becoming isolated and codependent. before ginger gets her period, brigitte tells her that she better not become basic like all the other kids at their school, but she leaves her behind pretty quickly once she becomes interested in teen society sex drugs and rock n roll and is more accepted by her peers. brigitte continues not to give a fuck about what anyone thinks of her, even though ginger is part of that world now and not their own. part of ginger’s transformation actually helps her gain social acceptance - she is now part of the “symbolic order” even as she transgresses it. i’m not saying her transformation doesn’t transgress this order, or that she gains the acceptance of everyone at her school - trina in particular certainly isn’t a fan - but especially at the beginning, the changes that she undergoes is perceived as her becoming a “normal” teenage girl instead of the freaky death-obsessed kid ostracized by her classmates. 
i would argue that ginger’s transformation makes her both super- and unfeminine - super-feminine in the sense that all the side effects of puberty for people with uteruses (menstruation, body hair/shaving, developing new body parts, hormones/mood swings, and awareness of sexuality/being sexually active) are exaggerated during her transformation - and a lot of these symptoms are ways in which a woman’s body is policed or found unacceptable or gross; unfeminine in the sense that, first of all, she’s becoming inhuman and gender is a very human concept, and second of all, she still doesn’t fit the mold of female expectation (i.e. shaving, dressing a certain way, being demure or nurturing, not being overconfident, not being a slut OR not being a prude, not having physical strength, etc). flaherty does make this argument via david j. hogan’s dark romance: sexuality and the horror film: “in complete confrontation with the classic view of the werewolf as ‘masculinity carried to an outrageous extreme,’ the werewolf is actually aligned with femininity carried to an extreme,” an idea that i think works really well in discussion of ginger snaps in particular. she also rejects the identity of “girl” several times - “wrists are for girls, i’m slitting my throat,” yelling at brigitte and saying she’s “just a stupid little girl” - and disparagingly points out the difference between the expectations for male and female sexuality - “he got laid, i’m just a lay.” so.... i definitely do get the interpretation of ginger’s death to have a kind of punitive logic for transgressing gendered expectations in these two different ways, but i think that’s a meta-criticism on the part of the writers, not the role that brigitte fills (for a movie that rejects the “death by morality call” of hollywood monster movies, they really did still punish her narratively for moral transgressions lmao - like flaherty says, “it appears that as subversive as the ginger snaps films are in respect to the werewolf narrative, they also reflect a deep cultural ambivalence about female identity. there is no option offered to ginger or brigitte, and due tot heir unwillingness to accept the roles predetermined for them in the society in which they live, they must be punished”). honestly i think i am nitpicking a little bit because i guess i do ultimately agree with flaherty that the story follows a normalcy > otherness > return to normalcy pattern with gendered ideas of what normalcy is, and where she loses me is her interpretation of brigitte and ginger’s social standing. to me, ginger seems really frustrated trying to navigate gender roles and her own position in society - but she is engaging with society.
you know who’s still not engaging with society? brigitte. she isn’t part of that “normalcy” at all, so to me, her rejection of the lycanthropy that ginger embraces signifies less that she sides with the social order and wants to reinforce normalcy, and more that she did a lot of growing up over the course of this movie as well, in a different direction than ginger did, and she reclaims her agency as well as her will to live. i feel like the monstrosity vs. normalcy framework ignores the fact that both ginger and brigitte are actively suicidal at the beginning of the movie - the first shot we get of ginger is her holding a knife to her wrist. at the beginning, brigitte hesitantly agrees to their suicide pact despite her obvious reservations. at the end, she strongly asserts, “i’m not dying in this room with you. i’m not dying.” so if we consider ginger’s mimetic role for brigitte, killing her isn’t reestablishing the social norm, it’s rejecting her own destructive and suicidal tendencies. i think her narrative arc teaches her: 1) how to make her own decisions separate from ginger and have agency in her own life, 2) recognition of her mother’s feelings of estrangement from her family, 3) how to connect with other people in a way that isn’t codependent, 4) rejection of suicide ideation. all of these lessons are ways of treating yourself and others with respect, compassion, and understanding - even though brigitte doesn’t change dramatically, magically becoming a saccharinely nice person or a social butterfly. she maintains her isolation and personality much more than ginger does over the course of the film. while at the beginning their fascination with their own deaths “not only demonstrates the duo’s disgust at the banality of their suburban surroundings, it also proclaims their self-stylized exclusion from the heterosexually fueled dynamics of the teen scene” (via menstrual monsters: the reception of the ginger snaps cult horror franchise), it’s ginger, not brigitte, who ends up participating in this “compulsive heterosexing high school culture,” where brigitte’s choice to not commit suicide isn’t her opting into this culture, but attempting to find a less destructive way of escaping or coping with it. 
flaherty argues that because brigitte’s first period is never discussed in the films, “she remains a child and therefore is unable to understand the true restrictiveness of woman as Other, what leads ginger to eventually embrace and enjoy her monstrosity,” but in unleashed, a fair amount of time has passed and i think it’s fair to say that brigitte no longer seems child-like (that role is assumed by ghost), and also she starts experiencing the same kind of monstrous sexuality as ginger did in the first movie - i think it misrepresents her characterization in the sequel to say that she maintains “child” status. i also think it’s not relevant to try to distinguish between “girl” and “woman” in terms of the monstrous-feminine. she still experiences alienation and otherness because she’s female and transgresses gender roles. so.... i don’t know. it’s a weird argument to make, especially since, like i said before, i consider this story a kind of coming of age for both sisters. “lycanthropy and femaleness” are not “ultimately unknowable” to her because.... she does become a werewolf over the course of both movies and she’s already female (like..... getting your period doesn’t magically make you a Real Woman lol)
i also think it’s significant that as a stand-alone movie (ignoring the sequel, which is worth watching but seriously bleak as hell) the ending is tragic but tacitly hopeful as well - as far as we know at that point brigitte has the cure (which actually works!) and is not going to kill herself. in her final confrontation with ginger, she has the cure in one hand and a knife in the other hand, and i think that nicely represents the choice that is hanging over her head the entire movie: choosing to live or choosing to die. (flaherty calls this “a telling moment of double phallic-appropriation” which..... meh. okay. not every weapon/tool used in a horror movie has to be a phallic symbol but also, sure, whatever. that’s one way to read it i guess). ginger made her decision at the very beginning of the movie 
this quote by karen walton expresses this interpretation really well:
The two sisters had this childhood bond with their pact. These two sisters were also best friends who created a bubble for themselves and took strength from each other, nourished and informed each other for a long time; but the film is not just the story of Ginger turning into a monster. It is also a story about Brigitte surviving her sister who is on a death spiral. Ginger's is a story of self-destruction. But where people get confused is that they think Ginger is the hero, but the film is really about a sister who survives a sister, who survives a best friend. An intimate relationship that becomes unhealthy and deadly.
and i’ve talked a little bit about why i feel uncomfortable with attaching a ~*girl power*~ narrative to ginger so i won’t get to much into that but i have some thoughts about that here 
also i’ve said a little bit about this before and i am basically copy/pasting from a post i already made but with a doppelgänger story like this, especially with a focus on women and madness, to me it immediately brings to mind jane eyre. i am thinking in terms of the mimetic function of jane/bertha and brigitte/ginger, with the repressed emotions and desires of the protagonist coming through in the actions of the “madwoman” character. especially brigitte’s assertion of “now i am you” when she voluntarily lets ginger turn her into a werewolf. the “madwoman” is portrayed as bestial, hypersexual, intemperate with substances, jealous, vengeful, as well as dealing with extreme anger toward confinement (ginger’s panic at getting locked up and her escape and weaponized sexuality brand of revenge is so similar to bertha like. trying to burn rochester alive and biting her brother badly enough that he passes out and other shit like that). but ALSO the other women in jane eyre have a mimetic function as well, where they can be read as potential paths for jane to follow (these choices generally can be summarized as dead or married). i think ginger snaps can be read the same way - ginger, trina, and her mother are the models of womanhood brigitte is presented with, and she is repeatedly told that what’s happening to ginger is normal, that all women experience that, and soon she will too. like the women in jane eyre, they’re models of femininity that she rejects but has to navigate because there are no other models for her. these three characters are either killed (directly or indirectly) or abandoned by her by the end of the movie. it’s actually ginger who defines the roles that women are cast into: “a slut, a bitch, a tease, or the virgin next door.” this is similar the female archetypes that jane has to navigate (and resist) throughout jane eyre. anyway this is a really roundabout way of saying that although brigitte does reject her worldview from the beginning of the movie, she doesn’t accept social order and normalcy. she doesn’t fall into any easily defined category. which is the point - “no one thinks girls do fucked up shit” but of course they do, no one thinks they can be more complex than these categories but of course they are, no one entertains the possibility that brigitte isn’t going to follow some made up universal experience of girlhood but she resists that through the end of the movie. she’s still a total weirdo <3
so yeah, i will also disagree with the assertion that both sisters lose their identities, because while i think there is a loss or a shift of identity in both ginger and brigitte, like flaherty argues, part of brigitte’s narrative arc is figuring out who she is without her dependence on her sister. brigitte saying “now i am you” feels less about loss of identity to me than actually identifying herself with the traits she sees (or used to see) in ginger - where ginger’s response (“i know you are, but what am i?”) indicates actual loss of identity rather than something transitory 
oh and also one of the main claims of this paper is that the male werewolf’s source of pain is beyond the “lifetime of morning-afters where he must confront the previous night’s excess,” and is really his “bodily alignment with another ungraspable Other, the woman” which 1) i don’t think follows the definition of the Other she establishes earlier in the paper as something that is repressed in a self or society - this use of “otherness” seems more about alignment with something different than his own identity and less about the jekyll and hyde comparison she evokes with the expression of a repressed self (imo i don’t think she should’ve used that story to support her argument since it isn’t actually about werewolves, even though i get her point about the repressed self, it’s kind of irrelevant to her argument), 2) brigitte in the first movie doesn’t seem repressed to me - she genuinely doesn’t seem to have the same impulses as ginger does and it’s not until the sequel that she actively is attempting to repress the changes that are happening to her; however, since the paper does concern the whole trilogy, i think the point is still valid, but there’s such a heavy focus on the first movie that i feel the need to dispute that interpretation of her character arc, and 3) i don’t think this interpretation really lines up with classic werewolf movies - there’s nothing particularly feminine about your standard werewolf except arguably the cyclical alignment with the moon that ginger snaps uses as a menstruation metaphor, but like. for example. i would never watch an american werewolf in london and think, “oh, his distress isn’t actually about killing innocent people, loss of control, loss of sanity, guilt and mourning because of the death of his friend, a predetermined fate, and suicide, it’s about him being female-coded” or something. like, yes, “the tragedy of the male werewolf is believed to lie exclusively in the deep anguish he feels in violating the very societal boundaries he has come to live under” and it’s interesting to dig deeper into that in terms of gender and sexuality, but i don’t think femaleness is inherent in the distress of the male werewolf - of course this is true in ginger snaps (with jason’s transformation being particularly distressing to him because it mirrors menstruation). the assertion that the classic werewolf “bleeds uncontrollably until his transformation is complete” similarly seems unfounded to me because i’ve never seen that in werewolf movies and she doesn’t cite where she finds that symptom of the transformation - maybe i am missing something there? if anyone knows of a depiction where that’s the case let me know, because that’s definitely a stronger argument for werewolves = menstruation-coded.
