#and uh i am so sorry for you all

[incorrect-hs-quotes]

JOHN: are you from space?

KARKAT: OF COURSE I'M NOT, YOU QUARTER WIT.

JOHN: oh.

KARKAT: NOBODY'S FROM SPACE. I'M FROM A PLANET LIKE EVERYONE ELSE

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[teddybeartoji]

tw mickey in a dress🙈🙈

sorry they're kinda blurry but you get the point okay the dress was very sex and i looked very prettyy:33333

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[baalzebufo]

some additional doodles and a Lot of Headcanons... sorry if im spamming these a little bit. ive got so many thoughts in my head, lmao

theres my older pacifica- after weirdmageddon, her and gideon become friends. theyre both sort of ostracized from the town as a whole bc of their past attitudes/actions so they cling together and become buds. its nice having someone else who 'gets' it.

pacifica moved out as soon as she could to get away from her folks and has a job at a local mall. gideon enables her to enjoy at least SOME of her old luxuries by taking her shopping and to get their nails done together and stuff. also his prison buddies help ''kindly persuade'' her parents not to break her enforced no-contact rule from time to time. i know the two have the bitchiest gossip in the entire town together. sometimes when its hard to be 'nice' they know they can at least vent to the other and they wont get judged for it, yknow?

also some backstory doodles! he was a Normal Kid, Once. or close enough to it. gideon was a sickly child and was sheltered and homeschooled for most of his life. the gleefuls moved from texas to oregon when he was about seven (yes i know this breaks canon a little. its fine shh.) and he found journal 2 shortly after. things went downhill from there

other notes. he's always kept his hair long, but used to either let it down or tie it into a long braid. he very briefly attended a public school and he didnt fare very well there (fat kid + albino + 'girly' + general weird interests is basically painting a massive target on your back) he used to stay up and watch late night televangelists when he couldnt sleep in hospital and copped his aesthetic from there

sorry this post is so long i have a lot of thoughts about him </3

[egophiliac]

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

[whos-hotter-jjba]

Hottest JoJo Character Bracket - GRAND FINALS!

[ghostmartyr]

From his opening note, Jean is considered the everyman of Attack on Titan. He isn't special. His parents are inconsequential. He's here to get a cushy job in the interior and not have to worry about death knocking down his door or any of the other inconveniences that plague the masses. That's the dream, and he comes very close to living it.

Only death doesn't stop knocking just because his door is a little further down. Death is everywhere. That's instrumental to the growth of so many of these characters. Death is everywhere. What, then, is your response?

Getting the hell out, fuck this place, fuck dying for anything other than your own interests.

Some characters embrace death and its oblivion. Bertolt finds calm when he stops struggling against his oppressors and accepts being their weapon. Reiner longs for it, terribly, but he can't leaves his dependents behind.

Jean doesn't want to die.

Death is everywhere.

Jean's decision to become a member of the Survey Corps is not a triumphant claim of his principles, it's a dawning horror that this is the world as it stands -- unless there's a change. There is only one branch that is willing to fight for the change.

Jean is willing to die for that change. He doesn't want to. He doesn't want to fight this war. He doesn't want to be in the line of fire, he doesn't want to be eaten alive. Why should he? Why can't other people just deal with it?

Because everyone wants someone else to deal with it. Everyone would rather be alive. The world isn't kind enough to respect that.

Yet. Jean joins up praying for that yet.

And he lives.

[stevens-pastrami-sandwich]

screenshot redraw YIPPEE 🐁🐁

We NEEDED to see more of the monkey sidekick having duo 💔 It's okay though, im not angry about this. *my nails dig into my fists*

[doodleodds]

Me? Uploading a Halloween comic on November 18th, almost four whole-ass weeks late???? Yeah that’s uh. yup. yeah

Thanks for reading! :) <3

[oldworldghost]

Are requests still open? If yes could we maybe see a jealous P please? Like he’s learning his emotions and he learns he doesn’t like jealousy or something

Jealous Pinocchio! ☆

↳ Hello nonnie! Requests are indeed still open, and I love jealousy prompts >:3 also sorry to everyone who has sent in a request that I haven't answered yet, I have been sick and busy, well, playing the game </3 Under the cut because this is a long boy

➸ Okay so jealousy with Pinocchio obviously depends, much like you said, on how human he is; how much he knows about not only his own emotions, but emotions in general. It's because of this that, at first, there really isn't a lot of instances of jealousy on his part, and what instances there may be are not going to be immediately recognisable as such. And of course this is due to the fact that Pinocchio just doesn’t have a good grasp on his own emotions initially; he knows he’s feeling something and that that something is almost unpleasant, he just doesn’t know what to do with it or even what to call it.

