#and they're not even included in the final product

[lunaiz4-misc]

Many clay shops will offer firing services if you're not ready to buy your own kiln. You may also be able to find a studio or collective that will let you purchase studio time, which generally includes space to work and access to larger, more expensive tools like wheels and slab rollers. These come with a community as well, which is simply fantastic. (I know that seems scary at first, but I promise it's not - everyone else is *also* there to make *their* weird little guys, and they're cool people with a wealth of knowledge to share.) My local studio is a non-profit, so pricing is really reasonable - membership costs me something like $70 US per year, which gives me discounts on already-low prices for clay, firing, and studio time.

I have an absolute wealth of options near me, from studios where you need to apply to get in and are expected to produce a certain amount of work, all the way down to shops where you can pop in, paint a piece, and come get it a week later. I just had to look for them. Try looking for classes first - a ceramics class is going to come with access to a workspace, and will generally have a list of recommended tools and materials. (Those depend greatly on exactly what you want to do, and the type of firing the studio does.) I would definitely recommend that approach if you want to do traditional ceramics, as a kiln of your own starts around 2 grand new.

Polymer clay is a much better option for the home sculptor, as you can bake that in a standard oven. It's also lightweight, making it good for jewelry. I haven't loved working with air-dry clay, as for me it's just too fragile when it's dry. However, there are a ton of other sculpting materials out there, and you can actually pair them together to get a final product that's more what you want. You can make a piece out of polymer clay, for example, use that to make a silicone mold, and then pour plaster, resin (wear a respirator please!), or even chocolate in there (if you buy a food-safe silicone.) You can use expanding foam to make squishy guys. You can use paper mache clay to make big, lightweight guys. It just really depends on what's easy to access in your area, and what strikes your fancy! (Also material safety - I can't work with any media that poses an inhalation hazard, as I don't have a "well ventilated space." I'm very sad about this.)

hi there! i LOVE your pottery so much. ive been thinking about making my own little friends for a ling time and i think it would be great for my mental health, but i have no idea where to start. do you have any pointers about what types of clay to look for or buy, whether you can fire at home or have to hve a real kiln, etc?

hi! and thank you! 😊

I 100% agree, making little dudes is good for us, it’s amazing how much it settles my brain

as for clay…

there is air dry clay, polymer clay that can be baked in an oven, and ceramic clay that needs to be fired in a kiln.

I can’t remember if I’ve tried air dry clay, but I used to use polymer clay, usually Sculpey. it’s got a few advantages over ceramic clay—mainly that accessing kilns and glazes is expensive. I’d suggest you start with air dry or polymer clay unless there’s a maker-space or pottery studio close to you that you can access.

good luck with your sculpting, I’d love to see what you come up with 😊

other sculptors please add your thoughts and recommendations!

[disgustingtwitches]

MDNI

Working at a restaurant with 141! (pt. 3)

"All of us under one roof? Have you lost the plot?"

Gaz snorts, all of you sitting at the bar. You shake your head. The thought alone makes you dizzy.

"Just me and you is hectic enough."

Gaz stares at Soap. John laughs, sipping his scotch. You think for a moment before taking your shot. Wait a fucking second. You joke about how they have decided to make your flat nothing short of a base, and if they're gonna be at your place more than theirs they should at least pay some of your bills. They freeze. Johnny nearly jumps for joy, grabbing your face and kissing you,

"Smart fuckin girl. 'N' if we're paying 'er bills, might as weel move in aye?"

That is not what you meant.

"Who knows, maybe it'll stop them from trying to drag 'er in the walk-in."

John shrugs. They cannot be entertaining this bullshit.

"Doubt it."

Simon shoots back his glass. There's a pause. They look at each other. Oh my God they are entertaining this bullshit.

"I'll think about it."

Price finishes his drink. They talk like you're not even there. You're horrified. Four men and you. One apartment. Not just any men, them. Maybe this is all some sick joke.

"You can always say no."

Simon kisses you before you hop out his car. You're not sure if you believe that. Your phone buzzed in the middle of the night, it's the group chat. Soap sends a link to a three bedroom flat,

Thoughts?

Three dots pop up.

Ok.

Simon replies. That's the only they blessing needed to move forward.

Hectic does not describe the move-in process, there are arguments on who's furniture gets moved in, who sleeps where, who gets to use which bathroom. Eventually there was a vote held (not that it mattered, John always had final say).

Anything big enough to accommodate the five of you was moved in. There would be a bed rotation, making sure no one slept with Ghost and Soap at the same time (and if everyone got tired of their shit, there's three beds for a reason.) Gaz and Soap shared a bathroom upstairs, you shared the one downstairs with Ghost and Price (this made sure you and Kyle had enough space for both your skincare products.)

You barely wore your own clothes anymore; with a closet full of clothes that were comfy and looked good on you, why bother? All your love languages included physical touch, so at any given moment, someone was touching somebody in the house. Lots of shared showers to "save water". Simon mostly cooks with the occasional help of you or Johnny. Sunday roast meant the kitchen was off limits for everyone except Simon, God help anyone who even tries to step foot in his territory.

Holidays are chaotic, always loud with a lot of drinking. And sex. Your first Christmas together was particularly memorable. Of course everyone got gifts that they treasured, including you. But you didn't know what to get Simon. Of course he was the type to say he didn't want anything but, that wasn't right. He opened his gift from you, he stared at it, said a simple thank you and slid it into his pocket. There's a game of poker being played in the living room after gifts are opened. Simon leaves to the bedroom,

"M tired."

Everyone else says goodnight, too enraptured by the game. While there's an argument about Johnny's shuffling, you walk to the bedroom. There he is, cranking the little handle on the wooden music box you gave him; it played Danny boy, wasn't bigger than the palm of your hand, and had an engraving on the inside lid.

"It's the words on the first hoodie you gave me."

"Mhm. Didn't have to get me anything."

He says, still turning the handle. Avoiding eye contact. You sit next to him.

"Don't know if you know how much you mean to me, promise I'll show you though."

His voice the softest you've ever heard. He tucks the box back into his pocket. A quick kiss to your forehead before walking back to the living room with you. This was one of the many holidays Simon didn't have to spend alone anymore.

[uncookedfeeler]

Citrus II🍋

Yuna x Reader

Tags : 7k, smut, incest, daddy kink,

Part 1

Five past eight in the morning, you arrive in front of your company, after having crossed a few blocks in the capital, at the automatic barrier, you wave to the guards to say hello and make your way to the underground car park, of course you have reserved your own space, not far from the lift, the privilege of having an important place in the company, you say to yourself; once the car has stopped, your bag in hand, you walk at a brisk pace to the lift and press the button for your floor.

Your impatience and shame are growing, you're late, which is far from your usual routine, especially when your president is probably waiting for you in your office. The reason for your lateness is even more shameful, but you're determined to put these thoughts aside during the working day.

Once you are on your floor, you pass through a second glass door, which you open with your badge. In the corner is the office of your secretary, who stands up to greet you and to warn you that the CEO is already in your office, just as you had expected.

"Hello Mrs Kang, and thank you, how long has he been here?"

"Not long, he arrived 5 minutes ago, he seems to be smiling, I think you'll be fine," she replies with a nervous smile, "would you like me to make some coffees and bring them to you?"

"No need, I'll do it myself, otherwise nothing else for the rest of the day? "

"There's a lot of paperwork to do today after the president leaves, your meetings don't start until this afternoon". You give her a thumbs up before putting your hands on the latch of your door. 

Your office was a modern space filled with clean lines and muted tones. A large executive desk dominated the room; behind it, tall windows filtered soft daylight through half-drawn blinds, while recessed lights softly illuminated the dark wood cabinets lining the back wall. In the corner, a pair of white armchairs and a sofa were accented by a single red cushion.

Across from you is your chairman, a middle-aged man with short grey hair and a warm smile. His face has visible wrinkles, particularly around the eyes, suggesting a friendly mood. He is wearing a formal dark suit and tie.

“I'm sorry to have kept you waiting, Mr Ahn,��� you say, bowing 90° to him.

"Ha ha, hello director, there's no need to be so formal, just get up and sit down,”he says, pointing with both hands to the seat in front of him. 

“Thank you, would you like a coffee while I'm up?”

“A short one then, my wife says I drink too much.”

You walk over to your desk and behind your chair is a piece of furniture that runs the full height of the wall, on top of which are various decorations, including your personal coffee machine.

“They all say that, but a good machine needs its fuel to work properly, doesn't it?”

“Absolutely.”

A few minutes pass as you place your respective coffees on the table between you, warning him that they are still very hot.

“I heard about the new contracts with JYP, good work Director Shin, I imagine it must have taken a lot of negotiation, they're notoriously difficult to do business with.”

“You could say that, it's not the first time they've worked with a cosmetics company like us, and it seems that their previous partnerships haven't been very successful, but with the work of the whole team, I think we've convinced them to count on us.”

“We still don't know the names of the models who will be wearing our products? if they match our latest collections well, I think it would be a great boost to our sales.”

“No information on that, the TWICE girls would be perfect, they embody the mid-twenties woman and seem to have finally lost their all-cute and pink ribbon image.”

As you finish your sentence, you see the chairman smiling after taking a sip of his coffee.

"Really good coffee, and why not ITZY, I'm sure they could certainly manage it too", the President smiles obviously as he mentions the group to which your daughter belongs.

"Yes, I'm sure", you reply with a touch of humour, the President knows very well who your daughter is and the joke shows how close you are to him.

"By the way, how is your daughter, she's appearing all over the country, she really seems to be riding on her popularity, you must be very proud of her".

"Sure, I try to keep up with her, although it's not as easy as it sounds, I imagine she'd be surprised to model for our company, I doubt she knows where I work or my position," you say with regret in your voice.

"Raising a daughter is not easy, I'll give you that, my older daughter... "Before he can finish, your phone rings to tell you that you've received a message with an attachment.

"When we were talking about the wolf, she sent me a message, sorry, go on, sir," you say, trying to get the conversation going again.

"Take your time, it's important to maintain a relationship with your children, especially when they've left home," he replies, leaning back on the sofa to take a step back.

After unlocking your phone, you click on the notification to open Yuna's message, which contains a link to a video and the message "how to grow my lemons", the link takes you to the streaming site Yuna uses and a replay starts :

"I've talked about this before, but the other day I took two lemons home to my parents that I've been growing for a long time, I'm not very good at it, so I asked my dad for help, he worked hard on them yesterday, you should have seen him, he played with them first and then he watered them generously, I think he's learning as much as I am, so I looked up on the internet how to grow them properly:

- First you need to stir the soil well with your fingers or a tool, then you need to push the seeds in deeply until they reach the end, then you need to water the soil regularly with love to increase the chances of getting a big lemon.

My two lemons have already grown well, so I'm wondering if I shouldn't put in a new seed to make a third, much bigger than the others," she said as she finished her explanation, stroking her stomach several times each time the word seed was mentioned.

Your promise to keep your impure thoughts out of your workplace, but Yuna's provocation, so innocent at first, is dangerously immoral and exciting in the right context.

"Your daughter seems to have found a passion for gardening, which is rare for young people who have only known the capital and its huge buildings," the President replies in an amused tone. 

"However, I wonder if young women have an attraction for fruity things, it brings a sweet and innocent side while retaining the exotic taste of a sweet and strong flavour, should we explore this avenue for our products?" he asked, he's the President after all, so business comes first for him. 

"It's hard to say, I know she had a shoot with different fruits as a concept, she doesn't quite fit the image of a young teenager, but an entry-level range for young girls with products that are easy to apply and discreet or even fragrant could be a target".

Another message appears on your screen with only the text ‘Now you know how to do it 💦🍋’.

The shock is quite brutal, you would never have imagined that your daughter would be so direct with you on this subject, after all you only really resumed your father-daughter relationship yesterday, the difference in personality between the nice, almost innocent girl you had yesterday and this morning and now, where she doesn't hesitate to tease you in public or by text message, a part of you hopes that she is just doing it for fun and not to satisfy you for fear of being abandoned again.

At no point do you want to force her down a path that won't make her happy, you've already thrown away your morals for her, now her happiness is your only concern, her wishes are your orders and pleasing your princess remains your goal in life.

You thank her for the guide and send her a sticker of a cat blowing kisses, followed by an 'I love you'. You put your phone back in your pocket to resume your conversation with your CEO as the clock ticks.

.

"I think we're done, I've really enjoyed this chat, I knew I could count on you to come up with new ideas, would you like to join the monthly review of their project, let's bring them the seed of your future fruity project," as the President stands up and walks towards the door.

"Sure, I'm following you"

.

.

.

The meeting has seemed endless, the chair and the others have taken it in turns to stimulate the discussion with their ideas, and what was supposed to be a simple project review has turned into a kick-off meeting for your project. It's past lunchtime and you've just returned to your office, completely drained of energy and with an appetite that's starting to grow. However, your position in the company means that with a simple phone call you can have a member of the kitchen staff come to your floor with your food.

"Knock, knock" 

"You can come in"

"Morning, Director Shin, here's your lunch," says an athletic-looking young man as he places it on your desk.

"Sorry for the inconvenience, I've had a busy morning and my legs need a rest," you say in a moment of weakness.

"No, no, no problem, sir, I'll come back for the tray later, enjoy your meal". The young man leaves your office in a hurry.

As you pounced on your meal like a hungry hyena, this break being one of the rare moments when you let your invasive curiosity take over, you grabbed the mouse of your computer to open the search browser and typed in the name of your company as well as your first name, you had this strong feeling that you knew what was being said about you or your company, public opinion is important and you were also worried about letting your bad reputation tarnish that of your daughter in case of problems at work.

And although you didn't show her much, it was also your ritual to follow your daughter's career. All these years you have been following her journey as an adult in the industry, and it fills you with pride that today your daughter's name still appears at the top of the search rankings.

Her latest Instagram post seems to have set the internet on fire, as you click on the top trending link to see a series of photos of her in the bathroom of your house, her hair flaming red, her make-up perfectly applied to her face and her brown eyes piercing through the mirror. She's wearing a lovely black and white tank top and I'm sure you'll agree that she looks absolutely fucking gorgeous in these photos, the comments are flooding in with praise for her look, despite the occasional haters, but nothing new.

You quickly take out your phone to leave a message for your princess: 

"I've just seen your photos, you're as beautiful as ever," while attaching a photo of the article you took with your phone. Once you've sent the message, you go back to your meal and your thoughts take over, you realise that this kind of little intention would have started from the beginning of her career, the simple fact of exchanging with your child and the feeling that comes from it soothes your heart and too bad if you become a clingy dad, you're going to tell her every day.

You're suddenly brought back to reality when your phone displays a notification saying that she's replied to you with a simple :

"Hihi thank you 😛, look at my little present", while a second message appears with a still blurred image, followed by a third in the conversation, Yuna had sent it as sensitive content, so you have to click on it to view it, and you're far from imagining what's revealed before your eyes: the last message served as a description with the words:  

"it was just after the shower when i was getting ready to go to the company, my little lemons have turned into cherries, all i need now is your big seed 🍒" the photo is taken from a higher angle where your daughter lifts her top to reveal her small breasts and the many hickey marks still present on her body, Her left breast and nipple are well marked by your mouth, not forgetting that she's not wearing anything, and you can see her little bush underneath, with a comment at the bottom: "To 🍼 my 🧔🏻, He must 🍼 my 😻 first".

At that moment, your cock springs to attention in a flash, it shoots up through your trousers and slams against your belly, any man knows that pain and it's far from pleasant, you loosen your belt to give your raging member a little slack, this little minx knew what to do to excite someone and the hours were going to be long from now on.

The rest of the day goes by slowly, you don't dare take out your phone for fear of getting into an embarrassing situation, you still feel some vibrations in the afternoon, but like a good professional you don't even look, the hours go by until the beginning of the evening, you leave your office and go to the underground car park, you make the effort to look at your phone and all you get are trivial messages, You're a little disappointed because you were secretly hoping for more messages from Yuna, halfway there you find yourself stuck in traffic on the road and you decide to call Yuna to find out how her day went, she answers almost immediately but doesn't answer your question, but you can hear the girls chatting as if she had picked up the phone and put it on a table.

You wonder what kind of phone she uses to get such good quality, the girls' voices are easily recognisable and the sound is as if you were in the room with them.

Yeji: "Ugh, yesterday's shoot was so chaotic! I swear we almost lost our minds trying to get the perfect angle".

Lia: "I know, right? I thought we were going to end up on a blooper reels. Remember when we all turned the wrong way during that one scene?

Ryujin: "Yeah, and Yuna was the only one who actually turned the right way! I guess she has an 'inner compass' or something..."

Yuna: "Hey! I just knew what to do! Plus you stole my concept, remember!"

Yeji: "I mean, you didn't mind talking about it online, you even mentioned your dad again, you're such a daddy girl after all"

Yuna: "Not you too! Can we please not talk about my 'daddy issues' again?"

Chaeryeong: "We can't help it! It's just so weird how you don't even look at all the sexy boys around us, I wonder what you do with all those pictures of him you snatch from the internet".

Lia: “'Even though we know what she's doing, she's acting cold towards him, but in the end it makes you hot, doesn't it? you should at least try dating someone, we've all done it so far and it's like, we're not asking you to sleep with them, just get some dating experience”

Chaeryeong: “Easy Lia-unnie, you're the one taking selfies with your exes' dicks in your mouth aren't you? they never fucked you anyway so keep your advice to yourself”

Chaeryeong:“Yuna, listen, we're not forcing you to do anything, but try to use your youth to meet people, it's weird to see you alone at home all the time.”

Yuna: “Unnie, that's not the problem, I'm just afraid of being rejected and I don't know how to tell him how I feel about him, we haven't been very close since mum left”.

Ryujin: “He's your dad Yuna, of course you love him in your own way, let's just say, just tell him and you'll be free of this burden, then we can go and pick up some hot guys backstage”.

Yeji: “I don't think she likes you getting fucked in the toilets when the newbies show up, same goes for you Chaeryoung, no one's putting any pressure on Yuna, right?”

Lia: “Easy for you to say when you're being fucked by your childhood sweetheart, we're not so lucky to have someone who loves us for something other than our bodies”.

Yuna: "It hurts, doesn't it? Aren't you afraid of getting pregnant?"

Ryujin: "'Are you kidding? Wait, you've never...? not even with the toys you hide in the box under your bed?"

Yuna: ”'OF COURSE NOT".

Yeji: "Stop laughing you bitches, Yuna this ain't that serious, yes it can hurt, you have to be prepared downstairs and remember we take all the pills the company gives us and don't forget we always use condoms, DON'T GIRLS?"

Ryujin: "Don't give us shit about it, they shove it up my arse anyway, you think I'm going to let those sons of bitches touch my pussy? a good load on the face, that's what it's all about'."

Lia: "Same thing, they can fill my arse but my pussy is off limits, I love to smash their cocks and make them scream in pain when they try to pull out'."

Chaeryeong: "Fucking listen to these bitches, apart from sucking cocks when I want to, I only fuck other girls, no risk on my side."

Yeji: "See, we're all careful, protect yourself well and don't forget your pills, they help with your periods too'."

Yuna: “I'm out of pills and I don't have a condom, but it's not like I need one, is it?!!, I'm going home tonight, don't wait for me”.

Ryujin: “Don't take it like that baby, I can give you some if you want”.

Yeji: “Yuna, come back!!! “.

You hear the loud thud of a door slamming and limbs flailing as Yuna leaves.