and re: the quote i cited earlier about werewolves = femininity taken to the extreme: i don’t think that argument holds true in the classic depiction/cultural perception of the werewolf. i think this post makes a more supportable (and concise) argument:
There are hardly any female werewolves because they break all the classic rules of femininity. They force you to confront female violence, strength, size, grotesqueness and uncontrollability. Historically female shapeshifters always shift into something dangerous (snake) or sleek (cat) or dainty (bird) but female werewolves ignore the masculine gaze completely. They're distorted beasts that have no ulterior motive except to destroy. Nothing about them is nurturing or modest. They're the opposite of what a woman "should be." Their omission from pop culture is not an accident.
all that being said, i did enjoy this article, especially starting at the section titled “wrists are for girls; i’m slitting my throat:” ginger fitzgerald’s monstrosity and all the stuff about ginger’s transformation as a reflection of "monstrosity” as a teenage girl, and suburban landscape of repression. one description of brigitte’s conflict that i actually really like: “unlike the male werewolf’s double, brigitte yearns not for the eradication of her other half but for the reconciliation.” i think it’s a really interesting read, even if i don’t agree with a lot of it. and maybe i’m way off base? maybe i’m interpreting brigitte as a character too generously? let me know what you guys think 
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neurodivergentnecessity · 4 years ago
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The big brother AU was made by @petrichormeraki and Djali was made by @siren07tucker
Ok so last time I showed you guys what I thought Grumbot, Juni, and Tizzy would look over time. In that post I mentioned that I was in the process of drawing and writing the rest of the kids and because it's almost Christmas for me I decided to post this so let's get going with Djali! Merry Christmas
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Djali as we all know had a very rocky childhood because they lived on a server where mob hybrids were heavily discriminated against. It left them living on the streets fending for themselves and constantly being beaten and abused by others. That changed when Doc and Xisuma were visiting the server, the two immediately adopted Djali as their own and took them to Hermitcraft. Doc mostly took care of Djali; he helped them learn how to defend themselves properly and to respect The G.O.A.T. Djali was overall closer to him. Every once and a while they would visit Xisuma and during that time showed an interest in coding and being an Admin. So Xisuma taught Djali how to code and he also gave them free therapy sessions to go with. As they became older they started becoming more comfortable with people around them. They even started making some friends, some of them being Grumbot and Juni due to being closer in age, and they became best friends with Aislin despite their age difference. Also due to him hanging out with Aislin a lot they’ve also become close to his sisters, although not super close. As a young adult Djali is a well known activist for the mob hybrids equality movement. They are also an Admin of a server that accommodates, helps, and shields mob hybrids. They are still close to Aislin despite the complications with living on two different servers, often sending letters to each other asking how the other is.
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Next up is Aslin he was born after an incident regarding a magical potion and some Vex intervention. After some panicking on Bdubs’ part he decided to keep Aslin a secret for a bit until he was caught after coming clean Bdubs decided to still keep it a secret that Scar was the other parent. Unfortunately Scar caught on and after some shenanigans the two ended up together and raising Aislin. As a toddler Aslin became very interested in almost everything, especially plants, whenever he saw one he would become very quiet and simply look at it. His fascination with plants didn’t stop there; he had an odd habit of talking to them the weirdest thing, the plants seemed to be listening and responding to him. It unnerved Bdubs a bit until Scar explained that it was normal for a young magic user to communicate with specific items, in Aslin’s case plants. He also loved whether unintentional or not was annoying his older sisters. It was hilarious to him when they would let out an annoyed scream at his antics. As a child he calmed down a bit and wasn’t as obsessed with plants as before, he also annoyed his sisters a bit less mostly because he had become best friends with Djali and spent a lot of time playing with them. Unfortunately for him his sisters decided to take advantage of Aislin stopping annoying them and decided to get some revenge. So whenever Aislin would be hanging out with Djali they would strike butting into the conversation, stealing something of his, and generally being annoying, this would always cause Aislin to stomp off and tell on them. As a teenager nobody knows what happened to Aislin including himself. Djali also unfortunately left to become the Admin for a new server they had created, the two stayed in touch though. Also during this time he became obsessed with the band Swords N’ Arrows. He loved how cool they were as well as their music and style. Soon as if a switch was flipped inside of him and he adopted Swords N’ Arrows’ “cool” look and attitude, his sisters found his transformation hilarious. Once a young adult Aislin’s personality seemingly did a full 180 and changed from his old “emo” one, and to quote him “No, I don’t want to talk about it... Atalanta put the photo down. No! Come back! They don’t need to see it!” He’s also been practicing his plant magic and is getting pretty good at controlling it. He's had no incidents in 5 “oops” 0 days. Also with the ability to travel he’s been able to visit Djali every so often which is fun for the both of them.
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Now next is the twins which, quick disclaimer up until teen hood their stories will be very similar because up until then they were basically attached at the hip, so yeah. Let’s start with Atalanta after Scar accidentally cut himself on two of his magical crystals Atalanta and her sister were born several weeks later. Scar decided to take some time off from being the mayor to get a handle on being a parent, that is until he was informed of a very important meeting that he couldn’t skip so with not many options Scar decided to bring his daughters to the meeting. Nothing got done and it would have been better if he had not come. Many people were very surprised to find out that Scar was a papa and even more surprised to see how competent he was with caring for them seeing as he wasn’t the best at caring for himself. As a toddler Atalanta was fairly social and enjoyed taking to others, but she could be a bit shy at times. She and her sister loved playing with others one of their favorite people to play with was Tizzy and she liked playing with them as well. Also during this time they got a brother, Aislin after Scar and Bdubs started dating. The two loved him and would try to play with them despite not fully understanding that he was a baby and couldn’t really do much. Childhood was exciting for multiple reasons, one of them being that she and her sister got to be the flower girls at Scar and Bdub’s wedding. They were also excited to keep Aislin permanently. Of course that excitement quickly turned into annoyance when he discovered that he loved pestering and annoying his sisters. Atalanta still loved him but could he be just a little more quiet. She also started tapping into her stamina ability and relished in the fact that she could beat anyone in a race just by using it slightly. In her teen years she became a bit rebellious one of her acts of rebellion included getting a nose ring. Which backfired slightly due to Scar saying he was happy that she was starting to express herself. She also started spending less time with her sister which wasn’t a bad thing they just had different interests. Of course they weren’t completely separate; they had decided to take their revenge on Aslin for annoying him for so long by interrupting his play time with his friend, Djali, who Fortuna seemed to enjoy being around. As a young adult she got to witness Aislin transform himself into a emo wreck which she found absolutely hilarious and took as many pictures as possible to later use to embarrass him. She also added to the nose ring she got as a teenager with a piercing to her bottom lip and some on her upper ears. She also found her papa’s old jacket and totally didn’t steal and cut it to make a cropped jacket. Once she was old enough to join MCC she absolutely did and started a bit of rivalry with Tizzy. It wasn’t that intense due to Tizzy being better at hand to hand situations then her and Atalanta being better at speed and agility situations then Tizzy.
