#and when they're able to cool off and actually talk to each other

[razzle-zazzle]

Ramble about more Dion x Morris x Gisu plz

Okay okay so. In my other post I mentioned having a lot of thoughts on how they get together.

ahaha this got longer than i expected it to so under a cut it goes

So. We've got Dion and Gisu making googoo eyes at each other. They've kind of discussed what's going on between them, and they've kind of just mutually hooked up without really talking about it because they're both interested and soft romantics and dumb teenagers. Morris and Gisu are friends, and Morris is becoming friends with Raz and Queepie; this creates plenty of opportunities for Morris and Dion to interact.

It takes a while, for Dion and Morris' idiot rivalry to crystalize into a friendship. Takes a while for Dion's annoyance and Morris' dares to turn into camaraderie, for their challenges and arguments to become a way to let off steam and break away from their responsibilities. But once they do, they start hanging out in more casual settings, start interacting on more even ground.

It starts when Dion's going through a routine, and Morris decides to catcall him, knowing that it'll annoy Dion to no end. He's right. He's so right about how much it annoys Dion that he does it again the next day, whooping and hollering obnoxiously.

"Oh, you want a piece of this, Martinez? Not my fault if I'm making you swoon!"

...Dion responds in kind. It throws Morris off for a second—but only a second before he shoots back with a "Well why don't you come over here, and show me up close?"

Gisu finds the fake flirting hilarious. She's laughing. Dion and Morris are trying to one-up and fluster each other in the most obnoxious way possible and she's laughing. She lives for the chaos, lives for banter and bickering and fighting that isn't serious in the end. And it really isn't serious—it's two idiots reciting sappy poetry and posturing like peacocks in an effort to one-up each other. It's Gisu occasionally pitching in a comment of her own about something sweet Dion did for her just to needle Morris. It's amusing to everyone else to watch these two idiots be idiots.

But Morris and Dion are not good at deescalating. They're not good at really knowing how to stop, once they get going. Not yet. And this isn't the kind of contest with a conclusive ending.

The shenanigans continue, along with all of the other stupid dares that Dion and Morris get up to—they're not doing the fake flirting all the time, and are generally just spending more time together as friends. The fake flirting has got a definite "Oh you wanna kiss me so bad it makes you look stupid" feel to it. But ironically. Completely ironically, they swear. The other junior agents get annoyed after a while, but similarly write it off as a dumb little challenge that'll peter out eventually,,,,, hopefully,,,,

And then it isn't ironic. It hits Morris suddenly, the realization that Dion's voice makes him want to throw and kiss the acrobat in the same breath. It hits him suddenly, in the middle of an unrelated conversation, his brain making the connection.

It takes Dion a little longer to realize. A little longer to have his "oh god I want to punch him in the mouth,,, with my mouth" moment. When he does, it hits him like a truck.

This is the part where things get awkward. Oh, sure, it's hilarious that Dion & Morris essentially bamboozled themselves into Having Feelings For Each Other, but let's not forget Gisu! Morris doesn't want to ruin his friendship with her, Dion still has feelings for her and doesn't want to just break it off with her just because he went and fell for someone else at the same time. He may be a dumbass, but even he can recognize that that's a jerk move.

So. We hit the awkward awful drama part. The part where Dion and Morris both hit upon the conclusion to just. ignore the fact that there is a mutual romantic attraction between them. Except now their interactions have become stilted, awkward, edging into bitter, their bickering sliding into genuine arguments because they're angry with each other and themselves over the whole situation. Because they're teens who aren't sure how to interact with each other now—they're making a bigger deal out of this then it really is, but it still is a substantial shift in their dynamic that they're not sure how to handle.

As for Gisu? Oh, it was hilarious in the beginning. She was living for the chaos. But now it's just... awkward. The guy she likes to hang out with and impress and kiss and her best friend can't talk to each other without getting in a genuine argument or shutting down. It's no longer fun for the three of them to hang out together, and Gisu can't stand it.

She pulls Dion aside because if there was ever a time for a serious talk, this is it. He affirms that he still likes her, and Gisu's still interested in him, but—

She wonders if maybe they should just try to settle into being friends. Maybe it'd be better if the three of them all shelved romance for now. After all, she's pretty sure that her and Dion being all sappy and trying to impress each other is just going to be a summer fling in the end, right? The Aquatos will leave to travel again, and Dion will run into some other pretty guy or girl and try to impress them.

But Gisu's a romantic idealist at heart, so she just kisses Dion and tells him she'll talk to Morris. And then he and Morris will talk, and work out whatever is going on between them. And everything will work out, because Gisu would much rather everything work out.

Gisu talks to Morris. He doesn't want "whatever I've tricked myself into having for Dion" to get between them. He just wants to get back to his radio station and put all of the drama behind them.

And it looks like it'll work! The three of them hang out—it starts out awkward, but then Gisu brings up how much she wants to try skating atop the Motherlobe, and suddenly Dion and Morris are encouraging her and helping her plot her way up there and Morris mentions he'll bring the camera and it's almost exactly like how the three of them interacted before all of this drama. It's great, and Gisu's having a good time—

She doesn't quite catch the exact moment it all fell apart. In hindsight, she'll remember that something Dion said must have rubbed Morris the wrong way, and Morris snapped back a sly little insult, and it must have devolved from there. But in the moment, it felt like Gisu was on top of the world one second, and then Dion and Morris were at each other's throats the next.

Gisu intervenes. It devolves into a three-way shouting match; Morris and Dion are shouting at each other, Gisu's shouting at them both for being immature, they're yelling at her to get out of it. Dion ends up going back to his family's camp angry and bitter. Morris' shoulders are hunched, his thoughts a low, jarring static to Gisu's senses. Gisu huffs and leaves to go skate her frustration off.

But Gisu's an idealist, like I said. She's stubborn, and she doesn't want to just give up just because things got a little heated. So she goes to Otto for advice. And then Milla. And she takes the time to think, and plan, and comes to a conclusion two days of Dion and Morris outright avoiding each other later.

"Right." Gisu drags them both out to a quiet little spot in the Questionable Area. "I'm not dealing with your awkward bullshit any longer. None of us are leaving this spot until we've worked," She gestures vaguely at all three of them, "this out. So. Start talking."

And that's where it starts. The conversation meanders, at first, with Morris and Dion dancing around the real issue until Dion caves and outright says that he likes both of them. A lot.

"And shit, I'm sorry for screaming at you." Dion adds, his eyes locked on the ground as he cringes. "I don't want to be fighting with you all the time. Not like that."

And Morris returns the sentiment. He's happy so long as he's got K.L.O.B. running, so long as he's still got his friends.

"But enough of this sappy junk." Morris waves a hand dismissively. "K.L.O.B.'s not going to run itself." He shrugs, affecting as casual an attitude as he can manage. "I'm fine with losing out to Gisu on the romance front anyway—that ship has clearly sailed."

"But what if romance didn't have to be a two-player game?"

Ah, yes, Gisu's sappy little heart and it's sappy little idealism.

Dion makes a soft noise somewhere between an inhale and a squeak, looking at Gisu with a look she can't parse. Morris blinks, equally caught off guard.

Gisu wonders if maybe she should backtrack.

She doesn't.

"I mean, I like Dion, you like Dion, and—and romance is just love and communication, right?" She shrugs. "So maybe we could..." She's not sure where she's going with this, but her mouth is moving faster than her brain can keep up. "Maybe it doesn't have to be a two-player game."

Dion makes a soft noise. “So we just all date each other? The three of us?”

“Maybe not all three of us.” Morris offers. “Maybe me and Gisu both date you? We could probably work out a timetable.”

And that's how it starts :]

Obviously they're not perfectly aligned right then and there—they spend some more time talking, trying to figure out what they want. Dion and Morris go on a date atop the waterrise ("first one to the top wins!" "oh, you're on."), and then Gisu drags Dion off for a "skatedate." Morris and Gisu request permission to go out to town and then go watch a movie together, trying to figure out if they're even interested in each other. The three of them hang out like they normally do, any awkwardness lingering in the air disappearing as they settle into a comfortable dynamic.

They don't tell anyone what's going on, not right away. They're all still trying to figure everything out themselves, sort-of sort-of-not dating while trying to get their bearings. Gisu and Dion do research on polyamory at the local library together. Morris subtly (read: very unsubtly) broaches the topic to Milla, asking her what she thinks of it. Milla correctly intuits what's going on and reminds Morris that "communication and consent are the basis of a healthy relationship."

So everyone (except Milla) initially assumes that Dion & Gisu are still dating, and whatever was going on with Dion & Morris has been worked out. Everything's back to normal, no need to worry about the rest of the junior agents being dragged into the drama.

Morris and Gisu and Dion slowly settle into a relationship. They have a few small fights, early on, a few disagreements as they slowly work out their new dynamic. Every time, they return to the same spot in the Questionable Area to hash it out. They're not perfect. But they're willing to work for it, all three of them.

They're still working out how to go about announcing it—Dion does want to tell his parents, he's still looking for the words—still working out how to explain it, when Norma, looking for Gisu to get her help with an assignment, finds Gisu and Morris having a picnic together, unambiguously making out.

It goes about as well as you'd expect.

[moonpetrichors-blog]

hiii! i love ur avatar writing and i was wondering if u could write something about neteyam x reader, where they're childhood best friends but then some na'vi guy start to show interest in the reader and neteyam gets all jealous and realize than maybe he's in love with them? idk if this make sense, english is not my first language, sorry :((

All Mine

Tags: Neteyam x Omaticaya!Reader, Aonung x Omaticaya!Reader (Only Slight), Fem!Reader, Childhood Friend Romance, Friends To Lovers, Jealousy, Anguished Declarations Of Love, Neteyam Loses His Cool For Once

Warnings: Neteyam Daydreaming About Punching Aonung LMAO

Neteyam was walking along the beach with his siblings when he spotted you, talking to the Olo'eyktan’s son. It had never crossed his mind before that you, his childhood best friend, would eventually find someone to romantically pursue. Was it wrong to realize he wanted you to himself, and not in the arms of another boy?

OMG IM SO OBSESSED W THIS IDEA!!! If theres one trope I love, its a jealous love interest 🤭 also, trust me when I say ur English is perfect!! Fun fact but English is also my second language and growing up I was ass at speaking it LMFAO so ur not alone 😭☠️

Yellow Hyacinth - Jealousy

* ˚ ✦ 1663 Words • Read below the cut

╭┈─────── ೄྀ�� ˊˎ-╰┈➤ ❝ [02/01/23] ❞  

It had been roughly a week since you arrived on the Awa'atlu village's shoreline. When you initially arrived, the Olo'eyktan's son harassed you relentlessly.

There were many things he liked to call you. Freak, weirdo, dimwit, you name it.

There was nothing freak-like about you, per se, but the fact that you were from the forest made you a target to Aonung's bullying. What skills could a woodland girl teach sea people? It was dreadful that you had to hide among them in the first place.

