#and they eventually ruined all of the characters

[matrixbearer2024]

Just something I'd like to say about the Stan twins among other things I've seen here on tumblr and everywhere else. Also because I'm genuinely confused why this is even a thing. I don't really see the point in why people have to look at characters and say: good/bad, nuances exist and morality is mostly grey haha.

One of the reasons why I chose to write for Ford isn't really because I don't think he's a bad person, au contraire I know he's done really shitty things but I don't think he's bad. That would be an oversimplification.

If I had to be completely open about it, his situation is actually pretty similar to mine aside from the fact his sibling is a twin. My brother is two years younger than me.

But still, shit happens. Cornered by everyone and everything, one is labeled as gifted and special while the other is seen as stupid and useless, then the split between family and aspiration.

Granted, I've never made a deal with a demonic piece of geometry and I've gone through a different set of circumstances in a completely different time frame– but still. I get where his arrogance comes from and I get how being outcasted can make you prone to doing a lot of shitty things to chase validation.

God forbid someone comes to you and strokes your ego to death, that's the easiest way to manipulate someone with the picture of self-confidence and it's made of glass.

I can't say that what happened to me was a fortunate occurrence, but I was severely humbled at a young age and it's probably why I turned out differently. Ford never really did, he clung onto the idea of being special and being a coveted rarity.

Point is, I can kind of see where he's coming from and a lot of his fights with Stan I also kind of understand. I'm not condoning his actions, especially because I've had legendary fights with my brother before and remembering them all makes me feel like shit because there are things I've done I can never bring myself to forgive– but it's why I can understand why shit unfolded the way it did.

I'm not even going to go into grudges because I've held a grudge over someone for 12 years so I can also get why Ford would end up doing that for fucking 30– but yeah. I don't think either twin is really right or wrong. Stan got dealt a bad hand like my brother, and Ford got shoved into the limelight like me. I can understand the both of them well.

Also to those who wonder why Stan would even forgive Ford, I don't know what else to say other than it might be a sibling thing. I used to fight with my brother simply because he'd excel better in some of the things I do. I'd purposefully work harder to overshadow him and he knew. He would let me succeed and even rub it in his face because he saw that it made me happy.

Even after all this time he doesn't hold it against me so that's something I'm eternally grateful for. But yeah, he cared that much when all I did was be selfish. I still think it depends on some siblings but yeah, for these two they hit close to home just for doing what they do.

Not to mention, my brother's also had his moments where it looks like he's destroyed my things/projects on the sole reason that he thinks it's taking me away from him. That it's taking his best friend away from him.

One of those times was when I was creating a painting for a competition years ago, he got mad I spent so much time on it and accidentally knocked over the water container and it spilled all over my work. The painting was effectively ruined and I blew up at him for it.

Sound familiar?

Where Stan played off his destruction, my brother kept apologizing and owning up to his fuck-up. Where Ford refused to listen, I eventually just compromised with my brother and told him to help me create the new painting.

That painting didn't win any prizes but still ended up being exhibited, I'd show a picture of it with my brother and I next to it if I didn't like keeping my irl family private online.

Ford also being kind of unable to move on/deal with himself is something I do to detriment. It takes a lot to deal with that, much more overcome it.

Things change, time passes, circumstances shift. But yeah, this is just my two cents on it and kind of a window to why I also write Ford and Stan the way I do.

[enden-agolor]

When i tell you i screamed, i SCREAMED, Lukas and Petra's interaction with a very tense and very saddening vibe really adds to Petra's character of always and making sure not to let her emotions and feelings spill, keeping up her facade of a strong and very strict leader when deep down she just wants to go out and adventure with her friends again :( The whole mayor thing really doesn't suit her but she probably became one as to lead the people the way Jesse did but ended up with what she has now, when her frustration of keeping things to herself has spilled because of Lukas' and his similarities to Jesse had really made me sad as her way of dealing with grief is to not show it, when she said that he sounded like Jesse, it seems that the memories of her and Jesse instantly came up and she just kinda wanted to think about it, about what Jesse wants and for the first time she actually think about Jesse with how he'd go and scold her for turning BeaconTown like this and I'd like to think that she'll go to his treehouse and stay there as it helps whenever her head is in shambles and need to think :> JDIDJNEJD I LOVE THE NEW CHAPTER SO MUCHJH

YES. YOU GET IT.