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Last but certainly not least is Fortuna after Scar accidentally cut himself on two of his magical crystals Fortuna and her sister were born several weeks later. Scar decided to take some time off from being the mayor to get a handle on being a parent, that is until he was informed of a very important meeting that he couldn’t skip so with not many options Scar decided to bring his daughters to the meeting. Many people were very surprised to find out that Scar was a papa and even more surprised to see how competent he was with caring for them seeing as he wasn’t the best at caring for himself. Fortuna was a bit more reserved than her sister but she still enjoyed talking to others. She and her sister loved playing with others one of their favorite people to play with was Tizzy and she liked playing with them as well. Also during this time they got a brother, Aislin after Papa and Bdubs started dating. The two loved him and would try to play with him despite not fully understanding that he was a baby and couldn’t really do much. Childhood was exciting for multiple reasons, one of them being that she and her sister got to be the flower girls at Papa and Bdub’s wedding. They were also excited to keep Aislin permanently. Of course that excitement quickly turned into annoyance when he discovered that he loved pestering and annoying his sisters. She would still play with him though. As a teenager Fortuna loved whenever Aislin would hang out with Djali for two reasons one that meant that she and her sister could go over there and annoy Aislin the other was she developed a huge crush on Djali and loved being around them. Besides annoying Aislin the sisters didn’t really hang out a lot, but she did accompany her sister when she got her nose ring, there was a lot of... no crying. During this time she also started experimenting with her luck ability trying to figure out if she could direct it towards anyone, during her experiments she noticed that her luck ability was directly linked to her mood, good mood good luck, bad mood bad luck. As a young adult Fortuna started experimenting with the relationship with magic and science. In her studies she’s discovered that though magic to others is just science they have yet to understand it’s actually it’s own individual thing. Magic as she has found it has a sort of sentience to it that can be channeled through different beings, some beings are bound to a certain type of magic while others can expand and grow upon it. She has also increased her own magical abilities and can now sense other peoples magical aura, which has made her studies much easier.
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inbarfink · 5 years ago
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I believe Greg’s claims that his family situation was horrible. When a grown-up man feels like he has no other choice but to run away from his family (remember, Greg was, like, 20 when he left) and then has absolutely nothing good to say about them for years and years later - that’s an indictment of the parents, not the son. They forced him into activities that had nothing to do with his actual intersts (including wrestling which can be... very unpleasant when you’re not into it), and absolutely forbade him from anything associated with the thing he actually LIKED, music. They didn’t allow him to dress and look the way he wanted and not in a “I am not letting my toddler wear the same shirt for 20 days in a row way’, in a “your son is 18 and you are still forcing him to cut his hair the way YOU want it to look”. That’s bad, that’s really bad. Greg wasn’t just sick of a ‘boring, mundane life on the suburbs with too much meatloaf’, he was suffocated in a toxic household.
And I understand why Greg was upset and defensive when Steven started with his ‘maybe your parents had a point’ thing. It must hurt to hear your son, the only family you really have in this world, defend the family you ran away from. Steven’s not thinking totally straight, he accuses Greg of keeping him away from his grandparents but he saw the stacks of unopened letters - implying that Greg has TRIED to keep in contact with them but the DeMayos were the one who refused. He’s focusing on the image of normalcy and humanity that the DeMayos house represents, on school and friends and graduations and home-cooking and adorable spoon collections - and not on Greg feeling they could never accept him and that he had to hide his most treasured possessions from his parents.
But ALSO Greg should apologize to Steven and work to be a better parent. Steven wouldn’t have been happier under an upbringing as strict and overcontrolling as the DeMayos. But Greg’s only two options weren’t “toxic overbearing ‘normalcy’” and ‘living in a van and never going to school’ - he is at fault for going into the absolute extreme opposite of his own upbringing and prehaps of projecting his own desires over Steven’s needs. Steven has told him, quite clearly, that he is upset about growing up without a stable roof over his head, about missing out on school (which both an opportunity for his future and a chance to expand his peer group and make a lot more friends), about never going to a doctor’s (nobody could guess what effect Rose’s healing powers could have on Steven’s body! Steven really lucked out that he didn’t NEED to go to the Doc for most issues, but nobody could have guessed it!) and Greg’s response was just “Yeah, but what I had was worse!”. I understand why Greg’s instincts were to go on the defensive but he is the adult and the dad and Steven is his teenage son it’s Literally His Job to be the bigger person in the argument.
And just as I consider Greg’s seemingly 100% negative feelings about the DeMayos indictment enough that they were shitty parents, then I find Steven’s mixed feelings about Greg as an indictment that Greg’s parenting has been flawed. Steven is currently a very messed up teenager, and Greg is his dad; Steven’s healthy development and happiness is his responsibility! I understand why Greg Turned Up the Way That He Did considering his background, but he is at the very least complicit in many of the Shit That Fucked Steven’s Mental State to the point that it is today. Even if I accept the idea that Steven HAD to live off-the-grid due to being a Gem (and I don’t necessarily. Yeah, his mother is a Space Alien, but his dad is a US citizen and he was born on US soil, he can have a fucking Social Security Number), Greg could have... like... tried to find some sort of structured non-Gem activity that Steven might be intersted in (we’re not going Full DeMayo here) like an afterschool class or something to give Steven a chance to develop his nonmagical skills and bond with more children his age. Which would have lowered the amount of time Steven was stuck alone in the Beach House just waiting for the Gems to come back and allowed him to develop his interpersonal skills and create a bigger support network for himself... these are things that could have really helped Steven in the long-run!
Steven opened up to Greg about his issues (and we know how hard it is to Steven to actually open up!), and what Greg ended up offering to him was more about Greg than about Steven. The message of the “Mr. Universe” song is “you can be free! You can be anything!” and that was clearly so meaningful and touching to young Gregory DeMayo, but it is the exact opposite of what Steven Universe wanted and asked for - some sort of direction and stabillity. And it’s... not the worst mistake in the world for a parent to make, to try and give your kids what YOU want rather than what THEY want, especially when you are dealing with such a complex problem as Steven has. But when you realize the You solution isn’t working... you have to process that it’s not working because they are not You and they require a change is perspective and maaaaaybe they might feel a little hurt that you were projecting on them and might want an apology or at least an acknowledgement that that’s what you were doing and that you’re going to Not Do It now?
If you are a parent and you have a child who is as messed-up as Steven is right now, that is kinda your responsibility bcause your child is your responsibility. If you have a child that is mad at you, you should at least have the self-awareness to think about what you might have done wrong. If your child literally shouts at you something that basically means “the source of all of my problems is the fact that I am your son”, then... that at least requires some self-reflection. Steven said stuff that was Dumb and Wrong and Hurtful things in this car argument, that’s true. He WOULDN’T have been happy under the thumb of parents like the DeMayos, Greg probably was justified in cutting them off, it’s not his dad’s fault that he never meant his grandparents. But inside these dumb and hurtful things there is a kernel of real frustration and hurt. And instead of acknowledging that frustration; Showing some sort of regret for not being able to give Steven a more stable and ‘normal’ home life that he now desires, promising to do better in the future, even just a “sorry I messed up, I didn’t mean to mess you up”... Greg just acts like he ignores it completely.
If your child has an outburst that they was clearly ashamed of and was clearly Pretty Unhealthy, you can’t just say “I’m proud of you, you called me out on my bullshit. And if you do, you can at least, like... acknowledge that things you were called on in any way???? Rather than just make it about yourself and YOUR upbringing and how it was much worse, which... even if ya don’t mean it, comes off as just you ‘proving’ that your parenting style IS right, because, hey! You can tell me anything! While meanwhile your kid is processing that no, he can’t tell you anything, because you are not actually doing anything useful for me right now. When your child tells you that your parenting style was bad and harmful to them, you should not immediately go into the same old routines you always do right after that???
I fear that the whole experience might have made Steven’s question Greg’s love for him, that maybe now he sees Greg’s kind and accepting nature as insincere and just as an attempt to overcompensate for his own issues. Is Greg really proud of him or does he just say it because that’s what he’s ‘supposed’ to say? But I have no doubt that Greg loves and cares for Steven a whole lot and that he raised Steven the way that he did because he thought that was the best option possible and that... the whole situation is just hard for him. Steven is dealing with a lot of issues that he never outwardly displayed to his parental figures before and it’s hard for them to adjust and to know what the right solution is. And it’s just plain easier to try and fall into your regular parenting techniques that always seemed to work before (like giving your child more ice cream and telling them their emotions are valid), rather than try and totally dismantle your approach to parenting in one evening.
It’s important to remember that Greg’s probably not in the best place right now either. Just because I think it is Greg’s responsibility as the Dad to be the bigger person in the argument and see what part of Steven’s complaints are valid... doesn’t mean it’s not also a hard thing to do when he’s also bringing up memories of Greg’s abusive childhood and saying his parents might not be all that bad. That’s gotta make it hard for Greg to think rationally about Steven’s words. And that’s not factoring in the supernatural element in which Steven’s trauma gives him Scary Dangerous Powers and Greg is the squishest, most fragile part of Steven’s family.
But it’s still Greg’s responsibility to make Steven happy and healthy,  and on that day, on “Mr. Universe”, he messed that up. And I believe Steven when he says that he messed that up before too. Greg’s not a bad person, but... an apology for the missteps of parenthood is what Steven needed at that moment and what Steven was hoping for, and Greg’s inabillity to deliever it was what caused the rift in their relationship most of all. I mean... The show literally spells that Steven needs to hear some sort of ‘I’m sorry’, not just from Greg, but from all of his parental figures! Remember how “Prickly Pair” ended???
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Cactus Steven is a metaphor for Meat Steven, for Cactus Steven to find peace he had to hear Meat Steven acknowledge that he hasn’t been the best parent and that he’s sorry. And it’s no coincedence that Steven has very rarely heard his parental figures apologize to him and that it has yet to happen in SUF, my prediction is that it’s gonna play some sort of part in the finale and with Steven fixing his relationship with Greg and the CGs.