Yeji: “ 'Well done girls, that was clearly a good time to bring her down and make fun of her and her problems”

Lia: "Sorry unnie, we didn't think she'd take it like that, I'll go and get her'.”

Ryujin: “Stay here, you're making it worse.”

Lia: “Bloody hell, how can someone like that be so ignorant of her own sexuality, do you think she likes girls instead?”

Chaeryeong: “She's got a crush on her dad, are you stupid or what, we don't say anything to avoid the subject, she's just wanted to fuck her dad for a long time, she's got photos of him on her phone, on her wallpaper, a photo of him under her pillow, the poor thing is in desperate need of fatherly love”

Yeji: “ I don't know what happened last night, but since then she's been really nervous about it, let's leave her alone, otherwise she'll go crazy and we don't know what she'll do”.

Yeji: "We'll see about that later, it's almost time. Get ready and I'll go to her, you three go with the managers. We'll go back to the company, Chaery, get her bag and phone. She left it on the table."

Calm returned to the room and before you lost the connection to your daughter's phone, you heard

"Looks like you've got work to do Daddy Shin, sorry for the trouble" and she hangs up.

This is a lot to take in, and apart from the sexual debates between the 4 girls, which did not leave you without a reaction, the hardest thing is still Yuna's problems, which confirm your fears about her feelings, your daughter is not the provocative woman she pretends to be in the message, she is a young woman who still has a lot to learn about her own love and carnal feelings, knowing that your little girl is 'pure and innocent' would make any father smile, but on the other hand, what is the harm in learning about her sexuality? The trauma that has held her back, and for which you are probably responsible, is preventing her from moving forward in her life as a woman.

You'd been thinking all day about how to punish your daughter for her insolence, but the person you'd been talking to didn't exist. With Yuna's true feelings in mind, the next logical step seemed to be to wait for her at home and assume your role as father, as a princess deserves.

When you get home, you look at the clock and realise that she won't be home for another hour or two. That gives you plenty of time to tidy up, do your laundry and take a shower. You've picked up some bad habits living alone, but now that you're sharing your home with someone else, it's time to get the ball rolling again and restore the beauty of your property.

Time flies and you've barely had time to get out of the shower and into your new clothes when you hear the door latch click. You quickly step in front of it to see a redhead running towards you, dropping her bag in the doorway and giving you a big hug.

"Welcome home, darling," you say, stroking her head as you feel her face sink into your chest and a wet feeling hit your chest.

"I'm sorry daddy, I..."

"SHhh, it's all right, I'm here."

The situation is very different from yesterday, Yuna's shell seems to have burst the moment she saw you, you feel the warmth of her body against yours as her arms wrap around you, you say nothing, leaving one of your hands on her head and the other on her back.

"Dad, I... the message... it's not .... I wan...."

"Just breathe, I'm not angry, you know,"

"I just wanted to make you happy, I wanted to show you I'm a big girl, I'm so embarrassed now"

"You don't have to make me happy, it's my job to make YOU happy, and don't bother trying to act big, you're my little princess, that's all".

Just as she seems to have calmed down, you take her face in your hands to wipe away the last of her tears before placing a loving kiss on her forehead, "I love you," you say in a low voice as if to lull her to sleep, "I will never let you down, my only daughter.

Yuna is lulled by your words and you feel the weight of her body fall on your arms, "just rest on the sofa, I'll bring you a snack, you must be tired from your day's work", she accepts without flinching as you prepare something to eat while you wait for dinner, your daughter sits on the sofa, her head resting on a pillow, looking at you, when your eyes meet you exchange a smile without saying a word.

The evening passes smoothly, while your daughter rests and eats, you finally talk about your respective days, leaving your erotic exchanges out of the conversation, she finally gets to know your job, while you finally know what happens off camera, the night is felt and you suggest she take a shower while you prepare dinner, again she accepts without concern.

"Would you like to join me?" she asks shyly.

"Yuna, your legs are shaking, you don't have to push anything, I'm not going anywhere," you reply to her completely unexpected request.

She doesn't even answer and locks herself in the bathroom, slamming the door. You really can't understand what's going on in her head, but there's no time to lose, so you start preparing dinner.

Like last night, the meal is spent in church-like silence, each of us with our own thoughts. Yuna is completely withdrawn and doesn't even look at you, which is quite an awkward situation for you as she seems so close and then suddenly so far away.

You try to break this silence in the desert and ask her if she wants to watch a film, she takes a while to answer and then accepts, saying that she has to change first so that you can start getting everything ready while you wait for her, it's a good start and the film could give you a new topic of conversation to revive the dialogue between the two of you.

While she's still in her room, you call out to her to ask what film she's interested in. 

"Ruby Gillman, Teenage Kraken Please, Giselle-unnie told me it's good". 

You hear through the house, you recognise your daughter, who has always loved cartoons, once you've found them on Netflix, you adjust the brightness of the lights for a subdued effect, you've prepared a blanket and something to eat.

The minutes tick by and you wonder what Yuna is doing, you don't see much, it takes so long to get into pyjamas, but you tell yourself she's probably on her phone at the same time, which often doesn't help.

You hear her footsteps behind you and when she appears behind you, you see her wearing a simple pink t-shirt, you can easily guess that she's not wearing anything underneath as it hugs her breasts.

Suddenly she's straddling you, saying, "Forget the film, I want you, Daddy," as she pushes her body into yours and lies on top of you in a lotus position.

"Yuna, please, I," you don't finish your sentence as she slaps your face. 

"STOPPP REJECTING MEEEEEEEEEE' she screams at the top of her lungs as she bursts into tears over you, 'WHY ARE YOU DOING THIS, I....I....I JUST WANT YOU TO LOVE ME' WH... WHY ARE YOU HURTING ME LIKE THIS?

Your daughter lashes out at you in shock at what's happening in front of you, you grab her arms and she becomes helpless under the difference in strength between the two of you. 

"Yun..." 

"I just want you..." she says, her face completely ravaged by tears, the face of someone who is deeply hurt and can't take it anymore.

Something breaks inside you, all this time you've assumed she would throw herself at you, just to be like the others, just to receive the love you would have given her anyway, you've hurt her again and again until you made the same mistake you made with your wife.

Your daughter loves you more than anything and you are too blind to see that she doesn't know how else to show it, but this time you will make it right and give yourself to her.

Without further ado, you threw your lips over hers, releasing her wrists from your grip and sliding your hands from her lower abdomen to her breasts hidden under her t-shirt.

"No bra, you little rascal?"

Instinctively she puts her hands on your shoulders and fights your tongue with hers, you attack her nipples with your hand and they are already hard, the attack on her breasts causes Yuna to moan which is absorbed by your kiss, you go down her neck to place your marks while she can finally listen to her pleasure.

"Daddy, your cock, give it to me" she says as she plunges her hand into your shorts and meets your cock through the underpants, you lift her up with the strength of your legs and come to remove your underwear in one go, your cock is now naked between your daughter's thighs and she puts her hands on it.

"Put some saliva before baby," she listens to you religiously, but instead comes and gets the saliva overflowing from her pussy and applies it to your cock.

"Let me use my juices before you use yours," she says as she works your cock up and down, your shaft growing under Yuna's movements and the pleasure is truly enjoyable.

One of your hands digs into her soaking wet panties and you massage her slit with your fingers, your moaning cries joining in as you pleasure each other.

Quickly she gets up from the sofa to kneel in front of you and she begins to lick your cock with delicacy, her tongue starts at the glans and she places kisses on it, then her tongue and lips come together so that she tries to suck your sperm, her lips then go gently down the length of your cock and your cock goes slowly down her throat.

"Yuna, that's good, you're doing great," you say as you put both hands on her head to guide her, you watch as your cock disappears into her mouth as the sensations of her work send shivers down your back, from time to time she pulls out to spit on your shaft before sliding back in,

Yuna learns as she goes and her technique is perfected with each dive, after a while your breaking point comes and you refuse to finish here so you help her pull out and try to save your orgasm for later, her mouth overflowing with saliva and she looks at you with appetite.

"Sorry baby but it's my time to eat you now" you tell her as you take her in your arms and go into your bedroom where you lay her on her back on the edge of the bed, without further ado she attacks her pussy with your mouth and she presses her thighs against your head, Your tongue immediately attacks her slit, which rushes to secrete its juices, which you suck up as you go, her clit is quickly attacked by one of your hands, which takes great care to titillate the little bean, with delicacy you move up and down her slit, from time to time penetrating her entrance with your tongue to prepare the work,

The poor red girl cries out with pleasure as she experiences being devoured by her lover for the first time, she clings to your hair which she pulls when the pleasure is too great, on your side you shift into second gear and penetrate your daughter's pussy with two fingers, you feel like you're piercing a flan because the inside is so soft.

“Daddy don't stop, it's coming” your daughter cries out as she feels your third finger deep inside her, your mouth has turned into a wet wiping system as her pussy floods your mouth, you keep up the rhythm until you feel your daughter leave and in a flash her body goes rigid and her pelvis convulses under the power of the orgasm.

You lift your head and climb onto the bed to kiss your princess with a little “I love you” in her ears, 

"Daddy, I want you,” she says, stretching out her arms to ask you to come inside her, “it's time to put that seed inside me,” as she spreads her pussy in front of you.

Worried, you reach over to your bedside table for a condom, but Yuna stops you.

“It's ok daddy, I'm on the pill and it's a safe day, you can pour everything into my secret garden", Yuna's naughty language excites you immensely and your cock hurts so you give in and come to lie on her entrance and gently tap your cock to soak it in her juices, 

You sink gently and anxiously into your own daughter, resting your elbows on the mattress so that you can kiss her as you move inside her, every inch of her is painful and she lets you feel it as she scratches your back with her fingernails, you kiss her tenderly as your hips move up to touch her pussy, 

Your cock feels the tightness of her vagina as well as the warmth and moisture from your excellent preparation work, the passage through her pussy is made without too much effort and you slide deep inside her like butter, on the other side Yuna seems to take your big cock like a champion and despite the pain she has already wrapped her legs around your waist.

You feel her warm, rapid breathing on your face as you look into her eyes, just inches apart.

"Daddy, I can feel you inside me, my little pussy just ate your big dick."

"Are you alright baby, I won't move until you're ready".

"I want to sit like on the sofa".

You obeyed her orders and gently lifted her up without pulling back to let her sit on you, you put yourself on her buttocks and she was now resting all her weight on you, the change of position made your cock dig even deeper inside her and she felt it well. 

"Don't move, I want to stay connected to you like this," as she strokes her stomach trying to feel your cock, "keep eating my tits, please.

Just as your cock seems to have bottomed out, you turn your attention to her pair of little red lemons, You really loved her tits, they are not as big as some but in your eyes they are perfect, the texture of them, the feel of them in your hands and the way Yuna reacts every time you nibble on her nipples.

You decide to kiss your daughter and whisper "Shall we?" to which she only nods, you begin to rock your hips as your cock slowly emerges from her pussy and then slowly returns, never fully exiting, you carve your daughter's walls with your cock and Yuna moans with pleasure at the work of your rod.

“♥Hmm....♥Ah....♥Hmm, ah....♥ Daddy, your cock is turning me inside out, every time you push in it feels weird down there, it's a bit painful but also extremely pleasurable, I can feel your big cock pushing my sides apart and knocking on my garden gate, keep it up, I want to feel your cock ravaging me".

You pick up the pace at your partner's request, your cock seems to have done its job well as you are able to withdraw completely before impaling her again with no problem, under the force of your hips Yuna lays her head on your neck and sucks you like a baby, you let go of her breasts to lock your hold on her by circling her waist with your arms, once firmly in place you pound her with all your strength. 

“♥Ah....”

“♥Ah.... DADDY”

“♥Ah....

♥Ah.... DA”

For long minutes, you hold her close as your cock slams violently into her pussy. The pleasure comes from the fact that Yuna has her head back, unable to form a sentence. Pleasure has taken over her body. You feel your orgasm building slowly. While your daughter is already on the verge of hers, you feel her legs squeeze you hard as she explodes on your cock and her fluids flow down it. Yet you don't stop your thrusts.

"Daddy! Daddy! Daddy! Stop it"' At her command you stop and discover your daughter's face completely undressed, her hair sticking to her sweaty face and you push aside the lips that hide her eyes to kiss her.

"Let me do it now" she asks as she moves her hips on her own to embrace your sensitive cock, her movements are fast, her pussy devouring you at its own pace and you put your hands on both her buttocks to support her, you give little slaps to her delicate skin and as she fucks herself on her father's cock you feel your orgasm coming and you warn her.

"Yuna, I'm coming"

She gives you the coup de grace when she puts all her weight on her descent and your stiff cock pierces all her pussy until your balls kiss her pussy, inside your cock floods her and for the first time in her life Yuna is at the door of motherhood, her pussy sucks your sperm with efficiency and you withdraw from her.

Yuna is still sitting on your lap, your breaths heavy, your bodies full of sweat and juice, and neither of you can stand the silence as Yuna's cum begins to flow.

"Ah baby, that was amazing. You were amazing!"

"Thanks daddy, do you want some more?"

"I'm sorry darling, I'm not young anymore, my penis is withered."

You can see the disappointment in Yuna's eyes. In your youth, a second round might have been possible, but now your libido is limited to your arousal, and after emptying yourself into her, you no longer feel anything on that level.

"Daddy... Are you going to leave me like this?" says Yuna as she gets down on all fours, points her bottom at you and spreads her pussy with your cum dripping from it.

The sight of your daughter in this position would have turned any man on. You feel like it, but your desire is gone for the moment. You see your daughter wiggling her bottom, begging you to fuck her, and you're powerless to stop her.

"Dad, I'm sorry... I lied, I haven't taken the pill yet, I want a second shot or I won't take it. The longer you wait the more your seeds will fertilise my garden, look how hungry my pussy is, come and make sure you flood my pussy next to save my career."

You're at a loss for words, whether to believe her or not, but one thing's for sure, she knows how to work you because your cock has come back to life and you're going to take malicious pleasure in making her regret having put that doubt in your head.

You grab her hips and penetrate her little pussy, slamming your balls against her arse, 

The gentleness of before has been transformed into a wild fuck where only pleasure is king. Your hands are firmly planted on her hips as you pound her with your pelvis, creating waves on her buttocks that will soon feel the onslaught of your hands.

"Daddy, your cock is stirring my insides, your sperm is mixing in my pussy, push hard".

Your daughter is now nothing more than a vulgar hole in your assaults, the seed of doubt she has planted in your mind has completely removed your sanity. If she is indeed unprotected, your first sperm must have done its work in spite of you. When in doubt, you prefer to flood her a second time and make sure she takes her medicine.

Go ahead daddy, make me your property, claim my pussy as your own personal garden, I'll take care of all your fruit,' Yuna's provocations rage in your mind. So you explode into your offspring's pussy again, you stand for a few seconds spasming against your daughter's ass as she collapses onto the bed, then you do the same, completely exhausted.

'Was that true about the pill, baby?

'Yes...' she says shyly. Now that all her libido has left her body, she presses you against her breasts and whispers in your ear: "It's too early to taste my juice, you'll have to give me some more water.

Your daughter is soon off to dreamland, still naked, and the bed is soaked with the fluids of your lovemaking. You make sure you look as tired as possible before you too collapse.

.

.

You wake up to a pleasant smell, but also to a body in pain. The bedroom gym session hasn't done your body any good, but your mind is at peace. As you leave your room, you see Yuna in an apron preparing breakfast. Beside her is a pack of contraceptive pills, two of which are already empty. When she sees you, she says:

"Good morning, Dad, you're going to need your strength, remember, you have to stir the soil first before you put your seed in. We're going to have to spend some time on this before you can make my pussy fertile for you."

Later, as you're driving to work, you see an important email from your CEO and a message from Yuna; you'd like to think that the email is more important, but that would be lying to yourself,

The text message is just a selfie of your daughter still in bed next to you with the message 'I've got a body full of marks, the girls are going to realise what we've done, not to mention I've still got your sperm in me 🤭"

Classic Yuna, but you'll have to get used to it. You've made a pact with a demon, but who cares, you're no angel anyway.

As for the email, just looking at the title 'Meeting with JYP & ITZY', it looks like you're finally going to meet one or more members of your daughter's group.

______________________________________________________________

[skufdaddyswansea]

Jimmy and Swansea at Their Worst

The crash of the Tulpar sees Jimmy thrust into a leadership role for which he was hopelessly unprepared, and in the months that follow, his chain of poor decisions leads to dire consequences for all those aboard, himself included. But he wasn't alone in that marathon to rock bottom. If we follow his footsteps downward, we'll find Swansea's right there next to his.

At the surface level, the two already have a lot in common. They're both brash to the point of rudeness, openly dissatisfied with their lives, and have short fuses.

Notably, Swansea can also be overly critical of Anya.

...But, to be fair to him, he's like that with everyone.

When they really start to converge is after the crash. Looking at Swansea's relationship with Daisuke, it's almost a microcosm of Jimmy's relationship with the crew. While he initially makes an effort to do the right thing, he inevitably gives in to his worst impulses and fails. In Swansea's case, he falls off the wagon. This may look like only a personal weakness, especially compared to Jimmy's more outwardly destructive behaviour. But in his position, even the harm he does to himself reflects outward.

Daisuke is the only other member of the Tulpar that we see "indulging" in the mouthwash. Swansea has no idea that he's sprawled on the floor, sick on dental hygiene products, devoid of his characteristic cheer. If he did know, what could he even say? After all, Daisuke was only following his example.

Later on, Swansea's alcoholism prevents him from protecting Daisuke in a much more literal sense.

All his secrecy and isolation were for nothing.

One of the major reasons he withdrew from Daisuke was because Daisuke was much too naive to hide the cryopods from the others; he probably never would have accepted that everyone else would have to die for him to survive. Swansea took extreme measures to guard the Utility room from Jimmy, all to protect Daisuke. But in doing so, he gave Jimmy the perfect opportunity to take advantage of those very traits he wanted to protect.

In this moment, both Swansea and Jimmy fail Daisuke. They both let their weakness blind themselves to danger. And they both realize their mistakes far too late to save anyone.

But it's through this ugly truth that Swansea is able to break off from their path. With the last of his hope gone, he can do what Jimmy can't: he accepts it. And he does what he knows is right, even if it breaks him to do so.

I think Swansea also sees some part of himself in Jimmy. Maybe even what he could have been if he didn't fight so hard against his demons. That's why in his final act, he tries one last time to get through to him. It was too late to make things right with his kids, or for Daisuke. Or even himself.

Of course, he knew it was futile. Jimmy was never going to listen. Because what really set them apart in the end was irreconcilable; the gulf between them was shaped by their ideals.

Swansea wanted to be a better man. Jimmy wanted to be a hero.

[tatsumi-rin]

Anyone else thought about this?

With the popularity of Mouthwashing as a game, I've seen people who talk about it talk about the mouthwash itself as a metaphor for Jimmy (and they're definitely correct in their read imo), but dear god NO ONE is talking about it as a potential metaphor for Pony Express itself as a company.

This is an item considered to be an essential. It is a dental hygiene product dentists would generally recommend you have. 99.9% of bacteria gone - but this one is loaded with sugar. Using this is going to be detrimental to its own cause and probably worse than using no mouthwash at all.

Pony Express? No matter your start, it seems like a good, stable job and a promising future. People will always need goods transported to other planets. It even has a cute mascot representing pride in their work that they sell toys of to kids!