➸ The main way jealousy at first manifests with Pinocchio is a little off putting, almost. You could probably mistake it for a sort of increased protectiveness; when he sees you talking to someone he stands close, glares at the other person or just watches like a hawk for the duration of the conversation. He doesn’t say anything or really do anything and it gets a little creepy. Don’t get me wrong, Pinocchio doesn’t mean it in a bad way whatsoever – he just wants your attention – but to everyone else it looks like he’s waiting for whoever you’re talking to to suddenly attack or something. It’s his eyes that do it, they’re so dead that is just doesn’t inspire any form of ease when it happens. Luckily, these instances are rare and fairly easy to handle. Just give him your attention and he’ll relax. And of course, as he grows this habit of his simmers down and changes.

➸ [Honestly though this could be so funny too because like, despite the fact that it’s both unnerving and rare I imagine that everyone would eventually end up catching on to what’s happening and god they have a field day with it. Especially Venigni. He doesn’t mean any harm but seeing Pinocchio look like he’s going to combust on the spot is a little bit funny. Do the rest help enable Venigni and this habit? Maybe, maybe. Eugénie is the main co-conspirator here.]

➸ As Pinocchio changes and becomes more human he settles into his feelings more, he learns and grows to not only feel them but process and identify them. And this, of course, goes for jealousy as well. Through both his own experiences and talking with humans Pinocchio is able to realise that yeah, he’s felt jealousy. That that's what that uncomfortable tightness was. However what is most interesting is that the more human Pinocchio becomes the more jealous he finds himself getting, and on a more regular basis. A part of this is because there is an increasing depth to his character and emotions, so naturally they grow more intense, but the more important part is the growing cause of his jealousy; that being his nature as both puppet and human.

➸ Now I do believe that Pinocchio never had an inherent desire to be human, and that it was something he strove to become because he believed that his father would want him as one, and because as a “special puppet” it would only make sense for him to try and change his nature. And so what Pinocchio was or should be never quite bothered him at first - more just filled him with a sense of confusion – but as he grows more human the more he genuinely wants to be one, and your relationship with him plays a major part in that and his jealousy. You see, Pinocchio wants humanity so he can truly love you, but it is this growing humanity and desire that places the weight of what he really is on him; a puppet and as such not enough.

➸ It is jealousy born of insecurity, the more he tries to change the more his faults become apparent to him. His perceived inability to emote, to understand; the disconnect between himself and you, the gap that Pinocchio wonders if he will ever be able to truly close. He is worried, very much so, about being replaced or cast aside, because if the choice came up between himself and someone fully human, well, why on earth would you chose him? This insecurity is only heightened post game, where – and of course spoilers – Pinocchio has been betrayed by his own father, the person he thought loved him despite his being a puppet. I don’t want to build it up too much, but being told you’re only there to be replaced and that you’re not enough by someone who you trusted has to leave its mark, especially when you share memories with the person you were supposed to be only to realise that they were never enough either. Like, yeah. Ouch!

➸ Of course as Pinocchios’ emotions grow so do the rest of his abilities, including being able to tell what he truly does vs doesn’t like feeling. He could always kind of do it, but now he is able to fully articulate the why of it, and jealousy has landed itself into the category of “I Do Not Like This”. Now that itself is fairly obvious, no one likes being jealous, but the main reason its there for Pinocchio is because it makes him feel bad, almost guilty. To him jealousy indicates a lack of trust in partners, but the kicker is that he does trust you. Despite everything that’s happened Pinocchio places his full trust and faith in you day after day, or at least he thinks he does, and on top of that even if you did end up finding someone better and/or leaving he would have no right to stop you. If you wanted to it would break Pinocchios heart, but he would let go because he would hate to try and control you; to force you into something you don’t want to be in. And so not only does his own jealousy make him feel bad but it confuses him greatly, because Pinocchio knows that he can’t control you and that he can trust you, so why does he still get that sinking feeling when he sees you with someone else? [It’s the unresolved issues, but you didn’t hear that from me]

