#and twist them to fit what they want

[sometimesraven]

the sheer number of Leon edits on TikTok to “Smooth Operator” like did we play the same games that boy is a disaster bottom

[crystallizsch]

Hey, prof. How are your classes? My new first-year students are quite behaved this year.

post-nrc yuusha brain worms are getting to me,,,,

anyways i finally figured it out- i want her to start working as the art professor at nrc probably a short time after graduation 👀

(so not really post-nrc since she's still there 💀)

[angelsdean]

people will say stupid things abt dean winchester everyday. the good thing is we can just say "that's dumb" and keep on being so good and sexy at media literacy. and loving dean winchester.

[twst-hottest-takes]

Tweel Anatomy Discussion!

Part 2.

(Finally getting around to this! Link to part 1 here: https://www.tumblr.com/twst-hottest-takes/759029788153446400/tweel-anatomy-discussion?source=share )

And first off a big "Thank You" to everyone who encouraged me to write the first part and who seemed to have enjoyed it. I'm happy my pseudo-scientific ramblings about fantasy anatomy make you happy!

As always: The following post will be almost purely conjecture based off of a combination of reality and fiction. None of what I say should be taken as law, but rather a fun series of hypotheticals, as that is what the game gives us to work with.

Before getting to the promised screed on "throat teeth" I'll be addressing a couple of subjects people asked about in the comments of the first post! I'll be paraphrasing, but if the people who asked wish to be credited directly, let me know and I will tag you!

First: What does Floyd mean when he threatens to "squeeze" people?

As the comment pointed out, eels (moray or not) don't seem to constrict their prey. The word "constrict" is often associated with how many species of snakes trap and suffocate their prey before swallowing it whole. In this manner, morays do not constrict anything to speak of, BUT THEY DO TIE THEMSELVES INTO KNOTS!

Commonly this behavior is used when an eel has a piece of prey that is too big to swallow all at once, so they tie themselves into a knot to get a better "grip" on their prey and tear it into more manageable pieces! A knot can also be a defensive measure to hide or protect an eel's head from potential enemies. (Looking up "Moray Eel knots" should give you a much better idea of this behavior.) In the case of Floyd Leech, I think that the term "squeeze" is meant to reference Flotsam and Jetsam's behavior in The Little Mermaid. They "squeeze" Flounder and Sebastain to prevent them from stopping Ariel from making her deal with Ursula, and also wrap around Ariel's arms to restrain her later in the movie when the deal is up. These are pretty cartoonish behaviors that wouldn't be seen in real eels as they appear in the movie which seems to treat them a lot like "sea snakes" in this way. I think Floyd's "squeeze" is meant to be a serious threat when considering what eels do to things they tie up in their knots, but it does seem to evoke a mental image of a python rather than an eel.

Secondly, the user questions how Floyd would manage to build up his arm muscles so much.

Simply speaking, Floyd's bare arms are only a matter of fanservice. He's not really "buff."

The muscles are just very well-toned. While Floyd's "mercurial moods" don't allow him to commit to things like workout routines, he's still more active than not. Doing things like basketball, dancing, or parkour with any kind of regularity will give his arms that toned look, at least as far as his human form goes. In regards to his merman form, Floyd probably did similar things that shaped his muscles this way, but didn't build them up much past average.

Thirdly, another user asked me to touch on the boys' habitat as them being residents of the apparently cold and dark Coral Sea doesn't line up with the natural habitats of moray eels in real life that live in tropical waters.

Unfortunately, I don't have any particularly fun insights into this topic because I think that's just something added to better suit the part of the game based off of The Little Mermaid. Azul and the twins are meant to be intimidating and a little mysterious, so they come from a deep, dark, cold part of the ocean that holds scary and mysterious things. Bearing in mind that merfolk are fantasy creatures, I don't find the contradiction of where you would find eels versus where the twins are from to be especially bad in terms of world building. It may not be entirely thought through, but they are taking inspiration from the Disney movie, and keeping true to it's inspiration probably came first.

(Honestly, the thing that gets me is how they said they couldn't go home because the sea froze over. As if the mirror couldn't transport them directly into the ocean underneath all the ice! I swear the writing in this game sometimes.)

And now, the moment you've all been waiting for: LET'S TALK ABOUT PHARYNGEAL JAWS!

Quick explanation: Pharyngeal jaws are a second set of teeth in the back of a fish's throat. They are notable on moray eels, but they aren't the only fish that have them. The function of the throat teeth is for them to jut forward and grab onto whatever food the fish has bitten into and then retract and drag the food down the esophagus far enough for peristalsis to take over and continue the swallowing normally. (Yes, I used the first picture that showed up on the web search. It's from Wikipedia)

Do I think the Leech Twins have pharyngeal jaws?