Butttttt, the caveats. Oh boy, the caveats. All of those cute images are done to soften the blow of little red pieces of text about how doing things to the point of basically existing means your credits are going to get docked - something that's just as much Aperture Science-esque dark humor as horrible foreshadowing. Late delivery? Docked. Resting in any manner for more than five hours? Docked. Using medical support in any manner? Docked. REPORTING ISSUES TO HR??? MOTHER. FUCKING. DOCKED.

And trying to avoid any of those dockings; those detriments? Pretty much impossible, and that would spell doom for anyone: including members of a certain ship. With every one of those rules, if they survived that payout would be hilariously low. The usual rules; made by out of touch people in fancy suits.

The members of the Tulpar all (mostly) had reasons to be there, even at radically different life stages. Reasons why they needed the work, and reasons why it should fulfill those reasons and enrich their lives.

It was meant to be Jimmy's ticket away from struggling on earth. It was meant to be Daisuke gaining direction in life. It was meant to be Anya finally getting into medical school. It was meant to be Swansea gaining a stable and fulfilling life as he made it into sobriety, and it was meant to be Curly making it further up into his career path with glowing words of praise.

As per capitalism's usual spiel that we were even shown in the game itself via public domain cartoon, taking this job was meant to be joyous opportunity and innovation for their lives; but with so many flaws in the system around them around them - including the words on those posters - just trying to find benefit in the system they needed in order to survive was nothing more than fatal poison. The dead pixel, the sugar, and the 0.1% all working together.

[leonenjoyer69]

After sitting half finished for forever, I finally present Lanyon's Mindscape!

I spent quite a while coming up with everything and developing things in a way that connected very heavily to Lanyon's character (as well as Elias's) for my Lanyon Takes the Potion AU, so I'm very happy to finally share it! I mentioned it a while ago on the QnA with @arythusa , but here's the whole long summary!

I have a reason for each and every detail and choice, so if you have any questions, leave them in the reblogs or comments and I promise you I would LOVE to answer them :3 also, reblogs would be very appreciated, I put a lot of work into this <3

Now, let's begin!

The Mindscape

A twisting mansion of halls, doors, and spiraling staircases, Lanyon's mindscape is a vast, extravagant space.

Most of the mindscape has an inherent purple hue; grand chandeliers also bathe the upper, more "frequented" areas in a golden light. However, the deeper you travel, the more sparse these golden lights become.

Lanyon doesn't have the same odd "compartmentalization" abilities that Jekyll does, leaving his mindscape much messier and more confusing, with very little of it being any sort of "organized". Furthermore Lanyon hasn't ripped himself down to a shell of a person like Jekyll has; nor does he suffer from the same self hatred as Jekyll and Hyde, making his mindscape much more lively.

Residents of the mindscape include mind versions of: Jekyll, Everly, Lanyon Sr., Lanyon's mother (though she acts as more of a ghost,) the shadow people, and the Nightmares™.

THE ROOMS AND LAYOUT

THE HALLS

The halls are long and confusingly twisty, covered in unmarked doors, blurry portraits, and golden chandeliers, as well as other occasional decorations and clutter. There are very few doors that actually stand out enough to know they're special, like the ballroom, greenhouse, library, alchemy room, and Lanyon Sr's office. Most of the special rooms are near the surface, never moving, as their influence on Lanyon's character and memories are too strong to be moved from near the subconscious.

Memories, however, do tend to shuffle around a bit, even moving between floors depending on how much Elias or Lanyon is thinking of it. This shuffling has the ability to bring nightmares up from deeper levels to the more "safe" ones.

Many of the halls tend to lead in circles or straight into dead ends, and some doors simply lead to more hallways.

THE POCKET WATCH

To combat the twisting and turning, Elias eventually realizes that his "broken" pocket watch acts more like a compass, pointing him in the general direction of where he wishes to go. Mindkyll also has a pocket watch like this, being one of the more mobile mind people (despite his slight limp.)

The pocket watch has the normal larger clock face, as well as a smaller one for "seconds". The hands all spin aimlessly until a destination is thought of. The hour and minute hands work together for general direction like a compass, while the seconds tell the level, with straight up/forward being a higher level, down being a lower level, and horizontal being the current floor. Elias only figured this out with Mindkyll's help.

Elias, Lanyon, and Mindkyll all have an inherent attachment to their given watches, and when they're in other hands or removed from their persons, they feel more lost and confused, as if they have brain fog.

THE LIBRARY

Lanyon spends a decent bit of his free time reading and watching plays and productions, so it only makes sense for him to have a grand library filled with the fleeting memories of these pasttimes.

The bookshelves are oppressively tall, and despite the number of books and scripts, most of them aren't quite readable, since their words have been at least partially forgotten. However, there are a decent few books that are mostly filled out, namely favourite stories or plays he's ingested, old school books (thanks to Jekyll's influence,) and partially filled out journals or phrases that stuck with him, either from other people or things he's told himself.

Additionally, there is a reading nook with a fireplace in one of the corners, since reading is a comfort he hasn't abandoned.

THE MUSIC ROOM

The music room is a cozy space with a few chairs, a fire place, a grand piano, other various instruments, and sheet music strewn and hung about. There's also a couple of paintings, but they're covered mostly in music sheets. One of the other notable instruments is a violin, though it doesn't get used until Elias comes around.

This room is where Mind Everly spends most of her time, when not in the greenhouse, of course. Most of the music pieces are either nonsensical, or genuine ones that the real Everly has played for Robert.

This room becomes a sort of safe space for Elias after certain...events.

THE BALLROOM

The ballroom is a large, extravagant 2 story room. The floor/lower space has walls lined with windows, bringing a golden light to the whole room. However, nothing can be seen on the other side of the windows. Pillars sit between a few of them, holding up a large, wrap-around balcony-- I.e the second floor. The lower space also has a large circular design in the middle of the floor.

The second floor also has windows, as well as a few doors-- one of which leads into Lanyon Sr's office, since Lanyon viewed the tie between his fathers work and status so strongly, both becoming his whole life.

Because of how much of Lanyons life was built around balls and gatherings, the room is filled with shadowy upper class folk, all with somewhat blury features. They tend to act quite mindlessly, seemingly at least somewhat under Mindkyll's Beck and call, but they do dance together and murmur nonsensical, unsettling things to each other. They don't say anything that can be made out, but their growing judgement towards anything odd in the ballroom and overlapping voices can cause panic quite easily.

This room is frequented by both Mindkyll and Mind Lanyon Sr. Mindkyll tends to roam around, framing and dancing with the shadow people, while Mind Lanyon Sr stays on the balcony above, ever watching and judging what goes on below.

THE GREENHOUSE/GARDEN

An overgrown greenhouse filled with various vines, shrubs, and flowers (with occasional symbolism). there's an area for plants directly in the ground, as well as tables covered in pots, metal rafters with hanging pots, and a couple of trellises. The room is mostly all glass-- which still can't be seen through, but gives a warm, comforting glow to the room. There's also a glass table, which seats 2, and a little nook in one of the corners.

A lot of the flowers tend to change, as well as "randomly" bloom and wilt.

Elias likes to spend a lot of time just sitting in this room, occasionally with mind Everly. He also likes cutting back the overgrowth, but it always comes back. He eventually starts to keep track of how the flowers change as well.

THE ALCHEMY LAB

Based heavily around Jekyll's office and Alchemy-covered university desk, the lab is a dark, candle-lit room cluttered with alchemy equipment, books, and potions. There's an odd green fog in the air, making it one of the only rooms that isn't bathed in purple or gold.

This is the other room Mind Jekyll tends to frequent, usually experimenting or organizing his things. Lanyon and Elias both try to avoid this room, as the air feels uncomfortably heavy and tainted.

THE OFFICE

Lanyon's personal office, though it's quite lacking in furniture. The room mainly consists of a desk, chair, scattered books, and a lone, curtained window. The walls are covered in portraits (mainly of his father) and the desk is littered with bills and paperwork. The room seems almost abandoned, at least until Elias comes around to it.

THE UNIVERSITY DORM ROOM

A memory of his dorm room with Jekyll. The window seems to give a faint blue light, though the curtain usually covers it (symbolizing how he hid the relationship and his feelings.)

Jekyll's desk has a few alchemy things scattered on it, as well as text books. There are bunk beds, but the top looks unused.

There are various objects in the room that trigger a memory when they're interacted with, since many core memories were made in the room, buried or not.

LANYON SR'S OFFICE

A large, oppressive office, lit primarily by the two windows. The shelves and tables are covered with books and paperwork. Mirrors litter the walls (symbolizing Lanyon's similarities to his father), as well as portraits.

Mind Lanyon Sr obviously frequents this room, doing random work and reading. The room is also directly connected to the second floor of the ballroom, high above everyone else to show how Lanyon believed his father to put himself and his work above everyone else. Lanyon tends to avoid this room, and the second floor of the ballroom in general, as it makes him feel exposed. Elias also tends to avoid this room, as it makes him feel small.

THE CHARACTERS

ELIAS WRIGHT (LANYON'S HJ7 ALTER)

His outfit gives a more "working class" feel, inspired by his father's youth. They're also far more comfortable than Lanyon's usual clothes, so Elias doesn't mind them too much. The outfit somewhat symbolizes Elias's working spirit, as well as his yearning for his Father's approval via following in his footsteps (to a certain degree), acting as a sort of errand boy around the society/for Jekyll. They also make him look ungentlemanly, simple, and weak, making him stand out in the mindscape.

He has a "broken" pocket watch on him at all times, which he instinctively feels very protective over, as it's somewhat linked to his being.

Additionally, in memories he can "take the spot" of Lanyon, letting the memory compulse him on how to move. He likes doing this to feel like he's still Lanyon-- like he's whole again.

Feelings wise, Elias isn't too against the mindscape for a good while, mainly in the beginning. While it is confusing and lonely, leaving him quite on edge most of the time, he does at least find solace in mind Everly, Mind Jekyll, and some of the rooms. He does have a few run-ins with nightmares, though he always manages to flee or be saved somehow by mind Everly or Jekyll. He prefers to stay on the higher levels where it's brighter and safer, though occasionally he does go down to dig through memories, much to mindkyll's masked annoyance.

He initially sticks around Mindkyll quite a bit, dancing and hanging out in the ballroom or alchemy lab with him, even if he occasionally makes Elias kind of uncomfortable. Elias is quick to trust him and his charm, falling into him as a safety since Mindkyll is so kind towards him, and since he resembles Jekyll so much. Mindkyll is also quite touchy and praising with Elias, feeding Elias's yearning for romantic intimacy from Jekyll. Mindkyll usually knows just what cards to play to make Elias either fall for his charm or feel bad for him. They do pursue something of a "relationship", and despite the occasional discomfort Elias feels, he is quite reliant on Mindkyll for a while, using him as a stand-in since the real Jekyll seems so unattainable.

Also, Elias finds Mindkyll's "sparkle machine" ability quite funny, but of course falls for it. On a few occasions he's accidentally sparkled back, shocking Mindkyll and somewhat offending him.

Additionally, Elias hangs with mind Everly a decent bit too, finding her to be a more calming presence among the greenhouse and music room. She gives him advice and lets him talk, acting as a sort of mental therapist. She doesn't like mindkyll. She'll play music for Elias or sometimes just sit with him in the greenhouse.

Elias somewhat avoids mind Lanyon Sr, rarely trying to get to the ballroom's second floor, unless he feels he has to. He also partially tries to avoid his fathers gaze, though sometimes he can't help but look up at Lanyon Sr watching over the ballroom, yearning to make his father proud of him. Lanyon Sr's critical gaze tends to make him feel small, cringing under the judgement.

A mind version of his mother also haunts the mindscape, though she is scarcely seen. She does seem to like Elias far more than Lanyon though, sometimes even holding Elias and calling him her baby. She only really shows up in the greenhouse, from what Elias has seen.

MIND JEKYLL

A resident of Lanyon's mindscape, he's a sparkly amalgamation of Jekyll and Hyde. Wandering between the ballroom, halls, and his lab, he mainly dances, experiments, and charms. He has phantom pains all around his body, stemming from Lanyon's constant fear of Jekyll getting hurt (especially via potion mishaps), and has a limp in his left leg from recurring nightmares of Jekyll stepping in a bear trap on the faithful Bleeding Heart Night™.

Before Lanyon and Elias split, mind Jekyll looked far more like normal Jekyll and acted a bit more awkward. however, after learning of Jekylls duality, mindkyll became a bit more Hyde like, his sideburns growing out, his hair growing messier, and gaining a hole filled cape and green hat, as well as gradient eyes. He hates his new appearance a decent bit, blaming Elias for it.

He spends most of his time in the ballroom, since Lanyon taught him how to act "proper" and he seemingly surpassed Lanyon at that, causing him to become a sort of icon to Lanyon in that sense. In the ballroom he's quite the charmer, going between the shadow people and playing them as he wishes, which stems from Lanyon's jealousy of how Jekyll acted (and still acts) with women at parties while they were together.

Mindkyll tends to feel an inherent hatred for Elias when Elias is around him, as if Elias's presence by itself just causes stabs of anger and resentment in him, though usually he can force this feeling down in order to keep his charming facade up. However, on top of that resentment, when he feels like he has any sort of control over Elias, he gets a swell of pride and power in his chest. He tends to get more inwardly cocky, which mixes with the hatred and makes him increasingly cruel at times, though he does mask that with his charm and sparkles. He's also very much emotionally manipulative, pulling at Elias's weaknesses and the slight inherent attraction Elias has for him, since he looks like Jekyll and such. He doesn't really tend to outwardly show any of his hatred of course, since he wants to keep Elias's trust for the most part, but he does Harbor Lanyon's resentment and repression of all those "weak" emotions and such. Additionally, he holds a lot of Lanyon's "rebellious" stage, feeding off of the power he gets from having control.

He also lets off sparkles as a sort of defense mechanism for when he feels threatened or starts getting impatient/aggravated. They have a somewhat calming effect, most of the time at least, made to distract people from his real intentions and feelings. Occasionally, however, their impact/sway is dulled, like against Mind Everly. Eventually, Lanyon starts becoming more resistant to their sway, and after a certain future event, so does Elias.

MIND EVERLY

Mind Everly tends to avoid the ballroom, so she doesn't really interact with the shadow people unless she has to. She's also surprisingly adept at fighting off the nightmares. When Mind Mumyon randomly shows up in the garden, or on rare occasions the music room, she'll kinda just chat with her and keep her company until she wanders off/disappears again. With Mindkyll, Everly tends to be a bit "low patience" with him, not really playing into his charm and tending to ignore him.

Mind Everly knows she's just a part of Lanyon, being one of his main comforts and someone that he confides in, and she's quite alright with doing her thing and occasionally helping out Elias or Lanyon. She's just as sweet and trustworthy as the real Everly, acting somewhat as a therapist and general advice giver. She's also quite protective of Elias after certain events.

She frequents the Music room and the Garden, only occasionally going into the ballroom if she feels she has to. She completely avoids the alchemy lab, and only goes into Lanyon's office every once in a while to clean it up a bit.

MIND LANYON SR

Mind Lanyon Sr looks quite similar to the real one, just far more oppressive and judgemental, far more emotionally detached than the real one. He has a distressing aura to him, causing discomfort to the shadow people and monsters and annoyance to most of the other mind people that get close to him. Mindkyll seems to be the outlier to this, as he generally tolerates Mind Lanyon Sr's presence quite well, even occasionally seeking it out.

He usually hangs out on the second floor of the ballroom, staring down and judging the people below. He's this ever-watching presence, detached but still close enough to control things-- or at least seem like he could. Otherwise he frequents his office, doing work, reorganizing, or reading.

He'll occasionally hang out with Mindkyll, vaguely talking to him and slipping him praises. He sees him as more successful, fond of him in a "my son should be like you" way. Despite this, he still gets quite judgemental of Mindkyll when he looses his temper or shows his more "mad scientist" side.

His feelings towards Elias are a little mixed. For the most part, Mind Lanyon Sr is constantly judging Elias, disgusted by his emotional vulnerability and how he's everything the real Lanyon Sr tried to get rid of in his son. But, on the other hand, occasionally he can't help but be the *slightest* bit proud of the fact that Elias has at least SOME work ethic.

Were Elias to try and talk to mind Lanyon Sr, he would probably be met with Mind Lanyon Sr ignoring him, silently judging him, and/or verbally jabbing at him, pointing out his flaws. Elias is quite heartbroken at this, but for some reason he tries to get Mind Lanyon Sr's approval a handful of times before finally giving up, cringing under his stern, judging gaze.

Otherwise, he's aware of his state as a concept and is quite fine with it, intent on keeping Lanyon and Elias in line, in his own detatched way.

LANYON'S MOTHER (CELIA)

Cecilia Lanyon (Mumyon) somewhat haunts around the mindscape, quite scarcely seen. Because of her distance and detatchment towards her son, she rarely shows up, and when she does it's usually in the greenhouse, since she mainly "bonded" with Lanyon by having him help tend the garden occasionally. Since at home she was also commonly hysterical, Mind Celia is generally quite blank, but occasionally snaps a bit emotionally.

When Lanyon is around her, she tends to somewhat blankly stare at him, VERY occasionally actually talking or acting motherly towards him. Elias, however, tries to drag a bit more of that motherly persona out. He yearns for validation and affection from both of his parents, and the mindscape if the only place he'll ever possibly be able to get it. She occasionally seems to give him a little of the attention he wants, talking in very short sentences when they're together in the greenhouse, maybe pointing out flowers or their symbolism. Sometimes she does seem quite cynical, however, which tends to throw Elias off.

Her and Mind Lanyon Sr don't really ever interact, unless Mind Celia just happens to silently join him on the second floor of the ballroom for "show". She mostly ignores mindkyll, but has snapped at him at least once. Otherwise, she usually just tolerates him. She likes Mind Everly well enough, it's hard to dislike her, and she enjoys listening to Mind Everly's music.

Most of the time she's not the most aware of things, but she does have her more clear moments.

(Cecilia Eleanor Lanyon was made by my friend Luka ( @lukas-broken-bow ), while mind Celia was adapted by me bc her character EATS, THANK YOU FOR DEVELOPING HER LUKA, I LOVE HER)

THE NIGHTMARES

The nightmares take on a lot of forms, with one resembling Morcant being the most notable. Along with that, however, there's also many "mad scientists", physically ruined by their science, and various magical creatures and monsters, like vampires (there's one with a resemblance to Dracula), other werewolves, and reanimated things (ones that are especially gory, since Lanyon is disgusted by things like exposed innards,wounds, and rot.) There's also a nightmare "Hyde", who is somewhat formless and mainly causes general havoc and stalks around.

With the twisting of the mindscape and so many doors scattered about, the nightmares tend to stay in lower levels, trapped behind said doors or simply lost, especially if Lanyon keeps them off of his mind. However, when thought of or triggered via seeing or hearing something (or occasionally at random), doors will open or memory rooms will move, allowing nightmares to find themselves closer to the subconcious. They're also more active in higher layers in moments of higher stress, or heavy sleep deprivation, as those " doors" become harder to unconsciously keep closed.

Mindkyll is somewhat fearful of them, some more than others, but when they're closer to his ballroom or lab, he tends to be less scared. Or, when he needs to swoop in and "save" Elias from a couple of nightmares, he tends to forget some of his fear. Mind Everly is somewhat scared of them, but is more so annoyed by them. Mind Lanyon Sr. doesn't really have to deal with them, considering his spot on the balcony, and simply watches when they come about.

