#and when it was later aziraphale who did it

[sonkitty]

The Food Curse

Here is my currently forming head canon based on little clues from the Good Omens story of seasons 1 and 2.

Crowley either does not eat food at all or Crowley is never allowed to be seen eating on camera.

There's more to it than that because he can eat indirectly, but that's the core thing I'm going to ramble on about in this post. It's going to sound like one of my theories, but that's force of habit from how I come up with questions and check my own theories.

I'll acknowledge that I've seen more than one Good Omens fan post about food being equal to sex in Good Omens and say that you're not going to find that kind of discussion here. It's my head canon, and I prefer my incoming approach to it.

I don't talk about my religious background much because it's personal, so you'll have to make do with me saying I have learned the following from reading Good Omens posts and not being well-versed in biblical references already. I don't remember if any sources I read this information from expressed a similar theory or head canon though you would think that's where I got the idea.

I'm under the impression the GO universe favors the New King James Version of the Bible, and according to a quick Google search, that one says of God addressing the serpent who tempted Eve:

Because you have done this, You are cursed more than all cattle, And more than every beast of the field; On your belly you shall go, And you shall eat dust All the days of your life.

...

An interpretation of this curse is that it means the Serpent of Eden cannot eat food, or, if he does, it will turn to dust.

Let's examine the clues provided by the story, for fun and/or curiosity.

In season 2, episode 1, during Before the Beginning, we see Crowley's wings are graying, indicating to us that his Fall was a process. It was not an instant thing. It started with this questioning and frustration at learning the fate of the universe ending in a mere 6,000 years.

In season 1, episode 5, Crowley is found getting drunk and talking about his Fall. One of his remarks is, "Oh, hey, the food hadn't been that good lately."

These described events would be from before the temptation that caused this curse, but I noticed them all the same because I'm looking for such things.

We catch glimpses of other supernatural beings describing events before the Fall, but I don't think any of them ever mention food for that time period.

From the scenes we have of Eden in the first two seasons, the story skips over God saying such a curse exists to the serpent. We see Crawley slithering on his belly and then able to rise, transforming into a man-shaped demon with black-feathered wings. He's not eating dust.

Well, even though we never see God curse the Serpent of Eden, the story leaves clues that something resembling this curse is active with Crowley. You know, in case you want to form a head canon about it.

In 2500 BC, Crowley successfully tempts Aziraphale into eating food, and he looks very pleased with himself at his success.

My head canon at this point goes that Crowley himself is feeding off the success of his temptation. Crowley feeds off Aziraphale when Aziraphale eats. This feeding does not last for only this one session. It can and does happen from that point onward. Crowley feeds off Aziraphale this way at least when the two are near each other by some unknown distance.

In Rome, 8 years after 33 AD, Crowley says he's never eaten an oyster. Aziraphale quickly goes into saying something about letting him tempt Crowley into...oh wait, that's Crowley's job. Crowley was successful at this job with Eve and later Aziraphale, for getting each of them to eat something while he himself did not visibly eat anything.

In 1601, Crowley shows up while Aziraphale is ordering food at the Globe Theater. The two have a conversation, and Crowley, as usual, expresses no interest in eating the food himself. He can still be feeding off Aziraphale eating.

On and on it goes. In season 1, episode 1, Crowley and Aziraphale reference Paris, 1793. Aziraphale says, "We had crepes." Well, if Aziraphale ate the crepes, and Crowley fed off Aziraphale eating the crepes, that's a way they had crepes. Aziraphale doesn't feel the need to rephrase it in that way. It's a thing they did together nonetheless.

Crowley plans a heist in 1967 at the Dirty Donkey. No one is having food at that meeting. The other three with him are all humans.

When Crowley meets up with Hastur and Ligur at the graveyard for the "11 years ago" of season 1, episode 1, Crowley departs, saying, "Ciao." Ligur asks what that means, and Hastur answers, "food." No one ate food of course, but since we're looking at Crowley with a possible food curse, it's a curious thing to be there, just like him mentioning "food" when drunkenly talking about his Fall.

When Crowley convinces Aziraphale to go with him to the Ritz for the "11 years ago" time period, Crowley does not have a plate of food. He has a cup with a spoon a saucer, presumably for a drink. He strokes his chin to show him enjoying himself, feeding off Aziraphale eating.

In season 1, episode 2, Crowley and Aziraphale go to a cafe. Crowley is not shown to be enjoying himself feeding off Aziraphale eating, but Crowley's side of the table definitely lacks a plate while having a cup. That indicates he's fine with drinking something, not bothering with eating something, just like when they went to the Ritz 11 years ago.