I know this is a jesskas story but I very much deeply care about the other characters and making sure they stay true to their canon counterparts as well, even with all these new life changes. Petra is very much unhappy where she is now. Eventually, you'll see and understand why she's in the position she is, despite hating it. While she does feel very bitter towards Lukas for what he does as a job, it mostly comes from the jealousy she has that it's not her who is travelling the world the way she wanted to back in the day. Lukas is a walking reminder of something she wishes she had, and his care towards the people and the environment makes it even worse because he does think like how Jesse would. Jesse would do what he did in his situation, and that's to tell Petra that she's running BeaconTown wrong and that this just isn't right. Lukas has no relationship he fears of ruining with Petra, so snapping at her for running the town the way she is wasn't something he was scared of if there was any ounce of possibility that it could benefit the town, or maybe even Petra herself. Learning that she's an Order member definitely changed his perspective of her, understanding now that there is something much darker deep down inside her happening. Lukas doesn't despise her, but he certainly doesn't like her. He believes in her though. And that's something she really needed to hear. It means a lot, especially from an outsider who barely knows her or her situation.

There will be a lot more plot involving her in the future 😁

[affableramen]

Falling in love with a non-sorcerer [Suguru Geto x Reader]

tags: angst with a fluffy ending

Geto despises non-sorcerers. It is common knowledge, and you know it well. However this man has also been extremely biased.

You walk down the park together, it is raining lightly in the evening. The both of you are walking in complete silence, almost indifference in the air between you. After several moments Geto is the first to start conversation:

“I had lots of fun today. Thank you.”

You sigh…

“What’s that look on your face?” Geto asks. He can tell that his words got under your skin. Your face irritated, and your eyes sharp as knifes glare at him. As sly as a fox Geto inquires: “You don’t believe me?” a smirk tugging in the corner of his mouth.

“Will you stop pretending? I know you hate me.”

Geto’s charming expression suddenly changes. He stops in his tracks, ruining the calm walk you had a moment ago. He drops his fake friendliness and finally admits:

“You’re right”, his tone is cold. “I despise you. You make me want to vomit. Your whole being disgusts me. After all, you’re a non-sorcerer.”

“And that immediately means I’m a bad person.”

Geto turns his face to you as his ears perk up to your suggestion.The whole lot of hate he used to have before in his dark eyes slowly subsides, and his look turns confused, softer even.

“You’re not…bad. You’re just unnecessary. Pointless. It is as simple as that.”

You shake your head, trying to brush the tears appearing in the corners of your eyes off.

“You’re so narrow-minded, Suguru.” Your voice cracks, but the tears stop as soon as they start. Your mind is busy telling yourself this man is not worth it.

“I’m not. I just dislike you all, that’s it. I wish to not discuss this anymore.”

“Fine, whatever you say.”

He rolls his eyes seeing you compliant and not even attempting to fight back. This calmness, this “good” of your character is so infuriating to him.

“I’m just stuck with you. You mean nothing to me.”

“What a wonder! You are the one holding my hand currently!”

Almost immediately, Geto pulls his hand away from you, shocked to having not noticed how he is grasping you in his own hand. He shoves his hands into the pocket, as if trying to rub off your touch and aroma.

“You touched me first.”

“Okay, whatever you say, dear.”

Seeing you casually brush off his mean words as if it were nothing, Geto feel his anger grow even more. Gritting his teeth, although trying to still keep his refrigerator-like cold composure, Geto asks:

“Now what’s your damn problem?”

“What’s your damn problem, Suguru?!”

“Don’t you dare. Call me. By my name-” he towers over you, his face red of fury, the veins threateningly pops on his forehead as he cuts the space between your bodies to the brim. “My only problem is that you are an ordinary human. A non-sorcerer. Weak, useless, pathetic, unworthy of a lock of my hair. So please, stop trying to get under my skin, stop trying to fucking understand me. ‘Cause you never will.”

“I never forced you into loving me. You’re the one who started flirting and invited me out! You’re the one who’s given yourself permission to overstep your boundaries!”

Geto laughs cooly. “Flirting, hah! Can’t believe you’re so dumb to have believed in that little show. You truly think I would ever consider intertwining my life with a non-sorcerer? I just did what I had to do to get what I wanted from you.”

“And what did you want?”

Geto’s words stab you right in the chest.

“Sex. All I ever wanted was physical.”

You do not believe his words. He feigns ignorance.

“Oh, don’t be upset. Or are you surprised I’d want something physical like sex?”

“Like hell— we don’t even do that often.”