THE SHADOW PEOPLE

The shadow people are vague, blurry high society folk that remain in the ballroom. They're all dressed very well, their bodies partially see-through as if they're mere ghosts.

The shadow people don't really interact with anyone but each other and Mindkyll, since he somewhat has control over them. They dance amongst each other, muttering nonsensically until their "words" all blur together. They're not very aware of anything, all in all quite mindless, but when there's anything "wrong" or "ungentlemanly", that's when they act more. Their voices start to rise, despite still being mere whispers, growing more cacophonous and anxiety-inducing as they stare. Their judgement of anything odd is ceaseless, usually only calming at Mindkyll's demand or when the oddity leaves the ballroom.

Additionally, mindkyll can manipulate them to react in other basic ways, like acting charmed or shocked, and he usually does it for his own enjoyment. When a nightmare manages to get into the ballroom, the shadow people aren't targeted. Instead they grow more sinister looking, especially expression wise, and their mutterings take on a certain sharpness, their judgements growing harsher. Usually mindkyll needs to remove of the nightmare for them to act normally again.

_______

And that is the basics of the Mindscape! Once again, I'd absolutely LOVE any questions in reblogs, comments, or even my asks :3 thank you so much for reading all of this, I hope you enjoyed!!

[empty-movement]

OLD SCHOOL ANIMATION NERDS, I SUMMON THEE TO ASSIST

Hey! Vanna here! So I recently, in a rage at the loss of the end-of-series lot of production materials, bought a cheaper lot I had been curious about, and I kinda struck animation history gold with it! Try as I might to pull the whole context together, I need y'alls help accurately naming and identifying what I have!!! There are MANY MORE of these, all from the same episode, an Utena one, a LOT of Nanami, and a group shot even, all following this similar formula. But let's be honest, Vanna and Yasha wanted that sweet Touga smugness. Analysis and questions below the cut! These aren't ALL the sheets, there are ones for the face shape and sleeve also but to demonstrate. Also, fucking amazingly, I also have the storyboards for this episode, so I can even tell you the shot number is 287 ISNT THAT COOL

So Utena fans. You may or may not know, but episodes 6 and 8 had very chaotic productions, and did end up getting swapped in the end. Per Ikuhara's directory commentary in the Nozomi Blu-ray:

He makes explicit reference here to Akemi Hayashi, credited as the animation director for the episode. I can't recall where I saw it now, but I know the difficulty of drawing Touga on model is mentioned somewhere in all the production stuff I have.

Now. Here's the problem. I DON'T FUCKING KNOW WHAT THEISIWEUGWEYGF what do I callll these. My understanding is the the douga is the final line art, transferred onto the cel, and that is the only thing that you call a douga. A douga is the 1:1 match to its cels in a sequence. With an anime like Utena, it's pretty often going to be included with the cel, if you obtain one. These are douga, the final line art that creates the animation, scans donated by JadeSabre and edited into sequence. The frames are numbered in the top right, and there are no notes or anything drawn on the sheets.

Now. That is NOT what I have above. So none of these materials are douga, they are...genga? Help? (This will get wild with Nanami, where I even have a green sketch that is clearly like, VERY FIRST draft of the shot...)

What I have are the key frames, to my understanding. Meaning these represent a point much earlier in the production process. On first glance, the white sheets are significantly cleaner, but they are also so far off model they're flying along with the Voyager probes in interstellar space. They're very capably drawn, don't get me wrong, but they're clearly done by someone who is not on the Dorito face bandwagon. This is apparently pretty common? You get your initial key frame sketches (genga??) made, and then the animation direction (Hayashi??) grades your work by making messier, but more on model versions of the shots. These are the yellow 'correction' genga?

The douga of this shot are likely with the cels. There are 11 distinct cels of Touga's face (others for the sleeve), guided by the 4 key frame sketches I have here. Looked at individually, I can even see where the filled in frames struggle a bit more to be on model than the key ones, even in the final product.

So clearly, what I have are some pretty early process materials where there was a bit of a back and forth about how to draw the characters. The others I have are similar corrections, but this is the absolute most drastic one. It's like they said 'just do it like kinda shoujo and we'll iron it out later.'

The question I have is...can I safely assume these yellow correction sheets are actually Akemi Hayashi originals? Or would there have been another person in this process doing this correction work instead? Would there be a way to know who drew the original ?genga? That may not be possible to ascertain, but it would be really cool to try, since this episode was a Chaos Production, since I have the actual storyboard for it, since I now have a neat piece of context about what the Chaos might have meant. This shot always stuck out to me in the first arc, because it's true that for a lot of the first arc, Touga and Saionji look....far more like the first drafts here. The strict adherence to the Hasegawa style gets enforced later in the series, but this is an example of the exchange that needed to occur to get folks on board with what was a pretty unique art style.

PS. This is torture, the shape of these means I actually need to make two scans of each one and stitch them together, which is nervewracking when you want them to overlap properly and also you don't want to wreck your toilet paper ass production materials pressing them into the scanner bed. Also several are fucking taped together and lemme tell you, 25 year old 'clear tape' don't stay clear and don't stay sticky.

Basically, any context or knowledge anyone can impart I would appreciate a lot! I know I've got something really cool here, but I am struggling to get much clear information about it, because Google is broken.

[transmutationisms]

any thoughts on the obsession with "hyperprocessed foods"? is there even such a thing and if so how much of the stuff around it is fake?

such a flawed useless categorisation lmao; this phrase comes from the nova scale, according to which an "ultra-processed food" is identified by a lack of sufficient "intact" food and the presence of "sources of energy and nutrients not normally used in culinary preparations" and additives specifically "used to initate or enhance the sensory qualities of food or to disguise unplatable aspects of the final product" (other additives, such as preservatives, antioxidants, and stabilisers, only qualify a food as group 3, "processed"). ultra-processing is defined as "a multitude of sequences of processing [...] includ[ing] several with no domestic equivalents," and ultra-processed foods are "usually packaged attractively and marketed intensely."

......so ok, first of all, this is very obviously reliant on a lot of assumptions about what 'normal' cooking and cooking equipment means, lmao. i do all kinds of shit in the kitchen that would have been inaccessible to someone in the mid nineteenth century; has the food become 'less processed' because i can make it at home now? if i obtained the equipment to hydrogenate oils myself would they magically not be ultra-processed simply because they came from my kitchen and not from an industrial setting?

this is just quasi-scientific language to express a fundamental distrust of food produced in ways that currently can't be replicated in [researchers' definitions of] a [normal] home kitchen. it's barely more sophisticated than platitudes like michael pollan's command to "eat only foods your grandmother would recognise". using the nova classifications to make assumptions about the healthfulness or danger of a food is just silly; the presumption is that the dietary and medical effects are not due to the food itself but to how it's produced, an idea that has led researchers to conclude that "the NOVA system suffers from a lack of biological plausibility so the assertion that ultra-processed foods are intrinsically unhealthful is largely unproven."

fundamentally the only evidence that nutritional scientists have been able to produce is observational studies showing a correlation between certain ill health outcomes and consumption of 'ultra-processed food'.

But the observational studies also have limitations, said Lauren O’Connor, a nutrition scientist and epidemiologist who formerly worked at the Department of Agriculture and the National Institutes of Health. It’s true that there is a correlation between these foods and chronic diseases, she said, but that doesn’t mean that UPFs directly cause poor health.

Dr. O’Connor questioned whether it’s helpful to group such “starkly different” foods — like Twinkies and breakfast cereals — into one category.

[...]

Clinical trials are needed to test if UPFs directly cause health problems, Dr. O’Connor said. Only one such study, which was small and had some limitations, has been done, she said.

ie, when evaluating the healthfulness of foods you have to actually look at what they are and what the human body does with them, and not just make a bunch of wild assumptions based on fears about their lack of proximity to 'naturalness' or propensity to be advertised (unlike, i guess, other more intact foods, which are not commodities. who knew!)

and there are like a million trillion other reasons why this correlation might hold: off the top of my head, for instance, people who rely more on the convenience of ready-made foods likely to be categorised as 'ultra-processed' are likely to be people who can't cook because they don't have time because they're working. so as usual nutrition and health science does a dogshit job distinguishing between the health effects of socioeconomic status and those of whatever some dickwad wants to publish a splashy study about.

there are certainly 'ultra-processed' foods that we can be extremely confident are harmful to human health---for example, trans fats. but the categorisation as a whole is so conceptually flawed as to be useless for any purpose besides as a term that 'scientises' culturally held beliefs about the wholesomeness and healthfulness of home food preparation, and the corresponding danger and artificiality of industrial production and methods.

[jesncin]

A Queer and Asian review of Xanthe Zhou + Spirit World

I haven't exactly been thorough about how I specifically feel about Xanthe Zhou as "representation" for people like me and a part of me didn't want to be too harsh since they're a fan favorite and I'm sure the writer did their best and what not- but there is this sense of "I'm not even whelmed I'm underwhelmed" by Xanthe as a character. I don't dislike them, but I can't say I'm a fan if I don't find them particularly interesting.

I'm sure for a lot of people the idea of a Chinese non-binary anime sword wielding, bomber jacket wearing, shaved cut having, envoy between the living and spirit world character is a novel concept. But when you've lived the reality this character attempts to represent (ghosts and spirits are a tuesday where I'm from) and have sought out that representation from within your own communities, Xanthe pales in comparison like a really corporate product. So I want to talk about intersectional storytelling and what a holistic queer Asian superhero could look like.

Again I'm aware Spirit World was written by a queer Chinese author (+ an all Chinese team) and as a fellow author who has to navigate mainstream publishing and deal with attempts at sandpapering authenticity for capitalism I want to stress that I Get The Struggle. But I'm allowed to be critical of how the final product turned out. Some of this is subjective musing even.

Here's the premise of Xanthe Zhou's character: When Xanthe was a very tiny kid, they were run over by a car when they were walking alone at night in the rain. They're resurrected by a powerful spirit called Po Po to be the half-dead, half-living Envoy of the Spirit World.

Everything about Xanthe is exhaustively corporate for me. Like industry planted representation designed to be as safe as possible and attempts at being intersectional are limited. Spirit World features Cassandra Cain Batgirl and John Constantine Hellblazer because that's how we get Asian and queer DC fans to hop onto out new queer Asian character! Xanthe doesn't get to stand out in their own world, or have an established cast system the way Kong Kenan gets to. Spirit World suffers from being a follow up to an Event comic, with all these characters crossing over- but it didn't rise to the challenge of including Batgirl and Johnstantine in meaningful ways. The story would've been better if they were replaced by characters unique to Xanthe's cast system.

I've become pretty cynical about scenes like this one. It's a scene where Xanthe is forcefully invited to have dinner with their family they haven't seen in years. The transphobic dinner pages made rounds on social media because "ooh look at John Constantine gendering a non-binary person correctly even when Xanthe's family keeps misgendering them", and "whoa even the magic system respects a trans person's name". It's free marketing, you can see comments on these posts asking what comic this is from to read more. People will start discourse over "Constantine going woke" and the defenders will pull up receipts that "John has always been a lefitst" and so on and so forth. I saw the promos for Spirit World, but these panels were what piqued my interest early on.

My twin and I were taking turns reading Spirit World- Jes asked Cin (who finished reading first) "so what about that transphobic dinner scene? Was it there? Are there other scenes that talk about it?" and Cin said "nope that's it. The rest is magic fight scenes and spirit world stuff." And honestly that feels calculated. It's like that Jenny Nicholson Star Wars Hotel thing: "whoa if they have this droid and this animatronic alien performer, imagine what else they have!" but nope. That's it. Just enough to fit in a tik tok promo. Just enough to fit in a tweet and make rounds. It's not like Alan Scott's Green Lantern solo, where his queer identity isn't limited to one scene designed to go viral. The whole narrative holistically discussed what it was like to be a gay man in that era. Spirit World on the other hand felt like it had a representation quota to fulfill before moving on to the generic Superhero Stuff- an entirely separate plot.

Then there's Xanthe and John. As a Hellblazer purist I already knew this was going to be a hard read for me since I'm not a fan of DC!Constantine but I've talked before about how Spirit World still has that appeal for me because sometimes og Hellblazer is a pain to read as a person of color. Maybe I can enjoy the fantasy of Constantine being an ally to an Asian person instead of fetishizing them like he did in those old Vertigo comics (people love to leave that out when they're defending Constantine as an ally but whatever). And people kept talking about how this is an elder and younger queer friendship dynamic and I love those.

So where was that? Sure, John genders Xanthe correctly over transphobic dinner and comforts them afterwards. But nothing he says or does is specific to a queer elder. Any ally or character can say these things or do these gestures. He doesn't speak from personal experience about how "it gets better" or "I know what it's like" it's just. "yeah throwing up in Gotham is great I do it all the time". Excuse me if I don't think that's substantial.

Ooh but the ghost of Johnstantine's ex boyfriend Oliver showed up! And then there was a bi joke about how John hooks up with a clone of himself a "dozen times" because he's such a slut amirite, gays. Diversity win. I expected bi jokes from DC!Constantine but marketing this as a queer narrative or generational friendship is a stretch.

Spirit World would've been a more holistic queer narrative if Wan Yujing, the villainous corrupted spirit that wanted to be remembered properly (or reincarnated, depends on the writer's mood)-was revealed to be a queer person. This would've been a fantastic opportunity to recontextualize Xanthe's personal transphobic encounter with their family into a larger systemic theme of queer historical erasure. The original meaning of a "dead name" is the idea that when a trans person dies, their family will put the wrong name on their grave. It's literally their "dead" name, erasing their legacy in writing. So why not include that in your conflict?

Wan Yujing is revealed to be a famous poet, slowly forgotten because "time erodes everything" (vague and bad writing btw). Why not pitch something more motivated and specific? Make it so that she wrote queer literature that was destroyed. Make it so that her lover was rewritten in history books as her "friend". Then when Xanthe makes the promise to remember Wan Yujing as she truly was, it'd be a holistic act of queer recognition and solidarity. But instead the resolution is just Xanthe Zhou promising "hey I'll remember you" and Wan Yujing just takes their word for it.

Can we talk about the huge missed opportunity of what this dialogue implies? Xanthe proclaims that they are both living and dead, granted the living's power to remember and the dead's immortality. Why was this not thematically paired with their experience as a non-binary person struggling in a cis-heteronormative world. Heck, why not pair this with how they're a queer Asian American, a perpetual foreigner wherever they go? Not Asian enough for traditional spaces, but not white enough for a majority of queer American spaces. Are we worried we'll scare off the white audience if this got too intersectional?

Xanthe gets more fleshed out under a different writer (Jeremy Holt) for one of the DC Pride stories (2023). Here, Xanthe talks about how being in the land of the living feels like going about a routinic obligation; "Reminding me that home isn't necessarily where the heart is". This is so much like the disassociated way trans people go about life before figuring themselves out. It's also like how a perpetual foreigner doesn't fit in anywhere. But it's not paralleled to that experience. The fantasy aspects of Xanthe Zhou the Envoy, are completely separate from the very few personal civilian parts of them. Like they're a Superhero first and a person second. The later half of this story gets overtaken by a team up with Batwoman, because once you have a new character set in Gotham you are at the whims of being absorbed into the greater Batfam conglomerate.

There's interesting concepts at the center of Xanthe's character. But it's hard to give credit to writing that doesn't follow any of that through. Xanthe's a hero motivated by making sure the dead are remembered and respected. That's a decent motivation in general, and a pretty resonant one for a queer hero-but everything surrounding the execution of that idea feels so half-assed to me. Xanthe's origin story has so many plot holes, it feels like it was thought up in 5 minutes.

Why was their death just some random car accident and not something more motivated? Why did the all powerful Po Po decide to resurrect them specifically? Where's the tension in any of the many excessive fight scenes in Spirit World, if Xanthe's apparently immortal? Also they age? What are the stakes for a character like this? This isn't even covering the shoddy writing for their transphobic family drama (Why did they just stalk their family after being resurrected? Why did their mom recognize them even though they've been gone and have aged for 15 years? so many questions ugh).

(why was this toddler walking around alone in the rain with their own umbrella. In Gotham. What is this-)

I casually propose that instead have Xanthe's origin be that they died as a runaway trans teen who went missing and was murdered. Maybe because the way police and society in general don't look into the disappearances of trans poc, Xanthe's death went completely unnoticed. Maybe as Xanthe's dying, Po Po sees their determination to fight for the forgotten and chooses to resurrect this kid specifically. Then we'd have a really motivated origin story that ties their identity to their heroism. Instead we get these over the top fantasy concepts + transphobic dinner with my talisman wielding mom.

Spirit World is a fun enough action fantasy with troubled pacing and generic MCU-quippy dialogue. It's so overwhelmed by it's own spectacle that we don't get a chance to get to know our new hero. What is Xanthe's character development? What flaw do they grow out of or overcome? If I'm honest outside of the attempt at quippy banter, what even is their personality? The ending is rushed; not only is the conflict resolved with Xanthe just promising to remember a dead poet, but they also make a deal to work with the Spirit World authorities. Because it's always so fun to watch queer people assimilate to the powers that oppress.

In one of these action sequences, I guess the writer decided there needed to be a semblance of themes to make it feel like the readers' time isn't being wasted. So while Cassandra Cain Batgirl from Detective Comics and John Constantine from Vertigo Hellblazer are holding the giant anime sword, Xanthe goes on an internal monologue about how change is natural and people's fears make them resistant towards it. Xanthe says that to embrace magic, "you need to look at everything you think you know about the way the world should be...and imagine something new."

It's a nice sentiment that isn't reinforced by anything else in the story, but it does make me think. What is "new" about Xanthe Zhou to someone like me who seeks out representation like this? I've seen queer characters with the shaved hairstyle, I've seen queer coded Asian girlies with the bomber jacket, heck I've even seen the giant anime sword. I kinda cringe at seeing "giant spiritual sword" at this point even. But you know what I don't see as often? In real life I've seen the bravest Asian queer people reclaim cultural hairstyles, clothing, practices and beliefs (that originally excluded them). I've seen them join communities and create entire subcultures and lingo in a way that would be unrecognizable to the typical queer readers who enjoy Hellblazer-but I certainly don't see it reflected in fiction a lot.

(Is it really new if I've seen it in a Disney movie)

The premise of a Chinese American non-binary half-dead-half-living Envoy for the dead is something so metaphysical in its intersectionality, world building, stakes and themes that it would require Sandman-levels of out-the-box creativity to pull off. Which is why getting a generic action adventure (+ one scene about transphobic dinner with the family) feels so disappointing. I wish Spirit World took its own words to heart; I wish it took everything we're used to, everything we've known about how the world is and dare to imagine something actually new.

[itsjustrosee]

hii. i was wondering if you’d be okay with posting boyfriend headcanons? for minho mostly. if not it’s totally fine!!

have a nice day!

yes, I've actually been meaning to write some so yes definitely!

Minho headcanons

Warnings: Sexual inferences and stuff like that ig

(this is for fem!reader btw)

-At first, Alby tried to stop you from dating his best runner. He thought it would distract him, and even though Minho did drift off while on the job thinking of you, you made him even more productive. You made him even more determined to find a way out of the glade for you and for everyone else.