The short answer is unfortunately: "NO."

The long answer involves more of our favorite subject: Discussing how realistic anatomy and fantasy physiology can coexist. (Spoiler alert: The long answer is still unfortunately: "NO.")

Logically and anatomically speaking it makes no sense for Floyd and Jade to have them. First and foremost, even if they did somehow have them in their merforms (which is far more plausible) they wouldn't have them in their every day human forms. The shortcoming of human anatomy is that we have a windpipe, and a second set of teeth back in our throats would suffocate us any time they would need to be used. Instead, we, like most of the animal kingdom, have tongues that push food back to be swallowed and have no need for extra jaws to crawl up and pull food down. Likewise, the twins clearly have tongues, and although they keep their primary teeth in tact between their two forms, have no need for a secondary set. Furthermore, I would posit that pharyngeal jaws in their human forms would be just plain dangerous as in the case of accidentally crushing your own windpipe. They breathe air, therefore they don't have gills, therefore they have lungs and a trachea for gas exchange, and therefore no room for throat teeth.

If the twins were to have pharyngeal jaws, it would make the most sense for them to have them exclusively in their aquatic forms. Because they breathe through gills around their ribs (see part 1) there would be much more room for a second set of teeth and the accompanying anatomical equipment. However, again, I am forced by my own logic to concede that they would still be unnecessary. Between all of the visual proof and the fact that the twins speak the common language fluently enough to have no communication issues with the land dwellers, we know for a fact that they have tongues--much like in their human forms--and that would negate the need or use for pharyngeal jaws. Moreover the humanoid head and neck structure on them in both forms would make the use of pharyngeal jaws pointless, if not explicitly dangerous (having a curved esophagus, as opposed to a straight line as in fish).

In conclusion; as much as this is a disappointment to admit, it would seem that the twins do in fact only require and as a result have a single set of teeth.

However, I will end this particular essay off with one sliver of hope.

It is implied in the text of the game that the twins were hatched from eggs. If their formation from egg to "adult" merman is anything similar to a fish's then it is possible that they once had a second set of jaws. Perhaps in an earlier stage of their development their bodies and mouths were positioned differently and they hadn't quite grown tongues yet, so a pair of extra jaws would have been particularly handy. As they became fully developed these jaws would have been lost, reabsorbed, or simply become vestigial remains as a result of no longer being of use. So while it's not logical to imagine that the twins currently have pharyngeal jaws, there's nothing that says we can't imagine that they did at some point.

(A small consolation to those of us who really would have liked that addition to their characters because we just think it would have been really really cool. Logic be darned, I still love to see fanart that depicts the two of them having throat teeth.)

Thank you for reading! I hope you enjoyed a bit more of my obsessive ramblings regarding fantasy anatomy!

This one took a while to put together because I wanted to make sure I had a visual representation of what I was talking about regarding the placement and effect of pharyngeal jaws in a humanoid form. . .so you guys get to see a very rough drawing of what I was talking about (along with a sample of my awful handwriting). I hope that was helpful and not too difficult to understand. I have been very tired lately and ended up putting a few ask responses on hold because I REALLY wanted to get this part out. A good number of people have apparently been looking forward to this, and I felt bad for making everyone wait for so long.

Will there be a third part?

Well as of right now I don't have one planned. But if some fun conversations start regarding what I've said here, there may end up being enough stuff to include in a third post. I didn't have much to say regarding things like warm or cold-bloodedness, or coloration and bioluminescence. However, if people want to talk about those kinds of things I will gladly delve more into them as long as there are people to talk to about it. But for now, that'll be all for this subject!

Now we can get back to the inbox!

(Once again going to sleep thinking about how awesome these mer-eel designs are and how I love all the sparkles!)

[imadhatt3r]

This is going to sound really weird, I know, but I seriously feel like there's a number of like, British communists who desperately wish they were Eastern European??? Like they think that by being into political side of communism (usually not the kind that existed in Eastern Europe), they can be chummy with people who actually grew up in Eastern Europe and were raised with the communist era somewhere in the background their whole life, usually without knowing the nitty gritty of theory but with a lot of cultural herritage from that time...

Like no, there's a big difference between being British, being raised in British culture, with cultural institutions, history, traditions, then getting into communist theory and just assuming that you know everything about life in communist Eastern Europe, and then pulling a "how do you do fellow commies" to people from Eastern Europe whose associations with communism are much different, and they will see you as detached and insensitive at best.