It’s true. His explanation did not only sound mean, it was completely senseless, because you did not sleep that much together…

“Thankfully, we don’t.”

“Suguru, what do you really want from me?”

Geto takes a short moment to think. Eventually he turns away to light a cigarette.

“What I truly want… I guess it is your obedience. I love power, I love people throw themselves to my feet. Initially I wanted you to serve me, obey me. Does that answer satisfy you?” He lets a soft huff of smoke.

“You need a pet. I’m not a pet, Suguru.”

Rolling his eyes dramatically he throws his cigarette away and crosses his arms.

“I expect your compliance, behaviour and respect. Are you going to subserve into me or—”

You quietly turn around and leave. Geto watches you walk away when something aches badly in his own heart. “Wait.”

Your breath hitches. Did he just attempt to stop you? Not given enough time to overthink or act, you feel the man grab you by your shoulders, stopping you from escaping. He starts kissing you hungrily, passionately. Wrapping his arms around your waist, Geto licks your lower lip before pushing his tongue into your mouth, seeking entrance he longed to have. He moves his thin fingers from your waist to the back of your head, pulling you closer into the kiss. You respond, tasting his lips and letting him taste your own.

“This is what I want”, Geto breathes out heavily. “You have no idea how long I have ben suppressing my inner desires.”

“Sugu—”

He cuts you off, pressing you only closer to him, as if fearing you might escape his grasp again. No, he can’t let this happen, not now. Geto pushes his hot body against yours, you can feel the raise of heat in your own. While he ravishes your mouth, destroying the last bits of sanity between you two, you grab his hair and pull on it gently, not forcefully.

“I need you, for you.”

You suddenly untie his hair. Suguru’s raven locks fall onto his shoulders and some - on his face.

“Non-sorcerer-” he chokes out a moan.

“Yes?”

“Don’t ever leave me, non-sorcerer.”

“I won’t.” You desperately pull his hair, trying to sniff his aroma and pump it into you, as if addicted to his scent.

“That was rather risky, when you untied my hair, I mean.” He warns you, but allows you play with his silky hair. “No one would dare do it.”

“Then I’ll be the one who is courageous enough to touch your hair.”

A chuckle. Still suffering the aftermath of the kiss Geto speaks again, his voice shaky: “You have no idea the things I want to do with you.” He presses his forehead against yours, as if seeking comfort. “I want to be sweet with you… and I also want to wreck you. To have you come undone, scream my name, make you submit to me… But I also want to be tender, to worship your body.”

“Let me worship you too.” You say and without any warning your teeth attack Geto’s neck. You lick every single bite after, soothing the vivid sensation of your affection. He lets out an involuntary moan… However, realising that you’re in the park currently, you pull yourself into reality. Geto groans when you stop.

“We’re in a public place.”

“Damn you’re right.”

“Besides… I’m hungry.”

“Me too. Let’s get something to eat before we proceed to… what we started here.”

“Of course, Suguru. I want fries…”

“Then we’ll get you fries. Money is not problem for me.”

He smooches your cheek quickly. “And I was wrong. You should call me by my name more often.”

[acourtofthought]

The book Sarah had displayed "The Once and Future Sex" just triggered something for me after looking over the synopsis:

Enshrined medieval thinkers, almost always male, subscribed to a blend of classical Greek and Roman philosophy and Christian theology for their concepts of the sexes. For the height of female attractiveness, they chose the mythical Helen of Troy, whose imagined pear shape, small breasts, and golden hair served as beauty’s epitome. Casting Eve’s shadow over medieval women, they derided them as oversexed sinners, inherently lustful, insatiable, and weak. And, unless a nun, a woman was to be the embodiment of perfect motherhood.

I always thought it was a bit strange how Sarah continually reminded us of Elain's small breasts but seeing the above makes me wonder if it's because she took inspiration from the likeness of Helen of Troy as a pear shaped, small breasted figure which was the ideal of attractiveness during that time period.

It makes a bit of sense as Helen of Troy's face was one that launched a thousand ships with Elain's being a face that could bring kings to their knees.

The Trojan War began because Paris took Helen from her husband, Menelaus and in SF we have Rhys warning Az that his actions, his lack of concern for her mating bond with Lucien, could lead to a battle to the death and ruin the peace of their lands.

On the one hand, the Paris of Homer's Iliad is depicted as a handsome and charming young man motivated by his love for Helen and his belief that she is destined to be his.