-Alby forbade you and Minho from dating, but of course, you both did it anyway in secret. But straight away, Minho's drastic increase in mood was visible and the runners couldn't help but notice it. After days of prodding and poking Minho, trying to figure out what it was that had him being so nice and lenient, he finally caved and told them how he was dating you. Obviously, the other runners were supportive of it if it meant that Minho was in a good mood all the time, so they all ran to Alby and BEGGED him to let you and Minho date so you no longer had to do it in secret. Alby eventually gave in and allowed it and hasn't had too much of a reason to regret it since.

-Minho was quite the protective man. He cared about you more than life itself and it pained him every day to run into the maze and not be able to look after you in the glade. He always trusted you and never thought you would do anything with anyone else, but he was scared about how some of the other boys in the glade would treat you. That's why he made sure that he got as many of his friends in the glade to look after you until he got back.

-He would always be sure to spend the most time with you as possible as he could when he got back out from the maze. That included him eating dinner with you, showering with you, literally doing anything with you.

-Even though no gladers other than him and Alby are allowed in the maze room he would let you in anyways. You had no idea about how to help him figure out how to solve the maze, but you'd always be there to calm him down once he got frustrated.

-You guys share a hammock with each other because you both always fall asleep quicker when you're next to each other. It also means that whenever either one of you wakes up suddenly bc of a nightmare, the other person is there to calm them down.

-Minho tries his best to not wake you in the mornings when he gets up early to go into the maze and to yk do his job, but since you're such a light sleeper you always end up waking up. You'll end up walking to the maze doors to wave and kiss him goodbye, then head back to bed for a couple hours until you have to go to work.

-Whenever Minho takes a break in the maze with the other runners, while he eats food or drinks water, he always mentions you in conversations. He'll say things like "I wonder what (Y/N)'s up to", and "Do you think she's eating lunch right now too?" Because he's constantly thinking about you and he can't help but ask.

-After the first few times of Minho saying stuff like this, the other runners thought that it was cute that he liked you so much, but now, they just roll their eyes whenever he brings you up and they'll say, "Okay Minho we get it" because after the number of times he talks about you on a day to day basis, yes, they definitely do get it.

-After a certain amount of time in the glade, you've memorized when the maze doors close and open without needing a watch. Because of this, you always head to the maze doors a couple minutes before they're supposed to close to greet Minho right when he steps back into the glade. Whenever he comes back you greet him with the tightest hug known to man because the maze is incredibly dangerous, you know that any day Minho could die in there, which is why it's such a relieving feeling when you see him again.

-Sometimes you guys will go out later at night and just lay on the grass together and talk for however long you both feel like. Minho always makes sure he spends time with you whenever he can, and you both appreciate having these long conversations with each other. Even though sometimes you both just lay on the ground and stay silent, it never feels awkward. Being in each other's presence is enough, and the silence between you can actually feel quite comforting.

-Whenever a new greenie pops up from the box and there's a bonfire, you and Minho make sure to spend all the possible quality time with each other. Sometimes you'll sit on his lap (which never fails to get him a bit flustered), or you'll sit right next to him while his arm is around your shoulder. You've never really been one to drink so you'll often fall asleep on Minho before the night is over, and he'll always leave a little early to carry you back to your hammock.

-You and Minho have come to realize that using each other in certain ways really helps relieve stress. Whether that is by talking and venting to the other person or through being more intimate with each other.

-Minho likes bringing you into the maze room and doing it there because he knows that only he and Alby are allowed in there so he doesn't have to worry about people walking in on you both. He also likes doing it in the showers because being the only girl means that you're the only one allowed to shower during a certain time, and Alby made sure that there would be consequences to whoever tried to intrude on you showering. But that also just happened to make it the perfect time for you and Minho to be in there alone.

-Minho has two different sides to him when you and he are both doing it, which depends on his mood. He's either gentle and kind, or dominant and controlling. Both of them are a total turn-on for you regardless, you're happy to help him in any way you can.

-You love to tease him, and he loves to put you in your place. He always makes sure your needs are met. Even though he loves to please you, you love pleasing him even more, so eventually he gives in and lets you make him feel good. While you're doing it, he always wants to make sure that you know that he loves you, and he loves to praise you.

-Even if he gets more dominant with you, he always makes sure he's never too harsh, and he makes sure that he's never crossing any boundaries. Afterwards, he'll make it clear that he loves you and he'll thank you for letting him take out some of his stress and frustrations with you. He also heavily believes in aftercare so he'll always bring you back to your hammock and because whenever you do it, it's at night, so he'll cuddle you to sleep while you wear his shirt.

Alrighty yallllllllllllllllllll heres another Minho related post. I'm on such a roll omg. By the way I see your guys requests and I'm working on them I promise!! I just have an insane amount of school work I need to do but trust I will get to everything.

anyways, this was so fun to write, thank you for the request!! I hope you liked it

[mirai-e-jump]

Ohsama Sentai King-Ohger Photo Book: ~King of Kings~ Main Cast Member Interviews Support Cast Special Comments (translations below, LONG POST)

(other pages)

Sakai Taisei (Gira Husty)

-The Director's valuable advice on how to play Gira in a natural way-

I think that we were able to complete filming without any issues due to the support of many people over the past year.

As an actor, I was inspired alot by the many career actors in the King-Ohger cast. In particular, Morioka Yutaka-san, who played Douga, and Masato Yano-san, who played Racules, both of whom I had many opportunities to work with, were very important. However, both of them didn't give me any specific advice on the set. They always had the attitude of, "You're free to do whatever you want to do," and I was grateful for that more than anything.

Filming was done in front of a green screen in the studio, which was a special environment, but since I personally didn't have much experience in filming dramas, I had no objections to it at all. Sometimes we filmed on location, so experiencing the "live scenery" and "atmosphere of the site" was nice, but in our situation, we felt uncomfortable unless we were in front of the green screen (laughs). It had become such a normal thing for us.

As for the performance, at first I couldn't understand the Director's intentions and was just figuring it out in my head, but then Director Kamihoriuchi Kazuya told me, "Feel it with your heart," and that's when it became easier to act. After that, I feel like I was able to take on the role of Gira more naturally throughout those days of filming.

Also, I think we showed "Gira two years later" in the new chapter partly through the visuals and direction, such as his costume and hairstyle, but I also wanted to play the role showing a more relaxed side in my own way.

-The wonderful thing about Gira is that he's always there for others-

What I was most mindful of throughout the year was definitely the relationship with Racules. I wasn't told of any future developments, so I was surprised when I read the scripts for episodes 41 and 42. Even though he's his older brother I played the role with a strong sense of, "Overthrow Racules!" I had heard during filming for episode 20 that he was going to reappear later, but I had no idea he was destined to carry such a cruel burden……That's why I was deeply moved by our joint fight scene in episode 42.

After that, in episode 43, I'll never forget the scene where we hold each other's hands. Compared to Yano-san, I think I'm still inexperienced in some aspects of acting, but I did my best in my own way, so I'd be happy if you could grasp the feelings the two of us have.

From episode 48 to the final episode, many of the cast members who've helped us in the past reappeared, and the motivation on set was even higher than usual. The main Director of the last three episodes was Kamihoriuchi-san, and the six of us who play the roles of the kings have absolute trust in the Director, but he's also someone who's uncompromising in his approach to the play, so I worked hard to "hang in there until the very end."

The final day of filming was the scene in the final episode where the six of us are untransformed. I personally didn't intend to be overly emotional just because it was the final take. However, when the Director said "OK!," the cast and crew involved in the production, including Yano-san, who wasn't supposed to be filming that day, gathered around. I thought, "So many people were watching over us" and became overwhelmed with emotion……I think I probably cried more than anyone else (laughs).

Looking back on all the episodes, I think that Gira was always portrayed as a character who stood by someone's side. He always tries to understand people's feelings, regardless of whether they're a king, retainer, or a citizen, and I thought it was wonderful to see that kind of attitude as I played Gira

As time goes on, please don't forget about Gira!

Watanabe Aoto (Yanma Gast)

-Yanma's coolness is the charm that Director Kamioriuchi possesses-

Currently, when I look back at Yanma from a year ago, I feel alittle embarrassed because he seems so childish (laughs). I've jokingly said to the staff on set things like, "I want to reshoot that scene," but on the other hand, I felt that it was a performance that only I, who had just encountered Yanma, could give. That's just how I feel right now.

As for my role, it was largely created together with Director Kamihoriuchi Kazuya. In the beginning, I read stories about real kings and books by various leaders, and I tried to express them through "moving performances." In response, the Director told me to, "Take a more confident stance," and from that point on, I had the image of, "Even if he doesn't say much, his coolness will be shown through his actions." To be more specific, Yanma has something in common with Director Kamihoriuchi himself. I think that the Director's charm as a person is reflected through Yanma.

What I remember well from early filming was the N'kosopa scene in episode 2. We spent the whole day filming in the cold during the middle of winter with the participation of members of the TTFC (Toei Tokusatsu Fan Club), and it truly felt like a king and his people overcoming their difficulties as one. Episode 2 in particular was the one where I read the script repeatedly after my audition, so I'll never forget the excitement I felt when I saw the finished footage.

Every episode is filled with memories, but the developments that take place two years later starting from episode 27 stirred me up. At first, I thought he was going to be alittle more mature and relaxed, but now that his hair was a blonde pompadour, I decided to play a more active role. In episode 35, when they all go to take back the invaded N'kosopa, I felt Yanma's growth compared to episode 2. The actual successful recapture took place in episode 39. During that time, for the main episodes of Hymeno, Kaguragi, and Rita, Yanma had many funny moments, and as I played him I thought that even though things were tough, he doesn't stay down, which is another cool thing about him.

-The fans are part of the production!-

When he was being manipulated by Hilbil in episode 44, the interaction with Gira had many homages to the past. Usually, there are many opportunities for Yanma to say something preachy, but in this episode it's the opposite, and Yanma catching Gira's fist is also a reverse pattern from episode 17.

Also, defeating Hilbil using the 10 combination King-Ohger for the first time in a long time was a hot development, and in the end, we both said the exact same lines as in episode 2, being, "Lowlifes like you…(-Gira), Should know your place…(-Yanma), On your knees! (-both)."

From episode 48 to the final episode, new assets have been created, and I think that the viewers will enjoy the spectacular visuals until the very end.

In the scene where the "King's Proof" is returned, only my mouth is shown, and the Director told me, "The love you've received is too great, so it's okay if you cry." I intended to act dignified, but those words were like magic, and I was immediately overcome with emotion.

Other hot developments include the reappearance of major characters, and the relationship between the kings and the people they're meant to protect is also noteworthy.

Even after all the battles were over, Yanma still had work to do, and I was able to play the role of Yanma, who's always looking forward until the end.

After working on it for a year, first of all, I'm relieved that filming was completed successfully, and I'd like to take this opportunity to express my feelings of "thank you" to the many people who supported us.

Personally, I believe that King-Ohger was created by everyone, and the fans are also a part of the production. I'd be happy if you could think of us six kings from time to time.

Murakami Erica (Hymeno Ran)

-The key to playing Hymeno is "how to deal with life"-

Hymeno has a selfish side, but if she shows it too forcefully, her position as a king will be in danger. Of course, it's not just being selfish, and the reason was depicted in episode 3, but reading the script and actually doing the performance gave off a different impression, so I explored this through the opinions of the people on set and through interactions with the cast. Also, after learning about the setting in which her parents were murdered in episode 7, I thought that Hymeno's key point was "how to deal with life."

I was acting without knowing what was going to happen next, but it was interesting to see things in a different point of view once all the facts were known, such as the foreshadowing of the anesthetic in episode 8 being revealed in episode 42. It was like reading a serialized manga, and there was a competition among the cast to see who would get the new script first (laughs), and the person who got it first would upload a photo of the script to our group chat.

Personally, my favorite episode was episode 28. I had alot of conversations with Kaku So-san about playing Kaguragi, and I was able to see a side of Kaguragi that I had never seen before, and I think we were able to deepen our understanding not only of our characters, but also of the cast. Other than that, I also enjoyed episode 36. The matchmaking competition was hard to endure because everyone was trying their best to make me laugh, like Yanma's weird face when he was being controlled by Jeramie (laughs). Also, Hymeno, who was being impersonated by Kamejim, casually crossed her legs even though she doesn't usually do that. The uglier the fake becomes, the brighter the real one shines, so I was conscious of the gap between the two while concealing her true identity.

When I got involved with Rita in episode 5, Director Kamihoriuchi Kazuya told me, "I want you to perform the role of Hymeno as if she's aware Rita will be hard to deal with." At first I thought, "Hymeno and Rita are incompatible, huh," but as they got closer and closer through Moffun and the "Wrath of God," I feel that they've become a very special person to Hymeno. That's why when Rita came to Ishabana in episode 30, Rita may have just been fulfilling their duties, but I thought it was cute that they misunderstood that Hymeno had gone out of her way to meet them. To be honest, I was pretty excited to film the tea scene (laughs).

-I was lifted up by Hymeno's inner strength-

The existence of Grodie, the enemy of her parents, was revealed in episode 30 and defeated in episode 47, but before that, I personally thought episode 46 was important. Jeramie decides to use his"King's Proof" to give life to the immortal Grodie, and Hymeno accepts his decision. There's a conversation between the two of them where they said, "It's okay to cry" and, "I'll ruin my makeup." The script was based on the answer I gave to screenwriter Takano Minato-san when he asked me, "What do you want to do?" I suggested that if a little girl was crying and Hymeno came to her, she might say something like, "What a waste of a pretty face" or "Your mascara will be ruined" to keep her positive. When I opened the script, I was surprised to find that she wouldn't be crying, but I was happy because I wanted to show Hymeno's strong will!

In the end, it was an "all star" effort, and I was thrilled that she was reunited with her parents in episode 49. Although the scene took place while both of them were concentrating on providing treatment, they were able to communicate without having to talk, and I felt a sense of closure within Hymeno. In the final episode, it was cool to see everyone stand up against Dagded, there were some unexpected surprises, and we were able to reach a truly wonderful ending.

All 50 episodes are filled with the passion of the cast and staff, and I think that no matter which episode you watch, you won't be disappointed. During all this, I myself was lifted up by Hymeno's inner strength, and I'm so glad that I was able to work with all the cast members until the end. I hope to see you again in the future, such as the FLT, so please continue to support us!

Hirakawa Yuzuki (Rita Kaniska)

-Playing the role of Rita by moving their "mind" with their whole body-

The role of Rita is an "immovable" character, so the performance doesn't focus on movement, and their face is visible only through their left eye and you can't see their facial expressions, so it was difficult in the early days of filming. The solo performances were particularly difficult. In episode 12, there's the trial scene where Jeramie is listening to them, but since only my eye was visible, I was concerned that my blinking or the direction of my gaze might convey nuance that I didn't intend. At that time, Director Kamihoriuchi Kazuya gave me advice of, "If you perform by moving your mind with your whole body, it becomes an expression, so you don't have to be caught up in performing with only your left eye." This gave me confidence and made me think, "Maybe there's more I can do."

When talking about Rita, their relationship with Hymeno is also important. In addition to being king, Rita has the role of Chief International Justice, so there was a part of them that drew a line between themself and others, but after the interaction with Hymeno was depicted towards the end of episode 16, Rita was able to separate their work and private life, and the areas where they could express themself gradually became clearer. I thought that when they had tea together in episode 30, it was another scene that brought them closer together.

Also, Karras and Shiron are like parents to Rita. In episode 16, we learned some of Rita's past, which I thought could be reflected in future performances. After that, everything came together in episode 30. When I read the script and learned of Shiron's death, I was personally shaken, and during filming, I was able to fully feel Rita's feelings while acting. Also, while they were determined to seal Grodie in this episode, Hymeno stopped them from doing so, and it reminded them once again of how valued they are. Episode 30 is an unforgettable episode, not only because of their relationship with Hymeno, but also in the sense that Rita became stronger after preparing to die.

-It was a year of pursuing the role of Rita that I envisioned-

I was very happy to receive lots of feedback on SNS for the Idol episode.

The stage scene was only about two lines long in the script, but the set they created was so beautiful, so I went into filming thinking, "I hope the viewers will enjoy it."

It was the most difficult time for me, learning dances and recording at the same time as filming, but I have the impression that I did my best as "Hirakawa Yuzuki" in this episode, even though I was playing Rita.

Towards the end of episode 45, it was very exciting to see Kaguragi and Rita, who had never had a chance to really interact before, working together. Since we often filmed separately, when we met, Kaku So-san and I would report to each other with, "How did that scene go?"

I was also impressed by the scene in episode 48 where they launch the evacuation plan "Zero." It was really hard even for me to admit that they couldn't defeat Dagded, but I think that's just how much I got into the role.

At the end of the story that spanned a year, six people with very strong personalities come together, and if just one of them were missing, the story could not be completed, so I think it concluded in a way that was truly typical of "Ohsama Sentai."

Looking back, I had wanted to play the role of Rita since the audition stage, and being able to pursue my own vision of Rita for a year was an invaluable and truly precious experience.

Now that filming's over, I feel sad, but I hope that people will look back on the show after it's finished airing, and I hope that it grows into a show that'll continue to be loved forever.

Kaku So (Kaguragi Dybowski)

-Until I did the difficult role of deceiving and tricking people-

In the beginning I was told that the role of Kaguragi was a character that deceives and tricks people, but at the same time, the Producer said, "Please don't make him someone that people dislike," and I thought, "No, that's going to be difficult" (laughs). In a way, Kaguragi has conflicting aspects, but in episode 4, the resolution within me improved, and I began to enjoy playing the role more.

Also, the "Hweh?" response when he's acting silly in episode 8 wasn't specifically written in the script, and when I first tried to just do the facial expression, Director Yamaguchi Kyohei said, "I want it to have alittle more impact," so I also added the voice. It's thanks to the Director that I was able to emphasize his personality.

Then there's the relationship with his younger sister Suzume. Kamura Mami-san, who plays Suzume, had such a convincing performance from the first day that it made me think, "That's Kaguragi's sister," and through her I was able to bring out the comedic side of my performance alot more.

All the episodes are memorable, but if I had to pick one main episode for Kaguragi, it would be episode 37. While I've always played the role that rides the line between good and evil, that episode gave more weight to the fact that he carries a tragic past, and I myself became more fond of Kaguragi. The honest and pure Kaguragi I played in the flashback scenes are literally just me (laughs), so it was easy to do. His voice is usually deep and threatening, but at that time I tried to show his "difference" by using a tone that was closer to my actual self.

It was also interesting to perform the scene where he and Racules, played by Masato Yano-chan, were trying to expose each other's secrets. However, I wasn't sure about their relationship, and one time when I asked Yano-chan, "Do you know when they'll become friends?," he left me hanging with, "No, I don't know" (laughs). I first found out about their backgrounds when I read the script for episode 42. In retrospect, he was mostly absent in episode 36, was he perhaps discussing things with Racules behind the scenes? The line at the end of episode 37, "Let's take the dirtiest road ahead from now on," was also foreshadowing.

As for Kaguragi, he probably believed in Suzume and followed Racules, and I believe that he carried out his own will even though he was prepared to be deceived.

-Even now, Kaguragi's in my heart!-

Towards the end of episode 45, it became a main episode between him and Rita, someone he had little chance to interact with up until then. It was a new experience for me to work with Yuzuyan, and we enjoyed each other's presence. The scenes where they both communicate their feelings were performed separately because I spoke to their partner Morphonia, but even though they weren't in the same space, it was really cool to depict that they shared the same mindset. Kaguragi may be deceiving on the surface, but deep down, he just wants to make people smile, and I was able to portray that side of him.