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popculturebuffet · 4 years ago
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Scott Pilgrim’s Precious Little Life Review
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Happy Birthday To Me, as I continue my birthday celebration by taking a look at comics that have a personal connection to me.. And for our main feature, i’m taking a look at the first volume of a series that was vitally important to a teenage me, Scott Pilgrim. 
Scott Pilgrim is the brainchild of Brian Lee’O’Malley. O’Malley came up with the concept from a number of things. Being a fan of the band Plumtree, O’Malley was curious about the name of their song “Scott Pilgrim” and wondered who this Scott Pilgrim guy was. So over the years he slowly built the guy up in the back of his mind using bits of his life and what not. As for why he ends up fighting 7 evil exes, that came from a discussion with his then girlfriend, later wife and currently ex-wife Hope Larson, where he threw off the joke that her exes should form some kind of League. After finishing his first solo work Lost at Sea, O’Malley decided Scotty would be his next project and the rest is history. To date while O’Malley has written two works since, Seconds which is delightful and Snotgirl which didn’t grab me but I intend to try again, Scott remains his most popular work, in large part due to it’s SUBLIME video game and movie adaptations, the former of which is finally getting a rerelease next month. 
The series charm is in it’s style: A manga styled comic that combines two desperate kinds of story: Shonen Fight Manga and Slice of Life Indie Comics. The story shifts from Scott going through normal life stuff while trying to make his new relationship work and get his shit together and Scott getting into big bombastic fights with his new sweetie’s exes for the right to keep dating her and to you know, stay alive. The series effortlesly blends a video game like world with real grounded characters and is wonderful for it.  As for where I came in, one Free Comic Book day I found a little comic named Free Scott Pilgrim, which I genuinely loved and was instantly charmed by it’s humor and well done art. So I picked up the second and third volumes of the series proper and the first once I could find it and the rest ,as they say, is history. For my high school life, this was one of hte most important things in it and I wrote fanfiction, which I thankfully never put online and in general enjoyed the hell out of the series. Then I just kind of.. let it sit on my shelf for a while. It wasn’t BAD, I just never got back to it and as the franchise went dormant I just sorta slept on it and the movie and that part of me...
Cut to a few weeks ago, when Comixology did a massive sale for black friday that marked a ton of Graphic Novels down to just 1 buck each, and the color editions of Scott Pilgrim happened to be part of this, though only volume 1 was that cheap. But thanks to my best friend micheal and an early christmas/birthday present I got the rest and got to revisit the series as a whole, with me rethinking my previous thoughts of volume 1 and thus.. wanting to review it and share both why this series is so damn special and what’s good, and what’s not so good about it. I’ll also be covering the game, once i’ts re-released, and the movie once i’m finsihed with the comics so look out for that. And get ready to take a trip to the glorious land of canada... 
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As a heads up and as you can tell i’ll be using the color version as while I could get scans of the black and white, I prefer the color version. While the black and white was fine and always will be, I think the impressive coloring job really adds to thing and makes the already great fight scenes pop more, as well as making certain background elements stand out a bit. While it does negate the black and white gags, the tradeoff is more than worth it. That being said either version is fine so if you can get the black and white cheaper that’s fine and i’ve kept my original copies, with volumes 4 -6 having been picked up as they came out. 
So as our story starts we meet our hero: Scott Pilgrim Age 23, a charming but jobless and kind of sketchy possible college graduate whose really been adrift in his life since a breakup about a year ago. And when our story opens he’s taken a turn for a worse and decided to date sweet but naive and inexperinced Knives Chau, a 17 year old girl. And why yes the power dynamics there are messed up and why yes Scott is pretty damn sketchy in this moment in time, and while yes I am aware the age of consent in canada is 16, it dosen’t make this any less greasy and the story knows that.  And how it knows that MOST of his friends aren’t on board. The only ones who seems to is Stephen Stiles, leader of Sex Bomb-Omb, the band scott’s in with one of the best names ever and even then it’s hard to tell if he’s being sarcastic or just a total douche. The other, Young Neil Nordgraf, Stephen’s roomate, is well 19 or 20 and kind of a dipshit so we just ignore him. I used to use him as kind of a projection, to put myself in the adventure when I was younger as Neil kind of lacks personality in the comics but in the comics.. he’s not hte best or most complex character. He is great in the movie though and Edgar Wright did an amazing job fleshing him out.  The rest of his circle are .. not so permissive. His best friend, roomate and king of all gays for all time Wallace Wells very much does not want to come with Scott to school to pick her up because every part of that sentence after hurt to type. Granted Scott gets him to come with him with promises of boys, but frankly knowing wallace he was probably just playing along/wants to protect this poor child. His ex and fellow bandmate Kim is clearly bothered by it and is flat out worried Scott is taking advantage of her. Kim and Wallace are easily my faviorites both for personality and because I have a massive crush on both. With Wallace it just didn’t manifest till the reread. Finally Scott’s kid sister Stacey chews him out over it before genuinely wondering if he’s gone insane or he’s actually happy. For my two cents: he’s not. He WANTS to be, but he dosen’t know how. And as someone whose both neurotypical, which given Scott’s troubles with empathy and relating to people like yours truly I strongly suggest he is, and has struggled with depression I can relate to that. He wants to move on but he just.. can’t, he just wants to get past the haze he’s been in since Envy dumped him.. but he dosen’t know how. So instead of doing someting constructive or finding a job or anything .. he just took the first and easiest way out of his depression he could. I’ve done that with video games and stuff. Scott did that by entering a relationship that’s really easy, requires only so much effort, and is with someone who utterly adores, looks up to him and will never expect better. Being with Knives makes him feel better.. but it dosen’t MAKE him a better person. As i’ve made clear dating someone just for a boost makes him actively worse and had fate not intervened, I shudder to think what Scott might have become. That being said his actoins are still creepy and since Scott has a habit of landing ass backwards into being an asshole here’s a counter to track that. That’s 2 for doing this overall, one for tleling her to be good, and 1 for trying to ply wallace with underage boys. 
Your the Scum of the Earth Scott Counter: 1
Thankfully fate does and Scott’s dreams, ones of him crawling through a desert alone, are interupted by a mysterious pink haired girl on skates. The next day he’s just sort of in a daze, kind of confused, and even more so when he sees her IN REAL LIFE, while at the library with Knives. He’s understandably frazzled but ends up finding out he’s not hallucinating when talking to MIcheal Cormeau. Micheal is a minor character and another artist and friend of o malley’s who represents that one guy in social circles who knows everybody. And indeed he knows the mystery girl, Ramona Flowers and that she’s there. Scott TRIES talking her up but just creeps her out, so Scott goes with plan b and decides to ask around about her. Enter Sandra and Monique, two college aquantinces of Scott, who just sorta show up at major events and aren’t that developed or intresting. They turn him to Julie who forbids him to date her. To which I say. 
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Naturually we’ll aslo be needing a counter for this. 
Shut Up Julie Counter: 1
Scott however did find out she’s a delivery girl for Amazon Canada, and thus orders some CD’s on Wallace’s Credit card to hopefully see her. And while his behavior IS obessive.. it’s understandable. I’d be weirdly obessed with finding someone too if they showed up in my dreams every day and were apparently a real person. I’d probably play it cooler but still i’ts kind of understandable. So after a day with knives in which he’s clearly checked out she kisses him, he freaks out and it’s very clear that while Scott’s good at attracting women he’s just.. not good with his emotions and has finally woken up to how messed up this is, but has no idea how to get out now he’s intrested in someone he actually has a future with maybe.  Speaking of Scott’s package and Ramona finally arrive. Scott’s move is to.. ask her out abrubtly but after he mentions her Dreams, Ramona finally puts two and two together and explains things: She’s been using Subspace, a seris of highways connected by the subconcious and apparently more common in america, though it’s later revealed she was taught this but being the first book with a lot of the lore and what not ironed out this is fine. Point is she was just using his dreams as transit and didn’t mean to get him obessed. Scott continues to try his schtick and eventually gets her to agree to hang out with him. Why she does I generally do not know, as SCott basically fell ass backwards over himself conversationally, but whatever. If he didn’t succeed we wouldn’t have a plot. 
That being said things pick up a bit with the date though. The scene is really good and simply just the two.. talking. Having plesant conversations getting to know one another. That good stuff. it’s just really nice to read and it’s hard to explain why. Highlights include Scott’s x-men patch, Ramona not wanting to talk about her last job and Scott admitting he hasn’t been obessed in a long time.. and it comes off sweet rather htan creepy like that sounds. It just means he hasn’t fell this head over heels felt like this. As I said Knives was easy.. but this is hard.. and this.. feels right. So as things Snow Ramona yanks scott through subspace to escape the blizzard. 
So we end up back at Ramona’s place and she offers some tea which leads to one of the best gags of the volume as she lists them off: 
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So Ramona goes to get Scott a blanket, Scott ends up following finds her changing, and she decides to warm him up another way.. by embracing him... cue.. the inevitible really. 
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It feels organic though: The two are clearly attracted to each other and while Scott came on as strong as freaking colossus, he still rebounded well once they hung out and he could relax a bit and show the scott underneath the lairs of dumbass. The two end up cuddling in bed and Scott seems..genuiley happy saying he needed this... awwwwwww. They part the next morning with him asking her to his band’s performance. 
So Scott finds Wallace  at home who says what Scott needs to hear “You need to break up with your fake highschool girlfriend scott’ Granted the entire first 40 pages could’ve been titled that but now he’s actively cheating. He’s also got a letter. 
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It’s a death threat Scott barely grazes through, just like an email earlier. 
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But scott’s more concerned with his emotional distress.. i.e. the consequences of his throughly shitty actions finally hitting him in the face. 
