#and these kids were robbed of a childhood

[tinfoil-jones]

Tate Pines AU: Professionals Have STANdards

Stan never let Tate out of his sight, he was a very dedicated father. Man wouldn't let anything happen to his baby. Did that mean he involved Tate with his crimes from literal birth? Yes. He was very dedicated, that didn't necessarily mean he made the best or most responsible parenting decisions.

With a kid, especially one he refused to ever put down, he couldn't get a legitimate job even if he wanted. So the entire five years Stan had Tate leading up to moving in with Ford, he was just a criminal. That was all he did. He was actually a much better criminal than he was in canon because now it wasn't just himself he had to worry about; failing himself was one thing, but he wasn't going to fail his son. He wasn't losing his family again. He focused more on doing things that were lower risk (but lower reward as a trade off), and put more of his skills into not being caught.

Which, he actually succeeded as a career criminal in this era, he was only arrested once in Tates childhood, and they only had their mugshots taken, they were let off with a warning (hence Tates only baby picture being a mugshot). He never repeated that mistake.

Anyways, there came a point where one summer, Tate is only like a year old, so Stan is carrying him in a baby carrier as he is actively robbing the cars parked in a grocery store parking lot.

But in one of these cars, someone left their baby inside, and Stan is outraged because some irresponsible parents just locked their baby in a hot car in the middle of summer.

So he breaks the baby out obviously, and cools them down, but he doesn't stop there. He waits for the parents to come back so he can angrily rant at them.

Anyways I just want ya'll to imagine Mullet Stan carrying baby Tate in a Huggy Wuvvy Tummy Bundle, while they're both wearing ski masks, and he is in an absolute rage ranting at these befuddled parents, and not listening to their excuses. "What, you were too busy shopping to bring your baby with you? I'm committing burglary and I still didn't leave my baby behind."

He still robbed them, but he also taught them a very important lesson; don't leave your baby in a hot car, or a horrible twentysomething single father is going shame you in the middle of a Walmart parking lot.

[innocentarteryarchive]

the shadow series sequels is so unhinged compared to ender's game/shadow,, and i'm not even talking about the wildly problematic portrayals of international diplomacy it's the fact that a 16 year old boy is convinced to have children because it's the One True Way to achieve happiness and they go about it with literal eugenics. and the mother of the children is like 20.

[killuamesoftly]

I spent so much energy trying not to cry like a baby in the cinema that I need to re-read the manga and see the movie again to actually Process anything at all

(P.s. there is a post credit scene)

[doyl1st]

Isaac loves magic tricks, and he's very good at them. He thinks that they're a great way to keep his sleight of hand skills sharp, but they also have the practical benefit of simply being entertaining.

His favorite tricks involve making things disappear or reappear, like pulling a card out of thin air to introduce himself, or making a fancy ring vanish (into his pocket).

You can see a softer side to him when he performs tricks, too. Despite how much of an ass he can be, he does genuinely love making people happy. Children, especially. Because of how he grew up, Isaac's got a soft spot for kids. Pulling quarters out from behind their ears is genuinely one of his favorite things.

[transwolvie]

Anyway any trans girls that wanna hit me up about girly stuff I know how to do makeup with facial hair/stubble also even though I wasn't rly "girly" (young me was very upset abt the lack of options wrt everything being pink or a different shade of pink. I think stuff has improved a ton for little girls wrt toys and fashion and I wish some of the fun weird girl stuff was available when I was a kid really struggling with my gender and even the idea of anything being made for a "girl" like me) I still fucking love cartoons and dolls and will watch any kids movie you feel like you missed out on with you in a heartbeat

I'd offer sleepovers and makeovers and all that fun shit too but I understand that this is the internet and plenty of you are probably in different states or countries

[aces-and-angels]

Help Siraj and his family to relocate to a safer area!

(post originally written by @malcriada- ty for making this btw🖤)

i wanted to make another post for Siraj @siraj2024 because his fundraiser has been stagnating lately and i am very worried about him and his entire family. BEFORE YOU START SCROLLING BECAUSE OF YET ANOTHER FUNDRAISER POST, PLEASE GIVE ME JUST A MINUTE OF YOUR TIME! Siraj and his family just narrowly escaped not one, but two massacres in the span of a few days. relocating to another area after attacks from the IOF may seem like an obvious choice for many, but you have to understand that every relocation costs money! money for a new tent, money to replace the things that had to be left behind, money for transportation, and so on. not to mention what happens to those who are simply too sick or too weak to go on another arduous trip to the next location. Siraj is a loving and dedicated father to three wonderful children. his wife and him want nothing more than to offer their young kids a chance at education and to enjoy their childhoods they were robbed of. he wanted to raise funds to rebuild their beautiful family home that took 10 years to build, but relocation to a safer area is a more pressing matter right now. his new short term goal is: $10,000 CAD so far, this family has raised $7,139 CAD / $10,000 CAD, which means they still need $2,861 CAD to reach their short term goal. please, give what you can. everything counts. and follow @siraj2024 who updates his blog regularly with news from Gaza. he sometimes has to walk several kilometers just to be able to access the internet and he still tries to come online as often as he can. every amount helps, no matter if it's $5 or $50. every little thing costs money, so please don't discount your small donation! not to mention that small donations do add up if enough people donate. 

taglist for reach under the cut (sorry- please let me know if you do not wish to be tagged in the future. no hard feelings- my moots and i are just trying to hit as many people as possible and understand if getting tagged throughout the day by multiple people is overwhelming🖤) ---

@meaganfoster @briarhips @mazzikah @mahoushojoe @rhubarbspring

@pcktknife @transmutationisms @sawasawako @feluka @terroristiraqi

@irhabiya @wellwaterhysteria @deepspaceboytoy @post-brahminism

@kibumkim @neechees @mangocheesecakes @kyra45 @marnota

@7bitter @tortiefrancis @toiletpotato @fromjannah @omegaversereloaded

@vague-humanoid @criptochecca @komsomolka @neptunerings

@riding-with-the-wild-hunt @communistchilchuck @dykesbat @watermotif

@stuckinapril @mavigator @lacecap @socalgal @chilewithcarnage

@ghelgheli @sayruq @northgazaupdates @sar-soor

[ecoterrorist-katara]

The tragedy of Katara’s parentification

Sokka and Katara were both parentified, and it’s a profoundly life-changing thing for both of them. One of the saddest things in ATLA, though, is how Sokka sort of got to outgrow parentification, but Katara never did.

Sokka’s told to be the man. The provider, the protector. He’s not so good at the former (his hunting failures are a consistent source of comic relief), and he takes failures of the latter very, very hard. He doesn’t manage to save Yue, and that wrecks him. After Yue, he becomes extremely protective of Suki in a way that’s borderline offensive to her. He’s willing to do anything to protect his friends and his family, including something as irresponsible as breaking into the Boiling Rock. I don’t think it’s a coincidence that Sokka is the only one of the Gaang who unambiguously kills. The rest of them may technically have clean hands because of cartoon logic, but Combustion Man is very dead, and Sokka is the one who killed him. We don’t know how he feels about it, because the show never goes there, but I have a pet theory that Sokka is so uncharacteristically (remember he was team “leave Zuko to freeze to death”) against Katara confronting Yon Rha in The Southern Raiders because he’s the only who knows what killing feels like and wants to protect Katara from it.

But by the end of the show, Sokka’s in a place where he can start to let go of his need to protect. Objectively, all his friends are unbelievably powerful and can take care of themselves, including his sister and his girlfriend. Suki is the one who saves him in the final battle, representing not only a reversal of his initial cartoonish misogyny, but also demonstrating that he is worthy of protection. And of course, he and his friends saved the world, so there isn’t really an enemy that he has to protect them from anymore. Sokka’s loved ones create the conditions under which his parentified behaviour is no longer necessary. Sokka would still have to take the first step to stop seeing himself as the one who has to lay his life on the line, but at least it’s possible for him.

But not Katara.

Katara had to take on the mom role after their mother was murdered, which meant she was responsible for domestic labour and emotional support. Sokka says in The Runaway that her role was to keep the family together. Unlike protection, that’s always a full time job regardless of the war. We see Katara spending more screen time than anybody cooking, getting food, mending, and generally doing women’s work. We see Katara giving everyone emotional support, including strangers and her enemy. We see Katara putting aside her own discomfort and her own hurt in The Desert because if she falls apart, they all die. Nobody ever showed her that she doesn’t need to be the only one who cooks, or that somebody else can be responsible for the emotional wellbeing of her friends, or that — god forbid — someone else can actually be responsible for her emotional wellbeing.

That’s why I never cared for the Ka/taang argument of “he teaches her to be a kid again!” Putting aside the fact that Katara ends up taking care of Aang a lot more as the series goes on, the whole tragedy of parentification is that you can never again be a child. That part of your childhood, your god-given right, is robbed from you. It is extremely precious and important to still be able to be a kid, but breaking free of parentification is not about seeing yourself as a kid. It’s about breaking free of being responsible for everyone’s feelings and behaviours.

For Katara, that responsibility is not problem of perception, but of reality. Unlike Sokka, who was told and shown that his loved ones are capable of protecting themselves, Katara has zero reason to believe that her loved ones are able to feed and clothe themselves and not fall apart emotionally. Between Toph and Sokka who emphatically don’t want to do this work, it all falls on Katara. Telling a parentified child that they just need to loosen up is akin to telling an overworked mother that she needs to just relax (“happy Mother’s Day! You get a break from chores, which you will catch up on tomorrow because nobody else is doing them”). It doesn’t accomplish anything if nobody creates the circumstances under which it’s possible to let go of responsibilities. A lot of Zutara fans, spanning all the way back to the early days of the fandom, like the “Momtara and Dadko” trope where Zuko also does chores. Why? Because even without the concept and language of parentification, many fans recognized that Katara’s performance of domestic and emotional labour is inequitable and probably very taxing.

Growing out of parentification is about more than just letting go of old expectations: it’s also about finding a new way to value yourself beyond the role you grew up with. I’ve said this before, but it’s very important to acknowledge that just because a kid is parentified doesn’t mean they’re actually good at being a parent. In fact, it’s probably a given that they’re not, because they’re kids performing roles that are developmentally inappropriate! Sokka remains a shit hunter; he becomes a decent fighter but he’s still miles behind his friends. A big part of healing from his parentification is finding another area — strategy, engineering, project management (what else do you call that schedule) — where he actually excels, to which he can dedicate his time and from which he can derive satisfaction and a sense of identity. For Katara, fighting for the oppressed and combat waterbending give her that. Crucially, however, Katara does not stop being a girl when she becomes a warrior. She’s still responsible for domestic and emotional labour. Unlike Sokka, whose protector duties were more or less relieved as the series went on and he found new ways to contribute to the group, Katara continued to perform her old role in addition to her new one (which is depressingly realistic btw, look up feminist theory around the concept of the second shift). Still, it’s important that she found these new ways to value herself and her contributions…

…which disappear in her adult life. Where’s adult Katara fighting for the oppressed? Where’s adult Katara enjoying her status as a master waterbender? Where’s Mighty Katara? Where’s the Painted Lady? Where’s the person who vanquished a whole Fire Lord?

