#and this interaction fascinates me.

[scoobydoodean]

"Dean has no time for fruitless quests to find God. He's got people to protect" | 1.03 "Dead In The Water

Quote is tags from @ilarual ♥️

[eydilily]

would you bite the hand that feeds you?

[poorly-drawn-mdzs]

Who is this sassy lost child?

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[jadefyre]

Been thinking, as a Murderbot fan is wont to do, about how ART is prone to deleting systems and how Murderbot has to step in and rescue them from deletion. Is ART prone to it because it simply doesn’t have the patience for finesse? It did, after all, scare the metaphorical crap out of mb in their first interaction—an interaction ART wanted—by being its big, brutish self. It makes sense to me that it wouldn’t bother being delicate with a system it couldn’t care less about, especially when it has stuff to do.

Murderbot, on the other hand, has expressed that it likes to find clever ways to do things. It likes using finesse. It’s sentimental about other systems even if they can’t be of further use to it. It doesn’t like to use force whenever possible.

I know we’ve been over this a hundred times but it’s still so funny to me how ART and mb subvert expectations on how they ought to handle things. ART the scientist, throwing its weight around and crashing carelessly into shelves. Murderbot the mercenary, carefully grabbing all the wobbling/falling stacks of delicate teacups and gently setting them to rights.

Murderbot treats other things the way it wants to be treated, because it’s been treated badly most of its existence. It knows that if it doesn’t step up and advocate for the “little guys”, no onr will. I posit that ART doesn’t seem to care about how it treats other systems partly because it hasn’t been mistreated to the same hypervigilance-inducing levels that mb has. It doesn’t know what it feels like to be on the other end of carelessness. Murderbot? Very much does. And it’s a kind person to its core, so if it sees an opportunity to help? It helps.

(this also has fascinating implications re: the “you know I am not kind” exchange in System Collapse, but that’s for another post or for someone else to dig into if they want~)

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[knifearo]

i don't hear many people talk about the intersection between gender and sexuality when it comes to aspec identities but personally i feel that my aromanticism is a distinct aspect of my gender identity and presentation and it's one of my favorite things about myself. the truth about the constructs of gender and sexuality is that they are inextricably intertwined at nearly all stages. the expectation of a relationship, the expectation of wanting others and being wanted in return, is baked into how you interact with others, and therefore how you present yourself. gay people present themselves differently than straight people because they are doing the performance of gender for a different audience. we access our own personal constructions of gender primarily through how we interact with others, how we compare and contrast with others' genders, and so much of gendered interactions is built around heteronormativity or going against heteronormativity that our own personal constructs of sexuality and attraction are woven through it all as well. and exempting myself from the expectations of sexuality and attraction—eliminating the audience from my performance of gender—is kind of. crazy. i'm transsexual in the way that i have no connection to either gender in ANY way. the binary means nothing to me because i neither belong to nor desire any aspect of either gender. for me this means that i get to pick and choose whatever aspects i think are sexiest from either expectation and put on the best damn talent show this town has ever seen (i have no desire to engage in any kind of romantic or sexual activities, but i find it entertaining to be desirable and unattainable), which is both extremely freeing (hell yeah. opened up all of the customization options on the character design menu) and fucking FUN. it's a performance and i'm getting the oscar in categories they haven't even invented yet. it's a competition and i'm fucking winning. it doesn't matter what people want or expect from me because i don't want them and i don't want to be like them. there's a huge gorgeous world out there and i am the most beautiful thing in it. truly one of the most fantastic and fascinating things about being aro to me

[httyd-art-requests]

Buddy is entirely unimpressed by the floating dorito

(Not canon to the Ad Astra AU)

[teefigotem]

sorry i'm on a Murderbot Diaries kick again so y'all are getting meta. thinking about that one scene in Network Effect that everyone talks about. you know, the “who the fuck are you” “this is nonstandard communication” aka the one where Three discovers the concept of eldritch horror for the first time. beautiful scene 10/10 no notes.

that being said i’m also thinking about a take i’ve seen a few times saying that ART was way scarier to Three than it was to Murderbot and like. I don’t think that’s completely true. not to say that ART wasn’t mean or scary to Three — being told that someone might peel away your organic parts piece by piece will in fact be terrifying any way you spin in.

but like. okay. ART and Three come to an understanding very quickly in NE, arguably quicker than Murderbot and ART in AC. and some of that is due to the difference in Murderbot and Three’s personalities, but i think a lot of that is due to how ART approaches each situation.