Technically, you had no obligation to go into hiding with the Metkayina clan, but you felt as if the Omaticaya had nothing left for you when your childhood best friend, Neteyam, informed you that he and his family needed to flee.

When Neteyam initially told you that he had to abandon your clan, including you, you wailed into his arms as if he had just perished. You couldn't bear the thought of not being with Neteyam, even if it meant compromising your clan's safety.

The truth is, you overreacted so harshly because you’ve had feelings for Neteyam for years now. You’ve always been unsure if he reciprocated, but there were moments between the both of you where he’d send mixed signals; you didn’t know what shifted or when, but there was just something between you both that felt like you were more than just friends.

And now he wouldn’t be able to stay and see how your relationship would unfurl.

Maybe you were foolish to persuade Jake Sully into bringing you along, but he eventually agreed (albeit reluctantly), since you and his son made each other happy. Neteyam was pleased when you told him you were departing with him.

So there you were, well acquainted with the Metkayina, and accompanied by your dearest friend. Aside from Aonung's pestering, you could put up with it since you knew Neteyam would safeguard you.

However, the more time that you spent with the sea people, the more you began to suspect that it was only you who had detected something between you and Neteyam. You stopped sending hints, even if he overlooked them unintentionally, as it stung too much to persevere.

Aonung eventually stopped attempting to harass you, and you even developed a pleasant friendship with him. Tonowari, his father, had him apologize for his poor behavior; after that, he was actually fairly delightful to converse with.

This was your life now.

...

Neteyam sauntered along the coast, followed by Kiri and Lo'ak. He couldn't take his mind off you; were you safe? Was Aonung bothering you yet again? His father had chided him that he didn't need to be at your side all hours of the day, but he didn't quite understand why his father was amused when he talked about how Neteyam behaved with you. You were his best friend, of course he’s worried!

Regardless, Jake instructed him to keep an eye on his siblings, so he didn't have much of a choice in abandoning them and running to your rescue. Not with Lo'ak prowling behind him in search of trouble.

Neteyam maintained his walk, thinking to himself that he was exceedingly fortunate that you had left the clan for him, and although he wouldn't say it, he was overjoyed.

What he wasn't so thrilled with was how he'd discovered you'd grown closer to that jackass Aonung. You could talk to anybody you pleased, and he knew you were far too pure-hearted to entirely dismiss the Olo'eyktan's son, but why did he feel so bitter whenever he saw you together?

Speak of the devil.

Kiri pointed you out, but when she saw who you were with, she shuddered. “Look, it’s Y/N! And... Aonung.” She deadpanned.

Neteyam was paying little heed to what his sister was saying. No, he was paying close attention to how you were giggling at whatever Aonung said.

What the fuck?

Lo’ak nudged his shoulder. “Bro?”

Lo'ak waved his hand in front of Neteyam's face, which he instantly swept aside. What exactly did Aonung say to make you laugh that hard? You only laugh when you're with him!

Neteyam was practically seething, his fists clenched into balls, as Kiri and Lo'ak snickered to each other out of his earshot. If Kiri didn't know any better, she'd suppose Neteyam was thinking about the finest ways to strangle a (what might as well be) merman.

And truly, he was.

Lo’ak held his fist to his mouth to stifle his laughs. “Dude, are you jealous?”

Kiri placed a hand on Lo’ak’s shoulder, and looked away with a smile plastered to her face. “He totally is.”

Neteyam’s rage was now being directed towards his siblings. “What? No I’m not! Why would I be jealous?”

Lo’ak was still chortling when he pointed behind Neteyam, motioning that he should probably look. He turned around indignantly, and saw that Aonung had a hand on your arm. He was close. Too close for his liking.

And that look. Anyone could see that Aonung was flirting with you. He was maintaining direct eye contact with you, narrowing his gaze. He appeared to be listening carefully to what you were saying, but his smirk paired with his eyes passing over your lips indicated otherwise.

Neteyam just wanted to pummel his stupid, blue face in.

Kiri and Lo'ak burst out laughing as they witnessed Neteyam storm over to where the two of you were. He aggressively inserted his own hand where Aonung's own had originally been, shoving your body into his own by the shoulder. The unexpected intrusion caught you off guard.

“Oh! Neteyam!”

You beamed at his arrival right away, but Aonung frowned. Before you could enquire what Neteyam was doing, he stared daggers into Aonung's head, and hauled you away from him by your bicep. Aonung remained there stunned, staring at your back as you walked away.

“What the hell?”

Kiri and Lo'ak tripped over themselves on their way over to Aonung, howling with laughter, and Lo'ak smacked his shoulder in amusement.

“Sorry cuz, you never stood a chance!”

Aonung’s cheeks darkened deeply. He was thoroughly mortified; he had no idea you were and Neteyam were like that! (You’re not.)

...

Neteyam began to lose confidence throughout the walk once he had pulled you much further away. While you shouted at him to let you go, he inwardly cursed at himself, wondering why he had just done that.

Does he like you?

Your vehement protests about how Neteyam was causing you pain eventually ceased falling on deaf ears. His rage vanished when he realized he'd been treating you like a ragdoll for the entire walk, and he immediately felt horrible. He let go of your arm and buried his face in his hands, ashamed that he had done such a thing to you in the first place.

You rubbed your sore arm, and nudged his shoulder gently. “What’s wrong?”

He looked way too upset, and you rarely saw him like this, if ever.

“Why was Aonung looking at you like that?”

That struck you with irritation. “Are you serious? That’s what this is about?”

His eyes darkened at your words. How could it not be?

You started to raise your voice. “You cannot be for real. You’re just my friend, why are you being so overprotective? If Aonung likes me, that’s my business! Not yours!”

Neteyam snatched your wrist again, evidently upset by what you just uttered. He didn’t know what he was saying anymore. “The only person that can look at you like that is me!”

You went quiet for a time, then realization dawned on your features. “Hold up... do you like me?”

Suddenly, Neteyam’s gaze softened, and he could no longer be furious with you. “How could I not?”

He released your wrist, unsure of what to say next. When he noticed your prolonged silence, Neteyam whirled around, prepared to walk back to his home and cry his frustrations out. He was fighting back tears already; what was the point of telling you this anyway?

You gripped his shoulder and forced him to swivel around and face you. Neteyam could not cover his face, and he felt humiliated because he didn't know why he was acting in this manner. Why was he weeping over a silly look?

He was caught by surprise when you cupped his face in your hands, and wiped the stray tears away. Your irritation had completely dissipated. “You have nothing to be worried about.”

He sniffled. “Why?”

“Because I’ve liked you since forever, but I didn’t think you liked me back. There were so many mixed signals, and you never picked up on my hints, either!”

Neteyam was taken aback. He was at a loss for words.

You rolled your eyes. “Just kiss me, you big idiot.”

Your hand that was on his shoulder was now suddenly imprisoned in his grip, and he jerked you towards his body, lips crashing into yours. He pressed against you with ardor, as if you'd vanish if he didn't embrace you like you were the last Na'vi on Pandora.

Your nimble fingers found purchase in his braids. His hands slithered around your waist, drawing you flush against him, effectively deepening the kiss. He needed you so near that he could only sense your lips against his. When you would try and pull away, his desperate kisses would follow.

You feared Neteyam had forgotten you needed to breathe, because you had to roughly pull his head back by his braids to eventually get him to halt his feverish actions. The minimal bit of pigment on your lips had now smeared, a mark left by Neteyam that claimed you as his. Who the hell taught him to kiss like that?

As you both merely stared at each other, stunned, Neteyam spoke through labored breaths. “All mine?”

“I’m all yours.”

Bonus!

Lo'ak sipped his fruity iced drink, having witnessed the entire exchange from a distance. He patted Aonung's back.

“You wish that was you, huh?”

Aonung punched him.

[babyleostuff]

hello! i have been following you for a while but im shy about sending reqs hehe. i wonder if you can make ot13 reactions on how they will act if they got into a fight with their partner while they're away? like how do they deal with it and what they'll feel about it? I'm sorry if it's weird! thank you so much!

no worries, i’m more than happy to write any requests you guys send me! hope you enjoy this one and if you have any more requests don’t be shy and ask <3

when seventeen gets into a fight with their partner while they're away | ot13

CHOI SEUNGCHEOL 

𓆩♡𓆪 he’s a leo sun (and as a leo myself), i know that he’d be too prideful to call you and apologise first, no matter if it was a big or a small fight 

𓆩♡𓆪 but then he’d realise how much he misses you

𓆩♡𓆪 it’s not like he can text you or call you and act like nothing happened 

𓆩♡𓆪 he’d be heartbroken for the next few days

𓆩♡𓆪 because not only are you hundreds of kilometres apart, but now he also knows that you are angry with him 

𓆩♡𓆪 one night he’d go through your shared photos and that would be his breaking point 

his gallery <3

YOON JEONGHAN 

𓆩♡𓆪 he knew that you were angry with him when you didn’t pick up his calls 

𓆩♡𓆪 and he would keep on calling you until you answered him 

𓆩♡𓆪 even if it meant that he had to sit through the whole night with his phone in his hand 

𓆩♡𓆪 you had no idea how much he relied on your late night conversations

𓆩♡𓆪 when he could see your face and find some peace among the crazy schedules 

𓆩♡𓆪 so he would do everything he could for you to pick up and talk things out 

HONG JOSHUA 

𓆩♡𓆪 first of all, the chance of you getting into a fight while he is away is like 0.01%

𓆩♡𓆪 the second he hears your annoyed voice, he tries to calm you down and asks you to take a deep breath  

𓆩♡𓆪 he’d want you to explain why you’re mad (and that’s when you’d probably realise how silly it was to get mad in the first place)

𓆩♡𓆪 even if was a more of a serious fight, he’d want to talk it out immediately 

𓆩♡𓆪 because he wouldn’t be able to go about his day, knowing that you were sad and angry 

𓆩♡𓆪 there is no way that Joshua would let the fight drag on for days or he’d go crazy 

WEN JUNHUI 

𓆩♡𓆪 he could feel his heart breaking, when he saw that you left him on read

𓆩♡𓆪 i don’t think he’d try to call or text you immediately

𓆩♡𓆪 because what if you really don’t want to hear from him now? What if you don’t want to hear from him ever again? 

𓆩♡𓆪 usually he wouldn’t be that dramatic about a fight 

𓆩♡𓆪 it’s just the knowledge that you are so far away from each other messes with his head 

𓆩♡𓆪 but the second he sees your name pop up on his phone screen, he tells you how sorry he is and how much he misses you 

KWON SOONYOUNG 

𓆩♡𓆪 he’d be so frustrated 

𓆩♡𓆪 why did he allow for the situation to escalate so badly, that you didn’t even want pick up his calls? 