What do we know about adult Katara? She’s no longer a rabblerouser or an ecoterrorist. She did not translate her desire to help the downtrodden into a political role, like being Chief or on the United Republic Council. She’s not known as the best waterbender in the world, only the best healer, even though her combat abilities are what she took the most pride in. Even as a healer, she established no hospitals, trained no widespread acolytes (except Korra, I guess?), and made no known contributions to the field.

What Katara is known for…is being a wife and a mother. The same role she was forced to take on at age 8. One which she performed for the next 80+ years.

[catoslvt]

Ben Hargreeves x Reader

I would've married you if you'd stuck around🐙

sorta s4 spoilers? but nobody takes the Marigold and lived their life.

plus I'm changing things because... yeah.

I walk into the birthday party for little Grace, who is one of Diego and Lila's children with her birthday present in my hand. It's just a silly child's keyboard because what the fuck do you get a six year old?

I make my way through the swarm of running and screaming children, the part of me that never grew up hurting because that's the childhood I always wished to have, yknow, running about, screaming my head off with all my friends but no, at the age of six I was learning how to disarm gunmen and learning how to control my powers.

God my life has gotten so much better without them.

Once I'm out the swarm of children, my eyes instantly fall on Sloane, Luther, and Ben, and I feel a slight shiver go down my spine at the sight of ben, I mean it's weird to think he has the face of the boy I used to love when we were like thirteen, but he's not the boy I love, I think anyway, I mean okay I sorta have feelings for this Ben, but I don't want him to think it's because he has the face of my old Ben, its confusing isn't it?

"y/n hi!" Sloane exclaims, waving me over with her hands, and I put on a wide smile as I make my way over to her, setting my present for Grace on the table beside her before she wraps me into a tight hug, which I return with an awkward laugh.

"I heard you're a firefighter now? that's sick." I say, turning to Luther with a smile and he just nods.

"we brought the Umbrella Academy, we're currently renovating it, I'd love for you to come stay some time." He tells me, and I widen my eyes, pretending to be interested as I make small 'oo' noises.

I hate when our family gather together, I mean Luther is married with a child, Diego is married with kids, I don't know what the fuck is going on with Allison, weve hardly spoken since we got to this time line and its not exactly that i dont want to talk to her, i just dont know what id say, Klaus doesn't need love, Five is technically married to a piece of plastic, Ben's just out of prison, Viktor has basically dated every girl in his town and I'm just.. there, I end up feeling extremely left out at the family gatherings when they start talking about issues with their kids or relationship problems because the only relationship problem was the fact Ben died on me.

"How was prison?" I ask ben, my eyes lighting up slightly as I turn to face him, all my attention now on him.

"I can't exactly say I enjoyed it." He tells me, raising a bottle of beer to his lips and taking a sip, and I just know his parole officer is gonna be pissed so I just let out a quiet laugh.

"So where are you staying then? I can't imagine your parole officer would let you live far." I then go onto ask, and he groans slightly, pointing at Luther and Sloane who are now talking to Diego.

"but I'm seriously debating robbing a bank just to get thrown back in." He then adds, looking around and I can't help but laugh a little louder.

"You're staying with them?" I scoff, turning to look at him with raised eyebrows.

"hardly by choice, I just needed a permanent address." He sighs, and I laugh again.

"Fresh out prison, and you're gonna be turned into a painter, electrician, plumber and babysitter. good luck." I tell him and he lets out a small chuckle before taking another drink from his beer.

"How have you been then?" Ben asks, and I shrug slightly.

"I mean, yeah, I've been.. living." I answer with a laugh, and he nods in agreement.

"Why don't we go get you a drink, we can sit at a table at the very back, and you can let it all out." He offers and I rapidly nod.

I sit at the table with Ben, taking a small sip from my beer before clearing my throat.

"I'm a child psychologist now." I tell him, and he nods slightly.

"I mean, it just felt right, yknow? I want to help kids so they don't end up with a childhood that we had. Well, I mean, without the powers, the robotic mom, the alien dad, you get what I mean." I tell him with a small wave of my hand, and he continues to nod, a small smile on his face.

"I get it." He tells me, and we both fall into a comfortable silence before he breaks it right as I take a mouthful of beer.

"don't you miss your powers?"

that question almost makes me spit my beer everywhere, my eyes widening as I stare at him.

"God, no, I don't miss them in this time line Nobody knows who I am, nobody takes a double take or gawks at me waiting to see my powers in use, I can be whatever I want to be in this timeline and I plan on using that to my hearts content." I tell him, and he just looks at me.

"You don't miss them? not even a little bit?" He asks, and I shake my head, which causes him to shrug slightly.

"I miss my powers, I feel.. ordinary without them." He tells me, and I furrow my eyebrows slightly.

"No offence, but I'm glad you don't have your powers. You died because of them in my original timeline, and it's good to see what my ben would've looked like grown up." I tell him, and he gives me a sad smile before we fall quiet yet again.

"and i think it's good to feel ordinary, I spent my whole childhood wanting to be normal to fit in, and now I do." I then add, and he scoffs.

"There's nothing ordinary about us y/n. Apart from the Umbrella Academy and the Sparrow Academy, nobody in the world has gone through even a fraction of what we have, and you've technically went through more than me because the Umbrellas ended the world in 2019, just to then go and do it again back in the 60s, to come back for it to end in 2019 again.." Ben says, and I just scoff, but I can't help but laugh and nod.

"and both times was technically Viktors fault." I argue, and we both smile before Five appears from under a slide somewhere and nods, a bottle of beer in his hand.

"it was Viktors fault both times. Actually, she's not making that up." He tells ben as he makes his way over to our table, dragging a chair along behind him, and ben just raised his eyebrows slightly, clearly pissed off our conversation had been distributed by Five, who still looks like a kid.

"Well, isn't this just a sad table of losers who feel out of place at their nieces birthday party with all the married couples and kids." Five says as he sits his beer down on our table with a large clink.

"I don't feel out of place, I could easily find someone I could marry and have kids with. you couldn't because you look like you're 18." I argue, and five leans back in his seat and crosses his arms slightly, mouthing ben so subtly so that ben can't see.

"Wait, y/n, did you ever even move on after your ben died?" My other Ben asks, and I look at him, my eyes wide as I try to muster an answer.

I try to muster up and answer, but none suitable come to my mind because the truth is I didn't even try to move on, I felt like there was no point, my whole childhood my heart was set on the fact that I'd be marrying Ben, I wanted to at the time despite how young we were and the fact we didn't fully understand the whole concept of marrige and he said he wanted to aswell. when he died I just blamed myself, I thought it was my fault he had died and I convinced myself everyone I love will die because of me, as a sort of reminder that my powers were a curse. obviously, that fact was proven false because my powers are gone. but even now, I'm still cautious to open myself back up to love, but when I'm with this ben, I feel myself slowly opening up again.

"I tried, but nobody stuck around." I lie, and Five shoots me a knowing glare, and Ben just nods, yet another comfortable silence falling over us as I take a large drink from my beer, staring down at my hands before Five starts a conversation with Ben and I can't help but sigh a sigh of relief.

somehow, Luther and Sloane have convinced me to come to theirs to stay the night.

"I think it'll have beneficial effects on releasing your childhood trauma y/n." Luther tells me as I sit in the back of his car, ben at the other side as sloane sits in the front and stares out the window.

"I'm the child psychologist Luther. You just stick to putting out fires." I state, crossing my arms slightly as I stare out the car window, watching the world go by the single frame of glass, trying to hide my smile as I hear Ben laugh at my comment.

"Do you ever sit and look at people and just laugh to yourself because you've saved their asses from the end of the world three times now?" I ask to Luther mainly due to the fact the Sparrow Academy have only had to save the world once, which ended up in all but two of them dying and he just shrugs as he continues to drive.

"Imagine how Viktor feels, knowing he almost killed them twice." Ben says, and that causes me to laugh, slapping a hand over my mouth as I try to stop it.

"That's nasty! the first time wasn't fully his fault. He just discovered his powers and didn't know how to stop them." I tell him, leaning over to gently slap his arm, but I'm still laughing.

"Plus, it's also semi Luther fault for locking him in this weird, safe thing." I add, and Luther groans, muttering something under his breath, leaving me to smile proudly.

"Let's just sit in silence till we get home." Luther suggests, and nobody says a single word to protest and I guess it would be sorta rude if I did seeing as I'm staying at his house tonight.

I sit in my old room, looking around at how empty it is because the Umbrella Academy doesn't exist in this timeline, meaning this room is just a room where I just so happened to share all of my good childhood memories, or atleast the handful I can call good.

"Why would you actually agree to come back here?" Ben asks with a laugh as he stands at the doorframe, staring down at me with questioning eyes.

"I think it's actually partly to do with what Luther said, I think it's good for myself to come see the place and realise that everything that happened back in my time line is just memories now, I dont know I guess I'm trying to give myself some closure." I answer with a shrug as ben walks further into the room, now sitting beside me on the bed.

"What were we like? in your timeline anyway?" ben asks, and I feel my heart stop for a second as I look at him for a brief moment.

"Really young but you -" I cut myself off. Is it wrong to address this ben as my Ben? because it is the same person, but it's not at the same time.

"we understood each other, he- *you* were one of the only people at the Umbrella Academy who showed me love despite our age. if we were doing paired work, we'd always be together, at meals we'd always pass notes, during training we always went easy on each other, during missions we always had a close eye on each other, we'd always spend time in my room. yeah, we were really young, but we still loved each other." I tell him, and he just looks at me, a sad smile on his face.

"we were convinced we were gonna get married, and in all honesty, I would've married you if you stuck around." I then add, looking away as I get an unbearable feeling of sadness.

"I would've married you if you came to the Sparrow Academy timeline earlier." Ben tells me, and I almost choke on my spit as I look at him, my eyes wide.

"What?" I ask, shaking my head slightly.

"I felt myself changing slightly the minute I looked at you when our academies met, but I was too.." He trails off trying to find the words.

"stuck up? full of yourself?" I begin listing and he rolls his eyes but he smiles slightly.

"Yeah, yeah, I was too stuck up to actually allow myself to change for you, and also, I was too scared because I know im nothing like your ben so I didn't want to cause a disappointment as though you lost him again." Ben admits, and I just stare at him.

"Ben, you are my ben." I state, my eyes not leaving his face, not even when his eyes light up slightly, not even when he turns to look at me.

"I didn't want to tell you in case you thought I'm just using you because of what happened with Umbrella Ben, but I promise you that is not the case. You are my ben." I then add, and I see his eyes softening as a small smile appears on the edge of his lips.

"so it's safe to say we like each other then?" He asks after a moment of us just staring at each other.

"I guess so." I jokingly groan, but I wrap my arms around his neck and pull him into a hug, just savouring the feeling of ben in my arms, my ben as one of his arms wrap around my waist, the other one coming up to reach into my hair, pressing the back of my head closer into him.

"I can't believe you went to prison, you asshole! I was gonna tell you I had feelings for you once we all settled into the new timeline, and then you went to prison."I scoff, and he pulls away from the embrace slightly and looks at me.