Scott heads to practice for his gig and can’t bring himself to break up with knives, but does find out about the opposition: Crash and the Boys, based on an NES game title because of course it is. Crash, their leader, Joel their baseplayer who scott hates because he hates all other baseplayers (”I don’t hate myself kim) and Trasha, an 8 year old progedy they found playing Drum Mania. Don’t ask me what that is, i’m not going to get every refrence. 
So at the show Scott runs into Stacey and her new boyfriend Jimmy  with Stacey being supportive. And then Knives shows up and then RAMONA SHOWS UP. Oh no scott’s cheating might be discovered! 
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So Scott books it while we’re introduced to Crash and the Boys. Wallace heckles them, to the band’s annoyance, until they eventually get fed up and we easly get the best gag of the volume. I was wrong this clearly tops the tea thing. 
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So Crash and The Boys continue to play their set, including a song that supposdely kills the audience but really knocks them out.. which of course bothers kim because they play next. Meanwhile Ramona and Stacey meet and the two really get along.. and come back to find the audience ko’d and Wallace Making out with Stacey’s boyfriend. Oh no! Which is a dick move, no question. But Stacey’s next move is questionable even for a 19 year old: She says “You won’t steel another guy from me and tells wallace to sit over there”. Okay Stacey even if he is bi, and this series has trouble with the concept of bisexuals we’ll get into that later trust me, he made out with someone else entirely while on a date with you. Wallace is still an asshole, it’s part of his charm.. but it dosen’t change the fact your date kissed someone else seconds after you were gone and has been eyballing him all night, as seen even above. He’s not into you as you thought, just accept it, move on, and kick Jimmy in the balls and then wallace like a proper lady. So Scott prepares to play and this happens
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And it’s here, at the very end of the comic the series main premise finally kicks in and the world takes it’s true shape. It’s a world where an indie comedy about a mess of a being putting his life together after finding his dream girl.. also has said mess being forced to get into fist fights with wizards, movie stars, vegans, half-ninjas, twin roboticists and a katana wielding douchenozzle record exec in order to continue to have the right to date his girlfriend. 
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It’s where the series charm comes from and really what made it a huge sucess so it’s no suprise this volume perks up immensley for the climax. I’ll get more into it’s pacing problem at the end. For now it’s fight time and as we find out in a hilarious and awesome turn.. Scott is the best fighter in toronto.. which just makes me REALLLY want a Scott Pilgrim version of letterkenny. I mean who wouldn’t want to see wayne fight some guy who can turn his hands into dragons or see Squireely Dan do E.Honda’s hand slap move from streetfighter or see the skids all fuse into one mega emo. It’s just.. the possiblities are as endless as they are wonderous and I want this now. 
But yeah as Patel is both the first boss and Scott’s first real opponent Scott.. handles him really easily. This was by design as O’Malley wanted a shonen progression to the fights.. and honestly it’s a great way to do things. Since the fights are styled after shonen and video games, and both have power based progression in bad guys and threats, it just made sense. Patel.. is just pathetic even with his magic powers, and his habit of sending letters and emails just pounds it in. Though he is right to be a bit pissed Scott didn’t read a letter he hand delivered in a snowstorm. That’s just a tad rude. 
Mid-Fight, Scott, now he knows the whole evil ex boyfriend thing, wonders what Matt and Ramona’s past is and while Matthew refuses to tell.. Ramona spills easily. It was midddle school, all the jocks wanted her for whatever reason, likely because from experince in high school, guys really like indie girls. Matthew was the only non-white non jock, so they teamed up and with her strength and his mystic powers they beat them.. but since his use had dried up, she flipped him off and left.  Matthew dosen’t take this well and summons demon hipster chicks to fight while Scott and co, minus ramona, fight back with a finger gun routine and block his fire balls before propelling Scott into matthew somehow, and landing the KO Evil Exes Left: 6 Matthew bursts into coins though fun fact, O’Malley says the Exes all respawned back at home afterwords and learned their lesson. With Pattel I genuinely don’t think he did... but clearly given his penchant for formality what with the letters and emails, he probably felt it’d break protocol to attack before the rest were done. He probably jsut formed a hipster emo band and found more sucess using his magic for that instead and just forgot about the whole thing. Could be wrong but that’s what i’m going with.  So Scott asks Ramona to go out with him then make out with him, both of which she says yes to. Nice one scotty boy. Ramona then explains the whole evil exes thing: He’ll have to defeat each one as they come after him, and while Scott wonders if they’ll come one at a time Ramona’s not sure. As time will bear out, Scott is MOSTLY correct as most exes take him one on one, with the exception of the twins. But since as I said earlier the twins are basically one person, and as we’ll find out by choice, so it’s an exception. Plus their the last step before the final boss, so by that token it’s a bit fairer to have the penultimate boss get an unfair advantage. Scott is fine with that, he and Ramona share another moment and a kiss.. but Scott makes the mistake of asking if gideon is one and Ramona’s head starts glowing with her dodging the subject, though still going out with SCott and him worried.. it just feels.. off. not a bad ending but the only one of the series three cliffhanger endings that just dosen’t work for me, especailly since it is a bit before the Gideon mystery really picks up steam again. But with that we close this chapter
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FINAL THOUGHTS:
Precious Little Life is a decent start to the story.  While Scott is loathsome at first, he’s still a compelling character and does get more likeable as things go, the humor when it is there shines and is one of the series best assets and while the fight is short and only at the end, it is oh so glorious especailly in cover with the impacts taking cues from the movie. It’s a good intro to Scott’s world and ther’es a reason the movie adapts this book the closest as it sets up the cast and premise well, with only Stephen Stiles feeling a bit off and ONLY for the first few chapters.  The volume is only really held back by it’s pacing, as before Scott runs into ramona in his dream the story feels a bit sluggish as we’re just watching some douche date a high school kid. While it is necessary to set up the world, it just dosen’t have the snappy pacing the series would be known for and that makes the rest of the series more charming. it’s nto BAD.. but it’s not FANTASTIC like the series would become. What keeps it from being bad is simple: These aren’t general badness signs but more just O’Malley coming into his owna nd getitng better and better as the book goes, to the point that by the next book the pacing is much better and by book 3 onwards he has it down pat.  Overall not a BAD volume but certaionly the weakest of the bunch.. which given it’s still really good says something about the ride we’re in for. I’ll be back sometime in the future, likely january. Yup i’m taking on YET ANOTHER PROJECT. but since this one, while clearly exausting and time consuimg, is much shorter in overall length, and i’m still proritizing the three I have running over this, I think i’ll be just fine. Until next time, have a happy holiday. 
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dappercritter · 4 years ago
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Invader Zim: Taller Tales of Terror - The First Fic That Wasn’t
This was going to be my first fanfiction that I ever published, but things came up and I found other story ideas and fandoms to get into. However, because there’s nothing I hate more than leaving a story untold and forgotten.
 So like a writer jilted by a big name studio working on a big superhero movie that went terribly wrong after they left, I’m going to share it with you good folks to see if you still think there’s hope for it in some capacity. If so maybe I’ll choose to revive it in some capacity, or one of you kind folks can adopt it. Whatever you think of the once untold tale I’m about tell you, I hope you enjoy it.
The fic would have been either a mini-series/anthology or a movie-esque sequel—or two—to Enter the Florpus.
It would have followed the stranger further misadventures the kids would go on as teenagers, all of which have at least something to do with getting taller, literally or metaphorically.
 Although I'd do my best to recreate the series' darkly comic tone, there'd be more to the story than just that. I'd like to do a sort of character study with my fanfics and explore what they would do as they got older, how they would change if they could change, if they'd mature and try to connect with each other more, or if they really do just hate each other. It'd be like a coming-of-age story but done in the style of Invader Zim.
 But don’t be fooled, folks! It's not going to be one of those big dramatic fanfics with high stakes (nor any smut) thrown in. At it's core it's still just a fun, dumb, mildly disturbed "What if?" sort of fic. There would be a bit more emphasis on character and plot than normal, because I do love me a good character-driven plot, but still plenty of room for (what I hoped would feel like) the usual weird dumb creepy fun that original series excelled at.
 The story is set in basically the same continuity (or at least the closest thing to a continuity that can exist in Invader Zim) as the show and comics. The only difference is that the Battle of Meekrob actually happened—but not really.
 Long backstory short, there was a big showdown between the Irken Armada and the Meekrob-allied Resisty, but Zim and Dib missed it because a food fight got them stuck in detention. Zim tried to get Skoodge (who was rooming with him at the time because the scrapped Season 2 episodes were sorta canon here) to cover for him until her got there, while Dib tried to get Gaz to take Tak’s ship to provide support against the Irken. By the time they got out, however, the battle was over, Gaz blew the whole thing off to get a new game, Skoodge and some other Invader became the war hero Zim always aspired to be, and The Almighty Tallest decided to cancel Operation Impending Doom 2 because after the big exciting space battle they felt like they couldn’t top anything after that. Suffice to say, Zim took it pretty hard. Dib however would have seen this as something of a win since Zim still failed in a sense. Albeit it was a very anticlimactic win, even to him.
The actual story would have taken place about 5 years after the Battle of Meekrob, where Zim, Dib, and Gaz have made it to high school (or “hi-skool” as this is the Invader Zim universe, after all). Setting wise, things haven't changed much but the characters have made a few surprising or not-so-surprising developments. The most important of all, so important that it would be the focus of the entire story, in fact! would have been Zim developing a brand-new disguise utilizing an exoskeleton, based partially on the Almighty Tallest, in attempt to make him look like a normal teenager AND impress superiors. Naturally, things go horribly yet amusingly wrong for everyone involved.