➸ On a lighter note though, while Pinocchios jealousy is heightened and most frequent post-game it will naturally simmer out, much like how the whole protective-jealousy phase did. That is not to say that it is a fast process, naturally it is slow and time consuming - and that in part is due to simply how many things there are to do now that his father and Simon are dead - but with the support of yourself and a few makeshift therapy session with Gemini and Sophia [i.e. literally just talking about what he’s feeling], it ends up being something that he can handle a fair bit better than before. Still a slow process, but manageable [also PAUSE imagine Gemini on a table and Pinocchio laying on a couch like they’re actually in a therapists office with Sophia taking notes].

➸ Anyway yes, the main thing that helps is through talking to you. It gets to a point – and rather quickly at that – where Pinocchio finds that he just really needs to tell you what he’s feeling. He feels bad about it, of course, but I think what he really needs to be told at first is that it’s just natural. People get jealous even if they don’t want to or mean to and sure maybe not like he does, but that is something that can be worked on. Pinocchio needs support in his own ways and for his own things, even if he might not necessarily want to admit it, but luckily Pinocchio can also a very transparent lover, especially after becoming human.

➸Okay to drag this whole thing on let’s back peddle a teeny bit. How jealousy manifests at the heightened point actually shares similarities with how it initially manifested. However instead of coming off as protective it very obviously comes off as jealousy mixed with something akin to fear, for reasons already discussed. He also develops the habit of just quite literally pulling you away from whoever you’re talking to and taking you somewhere else. Pinocchio does this under the guise of “I’m human now so I want to spend as much time with you as I can to bask in it” but it is very obviously just Not That. Or more not fully that, anyway. It does retain a little bit of the humour it originally had, and yes there’s still a little bit of poking fun and riling him up [especially from Venigni] but that is rare, mainly because it’s kind of also just sad that he feels the need to do it after everything they’ve all been through together. And Pinocchio knows rationally that none of them are going to try and “steal” you off him, for lack of a better word, but that rational thinking just doesn’t help much here. However this is also not the only habit that develops, sometimes Pinocchio will simply avoid you for a little, a sort of self pitying isolation mainly because he doesn’t want you to see him upset or jealous. None of the hotels residents know which one is worse to witness, honestly it might be a tie.

➸ Okay so on an actual actual lighter note [and because we cannot be here all day], once both Pinocchios’ relationship with his humanity is better his jealousy becomes something fairly rare, much like at the start. And by that point Pinocchio has also come to terms with it too, it’s a part of him he can accept and make peace with. After this, a lot of instances of it are just kind of cute. Like I will be absolutely real with you he is playing it up to get your attention; you’re getting puppy dog eyes, pouting, and in private Pinocchio’s going to go on some very light hearted spiel about how you no longer love him, all “woe is me” on you. As a human Pinocchio has grown a rather mischievous and sassy yet still gentlemanly personality and it so fucking shows here. A lot of these instances of jealousy are caused by, you guessed it, Pinocchio not getting enough attention, which is a little funny because by this point he’s very able to be alone by himself for a while. The other instances are people just getting too close [i.e. Venigni and Eugénie] or things of that ilk.

[zrllosyn-art]

A naru sketch page. Because he is surprisingly fun to draw.

Inspired by a VERY GOOD TRANS NARU HC FROM @jelliefeesh (who also draws VERY good narus n also jus has super good art in general go check his stuff out)

The stickers are available for free download in both English and the original Japanese. If youd like.

[vaguely-concerned]

Stray Gods Character Design Thoughts

In order we're going Pan, Apollo, Persephone, Eros, Aphrodite and a little bit of Venus! Disclaimer that I have no professional experience in character design at all, so these are only my vibes-based ramblings and observations purely for fun and because my brain simply won't shut up about this game haha. Also I will freely admit Pan probably gets the most attention in this because of who I am as a person and where my heart truly lies at the end of the day lol

PAN

Ok, first of all I have so many questions and they all delight me. This guy is the god of the wild places ("Where else would I be, but among the trees and the wild things?"), he lives in a magical garden on top of an office building... and he’s walking around everywhere in an expensive three piece tailored suit (when Freddie accuses him of being a sleaze in a cheap suit he protests mildly that his suit is anything but cheap haha). The cut of it is really carefully thought out and planned, but the bold colours under the grey coat and (studied I am sure) careless details like the tie also make it fun and playful. Which is pleasingly coherent with the general theme of his character in the writing too and I adore it.  