"You could've always written a letter or something." He tells me, a smirk playing on his lips.

"I would've been better using a carrier pigeon. No chance was I gonna have a prison pen pal." I scoff, rolling my eyes, but I did write, and then I wrote again, and again, and guess what? I wrote again.

"I did write to you, over and over again, I just never had the courage to send them, because imagine you got one of the letters, wrote back but it didn't send to me?" I ask, a shiver going down my spine at the thought of never knowing if he felt the same way.

"Well, I would've rewrote the same letter every day and sent it to you until you got it." Ben says, a slight hint of promise in his words, and with that, I press a kiss to his lips, and he instantly returns it, his hand on my waist tightening, gently pushing my head closer to his as he depends the kiss and we continue in our kissing embrace got a few moments, before we hear a:

"When I said coming here would help to release your childhood trauma, I didn't mean by doing.. this." Luther says, and I just pull away laughing.

[rafeandonlyrafe]

the same tv

words: 1.8k

warnings: 18+ only, smut, unprotected sex, p in v sex, parent death, funerals, robbery, redemption/forgiveness, addiction, drinking (wine, not like hard drinking), tickling, cockwarming, they call themselves kids at one point but at no point are reader or rafe under 18, like itll make sense once you read it in context

the first thing you do when you enter your house is kick off your shoes. the next is to stop holding back your tears as they stream down your face. you can't even sob anymore, just silent, steady tears.

you sigh as you look around the entryway. there's been some changes since you moved away, despite only being out of your parents house for a little over a year. they replaced the grand portrait that was of your mom's parents with one of you, now taking the place of honor.

you look away before you get to the rest of the family photos. you've seen enough at the funeral. you walk further in to the house, bare feet against the shiny wood floor.

you pause when you hear something further in. you haven't forgotten how the old house seemed to speak, groaning and settling during strong winds or when too many people were crammed between it's walls.

this sound seems different, but you're also occasionally sniffling, your ears are shot from blasting music in an attempt to distract yourself, so you shrug it off and walk further into the living room.

the sound suddenly makes sense as you see someone stood in your living room, arms holding up your parents flat screen television, awkwardly trying to carry it.

you aren't even mad. you honestly don't care about the tv. or the fact that someone is trying to rob you.

you let out a bitter laugh before you sink to the floor. “of fucking course this happens.” you are glad you still have your purse slung from your shoulder as you pull your wallet out, quite aggressively throwing it at the robber who has now frozen.

“what?” he questions, lowering the tv to the ground and pushing his hood of his head, a dumb move for someone currently committing a crime.

“this has been the worst week of my life and now you're robbing me. just my fucking luck…” you let out a broken sob. “just take whatever you want and leave.”

the only things that matter to you still in the house aren't actually worth anything anyways. the photos of your parents, your dad's cologne that's half empty, the oak tree that your childhood dog is buried next to.

“i thought the people who lived here died.”

you pick your head up, a look of fury overtaking your face.

“they did. they're my fucking parents! and now they're gone and you're fucking robbing me! get the fuck out!” you stand up, pushing at the robbers chest.

he looks familiar, like you should know who he is but can't place him.

“im-shit. im sorry.” he says, allowing you to shove him away and out the door. 

“im really fucking sorry!” he yells again before you slam the door shut.

-- years later --

you park your car in the driveway instead of pulling it all the way into the garage like you know you should, but you need to know if you're correct about the man sitting on your front step.

“you're the kid that tried to rob me.” you say as you walk the sidewalk to the porch.

“yes.” he says, looking ashamed and a whole lot more grown up. “i was an addict and i owed a debt. my dad had just kicked me out of the house and i was on my own for the first time. it was stupid of me, but when i heard the people living here died, i thought it'd be a victimless crime.”

he sighs deeply, like even just thinking back to that time physically hurts. “i didn't even think that someone could have inherited the house. im so, so sorry.” 

he swallows thickly. “my mom died when i was young. my dad- my dad just died recently. he faked his death and i got him back, but he's actually gone this time. you know what you said about the worst week in your life?”

you think back those years. it's mostly a blur, especially the days surrounding your parents car crash and funeral, but you do remember breaking down in front of the robber. you nod gently, waiting to hear the end of his speal.

“i know what you mean now. and im sorry i hurt you. im sorry about your parents dying.” he pulls something out of his pocket, extending his hand.

you look into his open palm, realizing it's a ornate gold necklace.

“no.” you shake your head. “you keep it. you don't need to bribe me to forgive you.”

“i want you to have it.” he says. “it's… it's not a lot, but it's something. something to help make up for what ive done.”

you reach forward, carefully taking the necklace out of his outstretched hand, carefully not to accidentally bump his skin. 

“thank you.” you say, admiring the way the sun gleams off the metal. 

“im rafe, by the way. rafe cameron.”

“y/n.” you respond, undoing the clasp of the necklace.

“here, let me.” he takes it out of your hands, moving quicker than you can think as he steps around you. your hair is already up in a bun, so rafe is able to reach around and easily place the chain around your neck.

“thank you.” the weight of the necklace feels comfortable against your skin, like it's the last finishing touch you need. you are wearing your mother's earrings, your father's bracelet, and now you have the other piece of what made that time in your life so miserable, your robbers necklace.

“i… i guess ill be going now.” rafe says.

you turn and watch him walk away. you recognize so much of your former self in him, the clear grieving he's going through.

“are you sober now?” you call out before he reaches the end of your driveway.

“sober enough.” he shouts back. rafe doubts he'll ever truly be clean, but he can at least manage now, doesn't need the drugs like he used to.

“then come back for dinner tomorrow. we can talk.”

you can see the smile stretch over his features. “ill be there.”

-- three months later --

“shit.” rafe says, head snapping over to you. “this is the same tv.”

you giggle and nod, surprised it took him so long to realize. “i never really watch tv on the actual tv, so no need to replace it.” you shrug, the gold necklace still draped over your neck. you haven't taken it off except to shower and sleep.

“god, thats crazy.” rafe looks over to you. “imagine if we just talked back then.” 

you shake your head. “you just think you want that because we get along now. we were both in bad places.”

“you don't think we would have been hooking up back then?” rafe asks, raising an eyebrow at you, watching the way your thighs press together at the mere mention of hooking up, already feeling the urge to sleep with rafe even after having sex only a couple of hours ago.

“we were two scared kids. if we were hooking up we definitely shouldn't have been.” you giggle, reaching your wine glass out for rafe to refill, which he is glad to pour a more than healthy amount in.

“and now?” rafe looks down at his lap.

“and now we are two slighty less scared slightly older kids.” you giggle again, taking a deep sip before leaning across the couch cushion to press a kiss to rafes cheek, the movie you had put on long forgotten.

“rafe.” you wait until he looks you in the eye. “im here for you.”

“god, what have i done to deserve you?” rafe wraps his arm around your waist, pulling you on top of him as he flops back onto the couch. 

you let out a laugh before it's cut off with his lips. he kisses you heavily, hand against the back of your head, not allowing you to pull away, not that you want to.

you let himself get lost in your kiss. you wish you had someone to support you in the time you needed most, and you're determined to be that person for rafe now.

rafe easily dominates your mouth even though he's underneath you as you quickly work your shorts off, wiggling against him until your bottom half is nude.

you press against rafes crotch, still covered by his sweatpants. you feel his cock straining against the fabric as you rub your pussy against it, wetting the gray material.

“baby, please.” rafe groans. he would pull his cock out himself, but his hands are preoccupied holding you close to him as if his life depends on it.

“oh, now you don't like teasing?” you smile.

“alright, i deserve this.” rafe also manages a chuckle despite his straining erection. “but please. need to feel your pussy ‘round me.”

“alright.” you roll your eyes dramatically. you'll have to get revenge on rafe at a different time for edging you the other night.

you push his pants down his thighs until you're able to reach into his underwear and pull out his cock. you give him a few quick strokes before lining up your entrance and sinking down.

rafe let's out a moan, barely pulling his face away from yours. “you're so wet.”

“it's almost like i like you or something.” you roll your eyes.

rafe laughs before kissing you again, hand moving up to your hair, tangling his fingers between the strands.

you sit on his cock for a moment, adjusting, before beginning to move, up then down, up then down, subtle movements of your hips, not needing anything fast, wanting drawn out, wanting it to last.

the movie is long over by the time rafe finally cums, a hand finally moving down to rub your clit to make sure you get off at the same time as his.

by the time you're both satisfied, you're sweaty and exhausted. you don't even bother to pull off his cock as you rest your head against his chest.

“thank you.” rafe says softly, rubbing his hand over your back. you don't need to ask what for. you know. for being there. you'll always be there.

you look up at him, a small smile on your face. “how are we gonna tell people we met?”

things are quickly getting serious, and while he hasn't breached the subject with you yet, neither of you have been hiding how quickly you're falling.

“what, you think it's a problem that we met when i was robbing you?” rafe says, making you giggle, only intensified by his hand pressing into your side, fingers tickling you as you howl with laughter.

rafe flips you over onto your back so you're underneath him, keeping his cock pushed inside of you.

“maybe we should just tell people we met on tinder.” rafe shrugs.

you roll your eyes. “somehow that's more embarrassing.”

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[adragonsfriend]

Use this one trick to instantly fix all childhood trauma (Jedi Masters don’t want you to know this)!!!!!

That is what every “if Obi-Wan had just— *adds one extra scene to canon* —then Anakin would’ve had perfect mental health and never listened to Palpatine at all,” sounds like to me. Look I am not an expert on any kind of psychology at all let alone early childhood development but,

It is possible to do your very best to help or raise someone and still have bad or imperfect outcomes, especially when you have someone actively, secretly working against you (cough cough Sith Lord of the month cough), (for many reasons, but in this case particularly), because unravelling the mindset built in early childhood is hard, actually.

Coming at this from the “raised in a safe and loving environment” side of things, it took me years to figure out and internalize that my friends whose parents weren’t as great as mine were functioning in an entirely different landscape when it came to their interactions with adults.

Many years ago when I was in middle school a friend (acquaintance? idk I think most people thought I was annoying) told me that her ankle kept giving out and causing her pain. I asked if she'd told her parents so she could rest or go to the doctor. She told me she had, but her mother either hadn't listened or refused to help. My (approximate) responses?

"So it's not actually that bad then?"

"You should tell her again."

"Are you sure you explained it right?"

The only explanation I could comprehend at the time was that there must have been some unclear communication about the situation or its severity--if her mother had understood she was in pain, she couldn't possibly have just not done anything about it? Adults are responsible, caring, etcetera! They wouldn't do that?!

With more experience, I've come to understand better, and learned to respond in kinder, more helpful ways, but the shift in mindset was not and is not intuitive.

And I had the luxury of figuring all that out whilst being safe myself. Coming from the other direction, being in danger and trying to figure out why other people act like the world is safe? I can't say for sure, but I imagine it’s a lot more complicated.