 Now just where and what has everyone been up to/going through in those five years? Here’s a rundown:
-Zim spent those 5 years obsessing over his crushing failure, begging the Tallest to give him another chance, which they refused every time. Being stuck on a planet of smelly, stupid, and increasingly annoying creatures for so long without any real victories has left him bitter and frantic with more shmoopiness than usual. Even the little "VICTORY FOR ZIM!" moments he used to have got harder and harder to come by. By the time he reached high school, he was so messed up he didn’t realize his classmates had all had growth spurts until Dib easily overpowered him in one of their petty fights and points it out to the whole school. Thus, leading to the new exoskeleton and subsequent schemes to redeem himself in the eyes of the Tallest while looking normal in the eyes of his human classmates. Unfortunately, due to his desperation and general lack of understanding about the human body, the exoskeleton comes out looking like a lanky robotic nightmare with clawed fingers that jerks around like a big cybernetic marionette.
-Dib meanwhile has been doing slightly better. He and his paranormal research are still looked down upon, but he's persevered through the hope that someday he'll prove he's right. After (indirectly) stopping Zim from joining the Battle of Meekrob, Dib got a small confidence boost, thinking of it as a big step to exposing for Zim real now that he’s effectively trapped on Earth with him now. Although, following a rather blunt intervention from his family, he's started thinking about what he’ll do with himself once Zim is gone. He still hates his guts and he's still hellbent on beating him, but he's also started getting out more and trying to socialize more—however awkward his attempts may be. That he's also gotten taller and his head isn't quite as big compared to the rest of his body has been good for his self-esteem too. But make no mistake—when he's not going for runs, working shifts at his dad’s lab, or looking into a “totally normal” science major, he's toiling away on improving his array of anti-Zim strategies and defenses.
-Gaz is doing pretty good but she is totally done with Zim and Dib's junk. Although she's still her old apathetic self, she's doing everything in her power to broaden her horizons so she doesn't end up in the same, stupid rut that they ended up in. She would have gotten into indie art and game development; although her work is still fairly obscure, it's quickly gaining attention for it's macabre, edgy, punishing and geeky nature. (Imagine the works of Jhonen Vasquez, Toby Fox, Hidetaka Miyazaki, and Hideki Kamiya mashed together.) She also participates in e-sports tournaments on occasion, if only because crushing countless so-called “gamers” brings her amusement. Her psychic powers have also gotten stronger with her age, and she likes to experiment with them whenever she can—usually when somebody really annoys her. She's doing fine in the story until, after a run-in with a certain unkillable spoiled brat at an e-sports tournament, sends her over the edge and she trashes the place in a Carrie-esque episode. This gets her sent to anger management therapy, and now she's trying to find a way out to avoid sitting through an endless slog of "sappy" sessions.
-Gir would still be insane.
-Minimoose would still be the ultimate techno-lifeform Minimoose.
-Zim's Computer is still tired.
 -Prof. Membrane is still the greatest and most powerful scientist who ever lived but he’s also trying to make time for his family more and mentoring Dib to be the successor to his legacy he always thinks he was meant to be. That is if is experimental new immortality machine doesn’t work out. May or may not have to fend off Clembrane whenever he comes to visit.
-The Almighty Tallest are still living content, tyrannical lives. They didn't take canceling Operation Impending Doom 2 very hard because, as it turns out, they just got bored with it after a while. (Of course, Zim's repeated interference didn't help keep their spirits up either). However, they'd come up with the perfect plan to obtain absolute control of the universe AND get the feeling back: by making Operation Impending Doom 3 a thing and setting up a huge hype campaign for it. Thing go pretty well for them until Zim calls them and tells them about his new exosuit. They believe that Zim is trying to make himself look like a Tallest so he can lead a rebellion against them and get revenge for treating him like garbage. (He's not, obviously, but they're too dumb and paranoid to realize this.) So, they pretend that they're ok with it and let him carry on his merry way while they figure out how to dispose of him without making him look like a martyr figure of some sort, thus giving the other Irkens they mistreated any ideas.
-Tak would show up again in the second half and this is where it gets spoiler-y. She would come to Earth on the Tallest’s orders with a squad consisting of a reformatted Mimi, rogue SIR units, as well as Tenn and Skoodge who she had recruited to aid in her vendetta against Zim. She would subsequently reveal that after drifting through space in an escape pod, she crashed landed on Meekrob just as the battle was about to begin, and using the element of surprise, rescued Tenn from captivity and assisted Skoodge and the Tallest in devising a battle strategy so brilliant that it crushed the Resisty and Meekrob’s alliance and earned her the status of Irken Elite. She grew comfortable in her new position but could never get over her fear that Zim would eventually ruin it all again, so she waited and prepared for the day she would strike back. I don’t know how or if she would adopt an updated disguise (perhaps a hologram of her older humansona projected over her, Tenn, and Skoodge standing on top of her shoulders?) or hide in the shadows while Tenn, Skoodge, Mimi and the berserk SIR squad did her dirty work.
 -Skoodge would have gone from aspiring to be Zim’s friend to being his worst enemy after Tak turned him to her side by digging into his past with him, making him realize how little his supposed old friend cared about him. Despite this he still keeps an unusually cheerful disposition—even repeatedly apologizing to Zim whenever he attacks him—and acts as the heart of Tak’s squad. He thinks of them as his real friends, so he always goes out of his way to help them out or keep the energy up. Even though Tak looks down on him because of his size, she appreciates his gullibility and unquestioning loyalty. Tenn just thinks he’s nice, especially since he’s good at keeping the SIRs in check.
 -Tenn has recovered from the traumatic escapades she endured on Meekrob at the hands of the rogue SIR units and imprisonment under the enemy, returning to her usual competant Invader self—something Tak values quite a bit in an armada largely composed of egomaniacs and morons. Tenn values Tak’s companionship even more, viewing her as a conquering hero who not only won the most important battle of Irken history, but also, her heart. …Not she’ll ever act on her feelings. That would inconveniance the mission! (Although Skoodge has picked up on this and gladly supports her, thinking they’d make an adorable couple.) After investation revealed that Zim was supposed to receive the rogue SIR units instead of her while he trashed the Megadoomer that was rightfully assigned to her, she bought into Tak’s view that Zim’s very existence was a threat to all Irkenkind, gladly assisting her efforts to eradicate him.
 -Mimi and the rogue SIR units have been reprogrammed to be less insane and follow orders again thanks to Tak and Skoodge’s efforts. However, Tak also had a berserk mode installed specfically for eradicating targets with optimal, brutal efficiency. Mimi still tends to glitch though. In addition to Mimi retaining her cat holo-disguise, the berserker SIRs would gain new disguises resembling either feral cats or rabid teacup poodles. (I hadn’t decided yet.) Tenn still gets anxious around them.
 -Gretchen might show up again and would possibly get to reconnect with Dib, maybe even finally be honest with him about her feelings for him when she surprises him with her surprising new position at Membrane Labs: the janitor.
 -Keef will… er, uh… actually, don’t get your hopes up.
 Well, I think that’s everyone important. Okay back to the plot now!
 So, right up front, the biggest part of the plot as well as the biggest reason why I got uncomfortable with the whole thing was there wiould be some romance in here between a few couples and that it would have figured into the plot. The most significant of all: ZAGR (a.k.a. Zim and Gaz Relationship). But I wanted to make it feel organic and even sweet without sacrificing the feel of sardonic madness but also keeping it in the wholesome zone.
 I always felt like Zim and Gaz were a natural fit for each other (like quite a few other people, admittedly) because I always felt like their personalities were a good fit and they could have a lot in common. The story would follow them as they unexpectedly developed a romantic friendship, bonding over their resentment of the Earth and humanity, their absent family members, a love of technology of questionable intent, and subjugating those who anger them. It would all start with Gaz agreeing to help Zim improve his suit and his unassuming human act just to get back at Dib for annoying her. At first they’d be acting entirely out of spite and necessity, but as they spent more time together, they’d start to enjoy each other’s company more.
 Gaz would be the first develop feelings, since she voluntarily rejected the concept of love instead of being programmed to reject it like Zim, as she slowly realizes how much they have in common—much to her horror. Zim would take more time but when he begins to understand how he feels about and just what these DISGUST feelings are, he’d handle it just as poorly. (e.g. I pictured a scene where Zim has such a hard time admitting his feelings for Gaz that he ends up vomiting black goo like he’s possessed or something. For comedy of course.) But they’d both start to open up to each other in the end, if only because they’re the only two people in the universe they can stand. Gaz would try to help him overcome his anxiety and stop caring as much about what humans think of him, while he would be someone that she can actually relate to.
 Dib, however, would take sincerest offense to it. He’d be totally freaking out, nearly diving off the deep end to put his plans to defeat Zim into action and expose him before he could be exposed. He’d also make a point of demanding what Gaz could see in a monster like him, even reminding her of everything that Zim had done. Probably in an exchange like this:
 DIB: He stole our organs! He tried to crush the planet with Mars! He kidnapped me and threatened to turn me inside out! He tricked me into helping him teleport Earth into outer space so his rulers could destroy it! He turned me into bologna, Gaz! (*holding back tears*) BOLOGNE!
 GAZ: I thought you got over that.
 DIB: Well, physically I did, yes, but not mentally.
 Gir would be pretty on board with it though.