This is not the point, I know, but I’m wondering how he makes that work just like. Practically now. Has Athena fixed up Olympus with in-house laundry service? And other sentences I did not expect to type out today lol. Ah well he’s wily I’m sure he has his ways. 

I can't heap enough praise on it, this design is SUCH an interesting and elegant marriage of the immediately recognizable satyr features and thus animal symbolism with all its added pagan weight in a post-Christianity setting, and the sort of ‘man of wealth and taste’ imagery of the devil at the crossroads they clearly want to evoke, especially in his first scene. And partially through his mannerism there’s also an added element of like… eccentric but surprisingly competent college professor — just look at the way he carries himself whenever he isn’t putting on the charm or when he’s being guarded and self-contained. That little hands resting on his back pose exudes ‘nerd’ so deeply to me haha. (Incredibly fuckable nerd, to be sure, but still!)

you don't fool me buddy I know what you are. I know all the trouble you went to to get a book.

His body language shifts very quickly between wild playful expressiveness and a sort of nonchalant urbane detachment that borders on coldness sometimes, and it fascinates me. Especially since that more refined unavailable side seems to be something he’s deliberately cultivated, to some extent. When Grace calls him out on how boring it sounds to just let yourself go numb and distant to survive, he doesn’t deny that at all, only saying that at least it’s been quite effective. 

Putting the rest under a cut to save people's dashes! I may, as they say, have gotten a tiny bit carried away.

Physically he’s not very imposing — he’s only a little taller than Grace, and the shortest of all of the love interests, which I find somehow very charming and also plays into him being more of a guile-based character. “Seeing as I am neither big nor truly bad, it behooves me to be wary of those who are both” indeed!

I’m fairly sure he’s the character wearing the most layers. Even his hands are mostly covered by gloves. He partially covers up his eyes with the tinted glasses — interesting, as one of the features that most give his real nature away with their sidewise pupils, and the lenses are tinted purple as the complimentary colour to yellow, so it downplays just how bright they are. All together it’s very much a ‘well, he’s certainly got to be in there somewhere’ sort of vibe at times. (Since he also seems to care about his clothes quite a bit — he complains about scuffing his pants during the climb in the Medusa mission if you go the lockpick route — I have drawn the conclusion that getting him out of all of that must take quite a bit of time, no matter how much practice he’s probably put in over the years of meeting 'delicious people' lol) 

It’s a design that manages to give, at the same time: animal-featured ancient god, deal with the devil, teacher, overtones of con man if you’re inclined to be Freddie-levels of uncharitable lol, eccentric rich weird uncle… there’s a lot going on here and somehow it all works haha. He isn’t wearing any jewelry at all unless you count the glasses, which now that I’m looking at the rest of the character designs in this game is actually fairly rare among them!

His eyes really are incredibly bright when uh naked as it were, though. I like the implication that he is aware of this and actually goes out of his way to downplay it, even when he’d normally be wearing glamour anywhere it would strictly matter for it to show. Between that, the meaningful zoom in on him at the Underworld when Apollo says that all the Idols can be themselves there even if they don’t look human, Pan claiming he’s been distrusted and side-eyed by the others basically since the beginning and seeming kind of frustrated and hurt about it, in his deflecting way, and the implication of a hierarchy among the Idols at least under Athena’s leadership in this stained glass painting (notably all the visibly non-human Idols/hangers on are at the bottom, and Hecate, Asterion and especially Medusa are the characters most affected and confined by the oppressive status quo Athena upholds)...

