#and they make her a beautiful body

[tubbytarchia]

Somewhere in the woods, a moth tires of seeking light

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[disaster-magician]

Had a lot of fun using the template by anikiri._.6 on insta and my most recent comm from @sunflowerpin to show off my baby more 💕

[allyriadayne]

ALICENT'S REBELLION

[the-crooked-library]

okay so I gotta say, I don’t believe the whole “vampires cannot make good art” thing. I just don’t buy it. Like, call me biased, but as a writer, I don’t think you could talk the way they do and not be good at least at writing. There’s no way.

(you are a challenge every sunset, Saint Louis)

(I had powers now, and decades of rage to process - and so it was both random and unfortunate the man picked that night to dabble in fuckery) (I mean are you kidding me, that line is MUSIC)

(THE NAME! The name, unuttered in our home for twenty-three years - said over and over, until it was pounding in my head like a hammer!)

As such: what I personally think is actually happening is something far more mundane. Picture this - you've just been turned. Vampirism has enhanced everything about you, so your senses are like 10 times more distracting, you're stronger, faster, you're murdering nightly, you're most likely born out of some sort of trauma, and on top of that you've got years to compound whatever issues you already had - which, surprise surprise, are also somehow more intense now, whodathunk, mainly because your senses/murder/immortality are fucking with them BIG. Seriously, think about it: how much would vampire senses exacerbate symptoms of ADHD or autism? Would the species change, the nocturnal lifestyle, the mind gift contribute to dissociation, psychosis, schizophrenia? Would the killings and the loss of community be a factor in the way your depression might develop - or religious scrupulosity? OCD?

It's not that vampires cannot make good art. It's just that it becomes supremely difficult to do so, especially given that they cannot take human medication/finding a nocturnal therapist would be a bitch even if you're modern/Louiiss mon cher what eez a coping mechanisme y'know. I am convinced with 100000% certainty that, given enough time and dedication a vampire could absolutely make good art again* - though, in all fairness, very few of the ones we know possess the patience. Mind gifts/vampire speed + strength/inherited riches tend to destroy that sort of skill real fast; still, though, it's not a curse. It's symptoms disease.

* It is also possible, just as it is for humans, to develop all sorts of technical skills and still lack the “eye” for art (cough Marius cough) - but in that case, maybe try music?.. start writing? Get into ASMR? you’ve got an eternity to fuck around. Do whatever.

[maliciousalice]

[saddest-girl-in-the-whole-world]

"ACAB includes your favourite blorbo too" Yes okay cool but not Pyrrha Dve. Not Pyrrha "joining an anti government necromantic cult the first chance she gets" Dve. Pyrrha is so not included in ACAB that when she woke up from 10000 years of her soul being drowned out the first thing she does is join a revolutionary group to take down that necromantic cult because now THEYRE the new government.

[natsmagi]

the world doesnt even know how much hinata means to me.

[ssruis]

the thing about emu is that her life is super fucking wild and absurd shit is always just happening to her but because she’s so used to it and so full of whimsy she never acknowledges it. And so fans never acknowledge it either. Emu canonically has priceless paintings just hanging around in her house (in universe equivalent of fucking monet’s water lilies and van gough’s sunflowers iirc) and her family is Super Mega Owns A Theme Park And Airline rich and she has the ability to climb everywhere. She has personal body guards that have to wear goofy mascot costumes but are always prepared to die for her despite her not being in danger. Truly taking after her grandpa. Strange fucking creature. I love her.