Point with regard to Star Wars being, it really is harder for Anakin, coming in later, to acclimate to the Jedi ways and thought processes than it is for his peers who grew up in the safe environment of the Temple. And whatever arguments people want to have about how much psychology and therapy exist in the Star Wars universe, or how much “Jedi just do cognitive behavioral therapy” (not totally inaccurate, but reductive on several levels), no matter what the answers to those questions, it will still be harder for Anakin.

There is a reason the council changes its mind on training him only after he is suddenly famous and the Sith are proven to be back. When Anakin was not in significant danger of being snatched up by someone else, it was genuinely probably the easier and safer option—for him and everyone else—for him to live a different life.

The Jedi are not necessarily fully prepared for a child with Anakin's history, and, there is nothing bad about living an ordinary life. Anakin would not have been somehow unforgivably robbed by living life as a mechanic or an engineer or something, rather than being a Jedi.

Anakin is a victim of many things in his life—Sidious, Watto, Gardulla, Tatooine’s everything, his own conscious choices—but he is not a victim of malice, incompetence, or idiocy by the Jedi just because they couldn't—in only a decade or so—help him fully and perfectly unravel the mindset he developed in his early childhood. If there was any lack of qualification on their part, it was one they were aware of—but which was outweighed by the danger of little Anakin getting kidnapped out of normal-kid elementary school.

Being brought up in and around slavery absolutely made him more vulnerable to Sidous and became the basis of their dynamic as master and apprentice. Acting like the trauma that affects his mindset and actions for his entire life can be obliterated just by making minimal changes to the plot is wild to me.

And don’t get me wrong, fics and headcanons can do whatever they want, not everyone wants or is trying to write a deep psychological character study (also fanfic and even fiction in general cannot and should not be held to any standard of realism if it's not serving the story and the author)—simple fix-it’s (my love) are fun and an excellent short-cut to other things like happiness and fluff (my other loves)—but don’t act serious about the idea that adding one conversation about his feelings or one extra explanation about Jedi philosophy would automatically lead to Anakin having perfect mental health outcomes and always making good decisions.

Disclaimer (if the ones throughout weren't enough) : please go forth and do whatever you want. the moral of this post is actually just that (1) you won’t convince me, (2) I wanted to talk about this, (3) the clickbait title was too funny not to post, (4) i literally can't open my mouth without phrasing things like i'm in the middle of a heated debate, and (5) i continue to not be an expert in early childhood development—my evidence is very literally anecdotal

[gay-dorito-dust]

Heres an idea what if ford and his infant baby BOTH got sucked into the portal? How would ford cope with jumping across the multiverse while trying to raise his child?

I’m going to assume the reader is the baby, so this fic is obviously platonic from here on out.

The man gets grey stress hairs at like 23/25 (no clue how old he is when he got sucked into the portal but I’m going to assume for this)

Ford didn’t mind if it was just him that got pulled into the multiverse, he would’ve found a way to handle it but being in a multiverse full of potential dangers with you, his child? The man is doing everything he can to set you up to survive and one day escape the multiverse and go home, regardless if it’s with or without him.

Ford is putting you first and foremost as you were the future, his legacy and his protege.

It was a daunting task to not only try and survive the multiverse but also dedicate time to raising his own kid, it was taxing on both an emotional and physical level for Ford as he made sure you were kept warm and well fed as possible while leaning himself with little to nothing, but he didn’t mind because as long as you had everything you needed to grow and be strong, that’s all that matters to Ford.

You grew up traveling with bandits, learning to speak 13 languages, read ancient texts, become royalty when Ford was king of the finger dimension for a brief period of time, only for a seven fingered man to take the crown and becoming a wanted criminal in multiple dimensions before you were even twelve. Your childhood was far from a normal one as your memories of home were mainly from stories Ford told you about at night when you were both sat near the fire.

It saddened Ford to know that you viewed home a lot differently than you did the multiverse but he couldn’t blame you. You had near enough spent most of your developmental years running from dimension to dimension, aiding rebellions and surviving say to say that if you both were to ever get home, Ford knew you’d be out of your element as all you’ve ever known was the multiverse and him.

This thought occurred to Ford on many occasions that he blames himself for ever letting you get dragged into this mess because if you didn’t then maybe you could’ve grown up with Stanley and lived a perfectly normal life. You were robbed of a childhood you could look back on in fondness and Ford couldn’t help but believe himself to be the cause as he stays up to watch over you, seeing his child mentally grow up faster then you should be allowed for your age broke his aging heart.

Would you be ridiculed for being weird if you were to ever go home much like he was as a kid? If so then he’d much rather stay in the multiverse for your sake rather than his own.

You had been through a lot and seen more then a child your age should and while Ford will forever be proud of the person you had become. His only wish was that you got to at least experience a portion of your life back home before all this, just so that you didn’t look at everything so weirdly and so alien.

Ford knew that sometimes there will be moments where there’s a disconnect between you two, something he had to accept that as the truth instead of trying to logically fix it, and instead try to meet you halfway in a comforting manner when you start to think that you were too weird for home as you sat on the rooftop of the shack.

‘Won’t Mabel and dipper find me…odd?’ You asked.

‘No of course not sweetheart, they love you and see you as their cool older relative they can trust to keep them safe and happy and seen.’ Ford reassured you with a pat on the shoulder before pressing a kiss to the top of your head. ‘You’ll be loved, so loved my little sharpshooter. I promise.’ He adds as he sees you yawn and instinctively brought you into his side, once again watching over you as you slept peacefully for the first time in a long while.

While Ford hated that you had practically been raised in the multiverse but he couldn’t help but be proud of who you’ve become when you pointed out a flaw in his plans for the quantum destabiliser weapon that he had overlooked. You were going to be okay, Ford knew it.

[importantstudentbusinessspy-blog]

Heirs

Pairing: Robb Stark x Baratheon/Lannister reader

When Ned Stark comes to King's landing, he learns that out of Cersei's children, you, the arranged bride of his eldest son, are the only legitimate heir of Robert's. This discovery challenges the Lannisters and costs Ned his life.

When Ned Stark is executed, Robb is left broken, his family torn apart... and the only person he can take his frustration out on is you, his arranged bride, and the sister of the boy who ruined his life and had his father killed.

Tags: Arranged marriage, Robb is a bad boy in this one, corruption, innocent reader, first time,

CH. 1 First Meeting - Ned Stark's eldest son and Robert Baratheon’s eldest (legitimate) daughter got off to a relatively exciting start.

Chapter tags: fluff, first meeting, Robb and reader are kids here, teasing, Cersei is nice,

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The lord of Winterfell sat stoic, alongside his lady wife at the long table, on which one side seated his people, across from the other, which seated the party from Kings Landing. Ned Stark's sons were sitting by his side. The eldest, Robb, had just turned eleven. Now, in the midst of his warrior training, the boy wasn't small by any means. Though his body was developing and he had already reached his mother in height, Robb still maintained a spark of childlike michieve in his grey eyes.

Ned had wanted Robb to have a good childhood, but circumstances had forced him to educate his son to fight and rule from a young age. He was glad Robb still had cleverness in him to retort his brothers jests, and the chivalry to protect his little sisters, but knew the playfulness would someday come to an end when Robb will need to lead his people into winter.

The Baratheons visiting from Kings Landing sat alongside the Starks, eyeing the table in front of them, some were eating away happily, like the king, while some, like his wife Cersie grimaced at the display of meat, likely not used to the lack of decorum in her sheltered palace.

Ned hid his guilty smirk at the discomfort. Cersei and her children all sat together as well, the eldest, a pretty girl of nine was helping her rowdy little brothers and sister to food, mixes of greens consisting of fruits, nuts, and vegetables, with measured and delicate movements.

Ned both loathed and excited at the idea of betrothing his son to the kings daughter. There would be peace in the realm on one hand. On the other hand, her grandfather Tywin's and your mother's ambition and the Lannisters' reputation for manipulation made him uneasy.

The girl was frail, weak even compared to Rob’s small and hyper siblings, let alone to Robb himself. Already you were attracting attention, as the boys at the table kept turning to look at you. With long hair falling on the side of your tanned face and freckles decorating blushing cheeks.

Before the feast, he was pulled Robert and Cersei aside and discussed the match.

Not enjoying the attention some of the boys and even some men were giving you, Ned gave Robb a nudge, interrupting his conversation with his brother, Jon. "Perhaps you should entertain your guest, son?"

The boy followed his fathers gaze to you, then to the men eyeing you and understanding set. Robb nodded and stood to head over to the table where you sat. He bent down and whispered something in your ear, making you jump in surprise at first, before listening in. You looked up at him, feeling a slight warmth on your ears and cheeks, and turned to ask your mother for permission to go with him. The queen nodded at your request, smiling fondly at you, momentarily eyeing Robb with suspicion.

The boy offered one of his signature, easygoing smiles, offering you his hand before leading you outside.

One of his footsteps was twice as big as yours. You had to jog rather than walk to keep up with him, lifting up your dress high enough not to trip but also low enough not to expose yourself. He didn't slow down to match your speed either, which caused your father, the king, to smirk to his old friend.

Ned and Catelyn watched their heir leave the feast with the princess, then turned to his men, who asked him questions about the following year's harvest.

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You let yourself be led out of the warm and loud comfort of the great hall and out into the chilled, windfilled night of the north. "Where are we going?"

"Anywhere," the boy leading you replied. "My father told me to entertain you."

"Oh," you let out a small breath and looked down shyly. Of course, he wasn't with you of his own free will.

"Wanna see what northerners do for fun?" He asked.

You felt a flash of nervousness go down your spine. "Is it dangerous?"

He turned around to look if you were serious, grey eyes studied you in amusement before he let out a chuckle. "No. We just climb up the walls," He nodded towards a massive stone wall of the castle of winterfell, rising up to touch the night sky.

you eyes traveled all the way up, and you mouth dried. Your fear of hights warred with your desire to impress him. In the end, your fear won. "Then, m-maybe we shouldn't."

"Oh, princess.” he drawled, tilting his head mockingly. “Are you scared?"

You felt heat rise to your cheeks. He was so unnecessarily teasing. Nevertheless, you would stand your ground, just as your mother taught you to. "You can not speak to me that way."

He stopped walking and turned to look at her. "Oh, I see. You do have guts…" He said calmly, approaching you. Deep grey eyes staring at you under messy dark brown hair. Taking a step back, you had decided you'd rather he yelled. It would have scared you less than this.

You tried your best not to cower. "I don't want to do something dangerous -" you winced at how your voice rose louder than you had intended, making you sound all the more afraid. "Sorry," you added in a small voice. "Can we do something else?"

He raised one dark brow at you as if considering your question. Finally, he spoke again. "No." He said, and he pulled you by the hand anyway.

Your eyes widened in fear, and you glanced back to the feast, to you, mother, and sister.

"Easy, princess." He said before facing you again and saying quietly, "I won't let you fall."

You didn't trust him, but it didn't feel like you had much of a choice, feeling like you were fighting an uphill battle.

The two of you climbed up the wall. It went up around five meters and was already on a hill. It was the highest you had ever been, and the effects were obvious, as you panted, your lungs trying to catch up with you. Robb had no trouble, effortlessly climbing the slope, not carefully stepping around the slippery ice like you were. At some point, he began pulling you along with his free hand, bringing them to one level. How was he holding on to the jagged, frost-covered brick without a rope? Without gloves? And able to carry both of your weights?