In season 1, episode 3, Crowley meets up with Shadwell at a diner. Crowley has no drink and no food while they meet. Neither does Shadwell.

In season 1, episode 4, Crowley is found mostly alone in a theater with a container of popcorn. We never see him eat the popcorn, but we at least know he was holding it, and Aziraphale is not around. That could be for show since he considers it part of the human experience being in a theater. I could just be wrong, it's just a head canon after all. He may have done it anyway and just eaten the dust that formed once it went into his mouth. Or, maybe he can eat, but the silly rules of the Good Omens story are that he's never allowed to be seen eating on camera due to his food curse.

In season 1, episode 6, Aziraphale, while pretending to be Crowley, orders them some ice cream and passes one to Crowley, while Crowley is pretending to be Aziraphale. We don't see what became of Crowley's ice cream, but it disappears from the framing very quickly once the camera moves away from him, then back to him. During the actual kidnapping, his mouth is even taped shut. Much like the popcorn in the theater, the ice cream could have been for show. He may have endured eating the dust. He may have devoured it very quickly when the camera wasn't looking.

Later in the same episode, at the Ritz, the table has plenty of food though actually both Crowley's and Aziraphale's main plates where you would expect food to be are empty.

Whatever happened to that plate of Eccles cakes in season 2, episode 1? I don't know. We may never know, but this head canon offers something.

Aziraphale is implied to have ordered those Eccles cakes for Crowley in the hope that they will calm Crowley down with the news about Gabriel being in the bookshop. We know that those Eccles cakes are shown untouched and uneaten before Crowley stormed out.

Crowley is shown to angrily walk away in the street after shooting out lightning that traps Maggie and Nina in the coffee shop. Then a scene in Heaven happens. By the time we get back to Earth, Crowley has calmed down. He's still upset, he's tired, but he's calmed down. So, maybe, very very big maybe, Aziraphale ate those Eccles cakes, Crowley fed off it or felt it, and calmed down. Even if that's true, that suggests some allowable distance with thresholds between them for this magic to work.

Obviously, things happen to get Crowley worked up again with being summoned to Hell, but he had calmed down. When Crowley returns to the bookshop, the plate of Eccles cakes is no longer there.

Over the course of season 2, we don't see Aziraphale eating as much as what we saw in season 1. To my recollection, he only visibly eats one time during the present day storyline, and it's a travel sweet while driving Crowley's car. We learn that Crowley can feel his car despite the distance between them. He can feel quite specifically that Aziraphale eats during that drive and even what Aziraphale is eating. My head canon figures that's part of Crowley's demonic power able to feed off Aziraphale when Aziraphale eats.

In season 2, episode 5, Aziraphale passes a platter to Crowley saying, "Have a vol-au-vent." Crowley is left speechless and eventually drops the platter in annoyance, never shown to have eaten any of the food on it.

Aziraphale sometimes seems aware of this curse and sometimes doesn't. That would be part of the curse's own magic. The more caught up Aziraphale is in what he is wanting or doing, the less aware he is of the curse itself being there.

Another thing about this curse is that if Crowley touches food or the container holding the food, it's usually a bad omen for him. When he has the popcorn in hand, Hastur shows up on the screen to threaten him. When he's holding the ice cream, he is kidnapped. With the plate of Eccles cakes, he is confronted with Gabriel being n the bookshop. For the vol-au-vent platter, that one's a little different since a threat is already known with him on alert, and it takes a longer amount of time for something as dramatic as the brick through the window.

So, with all these little clues that Crowley can feed off Aziraphale eating food, the next question for a silly fangirl like myself is, "What does that mean for all of humanity?"

Crowley tempted Eve into eating the apple. Did he feed off that? Does he feed off humans whenever they eat anything or just apples or just giving into temptation?

Well, the story doesn't say so much as it leaves room for something to be imagined. If Crowley is on screen, humans might be seen drinking and they might have food near them, but I am yet to find any scene of them putting actual food into their mouths to confirm that they can and will clearly eat when the camera is watching as Crowley is on screen with them.

So, what do I imagine?

Well, my instinct is that Crowley himself would flicker in visibility if the camera were watching since we're not allowed to ever see it.

That's just my instinct.

From there, I just go with what I like of fantasizing him as a powerful demon. He feels it. It affects him. And yes, he feeds off it. We're not allowed to see it happen, but he does. He is a very well fed demon.

...