[blueskittlesart]

i’m so used to how you draw zelda that whenever i see someone else draw her it’s literally like. skinny person jumpscare.

literally being a fat zelda truther is so hard bc why do people insist on drawing the girl like she's never had a meal in her life. put some meat on her bones please god she is starving

[clairedaring]

more my stand-in thoughts and other ramblings about joe/zhou xiang best boi

!!!!!!!!!!! POSSIBLE NOVEL SPOILERS WARNING !!!!!!!!!!!

as my stand-in begins to air, even though we're only two episodes in, the series itself has already established very clearly and explicitly that ming is a HUGE RED FLAG and he's not... the nicest guy.

and as we are told by the narration of joe, this time he had with ming was not a dream as he had though but rather a nightmare and that it was ming who led joe to his death (literal translation of his last line in ep 1, iqiyi engsub you lack accuracy i hate you).

and while i am just one among the joe's protection squad, i feel like i don't share this overwhelming opinion i've been seeing of people thinking joe 2.0 should pull a 180 change or to be as bad as ming or to become some kind of monster and take his revenge on everyone who's ever hurt him as if this is some makjang kdrama.

i once wrote a bit about my thoughts on why joe/zhou xiang is such a compelling protagonist and what separates him from other 188 novels' main characters. but since that piece was written before my stand-in had aired and i think the characterization of joe has been slightly changed in comparison to the novel, so i want to take this chance to elaborate a bit more on my point in that post as well as update it to fit with the series version of zhou xiang.

so, like i've mentioned,one of the traits i love most about joe/zx is this inherent kind-hearted nature of his and i think the series has not only just done well in this aspect, but also greatly amped up this quality in the series portrayal of zhou xiang.

you can seeeeee it through joe's acts of services for this STRANGER he had just met. be it offering ming a ride to the BTS station or cooking for ming even though they didn't fuck.

however, i do agree with my friend @dragonsandphoenix's observation that with the series, since they're trying to speed through joe 1.0 and ming's relationship, the series has joe falling much quicker (literally him using the L word on ep 2 pls joe) than zhou xiang did, considering it took mingjoe only 2 ep before they started their period of domestic life and yanzhou 17 chapters to do the same thing.

i feel like this specific adaptation change in regards to characterization can cause audience to be even more protective of joe than novel readers already were of zhou xiang. one of my biggest fears for this adaptation (i say one of bc novel readers would already know my biggest fear of one specific scene) has always been the doormat allegations against joe. but like i've also said before, it's that specific trait that 'joe has the ability to fight back but he simply won't because he refuses to hurt others and his soft heart has him in pain whenever he sees others hurt' about him that i hold so dear. even in the series, we know joe has the physical capability of taking sol down... and the man did give sol a deck to his neck making him passed out.

... but it's also the same joe who would take care of sol after accidentally decking him.

did anyone watch ep 2 started counting how many times JOE apologizes in this episode... literally in the car scene, he said sorry to ming TWICE because he was scared he had hurt ming's feelings for his assumptions (right ones at that). or when the hot water dripped from the lid of the pot, joe immediately said sorry and checked to see if ming was hurt.

whether it is in the novel or the series, joe/zhou xiang is just really the type to sacrifice himself for the sake of others, he's never been able to put himself first and puts others' feelings above his (⁠っ⁠˘̩⁠╭⁠╮⁠˘̩⁠)⁠っ

which is why i was pleasantly surprised reading professional body double. because one would generally assume that after all the miseries thrown his way, he would become a bitter person, full of grudge and resentment against people who had hurt him, but he doesn't. that just isn't who joe is.

while joe's bad experience in his 1.0 life does change how he navigates his social life and the relations he has around him, it doesn't change the inherent kind hearted nature nor the optimistic outlook on life he once had. i love that for joe in his 2.0 life because his first and foremost goal was to restart a life happily and we gradually got this journey of self-respect and joe 2.0 finally being able to put himself first and fight for the things/people he love.

while there are obviously bad consequences to the "antagonists", i like that it has never been the direct result of joe 2.0 actions but it's more karmic. although i'm very open and would glad to see the antagonists getting even worse consequences than what happened in the novel (which i think was pretty mild) i think i'd rather be interested to see more of series!joe being happy and successful (big emphasis on successful because if i don't see joe with his 20+ blockbusters he deserve i'm suing for emotional damage)

in regards to the wife chasing arc in the second half of the series, i think this part will be rather controversial since there are diverse opinions on how audience want the wife chasing arc to be executed, or from joe 2.0's perspective: his responses/actions to being chased by ming again. and trust me, i do want to see ming grovelling in pain and suffer just as much as the next joe's protector. but at the same time for me it'd just be... ooc of joe to intentionally and/or maliciously inflict pain on ming. granted i do have some qualms as to ming's chasing method that i hope the series will adjust, i do think that zhou xiang's approach to being chased by yan ming xiu was rather sufficient without the need to give zhou xiang a 180 personality change, so i really hope that doesn't change.