The other biggest plot of the series would have been Tak’s return and the reveal of her and the Tallest’s master plan to destroy Zim once and for all: kick off Operation Impending Doom 3 by placing Zim on trial, executing him, and completing Tak’s plan to turn the planet Earth into a snack bowl for the Tallest (which she still insists is a good plan, she just never got to complete it) big enough to feed them while they watch the conquest of the rest of the universe in style. Zim and the Membranes get through to her and her squad, and possibly the other Irkens, by turning them against the Tallest to stop the Irkens once and for all. Maybe.
Finally to wrap this little nightmare up, here’s a vague outline of the stories I had planned for this wannabe whopper:  
 -A Whole New Nightmare – Following an amusing prologue about how Zim and Dib ended up missing the battle of Meekrob, Zim finally realizes that his natural Irken height threatens to expose his façade to all the classmates who have reached proper adolescent human height. He creates his exosuit then proceeds to cause a scene when he calls the Tallest and goes to hi-skool. Meanwhile, Gaz bugs Dib about still wasting his time bullying Zim. Zim then challenges Dib to a contest of normalcy: a series of challenges that are just overhyped normal teenage things like loitering, hanging out with friends, and finally a dance-off. Whoever loses has to admit they’re a complete weirdo and admit they’re most embarrassing secret. Dib wins the first round, but after he blows off Gaz to hang out with the other kids, she and Zim strike up a nice conversation and he wins the second round. The final dance-off ends in a draw when Zim and Dib both end up looking like total dorks. The story ends with Dib and Zim standing up for themselves against their judgemental peers, but Zim ends up overtaking his big speech and convincing his classmates to completely forget about his bizarre new appearance.
-Gaz the Befriended - Zim and Gaz make a deal: Gaz helps him fine tune his suit while posing as his "NORMAL HUMAN!" friend, and in return he helps her figure out how to control her powers while posing as her friend so she won't have to go to anger management counselling. While they do drive each other nuts, they eventually learn they have a lot in common and start acting like real friends. Dib grows suspicious of their "friendship," sets out to uncover the truth.
 -They Follow - Dib goes on social media to share his findings on Zim with the world in an attempt to verify all his evidence via wisdom of the crowd. Zim finds out and retaliates by joining social media as well to make himself look like a hard luck case in an effort to gain sympathy from the (basically ignorant) public. As their war of words escalate and their follower bases grow, they end up starting a flame war that threatens to destroy society itself.
-Star Dib - Hoping to find some real help, Dib sends a message to outer space looking for reinforcements. He ends up with what remains of the Resisty, who dissolved after their crushing defeat on The Battle of Meekrob. Taking pity on them, he volunteers to become their new leader. Shenanigans ensue on a galactic level.
 -C for Conspiracy - Dib stumbles across a mysterious conspiracy involving Earth tech being backwards compatible with alien tech. He wants to take it on himself, but realizes that he might actually need Zim’s help. So he has to swallow his pride and ask him for help, and as if that weren’t enough he has to put up with his and Gir’s (who tagged along) antics.
 -Night of the Living Prom-goers - Prom night comes along and all the hormonally-imbalanced kids are ready to go, except for Zim, Dib, and Gaz. Until Gaz works up the nerve to ask Zim out, which he actually accepts. While Gaz prepares for her perfect tolerable evening, Dib desperately tries to convince her that Zim’s up to something while trying uncover his true motives, only for her to snap at him and challenge his views on Zim. Little do either of them know, Zim plans to use the prom as an experiment to harness Gaz’s power for his own ends. But at the same time, he ponders whether his friendship with Gaz is just a means to an end or something more. Either way it will be a night they will never forget. Or survive! Probably.
 -The Return of Tak’s Revenge Rises - Tak finally returns to take her revenge on Zim and the Membrane siblings. Striking them when they least expect with the aid of an upgraded MiMi, a squad of berserk SIR units, and two fellow invaders Zim had wronged in the past.
 -Doomed Together - Following Tak’s strike, the Almighty Tallest kick off Operation Impending Doom 3 with a mission of utmost importance: sending in the Irken Armada to ensure Zim is destroyed once for all so they can finally proceed with absolute universal domination. Now, Gaz, Dib, and some unlikely allies must come up with a plan to save their even more unlikely new friend and the rest of the universe from the most fearsome force in the universe! It’s basically the grand finale.
 And that is all there is, or was, to Taller Tales of Terror. I can’t guarantee I’ll ever revisit it, what with all the other stuff on my plate right now, but I’m glad to have finally shared the story of my first fanfic with y’all.
 So, tell me, my filthy monkey maggot mutual friends. After all that horrible rambling, what did you think?
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mikemoon · 4 years ago
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( choi yeonjun, cis man ) have you seen MICHAEL “MIKE” MOON ? i heard HE is a COMPUTER SCIENCE MAJOR at SAN VERTO COLLEGE and an EMPLOYEE at HALL OF FILM. they’re 22 years old and they’ve been living in san verto for 6 YEARS. they tend to be CARE-FREE & ADVENTUROUS, but rumor has it they can also be GRUMPY & CLUMSY. [ tally, 25, gmt+4, she/her ] @foolsstarters​
tw // mentions of depression, cheating, divorce, underage drinking and smoking
michael moon, born myungjun moon –– choi yeonjun fc
birthday: september 9, 1998 - 22 yrs old ; virgo
cis man, he/him, bisexual
born and raised in philadelphia, pennsylvania
mike grew up being an only child, and always around the company of his mother in their house. his father was always traveling back and forth from south korea to the states for work. his parents have met at work on one of his father’s trips to the states, and they fell in love. his mother being american-born, she couldn’t really leave philadelphia. she loved it there. so they decided to keep it a long distance relationship.
sometime during those fleeting meetings, she had gotten pregnant with michael. and of course, his father spoiled them both, giving them everything they wanted. he never left them to fend for themselves. when the boy was born, his father named him myungjun, and his mother decided to name him michael for his english name. the nicknames jun, mike, and sometimes junnie were often heard whenever his parents or childhood friends called him.
up until mike was five years old in 2004, he’s lived with his mother, while his father was leaving and coming back for a week or two. but that year, he’s finally moved to the states and stayed with them for longer nights. he even finally married michael’s mother. of course, he still disappeared for a few days or weeks on end for work.
but that was also the year michael’s mother found out that her husband was with another woman. michael has never seen his mother break down like that before. sadly, the young boy was peering into the room when the fight happened and witnessed everything. his mother made her partner choose between the two women, and he eventually told her that he was going to divorce his first wife for her, and appeared to have gone through with his promise. because after that incident, he’s been around more often.
by early 2015, when michael had just turned 16, his mother had gotten a teaching job in ashdown academy, which resulted in their move to san verto, california. meaning, new school and new friends for mike. meanwhile, his dad was still traveling a lot for business and coming back whenever he could.
michael has grown up as a cheerful and energetic child. his friends at any school he went to would tell you how much of a great friend he is, how trustworthy and caring he is. it was so easy for him to make friends anywhere. he was the type of friend who would smile at you and listen to you talk on and on about whatever you liked, and the type who would cheer you on with anything you want to achieve. he wanted everyone to feel included and loved.
so it wasn’t that hard for him to get along with new people once he moved to town. he was a very social person. 
he was also the type of teenager who was out there doing things he wasn’t supposed to. he missed his old friends and his old home, but he wanted to have fun with all the new kids he was befriending. that simply resulted in him going to house parties as an underaged teen to ‘have fun’. his mother didn’t approve of him coming home very late at night, clearly smelling like smoke and alcohol. 
internally he was a depressed mess. of course, no one is completely happy as they grow up. his family was a mess, even if it appeared as fine to everyone else. his family life affected him so much while growing up. mike sometimes could disappear for a few days in his room, and it was always during some of his bad spells.
what made it worse was the day he found out the truth.
it was 2017 when michael walked into his father’s office in their house, looking for him to ask him about something. and instead of finding the man, he found a stack of papers poking from underneath his father’s laptop. upon closer look, they appeared to be divorce papers. michael’s heart sunk, thinking his parents were breaking it off.
michael is a curious kid, he couldn’t help but close the door and read the papers. but what he saw wasn’t his mother’s name, it was another woman. his heart raced, as he put things back where they were and immediately left the room. michael had found out one of his father’s many secrets. he never divorced his first wife all those years ago. he lied and somehow stayed with both women without suspicion... well, until now. clearly the other woman was breaking it off for a reason. 
michael couldn’t help his curiosity. he came back to the room later that night and snapped as many pictures as he could of evidence he could find. he even found his father’s phone (which was easy to figure out the password of) and found a plethora of pictures of the man with a different family, different kids and a different partner. he airdropped the pictures to himself to avoid leaving any traces behind and quickly left again.
a quick search on facebook, and he managed to find the first wife. it was easy with the name and pictures he had. if anything, michael prided himself on being a good internet detective... or stalker. he spent everyday trying to find the rest of the family on the internet. he found the woman’s young daughter on instagram and twitter, along with her older son’s accounts as well. it felt weird. it was a constant “now what?” for michael. he’s found them. what was he going to do now? he couldn’t just message them and tell them everything. and he couldn’t break his mother’s heart by letting her know.
except he had to let her know. he could never live with the fact that he knew his father was betraying her this entire time. and so michael told her everything, and after comforting her all night when she broke down yet again, she immediately ended things and asked for a divorce. now it was just michael and his mother, all alone. and for once, having to get by on their own.
thankfully they were safe, with his mother’s amazing money management skills, and the job she got at the academy, they managed to live their regular lives despite the heavy feeling of a broken family looming around them. the two just wanted to be happy again.