𓆩♡𓆪 he’d try to go about his day like any other, but the only thing he’d be able to think about was your fight 

𓆩♡𓆪 and it would only get worse, to the point where the boys would have to text to you and tell you to call him

𓆩♡𓆪 he was just afraid that if he’d keep on calling and texting you, you’d only get angrier with him 

JEON WONWOO

𓆩♡𓆪 he had always been convinced that being away from you wasn’t that hard on him 

𓆩♡𓆪 but when you got into your first fight while he was on tour, well, that was hell for him 

𓆩♡𓆪 he had never realised how much he actually misses you

𓆩♡𓆪 your calls, your random texts, your facetime dates 

𓆩♡𓆪 you holding his hand, your kisses and your laugh 

𓆩♡𓆪 he had taken so many pretty pictures that he knew you would love to see, but he couldn’t even send you those 

his gallery <3

LEE JIHOON

𓆩♡𓆪 he would either try to talk things out immediately like Joshua, or give you some time to cool off 

𓆩♡𓆪 he knew that getting into a fight while being apart was stupid, because not only are you a couple of countries away from each other, but now angry as well

𓆩♡𓆪 but after those couple of days if you didn’t pick up his calls or respond to his messages, he’d become the biggest pain in your ass 

𓆩♡𓆪 because he wouldn’t stop calling and spamming you 

𓆩♡𓆪 so you wouldn't have any other option but to talk to him :))

LEE SEOKMIN 

𓆩♡𓆪 don’t to this to me

𓆩♡𓆪 if you ever had a fight when he was away, he’d be the saddest and the most heartbroken version of himself 

𓆩♡𓆪 he wouldn’t smile, and if any of the boys would try to make him laugh it would be so forced 

𓆩♡𓆪 neither of you took the fights between you very well, and now being apart, there was nothing he could to do comfort you 

𓆩♡𓆪 which only broke his heart even more 

𓆩♡𓆪 the fight wouldn’t last very long though, because after a couple of days you’d call each other in tears saying how much you miss each other

KIM MINGYU  

𓆩♡𓆪 now, this man 

𓆩♡𓆪 he’d either be spamming your messages with apologies, or be the biggest stubborn baby known to mankind 

𓆩♡𓆪 because if he believes that you are in the wrong, there is no way he’s going to apologise first 

𓆩♡𓆪 he probably vents to Wonwoo at some point 

𓆩♡𓆪 and when the older makes him realise that he is in the wrong, everything changes 

𓆩♡𓆪 he’d be calling and texting you 24/7, ready to do anything in order to make it up to you 

𓆩♡𓆪 because there is nothing more he loves in this world than you, and the knowledge that he made you sad and upset is unbearable for him

XU MINGHAO 

𓆩♡𓆪 similarly to Seungcheol, I think Minghao would be a bit too prideful to apologise first 

𓆩♡𓆪 but he would be a lot quicker to realise how stupid it was to ignore you and to start this fight in the first place 

𓆩♡𓆪 every time he’d see something that reminded him of you, he’d start to miss you even more 

𓆩♡𓆪 if you weren’t picking up his calls he would spam you with random messages 

𓆩♡𓆪 and he wouldn’t care if you didn’t respond to him 

𓆩♡𓆪 because he knew that you missed him as well and that at some point you’d text him back 

your messages <3

BOO SEUNGKWAN 

𓆩♡𓆪 another sad baby that would just try to survive the day 

𓆩♡𓆪 the fight would drain him out of all his usual energy, to the point where he wouldn’t even want to bicker with the boys 

𓆩♡𓆪 he wouldn’t be able to focus on anything else than the thought that you’re all alone at home, sad and upset because of him 

𓆩♡𓆪 he wouldn’t call you at first, because he’d be afraid he’d upset you even more 

𓆩♡𓆪 but he would still send you your usual good morning and goodnight messages 

CHWE VERNON

𓆩♡𓆪 i think he’d be very mature about the situation 

𓆩♡𓆪 he knew that he needed to apologise as soon as possible, in order to put this fight to an end 

𓆩♡𓆪 if you didn’t want to talk to him, he’d give you some space 

𓆩♡𓆪 he’d miss you so much though

𓆩♡𓆪 especially the random texts and memes you’d send each other throughout the day 

𓆩♡𓆪 and he’d still send them, because he knew that no matter what, they would still put a smile on your face 

LEE CHAN 

𓆩♡𓆪 he’d try to go about his life as if nothing big happened 

𓆩♡𓆪 because there are always fights in relationships and people are fine, right? 

𓆩♡𓆪 wrong 

𓆩♡𓆪 he spends all of his free time looking through your photos and messages

𓆩♡𓆪 which doesn’t help at all, it only makes him miss you more 

𓆩♡𓆪 he’d do everything to be back home with you, cuddling on the sofa and watching your favourite movie 

𓆩♡𓆪 when your calling ID finally popped up on his phone, a couple of tears run down his cheeks, as he picked up his phone to tell you how sorry he was 

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[numberoneredriotfan]

Rodydeku headcanons part 1 :)

I'm going insane over these two hggggg-

(this screenshot from the movie makes me cackle everytime-)

• Rody fell first, no questions asked. Deku fell a bit later when he actually had the time to consider his feelings when he WASN'T fighting villains and dealing with vestiges every three seconds.

• Before they parted after the humarise crisis, they exchanged numbers so they could still talk. And, I kid you not, as soon as Deku got home he called Rody immediately. Rody played it cool like-- "damn, miss me already hero??" As if he hadn't been staring at Deku's contact for the past ten minutes wanting to call him but not wanting to seem like he missed him or anything (he really, really missed him).

• From then on, they pretty much call each other every other night when they're free, giving each other general updates (or just to hear each other's voice) (Rody's like kicking his feet and twirling his hair during these calls-)

• Rody's contact for Deku is "mass murderer (heart emoji)" the heart emoji was added a little later on when Rody worked up the balls. Deku's contact name for Rody isn't anything special, just his name with a little ":)" on the side.

• Rody's crush is soooo bad. He definitely keeps up with anything hero-related on the news just so he can talk about it with Deku during their next call.

• I think Rody's voice helps Deku relax a lot, even if he doesn't realize why (keep this in mind, it'll come into play later).

• Rody thinks about the time when Deku spiderman-ed him around Otheon. A lot.

• Deku told everyone is class 1-A about Rody, more than he talked about the actual humarise crisis.

• During Rody's visit to Japan (in the spin off "team up missions" manga), I like to think he started developing a bit of an inferiority complex to Deku's friends.

• Like, who was he to Deku compared to all these friends that had been through so much together?? Compared to them, he was literally just some guy he saved the world with once.

• It didn't help hearing all the stories about Deku solving villain crisis after villain crisis with said friends.

• Of course Deku didn't think that way, and considered Rody a friend just like he considered everyone in class A a friend (with something a little extra there but he hasn't realized that yet).

• Deku once sent a picture of him and Eri during a little playdate to Rody the backflip his heart did when he learned that Deku was good with kids-

• Also, seeing Deku get along and be sweet with his siblings almost killed him.

• Sometimes, Pino will steal Rody's phone and send a random cluster of emojis with ninety percent of them being hearts. Deku was a little confused when this first happened, but after Rody (frantically) explained it was Pino, whenever it happens Deku just goes "hi pino!"

• Deku grows to be able to read Rody pretty well, even when he hides Pino from him. Although, having a friend with a built-in lie detector is pretty convenient.

• "Have you been missing me at all??" "Pssh, nah, you cause way too much trouble for me-" *distressed chirping in the background* "PINO." "I miss you too Rody :)"

• Rody pokes fun at Deku for the mass murderer incident all the damn time. "I don't know man, do I really wanna hang out with a mass murderer??" "Oh no, please don't hurt me mister mass murderer."

• Deku going on hero rants and Rody going on plane rants and both of them listening to each other with full attention :( <3

• Okay let's get into the more angsty stuff.

• After the war, and after all the villains escaped tarturus, and planes stopped getting to Japan and stuff, Rody was kinda worried (he was VERY worried).

• He was at work when all the commotion was on the news, and he completely froze when they mentioned UA high school. As soon as he got home, he tried to call Deku to make sure he was okay, but he got no answer. Because by then, Deku had already left UA high.

• Deku didn't want Rody to worry about him, so he pretty much ignored all his calls (feeling incredibly guilty as he did so) (also for the sake of it let's pretend he still had his phone).

• Rody tried so many times to call him, wanting to pull his hair out every time he was sent to voicemail. He was losing sleep just worrying about him, and Rody's siblings noticed. They tried a lot to try and get Rody to cheer up, which he did appreciate despite still being worried.

• He wasn't picking up his phone, and leaving a text just wasn't enough. So, eventually, he decided to leave a bunch of voice messages, as some way to make himself feel better.

• They started off with him trying not to sound too worried:

• "Hey, Deku! It's been a little while since I've heard from you. I know you're probably busy with everything happening in Japan right now. Call me back when you get the chance."

"The past few weeks at work have been exhausting. People are acting like the world's gonna end, but I'm sure things'll be alright. That's why we have heroes like you, right?"

"I was able to take Roro and Lala out yesterday, I sent you the pictures. Did you know Roro grew a whole inch?? Soon he's gonna be as tall as me!"

• Until they eventually grew more and more concerned and desperate:

• "Hey, I saw the news this morning. Japan is in really bad shape right now. Is everyone in UA alright??"

"You are getting these, right? If you have, please at least send me a message saying something. Roro and Lala have been worried, you know."

"Deku, I know things have probably been rough for you over there. For you and everyone else. I know I don't know you as well as your friends at UA, and I know that in the end I can't understand what's happening over there. But whatever you're dealing with right now, I'm willing to listen. So...please. If you're getting these- if you're even alive- just let me know. I'm worried, okay...?"

• At some point, Rody gave up on trying, only hoping that somehow Deku was okay, and that maybe he just wasn't getting his messages.

• But Deku was. And he listened to every single one, resisting to the urge to send him something, or call him. But he told himself it'd cause Rody more trouble if he responded, so instead, he just listened to each voicemail over and over, finding comfort in Rody's voice (he also looked at pictures of him with his friends for comfort as well but this isn't about them/j).

• After class A dragged Deku back to UA by the ear, once he was finally able to rest, he couldn't help but think about Rody and finally responding to him, but he wasn't sure what he would say, and he had a bunch of other things to worry about at the moment, so it slipped his mind.

• But eventually, as Rody was laying in bed thinking about Deku (as he had been doing for the past few weeks), he decided to try calling him again cause god damn it why not. He wasn't expecting a response, but at least he could say he tried.

• And to his surprise, Deku answered.

• At first, Rody just kinda sat there in shock, trying to process the sound of Deku's voice. And finally, weeks worth of emotions came spilling out and he just started ugly sobbing while yelling at him and questioning where he's been. Deku tried to calm him down a little, which only made Rody even more upset because how DARE you tell him to calm after you up and disappear for weeks without any sort of communication!!

• Knowing Rody's anger was justified, Deku told him he'd explain everything. And he did.

• He spent the next hour explaining everything that had happened to Rody. From the very beginning. How he was originally quirkless, how he got one for all, one for all's vestiges, the league of villains, All for one, Shigaraki. He explained everything, feeling a weight lift off his shoulders as he did so. Rody, though confused and confounded, listened intently.