Oh, and another little oddity with this idea is that during the big food fight for Warlock's birthday, party, the food definitely does not land on Crowley, even if it gets on the kids, on Aziraphale, and some of the other wait staff. That could be Crowley's own magic in guarding himself, just not wanting to get messy, as some other explanation, if I wanted to venture that way with this head canon. I'll stick to it being part of this food curse since it's part of the broader group of little clues.

...

I have a generally good memory of events in the show by now, but things still slip between trying to remember it all. So, if I remember something worth adding or noting or correcting, I will do whatever seems best for those options.

[astrhae]

...maybe it's all part of a great big ineffable plan

[thedevilandhisbride]

cant get the thought of aziraphale having a 'younger' or 'more time appropriate' human form out of my head.

just imagine our angel looking and being dressed like an early 2000s teen, or even a 1980s young adult. you cant tell me that, with how much aziraphale reads, he wouldnt want to try and experience as much as what is described in those books as possible.

clubbing? frat parties? college? highschool? going on stupid adventures with other teens? the drama of being a teenager/young adult in school would absolutely draw him in

i dont think he used wouldve used that form a lot, but he used it enough times for it to be slightly broken in and for him to slip into a different mindset when wearing it.

this also brings me to where my brain goes everytime i think of this. and that is:

what if azi, experiencing the joys of young adulthood, trying to learn about it and getting fully into it with other people in hopes of trying new things and influencing them to choose fun for the sake of it bringing joy and goodness, ran into our beloved beatles haircut crowley in the 80s while at a bar?

this has been floating in my head for about a week and a half now. the beloveds being in different, but similar, bodily forms. i can imagine crowley having one as well.

im rotating this in my mind like a rotisserie chicken btw

[joycrispy]

I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

[neil-gaiman]

I suppose this is statement rather than question...

I am a queer woman, and my niece came out to me as pansexual 4 years ago (she was 11). She, of course, had an ally in me. When she came out to the rest of the family a couple years later, there was a lot of anger directed at me... What did I tell her? What did we watch together? Why did I keep this a secret from them? Etc.

What did I tell her? That she was my beautiful girl, and I would love her no matter what and no matter who she loved. What did we watch? Good Omens. (Like seriously, every time she's here lol). Why did I keep her "secret"? The last thing on earth I would have ever done is betray her trust.

I truly believe that being a hardcore #Good Omens stan who is obsessed with Crowley and Aziraphale gave her the confidence to look inside herself and become who she is. That it let her see both the vastness of the universe while also recognizing the love here on the ground with us.

If there is one book/album/movie/show that I am most grateful to have shared with her, it's Good Omens.

So, as your biggest #Sandman fan and the godmother of your biggest Good Omens fan, I just want to say thank you. It's been a privilege to read what you've written.

That's unexpected and marvelous. Thank you!

[actual-changeling]

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

[sabine-smitten-obviously]

We need to talk about this

Can we pls take a moment to pause here and talk about this scene?

Because i really think it has not been given credit enough. Everybody is going on about Aziraphale lying to save the children of Job. And how important that step was to him.

But no-one seems to talk about Crowley here.

Because the thing is: Aziraphale expected to fall. I am not certain he thought that the present angels would have noticed his lie, but MAYBE Heaven/Her and MAYBE Hell/Him would somehow have gotten to know. Maybe he thinks somewhere is an alarm going off everytime an angels lies. Maybe he expects Her to see everything. He expected to fall.

But the undeniable truth is: there is only ONE beeing to know for certain that Aziraphale lied. And that is Crowley.

He could have taken Aziraphale to hell. Going down with an Angel in a towrope, telling Satan he had a special present for him. That he did an extraordinary deed. That he made an angel fall. It would probably have made him a Duke, gotten him some further promotion.

And maybe - only maybe - would have gotten him a lifetime with a demon-friend and companion on his side. Because Aziraphale expected to fall. He wouldnt have blamed Crowley for taking him to hell.

So this also was Crowleys chance to make a lifetime with Aziraphale by his side.

And he chose not to do it.

Because Aziraphale would not have liked it.

And that is, why this scene is so important. And really this image here is my point of view on this. What Crowley is doing here. ❤️

And I really think this is so important when thousands of years later, Aziraphale asks Crowley to come to heaven with him. Because Crowley chose Aziraphale as what he is - millenia ago. He could have made them an "us" ages ago and chose not to.

And whatever the story behind Aziraphales offer* is, THIS is the moment it should be compared to. The moment when Crowley refuses to take his angel to hell, because he wouldnt have liked it there.

Crowley wouldnt have liked heaven. ❤️

Thank you for reading - its been bothering me.