this one! sing it with me now EVERYBODY LEAVES THIS PLACE ALIVEEE ok we can move on

you know, some possible Subtext and Implications going on here, I’d say. (It is only potential subtext and implication, though, so, you know, take my extrapolations here with a grain of salt!) He certainly doesn’t do himself many favors with the persona he’s built up in regards to being trusted and included either, but his status as a little bit of an outsider does seem to precede that so I feel like it’s more of a response than the main cause. Along the same lines he gets much more testy about the Green route of ‘I Can Teach You’ than he does about you just not choosing him in the Red one, he takes that pretty gracefully. So it is the being deliberately kept on the outside and openly distrusted and dismissed that gets to him. (To be clear I don't think openly distrusting a strange guy showing up in your living room like that is at all unreasonable either haha I just think the nuances of his response are enlightening as to where he's really coming from)

this one isn't even to illustrate anything it's just because I love him so much and think he's pretty I'll be real with you all

Anyway I just keep thinking about how incredibly tender it would be if sometimes, when they’re in private, Grace takes his glasses off to see his eyes better and he lets her. That shakes something deep in my soul apparently. That fucks me up but like in a good way.

APOLLO

- Apollo’s style of dress leaves his navel helpfully exposed for the copious amounts of depressed gazing he habitually subjects it to. (I say this not entirely without affection.) 

a crumpled tissue of a man

In keeping with his incredibly emo mode, there’s very little colour involved and he doesn’t take much care to present anything with care (look at the state of that shirt and tell me if Apollo has picked up an iron in the last forty years), BUT interestingly he’s not entirely open and unadorned, he does wear that network of jewelry across his chest and neck. Which I think is to show that the old Apollo is not entirely gone (“There he is, god of the sun”), even if he has been a sack stuffed with sad for a long time now. I wonder how many of these things are leftover preferences from being only Lucas — presumably the tattoos at least are from before he fished Apollo up from the sea? If I’m reading the vibes right on that, the blue of the tattoos and the gold of the sun… thingy he wears with the jewelry are the main splashes of colour in his design aside from his hair, and they’re both ‘leftovers’ from both his previous lives, surfer bro and solar deity recently fallen on hard times. Physically he would be tall and imposing, parodically built, except that he carries himself with all the confidence and panache of a damp depressed dishrag. 

Also I can’t believe this guy is walking around everywhere in sandals. Apollo makes sad flip-flop sounds wherever he goes, including when he steps up during ‘The Trial’. That’s so amazingly pathetic (affectionate). 

We can see from the photo with him and Calliope that he wasn’t always quite this much of a mess. Once, he did his shirt up a whole maybe four buttons and wore something that wasn’t beige!

Intellectually I acknowledge that it's a design meant to provide fanservice, even though I personally could not consider this guy in a sexual or romantic light if you gave me a thousand years to build up to it. (I've said it before but if he's anything to me, he is the incredibly fail father figure continually letting me down in tiny ways I never had.) Godspeed to the Apollo-enjoyers out there, though, Summerfall gave him those abs and that poor little meow meow energy just for you and it's your right to enjoy that

- Pan and Apollo also bring out some really interesting contrasts both as characters and designs when you hold them up against each other:  

Once you scratch the surface a tiny bit Pan clearly has just as much self-loathing as Apollo (“If Athena had taken me up on my offer, the Idols would have been better off” uh. Okay buddy we’re gonna have to process that one together later what do you say), but where Apollo is completely helplessly open in his misery at all times, you need to unbutton Pan at least three layers until you get a honest or straightforward emotion out of him and I think that’s amazingly carried through into their visual designs. It's Good Visual Storytelling Brent   

PERSEPHONE

- I’m fairly sure the colour of Persephone’s suit is supposed to evoke pomegranate seeds. See and judge for yourself I suppose: 

She also has details on her coat that depict foliage and growing plants, but colour-wise they and the rest of the detailing is in the blue-green that symbolizes the Underworld and so death. Her jewelry is gold, which — and I’m about to do some reaching here, I’ll be big enough to own — could play in with Hades being the god of riches as well as of the dead/the underworld. Probably it’s because it works well with the colour scheme, but I’m going to pretend that it’s because even if she didn’t get the throne she did get that motherfucker’s hoard when she killed him <3 Love that for her. Her jewelry is more rose gold than Apollo’s yellow gold, too. Watch me go for even more of a reach: between the necklace and the watch, those round discs of gold remind me of the coins put on the eyes of the dead but like you know repurposed since she doesn't need them to pay the Ferryman. I never promised I'd be reasonable in this did I.  