It's debatable whether Paris truly loved Helen or whether he believed he did because her love was promised to him:

Still, Paris could not decide, as all three were ideally beautiful, so the goddesses attempted to bribe him to choose among them. Hera offered ownership of all of Europe and Asia. Athena offered skill in battle, wisdom and the abilities of the greatest warriors. Aphrodite offered the love of the most beautiful woman on Earth: Helen of Sparta. Paris chose Helen and thereby Aphrodite.

"His belief that she is destined to be his." sounds a lot like Az feeling he should have been given Elain because his brothers are with her sisters.

"Some stories say that Aphrodite put a spell on Helen to make her fall in love with Paris, while others say she loved him without the goddess’ help."

Helen regrets her decision to be with Paris, and her resentment of him intensifies as the war progresses. She is disgusted by Paris's cowardly behavior when he fights Menelaus.

If Sarah went with the first story, she could have played into that with Elain's interest in Az where she felt influenced by what she thought her sisters wanted of her (which Rhys all but acknowledges in the Feyre bonus, about her being worried that she'd disappoint them if she acted out of character for what they expected of her). It's clear that Feyre initially had animosity towards Lucien in ACOWAR and it was very evident that Nesta only started coming around to him later in her book so it's not a stretch to believe Elain thought that since her sisters were interested in Rhys and Cassian, she as the third sister should also try to be happy with the third brother so as not to make waves.

Also, Elain is bothered by cruelty and though the circumstances would be different (since I don't imagine Sarah would write Lucien and Az battling it out to the death), I do think that had Elain actually hooked up with Az she would have later regretted it. I think she would have been bothered by Azriel's threats of Lucien, his indifference to killing him and causing issues between courts.

In Homers account, Helen is eventually reunited with her husband Menelaus.

I also think it's interesting how in what is clearly a negative way of thinking, the above book mentions men who considered woman to be the embodiment of "perfect motherhood" and Sarah chose to write Az thinking of how innocent and pure Elain is in his bonus chapter, how he will taint her.

[throwawayasoiafaccount]

Why do you think the tides have slightly turned from "Elia deserves better than Rhaegar" to shipping her and Rhaegar together? Like what is the psychology behind these people because I've seen some of them like/reblog anti Rhaegar posts while also shipping Rhaegar x Elia at the same time.

hey anon! my thoughts are a bit messy, but i’ve done my best to explain them coherently :)

so, rhaegar was the best man anyone could have when elia was alive, and most people want the best for their favs. he was considered the most handsome, didn’t have a bad personality, and he was crown prince—meaning elia was almost queen, which is often seen as the greatest role a woman can have. the narrative also treats rhaegar as a beautiful, tragic, haunting figure, and elia actually had this very aesthetically pleasing man all to herself at one point! she was married to him, had children with him, and her life was so close to perfect! but rhaegar just had to go and ruin it. 😠

for many elia stans, if rhaegar hadn’t fallen in love with another woman (they want him to have been a completely different character), then everything would’ve been perfect, and elia would’ve had the best, most desirable life. however, that’s not what happened—elia met a very tragic end, and as a result, these stans feel double the bitterness. because of this bitterness, they blame rhaegar for everything (even though it’s not logical to do so), but he’s just too ‘perfect’ to let go of. so, for years these stans have made rhaegar revolve around elia, filling his tag with posts about her out of bitterness. so, i do believe that this obsession with rhaegar x elia has always been there, but i think it’s become a more favorable stance on the elia stan side of the fandom because of a mix of reasons.

plus, rhaegar is one of the few canon relationships we know elia had, since she’s not much of a character. because of this, and the fact that most people don’t like to stray too far from canon, most elia stans are forced to focus on rhaegar, which has created an echo chamber. basically, if a sentiment about elia and rhaegar’s relationship becomes popular, then the whole elia stan side of the fandom will likely regurgitate the sentiment. (also, this desire to stick close to canon is likely why the elia x arthur ship was so popular. while it’s a total crack ship, it had good aesthetics, and since elia and arthur at least knew each other, it allowed the stans to create their perfect fanfiction whilst sticking it to rhaegar. but remember, elia was actually married to rhaegar and had children with him, so while arthur is cool, rhaegar was always ‘top dog,’ meaning arthur would never be able to match up to rhaegar to most elia stans. also, the arthur x elia crack ship is likely her second most popular ship, which just shows how little elia stans have to work with, so they’re always forced to eventually return back to rhaegar for a lot of things.)