• Once he was finished, Deku apologized profoundly for not telling Rody any of this, and how he just didn't want him to be put in danger. That's when Rody realized just how big the burden Deku had been carrying all this time, all by himself, truly was.

• "You've already put me in danger once before, hero." Rody said jokingly, trying to lighten the mood. Deku let out an weak, involuntary laugh. "You didn't have to hide this from me...you listened to all voice messages right? I meant it when I said I was willing to listen. You really don't have to carry that all by yourself..."

• Deku really couldn't help but sob once again at the support he got from one of his dear friends. And hearing Deku cry, Rody said he was a crybaby while also starting to cry as well.

• Just like that one time, both of them started to laugh together while still crying.

I love them so much :(

[alastair-1205]

Holy fuck I am very not normal about this little 3 second exchange. Cuz like there's so many little things in this season that show how, even though these two have yet to actually talk about their issues fully, they're on actually decent terms now. And not just in a forced "hey the world will literally end if we keep trying to beat each other up" way, but in a "Despite still being kinda antagonistic towards each other, we're perfectly capable of occupying the same space for extended periods of time and being civil, and do so of our own free will fairly often" (as is seen by Macaque being around Flower Fruit Mountain and referring to it as his home in episode 1).

Which is really really cool on its own. BUT THIS MOMENT SPECIFICALLY. We see them coming up with an escape plan with nothing more than a look and a nod. I feel like this is as close as we've gotten to seeing how they actually used to work together during their days in the brotherhood you know? Being a dangerous duo in battle because of how in sync they are. And despite everything, they're still able to fall back into that rhythm when needed without thinking even while annoyed with each other.

They were literally just arguing and they can still pull that off now that they've managed to heal a little bit becasue they've managed to grow past the blind hatred into something less volatile even though they still have so much to talk about and I'M JUST SO-

[jevilowo]

Headcanon:

How much the other Mercs can understand Pyro

Scout: Not at all. Won't even try. Literally will just pretend they're on about how cool he is. It drives Pyro insane.

Soldier: Almost every single interaction goes like "mph mph" "LITTLE TIMMY FELL DOWN THE WELL?!?". Soldier can understand them perfectly like once in a blue moon bc funny.

The Other Pyro: They understand each other perfectly and discuss my little pony lore together.

Demo: Understands them well enough but only when hes like the maximum level of drunk. The rest of the time he has to guess based on their tone and body language but how good he is at that depends on how sloshed or un-sloshed he is.

Heavy: The man struggles enough with with english when spoken normally, he's pretty useless at deciphering pyrospeak. He's definitely better at the body language and tone thing than Demo tho, due to having sisters and not being drunk.

Engie: A Sans Undertale situation where most people think he understands them perfectly but he's actually just godlike at reading tone and body language, and decent enough at deciphering the mumbling. I'm pretty sure this is somewhat canon, as the only time Engie has "understood" Pyro was when they made a "nuh-uh" sort of noise which is. Obvious.

Medic: Can't understand much beyond like Yes and No and MEDIC, and is pretty mediocre at tone and body language. Usually just gets Engie to translate. Considering getting Pyro to let him attach a mouth to the outside of the suit.

Sniper: Pretty shit at tone and body language, alright at deciphering the mumbles. One of my headcanons for him was he didn't talk for years as a small child (autism), so I can picture him teaching Pyro some basic Australian sign language.

Spy: He's a spy, and therefore pretty good at deciphering Pyrospeak and tone and body language. He's not as good as Engie, which drives him up the wall.

Miss Pauling: She hasn't really had the time to get used to Pyrospeak (busy), but I can see her getting pretty good at deciphering it over time. She'd probably learn sign language off Sniper too.

Administrator: She was somehow able to understand they wanted more weapons in Meat vs Match so she understands that much at least.

Saxton Hale: That weirdo barely understands Scout. He's probably convinced Pyro is actually just a really obscure species of wilddog that evolved to use flamethrowers.

Zhanna: Same as Heavy, but gains Soldier's ability to understand them occasionally over time.

[drdemonprince]

Hey Devon. This is related to community-building ask, as I feel it kinda hit something in me, and that is my frustration with my local queer "main community", who is mostly made up of people who can work/hang together (people in visual and performative arts, LGBT NGOs, event organisers and so on). It's so closed off and so circlejerk-y that it's demoralising. I've been trying to fit in ever since I started being an adult, almost ten years ago, but I have never made any progress on getting to any of its members. I have made queer friends who are wonderful people, and as you said in the previous ask, that is enough and makes a community of our own already. Nevertheless, it is frustrating for all of us to go to a queer space/show/event just to see that the crowd there is made up of people who know each other and talk to each other and make big groups, while we're just sitting there. It brings us down to know that for queer political events like protests (which are ofc organised by them), we have no one left to fall back on except us. It makes it weird when only one of us is able to go protest, they'd rather not go because it feels so lonely to be sitting around all those people who just know each other, who have been passing by us for so many times over the years, and yet never take interest in even saying "hi" or whatever. It makes us think that they're fucking disingenuous and their "community building" is a load of crap. And I don't really want to feel like that about my people, but look at me, after almost ten years in my city, I fucking do.

Hi there, thanks for your message.

Let me just say that while I understand where the perception comes from, the queer people who put on shows, run nonprofits, and go out clubbing are not "The main lgbtq community" in your city. They're just a bunch of cliquish, careerist, young, privileged people who market themselves as such because they've been convinced that's what the "queer community" is and because doing so helps them get butts in seats at events.

I've seen theater kids, drag performers, DJs, comedians, party promoters, and other various people of the attention-seeking arts (said neutrally) do this all my fucking life. They stake a claim on building "feminist spaces" and "anti-racist" spaces, too, among other things, and use those higher values to sell tickets to their shit too. It's a way to make every tragedy that strikes oppressed people into an advertisement for their burlesques and shit. Don't let the self-important myopia get to you.

The real queer community? In any given city? Well, it's not any one thing. There is no singular "queer community". What people often refer to as the LGBTQ community or the queer community is a demographic, not an actual community. That demographic is marketed to, including by fellow queer people, but that does not a community make.

A community consists of people who know one another, and have enduring bonds, and who have shown up for one another mutually in multiple ways. A lot of these hot cool stylish young queer people are actually merely colleagues of one another. When there's a conflict, or a cancellation, or a venue that closes, they will be tossed to the wind like so many dandelion seeds. Compare that to you and your friends, who can and do remain in contact as the seasons of life change.

It is demoralizing to see so many people who talk a big game about community fail to show up to do activist work that is meaningful to you. I can't deny feeling the same way. For many years, I dated an actor who was very plugged into the local scene, and while his theater company had a reputation for being progressive, trans inclusive, even left-leaning, almost nobody in that collective did anything for the broader 'community' at all. They were all too busy being overworked five nights a week for like a $200 per week stipend, writing plays in which they repeated leftist platitudes but did relatively little.

I'm being a big overly cynical here -- the theater did just put on a big pro Palestinian fundraiser -- but the fact is that running a club, a theater, a local education org, or a regular drag show is a business, and in the end the business always comes first. Even when the members of that business might not want it to. They're often extremely exploited and underpaid, which is part of what makes them so hungry to market themselves and maintain their careers. I have sympathy for it. But meaningful social connections and local impact it does not make.

All of which is to say: please try to remember that these people presenting themselves as the symbols of the local "community" are just a bunch of artistic kids who are trying to make a living doing what they love. They're naive, exploited, a little self-absorbed yes, but they're ultimately not that important. they just deal in a very self-important line of work.

There are SO many queer people all around you who never go to those fucking clubs and shows and aren't even on instagram. The "main" queer community, demographically, is more like the nerdy 40 year old gay couple that lives down the street from you who goes out to the movies once or twice a month and holds board game nights with their friends. The "main" queer community is volunteering at the zoo, going camping with their fraternity brothers that they met 20 years ago, working at the car dealership, planting tomatoes at the local community garden, taking care of elders with dementia, organizing weekly running groups.

You can find people like this -- total normies -- who will care about causes greater than themselves and want to contribute to community building efforts. Many of those people are already doing a ton to make community. It's just less sexy and less self-consciously queer than like, the dance parties. It's also more diverse, accessible, and capable of meeting people where they are at.

It does sound like you would like to meet more activist friends / politically engaged friends, and for that I'd say try looking at pro-Palestinian (for example) events and spaces and seeing who turns up there, checking out a local food not bombs chapter, looking up local mutual aid groups or buy nothing groups, getting involved in hyper-local initiatives, and putting what feelers you can on local forums and personals boards (like Lex, local Facebook groups, local Meetup groups, etc). You probably wont find a perfect space, but you will find worthwhile people scattered everywhere you look!

[lavishlyleo]

Astrology Observations 3

The power pisces placements hold is actually insane, like everyone talks about how intuitive Scorpios are, but have you seen what a Pisces can do when they set their minds to something? Especially a Sun / Mercury Combination in this sign. Like these people can not only predict many things and easily read foretold messages, getting insight on something before it happens, but they also have heavy manifesting powers when they have a lot of faith in something that they think will happen. It's like they speak it into existence. These people have a sixth sense I swear.

Like everything people think Scorpios are Pisces IS.

Having a Libra or Gemini Moon in your Solar return chart could indicate you being put in a situation where you appear fake and/or two faced. ( NOT Natal chart, Solar Return Chart ) I remember during 2020 I had this, and I used to always wanna keep the peace and harmony in my friend group, but when certain people left that I didn't like, I used to talk SO MUCH SHIT. It's a thing of not being liked by certain people or not liking certain people and them making you irritated and angry, but not wanting to cause more problems that would make the situation worse. So you just leave it be but as soon as you get the chance to vent about it, it's like a flood gate opening.

Moon in 11th house people CANNOT live without their group. I know someone with this placement and he always has a group to tag along with and he has so many connections to people. He's the poster child of social butterfly.

Being around someone with a Debilitated or Fall Moon ( Capricorn and Scorpio ) when they're irritated or angry is so draining. Like they WILL suck the energy out of the room when they're mad. Like you're walking on eggshells with what you say to them. However usually when the native realizes that it's affecting everyone they will leave the scene until they cool down, or try to sit down and talk about their feelings. This is because they don't want to stew in their own anger because it's draining to them too, so most would rather solve the issue than keep being angry.

Pisces Mars is another powerful placement to have for intuition and being able to dissect people's mind, intentions and feelings. Mars is the energy we put out into the world, but Pisces Mars uses their energy to absorb other peoples' energies to get the feel about somebody. This can also indicate someone who is very sleepy all the time, espeically around emotionally and spiritually draining people because they have to use more energy on these people.