The short hair works real well for the butch vibe and looks amazing no notes, but I think it’s also a deliberate way to differentiate herself from her younger self — when speaking of Demeter’s death, she says that moment was also the final death of that young her, ‘that girl with the long hair who loved her gardens’. Clearly the Idols do a lot of reinventing themselves over the ages in more and less conscious ways.

She has a tattoo of what looks to be foliage and a skull across her left chest and arm. I really like that idea of her having the testament to both sides of her — goddess of spring, queen of the underworld — directly on her skin, under two layers of clothes that each represent those aspects. The one on her arm looks like stalks of grain tied together to resemble the bones of the hand/forearm, maybe? which is metal as fuck, needless to say. 

She is TALL and scary and the staging always plays that up, Grace tends to look up at her like O.O. I love how sharp she is too. 

Also she is incredibly hot but you don’t need me to tell you that you all have eyes I assume. 

EROS, APHRODITE and VENUS:

- I love literally everything about Eros’ design except his hair. Not even the concept of the haircut and colours or anything, just the way it’s rendered. It looks like one strange flat cap I can’t quite make understandable in three dimensional space as hair in my head lol. Other than that it’s a banging design though, the delicate see-through material over the leather BDSM harness is genius. Choosing this form of sensuality and attractiveness for him to embody -- one that is so deeply queercoded -- also works super well. The warmth and vulnerability of his body language on top of it is *chef's kiss*. just. please define his hair a bit more and it's perfect haha.

- I'm not sure I have that much to say about Aphrodite’s design except that of course she is beauty she is grace etc., it takes a lot of thought to make such a simple design shine and by god did they do it she’s so stunning. Also interesting how her dark blues and greens with cool/silvery details contrast with Venus’ warm reds and pinks and… brass? Idk I don’t really understand jewelry haha. All warmth and soft romanticism, anyway, it looks nice. (Side note but I love Venus’ rose tattoo.) Eros and Venus have much more matching colour schemes and they both bring those islands of warmth standing around Aphrodite in her shimmering ocean coolness. (Which of course is something she has to deliberately put on before going into public these days, and is unselfconsciously glamorous in the way of an old timey Hollywood starlet, as the blue route of 'The Ritual' lampshades)

:') *whisper* everybody...

Venus is wearing pearls, which is pleasing considering her connection to Aphrodite (and the backgrounds of the 'Lost in a Moment' variant of 'The Ritual')! and both of her and Aphrodite's outfits go for a shoulderless look to great effect.

ETA: When the camera is close on Aphrodite you can actually see that she has dark circles under her eyes, only partially covered by the makeup :'( I didn't notice that before I played through 'The Ritual' on a bigger screen today

All in all I just want to acknowledge what a fantastic job the character designers at Summerfall Studios have done! There are some really fresh new takes on these mythological figures here, and it makes so much sense within the world the game presents without resorting to well-worn and tired iconography, I really do admire it greatly.

[citruscore]

fool me twice...

[thehappiestgolucky]

It's hard being a messenger, every once in a while you gotta rest.

So, after a while I finally finished part 1 of the Spearmaster Collection: The Eepies!

Credits are under the cut! If I got a credit wrong please let me know. Also, don't see your Spears? Worry not, its logged for a different part of the Spearmaster Collection (otherwise I'd have about 80 odd spears to draw and my hands would cry and i wanted to let everyone's spear get more attention in the drawing :] )

In no particular order: @i-likegamesbut-cant-playthem, @psystirene, @azrielfiend, @kakajoju, @emmetofthestars, @whippiekippy, @ardienothesieno, @sillycryptid, @pookapufferfish, @mothlight-hours, @verdeltiathedead, @rainworld-rivulet (hiiii friend), @nandemonaiwow, @kakyogay, @faelingdraws, @chillysaint, @jpegthedogthing, @fauxbia, @kedakirahei, @shark-bytee, @booksofstars, @stargazer0001

Thank you all for submitting your spears! Ik some designs are a bit outdated, I hope this was still worth it anyway <3

[ninja-knox-ur-sox-off]

"if monkie kid drops in that time I will simply combust" I'm guessing you got a little toasted?

Jokes on you I've been offline all week cause I was hanging out with a friend, what'd I miss?