[hella1975]

you ever have a fic get you in such a chokehold you start pacing your room and talking to yourself

[brick-van-dyke]

TERFs 🤝 Zionists

Using the exact same talking points and rhetoric.

[kiwiplaetzchen]

A-and how does one protect their k-knob?

My dear Anon,

to safeguard your knob, treat it like royalty! Crown it with a trusty helmet, armour it with layers, and no, not layers of love. Remember, a protected knob is a happy knob, and a happy knob makes for a delightful day!

Wrap it up: No, not with a bow, silly! Use a trusty rubber knob (or knob-dom, if you will) to shield it from unwanted, pathetic grabdaddlers (don't confuse it with grabdaddies, honey). Safety first, right?

Dress to Impress: Give your knob a snazzy makeover! Make your knob feel cosy. Think of it as haute couture for your knob – chic AND practical!

And voilà! Your knob is now cosy and secure, ready for any adventure. 😌

[rempyz]

small brain: ren is the husband and stimpy is the wife

average brain: theyre both husbands

huge brain: they take turns being husband and wife or sometimes theyre both husbands or wives or both individually husband and wife at the same time or simply neither and just are spouses

galaxy brain: gender roles do not apply to them they are beyond any shred of a comprehensible gender identity they just do as they please without any labels they simply just are ren and stimpy

[dimiclaudeblaigan]

If there is at least one thing I can credit FE for doing better than Tales in localization, it's not trying to actively go out of their way for an entire game to avoid subtext or direct text between two men that is romantic or implied romantic. Funny when it's so present that the attempt doesn't even work; infuriating that it was attempted to begin with.

So as much as I often have issues with some of FE's localizations, at least they have a leg up on loc Tales for that.

[aroaessidhe]

2023 reads // twitter thread

The Sun and The Void

Venezuelan inspired high fantasy

follows a young outcast swordswoman taken in by her grandmother, the dark sorceress for a noble family, who relies on the magic to keep her alive after being attacked by monstrous creatures

and a young noblewoman who’s the shame of her family because of her mixed heritage and desire to use magic

both are manipulated by those with more power than them into a plot to free an ancient evil god

mineral based magic, politics, nonhuman MCs

[throwaway-settings]

biting. biting. biting.

[keeps-ache]

!! what if i made another outfit for Teddie. just cuz

[angorwhosebabyisthis]

so i was infodumping about vatborn, as one does, and laying it all out i have come to the conclusion that mogadorians as a whole--vatborn and trueborn both--lean heavily toward varying flavors of autistic. and BOY does it explain a lot

[jacksintention]

I can't with the previous post. It's just so good applied to Levi, Lacie, Oswald and even Jack.

Levi has his hands tied by the Baskerville system that is a sort of scam by the Jurors‚ like every Glen. But he says "let's just create a change" and gives a will to the Core. And he does so with the full intention of changing the narrative, if just to avoid the boredom of spending eternity watching the same thing happen over and over again from a sit in someone else's mind.

Lacie goes along with it because of her desire to ease the Core's loneliness, but in her idea of the children of misfortune being a consequence of this loneliness and her feelings of doubt or reservations, perhaps, revealed even before the tree scene in the scene in which she talks about this with Oswald, we could interpret this as her desire to end the existence of the children of misfortune and thus the cycle.

Jack plays into this in his attempt to take the "real" world to the "Abyss" world, but when he most consciously twists the narrative the Jurors had settled was when he intently made the decision to take the power from the Baskervilles. And I do think it has to do with ending the very system that doomed Lacie and Oswald and he deemed cruel and like torture, but mainly it is so that no one would interfere with him in the future.

Oswald tries to destroy the new narrative Jack has or is creating first by trying to stop him, but later on by trying to stop Levi's schemes before everything happened, resettling the narrative he was controlled and doomed by, serving still as their tool. And then he literally faces the truth, in the most explicitly way no one ever has been told this in that "real" world before, and threatens to kill the instigators of that narrative. And then just renounces, in a lack of action that is him at his most active ("not with a bang but a whimper", how fitting is that?!!!).

Ultimately there is a middle ground but the narrative is changed for good. For better or worse. With uncertain future consequences. But it is changed, and it feels kinder. And as a thank you the source of every narrative, the ink and paper of the narrative, lulls someone who shouldn't have existed but changed the world to sleep by telling him a different story. Because that's it. They're stories, and Oz deserved to go with a kinder one, because the ink and paper of the narrative loves him. And it's so interesting how that works metanarratively too. The author tells the story, but the author tells the reader a story about the stroy telling a softer version of the story, so that the reader too will get it alongside Oz. That works on several levels and it's so so interesting.