In synastry, we all know to check Venus, Mars, Moon, ect. HOWEVER! I feel like another huge determining factor in synastry is ruler planet chemistry. For example. If person A has Gemini Rising, and person B has Capricorn Rising, You would check how person A's Mercury aspects person B's Saturn. If A's Mercury trines B's Saturn then they could have a relationship based off similar experiences and having similar ways of thinking, despite their Rising signs being in quincunx. Also take into account where the chart ruler falls in each others charts. Another example is if Person A's Mercury could be in B's 6th house, making their relationship more work related and, and they sharing everyday little details to eachother.

Having a lot of strong and prominent aspects to one planet can make it a key focal point in your life, even if it's not the chart ruler, dominant planet, ect. This also means that planet has a more far reaching and influential power over the many planets it's aspecting. Think of dividing and conquering in a sense. And the planets being aspected by this one planet can even take on the qualities of the planets sign(s).

For example, someone can have many planets in fire or air, initially giving them those fire/air qualities. However, if their Saturn aspects alot of their planets (especially personal planets), then they may take on a more serious and calculated demeanor. Similar to that or a Capricorn or Aquarius.

What is it with fixed Mars signs and BEING SO FUCKING STUBBORN!? Especially Scorpio or Taurus Martians. I mean I know I can be stubborn sometimes but this is insane. In some instances, they KNOW they're in the wrong but will still defend their side of the argument until they day they DIE!! Obviously this is not everyone with this placement, at all times, but I've seen a couple people with this placement do this in when debating or arguing and it's like talking to a brick wall.

Having a lot of planets in the 10th house, or having personal planets in the 10th house in many of your Persona charts can indicate being very conscious of what you say to people, or to the public as to not have anything you say ruin your reputation. Any vile or ill feelings you have towards people are said in private to people you trust. These people are VERY conscious of their social and digital footprint.

Sagittarius Risings can have be very clever and calculating with their addictions. They're excellent at saving up money and rolling on a tight budget, thanks to their 2nd house being in Capricorn, however, with the full intentions of blowing all that money on something most people would find reckless or not essential. For example, saving up a months worth of rent to blow it all at the mall on anything they find and like when they get there. Calculating enough to know how much money they'll likely need for their adventure, but vague enough not to know exactly what they'll buy when they actually get there.

I think this kinda goes without saying but also look at the house your planets are in along with the sign! For example, Someone with Libra Mars may seem really chill and compromising but if they have it in the 1st house they can be way more agressive and bold than a normal Libra Mars, and take on many traits of an Aries Mars.

On the same note, look at which specific house the planets are in, I feel like planets can be effected by the whatever house they are exalt, domicile, detriment, or fall in. For example, Venus could be in it's home sign, Taurus, however if Venus is in the 6th house it would still be in a somewhat fall because Virgo rules the 6th house and is in fall in Venus.

ALONG THE SAME NOTE, I don't see people talk about this enough but signs in domicile can be just as malefic as signs in detriment!! While a Capricorn Moon can have trouble showing their emotions and opening up to people, a Cancer Moon could be too emotional and always make the topic about how they feel and their emotions. Or while a Pisces Mercury could be avoidant and emotionally persuasive with their words, a Virgo Mercury could be overly analytical and constantly nitpick.

If you don't relate to a house placement, check your chart in whole houses.

With most of us alive today having Neptune sextile Pluto, this means we tend give a LOT of power to people we heavily idolize or are obsessed with greatly, for good or for worse.

I feel like the people who get stereotyped the most and/or have a warped stereotype applied to them that isn't consistant with the signs original stereotype usually have Pluto, Neptune or sometimes Uranus in their first house because those planets stay in a sign for years and can affect that generation of people. For example, Sagittarius Risings are stereotypically optimistic, easy going, adventureous and free spirited. However with most of Gen Z having Pluto in Sagittarius, this gives our generation of Sagittarius Ascendant natives a more serious, intense and secretive qualities.

A conjunction between two planets that are in different signs can weaken the conjunction. This is because while the planets energies are still combining, the planets have different ways of outputting that energy, which can sometimes disrupt the synchronization of the two planets.

This goes for opposition too, and I think it makes it worse because usually when two planets are in opposition, they are in sister signs, which gives them similar qualities and a basic understanding for each others energies. However if two planets in opposition aren't in sister signs, then this can make the placement feel more like a Square/Quincunx combination because there won't be that initial understanding or similar qualities, And the signs won't share the same modality or element.

I feel like Lilith aspecting the Moon can be more detrimental and powerful than the Moon being in Scorpio or Capricorn. This is because Lilith in astrology, like the moon is related to feminine energy (After all it's black MOON Lilith). But because of this very powerful and similar influence to the Moon, this can warp the effects and qualities the Moon has on the native, and the line where Lilith and the Moon's influence seperate can blur for the native. Personally me, I think this placement is the most powerful Lilith placement/aspect to have, even more powerful than aspects to the Ascendant or Sun, and is what typically makes someone a Lilith dominant.

Placements that indicate having strong manifestation powers -

Jupiter or Venus in the 12th house.

Neptune in the 1st, 3rd or 8th

Having Pisces in a fire house (1st, 5th, 9th)

Sagittarius in Neptune and/or 12th house

Having planetary conjunctions where the planets in conjunction are in Pisces/Aries (One planet is pisces and the other is Aries)

Saturn in the water houses

Stelliums that include saturn or Neptune

Stelliums in the 8th house

Ruler of the 12th house in the fire houses (Co rulers count too)

having many planets in the 10th or 11th house (because they are Saturn ruled houses and manifestation here is a result of good karma and time).

On that note, not every planet in the 12th house is good for manifestation. Brash and scattered planets like Mars, Mercury, Moon, ect can be too chaotic and scattered for accurate and great manifesting.

While Venus Persona Chart can show what kind of lover you are, Juno persona chart can show what your lover's chart may look like.

Look at where the Ascendant of the Ascendant Persona Chart Ruler is in your natal chart for more insight about your identity and what your core themes are. For example if your Acsendant PC Rising is in Aquarius, check where Uranus and Saturn lies in your natal chart.

Personally, I think Venus should be exalted in Cancer and Jupiter should be exalted Pisces, they need to swap because it would make so many things line up with the placements exalts and domiciles for Venus, Mars, Jupiter, Mercury, ect. For a more in depth analysis check out my post here

[bonebabbles]

Ivypool's Heart: Finished

Just completed reading the new super edition! I'm pleasantly surprised by this one. Overall, this was a very good book, MUCH better than the past 3 which were some of the most boring and unnecessary entries to the entire franchise.

If you were on the fence about this one, I'd recommend it. Just take this warning; it does the Warrior Cats thing where it harps pretty strong on parenthood and nuclear families being a borderline essential part of life, including a ton of bashing on how uniquely horrible this makes the Sisters.

If you can get past that, it's a pretty solid story about grief that makes some really fun additions to the WC lore, including the wildcats, StormClan, and a broad expansion to the afterlife system.

Meandering thoughts below the cut;

One of IPH's biggest flaws is pacing, but it's not nearly as bad as the past 3 SEs.

Not to mention, this is a pretty small SE. If you're ever bored, it won't last long.

Before the book introduces the Wildcats, it REALLY meanders. It'll pick up, but you will have to wade through relatively uninteresting scenes of the cats traveling and talking about their feelings unprompted.

A lot of "quicktime events" happen out of nowhere to fill pages with cats running away from random bullshit.

There's a horse carriage, an apple picker, dogs, weasels, foxes, a storm, traffic, humans, boats, sandwhiches. It's endless. My eyes glazed over during most of these scenes.

I know a lot of people were dreading Ivypool being nasty and unreasonable during this book, but honestly? I was hoping for it and didn't really receive it.

I find her most compelling when she's holding a grudge, acting on her anger, and generally working through messy issues. But aside from her just thinking about being annoyed or angry, she's really not snappy at all.

I feel like there could have been a lot more interesting and organic conflict between Icewing, Dovewing, and Ivypool's personalities instead of boring Quicktime Events. In fact, I felt like Icewing and Dovewing were kind of underutilized.

The conversations often feel quite stiff, especially in the first half. Everyone is very understanding of each other, respect boundaries and knows not to push too far, resolve their personal issues very easily, etc. It's kinda... unnatural.

Personally, I found that disappointing because I WANTED to see the cats actually process their grief over the course of the book. Watch them act out, maybe get in an fight or two and resolve it for the sake of the mission, have them come to a greater understanding of each other, etc.

Because Icewing and Dovewing are both so motherly and gentle and we're in Ivypool's POV, we don't really get to see them process their grief because of that.

They're not TOTALLY neglected though! I just... wanted more from this group.

However. I wanted LESS Rootspring.

I understand he's there to process the loss of Bristlefrost with Ivypool but god, every time he was on screen I wanted to push him aside and talk to Icewing lmao.

Stop trying to sell me "cool, mellowed from grief" Rootspring. He's a silly little hyperactive man and you will never be able to convince me otherwise.

As a silly little hyperactive semi-manthing myself, it would have been a lot more cathartic to see a clown like me going through grief. Not to mention just generally make for better chemistry with the group.

Between Ice and Dove who are already quite chill as characters, Whistle could have used someone more goofy to bounce off of.

I REALLY didn't like the whole implication that Rootspring is going to move on from Bristlefrost and "find a mother" for the kittens he wants so badly, though.

Erins PLEASE remember that adoption exists. He does not need a wife to be a dad. I'm beaming myself directly into your brains and telepathy-ing directions to the nearest cat adoption agency

aaaaaand on that note.... yeah. I did not like the way that this book leaned so hard on the whole "nuclear family" dynamic. Ivypool has had like two major interactions with her husband and one JUST happened in this book.

It especially bugged me that they leaned into Ivypool having been a very active mother, when we saw very little of that in the ACTUAL book. It wasn't even mentioned that Fernsong was allegedly the primary parent of the kittens when they were young.

But... I was able to look past it and just accept the book in a vacuum. There's a lot of good here.

Like the wildcats.

While I'm still wary of these being Scottish Wildcats and reserve my misgivings about the misuse of species that are very unlike domestic cats... I LOOOOVEEE the culture they've set up for them

I LOVEE the way that individual spirits reach out to the kits, guiding them through life

I LOVE the connection to StormClan

I LOVE their idea of the elements and general spirituality

And I LOVED the fact that a big part of Ivypool coming to terms with her grief was the expansion of her worldview. The way that she realized the religion she was raised with is quite small, and that there is an immense beauty in coming to understand other cultures, accept their advice, and see the world as they do.

I just wish the book had been able to tie that to a flaw that Ivypool has expressed since her very introduction back in OotS-- that she's smallminded.

It would have been a FANTASTIC way to really tackle and address that flaw, and pay off literal decades of set up. I really wish she had been messier in this book because of that!

But, digressing.

I'm over the moon that the team's actually playing with the series' spirituality! After such a long time of them outright avoiding some of the weirder elements in the series, like Rock and Midnight, it's exciting that they're finding some freedom in making new magic lore for themselves.

Hopefully, in the next few super editions, we'll be able to get some more insight to StormClan and the Wildcats.

