#and crowley is like “SHOW?? NOW?? WHAT!!??”

[vidavalor]

<<I would also not accept Crowley hate. I just never see it.>>

Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.

<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>

If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.

The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.

<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>

Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.

I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.

<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>

Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.

The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.

I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?

But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.

So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[kiame-sama]

I remembered how the HAE!human told ruggie in early chapters that humans can mimic sounds, and I think it'd be funny if the human ended up sometimes messing with the guys using this apparently unknown ability

hae!human having their back to whoever's in the room, doing something, and just randomly making the most sad and pathetic 'mrow' sound to see how the guys will react to a random cat.

said cat seems to be heard every couple days or so, but no one can find it (human does not meow if they know someone in the room has good enough hearing to easily pinpoint where the sound came from since it'd give them away)

yknow what else would be funny and neat? human not even realizing that they mimic the guys' sounds. hissing or growling when annoyed, trilling when happy, Indignant Peacock Sounds when annoyed, etc etc

Now I'm just thinking about messing with them. It would be mean to cause them too much stress with sound mimicry, some are beastly in how territorial they get.

Like, Vil is having a nice walk in the sun, fluffing and preening his feathers? Make a male Peacock call and watch him get all upset and indignant that another Peacock dare enter his territory. He will be strutting and wildly searching for this interloper. It makes him incredibly angry when he can't find the outsider.

Whooping any time Ruggie is tormenting other students and watching him glance around, responding with his own whoops to try and find the other Gnoll.

Purring can be taken different ways depending on who hears it. Trein, Malleus, and Divus take it as an affectionate sound meant for times of extreme comfort. Lilia will think the Human is inviting him to mate because he only purrs prior to mating, so explain yourself quickly. He will be disappointed.

Make a Mourning Dove call near Neige and he will respond with his own mournful call and try to find this new Harpy friend. He will be happy to see it is the Human and be bashful that the Human is using a Mourning Dove call.

Howl and Jack won't be able to stop himself from responding with an equally loud howl. It makes him happy to hear other wolves especially if he knows the Human is the one howling. Do this often, it makes him happy, just not when he is eating.

Make goat yells/baas anywhere near Ace or Deuce and they are likely to try and find the offending party. Ace may think it is Deuce trying to challenge him, and Deuce will think it is Ace trying to challenge him. This will result in both first-years headbutting each other until one gives or teachers/Riddle/Trey breaks up the fight.

Whinny/Neigh/Snort near Trey or Riddle and they will begin whinnying back and trying to find this strange lost horse/centaur.

Snorting around Vargas makes him start kicking his hooves and lowering his horns with loud snorts of his own. He does not realize there isn't another Minotaur bull around and he will try to rally his class into a close herd so he can circle and kick his feet. The class thinks it is hilarious and Vargas still has no idea there isn't a random Minotaur bull hanging around the school and it is just the Human snorting like a bull. Be nice and don't do it often, it is very upsetting to Vargas.

Though it would be tough to replicate- and he is a Reindeer Cervitaur, not an Elk Cervitaur- Silver will lose his absolute mind if you can make an Elk bugle sound. We're talking rearing, stamping his hooves, snorting, tail up and trotting with purpose as he searches for the source and rattles his antlers against things. He gets very upset with other male Cervitaur not in his Herd (the Hoard) anywhere near those he loves. Lilia treats it like some kind of dramatic dance or show every time Silver gets worked up like this. Don't do this often, for Silver's sake, it genuinely upsets him and makes him stressed.

Caw at Crowley and you two will be making that sound back and forth for hours. He is loud and obnoxious about his cawing and most will want to yell at both him and the Human to stop. He is so happy you are trying to learn his language, little chick!

[vidavalor]

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[avoicebehindthestars]

On Rob's Good Omens sweaters...

Bluesky has some photos of Rob Wilkins wearing these two holiday sweaters:

At the first glance you go "awww, how perfect, I need those sweaters!" but then you're like "hold on a second!"

For the sake of this meta, I'm going to assume the designs are deliberate, and not just idk cheap fakes ordered from temu lol.

Let's start with stating the obvious. The red sweater has the characters' roles reversed - Crawly is sheltering Aziraphale. It's not a "book thing" either - there, Aziraphale held his own wings above himself. This is a minor detail, but Crawly's stance is also different than in the show - his legs are apart, in a position indicating strength, confidence, and protection. Meanwhile, the blue sweater has what looks like angel!Crowley sheltering a black-haired fallen angel. My first thought was that is could be Satan and this might be a hint that we're going to see Crowley's fall after all. But now I think different.