[enby-cuntboy]

thinking about an escape room but the twist is that if you don't get out in time, you're used by the entire staff until they're satisfied.

you know what you're getting into, of course. you sign the forms saying that the facility can't be held liable for any damages that happen to you. afterwards, you're stripped down and restrained. cuffs around your wrists behind your back as you're bent over a table, chains holding your ankles together. a collar is attached to your neck, connected in two places. one, to hold you still on the table. and the other connected to the ceiling with a lot of slack. you seem to be in a dungeon, iron bars blocking the unlocked exit.

you're left alone and the timer is placed immediately in front of you, counting down, minute by minute. right where you can see it. the restraints are firm and secure, but they each have their give, their weaknesses. the chains on your feet can be undone by looping it around the corner of the table and pulling at it at just the right angle. then you have to move your cuffed wrists behind your back and under your legs so you can use them.

the part of the collar connecting you to the table is dealt with by simply unhooking it, meaning you're able to stand up and move around the room. there's a box with a pile of keys for you to sort through. one of them must open the cuffs. one of them must unlock the bars. you sort through them in a hurry, adrenaline making your cuffed hands shake as you try each and every one of them, adding them gradually to the discard pile. once your hands are free, you fiddle with your collar. it doesn't seem to have any give. but while doing this, you see that on the other side of the iron bars is a bolt cutter, exactly what you need.

you're invigorated, trying all the keys on the bars as the minutes count down. your time is scarce, it's moving far more quickly than you're able to take into account. until finally, the lock clicks. the metal gate swings open and you can see the bolt cutter on the floor right in front of you.

except when you walk forward, the collar around your neck tugs you back. the tool is just out of reach. you can't get enough slack to pick it up. you try desperately, every option you can think of, to stretch your body out and try and kick the bolt cutter closer to you, desperately now as you see you only have three minutes remaining, then two, then one and a half.

until you finally remember the chains on your feet. you hurry back to the table, reaching under it to grab the chains and looking at the time left on the timer. 50 seconds. you hurry back to the iron bars, throwing the chains, trying to lasso the bolt cutter to finally get it in your grasp. and with 20 seconds remaining, the tool hooks onto the end of the shackles on the chains, and you desperately try reeling it in. 15 seconds, and you're pulling it closer, so very carefully. until finally, you reach down and wrap your hands around the tool and that's when your heart sinks.

it wasn't a bolt cutter. it was a toy. lightweight and useless, like something that would go in a child's tool set. and you realise: you were never meant to escape this. you never even had a chance. you had willingly walked into a trap.

your time is up and an alarm sounds, the lighting in the room turning red. the staff walk through the door, heading straight for you, cocks and straps and toys in hand, grins of delight on their faces.

they push you back onto the table and use you exactly how they want to, each and every one of them noticing how soaked you've gotten just from being in the escape room and playing this game, mocking you for what a slut you are as they take you without any preamble.

they use all your holes simultaneously, manhandling you into whatever positions they want. bending you over, taking you from behind. seeing how much can fit into you at once. slapping you about, spitting on you, spanking and whipping, passing you from one to another. never a moment for you to rest or recover before you're impaled on another cock.

all while their mocking voices taunt you.

this is what you were asking for when you came here. this is exactly what you were hoping for. to be used relentlessly. you never wanted to escape anyway, no matter what you'd say. you needed to be used like this. only sluts ever enter these escape rooms, and so you would be treated as what you were. willing holes for them.

once they've all had their turn, they take the toy bolt cutter and shove it into your used hole, fucking you with it slowly. it's too big and uncomfortable, but you stretch around it so easily after all that use. your arousal making it easy. you keep crying out, and they keep laughing. this was the thing you thought would set you free. this was your salvation for twenty minutes or so, all you cared to get. and now they were filling you with it. and worse than that, they were making sure you enjoyed it.

they bring you to an intense orgasm with the very thing you thought would save you. your mind is foggy and you can't think of much aside from the feeling of the toy inside you. you're burning with embarassment.

you came so close to escaping. you were so resourceful and clever about it all. but now you were nothing but holes for them to use until they decided they were done. all that intelligence you used to try and get out would leak out with your arousal as they continued to whore you out. your brain would never work the same once they were done with you. once they had reduced you to something so pathetic.

they aren't done using you. they won't be for a while. and you don't know if you ever want to be done serving them. this is where thinking got you, and now you were being put in your place.