You felt lightheaded as you gripped onto him. At last the two of you reached the flattened top. The sounds of laughter and signing caused you to turn to the right. There were young people everywhere along the top of the wall. A few of them cheered and waved as they saw the two of you climb up.

You blinked and let herself be put down, concentrating on staying upright. You were taking labored breaths, and you turned to look at their surroundings, gasping when you saw the view. The snow-covered roofs were magnificently illuminated by the streetlights and the full moon, and misshapen clouds danced in the stars above you. You were looking in fascination when all of a sudden, a flask was thrust in front of her.

"Drink up," You turned to see Robb wipe at his chin, a clear liquid making his lips shine.

She took the bottle tentatively, gasping "What's in it?"

"Something tasty. Trust me."

"I don't think I should." You shook your head.

He rolled his eyes at that. "Live a little, princess. I already said I'll look out for you. If anything bad happens to you, the king will skin my ass-"

You gasped.

"- so you're safe."

"Why do you speak like that?" You admonished. "You are a prince!"

He gave you a condescending smirk, flashing a set of perfect white teeth. For some reason, you didn't understand. Some Northerners sharpened their canines. Robb was one of them. Had his teeth even fallen yet? You snapped out of your thoughts when he said. "Because it's fun to watch you squirm. Are you gonna have any or not?"

You eyed the container and shook your head, handing it back to him. He took anotyou couple of sips and howled at the moon, startling you again. His was followed by a series of howls from the teenagers on the rocks. They sat on a cold rock and looked over the clouds and mountains. There wasn't enough time to take in all the gorgeous scenery, from the hills to the planes to a big snowy mountain in the distance.

He draped one arm around your shoulders casually, which made you ragged, breathing even more difficult. Bringing his shaggy head close to hers, he squinted. "Do you know what you're looking at?"

"The wall," you supplied. From his close proximity, you could smell the metallic scent of the drink coming from his lips.

"Very good,” he nodded, the praise making a warmth spread in your chest. “The wall. so far away, and here we are. And all our problems. So insignificant." You felt a tug at one strand Of your hair and turned to see his hand pulling at it playfully.

You disregarded the gesture, which made your heart speed up and focused on his words instead. “What's beyond it? What's hiding?”

His look turned serious all of a sudden as he gazed on to the faraway intimidating pile of ice. Then he turned back to you, blue eyes staring in melancholy into your soul. “Nothing a princess should ever worry you thoughts with.”

She blinked up at him, and a shiver ran up your spine. You turned back and looked at the moon. It was marvelous that up close,you could clearly make out the craters and valleys. You wondered, not for the first time, how it came to be.

You were opening your mouth, about to follow up with more questions, but the climb had tired you out quicker than you had expected, and your vision blurred. You felt herself fall back, waiting to hit the ground, when your vision went completely dark.

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You woke up to a black sky filled with stars. Blinking, you realised your head was in someone's lap, and someone was gently stroking your cheek. You took a long breath, and your vision became clearer. The muffled sounds around you were clearing up as well. You realised whose lap your head was in and who was stroking your cheek. You got up with a start, making him move his hand. Grey eyes focused on you with curiosity. "I've never seen anyone pass out from speaking before. Good instinct on not drinking the ale."

Your brows furrowed. "The what? Nevermind. It's the air. It is hard to breathe up here."

You felt yourself going dizzy again. In Winterfell, you had never been this elevated before back in Kings Landing, but sitting on the walls of the castle itself… What were you thinking about again?

"Woah!" Rob caught and held you before you could fall once more, heat from his large, muscular body bringing you somewhat back to reality.

"Bring... me... down," you managed between gasps. You mustered the strength to add, "or my lungs will rupture, I will die, and my father will skin your… ass."

But it looked like the second part of your rant was unnecessary because he lifted you in his arms, said goodbye to his companions, who hooted and laughed. You caught some muttering about a "first timer" or “southerner”. They were laughing at you. The king's daughter. But you didn't have it in you to care as you struggled to stay awake.

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By the gods, this girl was fragile, Robb thought to himself while he carried the gasping, shivering little thing to the edge of the castle walls. He felt around with one hand to find his rope, always neatly tied at his belt. He'd thought to himself, could carry you all the way down and have a boring evening, or, he could excite you a bit. He chuckled to himself, knowing exactly which option he was going to choose. He lowered you to stand on your own and got his axe from his belt before tying it to his rope. He zeroed in on the tall oak in the courtyard. His target. He's practiced and hit with longer distances. He will be fine this time.

You shivered and stared as he did so.

Robb kissed the hilt of his axe, saying a quick prayer. "You may want to crouch."

You did so instantly, making a ball on the ground. Robb took aim and held the end of the rope, which wasn't tied to the axe, and sent the blade flying. It pulled and pulled on his rope until wedging itself sideways in the oak.

Robb grinned down and said, "You can get up now, princess."

You stood up slowly, your eyes widening at his shot. "How…?”

He grinned and tied the other end of the rope around himself, then offered you his hand.

You eyed his outstretched hand, then the rope, the tree, then the wall. "I think I'll just go down the steps-!" He pulled you against himself and jumped. Your lungs must have recovered because you screamed the whole way down. Robb used his weight to swing you both once around the oak before landing in the snow.

He looked down at you and saw a shudder when you glanced back at the top of the wall where you both were a minute ago.

"Gods," you gasped before turning to look up at him, your eyes reflecting the stars. "Thanks for not dropping me."

He raised a brow, implying that you did not need to say that.

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That evening, his father told him something Robb already suspected: the king and queen had arranged a match between you and him.

[howtofightwrite]

How often would a person have to get jumped to affect their morphology (both bone, brain, muscles and fat), if it began in late childhood and throughout the puberty process. Bonus info, the person is fighting or fleeing with good effectivness most of the time, with the fight or flight system being fully functional.

Like, being physically bullied as a child did make me physically stronger, and forced me to develop a lot of resistance, resistance I lost after the bullying stopped because I'm a couch potato. Mostly in resistance training, with some clenching strength (but that's from gymnastics).

So, resistance and strong clenching muscles.

Yeah, that doesn't work.

Psychologically, abuse can cause you to come back stronger (or, break you completely), but it doesn't cause you to become physiologically stronger.

As you get older, your ability to fully recover from injuries diminishes. So, if you're younger, you've got a better chance of fully recovering, but that's still taking a physical toll on you. Similarly, if you do take the time to build yourself up, and get training, that may be provoked by your abuse, but it's not caused by it.

The aphorism, “that which does not kill me makes me stronger,” might be empowering, but as you get older, you start to understand that maybe it should be read as, “that which does not kill me makes me stranger.”

I don't mean to diminish your experiences, but the person you became as a result of that was a product of how you chose to deal with those challenges, and overcame them. It was not a product of deterministic biological processes.

Now, having said that, you can learn from physical trauma. You can learn to judge how much of your body's pain response can be ignored, in the moment. You can learn to keep a cool head through an adrenaline rush.

However, if you're regularly dealing with physical strain, that will have a severe toll on your body. I had my first conversation with my doctor about the eventual need for knee replacement surgery before I turned 40. (I still have my original knees, but I also experience bone on bone grinding.) Intensive martial arts training, gymnastics, or violence, will wear your body down with shocking speed.

Traumatic experiences make you into who you are. They can drive you to become a better person than you were before, but you own that choice. That was your decision, not something that someone else did to you.

Adversity can be a motivator or it can destroy you. Ultimately, how you deal with that is your choice. But it was your choice. Saying, “bullying made me stronger,” robs you of the decision you made, it takes away the strength you found, and assumes that it was a passive consequence. It wasn't. You became stronger because what you chose to do. (Also, because kids do get physically stronger as they get older. That's kinda how that pesky 'growing up' thing works.)

-Starke

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[steddielations]

Flight of Icarus Character List

Lore Part 1 | Part 2

- Eddie Munson: Our boy is 18 years old, lives alone in his dad's house with Wayne checking in on him. By 1984, he's the lead singer and guitarist of Corroded Coffin and the DM for Hellfire. He's known as Freak King at school, and Munson Junior around town, he hates both. His grades are bad, but the only trouble he gets in at school is getting blamed for fights with jocks that he doesn't start or win. He works as a barback at the Hideout where his band plays sometimes. His status as town pariah due to his dad's criminal reputation and being an outcast deeply affects him. He wants nothing more than to escape that image, even if he's trading it for a different image. The story kicks off when he gets a chance to chase a record deal in California and teams up with his dad to get the money to move.

- Al Munson: Eddie’s dad, he comes in and out of Eddie's life. He's been abandoning Eddie alone/with Wayne for long stretches since Eddie was a child. Al's very charismatic and has even made Jim Hopper laugh. He uses that "Munson Magic" to manipulate everyone around him, he's a conman and career criminal. He taught Eddie guitar, but also taught Eddie to jack cars at age 10 and only sees Eddie as his little minion. He comes back to town, claiming he's fresh out of a prison stint in Colorado with a debt he needs to repay, and enlists Eddie into helping him rob a truck carrying drugs from his former boss. He leaves details out of the story that blow up in their faces. In the end, he leaves again when Eddie needs him most.

- Wayne Munson: Eddie’s uncle, factory job guy and the best caregiver as we all predicted. Wayne’s a quiet guy, very emotionally reserved too. Eddie says he’s never even heard Wayne yell, he’s non-confrontational. He doesn’t like Al, says nothing even when Al tries to instigate an argument. He deeply cares for Eddie. Eddie is very stubbornly independent, so used to being on his own because of Al, and Wayne tries to respect his boundaries while also being concerned, as Eddie gets very prickly about it. He tries his best to keep Eddie from getting roped in with Al, but overall he lets Eddie make his own decisions. He seems like he wants to just bundle Eddie in a hug at times, but they're not to that point yet in the book. In the end, Al's scheme gets their house burned down, so Wayne permanently takes Eddie in. He shapes Eddie by telling him he’s not his dad and to stop caring what people think and not to put himself in a box. Some nice tidbits: Wayne has a green thumb, reads Gardener’s Weekly magazine and goes to a bar called the Attic on Fridays.

- Ronnie Ecker: Eddie’s childhood best friend. She lives with her grandma in the trailer park. Her father passed away and her mother is implied mentally unstable. She meets Eddie when they’re 8. She’s described as tall, taller than Eddie since they were kids, always wearing a corduroy hat, and people mistake them for siblings. She’s the first drummer of cc. Ronnie and Eddie formed the band specifically because they had to do the middle school talent show. Then Gareth becomes the drummer when she graduates. She’s also in Hellfire, wants to go to law school and has a full ride scholarship to NYU. She’s sort of implied aro/ace after Eddie tries to kiss her when they’re 13, she says it’s not just Eddie, she doesn’t think she’ll ever have a crush on anyone. Ronnie is perceptive and smart and she teases Eddie a lot but they’re very protective of each other. Eddie gets blackmailed by Principal Higgins into dropping out when he threatens to jeopardize Ronnie's scholarship. Eddie never tells Ronnie this, even when they have a fight about him choosing to end Hellfire because Higgins convinced him his friends would be better off. This causes them to leave off on vague terms when she goes to NYU.