The final episode completes the story, but there's also some room that allows you to use your imagination, which is what I like about it. If it ended properly, that'd be sad, wouldn't it? During filming, I worked hard until the end, but I'm personally the type of person who likes to joke around and have fun while doing it. I'm glad that we were able to spend time in a cheerful atmosphere until the very final moment.

Even after all filming finishes, I still have many more opportunities to play Kaguragi, including performances at Theater G Rosso and the FLT, and I still feel as if Kaguragi is in my heart.

Having a stance like Kaguragi's may not be easily rewarded, but I think it's filled with what's important for people to live their lives.

Whenever you feel like giving up or are having a hard time, I'd be happy if you could remember Kaguragi and think, "Let's do our best!"

Ikeda Masashi (Jeramie Brasieri)

-Jeramie, who's been alive for 2,000 years, shows his "composure"-

In my situation as Jeramie, I started out as the narrator, so my job began with voice recording. The other five had already started filming, and looking back, it feels nostalgic, as when I first greeted them, I was overwhelmed by their flashy costumes and everyone's aura. I made my first appearance as Jeramie at the end of episode 11, where I was suddenly performing with a mask on.

My real appearance began in the next one, episode 12, and since his character is set to have lived for 2,000 years, I thought I should have a certain amount of freedom in my performance. At the time, I still wasn't used to being on set, but it's not good to get nervous, so I just gave it my best shot. I was really happy that everyone was willing to talk to me during this time. Thanks to them, I was able to open up right away.

In the beginning, I think Jeramie was a character who he himself was hard to read between the lines (laughs), but as the story progressed, his growth was also depicted, which I personally found very rewarding to perform. In particular, I think that episode 26 was a turning point for Jeramie. Just before Desnarak VIII dies, the scene where they exchange the lines, "You'll become king, and make them see, that the Bugnarak are here" and, "You'll be there too……" is one of my favorites in the entire show. Desnarak VIII is family, as they share the same name "Narak," and the, "You'll be there too" was an expression of his feelings that he didn't want him to die, as Desnarak VIII's existence was a major factor in Jeramie's resolution to become king.

-The final episode had a perfect conclusion and everyone was satisfied-

After entering the new chapter, in episode 29, there was a scene in which I play a major role as the mastermind behind everything. It was difficult to find the right balance, but I acted with so much enthusiasm that I was willing to yell at everyone. As Jeramie, I wish for peace more than anyone else, as I want to protect everyone at the expense of myself, so I faced the situation as best as I could, which was both noble and heartbreaking.

Then, in episode 31, everyone fought to clear my (Jeramie's) name. I feel that Jeramie, who has been lonely for such a long time, had finally made true and kind friends. Also, the line "I love you" that he says to his mother (Nephila) in this episode really moved me. In episode 12, for those words he said, "There's no phrase in this world that's more cliche," but I didn't realize he would capture that foreshadowing so effectively.

There's a scene where he fights together with his mother towards the end of episode 49, and I'd like the parents who watch the show to pay attention to the relationship between us as parent and child.

Also, in episode 47, it was really intense when Grodie was given the "King's Proof." For Jeramie, the "King's Proof" is "eternal life," so he'll no longer be immortal if he uses it……The determination to reach that point was no ordinary feat, and it must've been very worrying. That's why the scene where Jeramie talks with Hymeno in front of the setting sun after making up his mind left such an impression on me. Marie was able to convey her thoughts clearly, so I was able to naturally get into the role, and I think the two of us were able to create a performance that worked well together.

The final episode perfectly portrayed Jeramie's role as the storyteller, which had continued from the first episode, and the story comes to a perfect conclusion based on what had happened so far. I was talking to everyone on set, and deep down, we feel we were able to end the show properly.

More than anything, I'm really satisfied that I was able to spend a year with this group. Throughout the year, I'm sure each of us had our own hard and painful times, but seeing everyone's faces on set made me feel at ease. I'm very grateful to the five of you who played the roles of king.

Ohsama Sentai King-Ohger: The Kings Group Discussion Over the past year of filming, the bonds of the cast have gradually deepened. Looking back on filming, we asked them about their "true opinions" that they can only talk about now.

-Fun memories from the past year-

Kaku: The first topic is "fun memories." Does that mean the casual conversations we all had while filming? (laughs). We all talked in the moment and everyone would laugh and go "wahaha" alot.

Hirakawa: On the other hand, filming alone made me feel really lonely. It was natural for me to be with everyone else.

Murakami: It was part of our daily routine to go out and eat with everyone after we finished filming. It was fun~.

Watanabe: Also, the day before the broadcast was part of the fun!

Sakai: It's really exciting to see your own performance on screen. And then there were the reactions after the broadcast.

Hirakawa: We were popular every week on SNS.

Kaku: Each time, the character with the most active role would be trending.

Ikeda: For me, the recording sessions were also fun.

Murakami: I'd see footage for scenes I wasn't in for the first time during the recording, so that was alot of fun too.

-The many true selves that everyone's seen-

Murakami: After spending time with everyone, the first thing that surprised me was that Taisei actually likes to play pranks.

Sakai: Eh? I've never played one once.

Kaku: That's a lie!

Murakami: You did stuff like add wasabi to our kaisendon (laughs).

Hirakawa: It was really spicy! (laughs).

Murakami: Or before our cue, you'd shout, "Whaa!" from behind us.

Sakai: I never did that~

Ikeda: Yes you did~

Hirakawa: He did that to me too (laughs).

Murakami: It was also abit surprising that Aoto, who I thought was cool at first, would also mess around.

Watanabe: Eh? Really?

Hirakawa: It's also surprising that he pretends not to know. Actually, he's "in charge of being cute" (laughs).

Murakami: Yeah, "the person in charge of being cute."

Watanabe: When I first learned about the cast of the kings, I thought I was going to be the "cute one" (laughs).

Hirakawa: That's what we're saying!

Sakai: For Marie, even when we were filming late at night and everyone was tired, she had a fun aura surrounding her.

Kaku: Her jokes were amazing. We listened to these awkward jokes as we continued to perform at other sites.

Murakami: My nickname became "Mood Breaker."

Watanabe: Eh? This is my first time hearing that!

Murakami: Are you a liar?

Watanabe: That's a really straightforward insult! (laughs).

Murakami: Ahahahaha.

Sakai: The usual pattern is that Marie suddenly says something strange and everyone laughs.

Murakami: At first, I thought, "I have to do this properly," but halfway through I gave up (laughs).

Hirakawa: No, you gave up early on.

Murakami: Ehehe (laughs).

Kaku: For Masashi, he tried his best in the beginning to join in, but soon the two of us started speaking nonsense in our dressing room.

Ikeda: Conversations where you turn off your brain.

Kaku: That's it (laughs).

Watanabe: Definitely, when I passed by Masashi's dressing room, I often heard his voice from inside.

Ikeda: I have a loud voice!

Watanabe: Not a single sound came from the dressing room me and Taisei shared (laughs).

Sakai: You two seemed to be having fun.

Murakami: Yuzuyan is the youngest of the members, but she's like an "older sister" in some ways.

Ikeda: Yeah, she has the image of a caring person.

Kaku: Still, you're the youngest in your family, right?

Hirakawa: Yes!

Watanabe: It's fine now, but when we first met, she wouldn't even look me in the eyes (laughs).

Hirakawa: I'm a shy person, but I usually talk alot to hide my shyness. However, I was really nervous at the beginning of King-Oher (bitter smile).

Watanabe: And now, you're a lively person!

Sakai: I'm also from Kyushu, so I felt a sense of familiarity from the beginning. That's why I don't think you had any major changes from beginning to end, right?

Hirakawa: But, at some point, I started speaking with a dialect.

Sakai: Ah, that's right.

Murakami: Yuzuyan gave her all from the beginning.

Hirakawa: That's because Kaku-san, the oldest of our group, affectionately embraced all of us.

Kaku: Yeah! Say more of that!

Ikeda: Because of that, there was an atmosphere on the set where we could talk about anything.

Sakai: He really brought the five of us together.

Kaku: That makes me happy! Thank you (laughs).

Murakami: How cute~

Kaku: No, this is seriously embarrassing.

Hirakawa: (to Watanabe) Aren't you in charge of being cute?

Watanabe: (laughs).

Kaku: Conversely, I was saved by everyone's good character. That's why I wanted to support everyone. I've always felt that way.

-Feelings I want to share with everyone now-

Kaku: If we were to take this opportunity to say a few words to everyone, I'd first start with Masashi. Thanks for always messing around with me!

Watanabe: I hope Masashi will continue to do well with his friendliness.

Sakai: I want to work together again with you even after this job ends!

Hirakawa: I really appreciate the way you always looked out for everyone during filming.

Murakami: When we all go out together, he takes the initiative to invite us. Thank you for creating so many memories.

Ikeda: Eh! I'm so happy! Marie has always been cheerful, and I hope she continues to do her best with her cheerful and beloved character!

Murakami: Yeah! I'll do my best!

Watanabe: I hope you keep that smile on your face.

Sakai: She has the kind of character that I wish I had as a childhood friend or something. You always had a smile on your face and brightened up the set.

Kaku: For her performance, in the Hymeno episode (episode 36), Hymeno, who was being impersonated by Kamejim, was really interesting. I'd like to see a performance like that in a different production.

Hirakawa: Marie has always supported me with her "harmonizing" spirit. On the other hand, from now on, I hope to be able to help her as much as possible.

Murakami: Yuzuyan is the one who has always been there for me. I think that's her strength, and I hope she continues to be there for many people.

Hirakawa: Of course! Thank you.

Kaku: Despite being the youngest, she was the hardest worker in our group. During the idol episode (episode 38), even though she was having a hard time during filming, she simply said, "I have to practice tomorrow and the day after tomorrow, and then the day after the day after tomorrow I have a costume fitting." That's what gave me courage and energy.

Watanabe: She was more aware of her surroundings than anyone else. You helped me there too.

Sakai: That's right. When I was alittle out of the loop, she'd casually come over to me.

Watanabe: I'd say it's okay to think for yourself from now on.

Ikeda: Right, take care of yourself more.

Watanabe: Be selfish.

Hirakawa: Well then, I guess my goal is to be Hymeno (laughs)

Murakami: For Kaku-san, when the time came, he'd show off his "dependable big brother" nature.

Ikeda: He's got a heart as generous as the universe itself.

Hirakawa: I asked Kaku-san for alot of advice during filming, and he always listened to everything. I'm sure I'll be asking him for advice again in the future.

Kaku: Please do, please do!

Watanabe: When I got heated, he'd calmly give me advice from an adult's point of view. I also got alot of advice from him.

Sakai: I'm not the type of person who can talk to others about things, but there were times when Kaku-san sensed that I was at a loss and approached me. That made me really happy.

Kaku: I was alittle worried that you'd all think, "How annoying" (laughs).

Murakami: Aoto seemed like he was laid back, but even when times were tough or difficult, he always made it a point to help liven up the mood.

Ikeda: Usually, Nabe-chan and I notice the same things. We'd both go, "Hmm?"

Watanabe: That's true! (laughs).

Ikeda: That made me happy.

Kaku: Also, he had a super funny and cute character. He made me laugh so much.

Hirakawa: In the beginning, I wasn't the type to talk much, but I was happy to open up to Aoto!

Sakai, Murakami, Kaku & Ikeda: Right?!

Watanabe: No, I think I opened up first.

Hirakawa: We opened up to each other. At first, I thought we'd never get along (laughs).

Watanabe: Eeeh~?

Hirakawa: I kept watching you from different angles, and then you spoke up unexpectedly. I spoke up too.

Ikeda: Such words! (laughs). (*she used alot of onomatopoeia)

Sakai: Aoto and I are the only ones who are the same age.

Ikeda: That's true

Sakai: Especially in the pilot (episodes 1-5), I still wasn't used to things, but I was really inspired by Aoto's good acting.

Watanabe: No, on the contrary, I was focused on Taisei.

Murakami: Taisei had a huge burden on his shoulders as the main character, and it must've been extremely difficult for him, but I thought it was really amazing that he didn't come off that way at all.

Ikeda: Yeah, I definitely respect that.

Hirakawa: You must've had a much harder year than us. Still, you never said "It's tough" or, "I'm tired" at all.

Sakai: No, there were times when it was tough.

Hirakawa: It's amazing that you never showed it.

Kaku: Taisei had alot of trial and error in the beginning, but halfway through, I learned alot from him, including how to switch between emotions and how to act. What'll happen when you play a different role in the future? Right now, I'm very excited about Taisei, and wonder what kind of actor he'll become in the future.

Murakami: After all, he's the "leader."

Ikeda: Thank you for being the leader of King-Ohger!

Sakai: Same here, thank you everyone!

Murakami: Even after this job ends, I want to see you all again.

Watanabe, Hirakawa, Kaku & Ikeda: We'll definitely get together again!

Retainer Cast Special Comments From the cast members who fulfilled their roles as competent followers, supporting the kings of each country, their comments have arrived.

Morioka Yutaka (Douga) Profile: A strong retainer who served as part of the entourage for Racules. After that, he went job hunting in the other countries but wasn't hired, so he became the retainer for the next king, Gira, and protected the country.

"Please tell us what you respect about Douga."

Morioka: He's someone who values etiquette, does his absolute best in everything he does, and lives his life honestly through his own convictions. He has a strong will that allows him to sincerely offer advice to his king, but I also like the fact that there's a part of him that's somewhat out of the ordinary and we get a glimpse into his cute side.

"What are your impressions of Gira and Racules (including Sakai Taisei and Masato Yano), and were there any memorable moments during filming?"

Morioka: I think that both of them have a perfect link between their own personalities and those of the roles they played. Sakai Husty-sama is kind to everyone, and his natural side that's visible in his hard work is endearing, which makes me smile when I see him on set. Yano Husty-sama built his performance with great delicacy and precision. He truly is Racules. Their appearance have a certain "aura" that allows me to be their retainer without forcing myself to be aware of it.

"Give a message to the character you played!"

Morioka: Douga, you must be exhausted from the many things you had to do to support your country and family…..Sometimes, it's good to spend time relaxing and not think about anything.

"What was your most memorable moment in King-Ohger?"

Morioka: It'd be episode 21, the episode where Douga's job hunting. I have fond memories of the staff working together to support me to the best of their ability, even in the silliest scenes, including the wonderfully strange costumes and props as I traveled around each country. Then, after the short but intense performances with the other retainers of each country, there was the serious last scene with Gira-san. It was great and I'm truly grateful.

"A message to all the retainer members of the other countries!"

Morioka: Shiokara, don't address the kings with "you." Sebastian, despite your appearance, I'm in awe of your physical ability. Kuroda, I'd like to learn from you your excellent fighting skills. Morphonia, you should try to be alittle more motivated everyday. (*form of "you" meaning you're inferior to the speaker)

"Please give a message to the fans of King-Ohger."

Morioka: This was my first time participating in the Super Sentai series, and I was surprised and moved by the amount of energy and love shown by all the tokusatsu fans, and I was able to make it through this because of everyone's support. I can only express my gratitude. Your words on SNS and other sites have been well received. Please continue to love King-Ohger!

Chiwata Yuhei (Shiokara) Profile: When they first met, he saw Yanma as a yankii with a bossy attitude, but admired him after learning of his manly spirit. After that, as Yanma became king of N'kosopa, he became his retainer.

"Please tell us what you respect about Shiokara."

Chiwata: There's alot, but the most important would be his charm. You could call it junior colleague energy, but I think he's good at building relationships and closing the distance with people. I was never good at such things, but as I got older, I began to realize the importance of it and started to practice, and little by little, my weakness turned into my strength. However, I'm still not as good as Shiokara-kun, so I'd like to use him as a reference (laughs).

"What are your impressions of Yanma (including Watanabe Aoto), and were there any memorable moments during filming?"

Chiwata: I feel that Yanma is a character whose emotional growth was depicted throughout all the episodes. I think it's cool that he's able to calmly, sometimes violently, confront everything that happens to him, and then use what he learns from it to take the next steps in his life. I think this is also due to Aoto's acting ability, so Yanma and Aoto are one and the same! The most memorable moment was in episode 10. I still vividly remember thinking that the way he created the atmosphere of the scene was wonderful, just like Aoto.

"Give a message to the character you played!"

Chiwata: Thank you so much for your hard work! Keep up with the most coolest Yanma-kun and follow him wherever he goes!

"What was your most memorable moment in King-Ohger?"

Chiwata: It's episode 35. I was very happy that Shiokara's character, which had been built up, was given depth, and that his past of being very different was depicted. It was a really hot development, and as an actor, there were many scenes that required alot of passion, so even preparing for it was fun. Until the actual performance, I would read the script everyday and think, "How would Aoto react if I did this?" Normally, I don't discuss the scripts with Aoto, so imagining it was part of the fun. What's more, we wouldn't know the title of an episode until the week before it aired, so when I saw the title, "Don't Cry Slack Jawed Tanuki," I was moved. The last bit of the episode was a perfect fit. Furthermore, I was overwhelmed with emotion when I heard that it was (screenwriter) Takano Minato-san who came up with the idea. I was also very happy that this episode won a special award at the "Toei Tokusatsu Fan Awards 2023."

"A message to all the retainer members of the other countries!"

Chiwata: Originally, I don't think the Super Sentai series featured so many sub characters. This is because there are already six members making up the main cast. However, I think the reason why the retainers have become so beloved is due to the fact that we all played appealing characters, and continued to support the main cast, who played the kings, in different ways in each country. This resulted in the popularity of "retainers". And for that, I'm grateful. Thank you so much!

"Please give a message to the fans of King-Ohger."

Chiwata: First off, thank you so much for sticking with us for the past year. I still think about how fortunate I am to have been involved in this production in the long history of the Super Sentai series. It was a great experience for me to see everyone's excitement online every week, and to then go to the set feeling like I was carrying everyone's voice with me as I performed. In this show, each character stands out, and I've seen the characters moving freely in everyone's minds through fanart, and I feel that this was a production that has been truly loved by everyone. There were alot of things that made me feel like, "Ah! I see, I definitely think Shiokara would say that! I think I'll do it! I want to play Shiokara like this!," and they were alot of fun to see. I also felt a real love for the people who participated as extras and prepared costumes for the different countries. Thank you so much. The Super Sentai series is revised every year, but I hope that King-Ohger will remain in your hearts forever. And, for those of you who are children now, I'd like you to go back and watch it again when you grow up. I'm sure you'll see it differently. Until then, let's meet again soon!

Yoshimitsu Hiroto (Sebastian) Profile: His real name is Romane Dearborn (aged 25). Under orders from Hymeno, he was given a "butler looking" elderly appearance through special makeup, and changed his name to "Sebastian" when he became Hymeno's retainer.

"Please tell us what you respect about Sebastian."

Yoshimitsu: I think that Sebastian's willingness to fulfill any of Hymeno-sama's selfish requests is worthy of respect. Sebastian's life was saved by Hymeno-sama, so he must be absolutely obedient to her orders. Well~ I think Sebastian understands the kindness and compassion that goes beyond Hymeno-sama's selfishness.

"What are your impressions of Hymeno (including Murakami Erica), and were there any memorable moments during filming?"