*(whether he really believed the Metatron and wanted Crowley to come with him, whether he was afraid and knew his offer would drive Crowley away, ... i know there are strong opinions on that, but only Neil will tell us in S3)

PS: the first pic i got in a FB-Group, i dont know who to credit for. the second pic is available on etsy as a print

[mommyashtoreth]

"Aziraphale and Crowley would NEVER go to pride!" discourse is so funny because I think they absolutely would but not for the reasons anyone thinks. Aziraphale would be invited by one of the other business owners who clocked him on day 1 as just an absolute turbo homo and is trying to be discreet about it, and even though he does not particularly want to go he's too nice to just say no so his whole plot, hypothetically, would revolve around him trying to get out of it in the weeks leading up to pride. Crowley, on the other hand, would probably have some kind of passing interest in pride as he has passing interests in most human things, but then one day when he's getting reamed by one of his bosses, Hastur or Ligur or someone like that is like "what is this... pride? A whole parade, a whole month, dedicated to the cardinal sin of pride of oneself before God? And you did this?" and Crowley would be like Yup yeah uh huh that's right see you guys later. And then he basically has to go because of work. And you can do the s2 thing where everyone else in the neighborhood thinks Az and Crowley are hoovering each other's vaginas off in the backrooms every night, and that's why they're at pride together, if you want. And yes I do think at least one of them should end up wearing a pronoun pin I will die on this hill it's in-character

[theonevoice]

Have a gold star...

I swear, I started this as a wholesome innocent comment on how when Crowley has to think of a prize, after 6000+ years, his sweet head still goes to stars as the ultimate symbol of something beautiful and cherished.

But then I was struck by something: sarcasm.

Both times, when he tells someone to "have a gold star," he doesn't say it with a tone of affectionate irony, like the cool-but-sweet uncle with a rough personality but a soft heart. He says it with a tone of bitter sarcasm, of painful disenchantment.

Because it's not a prize that he is offering; it's a sop, a cruel joke-gift, something that will get you excited at first just because you have a stupid, naive, innocent soul, and you will later realize that it means nothing to the one who assigned it to you, and that they are ready to take it away whenever they want, while the rest of the world laughs at your ridiculous gullibility.

Because this is what stars were for him.

They were his beloved, exciting creation. The star-factory nebula was his cherished task, assigned to him by God, and he believed that it was meant to be a thing of beauty and splendor, and hold value in the grand scheme of the universe... only to discover, immediately after he created it, that it was never intended to have any value at all. It meant nothing to God. It wasn't even planned to last enough to fullfill its purpose. It was a joke, a cruel prank. 

The stars were God's bad pun of giving angel!Crowley something to do, and love, and have hope and expectations for, and then taking it away. Revealing that it was just a shiny piece of gold cardstock that only a simpleton could consider valuable. Of course he can only say "have a gold star" as a dry snarky sarcastic comment on someone who thinks they have achieved something meaningful when it's actually nothing. Be it the Them defeating the Four Horsemen. Be it Muriel being noticed by the Metatron.

Great, sure, have a gold star, be all excited and squealing with happiness, it will turn into ashes before you even know it.

I am not sure that Crowley's snake eyes were ever intended to signal that he cannot see the stars because snakes have bad vision (even ignoring the zoological fact that they are sensitive to UV light though, so they should still see astronomical objects, in the book it says that demons must be able to see at night, and that's why Crowley doesn't need to turn on the lights on the Bentley), but for sure the Fall and Heaven's cruelty has ruined the stars for him, in a way.

Now, in his mind, they are the ultimate symbol of delusion, of naivety, of foolishly investing your love and passion and hopes in something, of stupidly ignoring that the things you cherish will be ruined or taken away from you or leave you on their own accord.

That's also why Aziraphale's "nothing lasts forever" cuts him so deep. That's why his "no... no, I dont' suppose it does" sounds so much like a truth that he is remembering instead of one that he has jsut discovered.

Here you go, you did it again, you thought you had something significant and instead it was just like your stars, you should have known that whenever you find something beautiful it's just a matter of time before you lose it, you shouldn't get too attached.

In s1e6 he says it to the Them, in s2e6 he says it to Muriel. I do hope that in s3e6 he will get the chance to say it again, but this time it will be honest and out of joy, because whatever is going to happen will make him able again to believe that you can be happy, and can hold onto the good things that you love. You can have all the gold stars, for real. They don't always have to disappear and leave you in pain. They can stay with you.

[nutmeggery]

I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.

When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.

But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)

I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...

See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.

I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.

While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?

Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.

It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.

And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.

It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.

And by a few minutes I meant a few days.

More than a few, actually.

I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.

But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.

Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.

Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).

And I'm having a wonderful time.