however, even if the elia x rhaegar ship gains more popularity, these stans will never stop hating rhaegar because he wasn’t ‘perfect’—and he wasn’t perfect because he didn’t love elia. plus, rhaegar loving another woman and supposedly kidnapping her is what began the war that led to elia’s tragic death. that’s bitterness times 1000. and while i don’t actually blame rhaegar for the war, i do think that this is how an elia stan sees it. i also don’t view rhaegar’s complex relationship with elia as a bad thing—it’s actually a very realistic take on an arranged marriage between two decent people. but most elia stans will never be able to get over the fact that they almost had everything, which is why many have it out for lyanna, as they consider her a thief who ruined their ‘perfection.’

tbh, that might be why so many elia stans are so obsessed with the idea that rhaegar only got with lyanna because of the prophecy—they don’t want to believe that rhaegar actually loved a different woman and not their perfect self insert elia. that’s a bit mean of me… but i don’t know what else one would call the ‘elia’ elia stans have created.

now that i’ve laid all those thoughts out, i’ll try to explain why the tides seem to be turning… i think it may have something to do with the ‘targaryens are all evil and bad’ sentiment losing popularity. i think this shift has occurred due to a mix of factors, such as years of fandom fights and fandom cycles leading to the targs being more liked now than before. it helps that canon doesn’t actually condemn the targs/favors them quite a bit, and the influx of new targ fans from HOTD has also contributed. this combination of reasons seems to have shifted the way the mainstream fandom discusses all the targaryen characters, including rhaegar. so, with this shift, it’s only natural that some elia stans/elia x rhaegar shippers—who’ve always been there—are using this opportunity to push their agenda. while these stans still hate rhaegar and see him as the bad guy, they just can’t let go of him. and as the mainstream fandom moves away from the anti targaryen sentiment, these smaller corners of the fandom, which tend to be echo chambers, are also affected, which has therefore led to a rise in rhaegar x elia shippers and the ‘shifting tide’ that you’ve also noticed.

[grandpasauce]

"bioware's doing the best they can" "they have to trim the fat SOMEWHERE" "they have to move on from the previous games EVENTUALLY" "they ALWAYS have disregarded things from past games" guys........... (ramblings under the cut)

my man on earth....... morrigan is literally claimed By The Devs to be a prevalent character in datv and ur telling me NOTHING that happned to her is worth putting into the background of datv?

you can claim bioware is just doing their job and have all the excuses in the world for them but when u get down to it.... they really just didnt want to deal with anything from the past three games... they didnt want to put the work in to add even CODEXES (one the the easiest cheapest forms of implementing background lore) to this game... the literal game director barely even knows who ZEVRAN is (a MAIN CHARACTER from the FIRST of the series) because they didnt bother going back to replay or research dragon age as a series beyond dai... like... i understand the devs wanting to simplify their jobs and i actually totally agree, they needed to get rid of the keep, that was too much info for them to keep up with.

But they cut back SO MUCH, like an unnecessary amount. Three? THREE choices? AND ALL OF THEM ARE SOMEHOW RELATED TO SOLAS? NOTHING the inquisitor did was notable beyond their relationship to Solas? Nothing??

people are using leliana as an example of something bioware has retconned before because shes alive regardless of if u killed her in dao or not. except the problem with that is that the games DOES address the fact that she's supposed to be dead. like it very much does that??? hello?? id rather they bring her back and address it than just totally retcon it and never explain it

this is such a horrible, disrespectful decision on bioware's part and making excuses for them is WILD. like. the devs are fine i promise u. stopppp telling people to **touch grass** and **take some deep breaths** after I myself have invested over half my life into playing these games just to get slapped with "lol actually none of that matters now hehe" jfc

like i understand fandom can get a lil crazy but im telling u this isnt an overreaction lmao let people be upset about things that theyve poured their lives into for 15+ years

im still buying the game, im still playing it, ill still love it, but MAN this has kind of totally ruined my trust in the devs and im back to being nervous about how they will address things in this game and beyond because it really feels like a big fuck u to long time fans and idk how they wouldnt think it would be perceived as such.

[cosmicjoke]

The Tragedy and the Hope of "Attack on Titan's" Ending:

I swear, the people that criticize "Attack on Titan's" ending and, particularly, the people that complain that it rendered everything that came before meaningless, don't understand what "Attack on Titan" was actually about. They don't understand Eren and why he did what he did, and what the overall message was warning against.