The book really hits its stride in the second half because of this, and the ending chapters are actually fantastic. Some of the best stuff that's come out of the series (on purpose) in a loooong time.

[biohorror-human]

Trans people may or may not have popped off with the "block every radfem you see" idea because holy shit. You are all some of the most pessimistic and spiteful fuckers on earth. You all claim not to be bio-essentialist, and then turn around and say shit that is, at its core bio-essentialist. All of your ideas, in some way, revolve around hurting someone else. Want to destroy the gender binary? Certainly attacking trans people will help. Want to destroy child marriage? Tell people not to marry brown people, just, ever. Want to destroy the patriarchy? (This is the best one) Never organize, never protest, never coordinate, just sit around and cultivate a nightmarishly toxic environment and then have the GALL to ask "why are people so open about their disdain for radical feminism?"

Because all your ideas are rooted in hate. The last time I've had discussions this fucking bleak with people is when I got into an argument with an actual self-described Nazi. Btw, I know you radfems are super exclusionary and refuse to cooperate with any other social group, but maybe Nazis would be up your alley? Considering they also have an affinity for eugenics and wanting to eliminate general swathes of the population, I think you'd be great for each other.

I mean, just to list some of the bullshit you people constantly say which doesn't line up with any of the other shit you say: "trans and GNC people destroying the gender binary (which is good because we radfems don't like the gender binary) is actually BAD now because we were using that gender binary to call all men oppressors, and now we have to actually confront what specific societal issues enable someone to be an oppressor, instead of just saying that being a man makes you an oppressor (which is bio-essentialism, which we disagree with, unless you're amab, in which case then bio-essentialism is actually something we super-agree with)

And that's just one of the ones that I actually went into the effort of tracking down. In terms of shit that I've just seen on a whim: you say you hate bio-essentialism, but also people born male are naturally more oppressive. You say women should have the freedom to do whatever they want, unless that "want" is dating men, because even if they're happy in their relationship, they're actually secretly sad and lying. Because since when did feminists hold the belief that women could understand their own emotions? Pretty clothes are also bad, because men like to look at clothes. Nevermind what the woman behind those clothes thinks, you shouldn't be able to enjoy anything for any reason because a man might look at it and also enjoy it for a split fucking second.

You know what that last one makes me think of? How abusive husbands tell their wives that they can't wear revealing clothes because it will attract the gaze of other men. But history is obviously not your forte, because if it was you'd understand that the only way social movements like feminism prosper is if they cooperate with other social movements, a concept you could really stand to learn a thing or two about. Another cool historical fact is that segregation is, historically, frowned upon. But I still see you talking about how white women shouldn't date brown men, and how asian women shouldn't date white men.

You know, they actually made a haven for people like you. And no, this isn't going to lead to a "Nazi Germany" bait and switch. It was a place where women could only marry into their own race. Where police were around every corner. Where women actively ratted out people betraying that law. Where women were literally not allowed outside past a certain time. It was South Africa under fucking apartheid. You believe, on a fundamental level, the same shit that traditionalists (nazis) and conservatives believe in. You make yourselves miserable as a form of protest, but because your circles are so exclusive, the only people there to witness your misery are other radical feminists. You're creating a hyper-dense misery sphere that doesn't even take that pain out on the patriarchy, only on other women. You have absolutely, undoubtedly got to be the worst rebels in the history of rebellion. You're literally making the patriarchy's job easier by pre-misery-ifying women. You're streamlining the misery process. I've never seen another social movement do that.

I think the only thing you guys actually accomplished was making men who cared or were curious about your movement equally miserable. You know what I got when I tried to join the radfem discussion? When I made the MISTAKE of trying to learn about your cause to better support it? I got fucking berated. you people finally had a man WILLINGLY come up to you to internalize your ideas. And you know what you chose to say to me? When I had a question, you mocked my voice. You compared me to an ogre, or a giant. You said women SHOULD be scared of me because of the way I was born. You said I was a natural-born rapist. You spoke about how my androgens made me develop into a beast- made me resent my own body, on top of how I already dissociated with it. You demonized any thought of sexuality, shot down any idea of body-positivity. And even then, even after all that I thought it may have been positive. I thought maybe it made me stronger, that maybe I was more like you because I was able to see the flaws in my own biology. Nah. You just wanted me to be miserable, like you. I was your willing punching bag for all of your anger and resentment. You're the femme-fascist matriarchs of self loathing. The only boiling bucket of crabs who not just drags the crabs trying to escape back in, but actively coaxes new crabs to join. You want a revenge story in a world where revenge only leads to more suffering. Your definition of equal is only met when every man is twice as miserable as you. That's not a world anyone, man or woman or anything else deserves to live in.

I have a bunch more shit to say but even thinking about you miserable fucks is starting to rub off on me. Fuck the patriarchy. Trans pride rules.

[snows-2am-thoughts]

Uh so Gravity Falls x The Owl House is canon?! This is the best moment of my life guys

I'd like to think Luz decides to investigate anomalies on Earth when she can since Eda had told her weird stuff on Earth was just magic leaking from the Boiling Isles. She decides on Gravity Falls because it seems that's where the biggest traces of weirdness are. Mabel and Dipper decide to go back to Gravity Falls or attend college near there after high school because it's their home and they've already been away for long enough (and lets be real, everyone besides the stans are probably still there because it's a small town and families hardly ever leave those). Dipper studies paranormal sciences or an applied research major or both and helps continue studying Gravity Falls after he graduates since Ford is off on adventures with Stan. Mabel is studying Fashion Design or Graphic Design with a minor in Photography (the sweaters and scrapbooking stuck) and is now determined to make something (I'm thinking like a fashion line, plushies, or even a cartoon/comic series since she's very creative) inspired by the weirdness of Gravity Falls. 

Luz and the twins end up meeting by chance when they're researching some of the more elusive creatures and they just kind of pause when seeing each other.

Luz: *is sweating nervously because she thinks the twins are freaked out*

Dipper and Mabel: *are sweating nervously because the last time someone found out about the weirdness the FBI got involved*

I think after a very long and awkward conversation they'd actually be really excited to know there are other humans who are open to the weirdness! Luz spent her life not thinking she'd be able to fit in around other humans and the twins have probably felt a little outcasted since they'd been through something no one outside a select few in Gravity Falls can relate to. 

Hijinks ensue. Luz and Mabel feed off of each other's bubbliness and high energy personalities. Luz and Dipper are now combining their research with Luz's knowledge of the Boiling Isles and Dipper's knowledge of the mysteries of Gravity Falls. Luz ends up taking them to the Boiling Isles to introduce them to everyone and suddenly the twins feel like they're at home. Everything is going great until they recognize Eda as a woman from one of Grunkle Stan's old pictures and now they're on a mission to locate their grunkles from whatever adventure they're on to bring them to the Boiling Isles. Stan and Eda reunion (very awkward at first because they're cautious of lingering feelings from the other but they're both well established in life now and so the awkwardness fades, chaos buddies are back) as well as both sets of twins getting to explore the Boiling Isles.

Luz now has a human based support system that isn't her mother which helps her feel ok in her humanity. The twins are able to talk about their experiences with someone who understands and even thrives in the weirdness. 

Dipper and Luz experiment and find new combinations of King's titan glyphs while Mabel and Luz work on a campaign to introduce the two worlds to each other while preventing the creation of more witch hunters or the FBI from being scared because yeesh they don't wanna repeat their trauma. 

Dynamics between the gangs! I think Hunter and Soos would be an awesome pair of bros and I could totally see Amity and Wendy being the cool and composed duo of their respective groups. Luz, Willow, Amity, Mabel and Wendy having a girls night because lord knows they need it. The boys (Hunter, Gus, Dipper and Soos) simultaneously have a boys night but it’s Dipper introducing them to BABBA and Hunter having them carve wood while Soos and Gus try to spook them. Somehow the two groups end up combining and now it’s just a big sleepover with everyone getting into shenanigans. 

King and Mabel would be besties and I can totally see her making little sweaters for him so they can match. Luz catches on and now we have three matching besties. Eda and Stan fuel each other’s gambling habits while Ford and Raine stand on the sidelines getting ready to bail them out. Dipper and Willow would totally get along and I can see them researching the more unique plants of the Boiling Isles together. Gus and Dipper discuss the differences in the worlds of witches and humans. Hunter would introduce the palismans to Mabel and she’d start sprucing up their homes and making them little sweaters. Waddles meant everything to her and if she could help them find homes then she would. 

The Collector visits and all of a sudden the GF group gets PTSD from Bill because ‘oh looks its another all powerful interdimensional being.’ When questioned about it the Collector gets concerned and decides to look into it.

The Collector: *concerned because he knows how he was when he didn’t understand human mortality and thinks this ‘Bill’ just needs to be informed* “YEESH nevermind this guys a mess, you don’t have to worry, he’s being forced into interdimensional therapy. I wouldn’t put it past him to try his old tricks though so don’t make any deals or trust anything triangular’

The GF crew: “HE’S ALIVE????”

The GF group is lowkey paranoid after that because they risked so much to make sure Bill couldn’t hurt them again and the TOH group has to comfort them because they understand. The Collector is assuring them that he’s watching out for them so they don’t have to be too paranoid. The groups go back to doing what they're doing. 

I lowkey wanna see Mabel learning magic while Dipper is lowkey just fine studying and researching since actually doing the magic stuff lost its appeal when Bill possessed him. I haven’t even thought of what Mabel’s palisman would end up being

…. WHO AM I KIDDING, IT'S PROBABLY A MINI WADDLES

OR A LLAMA

Or maybe like a squirrel or beaver, Stan’s would definitely be a crow but he and Ford probably are a little put off of doing magic themselves because of similar reasons to Dipper. Actually, maybe Stan would be a little more open since Eda is there and he knows that while she’s mischievous and a troublemaker, she’s nothing like Bill. If Ford and Dipper did wanna learn magic I think Ford gives off hawk palisman vibes while Dipper’s is definitely an owl. I just realized that all the Pines besides Mabel have bird palismans in this. That’s actually pretty good angst potential. 

I COULD WRITE SO MUCH MORE AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH I WANT TO WRITE A FIC

I AM GONNA WRITE A FIC

[anonymous-dentist]

Bleeding Heart Part Four

Part One | Previous Part

-

Cellbit is in the shower when his son comes bursting into the bathroom shouting, "Pai! Some guy wants to talk to you!"

Thank God for the shower curtain.

Grumbling, Cellbit sticks a hand out for his phone. Richarlyson dutifully hands it over before running out of the bathroom, forgetting to close the door behind him. Ugh.

Turning the shower off momentarily, Cellbit holds the phone up to his ear and says, "Hello?"

"Hi! Cellbit?"

He blinks.

"Roier?" he asks. "Hi? Can I help you with something?"

"Well, yeah, actually but shut up for a moment, how are you? Good? Done bleeding?"

Cellbit hasn't really talked to Roier since the hospital. He hasn't even thought about him beyond a few glancing thoughts of Roier's cheekbones. And his jawline. And his eyes. And his voice. And his arms.