[hikarry]

I'm not really on the team that swears to Jesus and beyond that Crowley lost his memories after the Fall. Yes, of course, he forgot some stuff because, ya know, he has been alive for more than 6000 years and if I don't remember what I ate for lunch yesterday, Satan knows he won't remember every single second of his life, but he remembers the important things

"Ah, but what about him not remembering fighting alongside FurFur or building the thingy with Saraqael?"

Love, I give you two options:

Those are either some of the stuff he didn't consider important enough to remember OR he is just straight up fucking with them. He does remember, but why reveal it if playing dumb sometimes is good in the long run? Might be useful

Alas, I don't know, but I will die on the hill that he does remember

Which means he most probably remembers meeting Aziraphale. Not because Aziraphale was "important" at the time per se, or because it was love at first sight (because it wasnt, not for him. Bro was so focused on the nebula he didnt even introduce himself when Aziraphale did. He threw him a "Right. Nice to meet ya. Anyway, nebula time!"), but because he was there when Crowley created the nebula and, as he said, he had been waiting for that moment since "well, always". It's an important moment for him, so he remembers. Aziraphale just so happened to be present

I don't know if that was the only interaction they had in Heaven or not (and that's not the point I'm trying to get to so I will ignore that problem for a later post, maybe), but when the now Demon Crawley was sent up to the Garden, he did remember Aziraphale. That's why he approached him

Cmon, Crowley isn't stupid. Of course he wouldn't approach an angel on the wall just willy nilly and make conversation. He didn't know Aziraphale had given away the flaming sword yet. Just approaching an angel from behind and morph into a demon next to him out of nowhere could be a death sentence. Or at least an A Line for a good smitting

Yet, he did it. He had at least 3 other angels to choose from but he approached the angel that he remembered from back in the beginning that was kind enough to help him with the engine of the nebula. Hell! I even bet this was not the first time they saw each other in the Garden!

Bet they've seen and observed each other from afar a few times while they interacted with the humans (yes, cause I believe Crawley, before tempting Eve, tried to gain her trust. It's easier to listen to a friend than a random snake) or just around the Garden really.

That's why Aziraphale didn't get surprised when Crawley showed up at the wall, because he knew the demon snake had been around the Garden for a while. He probably even recognized him as the former Star Maker and hoped he was still a little bit of his old self so he allowed himself to engage in conversation

Anyhow, another clue? This:

He remembers how Heaven works. He remembers he was a high ranking angel. Satan, he remembers the bloody passwords!

Do you know what else he remembers?

Cause they didn't throw that line in there for nothing. No, gents. Cmon. Nothing is random in Good Omens

He knows who he was. He remembers being the Star Maker that hung the stars in the sky

He remembers why he fell, for goodness sake

And the fact that he remembers everything makes all of it so much more tragic, doesn't it? He remembers his life before the Fall, his supposed friends that dragged him into the pit with them, what Her love felt like, the "mistakes" he made that led to his Fall

And it must have hurt. It must have hurt so much when he found himself in a pit of boiling sulfur with his wings completely burned and without Her love because he remembered it all. He must have been so bloody confused for so long

He might have regretted it. All the questions and the company he kept that made him Fall. But he doesn't anymore.

He knows he doesn't need Heaven, he doesn't need Hell. They are toxic. All he needs is his pacific fragile existence on Earth with Aziraphale and yet...well, that's something else he won't forget now, is it?

*clears throat*

I rest my case

[cobragardens]

Notes on the Scene in Job's Basement

Crowley is not tempting Aziraphale here. He's experimenting on him.

Getting Aziraphale to sin, or even getting him drunk, is not Crowley's intent in this scene. Eating food, taking pleasure in food, drinking alcohol, and even being drunk are not sins in most of Judaism or Christianity (and they're certainly not sins in British Christianity, regardless of any church's doctrine). When Aziraphale turns down alcohol, Crowley just suggests he try food instead; so it's not important to Crowley what Aziraphale tries, but it is important to him that he try something.

This scene is also the first time (chronologically) we see that Crowley likes to drink and likes to be drunk.

We know from

and from

as well as from Book Omens and Word of God that angels have no instinct beyond curiosity pulling them toward eating or toward gender. From this we can reasonably presume they have no instinct toward Beverages either.

That means that in this moment--

--Crowley is very likely the only metaphysical entity he knows on either side of the divide, or even knows of, who has ever experienced a physical pleasure.

And he probably has some Lingering Questions about it, like we all did the first time a physical pleasure blew our minds. Like,

Is it this strong for everyone?

Is there something wrong with me?

Am I going to hurt myself if I do this, like, a lot?