Regarding the red sweater in particular, my thoughts immediately wandered towards the multiple Edens theory and the two Crowleys theory. Just to quickly recap: discrepancies in the details on the walls of Eden have been spotted, and at one point someone from the crew mentioned that there were "many Edens" in existence (possibly testing grounds before the real one? Or several different enclosures for the first breeding pairs? We never found out). As for Crowley - many people have noticed differences in his looks throughout season 2. Most notably, his sideburns have differing length and it shifts within the same scene, e.g. the sideburns are long in the pub, but short when he leaves the pub; they are short during the "exactlys" argument, but long when Crowley snatches his sunglasses while storming out of the bookshop. Bildad the Shuhite also has two different hairstyle (one is shorter, more evenly cut and carefully combed, whereas the other is longer and a bit more "windswept"). There's also the matter of different camera filters, which is a commonly used technique to show different worlds (think Supernatural, and I think also some MCU films?), and the disappearing props.

So, taking the sweaters into consideration, could the world of Good Omens be comprised of multiple realities? The novel is one. Season 1 is another. Season 2 shows TWO (!), which are almost identical. Who knows, perhaps the Crowley with the short sideburns managed to sway Aziraphale in the Final Fifteen, or even changed his mind and hopped on the lift at the last moment? What if, presented on the sweaters are two more? On, in which it was Crawly offering shelfter to Aziraphale, and another one in which it was Aziraphale who fell (and his hair blackened in the process). Perhaps there are versions of this (sorry, couldn't resist!) in which they both fell, neither did, or they were an established couple by season 1?

It this were to prove true in the movie, it will have some pros, of course. Firstly, it would legitimise virtually all headcanons you might have (I was a little upset when s2 finale made it clear they weren't secretly a couple before). It would also boost creativity for all the reverse!Omens fic writers. And, of course, it would explain many things fans have noticed, especially about s2.

However, other than that, I don't think I like it that much. Above all, I simply dislike multiverse - I find them often too convenient narratively, while also needlessly convoluted. But aside from that, I wouldn't be happy to see that particular take in the movie. If we were getting out 6 episodes, it would be fun to watch particular scenes and increasingly go "huh?" as we spot consecutive discrepancies and minor details that don't work. And by the time it was revealed it would feel really rewarding that you have spotted the details, even if you failed to work it all out. Within mere 90 minutes… it just doesn't feel like enough time to drop enough hints, or, alternatively, the movie would be oversaturated with them. Finally, it would mean less screentime for the mercilessly truncated Aziracrow reconcilliation arc (which I am still grieving over), as instead we would receive glimpses of different universes, while still navigating the complex Second Coming plotline. Also, what would be the endgame? All the Aziraphales and Crowleys combining their forces to beat heaven and hell/the new christ/god herself? That's a bit too Marvel if you ask me, and with all my reservations about the movie, I rather trust Narrativia to offer us something much more original.

[evilasiangenius]

“What do I do?” Crowley sighed, pulling his black pallium about himself closer. “When everything is ruined. Nothing’s going to bring the world back. Nothing’s going to bring Aziraphale–”

There were some other things that he could not say, thoughts that he could only think to himself because saying it would give it too much power and so he bit off the rest of the sentence before he could continue it. He opened his mouth to speak again, but then the starling flapped off his boot and onto the knuckles of his right hand, little sharp claws curled gently around his fingers.

“Yeah?” Crowley lifted his hand to look the bird in the eye, at the ring of an iris slightly pale.

“Fuck off,” the bird said very clearly, and it wasn’t a language that was any human language, but the language the angels spoke, fallen and otherwise, a universal language that could be understood by anyone.

“Huh,” Crowley said, staring at the bird that flew away and then turning his attention to fingers that seemed to retain the memory of the bird’s claws. The last time that a starling had perched on his hand was centuries ago. He had been lying on Aziraphale’s favorite supper couch, long hair tangled beneath his cheek, his eyes filled with tears and the starling had briefly landed upon his fingers before he shooed it away.

He had curled up in a tight ball upon that supper couch that he had never until that moment reclined upon alone, a miserable tear-streaked wreck, face pressed against the large cushions as if he could smother himself in it, picking up the lingering scent of Aziraphale’s hair, his body, a scent that was like the freshness of the cold air coming off the mountaintop or was it fire from a distant long-forgotten star and then the whiffs of peppery lavender that would waft snappy from Aziraphale’s clothes.

Back then, the pain had seemed like it would never end.

And perhaps it never did, because he could still feel it.

The birds were noisy.

Aziraphale had so many of them in that old house so long ago abandoned, none of them caged of course, the cages were only there for show, for propriety’s sake. The birds roamed free about his place though they all seemed to miraculously keep it clean.

The scents were noisy.

The house was filled with little bottles and big jars of precious scents that he had been opening out of curiosity and not bothering to close, so the air itself was a cacophony of flowers and herbs and resins and spices.

His thoughts were noisy.

All he could think of was how much he wanted Aziraphale to be here now, instead recalled Upstairs for some indeterminable time and maybe this time Aziraphale would never be allowed to return again and that fear had choked him up until it felt like he couldn’t breathe.

And back then, in a fit of rage at the loud sound of their cheerful singing as if the birds did not care that he was mourning, at the loud scents of the lovely perfumes stifling the air, choking his ability to mourn properly, at the loud fear inside his head that had grown to a fever pitch, his infernal will had slammed all the doors and windows open all at once.