- Dougie Teague: This could possibly be unnamed freak from the show, but there’s an age discrepancy because he’s the same age as Ronnie and Eddie in the books and it says he graduates. So he would have to fail senior year twice along with Eddie to still be in high school in the show as unnamed freak. Dougie is the backup cc guitar player, whereas unnamed freak played bass in the show. Dougie is brash and blurts things out. He lives where Eddie calls the nice side of town and they rehearse in his garage. Dougie’s mom is not fond of Eddie but lets them practice there. Dougie’s dad is an HVAC truck guy.

- Jeff (no last name): Jeff is a sophomore and the bass player for CC, whereas in the show he plays guitar. Jeff comes across as reserved compared to Eddie and Ronnie. He played D&D with his older brothers before joining Hellfire. Eddie says Jeff knows more about bass than him. Jeff is ‘the nice one’ and generally nervous and anxious. He’s reasonable but he looks up to Eddie and buys into what Eddie says about the band getting a deal even if it’s unrealistic. Jeff is awkward around girls, wants to do good in school and he’s afraid of getting in trouble. The owner of the Hideout bar lets the band split a beer and Jeff is nervous the whole time. Also, when Eddie screws up, Jeff is the first to forgive him.

- Gareth (no last name): Gareth takes on the role of Eddie’s first sheep, whereas everyone else are Eddie’s friends, Gareth is like the little kid he’s fond of. Gareth is a freshman, there’s a whole scene of Eddie helping him create a D&D character. He’s hotheaded and a target for bullies. Eddie sticks up for him a couple times, and once, Gareth barrels in shrieking and throwing windmill punches to stop Eddie from getting jumped by Tommy H and crew, which results in Gareth going to the hospital with a fractured wrist.

- Rick Lipton (Reefer Rick): Rick is a very typical laid back stoner character. He's around 35, described as a giant soft guy with big smiling eyes and friendly face, wearing a Smokey the Bear shirt, and not what Eddie expected from a drug dealer. His house is also not what Eddie expected, being pretty clean compared to Eddie's teenage inhabited space. Eddie meets Rick through his dad, who has screwed Rick over in the past and this makes Rick unwilling to be the buyer of what they're going to steal off the drug truck. Eddie however puts on his best "Munson Magic" and convinces Rick. Rick is impressed and calls him Munson Junior, which Eddie hates. He goes back to Rick at the end of the book, needing money and a job. Rick gets him started dealing.

- Elizabeth Munson (maiden name Franklin): Eddie’s mom, he's a certified mama's boy. She doesn't appear in the book, Eddie says she got sick and passed away when he was around 6. She's originally from Memphis, Tennessee, where she met Al and they moved to Hawkins when she was 19, they got married March 12th, 1966. She loved Eddie's dad but Eddie says Al was always leaving her to go off on schemes. She passed her love of music onto Eddie. Her favorite was Chicago blues, Eddie didn't understand why until she passed and he started to feel it in his bones too. Eddie remembers dancing with her to Muddy Waters' "Rollin' Stone" and when the song comes on in the truck while he's doing business with Al, it makes him tear up. He recalls this memory several times, it seems like it’s his happiest memory. He says "When Elizabeth Munson was happy, the whole entire world was happy." His biggest connection to his mom was through her music. Then when Al's scheme goes wrong, the people he screwed over show up and burn down their house in an act of revenge. Eddie almost gets killed trying to save his mom's records, but they burn.

- Paige Warner: Paige is a junior scout at WR Music. She's not described beyond having freckles, chin-length dark hair and dark eyes. She has a younger brother on the Hawkins baseball team. At the Hideout, she sees Eddie's band playing and he chalks up the courage to talk to her. (He's squeaky and blushy, no game) Paige is in town for her grandmother's funeral, she remembers Eddie from the middle school talent show, though she is two years older. She likes his band because they're "real". She returns another night and Eddie (after some bad news that makes him desperate to chase his future) propositions her to get them a record deal. She's insulted, having told Eddie that guys use her for that reason, but they agree to work together. Paige pays for the studio time for cc to record the demo tape. In the meantime, Paige meets Al and Eddie is beside himself the entire time, not wanting her to find out the dirty work they're doing to fund his future. Then, Paige's boss only likes Eddie, and when she delivers this news, Eddie expresses that he doesn't want to ditch his band, but she says this will benefit both of them. So he agrees and it's implied they start hooking up, never making things official. She leaves for California and he's supposed to go later for his audition and stay with her. This doesn't happen, Eddie's heist with Al lands him temporarily in jail, and over a heated phone call, things end between them. It's implied that Paige pays his bail but never speaks to him again.

- Tommy Hayes: It's debatable whether this is supposed to be Tommy H from the show, whether his last name was always Hagan or if that was a fanon thing. Given his proximity to the jocks and being bitter that Steve has changed since dating Nancy, it's supposed to be Tommy H from the show. He's extremely violent in the book, which doesn't track so much with Tommy in the show, who's more of a shit-talker lackey. This Tommy bullies Eddie for being poor, a freak, and the son of a criminal. He bullies the whole Hellfire club and beats Eddie up on two occasions, punches Ronnie (accidentally?) when she tries to protect Gareth, and puts Gareth in the hospital. He faces no repercussions because the Principal is on his side, as Tommy's family is influential and rich.

- Principal Higgins: The principal of Hawkins High. Eddie is justified for wanting to flip him off in the show. Higgins has a ton of favoritism toward the kids from well off influential families, like jocks and preppy students, and always takes their side even when Eddie (and friends) are the ones bruised and beaten. He's a Bible thumper and hates Hellfire and also hates Eddie because he's a Munson, considers him a rotten apple that poisons the bunch. He wants Eddie to drop out to rid the school of the Hellfire club. After the brawl between the jocks and Hellfire, Higgins convinces Eddie that it's his fault his friends are considered freaks and get bullied. He blackmails Eddie into dropping out by threatening to jeopardize Ronnie's scholarship to NYU. Eddie eventually comes to his senses and finds his fire again when everything falls through. He gets re-enrolled in school and turns things around by blackmailing Higgins. At this point, he knows Higgins buys drugs from Reefer Rick, and uses that information to force Higgins to let Hellfire continue and leave him and his friends alone.

- Officer Moore: A Hawkins cop who has it out for Eddie. He's described as having a blond buzz cut, a square jaw, Superman level All-American looks. He has a growing mid-forties beer gut. He pulls Eddie and Ronnie over in Eddie's van, Eddie sasses the shit out of him since apparently he pulls Eddie over a lot trying to find reasons to arrest him, just because he's a Munson. But he has to let them go.

- CJ and Toby: These are two goons that worked with Al under the same boss, Charlie Greene, one of the biggest drug kingpins in Oregon. They are transporting the truck with the drugs that Al enlists Eddie to help him rob. Eddie and Al successfully rob the truck, but CJ and Toby show up to their house days later. While holding Eddie and Al at gunpoint looking for the drugs, It's revealed that Al didn't owe money because he borrowed it, he stole it because he got greedy. Eddie was under the impression that he was saving his dad from enforcers that would come to collect the debt eventually, not helping him steal more from them. Al wasn't in prison like he told Eddie, he was living large as Charlie Greene's right hand man, never sending Eddie a dime. At this point, Eddie and Al have already sold the stolen drugs to Reefer Rick, so Al turns over the 15 grand of money to CJ and Toby. They think it's settled, but CJ decides to set the house on fire too, since Al embarrassed them with the boss. The only reason they don't kill Eddie and Al is because Officer Moore shows up, having been following Eddie. Instead, CJ shoots Officer Moore in the leg and then he and Toby flee. Eddie immediately goes to help the officer (despite hating Moore) while Al is telling Eddie to come on so they can run. Eddie feels like its their fault Moore was shot and won't leave him, Al says he didn't realize Eddie was this much of a fool. Eddie tries to get him to stay because he needs him, but Al leaves him anyway and Eddie is devastated and numb. He's arrested when cops show up.

- Jim Hopper: Hopper brings Eddie a cup of water and talks to him while he's in lockup for the night. He calls Eddie "Junior" but Eddie's too numb at that point to care. He says they know that Eddie tried to help Moore, but he's being held for arson because of the house, until he makes bail. Hopper is really trying to give Eddie a break, knowing he helped Moore, and talks a bit about Eddie's dad. He says something cryptic about knowing Al in school and how every time something went down, Al was usually at the center. Hopper does Eddie a favor and lets him use the phone in his office, where Eddie calls Paige. Hours later, Hopper tells him he made bail and that Wayne is there to get him.

- Chrissy Cunningham: Eddie remembers Chrissy from the talent show. Eddie's dad was supposed to be there, but didn't show up, meanwhile Chrissy is disappointed that her mom did show up. A lot like the show, it's minimal but Chrissy is sweet with troubled undertones. Eddie's surprised she even talks to him, but she's nice and says she'd cheer for him if his dad didn't show. Fast forward to high school, when the jocks are giving Eddie flack, Chrissy tries to get them to stop. Then they try to lie to the principal and say Eddie was bothering Chrissy. Chrissy says it's a lie but Jason quickly silences her.

- Bev: The owner of the Hideout bar. She's a very no nonsense drill sergeant kind of lady. She keeps Eddie humble, calls him Junior despite him asking her not to, always tells him to get a haircut and doesn't like his band at all, though she lets them play there as part of the exchange for Eddie working there. The stage is just some rickety wood that her late husband built. It's implied she had something to do with his death. She's strict and doesn't give anything out for free, only Al is able to charm her out of a free pitcher of beer when he's celebrating Eddie (temporarily) dropping out of school, which stuns Eddie. When Eddie quits the job chasing his California dream, she admits she'll miss their band and that's that.

- Janice: Principal Higgins secretary who equally hates Eddie and favors jocks and preppy students. She wears coke bottle glasses that magnify her eyes and has a fanatical obsession with purple.

- Stan: A junior member of Hellfire who had to sneak around his parents to go to meetings by pretending to be at algebra tutoring, as they consider D&D to be Satanic. When his parents find out, they write a letter to the school, condemning Hellfire club and saying they sent Stan to a church program to cleanse him. Higgins shows Eddie this letter to make him feel guilty and responsible.

-Nicole Summers and Cass Finnigan: These girlies are mentioned in one sentence but I don't know where else to put this info. Eddie implies these are the two other hookups he had before Paige, once in grade ten and once senior year, saying that he could tell they were only doing it for the dare of getting with the freak. Though, he wasn't looking to be anybody's boyfriend. He compares them to Paige, who he feels like genuinely likes him

- Steve Harrington: He doesn't actually appear in the book but his balls get a mention so he's going on the list. The only thing to note is that Steve doesn't approve of any freshman getting beat up, to the point where the jocks do it behind his back and Jason Carver is worried about him finding out. Tommy says Steve doesn't have any balls since dating Nancy Wheeler. Eddie defends Steve's balls, saying Tommy can't talk about someone else having no balls when he gets his kicks beating up freshman.