They wanted Eren's actions to actually solve Paradis' situation and for the island to be saved, but Eren didn't enact the Rumbling for Paradis, and if the island had been saved by his actions, it would have undercut AoT's actual themes, which ultimately warns against persecution and generational guilt and war. AoT isn't meant to have a happy ending, it's meant to show the consequences of forcing people into a corner and leaving them no recourse. It's meant to warn against cruelty and prejudice and greed and revenge and ideological movements that lose sight of humanity, etc... by showing us the inevitable and tragic end result of those things.

I see people comparing JJK's ending to AoT's and saying both suck, and that just tells me how little those people actually understood what AoT was saying.

The cycle starting over demonstrates how prejudice and war and cruelty never lead to anything good and doesn't solve anything. It just creates an endless cycle of violence and hate. That's the point of us seeing Paradis destroyed in the end. Cruelty only begets more cruelty, only creates more destruction and despair and waste. If Paradis had been saved by Eren's actions, it literally would have sent the opposite message, that peace and prosperity can be gained through hate. That's what Floch's whole character represents. He doesn't just want to secure Paradis' survival, he wants to literally punish the rest of the world for the persecution of the Eldian people. He wants to make everyone pay for that. He's a hateful character, and the island being saved through Eren's actions would only have lent weight to what Floch was preaching. But instead we see Paradis destroyed, the same hate it began to spread under Floch's and the Yeagerist's cruelty eventually coming back onto it, the same as it came back onto Marley.

There's so many themes in AoT though, and one theme that's vitally important and which is also demonstrated by the ending, with the 104th and the warriors coming together to try and secure peace, and with Levi ending up with Gabi and Falco and helping to rebuild what was lost, is the importance of compassion and empathy and carrying on even in the face of the world's cruelty and indifference, and also how it's important to fight against the inevitability of that cycle of hatred, even if ultimately it's a war that can't be won. The point is to keep trying, and to not lose sight of compassion, to not lose sight of our humanity in a world which does its level best to beat it out of us.

That's also why I always say Levi is the character that most embodies true heroism in AoT, because he's the character that's the most compassionate and kind, that most retains his humanity, despite having lived the cruelest and most deprived life. It's truly a heroic thing, and a heroic man, who can retain his humanity in this world. Levi retaining that empathy and kindness even in the face of the total despair and horror of his childhood and young adulthood, and in the face of so much loss later on, encapsulates this idea of never sacrificing our humanity even when we seem to have every justifiable cause to do so. That's the hope in AoT's otherwise very bleak ending. That's the hope that can be held onto even when people like Floch and the Marleyan government will always continue to exist and sew destruction and inhumanity.

That's why we see Levi doing all he can, even against the backdrop of a ruined and desolate landscape, to bring a little joy to others. That's what makes that final shot of Levi in the anime so meaningful. Here's a man who's lost everything. Lost his mother. Lost his childhood. Lost his innocence. Lost every friend he ever had. Lost the use of his body. A man who spent years alone and in total isolation from anything good or kind, surrounded instead by the most mercenary and cut-throat people imaginable, discarded by society completely, raised in violence and taught to be hateful and selfish. And yet, he's the most selfless character in the series, the most giving and empathetic and understanding. Despite all he's had taken from him, he finds it in himself to keep giving whatever he can. We see that generosity and unending kindness manifested in the simple gesture of him handing out sweets to refugee children. Levi has nothing to his own name, not even his great strength, but he continues to give.

Despite having every reason to become as cold and cruel as the world around him, as cold and cruel as mankind always insists on being, Levi instead remains full of love. And again, that's true heroism.

And so he truly encapsulates then that theme of the world being "cruel but beautiful". The cycle of hatred may never stop, because bad people will always exist, but so too will good people to stand against them and what they represent, and that's what makes the fight worth it. That's what gives us hope even against the tide of horror and despair.

[missholoska]

aimless shenanigans ft. the underswap ghost cousins ✨

ran out of motivation for the second part but I had to draw how pom pom (ruins dummy) ragdolls to sleep when annoyed/bored:

[deva-arts]

zomg... the girls! Sketched out! And a few characters I never showed designs for! haha! I keep thinking about the beach, so this is their swimwear.

I hope to make a full fledged drawing for all of them soon~ then the guys~~

Some newbies are: Aura (blue!) Katya (Gold!) and more of Verra (Green!) We'll eventually see more about them as I draw more things and doodles.