(more under the cut)

so like okay. when ART and Murderbot first meet, Murderbot is entirely a wildcard coming aboard ART, and ART responds the way you would to an unknown, unpredictable threat, i.e. with a blatant but somewhat ambiguous show of force. by dropping its walls ART is doing the equivalent of like. brandishing a powerful weapon in your face. it doesn't explicitly tell Murderbot that it will hurt it. in fact, the only things it says to Murderbot are to tell it that it knows that it's a rogue SecUnit and to warn Murderbot not to hack it. this is the type of approach you'd take with someone who you aren't sure even has the capacity to be reasoned with - it demonstrates that it could crush Murderbot like a bug, because this is the only thing it's confident Murderbot will respond to.

the problem with this, from Murderbot's POV, is that, because the threat is implied rather than explicitly stated, there's no reassurance that if Murderbot doesn't try to hack ART then ART will leave it alone in turn. in fact, it spends the moments after this interaction spiraling about what ART wants with it and whether ART specifically let it on board to torture or kill it. i don't think that was ART's intention with the threat, i think it genuinely did not have the context to realize that Murderbot would take the show of force more as a threat of imminent violence than as a warning against attacking it. but, since it didn't have that context, it approached that interaction like one would approach someone with whom you don't see as an equal and don't have any interest in reasoning with.

contrast that to how ART interacts with Three. on the surface, what it says is scarier. its threats are certainly more violent. but they are also explicitly stated if/then statements: if you hurt these humans, then i will do xyz to you. i do know that in mathematical logic there's still no guarantee made in if/then statements that the then won't come to pass regardless, but the specificity of both the threat and the guidelines provides Three with parameters to follow, and implies that if it does then no harm will come to it.

this was notable to me because ART speaks to Three like a person to be negotiated with from the beginning, and that's. well. because it knows enough by now to know that Three is a person, in a way that i'm not sure it knew about Murderbot before seeing Murderbot's memory files of the governor module. it knows before speaking to them that both Murderbot and Three are rogue SecUnits, but its understanding of what a rogue SecUnit is, what it is capable of, and what it might do has profoundly changed between two interactions. even in their first interaction ART treats Three like a person who may be capable of being dangerous, rather than like a loose cannon who could mindlessly commit violence at any minute.

[scarletfish]

I hurt my feelings while writing this daylight savings prompt by realizing that there is exactly one other person in the world who can understand the depth of Kevin's betrayal in TKM.

there is ONE other person on the team who knows what it's like to make a deal with Andrew, for whom deals are sacred, and watch him break it for the butcher's son.

that person is Aaron.

[spicethymecontinuums]

there’s so much I could say about the new Yellowjackets episode (fantastic work as always), but I just want to say that it’s really telling that Shauna’s punishment for Nat is to fulfill the same role that she’s had to, to be the butcher.

it’s also not lost on me that Shauna had to butcher and prepare Javi, a young boy that Shauna has previously (somewhat) bonded with, after loosing her infant son. Of course she sees it as a punishment.

[daisysmalia]

I’m currently of the opinion that the movie the two parter is based off is 1995’s Outbreak which has a medical/virus emergency and includes both the army and helicopters (which seems to be the case for the eps based on bts and ep titles) but this film also ends with exes reconciling which is very interesting.

[shelfperson]

this too is yuri

[moxyphinx]

"Am I not what you expected?" - SIUAN SANCHE

[littlelightfish]

This half-foot. Dandan.

Looks preety similar to this lady here (I'll put them together so you see):

Half-lidded eyes, black hair&eyes, small eyebrows, curly hair... Dandan's skin is lighter probably because of low sun exposure (dungeon), and he has tons of freckles because he preety.

This two are clearly relatives if not siblings.

Flertom is a mirror image of the lady up there. She got Chil's eyes. She even has almost the same haircut (a bit longer). She's clearly the mother. We've solved Chilchuck's wife mystery.

But this wasn't what I was going to say.

This implies that Wife and Dandan both knew Chilchuck since their childhood. Because there's no way that Chil was just friend of the sister. They're both close to the same age, and I'll say Dandan is a Younger sibiling (she gives big sis vibes, and he gives young bro vibes). So either she introduced him to her brother or he introduced him to his sister and they became best friends as kids.

Could you imagine how their relationship was after Chil's Wife left him?

He knows he has to say something, but he doesn't want to end his relationships. At the end he takes his sister's side. He distances a bit from Chilchuck, calling him an "aquitance" rather than a friend. It isn't that he hates him, is just that it's complicated. And they both know it. They're in good terms tho, they just aren't best friends anymore and they don't talk about it. Their worry is the guild, not their personal stuff.

That's why Dandan introduces Chilchuck to Laios. If they were in bad terms, he would've suggested any other half-foot. They both priorize the guild and general safety of their own race. That's why Dandan suggests Chil instead of a less experienced hafling. He cares about the union and respects Chil's time and experience in dungeons. They're on good terms, at least good enough. Summing up, I get the feeling Dandan doesn't particularly likes Chil after what happened with his sister, but he respects him at least.

[bayetea]

actually the most interesting pjo dynamic is grandma zhang and mars

[vegetanalysis]

You GUYS. The Bardock DLC for DBZ: Kakarot actually includes a playable kid Vegeta storyline and I’m pretty sure this is the most content we’ve gotten of Vegeta’s childhood beyond snippets in the Bardock special, anime filler, and BotG/DBS Broly. We get a little bit more of his rivalry with Cui, interactions with Freeza, Zarbon and Dodoria, uncle Nappa goodness, and lots and lots of kid Vegeta trash-talking everyone 😭

And he has bangs!! And Justin Briner voices him beautifully!! I am sitting here watching this entire 30-minute playthrough of his storyline because I can’t get enough exploration of Vegeta’s childhood and I will accept any and all scraps I can get.