- Will and Jonathan Byers: At the end of the book, in a record shop, Will and Jonathan walk in. Eddie recognizes Will from his missing posters and recalls the events where Will had a funeral yet somehow was found alive. Jonathan goes to the back for a certain record, and while Will is alone, Eddie watches as a few younger jocks come into the store and start hounding him, calling him zombie boy. Eddie takes up for him, goads the jocks and gets them to take it out on him, takes a baseball to the chest and they leave. Eddie tells Will that Zombie Boy is metal as shit and Jonathan thanks Eddie when he comes back. Eddie offers Jonathan weed and says Jonathan is way too offended by the question for someone with his haircut. This whole interaction solidifies Eddie's new sense of purpose, collecting and protecting sheep.

- Granny Ecker: Ronnie's grandmother. She's not a big part of the story at all but she lives in the trailer park too. She's a wooden spoon wielding grandma character. Eddie calls her Granny too and she worries about Wayne and makes Eddie bring him casseroles and stuff. it's just cute so I'm including it.

[highdio]

Pleeease, write your thoughts about the musical lol. I really like your Dio meta posts <3

Just a disclaimer: this is really opinionated but I don't like to drag media for its own sake. There were lots of things to like in the Phantom Blood musical, just ... Dio wasn't one of them. Also, Mamoru Miyano threw himself into the performance he was asked for, so it's hardly his fault. It's just always amazing to me that people feel the need to rewrite Dio into someone else when the way Araki's written him is already perfect, complete and a lot of fun.

So, where to start? Basically, the Phantom Blood musical re-writes Dio, giving him a different personality and different motivations through OOC stage direction along with a bunch of original dialog and scenes. What results is a version of Phantom Blood where "Dio" is just a normal guy without charisma who had a bad childhood and spends most of the story being miserable. Dio as he's written in canon has an uncommon charisma and appeal that's allowed him to remain relevant as one of those 'all-time great' villains. Scene after scene in the musical prove that its creative team either didn't read the manga or just really didn't like Dio.

fwiw Araki wrote Dio as thoroughly fleshed-out, with consistent traits and behaviors and consistent motivations behind his actions. He also left a paper trail of interviews and author's commentaries that develop Dio even more fully beyond the manga. So there's really no excuse for media that treat Dio as some sort of empty vessel waiting to be filled by narrative cliches we already know and expect.

It's annoying too, because, along with its OOC content, the musical is peppered with occasional manga-consistent moments. It's like the musical is camouflaging its Very Bad Take on Dio by having Mamoru Miyano periodically re-enact the canon character's most famous panels. The musical wants simultaneously to take credit for bringing Araki's vision to life on the stage, while at the same time completely undermining its most important element: a capital V "Villain" who, according to Araki, "accepts and embraces his evil nature, and follows his dark path without hesitation." This is the biggest change the musical makes to Dio: musical!Dio has none of the confidence that allows canon Dio him to move so decisively and destructively through the narrative.

Musical Dio is introduced by a scene where he's bullied on his way home, before breaking into a song about how terrible his life is, where "everything is always taken from [him]" ("it's hell …I feel nauseated …[I'm] under a cloudy sky.") The song is alternately tearful and hopeful. "I'm going crazy from being robbed!" he laments and then pollyannaishly muses, "hey, Joestar, can you turn my [cloudy] skies to blue?"

If Dio being introduced as a sad sap and self-described perennial loser hoping for any break sounds attitudinally unfamiliar that's because it is. Araki went in the opposite direction: he started his story by subverting the cliche - wide-eyed poor boy victimized by circumstance leaves his sorrow-filled life hoping for a new start - and instead gave us a kid with surprising, even sinister agency. Dio is not just given a hero's upward narrative arc (something Araki crafted very deliberately), he's introduced improbably in his first scene from a position of control. This fact is important because in the manga it's a position he won't lose until four chapters and nearly 100 pages in, when Jonathan finally fights back. From the time young Dio is introduced - reading a book with his back turned to his bed-ridden father who he's secretly poisoning -

- to the time he's systematically broken down his adoptive brother's spirit by alienating him from his friends, taking Erina's first kiss, and of course kicking his dog, Dio is shown as being in control and on top (Erina drinking the muddy water is the only exception). It's OOC to imagine 12-year old Dio feeling sorry for himself because at the time he's introduced, he's already made a habit of getting what he wants. By the time he sets off for the Joestars after killing his first dad, he's already developed full confidence in his abilities and the inevitability of his rise to riches (something Araki has him explicitly state and then underscores with a panel illustration of a steam train signaling the rise of Modernity).

But the writers and director of the musical don't find this characterization interesting enough or something. So they lose the canon entirely and in its place they invent a version of Dio who's despondent. And they didn't get Araki's steam train memo so they miss the Modernity theme (even though Araki's tied Dio so tightly conceptually to the idea of the Modern that he has him "use a 20th century boxing technique in the 19th century"); instead they double down on class difference being determinative. It never occurs to them that Dio is written specifically by Araki with the freedom to move outside of his social status because he sees it as artificial (the "evil elite" monologue later reveals Dio thinks of the whole social contract thing is arbitrary and voluntary).

Throughout the musical, Dio (although it's not fair to Mamoru Miyano since he isn't responsible for writing this mess, let's use mamoDio from now on because it's easier) seems to idolize the Joestars for what he calls their "beautiful blood." Not "beautiful" because usable calories for the vampire he will become but "beautiful" because noble. The Joestars' noble status and the honor that's apparently behind that status become the shining "star" toward which mud-bound mamoDio flailingly, failingly reaches. I don't need to tell you that in canon Dio doesn't have respect for nobility.

"Mud and stars" is heavy-handedly introduced as a dominant theme of the musical. According to the play, Jonathan, noble and bright, looks to the stars while human Dio, pathetic, conflicted and even confused, can only see life as a mud-soaked prison.

Now, the mud and stars thing was only used in Part 1 as a single text element on a Volume 1 illustration but, in spite of its marginality, it's becomes a liturgical text for some fans looking for an explanation for Dio's actions beyond what Araki gives them in the actual narrative. To this sort of fan, a guy who embraces his inner talent for evil and never had the misfortune of developing a moral compass isn't the right type of villain because he's unapologetic. If the villain doesn't have excuses how can you apologize for him? So they need Dio and by extension Araki to give them a "good enough" reason to accept Dio's ever-escalating atrocities. If the reasons Dio has for doing the things he does lie outside of what's considered good or acceptable, they are simply rejected and new reasons are invented in the hope of making Dio much less objectionable.

Now, like I said earlier, Araki's repeatedly told us in his writings that Dio has an upward narrative trajectory, not a downward, "mud"-bound one. The mud and stars duality fails to describe the narrative journey of the two main characters: both look upward to transcend their circumstances and travel along a shonen manga hero's rising path. (In fact, it's Jonathan who needs a good push to realize his potential, something Dio happily provides). And it's Jonathan, not Dio, who Araki first gives a downward arc, being handed defeat after defeat for those first four chapters before gaining his footing and progressively rising to Dio's challenges. "Mud and stars" isn't just a bad choice of metaphor, it's a misleading one.

Back to the musical, mamoDio is the exact opposite. An air of sadness and insecurity haunts his performance. An original scene where George presents the mud and stars dilemma as a lesson highlights Dio's lack of confidence and the depression that lurks behind it, as Dio bemoans how people doomed to "struggle and die" cannot possibly summon the hope it takes to look up to the stars (he's talking of course about himself).

Likewise, and here's where mamoDio's failure as a character really comes into full relief, seven years after this, when Dio's machinations are revealed and he's about to be arrested, before he uses the stone mask, mamoDio drops to the floor and spends the better part of a musical number in tears, bemoaning his sorry life ("I'm trapped in a prison covered in mud… no matter how hard I struggle I'm crushed…") and his lack of noble blood.

(btw this is after the manga scene where Dio fake cries; here, mamoDio is genuinely distraught).

Contrast this to the actual scene in the manga. His expressions in these panels are memorable because of how assured Araki draws him. Dio's entire world - his poisoning scheme, his grab at what one can assume would have been the entirety of the Joestar estate - is about to end but instead of despairing, he launches into a philosophical soliloquy. His body language is haughty: this isn't mamoDio crawling on the ground and decrying his upbringing and lack of noble blood, instead this is a man who apparently, almost irrationally, perceives himself as noble. When he uses the mask, Dio is smiling widely. Metaphorically speaking, he's looking at the stars.

When mamoDio uses the mask? He's on his knees. He's in tears. On one night he interjects, "Mother…" In short, he's conflicted.

One of these depicts Dio. The other does not.

Now obviously the writers and director of the musical must think making these seismic changes adds something to Dio's character. But (and I feel like this is a theme whenever I write these things) I'd argue it only makes him more basic. It makes him predictable and formulaic, someone we've seen in countless other stories.

(Oh! and did I mention mamoDio repeatedly calls himself "useless"!! Because he does this.)

Now, because mamoDio has no confidence and as a human acts out of desperation, when he becomes a vampire he still isn't Dio. Mamoru tries to make his vampire Dio evil and scary by expending a lot of energy, running about the stage and sticking out his tongue ad nauseum. When you look at how Araki has Dio move physically throughout the manga, it's the opposite of kinetic. Dio is a point of fixity who's charisma draws others toward him (ask me for more on this if you want because there's enough here for its own post).

Now for the worst of the worst: at the very end of the production, after the manga ending that features Jonathan's death and Dio's (presumed) defeat as a head imprisoned in Jonathan's arms, the musical takes an original twist in which, following a finale number featuring most of the cast, mamoDio is lead offstage by Jonathan. You read that right. mamoDio is hunched over, resigned, and Jonathan seems to take on a paternal role. Although the lyrics would have you believe this has something to do with "two fates becoming one," it's clear from the stage direction that any embers of Dio's ambition are being tamed and extinguished as Jonathan takes Dio's grasping hand, subdues him, and leads him docilely into the darkness.

It turns out Dio's vampire arc was just a phase, a hurt and lonely child lashing out and making a mess for attention.

His body language here is obscenely out of character. Consider the following because, as I said in the opening, in spite of what all these re-writes of Dio would have you believe, Araki crafted Dio with specificity and consistency: Araki only draws Dio (with very few exceptions) 1) standing tall, looking down at you; 2) back turned, looking back and down at you; or simply 3) back turned, (performatively?) ignoring you. Dio is never on the ground except when he's knocked down (think, young Jonathan finally fighting back in the Joestar home or, much later, Jotaro stopping time and landing those punches). By constrast, mamoDio has spent an incessant amount of time of the ground, crouching, kneeling,, bowing, hunched down. Who is this guy? So his hunched-down exit in the final moments of the production, literally being led by Jonathan (controlled??), is so amazingly stupid that if I didn't have a gif as proof, you might think I'm just making this stuff up:

There's plenty more to unpack that I won't address here: ghost Dario. The lack of grave-spitting. The complete absence of true joy or leisure expressed by Dio especially during his vampire era: no woman eating her baby, no owlcats, no Poco's sister. No chaise lounge. No roses(!). No fun. Not for Dio. That would be too manga-consistent. That might mean Araki wasn't giving us the appropriate message that bad guys are actually just sad guys.

tl;dr Dio isn't in the Phantom Blood musical. He's replaced by a normal guy who's motivated by a lack of self-esteem and despair that he wasn't born into an upper-class household, or something. He's boring. The result? There can be no Part 3 in this musical's world (and presumably no Parts 4, 5 or 6, no Giorno, no Jolyne, … you get the picture) because mamoDio just gives up. It's a nicely produced little tale about Jonathan Joestar and some random other guy who at some point gets a funny green coat.