Yoshimitsu: I think that Murakami Erica-san is an impeccable young lady. There are no complaints when it comes to her appearance. She's bright and has a great personality! In addition, she's positive. Even when she's depressed because the performance isn't going as well as she'd like, she doesn't let it get her down, saying, "I've gained this experience, so I can use it in the next performance." In the first place, I don't have time to hold back (laughs). She had a hard time sitting down on set. When I asked her to "sit down," she replied, "Because all the extras are standing, I can't sit," which shows just how considerate she is. She's a really good kid!!

"Give a message to the character you played!"

Yoshimitsu: When playing Sebastian, my hair is slicked back, I wear glasses, and I have a mustache. His appearance is balanced by the fact that he wears a tailcoat, but while in casual clothes, with his "slicked back hair, glasses, and mustache," wouldn't he stand out? On the train ride home from the set, there wouldn't be that many people who'd sit next to me, right? (laughs). Well, that's because I did ride the train looking like that.

"What was your most memorable moment in King-Ohger?"

Yoshimitsu: Was it episode 25 with the 20 person combination? If I'm remembering right, I rode in God Scopion. It was a fresh new experience for me, both the cockpit and the controls. Also, episode 36, where Romane Dearborn appears, personally left a deep impression on me. It was Sebastian with his special makeup removed. We find out how the super handsome Romane Dearborn ended up in the special makeup, and why he serves Hymeno-sama as a butler who changed his name to "Sebastian"……It's my favorite episodes because it depicts the bond between Hymeno-sama and Sebastian.

"A message to all the retainer members of the other countries!"

Yoshimitsu: To all the retainers, thank you so much for getting along with me. Douga-san and Boshimar-san are relatively closer in age with me, so when filming ended in the evening, we used to go out and drink alot. Morphonia-chan was my partner who liked to talk with me alot about old man stuff. I also talked to Shiokara-kun and Kuroda-kun about various things. From now on, please continue to support Sebastian!

"Please give a message to the fans of King-Ohger."

Yoshimitsu: Thank you very much for your support of King-Ohger over the past year. No matter how interesting a show is, it's not complete unless everyone watches it. This time, King-Ohger has been seen by so many people, and I think everyone involved in this production feels happy. If it remains in your heart and you remember it someday, King-Ohger will live on forever!! Thank you so much.

Hasegawa Kasumi (Morphonia) Profile: She's Rita's retainer and candidate to ascend to the throne as Gokkan's king. While she has a lazy personality, she's always concerned about Rita and never gives up on her work despite complaining.

"Please tell us what you respect about Morphonia."

Hasegawa: Even though she complained about it, no matter how difficult the environment or situation was, she was able to do her job. And, she never gave up on communicating with Rita. If it were me, I would've given up halfway (laughs). I also respect her quick thinking and ability to look ahead. She's a surprisingly capable kid (laughs).

"What are your impressions of Rita (including Hirakawa Yuzuki), and were there any memorable moments during filming?"

Hasegawa: I think Rita was and still is an interesting person. It's great that we're able to see them in many different situations, with the self they show on the outside and the real them. They're pure in a good way. When I first met Yuzuchin, I thought, "Waaah! It's Rita!! Rita's appeared!!" (laughs). When you talk to her, she's even friendlier, kinder, and more dependable than Rita. My partner. Also, I guess our most memorable moment was……the kabedon. I couldn't stop laughing (laughs).

"Give a message to the character you played!"

Hasegawa: When Chikyu is at peace, please relax and enjoy eating oranges under a kotatsu. Make sure to apply for paid vacations and eat lots of delicious food. Also, please continue to support Rita.

"What was your most memorable moment in King-Ohger?"

Hasegawa: It's episodes 10, 25, 38, and 45. I was impressed by the gradual deepening of her relationship with Rita. While reading the scripts, I felt that the way Rita and Morphonia relationship grew closer was very endearing. I remember that even when I was actually performing, there was a warm feeling within me. And the more we filmed these scenes, the more I came to love Rita.

"A message to all the retainer members of the other countries!"

Hasegawa: Douga-san, We look forward to welcoming your career change at Gokkan any time. Boshimar-san, I've had almost no interactions with the real Boshimar-san, so let's meet in Hakabaka if you get a chance. When the opportunity arises of course. Shiokara, I've been curious about this for awhile now, but what's up with your curly bang? Sebastian, you've been a great help to my Rita. Thanks for your continued support. Kuroda-san, next time, please treat me to some delicious food. Gerojim, you're alittle bigger than the others, so please consider your range when moving. That tail will hit you.

"Please give a message to the fans of King-Ohger."

Hasegawa: Thank you for supporting King-Ohger up to this point! Even though there were many strong "personalities" among the kings, they were able to reach the same goal in the end. Through this production, I also learned the strength of valuing one's own individuality and respecting the individuality of others. I hope that King-Ohger, which was created by many people including myself, will remain in everyone's memories. And with that, see you later!!

Kanzaki Hajime (Kuroda's Actor) Profile: A male kuroko who serves as the retainer to Toufu's king, Kaguragi. Although his face isn't shown, his movements are gorgeous and he's got a very nice voice.

"Please tell us what you respect about Kuroda."

Kanzaki: It's possible that he's known Kaguragi for a long time, but since becoming his retainer, he's kept the "king and retainer" relationship, and has been thinking and acting in accordance to his position as a kuroko. He's sometimes missing, but he has a cute side. And, he has a nice voice (thanks to Toriumi Kosuke-san!).

"What are your impressions of Kaguragi (including Kaku So), and were there any memorable moments during filming?"

Kanzaki: He's big! Of course, he's also tall, but his muscle mass and costume makes him look even bigger. In his spare time, he does muscle training with Masato Yano-san and others, and he'll work on his shoulders using a folding chair, so he's definitely stoic! Other than that, when the Director gave me the "OK" for a take in the film where I use a trampoline as Kuroda, he was happy and said, "You did it!" He's a magnificent man, not only with his body but also with his kind heart, it's as if he's Toufu's mother nature!

"Give a message to the character you played!"

Kanzaki: I read somewhere that originally there was no role for "Kuroda," but I started speaking lines along the way, and I'm grateful for this blessed year. Once the matter with the Uchu King has been settled, please take a good rest.

"What was your most memorable moment in King-Ohger?"

Kanzaki: It's episode 9, where I spoke as Kuroda for the first time. It was also fun to mess around with the other retainers! As for Toufu, it would be episode 37. It was like a Taiga Drama that condensed Kaguragi's past, which had been told little by little in the main story and the film into this one episode, and I was relieved that abit of Kuroda's past was also revealed.

"A message to all the retainer members of the other countries!"

Kanzaki: Boshimar-sama (Fukuzawa Jubun), I have fond memories of being mistaken for (Masato) Tsutamune-san when I first met him (laughs). He has a strong passion for acting, and I learned alot from him. I got goosebumps when I played the role of a soldier against him! Douga-sama (Morioka Yutaka), It was great that you got to play the role of a handsome old man with a family. On the other hand, when you were being interviewed in various countries, you were really funny and your actions were cool! Your style is good! Shiokara-sama (Chiwata Yuhei), He was always thinking stoically and calmly about how to make the viewers happy, which was a great inspiration! His style is good! Sebastian (Yoshimitsu Hiroto): Thank you so much for talking to me in your spare time and for thinking about a bunch of ideas for the flow of the performance on set! It's a pity that you couldn't do a backflip……If the opportunity arises, let's film it! Morphonia-sama (Hasegawa Kasumi), She had a "floaty" vibe, but she knew what was expected of her and was very stoic on the inside. It was wonderful to see her naturally embody what a senior colleague once told me, "Create fans among the staff." It's a pity that she couldn't do a back handspring……please do it if the opportunity arises! Gerojim-sama (Saitou Kenya, Suit Actor), With Gerojim's arrival, the retainer team became even more lively. The delicate acting that linked Seki Tomokazu-san's voice with his large body was wonderful! It's a pity that you couldn't perform a reverse somersault……If the opportunity arises… (laughs).

"Please give a message to the fans of King-Ohger."

Kanzaki: Everyone, thank you so much for supporting King-Ohger. It was a very meaningful year for me, as I was able to see the scenes in a different way than usual in the Action Club, I was able to appear on TikTok while rubbing shoulders with talented performers, and I was able to become part of the merchandise. Thank you so much for your letters and presents as well! I'll study so that I won't have any trouble when Kuroda appears again, thank you for your continued support!

Seki Tomokazu (Gerojim's VA) Profile: He's a Kaijim equipped with mayfly BNA and can mimic the appearance of humans by applying light refraction. He's currently working with Jeramie, who has become the king of the Bugnarak.

"Please tell us what you respect about Gerojim."

Seki: Ultimately, I think it's his unwavering faith. Even when he's lost, troubled, or frustrated, in the end, he tries to follow through with his beliefs. I respect his heart and attitude, which is like a blue flame, quiet but never extinguished.

"What are your impressions of Jeramie, and during recording, were there any episodes with memorable moments?"

Seki: First of all, I'm disappointed that I didn't get to work with Ikeda Masashi-san, who played Jeramie, even once during recording. When I saw Jeramie's performance during the broadcasts, I felt that his soft demeanor, intelligence, and his somewhat lonely appearance were all wonderful. I'd like to directly talk with him in person someday!

"Give a message to the character you played!"

Seki: I'm so glad you found a nice place to belong. I hope you'll feel safe and secure at Jeramie's side for all eternity.

"What was your most memorable moment in King-Ohger?"

Seki: That we were all able to ride the Shugods with the kings! I've ridden in Robo's as an enemy in previous productions, but I think the opportunity to ride a Robo in the Super Sentai series is very valuable! Even though it was just my voice, it was great to feel like I was in the fight with them!

"Please give a message to the fans of King-Ohger."

Seki: This year has flown by! I'm sure that everyone else feels the same way. However, I believe that the story will continue! Please continue to support King-Ohger, and let's see where we end up, together!

[kaelio]

To be honest, a lot of the politics you see online--on Tumblr and Twitter--are predicated on the biggest posters with the biggest followings being people who had a lot of potential they squandered, and their spite drives them to encourage other people to engage in self-destructive behaviors. That's also why you see a lot of "gifted kid" discourse from them, while sprinkling in the occasional "lol why even go in to work, fuck your boss." They're mad other people succeeded. They're more angry that other people succeeded than they care if they succeed. They want things to suck as much as possible so other people are on their level, even if it means, for the most part, people being dragged down and certainly not lifted up. Black unemployment is the lowest it's ever been and they secretly want to throw that away so that immigrants get shot at the border, because behind 99% of these snappy, cynical accounts is someone secretly seething that immigrants who come to America tend to benefit from that and apply it towards the welfare of their families, as productive members of a community. They pretend to be "left-wing" but look at what they're actually doing. Look at the implications their preferences actually have. They need that because if you actually evaluated their stances and the implications of the behavior they promote, it's a pound of flesh at everyone else's expense. The lowest quintile of incomes is doing better under Biden than in the last 40 years (very much taking into account inflation, because it's been driven by low-income workers finally being paid more and this being reflected in the cost of goods and services). If they cared about uplifting the poor, they'd tell you things like that. And on matters of foreign policy, since that's what they're using as cover right now, they'd be upfront about the foreign policy differences between the two parties (e.g. Trump got his Muslim ban and wants a stronger one, and it is constitutional, and he will do it--including his literally announced plan to deport anyone on a visa who protests, which is also actually constitutional).

Among other things, their professed position tends to rely on the idea that the USA is uniquely despicable but the US government should also be bigger and do more things for people. Any actual political thinker who is thinking politics-first will have a coherent answer to that, because it's on-its-face contradictory. But again: it's not driven by actual political principles, they're working through personal resentments and using politics to make you think you should listen to them and validate them.

[13as07]

Elegant #1

(Shino Aburame)

[Artwork is not mine! Credit to JUHiHUJi]

Requested by: Anonymous

Word Count: 3,502

Warnings and/or Pre-Notes:

It's a western theme wedding style cause I was lazy and didn't want to do research

Alcohol Use

———————————————————————

     I let out another strained breath, glancing over my wedding dress in the body mirror again. What if Shino doesn't like the style? What if he's getting cold feet? What if he leaves me alone at the altar? What if -

     "Wow," a voice says softly, drawing out the word. "You're so... beautiful." My sights jump up, glancing in the mirror to figure out who's behind me. Naruto's frame fills the mirror as he walks closer, settling behind me as his eyes jump over my dress. He's smiling ear to ear, with stars hanging in his eyes as he looks at me. "You're the second prettiest bride I've ever seen."

     "Second?" I ask, smiling back at him.

     "Ya, sorry but you can't beat out how pretty Hinata was at our wedding. She'll always hold that first place price."

     I laugh at the love-struck newlywed. Hinata and Naruto got married two months ago, and I swear he still looks at her the way he did at their ceremony.

     "Now, I know Sakura will drag me out by my ear if she catches me in here, the whole bad energy from seeing you - "

     "That's only for the groom, Naruto. Groom's men aren't included in that," I correct, shifting around so we can face each other. My squadmate looks pretty nice when he gets dressed up, even if his hair is still messy and pointed every which way.

     Naruto's cheeks dusty a slight pink as he rubs the back of his head. "Oh, right. Anyway, I remember the whole 'new, old, borrowed, blue' thing from my wedding. I don't know if you're doing that like Hinata did but I did bring you something blue just in case."

     "I wasn't planning on it but I appreciate the thought, Naruto," I tell him, leaning forward to wrap my arms around him.

He wraps his arms around me too, being careful not to mess up my perfectly constructed look for my special day. "Anyway, you want to see my gift?"

"Yes, I do."

"Just so you know, this is fully from me. I did it - well Hinata stitched it - but it was fully my idea, all of it," Naruto rambles, digging through his pockets in search of my gift.

He tugs out a square cloth, the main color being a rich blue with the edges being his signature obnoxious orange color. Naruto holds it in front of me, letting the cloth tumble undone to its full size. It's no bigger than a napkin. In careful stitches is the quote 'Trust is knowing that when a squad mate pushes you, they're doing it because they care'.

"Naruto," I mumble, reaching forward to hold the ends of the cloth.

"Pretty nifty, huh? Hinata had a section of Neji's robe turned into a handkerchief, so I asked her to do the same with my old jacket. I figured you could pin it under your dress. If not that's cool too. Oh! And don't worry, Hinata cleaned the material like a bazillion times."

     "Naruto," I call again, tears in my eyes as I lunge forward, wrapping my arms around his neck again. "You dumb gushy fox," I say with a smile and tears of appreciation.

     "Do you not like it? Oh! Please don't cry, you're going to ruin your makeup," he rushes out, carefully slipping at the water that threatens to ruin the makeup I spent an hour on.

"I love it, Naruto," I tell him, smiling at him to send the point home. "You big goof. Would you pin it to my dress?" I ask, shifting my skirt around to figure out where I want it pinned.

"Of course! Let me go find a pin."

————————————

"Just some final touches," Sakura mumbles, running the makeup brush over my cheeks again. "Oh, and a few puffs of perfume," she says, jumping to her feet and rummaging around the table covered in different products.

     "I can't wear perfume, you know that. It messes with Shino's kikaichus."

     "So, you know how Shino has been queasy off and on the last couple of months?" She mumbles, now digging through her bag.

     "Sakura," I utter, my tone warning because of the way our conversation is heading.

     "Well, it's because Hinata and I have been testing different perfumes," She finishes, standing up with a small box in her hands.

     "Sakura!"

     "Oh calm down, it was only a handful of times and only a squirt or two every time. No Shinos and no kikaichus were harmed. Besides, it’s your wedding day. You should be wearing a new perfume to celebrate. It just so happens to be the only perfume that doesn't annoy or make your husband's parasites sick. Now come here and let me spray you down."

     I roll my eyes at her but do get up from my spot. I twirl in a slow circle, letting Sakura coat me in the flower-scented perfume. "See? So much better, plus you can wear perfume more often since it doesn't mess with Shino."

     "I guess so," I mutter, shaking my head at her. I swear Sakura never uses her brain outside of missions.

     "Alright, I'll leave your fancy new scent here on the table," She says, making a show of putting it back in the box and leaving the box on the table. "We need to get going for your first look and such." Shino isn't much of an emotional man and is rarely emotional around other people, so we decided a private first look would be best.

     She leads the way, my veil in her hold, held above her head so it doesn't drag on the ground as we head outside. "Wait here," she mutters after the short walk, stopping long enough to situate the clips of my veil into my hair.

Sakura slips away, leaving me to admire the cherry blossoms as she goes looking for my husband. I do just that, walking along the small path and toying with the heavy branches being weighed down by the weight of their blooms.

Enjoying the scenery helps with some of the anxiety surrounding today. I'm more than thrilled to spend the rest of my life with Shino, but it's still nerve-racking to think about all the things that could go wrong today, let alone the future.

"You don't always have to be such a lug!" Sakura's voice rings out after a few minutes, tugging my focus in the direction we came from earlier.

My best friend is dragging my very soon-to-be husband down the short path, a blindfold wrapped around his eyes to ensure he's not cheating. Shino looks nice, dressed fancy for once and his hair slicked back instead of loose and bushy like usual. "I do not see the point in doing this. I will see her when she walks down the aisle," he grumbles, slowly trudging after Sakura as she pulls him my way.

"I don't want you loosening your macho-ness because you burst into tears in front of everyone," I tease, causing his head to snap in the direction of my voice.

A group of his kikaichus slips out, eagerly flapping their way toward me. Some stay buzzing around me, with a few others clinging to different parts of my clothing. This has been a common thing during our relationship, Shino's bugs ditching him to investigate me or chew at a bit of my chakra. I freaked out the first time it happened but he insists they mean no harm and it helps him feel close to me. Since then, it's come to be something that calms me down, which I need with how loud my heartbeat seems to be.

"I would not and will not cry," he mumbles, stopping in the spot Sakura leaves him in.

"Lug," she murmurs before turning toward me. "I'm going to go make sure everything is settled. Once you two are done, send Shino in and come wait in the corridor, alright?"

"Alright, I'll see you in a few minutes."

With that, Sakura turns on her heels to head towards the waiting guests, leaving the two of us alone for the first time today. "You don't think you're going to cry when you see me?" I ask, reaching forward to toy with his sunglasses that Sakura slithered the blindfold under.

"No, I do not," he whispers, his hands sliding up to wrap around my arms, causing more of his kikaichus to spill out, coating both of our arms now.

I slowly slide my touch backward, taking my time to rest his glasses on his head before I tug at the knot keeping the cloth in place around his eyes. Once the cloth is loose, I take a step back, letting the material dangle from my fingertips.

Shino's eyes are squinted because of the setting sun. I knew they would be, but I want to see his whole reaction especially since this is something that won't happen again. His sight crawls around my body, falling down my dress like a waterfall before climbing back up my frame like a mountain. "Perhaps," he starts, voice cracking as he repeatedly blinks. "Perhaps, I was wrong."

     Once the words are out, he breaks, tears rolling down his cheeks, chasing away the kikaichus that have been clinging to his face. Shino moves forward, enveloping me in his arms so he can hold me. "You look elegant, my Ladybug," he whispers into my hair, his little friends following their leader and knotting themselves in my locks.

     When Shino pulls back, his focus shifts from me to helping his beetles untangle their legs, being careful not to mess up my hair and not to hurt his bugs. He spends the whole time trying to blink away the fresh tears forming in his eyes; he fails, forming water lines down his cheeks.

     "Oh, Shino," I coo when he pulls the rest of the way apart from me. I cup his face, using my thumbs to brush away his tears. "You look very elegant too."