He hasn't thought about him at all.

It's been a few weeks since they last saw each other, almost a month. Honestly, Cellbit wasn't sure he would ever hear from Roier again. But here he is... and Cellbit is talking to him. In the shower.

"Uh," says Cellbit, realizing that he is, in fact, naked and on the phone with the guy who saved his life. "Yeah."

But it's fine, right? Yeah, it's fine. Roier doesn't know that he interrupted Cellbit's shower. It's fine!

Roier lets out a dramatic sigh of relief. "Phew! I was worried, you know? That was a lot of blood."

"It's been a month. I'm fine."

"Okay, good. Good."

There's a pause as Roier audibly rummages around on his end of the line. Papers rustle, something wooden slams shut.

"Hold on, I'm getting my notes," Roier says.

Cellbit raises an eyebrow. "Okay...?"

"I called you for a reason, it's because- AHA!" Roier cheers so loudly that Cellbit winces and pulls his phone away from his ear slightly. "Okay, found them. So. You're a photographer, right?"

Oh. Of course. Roier saw the camera, he and Cellbit talked a little while waiting for Bagi to show up.

"I am," Cellbit confirms, trying not to sound too disappointed.

Why does it always come down to his work? He met Pac and Mike and Felps because he was Enigma. Bad and Phil and Max all started talking to him because he was Enigma. Baghera was interested in his private investigation work. Slime wanted Cellbit to take his wedding pictures.

"Cool," Roier says. "So I own a restaurant, right?"

"Mhmm."

"Well, we need some new promotional stuff done, and I was like, 'Hey! I know a guy!'"

"And I'm the guy?"

"Well, if you want to. I'll pay you, obviously, but we just need some pictures of the inside and one of the sign or something. Jaiden left some notes, I can show you when you get here."

Jaiden... a partner, presumably. Cellbit thinks he remembers hearing Roier mention a Jaiden in the hospital.

"Uhhh, let me call you back," Cellbit says, trying to think through his calendar and getting distracted by how cold he's getting. "I need to check my calendar."

"Ay, man, no worries!" Roier assures him. "Call whenever, it's my day off."

"Give me an hour," Cellbit tells him. "I might even be able to squeeze you in today."

"Oh? Who's squeezing what?"

He can hear the smile in Roier's voice, and that smile is infectious. No wonder he met Roier in a hospital.

Cellbit finds himself smiling back as he ends the call. The final thing he hears is Roier's laughter.

...

Cellbit shivers and quickly reaches out to rest his phone on the bathroom counter. He turns the shower back on and cranks the heat up until the water is steaming and his skin is red.

-

There's a superhero in the subway. She's with another hero, and they're both signing autographs by the stairs.

"Bluebird, Bluebird!" a little girl shouts, waving a glittery pink notebook around over her head.

One of the heroes takes the notebook and scribbles her signature down.

Cellbit watches from by the platform with disdain.

Bluebird is one of the newer heroes on the scene. She's only been active for a few weeks, but she's already made waves, partially due to her appearing at around the same time as Hombre Misterioso; they've already been labeled nemeses by the media despite them never having even seen each other, and it's just a little funny.

Bluebird signs a few more autographs. Her face is hidden by her beak-like mask, but she has got to be tired. (That's the thing about the hero business, you're always in customer service mode, even when you're literally fighting for your life.)

The hero next to her is Lavagirl, a veteran hero, and the former partner of Sharkboy. She's more or less become Bluebird's partner in the field, which the Federation is using as their newest diversity win: The Federation of Heroes is an equal-opportunity organization! Heroes of all genders can save the day!

Cellbit adjusts his equipment bag as his train starts to pull into the station.

Once upon a time, he would have slit Bluebird's throat with her own blood. He would have painted her name on the walls with her own dismembered hand, and he would have made her watch.

Now, he has a meeting with a new client to photograph his restaurant. It'll pay for a new pair of shoes for Richarlyson and maybe a lunch with Bagi later in the week when she's less busy.

That's just life, he supposes.

-

Roier's restaurant is, unfortunately, only a block away from the Federation's headquarters. It's a three-minute walk away from the place where Cellbit first met Hombre Misterioso, which makes sense. It all makes sense, Roier was walking home from work when he found Cellbit bleeding out.

El Loro Loco is a small little building nestled between two skyscrapers with the De Luque Enterprises name branded across them. It almost looks like a little house, complete with a pointed roof and a fence separating the outdoor dining space from the sidewalk. It's brick, but the bricks are all painted various shades of blue. The sign above the door reads the restaurant's name in fancy cursive, and the letters sit above a cute little cartoon parrot.

It's cute. It's charming. It's probably expensive as Hell.

Roier is sitting at a table outside of the restaurant waiting. When he sees Cellbit approaching, he stands and waves, setting down his newspaper on the table.

"Hola, hola!" Roier calls. "I got Jaiden's notes!"

"Good," Cellbit responds. He walks up to the table, glances down at the newspaper. Hombre Misterioso again, ugh. When will the press learn that they just encourage this kind of stuff by giving it attention?

Roier reaches into his hoodie's pocket and pulls out a rumpled-up sheet of notebook paper. It's stained with... something, and the handwriting is so heavy that Cellbit can see it through the back of the paper.

"So she's actually on vacation," Roier says, "I think I already said that."

"Yeah. This was her idea, right?"

"Mhmm. But we're co-owners, so I'm gonna do this and surprise her for when she comes back."

Roier looks up from the paper and finally seems to notice Cellbit's equipment. His eyes widen, and he pulls a chair out from under the table.

"Jesus, man! Put that down! We still need to talk about some stuff first!"

Cellbit rolls his eyes, but he sets his equipment down. He keeps his camera bag on, though; it's his baby, he isn't setting it down until he gets home.

"First, pricing," he says. "I charge 550 for outdoor shots, 450 for indoor. My commercial fee is negotiable. Since this is just for your website, it shouldn't be more than 200 per photo."

He's already prepared for the negotiation stage. He usually gets that even though people should know by now that photography is not cheap. He's gotten to events only to leave when his clients try dropping the price day of. (Bagi always says that he should make them sign a contract before he actually shows up to take the pictures, but he does. People are just stupid.)

Roier signed the contract electronically within minutes of Cellbit sending it to him. That doesn't mean much, unfortunately.

But Roier just nods seriously. "Sounds fair. Are you gonna need help setting your stuff up?"

Cellbit... is maybe just a little taken aback. But he quickly composes himself and shakes his head.

"Just tell me what you're wanting," he says.

Roier just smiles and holds out the paper.

Cellbit takes it and looks it over, nodding as he does so. Okay, outdoor dining, sign, indoor dining... easy enough.

"We'll start out here," he declares, handing the paper back to Roier and turning to his equipment bag. "It'll take me a bit to set up, so you can, like, clean up or whatever. Get that newspaper out of here, fix the chairs a little."

Normally, Cellbit has Richarlyson to help with shoots. Sometimes he even has Felps and Richarlyson, but Felps is sick (again) and Richarlyson is at home still super grounded after his stunt at the aquarium three weeks ago.

It's bad manners to ask the client to do anything, apparently, but Roier just gets to work tidying the space up and talking.

And talking.

Even as Cellbit is taking the actual photos, Roier is by his side talking.

Cellbit doesn't like silence. It makes him think too much, so he always appreciates the noise he gets to deal with as a photographer. It's a lot for some people, but it's easy for Cellbit to lose himself in his own thoughts if he's left alone with them.

Of course, Cellbit talks back. He doesn't really know what they're talking about, he's too focused on his work to really be paying attention, but it's fun enough. Keeps his mind off of the tower in the distance glaring at him.

Once it's time to take the picture of the sign, Cellbit first crosses the street. But, even with the zoom, it doesn't look right. So he goes back to the restaurant and tries a shot from sort of-below, sort of-diagonal. But... no.

Frowning, Cellbit takes a step back. And another. And another, all while staring down the screen of his camera. He's close with the sort-ofs, but-

His foot goes out from under him as he hits the curb. He shouts and falls backwards, cradling his camera to his chest protectively, eyes instinctively squeezing shut because he can hear a car coming, he can fucking hear it, he's in the middle of the goddamn city, oh, Bagi is going to kill him-

But he's yanked upright at the last second and pulled against a sturdy chest. He can hear blood rushing beneath him, but it's... cold? It sounds almost crunchy in a way, like Felps' blood when he uses his powers too much.

"Fuck!" Roier swears, stumbling back from the road and pulling Cellbit with him. "Watch where you're going, Jesus! I don't wanna have to take you back to the hospital, man!"

So his muscles aren't just for show. He's fast, fast enough to have gotten to Cellbit from all the way by the restaurant's front door before the car could get to him.

Cellbit opens his eyes and, first, checks his camera. He looks it over, stepping back from Roier and hurrying towards the outdoor dining area and his stuff so he can find his lens wipes.

Roier lingers behind him, out of sight and out of mind.

Cellbit's camera...!

Cellbit sags with relief as he determines that his baby is, in fact, completely fine.

And then he feels his mouth curl up into a pleased grin as he sees that he accidentally hit the shutter button and got the perfect picture of the sign. It's framed perfectly between the two De Luque buildings, and the parrot almost looks like it's flying in the sky.

"I'm going inside, now!" he calls, grabbing his stand from where he left it by a table and heading inside of the restaurant for the first time.

After a few moments, Roier joins him, pale-faced and almost sick-looking.

He stumbles to a table and sits with a groan, putting his head in his hands.

Cellbit frowns. He finishes setting his camera up on the stand and goes to Roier and just... sort of stands there. Awkwardly.

"Sorry?" he tries. "I'm, uh... a little accident prone. In case you couldn't tell."

Must have been terrible to almost watch a dude get his head squished like a watermelon by a moving car. Cellbit remembers the first time he saw it as a kid; the sound was almost worse than the sight.

Roier shakes his head. "Nah, you're fine. I do dumb shit, too. I'm just gonna... get some water. Want any?"

He sits up, bringing his head with him. He already looks better, good. Cellbit can't afford an ambulance call, even if Roier can.

"I'd appreciate it," Cellbit answers.

Roier shoots him a thumbs-up before standing and heading into the kitchen, leaving Cellbit alone in the restaurant.

It's... cozy. The walls are all an eggshell color, but the floors are blue-painted hardwood that barely look painted at all. There are obvious footsteps in some places- lighter sections of the paint in the shape of little shoes.

...Very little shoes.

Cellbit looks along the walls and sees lots of paint. Artworks above every table on the wall, little birds painted near the ceiling. There are painted hand prints by the cash register. Green vines and red roses around the kitchen's service window. Clouds on the ceiling matching the cloud-shaped hanging lights.

And above the cash register, hanging right next to the Health Board's certificate of approval, is a photo. There's Roier and a woman- Jaiden? And there's a little boy in blue overalls flipping the camera off and laughing, held in between the two of them.