all in all, while it's probably quite early to tell how the second half will progress and whether it does/doesn't diverge from his journey in the second half, i just think it was very in character for zhou xiang to make the decisions he does in the novel in his second life (except for one noble idiocy move that lasted like a day) and hopefully joe 2.0 also does in my stand-in for his new life. *sighs* joe is just truly best boi... i love him... look at he... that's my baby angel （づ￣3￣）づ╭❤️～

[angelmush]

tis the season !

[wretchie]

No shadow will darken your door like mine will.

lucie jurin, martyrs, 2008. / music of lingua ignota.

[sofoulandfairaday]

i can't decide which i like more:

the idea - very much canonical and in the author's original concept and view of magic - of the dark arts taking a toll on one's exterior and looks. tom riddle sacrificing his beauty willingly in the name of eternal life, black magic as something that innately corrupts. bellatrix escaping from azkaban with the barest vestiges of her ancient beauty. going from one of the most beautiful women in england to a shell of her former self and no amount of dark magic being able to fix it. and she just. doesn't care. goes from pretty, proud and vain in her youth, to the feverish, fanatical glow harry sees in the department if mysteries. finally she sheds the petal of the rose - look like the innocent flower, her master had once said - and only the thorns remain. the parallel with voldemort himself. the idea that they like each other better now, the only ones to like their respective new appearances better. bellatrix because she can taste the power radiating off him, because she knows how resentful he was of his old face. (oh, he's never said anything explicitly, he would rather be flayed alive than speak of his filthy muggle father to her, but she knew he didn't like himself, took no pride in his aesthetics, it was most unusual, really.) the dark lord because he's reminded of her sacrifice - she was the only one who didn't denounce him, who tried to find him - every time he looks at her. she gave up everything for him: her reputation, her family, her freedom, her health, her beauty, her youth.

or.

the horcruxes are an isolated case. not all prices to pay for power are physical. some dark magic sucks at your humanity, your emotional regulation, your empathy and gives back superficial little gifts. its roots are far from the deep anger, desperation to cling to life of an horcrux. these are ancient witches' remedies to be the most envied in the village. the idea that rotten cores hide behind the prettiest faces. and bellatrix was always vain, always took immense pride in her beauty, her black, pure features. when she escapes from azkaban she tries everything in her power to be herself once again. she still drips with obsession but gradually regains all of her beauty too. cruel people can still be beautiful. gorgeous people can still be inhuman. and yet there is something so human about a woman making her way through the ranks of a very militarised group and still caring so much about what she looks like, still having insecurities, being preoccupied with mundane things like age and decay - and hating it because he would hate it, he hates weakness, and still not being able to help herself. the dark lord was always a collector of shiny things, was he not?

[shy-sapphic-ace]

Old Gods of Appalachia gives me the same vibes as listening to music by Lord Huron— it’s just the perfect blend of supernatural and folktales and being so deep in the woods it feels like the light can’t reach you anymore, and I am absolutely in love.

^ I mean, this is exactly what listening to the podcast feels like (at least to me)

[backjustforberena]

I don't think telling Corlys that Rhaenys died with honour, and how she might have wanted to (if she, in fact, did want to die in dragon flame especially as she thinks both her kids died by fire) means an actual jot to Corlys.

All he probably thinks is about how Rhaenys SHOULD have died. And she should have died at home. She should have died at peace, in peace. She should have died decades from now, with a smile on her face and no troubles. And, most importantly, she should have died after him.