[stromuprisahat]

TW RAPE MENTION AND NAZI IMAGERY

What I would have done with Fjerda instead of Helnik(scornful): we start on a smiling blond-haired blue-eyed family man, let's call him Alfred, who kissed his wife and children good morning and was the picture of classic paterfamilias at the breakfast table. He leaves to his 'lumber mill' management job. He gathers his workers, has morning prayers, and enters his office where he reviews paperwork on today's fresh 'logs'. He goes to the collection room, picks out a young blond Grisha for himself before telling his men what to do with the rest.

After the deed is done he continues working, observing a room of emaciated Fabrikators working on a tank. We see one guard nudge a skeletal young woman slumped over her table, declare her dead and carts her away to the incinerator. He comes home, kisses his wife and hugs his children and goes to sleep soundly.

The horrific is routine.

That's too obviously Nazi. Better to keep it in hints and put a lovely romance that will miraculously fix him.

Or outright describe drugging breeding factory, and pretend killing some of their staff and showing the victims to inhabitants of nearby town will earn a wave or righteous indignation for their sake and turn the population into Jew Grisha worshippers of Living Saints.

A girl who couldn’t be more than sixteen was being walked up and down the length of the corridor by a Springmaiden. Her feet were bare and she wore a light gray gown that stretched over her jutting belly. “I can’t,” she moaned. She looked unspeakably frail, the thrust of her stomach at odds with the sharp knobs and angles of her bones. “You can,” said the Springmaiden, her voice firm as she led the girl by her elbow. “She needs to eat,” said another of the women from the convent. “Skipped her breakfast.” The Springmaiden tsked. “You know you aren’t to do that.” “I’m not hungry,” panted the girl between heavy breaths. “We can either walk to help the baby come or I can sit you down for some semla. The sugar will give you energy during the birth.” The girl began to cry. “I don’t need sugar. You know what I need.” A tremor passed through Nina as understanding came. She recognized that desperation, that deep hunger that sank its teeth into you until all you were was wanting. She knew the need that turned everything you’d ever cared for—friends, food, love—to ash, until all you could remember of yourself was the desire for the drug. The wasted body, the dark hollows beneath her eyes—this girl was addicted to parem. And that meant she must be Grisha. Nina peered down the row of beds at the women and girls. The youngest looked to be about fifteen, the oldest might have been in her thirties, but the ravages of the drug made it hard to tell. Some cradled small bumps beneath their thin blankets, others hunched over high, protruding stomachs. A few might not have been pregnant—or might not have been showing yet.

King of Scars- Chapter 18

Just don't kill the guy behind all this no matter how many chances you'll get, because he's your new LI's daddy, and he DOES love his child (as long as he doesn't know they're Grisha too).

Save some mercy for my people my ass. Dying wish or not, it shouldn't extend to the likes of Jarl Brum.

[eloquentsisyphianturmoil]

All things considered Lúthien was an exceptional girlfriend.

[stergeon]

at some point i will figure out how to write the post-canon, post-empire edelgard autonomy fic of my dreams. it just feels like a very big task and maybe like with playing the dane, i’m simply not old and traumatized enough to manage it yet.

but my vision is thus: it’s set years (realistically, decades) after the end of crimson flower, when everything has gone as right as it can possibly go. fódlan is thriving. the social reforms have taken effect. the nobility system is nearly eliminated, if not entirely so, with titles made merely symbolic. social mobility, welfare, and prosperity are high. there’s an explosion in arts and culture and technology. brigid and duscur have gained independence; relations with sreng and almyra are much improved; heck, maybe they've even figured it out with dagda. in my most idealistic version, leicester and faerghus would eventually be ceded back to become autonomous regions, essentially disbanding the adrestian empire. rule is no longer hereditary, but merit-based. there's a roadmap for the future, and everything is on track—and more than that, people at all points on the power spectrum have already seen it bear fruit. with or without edelgard, it will be pursued. there's buy-in. they believe.

of course, it's not perfect—nothing can be—but edelgard's vision has been fulfilled. the people are empowered. humanity is free. fódlan has healed.

and somehow, she's had enough time to resolve her goals outside of politics, too. those who slither in the dark have been eradicated. edelgard and lysithea's second crests have been successfully removed, allowing them to live if not full lives, then substantially longer ones than they would have with their twin crests intact. who knows—maybe she finally gets around to having that wedding.

point for point, every item listed in edelgard's manifesto has been checked off. the ghosts of her past have been laid to rest. she can finally take off her crown. she can finally pursue the quiet, humble life she's wanted for so long. she can finally breathe.