And it's not like the poor creature can ask anyone, because the answers for humans aren't necessarily going to apply to him.

So when he sees an opportunity, Crowley gets that one angel he knows who'll talk to him to try a human thing, and then he watches to see if physical pleasure hits the angel as hard as it hit him.

And that's why he looks so creepily pleased when it does.

Apparently it is this strong for everyone and there isn't anything wrong with him. Now he can relax and get sloshed without worrying, and he even has someone to talk to about how rad human stuff is.

A Dip Into Speculation

We know because we're shown this isn't the first time Crowley has gotten drunk that, watching Aziraphale, Crowley understands what he's seeing. I think it's really interesting that Crowley doesn't laugh at Aziraphale at any point during this scene, and he doesn't correct the way he's eating, either.

Maybe it's because this is what it was like for Crowley the first time. Maybe he got so drunk he passed out and woke up in a puddle of his own sick. Maybe he got so drunk he passed out and didn't wake up at all, and there was Paperwork and he had to get used to a whole new corporation just when he'd got the hang of having legs in the old one. Maybe somebody had to show him how to use a fork or whatever they had going on for eating utensils in Ancient Mesopotamia. I distinctly remember having to learn as a small child to chew with my mouth closed. There is every possibility Crowley doesn't consider the way Aziraphale is eating to be worthy of ridicule because whatever Crowley did the first time was worse.

Maybe he wants to leave Aziraphale set up for later embarrassment over his table manners. Aziraphale was a judgy bitch about the wine.

Or maybe it's something like Let him have this one. There can be rules to it later; let him just enjoy it, once, like a little kid with both fists in their birthday cake.

Maybe it's desire. There is some textual evidence for this. Once Aziraphale learns to eat properly, the way he does it is very attractive, and we know Crowley loves watching him do it.

I don't think it's overreaching even to interpret David Tennant's physical performance of Crowley watching Aziraphale eat as one of sensual or erotic pleasure. I mean--

I'm not saying it absolutely has to be erotic, but it's not a reach, or even a full extension of the elbow, to read it that way.

There's another meta somewhere [I'll link it when I find it again; if you know this meta, please drop it in comments!] that discusses how this exchange in Job's basement is filmed like an erotic scene.

Like Crowley, we all want to kiss this face.

Aziraphale isn't eating prettily, but he's eating lewdly, ravenously, desirously, and it's lit like romantic sex, not like gluttony. Whether that's funny or poignant or hot may depend on the viewer. Here's how Crowley's handling it:

Srs tho, any frame of this scene could have been painted by Artemisia Gentileschi.

Or maybe--and this is my favorite of the available interpretations--maybe this is what it was like for Crowley the first time and he doesn't interfere because he wants Aziraphale to come out of this as someone who's had the same experience Crowley's had so Crowley won't be so totally alone in having had it.

[biceratops7]

I’m gonna SCREAM-

We’ve already established as a fandom that Metatron could teach a masterclass on gas lighting, but I wanna talk about how he specifically validates the things Aziraphale cares for while simultaneously devaluing them under the surface.

First off, this moment?

Tells us everything we need to know. It sets the scene for exactly the games Metatron is playing. He makes Muriel feel important while openly insulting them (flat out calling them stupid), aka seamlessly reinforcing the idea that they’re less than to both them and anyone else in the room. He knows he can get away with this easily, he knows that Muriel, lonely, overlooked little Muriel, will be completely distracted by the fact that someone so important is taking an interest in them.

This is already horribly clever, but then later on you realize it’s doing even MORE heavy lifting when he appoints Muriel to run the bookshop. “See? What’s important to you is what’s important to me! I’ve graciously taken the time to ensure your beloved shop is looked after by Muriel. You know, the dim one!” …let’s suffice it to say he’s ensnared too birds with one net for this one, and that a pattern is already starting to arise.

So when Metatron says Gabriel came to Aziraphale because he’s a “natural leader” and “doesn’t just tell people what they wanna hear”? Yah he’s full of shit. Aziraphale struggles with his sense of purpose when he doesn’t have someone or something guiding him, and for thousands of years he’s been terrified of sharing his true feelings and opinions to 90% of people he’s known. Completely just trying to butter him up. Wanna know the real reason Gabriel seeks asylum with Aziraphale?

Exactly this. Gabriel just says so point blank. It’s not because Aziraphale is this person for him, it’s because despite knowing nothing, he has this instinct that Aziraphale is the only one who can possibly understand why Gabriel did what he did. He is, I mean as far as we know, the only other angel who has fallen in love. (In general, let alone with a demon.)