michael spent the next few years trying to lead a normal life. his mental health had gotten worse after everything he’s found out. he went to college, and he continued trying to do well in school. he really wasn’t the best when it came to grades, but he was trying his best.
and truthfully, he couldn’t help but make a few spare accounts on some social medias to follow his father’s other family.
but he eventually decided to just let it go, assuming they definitely knew about his mother and himself, which would explain the first divorce. so he decided to put it in the past and move on.
his mother has moved on as well. she found herself someone who actually cares about her so much (mike’s stupid ass has done a secret background check to make sure this dude wasn’t another cheater lmaoo) and now mike isn’t an only child anymore. it’s been 2 years since his little sister yuna was born, and he loves her so much. he still isn’t used to the idea of a new fatherly figure in his life, but he’s.... getting there. 
little dumb hcs
mike majors in computer science at san verto college, with a concentration in game development and design
hes a lil gamer boy,,, u KNOW he’s that annoying dude with a gamer chair that has a sound system in it khjkh
he posted a few videos on youtube but rly just ditched the channel after like a month. he still posts whenever he feels like it tho and it’s usually just.... messy gaming videos or opinions no one asked for
his dad’s dumb ass still doesn’t know it was mike who exposed him to his mother. he thinks she found the divorce papers on her own. therefore.... mike still gets money from his dad on a monthly basis and gets to keep the car he bought him for his 18th birthday lmaooooo a win 
you probably heard me say this before but.... theres a hc that mike is allergic to eggs. simply bc the idea of him shopping in the vegan section is funny to me 
this boy has a love for frogs ? idk where the obsession came from but you bet you’re gonna see a cute lil frog sticker on everything he owns. he doodles them on everything too ? it’s a habit at this point. he also knows random little facts about them and tells them to anyone who didnt ask for them 
. embarrassing but.. this dude... omg.... a big sana stan.... he has a photocard collection.... he went to a twice concert like 5 times.... dont be surprised if you see a feel special sana photocard in his phonecase.... im embarrassed of him 
he also has a hyunjin mcdonalds hashbrown photocard framed that a friend gave to him for christmas bc.. it’s a rare card,,, and you can see it on a table by the door when you walk into his apartment 😭
mike also has a habit of buying things he doesn’t need ?? he has a plushie collection that has been growing since he was young, and now is getting bigger with the rise of squishmallows
there’s this random hc where he drunk bought a cardboard cutout of john cena ,,,, don’t ask,,, it’s currently guarding his room back at his mom’s house djfhdj
can you tell mike is my most embarrassing , most chaotic character,, 
also he moved out after graduating school and when he started to attend college,,,, gimme some roomies pls
connection ideas ??
michael’s childhood friends; could’ve gone to the same school back in philly before he moved away ?? 
friends he made when he moved to town?? mike is very social and was... kinda popular in school, i’d say. he made friends with basically anyone he found interesting
michael’s ex; they could’ve ended on a bad note, or even on a good one and ended up being friends. im really up for plotting anything.
michael’s best friend; PLEASE i love wholesome best friend plots. it doesn’t matter if they met in san verto or philly
roomies pls !!! i would love it if he could have some roommates who have to deal with his very . peculiar decorating habits 
co workers ?? customers ? regulars ? he works at hall of film ! 
like this to plot or hmu !
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hawkinsschoolcounselor · 4 years ago
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Do you like El? I got the impression that you don't really like her. And if you consider Byler as endgame, what kind of ending do you expect for El? Season 2 reminded me that El supposed to die in Season 1. This is immediately felt, since I got the impression that the Duffers simply do not know what to do with her, she had a rather boring story in Season 2. The only thing that added interest to her story was her relationship with Hop. But this is more Hop’s Arc, and El is just an addition to it.
I like El. That is to say, I like the idea of the character. I think she was very well written in Seasons 1 & 2, and she’s been very well acted by Millie Bobby Brown. It was really Season 3 that soured me on her, and that’s more of a criticism of the writing than the character. I’d like to believe that her depiction in Season 3 is intentional, and that they have plans to build on it, but it still remains to be seen. Her story is complex in that her personal journey is overinfluenced by others, and this results in her appearing to not have her own journey. Season 3 can still work with that story, as long as it was meant to demonstrate that she has a ways to go still. 
Basically, El is a tricky character to work with. Her lack of social and emotional development early in life should result in a stunted child who has difficulty adapting to a more normal life. This is what we see in Seasons 1 & 2, and it was handled very well. El had a basic set of personal values that drove her actions: personal survival, protection of her friends, and a desire for freedom. She had little opportunity for growth considering that she went from being raised in the very restrictive lab to spending a year in Hopper’s cabin with little besides him and TV for models of behavior. Her “spying” on Mike isn’t terribly unusual given her isolation and the fact that she bonded with him the most. The possessive behavior, such as knocking Max off her skateboard, is concerning, but not terribly unusual given her upbringing. When she finally reunites with the Party, she makes sure to share a moment with Dustin and Lucas, showing that she missed them as well as Mike. She also checks in on Will while he’s unconscious, so one would think she’d want to get to know him.
Then comes Season 3, and, suddenly, El is fine about being stuck in the cabin so long as Mike is with her. She seems to care little about seeing Dustin or Lucas outside of helping the Party with Dustin’s surprise welcome home. I don’t recall her interacting with Will at all. She also seems to be incredibly dismissive of Hopper, despite their Season 2 arc seeming to be how much they love each other despite each having difficulty adapting to a father/daughter relationship. This would ostensibly be Mike’s influence on her, but it still shows a major compromise of her values, as well as a regression of her Season 2 development. We’re seeing her use Mike as a sort of safety blanket (she literally clings to him when Dustin shows off his gadgets), and she continues to do so until she catches him in a lie. 
I do sometimes wonder if the Duffers painted themselves into a corner with her. She was a very popular character, which I suppose led to them adding her to Season 2. They claimed that they originally intended for her to have truly died in the act of killing the demogorgon. Her power level necessitated keeping her away from the threat for most of Season 2, resulting in the seemingly out of place episode where she goes to see Kali. Any development from that arc is missing in Season 3 aside from a single mention of “bitchin’” by El. She lacks the assertiveness, sense of camaraderie, or even personal style that this episode seemed to impart onto her. Instead, she’s revealed to still be a chameleon of sorts, taking on the qualities and mannerisms of whomever she is currently attached to. She goes from having Mike’s flippant arrogance to Max’s sassy assertiveness. 
This is all something I could live with, and even appreciate, as long as it leads somewhere. I’m begging for Season 3 to all have been a means to hammer home that El is not developing in a healthy fashion. If that ends up being the case, then I will be happy. 
A sense that I dislike El may come out in regards to her powers, though. I have a dislike for super powerful characters who can solve any given problem. Season 3 was heavily reliant on El. Unlike Season 2, El is present at each occasion where her powers are beneficial, and she is subsequently able to win, to one degree or another, each time. It was particularly frustrating during the sauna test. She is shown being overpowered by Billy, which could have been a good occasion to show that El can’t do it alone, as well as her friends not being totally helpless. Instead, they have Mike utterly fail at helping, and El manages to suddenly bounce back and defeat Billy even though she had just failed a moment prior. They may have shown El struggling, increasingly so, but she was still able to win every battle. Seasons 1 & 2 carefully spooned out her powers until their climactic battles, but not Season 3.
I suppose, given that I think Season 3′s over-the-top, in-your-face action was intentional, that they wanted to highlight the overreliance on El, and also show that her powers can’t constantly save the day. They do ultimately have her powers vanish, requiring the rest of the cast to figure things out. Still, it was frustrating to also have her be the only to break Billy away from the Mindflayer’s control. That really should’ve been Max’s role, if anyone’s, and it was just another “El saves the day” moment that grated on me. Yes, she did it without her powers, but only because her powers gave her the knowledge to put it to work. 
I imagine Season 4 will involve her coping with life without powers, which I think will be great. Not only will it serve as a plot necessity to keep her from finding Hopper, but it gives her a chance to be a regular kid. Her biggest character arc, hinted at by Max, is that she needs to discover who she is. While she had some growth in Season 2, limited though it may have been, she regressed in Season 3. She won’t be able to cling to Mike or Max now that she’s moved away. It’s been her tendency to simply emulate others that has held her back. Her being Hopper’s daughter is much a part of her arc as it is his. She doesn’t know how to have a father due to her only previous experience being “Papa.” Her attitude with him in Season 3 wasn’t her learning how to be a typical teenager. Rather, she was emulating Mike, making it a symptom of her larger problems. 
El, ultimately, hasn’t achieved even a rudimentary sense of self, and Mike is partially to blame for it, albeit uninentionally. Anytime El has shown any growth, she’s ultimately reverted in order to be with Mike again. El is better without Mike, and vice versa. They were codependent, unhealthy. Their relationship isn’t necessarily beyond repair, but it would almost require a complete reboot. I think it would be extremely limiting for her story have her end up with Mike when we’ve already seen how bad it’s been for both of them. An ending for El should involve her discovering who she really is outside of Mike’s, or anyone else’s, influence. It should involve El finally being part of a family (be it just Hopper or an integration into the Byers), as well as learning to be part of a larger group of friends instead of attaching herself to one person (as she did with Mike and Max). It had to have been intentional to show her lack of interaction with other characters. Otherwise, it’s just bad writing. The Duffers may have made a risky decision in bringing back a character they originally didn’t plan to, but I choose to believe they did so with at least some idea of what to do with her.
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