“Get out! Now! Fuck off!” He had shouted, with a gesture so fierce it threw him off the couch and the birds had obeyed, disappearing out into the world.

Once he realized what he did – that he had broken his promise to Aziraphale to care for his birds, that he had chased off the very birds that had learned Aziraphale’s voice and his songs and his way of greeting – so warmly, as if he truly loved each and every being he said it to – Crowley had stayed there on the cold mosaic floor, his face pressed against a modest but tasteful work, a charioteer urging his team of two horses onward to victory though so close to it the pattern was meaningless to his eyes, nothing more than discrete chips of color. He had run his fingertips over the little bits of colored stone, around the smoothed edges of tesserae that darkened as his tears dripped hot upon cold stone, cold mortar.

Lost in memory, he didn’t hear Aziraphale approach.

more

[thedevilandhisbride]

cant get the thought of aziraphale having a 'younger' or 'more time appropriate' human form out of my head.

just imagine our angel looking and being dressed like an early 2000s teen, or even a 1980s young adult. you cant tell me that, with how much aziraphale reads, he wouldnt want to try and experience as much as what is described in those books as possible.

clubbing? frat parties? college? highschool? going on stupid adventures with other teens? the drama of being a teenager/young adult in school would absolutely draw him in

i dont think he used wouldve used that form a lot, but he used it enough times for it to be slightly broken in and for him to slip into a different mindset when wearing it.

this also brings me to where my brain goes everytime i think of this. and that is:

what if azi, experiencing the joys of young adulthood, trying to learn about it and getting fully into it with other people in hopes of trying new things and influencing them to choose fun for the sake of it bringing joy and goodness, ran into our beloved beatles haircut crowley in the 80s while at a bar?

this has been floating in my head for about a week and a half now. the beloveds being in different, but similar, bodily forms. i can imagine crowley having one as well.

im rotating this in my mind like a rotisserie chicken btw

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[jameszmaguire]

Not the kids. You can't kill kids.

[wolfstarlights]

Something something Crowley and Rowena parallels, like mother like son. Cycle of trauma. Losing the one thing they still hold dear. Being proven that they can still care and love again, they’re scared of it but they can’t run from it. Trying so hard to become something that’s not meant for them and eventually giving up in the sense that they realize maybe that’s not what they wanted in the first place, only for it to be too late. But they both become what they’re meant to be even though neither really gets what they want. Also they’re both incredibly cunty and manipulative in a fun way. They’re tragic but also comedic relief somehow and I ate it up.

[mlp-natural-2]

Archangel Gabriel, Trickster, Loki, many names for possibly the funniest guy I know. He can shapeshift not just his form but also his cutie mark if he so chooses to have one! The god Loki is a deer in this world, so Gabe took on some more fawn like traits to add to his prettiest face. Despite still having pony traits, this half-assed disguise still worked for a long period before he eventually got captured.

Also he didn’t die in season 13 to me, he is living in Australia with several other supernatural folks whom the plot forgot in the hunter protection program. (Jesse, Anna, Missouri, Henriksen, to name a few others)

[skullfragments]

in which Crowley performs one more lil' demonic miracle

i've had this idea for a while now, and i finally decided to do something with the sketch i made

full disclosure: my comfort level with digital drawing is about 0.5% and i'm still figuring out how to translate my usual drawing style which is the main reason why this looks bad i have yet to venture into full color!

ALSO zero experience posting said digital work on tumblr so if the quality sucks pls help me fix it thanks <3

[gunpowder-gemini]

FINALLY have wrestled my brain into sitting down and watching Good Omens and it is, in fact, very good!! Incredibly good!! Absolutely in love with it ♥️♥️♥️

It does, however, hurt terribly

[nocterish]

Very much still a wip but I think I'm gonna genuinely enjoy doing this one

One of many other things I have going so far

[petr1kov]

season 2 of good omens feels like an unfinished hurt/comfort aziraphale/crowley fanfic where the b and c pairings get together before the main couple does (so they can generate more tension until their happy reunion). i mean this neither as a compliment or a criticism it's just a neutral statement of fact

[crusaderce]

@childoflegend replied: NO because when Shinoa was like “lol I can body you” to Shi I was like ?????? HE’S ONE OF THE STRONGEST ANGELS IN CREATION, wdym this 16 year old girl can defeat him just cuz she was one of his experiments 😭

NO SERIOUSLY-! like you mean to tell me the FIRST PROGENITOR. GODS FAVORED ANGEL. LITERALLY LUCIFER IN ALL BUT NAME- is losing to this???? they don't give us a reason for Shinoa being as strong as she is other than 'experiments' like how the fuck?? and why the hell would shi make a girl strong enough to repel HIMSELF- mUCH LESS HOW???? and legit he has not had a single victory since he first tried to take yu and mika and the manga expects us to still think of him as a threat????? how??? what happened to my sassy and teasing first progenitor that blew everyones shit when he first appeared and was named???