But nope, can’t have that. We can throw the promise of restoring Crowley in the mix to sweeten the pot, but we can’t acknowledge why he’d want that so badly in the first place. So now it’s cause they work so well together. We can praise the angel for the fallen archangel Gabriel himself coming to him protection and guidance, give him a gold star. But we couldn’t DARE imply that it was by virtue of Aziraphale’s courage to choose earthly love over heavenly. How Gabriel didn’t need a leader, but a friend who’s truly known the joys of adoring that “particular person” and the pain of needing to hide it.

Cause then Aziraphale would start getting crazy ideas, like that his silly little human feelings have a great deal of worth. That they have the power to inspire, form cracks in the institution, fundamentally weaken what has controlled and harmed him. We wouldn’t want him to know the true value of the cards he holds when he has the ace in a match against you, now would we? After all…

Metatron uses this ingeniously sinister tactic of taking away Aziraphale’s choice while giving the illusion that he’s actually opening up doors. Notice how he tells Aziraphale he would have the authority to do something as extraordinary as turn a demon into an angel, yet he never once puts the much simpler alternative of just working with a demon on the table? The sleight of hand here is that he’s being offered the opportunity to freely be with Crowley… but he’s already freely with him as is, no bargain to be made. In fact he fought to be. Metatron disappears this accomplishment right before our eyes, while seamlessly maintaining the illusion to Aziraphale that he (Zira) is in control.

He sets Aziraphale up for failure by only providing the option he knows Crowley will not only decline but be deeply hurt by. It’s all so cleverly planned. Once this plays out exactly how he wants, he delivers the finishing blow by diminishing Crowley and his “damned fool questions”. Suddenly doing a complete 180 and emphasizing how foolish and troublesome he is. Metatron was offering Crowley by Aziraphale’s side as The Carrot. Now he’s telling Aziraphale it was stupid of him to want The Carrot, un-heavenly.

Aziraphale’s life, love, happiness, it’s all not only a massive inconvenience for Metatron but a liability. He has successfully taken a weapon from Aziraphale’s hands he didn’t even know he had. Metatron sees the writing on the wall, and he wants it contained.

[lenaellsi]

on aziraphale's insecurities in S2

i'm pretty sure one of the lines in the end scene where crowley shoots himself in the foot the most is "i think i understand a whole lot better than you do," and i don't even think he realizes how badly aziraphale takes it.

it's just a fact to him: he knows better than aziraphale what heaven is like. it's also a fact to the audience, who knows that the metatron is doing this for bad reasons and that aziraphale is walking into a trap. but it's not a fact to aziraphale. and that's the moment aziraphale goes from panicky and anxious to angry.

aziraphale's self-doubts and anxieties concerning his identity as an angel are shown frequently in s2. we start 2x01 with him deeply insecure in his 'retirement': crowley mentions that aziraphale frequently calls him to "tell him about something clever he did," and aziraphale confirms that he is essentially using these conversations as a stand-in for reporting to heaven. he misses being on The Good Team and doesn't know what to do with himself now that he's not.

so aziraphale doesn't know who he is if he's not an angel, but he also knows that he's a bad angel. he was frequently mocked and condescended to in heaven (by seemingly everyone, not just the archangels; even the quartermaster in s1 called him pathetic). he lied to heaven, he lied to god, he enjoys earthly pleasures, he loves works with a demon, and he doubts the Plan. he never fit in with them. lonely, remember?

and later in the season, we learn that shax, for all that she apparently is not great with sarcasm, is remarkably perceptive when picking up on insecurities. she mocks aziraphale twice, first in the car for his relationship with crowley (which, interestingly, doesn't faze him a bit--remember the eyebrow? he's not at all insecure in his knowledge that crowley loves him. crowley has always been the thing he's most sure of, even very early on--look at how much faith he has in him with job.) the second time she hits much harder: "crowley's emotional support angel," "shall we send in the sushi?" "the softest touch" etc. it hurts him, you can see it.

and there's another tiny moment in 2x05 I don't think I've ever seen anyone talk about, where crowley has just bluffed to the demon horde and is trying to get all the humans together to leave. crowley says, "I won't leave you on your own," and aziraphale says, "I know. But I have a suggestion--" and crowley brushes him off, saying "I got this." aziraphale looks very frustrated by this exchange, which--yeah! fair!

and over and over, we just--we see crowley be right. right about job and god, right about elspeth, right about the magic trick, the nazis, the arrangement, the apocalypse. "you were right, you were right, i was wrong, you were right." crowley's never done the dance before, he says. how many times has aziraphale had to?