Cellbit doesn't think that Roier and Jaiden are, like, together. Nothing about the way Roier talked about her made Cellbit think that they were.

But the little boy looks a lot like Roier, from the hair color right down to the dimples in his smile.

Silently, Cellbit goes back to his camera. He points it towards a set of tables, tilts it slightly towards the ceiling so he can get the clouds and birds in view.

When Roier comes out a few minutes later with the waters, Cellbit shows him the pictures he's got so far.

As he looks at the photo of the sign, Roier smiles: soft, and sad.

"It's perfect," he quietly says.

And that's all Cellbit could ever ask for.

-

A/N: Let me know what you think in the tags or in my inbox! I want to hear your theories, thoughts, opinions, everything!

[bright-omens]

Ineffable Bureaucracy Headcanons

How I feel Beelzebub and Gabriel would be in their relationship :)

Beelzebub's main love language is gift giving, obviously

I feel like Gabriel's is quality time or acts of service

That being said, they both strike me as the type of people to be very touchy and physical

You know that one couple that just can't keep their hands off each other for five seconds? Yeah, that's them

I saw a post saying that they hc that they didn't actually go to alpha centauri and just went to Edinburgh to fuck with the humans, and honestly? Yeah

I can see them being the couple that everyone knows

Like, everyone in Edinburgh knows about the weird goth and their nerdy ass boyfriend, and they know to not fuck with them

If anyone were to hit on Beelzebub, Gabriel knows that Beelzebub can handle themself, but he also wouldn't pass up the chance to be passive aggressive

"Aren't they attractive? I know they're so attractive. That's why they're my partner. Now, can you leave us alone? We're on a date :)"

Now, if Gabriel was getting hit on, that motherfucker is dead

"Hey, Bee, where did that person go? The one that was being really nice and asking for my 'number.' Whatever that is"

"Oh, they may or may not be dead somewhere"

"Cool :D"

Gabriel can see when other people are hitting on Beelzebub but he doesn't know when he's getting hit on

I feel like on one hand they wouldn't get a house because neither of them would see the point in it, but I also feel like Beelzebub would pester Gabriel into getting one because they're so used to being able to just lounge around and having things (because of how crowded Hell is)

Gabriel wouldn't understand it at all, but he would get a house if it meant making Beelzebub happy

Gabriel definitely starts giving in to human things, like certain foods and drinks, and maybe even sleeping

He would only sleep if it meant cuddles with Beezlebub

If Bee's not there, he's not sleeping

Beelzebub is the big spoon. Gabriel loves being held

But, when Beelzebub wants to be the little spoon, Gabriel is more than okay with being the big spoon

They're such a holdable size for him, so how can he say no?

Gabriel would hear about Valentine's day and go all out

A bouquet of flowers, chocolate, fancy and cheesy card, cute date. Everything

Beelzebub thinks it's adorable and dorky

When they're out in public they'd protect all the flies

It would start because Gabriel would insist on making sure humans didn't kill them because "it's wrong to kill" we all know it's because he loves his fly partner though

And then Beelzebub slowly got into it because they were used to seeing humans kill flies constantly, but Gabriel is just too cute for them to resist and it's not like they could stop him

They'd just be really sweet and wholesome with each other (but if anyone else talks to them, they're complete dicks lol)

[skufdaddyswansea]

Sorry for the kind of spam, but I’m also wondering about your thoughts on Anya? Despite her, Swansea, Jimmy and Curly being the older “OG” crew and Daisuke being the newbie, there’s more of a divide between her and the rest of the crew. It’s Daisuke and Swansea, Curly and Jimmy, and then Anya. She doesn’t really seem to be anyone’s first choice.

I have a lot of thoughts on Anya! They're all kind of scattered because I haven't put the time in to sort them out in my head yet, but I find her super interesting. Probably the most tragic member of the crew but maybe that's stating the obvious.

(Okay I blabbed for like 8+ paragraphs again so I'm putting a cut here to spare people. Sorry for talking your ear off, but also thanks for the questions!!)

You are right, Swansea and Daisuke grew much closer to each other than either seemed to be with Anya. It makes sense given the internship situation and how their own respective issues played into each other, but it does suck that Anya ended up being so isolated. Especially considering how much longer Anya must have known Swansea.

I wish we could have seen more of it, but we do get some little hints that she at least got along with Swansea and Daisuke. Like at the party, she and Swansea are the only two people standing together, and she teases him about actually enjoying the shitty cake. I thought that was really cute. It's interesting to see that they have kind of a positive relationship even though Swansea also says some pretty shitty stuff to/about her. I wonder if, like Daisuke, she can tell that it's just kind of how he speaks and he doesn't really mean anything by it. Especially because she trusts him enough to tell him about Jimmy. Although that could have been out of desperation at that point too. Curious to hear what other people think about their relationship!

With Daisuke, it seems like it's pretty difficult not to be cool with him. As for how close they actually were, there's the Ludo game where Curly talks about Anya getting super mad at him for being so lucky. For a person like Anya I feel like being able to show that means she was pretty comfortable with him. (It's also the correct response to playing Ludo. Fuck that game.)

As for some other off-the-cuff thoughts:

This is kind of a chicken or the egg situation, but she struggles a lot with her self confidence, and the way the crew treats her just reinforces it. Like, she's trying to do her job, but when the crew won't co-operate she literally can't, but even though she can't control that she just accepts that it's her own fault, because that's what everyone else says.

Jimmy always gives her shit about having to give Curly his medication, but when she tells him she can do it herself he just shuts her down. Even when she doesn't ask him to do it. So she internalizes that and convinces herself that she really can't. But she kept the guy alive in that condition, with limited supplies, for like, 3 or 4 months. She can't really be as incompetent as everyone is telling her she is. I know there's some suspension of belief involved as well but I still think she deserves that credit where it's due.

On a similar note, I think the other reason she has trouble giving Curly the medicine, and hearing him struggle in pain, is because she feels guilty. Like, I think she blames herself for the crash.

Remember that first time you give Curly the medicine? When you talk to Anya again she asks why he did it. Then later we find out that right before the crash, she was talking to him about Jimmy and the pregnancy again. She thinks she sent him over the edge. Not to mention she was supposed to be making sure they were both mentally fit to fly. Obviously it's not her fault that Jimmy assaulted her, and it's not her fault that they refused to be honest about their problems with her.

You could say that if Jimmy's problem is that he can't take responsibility, Anya's problem is that she takes on too much of it, even when it's not hers to carry. And sometimes against her own will.

One more half-baked thought: I don't like to diagnose characters when it's not a clear/important part of the narrative, but I do think Anya takes part in some potentially compulsive behaviour.

When she has her conversation with Curly about the crew quarters not having locks, Curly mentions safety. We then see the word flash on the screen in the way key words or phrases often do.

At some point later, Daisuke mentions that ever since the crash Anya has been religiously reading the safety manual. I thiiiink there was at least one more time where it pops up, but I might have to go through the game to refresh my memory. I thought that was an interesting but fairly easy to miss little Anya trait.

All this to say Anya deserved a nice beach vacation and a stiff drink. (One without any mouthwash OR isopropyl alcohol, even!)

[mochinomnoms]

This is a very specific thing I said to my friends so if they follow your blog then they would know who I am but the whole thing of buy one get two free deal came from something that is common in my country where in local bazaars they sell these showering kits that came with shampoo, conditioner and a bottle of liquid soap my mind clearly infected with twst could only think about the octotrio being one of these packages Azul is the soap, and the twins are the shampoo and conditioner and the three of the products are wrapped with tape so you are forced to get the three which is oddly cute to me but onto the main thing!

Came up with another octotrio polycule idea since yuu represents a shrimp in Floyd's weird lenses of seeing the world sometimes if done intentionally or not you tend to clean up the twins or patch them up even fixing up their (poorly put on) uniform Jade got dirt in his face when he was in a mountain trip? Come here you careless eel and wipe out the dirt then you can talk about your new findings BUT WASH YOUR HANDS FIRST

Floyd decided to do parkour or maybe he just dumped a whole smoothie on himself because he was hot and used the drink to cool off and there you go, disinfect the wounds or scratches and putting silly cute band-aids (one time he got mad that his favorite design was out and you placed a mushroom design band aid since he still needed one, remind yourself to go stack up with the band-aids before Jade goes and sniffles about his dear brother using his favorite band-aids)

I am thinking that since the twins are a bit much more affectionate or aren't as busy as Azul is, you are doing one of your "Nurse/cleaner shirmp" (Floyd gave them the name) on one of the tweels and you guys were in Azul's office so he sighs trying to get attention he wishes that he also got his own nurse/cleaner shirmp affections if he doesn't say it out loud he can and will break his pen/ink flask and oh no! His gloves are completely ruined!! Clearly coaxing you into helping him with the mess or when he does voice his wishes about it when you two/three are present the tweels are quick to tease him about it "I thought that octopuses didn't go to cleaner shrimp stations?" or "Would you be able to provide protection in exchange? I thought that octopuses weren't predators" Okay that was rude, it is on. Of course that he can protect the shrimpy and if octopuses didn't go to cleaner shirmp stations then he would change that! Overall silliness and sweetness (They are having a discussion about planning to surprise you with a visit to the coral sea and going to visit their parents!!) they might turn almost anything into a friendly/loving competition and you are trapped in them but they are still so sweet and caring for you and each other 10/10 definitely a unique dynamic but awesome either way

(the same anon forcing their brain to fabricate more octotrio polycule ideas)

I think Floyd takes the most delight in seeing you care for them like an actual shrimp. He thinks it's endearing and will definitely make efforts to get dirty or mildly hurt so that you'll attend to him.

The other two have their own nicknames for you: Jade calls you and Azul My Pearl/Darling while Azul calls you Angelfish and the twins Dear(s).

It's Azul's way of showing affection, as he is quite reserved with his affections, at least until you're all in private. He does envy the liberal affections that the twins have with you, Floyd in particular doesn't care much about what others think, and Jade generally is more reserved than his brother, but will still give you chaste kisses when saying hello/goodbye. Azul, at most, will hold hands and maybe tuck a loose strand of hair behind your ears, something he often does during quiet moments.

It may be silly, but he gets a little jealous at seeing y'all share PDA when he's still getting used to the new dynamic. So he's coaxing you to come help him clean up! Look at his hands, they're absolutely stained with ink! Won't you please help him clean up Angelfish? 🥺

It backfires as the twins also take the opportunity to “care” for Azul. Instead of letting you fuss over him quickly, they decide that this is a sign that he's much too tired to continue working, look at the mess he made! It's time to close his office early and cuddle pile in his bedroom!! Jade's making the extra effort to run a bath in the absurdly large tub in Azul's private bathroom, while Floyd is running around collecting pillows and blankets to make a nest/fort. You do your do diligence and help Jade tend to him, causing him to get more and more flustered.

The night ends with the twins teasing the silly little octopus for wanting some tending from the shrimp. They're complaining that he never asks for affection like that from them!!! Eels can be gentle too, we promise Azul~