... but can she?

edelgard is nothing if not driven. her intelligence, vision, and sheer willpower allowed her to plan and execute a revolution against two countries and the most powerful institution on the continent, all while she was still a teenager. as royalty, her life was never truly hers even before she became heir to the adrestian throne, with all the additional baggage of survivor's guilt and the desire for vengeance and her need to ensure nothing that happened to her can ever happen to anyone else, ever again.

so what happens when that drive has no outlet? what happens when someone who has been constantly in motion, constantly working and planning and preparing every spare second of every day since she was fourteen years old, suddenly has to stand still? what happens when someone whose hands have been bound for so long—first literally in the dungeons of enbarr, then by the weight and responsibilities of her crown—is set free?

being edelgard, she would step away from the throne, no matter how hard it was for her to give up control. she's always been focused on the endgame, and she knows that if she doesn't let go, she'll be setting the wrong tone for fódlan's future. she's too devoted to that endgame to cling to power much longer than she needs to, though i could see her making some excuses and trying to iron out just a few more things to buy herself some more time to mentally prepare before she's done for good.

but who would she be then? who is the woman without the crown? what becomes of a machine once it is no longer needed, when it has made itself obsolete? what about when that machine is a person with legs and arms and an innate unwillingness to gather dust on a shelf?

what happens when you get everything you want? what happens when all your wanting has been for others to thrive, and now you have to want only for yourself? how do you discover who you are when you've spent decades being everything for everyone else? how do you find meaning again? how do you find purpose?

after a lifetime of devotion and passion and movement, how do you learn to sit with yourself, and be quiet, and be still?

gosh, i would love to meet her. i would love to pick her brain. but boy, i do not envy the work that girl has to do.

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[rawliverandgoronspice]

alright new totk headcanon: ganondorf did try to put gloom everywhere when he woke up as a mummy, but rauru is actually the one who caused the upheaval to put every single chance behind link in his fight against ganondorf

[lloydfrontera]

i think it fucks immensely that bk moon went out of his way to 1) establish rakiel wished to live a long life and eventually pass away of old age, 2) have him very briefly envy an immortal being only to be told very clearly to be careful what he wishes for by that very same person because living forever isn't all it's cracked up to be, 3) make the main antagonist be another immortal being who is so desperate to die he's willing to destroy the universe just to finally rest and 4) have said antagonist psychologically torture rakiel with the threat of making him live for a thousand years as everyone he loves and knows eventually grows old and dies and becomes nothing but forgotten memories.

only to then end the novel by making rakiel also immortal

like. god. it's so fucking good i love it. i'm not being sarcastic i genuinely think it fucks and it's one of the best ways bk moon could've wrapped up the plot.

it's a happy ending by all means but it has consequences and through the entire novel we've been shown and told over and over again just how heavy the consequences are and/or will be on rakiel.

he got his happy ending but it was at a price and by the last time we see him he's only just starting to pay for it.

it's great i love it

[designernishiki]

just a thought but like. if akiyama, who’s established as being a bizarrely talented investigator in y5, suspected kiryu’s death to have been faked (or at least “fishy” in his own words) basically on the fucking Spot, i feel like it just makes sense that majima would’ve been just as quick, if not quicker to see where shit wasn’t adding up and become skeptical that the whole thing was a coverup. reason being, in y5 he put shit together and figured out the grand scheme going on so damn early most people didn’t even suspect yet that there was any scheme going on. he then faked his own death well enough to get it in the papers and had masterminded himself all the way to the final boss (with some help of course) before things backfired on him. so he’s got some crazy good skills when it comes to reading people, figuring out their intentions, putting puzzle pieces together, etc– way better than he wants people knowing, generally– and he knows the hallmark signs of a faked death because he’s literally done it before. all that on top of knowing kiryu like the back of his hand and knowing damn well how hard this man is to kill, and how prone to running away from shit for the sake of the safety of people he cares about (for better or for worse) he is. he could absolutely put together that, if given the opportunity by some faction or powerful individual, kiryu would sacrifice his identity and status as a legit living person for the assured safety of others, or for yakuza tensions to diminish, or maybe even as an act of self-flagellation.

tldr: I think the reasons majima didn’t go rogue/apeshit after kiryu’s alleged death are that A) for once he has saejima around to reign him in and make it feel less like Everything has been lost, B) I think he’s legitimately known pretty much all along that kiryu didn’t die that day; nor would he believe it unless he saw it with his own eye.