and crowley's not just right, he's confident in it! he moves through the world and makes choices that fly in the face of everything aziraphale knows about Good and Evil, and it seems to come so easily to him. he's loud, and he's brave, and he's full of conviction, and aziraphale often feels overshadowed by that surety, because he's so often full of doubt. "you sound jealous, angel," is what crowley says at job's mansion, and i think he's more right than he knows.

all this to say: when crowley says "I think I understand a whole lot better than you do," what aziraphale hears is you idiot and how can somebody as clever as you be so stupid and I was right, I was right, you were wrong, I was right. and he's fucking sick of it.

and so he doubles down, and he gets in the stupid elevator, and he makes the worst mistake of his life, because he's sick of being treated as heaven's lackey or crowley's sidekick. the metatron knew exactly what to say to get him there, and crowley had no idea he was playing directly into it.

[halemerry]

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

[actual-changeling]

this one is thanks to a post by @thegroovyfool because she is very much correct - we do not talk about aziraphale's "i need you" enough.

so once again, with a deep breath and a sigh, welcome back to alex's unhinged meta corner, where i tear apart the confession scene frame by frame. i'm gonna say, watching this particular clip over and over and focusing on aziraphale's face almost took me out.

let's get into it.

first, how about a little look at our starting point. (any blurry screencaps are due to a LOT of movement on michael's part rip)

crowley is very pointedly facing away from him, he turned after aziraphale said "we can be together - angels!", presumably because being offered exactly what he wants in the one way he cannot have it fried his brain, cause besties it surely fried mine.

aziraphale on the other hand looks openly desperate, which is why he says "i need you." more on that later. let's have a look at how he says it, because michael "microexpressions" sheen is putting in the work.

to me, he seems close to tears, his eyes are glistening in that specific "i'm about to cry my eyes out" way i know from looking in the mirror while crying

he is trying to get crowley to listen to him and to turn around. he wants crowley to face him, which is something most people tend to want during an argument. talking to someone who is not looking at you tends to make someone frustrated and like they're not hearing you/do not care about what you have to say.

aziraphale looks close to despair, his i need you is a plea to crowley to come with him. he is opening himself up not just emotionally but physically, too.

he slightly leans forward, his arms are raised and seem to both slightly grasp for crowley and point towards his chest/heart for emphasis. the pure pain visible on his face knocks the air out of me every single time i look at it.

aziraphale is admitting to needing him, something he has never done before, hell, he has told him the exact opposite on numerous occasions. i don't need you. and while they both knew it was a) a lie and b) a way for him to deal with his conflicting emotional standpoints and cognitive dissonance, it still hurt crowley every. single time.

crowley was there for him no matter what, he knows aziraphale needs him but he came back and remained at his side even when he was pushed away and more or less openly insulted. he endured it all.

aziraphale saying i need you now is pretty much a slap in the face but also what crowley needs to hear. as with everything that happens during the entire conversation, the timing is fucked up and they're talking past each other.

in my opinion, that is why crowley does not react.

only when aziraphale turns spiteful and starts questioning his understanding (aka calling him stupid without outright saying it) does he re-enter the conversation.

aziraphale, however, is upset. now, i will put on my tinhat for just a second and turn up the insanity because there are two more things i want to talk about.

first, the little stutter at the beginning.

"i ngk - i need you."

my question is - why? why does he stumble over these words in particular when it does not happen with any other sentence? the only other time is right after crowley walks away with his "good luck", he stumbles over crowley's name.

so, in short, it happens when he is either caught off-guard or saying something incredible emotional.

and this, everyone, is where i go unhinged in my interpretation.

what if he initially did not want to say "i need you?" what if he was so caught up in getting crowley to stay/come with him that he did not think and almost confessed another three word sentence?

what if he was about to say "i love you" but stopped himself because no, that's too direct, they don't do that, they can't do that. it goes against EVERYTHING they have silently build over the last six thousand years. so he chokes on it. he chokes on it and instead he says "i need you" because it means the same thing.

i need you. don't leave me. come with me. be an us. go off together.

i forgive you. i love you.

they say it over and over again because that's the only way they can say it.

that is why aziraphale is so angry and upset after saying it. he told crowley he loves him, he needs him, and all he got in return was silence.

the funny part is that this code may have worked before, but it no longer does. crowley is too hurt to listen to what aziraphale is trying to tell him, and aziraphale is equally as hurt and also not listening anymore.

the funny part is that it stopped being about love and started being about sides again. my side, your side, our side. choose a side, choose our side, choose me.

the funny part is that beelzebub and gabriel told them what they need to do, i found something that mattered more to me than choosing sides.