"Not as elegant as you, my dear," he mutters, leaning down to brush a kiss against my lips.

————————————

I shift my dress again, making sure it's laid perfectly as I wait for Kakashi to join me. There's about ten minutes until I'm expected to walk down the aisle with my Sensei giving me away to my husband, to my Shino. My nerves have evened out since our time together under the cherry blossoms, leaving me filled with nothing but joy.

"There's my gorgeous daughter-in-law," Shibi's soft voice calls from behind me.

I turn a bit, making sure not to mess up my carefully laid-out dress and my thin veil settled on top of it. I decided on a royal-length veil, more so because that's what Shino wanted than me, but it is his wedding as well. If he wants me to wear a long veil that trails behind me, I don't mind.

"You look lovely," Shibi compliments again, making his way forward. He stops in front of me, careful hands cupping my cheeks. He tilts my head down, brushing a gentle kiss to my hairline. "You are beautiful. The most beautiful bride my son could ask for."

"Thank you," I mutter, tilting my head back up so I can look at my father-in-law. A soft smile is on his face as he looks down at me. This is one of the few times I've seen Shibi truly content, which only solidifies my decision to marry his son. Shibi is the smartest man I know, and if he agrees with my decision it must be the right one.

"I have a gift for you, a temporary one," he mutters, pulling away from me. "Since Shino and you decided to have a night wedding, I figured a little extra glow would be nice," Shibi tells me, throwing up a few hand signals.

Soft flapping fills the space, a small squirm of bugs following the command they were given. "What are you doing?" I ask, tilting my head backward, watching the bugs settle in a neat line along the hem of my veil.

"Watch," he orders, shifting his hand placement to send out another command.

The bugs shift their wings, a soft glow coming from them, decorating my veil with the soft yellow coloring. "Shibi!" I call in joy, lunging forward to catch him in a hug. "It's beautiful! Thank you."

"You're welcome," he utters, unclinging my arms from around him. Shibi isn't much of a touchy person, a trait his son inherited too. "After the ceremony, I'll need them back, of course."

"Of course," I echo, sending him another smile.

     He nods his head, letting his hands fall back down to his sides. "I should get seated before the ceremony begins. I look forward to seeing you walk down the aisle," Shibi mutters, nodding his head once more before he slips around the corner, heading into the crowd that's eagerly waiting for me to enter.

     I adjust my dress again, carefully toying with my veil so I don't hurt or knock off any of the lightening bugs clinging to it. I have a few moments of silence, giving my anxiety the chance to crawl into my rib cage again. After today, Shino and me will be bound together forever, until the end of our time.

     "There you are," my Sensei calls, pulling me out of my head. "I didn't know you were done getting ready yet." He mutters, adjusting the pin-comb that's holding my veil in place. "You look like an angel."

     "You don't look too bad yourself," I tease, glancing over Kakashi's put-together look. It's weird seeing my Sensei out of his usual outfit.

     He rolls his eyes, letting out a disapproving hum. Despite the small banter, Kakashi still leans forward, resting the side of his head against mine with his arms loosely wrapped around me. "The lightning bugs are a nice touch," he whispers, squeezing me before he tugs himself away.

"They're a temporary gift from Shibi."

"Well, I have a permanent gift for you. Just don't tell the others, they might get jealous."

"Ya?" I ask, watching Sensei dig through his pockets, the familiar sound of our training bells filling the air when he tugs them out of his pocket.

Kakashi hums again, giving me a rare masked and closed-eyed smile. "Naruto gave you his gift already, yes?" He asks, clinking the bells so they'll ring again.

"Yes, he did," I answer, lifting a layer of my dress to show off the handkerchief Naruto pinned to my dress.

He nods again, bending down so he can kneel on the ground. Kakashi works carefully, unlike my clumsy squad mate. Sensei moves slowly, unpinning the handkerchief and laying it on his knee so he can wrap his bells around the pin before pinning both items under my dress again. "There, now you'll have all three of us attached to you during the night."

"When did you get all gushy?" I tease, shaking my leg a bit. You can't hear the bells around the fabric but I can feel their imprint against me.

"When Naruto got married, and again now. I'm sure it'll happen again when Sakura and Sasuke get married too," Kakashi answers, straightening up before taking his spot next to me. "Are you ready to do this?" He asks, prompting his arm out toward me.

     "As ready as ever," I answer, clinging to the bend of his elbow.

     "That's my girl," he mutters, poking his head around the corner to send Sakura the signal that we're ready.

————————————

Shino's hands cling to me for dear life, his social anxiety at an all-time high as he spins us in slow, small circles. His left-hand grips mine, his ring digging into my fingers, threatening to leave an imprint. His right-hand rests on my waist, clinging to the material of my dress. "I despise dancing," he mutters, focus flickering around the millions of eyes watching us have our first dance.

"I know."

"Everyone is watching us."

"I know."

"You are my wife now."

"You are my husband now," I echo, shifting forward, I loop my arms around his neck, laying his head on my shoulder. Shino gratefully takes the change, his arms tight around my waist and his nose buried into my neck.

We sway, still moving in slow circles around the dance floor. "I will not be dancing again tonight," he whispers into my neck, the feeling of his kikaichus exploring the new position, little legs tugging at the material of my dress.

"I know, I appreciate you doing this though."

"Of course, Ladybug."

Shino reluctantly pulls away from me as the song comes to an end, fresh tears raining on his face. "What's wrong?" I ask, hands jumping up to wipe away his tears before anyone else notices.

"Nothing, my dear," he answers, fingers wrapping around mine to pull them away from his face. "You... are perfect," he mutters, glancing around before quickly pressing a kiss to my fingertips. "Can we go sit now?"

"Yes we can," I murmur, smiling from ear to ear as my husband tugs me off the dance floor.

Cheers from the guests fill the room, a few of them jumping up from their spots to take up the dance floor as the next song starts. Kiba and Naruto are beaming from the head table, as are my bridesmaids; Sakura and Hinata. "Our baby is all grown up!" Kiba cheers, Hinata giggling and nodding in agreement.

"Be quiet," Shino mumbles, helping me into my chair before he sits down alongside me. Once we're situated, his hand messes with my dress, ruffling my layers in search of a small amount of skin on skin. "What's that?" He asks as his fingertips slide over the pinned presents from my squad mates, head tilting down to glance at the items.

"Bells from my Sensei and a handkerchief from Naruto," I answer, helping him move my dress out of the way.

He hums softly, fingertips digging into my knee as he clings to it. His thumb slides over my knee on repeat, a kikaichu or two crawling over his fingers, occasionally dipping down and crossing my knee. "You are perfect," he repeats, sending me a rare smile before turning to hell at Kiba again.

I smile to myself, soaking in the repeated compliment. "Well, Mrs. Aburame," Sakura teases, a huge smile on her face as well. "What does it feel like being officially married now?"

"Wonderful."

————————————

Sakura and I belt out jumbled lyrics of the song playing, the liquor in our system commanding our dancing with both of our wet blankets of partners watching. Sasuke and Shino are sat near each other, both men's full attention on us as we dance. "What do you think they're thinking right now?" She asks, her arms dangling over my shoulders as we move in beat with each other.

"Well, knowing Sasuke he's probably talking himself out of killing me and Shino might have one or two more songs in him before he gets clingy again."

Sakura lets out a loud cackle, the alcohol chipping away the bubbly cute persona she tries to maintain. Her laughter only increased when Shino starts heading our way. "You're wrong about Sasuke but it seems you were right about Shino."

"Right about what?" My husband asks, impatience in his voice as he stands next to us, both of us still swaying to the music.

     "About you wanting my attention," I answer, pulling away from my friend to wrap Shino up in my arms.

     "That is not what I want," he mutters, staying still as I squeeze him in my hold. "I wish for us to go home. I would like some alone time with my wife," Shino airs out the last word like he can't comprehend being able to use it.

     "What kind of alone time?" I ask, sliding my hands up to toy with the ends of his hair, fluttering my eyelashes at him.

     "Just... alone time," he whispers, a hint of pink dust on his cheeks. "Should I have it announced that the ceremony is over?"

     "Have them announce the party is over in thirty minutes," I mutter back, letting my arms fall to his shoulders, leaning myself against my husband. I tip my head up, lips brushing against his ear as I speak. "If you can't wait thirty minutes I'd be more than happy to give you a little... support." I let a hum out, flickering my eyes down.

     Shino's face is full red now, mouth gapping a bit. "That is not... we cannot... Ladybug," he stutters, as flustered with my straightforwardness as ever. "I am... that is something I have been excited about today, but that... that is an at-home activity."

     "I know, I'm just teasing."

     He lets out a sigh of relief, gently pulling me off of him. "Your mind is lacking the elegance the rest of you possess."

     "I know."

———————————————————————

[the-heart-of-leo]

Nick's so far under the bus that they might as well change the oil while they're under there.

Okay, because I'm a bit of a masochist and I have adblockers...

I'm going to count how many times James throws Nick under the bus:

@2:40 – 'This fell upon Nick as well, as a non-binary person on the ace spectrum, they wanted to include asexuality and non-binary representation to our videos. But because Nick's experience is not universal – There is no universal experience – people felt that we were delegitimizing their own experiences because we focused on Nick's.' (The reason we were acephobic was because we (meaning Nick) didn't think other ace people had problems and when it was pointed out to us by The Ace Couple that ace people did, in fact, face discrimination and conversion therapy, we (meaning James) accused them of homophobia and sicced their followers on them.)

@6:38 – 'The work Nick and I were doing on the channel...' (Because Nick was here too! Not just me!)

@10:46 – 'I was much more interested in the production of the videos than the writing of them, at this point. So after three or four videos, I brought Nick on as a main writer for the channel. The idea is that they would write the vast majority of the scripts. I would film, voice, and edit the videos and we'd split the money that came in.'(Nick was the main writer for the channel! In case you forgot...)

@14:40 – 'And then my mom died... and I became completely useless. I couldn't think straight, at all, so Nick had to completely take over writing duties.'(DID I MENTION NICK WAS THE MAIN WRITER. ALSO MY MOM DIED; FEEL SORRY FOR ME)

@19:44 – 'When Nick got back, he believed the script needed a first page rework. This was also when he told me he was going to be moving back to Ontario permanently soon as he wanted to live closer to family and live in a bigger city with more opportunities. This was a punch to the gut for me. We'd been living together since 2015 and had become quite dependent on each other. I felt like there was no way I could make this movie without him.'(We couldn't make the movie we promised because SOMEONE DECIDED TO MOVE and since I'm co-dependent on him, I moved with him and screwed up everything. Oopsie.)

@26:32 – 'But by accepting as many sponsors as we did, which became very important when Nick and I started living apart and suddenly had two rents to pay, we ended up needing to produce even more videos. Which, along with the work on Telos and making sure everything was okay with my dad while living thousands of kilometers away meant I had even less time for writing – putting more stress on Nick and leading to even more copy and pasting from me.' (See what you did, Nick?! We have to pay TWO rents now and we need to make even MORE videos. I'm not creepily co-dependent on my asexual ex-roommate at all!)

@32:50 – 'I know what misinformation had made its way into our past videos. That was not something we intended; in some cases it was information I was told by people I considered experts. In other cases it was information that we had researched. In other cases it was things that Nick had learned in university.'(Nick told me some of this stuff! ((which is fair because NICK ADMITTED HE DOESN'T DO RESEARCH)) In other cases it was because I assumed I knew what happened because I'm the smartest person I know so of course Lesbians had it easier! I just forgot that Radcliffe Hall's books were banned and destroyed because of that head injury I talked about earlier.)

And here's an honorable mention where the smug “I'm smarter than you” BS comes to visit:

'To those who say I plagiarized the plot from the novel Final Girl Support Group by Grady Hendrix – Read the book. It's nothing like the plot of the movie. And 'The Final Girl' is a trope in horror movies so if using the Final Girl trope is plagiarism then basically everyone who's made a slasher movie since Texas Chainsaw Massacre owes the Toby Hooper estate some money.'

So, much like how James doesn't understand why people aren't upset at him because of citation issues, he doesn't understand that it's not the fact that he's using the 'Final Girl' trope... it's the fact that he stated the book as a favorite of his and then... suddenly he's writing a movie about the aftermath of the Final Girl. And given the plagiarism, it can not be taken in good faith.

First off, if you just google 'First Final Girl', it just says Texas Chainsaw Massacre is one of the earliest examples. Another possibility for the 'First Final Girl' was actually Black Christmas which was released the same day in Canada so it is literally tied.

Secondly; the final girl trope is not required for slasher movies. One of the first 'proto-slasher' movies was actually Psycho so there were a few good decades between that and Texas Chainsaw Massacre. (I could try and make a case that Lila Crane should count as a Final Girl; maybe even Mrs. Bates/Norman as a subversion... but I'm not that invested or interested.)

So... James was true to form, he just wanted to be a smug asshat and try and seem smart over something easily googled.

[pearlyiestofhearts]

What are they doing with Rhaena?

Breaks my heart that the show would have us believe Rhaena, the more maternal and non-combative sister, would just abandon her little brothers like that to chase a dragon.

Part of my problem with hotd s2 is the fact that Rhaena's character is clearly being changed. She's spiteful, impatient and more gutsy and testy, one would argue, than even Baela! They're clearly pushing that go-getter trait from Nettles onto her and as a result turning her into something she's not. Just like Baela is oddly exhibiting more book Rhaena qualities than show Rhaena!

Perhaps there's still hope. The finale didn't end with Rhaena mounting Sheepstealer and I love to believe the reason is that the writers observed the fan backlash whilst still in post production.

But even then, where do we go from here? I'd pitch a clue for them. Rhaena tells Joff that they can still participate in the war in their small way, that not everyone is destined to be a fierce dragonrider. Why not go with that? Why not explore the power and prowess of diplomacy through Rhaena like they did with Jace at the Twins? Why not bring in the Royces of Runestone who should realistically be threatening to fight for the Greens because of what Daemon did to Rhea and her murder not being avenged by the Crown all these years??

There's so much, honestly, that can be done with Rhaena. Including linking her with Addam who has claimed her uncle's dragon and still seeks his father's approval just like Rhaena does with Daemon!

But the big problem with hotd remains that the writers do not know how to handle women that are not fighters or more 'conservative' than their girlboss archetype counterparts. Therefore, Rhaena must be forced into the girlboss sector or be discarded and unexplored altogether like our beloved Helaena.

This is really upsetting.

[fatuismooches]

At first I wasn't wild about Arlecchino's ponytail, but then I opened my third eye and considered... Arlecchino and her lover are in bed and her lover just stares at her hair and before Arlecchino could even ask why they're staring, they pull Arlecchino close, remove her hair tie and run their hands through her hair to enjoy how soft it is.

The bed was warm, but never warm enough. No one ever became truly warm in Snezhnayan weather. But Arlecchino was always warm. You were initially surprised but it was comforting, especially when she held you in her arms.

Arlecchino was also always awake before you. No matter how much you tried to wake up before her, she was always conscious. Some days she was already gone, her side of the bed cold. Some days she was still there, such as today, basking in the quietness as she waited for you to wake up.

Sometimes you wondered if she ever got bored of simply lying in silence with you on her sparse days off. Arlecchino was such a busy woman - she could probably be doing much more productive things instead of wasting her time here with you. You remember offhandedly mentioning it to her, but she quickly narrowed her eyes and told you not to be foolish, which was reassuring.

So, on rare days like this, where the first thing you saw when you woke up was her face instead of the empty space, it was very precious to you. Already awake, as per usual, she immediately noticed the slow opening of your eyes, considering her hand was now stroking your cheek.

“Good morning, [Name],” her voice echoed throughout the completely still room, save for the snow beating against the window. It took a few seconds for you to process that your lover was still here with you, the warmth from her body seeping into you, her voice repeating in your head. You looked at her blinking, taking in her smooth face, X-ed eyes, and pink lips all directed toward you. At first, she didn’t question your staring, as you were usually bleary and still adjusting to the light in the mornings. You sleepily wondered what she thought about as she studied you. 

In no time you realized that she was actually here with you, especially when she placed a soft kiss on your cheek, quickly waking you up embarrassingly enough.

“Arlie… good morning. It’s nice to see you,” you murmured as you snuggled into her chest, enjoying the attention you were getting.

“You as well,” she responded, and silence reigned once more. One did not need to speak during these moments. Sometimes more is shared in the quiet than with words.

You peered back up at her, and that’s when you noticed that Arlecchino had exchanged her usual fancy hair clip for a regular hair tie so that it was more comfortable in bed. Though right now, her hair wasn’t the neat, orderly ponytail it usually was. Some wisps of hair bordered her face like a picture, while other locks were thrown over her body.

Arlecchino’s hair always fascinated you. It was beautiful, to put it simply, but simple wasn’t enough to describe it. Pure white that rivaled the snow of Snezhnaya, black locks trickling down that challenged the darkness of the night. And finally, it flowed into red curls that clashed against the white and matched her eyes.

Your internal marveling at your lover’s hair gave you the sudden urge to run your fingers through it. You had done it a few times before, and you enjoyed it immensely. Arlecchino seemed to not mind it either. So you decided to indulge yourself, and it was now that she noticed your endless staring. She was just about to question you when you suddenly pulled her closer (although it wasn’t much of a pull when your bodies were already touching each other) and tugged off the hair tie, allowing her hair to spill out and onto your waiting fingers.

The first touch of the softness against your fingers was heavenly. It was always astonishing how nicely her tresses rubbed and tickled against your hand. Hair both pretty to the eye and touch, something many people would be jealous of, including yourself. But you had Arlecchino all to yourself at least.

Arlecchino had not uttered a word during this. She had raised her eyebrows the tiniest bit at your sudden boldness, but soon returned to her poker face, allowing you to do as you pleased. Secretly, she had always found this activity to be quite relaxing and endearing, as well as finding the expression on your face cute. She wondered if you enjoyed this more than her sometimes, considering the funny things you did with her hair.

You twirled a whole lock of her hair around your finger, and let it go to see it bounce and then fall flat. You let strands flow between each of your fingers, and let it fall and brush against your arm in the process. You even combed out some tiny knots. It was always the mundane things that were oddly the most delightful, you thought, lost in the way her hair danced in your hand.

You weren’t sure how much time had past, but it was then you realized on every occasion where you played with her hair, you always asked explicit permission. Sometimes, there were days when she didn’t want to be touched, which was completely understandable, so you always made sure to ask. So now you were anxious about if you were internally irritating her.

The more you thought about it, you were worried that she would get annoyed at your continued stroking, so before you could get too lost in the motion, you began to pull away. But she hastily caught your wrist, only speaking a few words from there.

“You may continue.” You were surprised at her request but also happy and relieved, obeying her as your fingers returned to their rightful place, entangled with her locks of hair. It was then that she amazed you even more. Arlecchino’s eyelids began to droop, slowly but surely, until her multicolored eyes could be seen no longer. You knew she wasn’t asleep - she only fell asleep after you did - but this was simply incredible for you.

Your heart pounded fiercely at the sight, as though you’d just run a marathon. Even as Arlecchino’s lover, you rarely ever saw her as vulnerable as she was right now. She was surely a sight to behold. Ruthless and cruel to soft and comforted.

You didn’t utter a single word, not wanting to ruin this perfect and tender moment. And so the two of you continued to lay there in peace, her locks of hair gliding through your fingers effortlessly, and a very tiny, content smile on the Harbinger’s face.