[bobluvbot]

birthday blues

pairing: sirius black x f!reader  summary: first time godfather sirius goes shopping to find the perfect first birthday gift (jily + baby harry ♥️) wc: 5k a/n: me tryna heal canon trauma ❤️ because in my world everyone lives happily ever after !!! my lil celebration piece for hitting 200 followers! thank u all <3 not proofread, english is not my first language so plz be nice heheh

“What’s the store called again, sweets?”

even as a young kid, one of your biggest pet peeves is repeating yourself for more than four times. three is pushing it. your parents told you its a bad habit to take to adulthood because you’re bound to meet people who just don’t get what you’re saying the first or second time around. But one Wednesday morning, when you asked from upstairs where your favorite periwinkle socks were and your parents downstairs said something that the loud dishwasher and vacuum covered up, you asked them to repeat it again (still can’t hear), and again when you moved closer to the staircase down (barely heard any), then you heard your father’s heavy footsteps up, personally shoving in your waiting hand the said pair of socks.. only damp. “Honey, I said three times already, that they were still in the dryer,” your dad had huffed before heading back downstairs. That’s when you knew it was genetic. 

But, you love Sirius Black. It’s gotten to the point where in the honest, sensitive hours past midnight, while there was nothing much to do as you let sleep creep up from your tired limbs to your fluttering eyelids, but to watch peace settle on the raven-haired boy’s sharp features, ethereal and glowing like an angel even in the dark of the night; that you realize he may be the love of your life. It’s a scary thought, with fears of being too eager, too soon, too much—- so you tuck it in a little pocket and give it a nudge when you need a reminder of how big and true its growing with each second spent together. 

You love him, so you breathe out the snarky irritation away in slow heavy puffs and inhale peace, choosing to exercise patience because you know Sirius is nervous. 

“It’s Spintwitches Sporting Needs, love. ‘s right across Ollivanders if I’m not mistaken,” you say, taking his free hand in yours and rubbing small circles on his knuckles to calm some of his nerves down, while he drives through busy muggle London streets to park by the Leaky Cauldron. He throws you a soft smile and gives your hand a quick squeeze as thanks, grateful to the heavens that you’re here to keep him from going insane.

You know him enough that, while the day in question is not about him, or you, or your relationship, it meant a great deal to Sirius. 

He had one chance (even if you’d argue otherwise) to make things right, do things the right way the first time around with Harry. James knew this fact by heart, which is why he and Lily agreed in a heartbeat that Sirius should be little Harry’s godfather, as it was meant to be. He would do anything, go beyond means, hell, even against Merlin himself just to ensure the safety and happiness of his godson. 

No one, however, was expecting it to backfire and it caught you and Sirius off guard. Once the tears dried and elation diffused, the anxiety kicked in for Sirius, and in turn you. He knew what the opposite was, parents who robbed their own sons of happy childhoods and disowned him when he got brave enough to find happiness and protect it, he had lived it. And now that he has a chance to save an innocent soul from a similar fate, he was determined, but this fact scared him shitless.

He wanted everything to be perfect (who wouldn’t?) and gave everything he physically could to make James and Lily’s Harry’s life easy and happy. Seeing Sirius buy ‘How to Dad?’ books and pour over them at night or on his free time at work was undoubtedly an attractive and loving sight. In a span of a week, he knew which is the best formula to supplement with breastfeeding, toys to pick that stimulate early brain development, even clothes made with hypoallergenic materials that won’t irritate the sensitive newborn skin. It came to a point where James would ask him for advice when Lily’s at work, and Sirius would put on his trusty reading glasses and point at a specific passage of ‘How to Dad?’ that answers James’ question perfectly. 

Eventually, you did have to put your foot down when you found Sirius writing a howler to a baby food company when rumors started going around that their baby snack puffs (which Harry was obsessed with) had harmful chemicals in it. In typical Sirius fashion, he wasn’t convinced that easily. You’d bet that what pushed him off the howler letter route (and in turn protect the statute of wizarding secrecy) was seeing you spend lots of time in the kitchen to perfect making banana and strawberry baby snack puffs from scratch until the recall was over and the food was deemed safe to be consumed again by experts and Sirius himself. 

Hearing many iterations of how the newborn days and months go by so fast was difficult to believe at times, especially when you and Sirius were babysitting to let the exhausted parents get some sort of reprieve multiple times a month. It was almost always the same. Harry would sleep for four hours straight during the night, and almost hourly right after; and while you and sirius had gotten pretty good at dividing up the tasks like bottle feeding and nappy changes equally, the shrill cry of a hungry baby is difficult to ignore and sleep through. 

So despite of Sirius’s best efforts to crawl out of bed and tip-toe to the bassinet quietly not to wake your sleeping form, he gets sad but unsurprised to see you pad towards him and the baby, yawning soundlessly as you squeeze yourself between the soft armrest and Sirius’s side, head resting on his shoulder. It was his idea to get a spacious, soft recliner in the bedroom and it came in handy for situations like these, where getting back to bed once Harry sleeps is too risky as the boy would just wake up with the slightest movement, so the next best option was to try getting rest wherever you ended up in. The cries that once overpowered Sirius’s hushed whispers and cooing finally quiets down. A sigh of relief leaves both your lips, basking in the comfortable silence and bodies finding solace in each other’s warmth. 

You want to say so many things to your lovely boyfriend, things he just has to hear: that he’s doing such a great job, that you see him and all the extra steps he has to take to become and do better than what he was raised for, that you love him for every single bit of it— but the right words don’t come easy when sleep-deprived and exhausted at 4:25am in the morning. So you lift your lips up to meet his temple, the side of his mouth, then his lips; hoping it’d convey what words couldn’t at the moment. 

But time is an experienced thief. It was a Saturday afternoon in the middle of May and it was warm enough for you to whip out the frilly spring dresses that had been pushed to the back of your closet by the thick woolen coats from colder months. The boys had gone on a day trip to help Peter move into his first solo apartment, assembling furniture and stocking up on necessities to ensure he could survive on his own. Without the booming voices and bumbling energy of his father and godfather, little Harry had no choice but to match the calm and peaceful ambiance that you and Lily curated inside the Potter house. While it’s certainly different from what his everyday looks like (living with the likes of James), he seems to enjoy it. Gentle breeze from the windows Lily left open while she baked carry the smell of lemons and vanilla throughout the entire house, making it smell heavenly. You’d been sat on the floor by the dining table, surrounded by toy trains and colorful blocks, watching the ten-month-old munch on a toy graphorn adoringly. Recently, he’s been on a phase where he has to run anything he could get his hands on with his mouth. Some secret test or screening must be up there or something because that’s how Harry decides which toys are deserving of his attention for the day.

You’d picked up a toy set of magical creatures after work yesterday, and it won the almost toddler’s attention for the whole day. James had to snatch the toy niffler away from Harry’s grasp so he could say goodbye to his son and ask for a kiss. Safe to say there were no kisses exchanged because the little boy was too busy wailing and screaming at his father’s face. Lily had to create physical distance between her two boys so the younger one can calm down while the older got mopey. Sirius had to whisk his best friend away from the scene of the crime so that they can get on with the day, but not without leaving you a kiss. 

The said niffler had soon been replaced with the hippogriff, then now the graphorn, and it’s been sitting on your lap since. Harry suddenly pulls the toy graphorn out of his mouth with a resounding pop. You both share a second or two of shocked eye contact and silence, his bright green eyes wide with surprise, before triggering a belly flipping laughing fit. This child could shock himself with a sudden burp or an unexpected sound of hitting random things with a fork, and you’d laugh every single time like its the funniest cutest thing you’ve seen in your life. It’s likewise for the rest of the marauders. Being the first baby of the group had all the adults wrapped in his pudgy fingers and he has no idea. 

Harry’s eyes drop from your smiling face to the Niffler on your lap, and makes grabby hands. You almost, almost give in, but you decide to encourage him to go get it himself. Maybe today’s the day he starts to walk. You move to him a bit closer, probably a good seven baby steps in between. 

“You want the Niffler, bud? You have to go get it from me!” You make a show out of grabbing the toy from your lap multiple times, hoping it’d make sense to the little boy. 

He whines something sounding like your name and does more impatient grabby hands. But you weren’t giving up without a fight. “C’mon, Haz! You can do it,” you say enthusiastically. 

Harry did know how to stand and good thing you were both sat near the dining table chairs, so to alleviate some of your aunt guilt you tuck the niffler away and out of Harry’s reach, before helping him up to his feet and urging him to grab one of the chair legs for support. 

He stays upright, eyes still on the toy that you place again on your lap as you return to your original spot, and you clap with glee. “Great job, buddy! Okay, only a few steps to me and you’ll get the toy!”

Lily, curious to see the commotion happening on her kitchen floor, leans against the counter for a better view. Harry sees this and does the same thing, he looks at her pleadingly while making grabby hands and pointing to the niffler on your lap. You can tell the redhead’s fighting the mom urge to make her child’s life easier, but thank the heavens when she gives your same answer. She even moves to kneel beside you, waving to get her son’s attention and pointing at the niffler on your lap.

“C’mon, my sweet boy,” Lily says. “Mama knows you can do it!”

Motivated by frustration as his aunt and own mother won’t just hand him his goddamn toy, Harry whines angrily but makes a sideways step closer, death grip still on one of the chair legs. You and Lily squeal and clap in delight, urging the boy to do it again.

He makes a move for another step, but realizes that there’s no more legs to grab onto. Reluctantly, his right hand lets go and in turn faces you and Lily. This results in another round of applause, which serves like a drug to these little babies. 

An anxious expression fleetingly appears on his face as he looks to you both, but the encouragement and cooing seemed to scare those big feelings away. Determined, Harry makes an unsure step forward without support, which then makes both yours and Lily’s heartbeat jump. It all happened so quick, the fear of losing balance triggered Harry’s other leg catch him on impulse, then the same on the other leg, then the other. Harry’d made four successful steps on his own before his mom catches him in her embrace before he topples over to the floor.

You and Lily were a sobbing, exultant mess. Harry, clearly confused about the commotion, whines for the niffler while Lily kisses him all over his face. You hand it to his waiting palms like a trophy before ruffling his unruly hair.  An attempt for words has been made, but all that came from your mouth are garbled phrases about the miracle that just happened. Lily nods in agreement and you hug them both back. 

This ten-month old just walked. This is the same baby that kept you and Sirius up at night for his feedings. The same baby responsible for the drool and spit up marks on your shirts. The same baby that  laughs and babbles with you like he understands when you tell him random stories. The same baby that squeals in delight when you blow raspberries on his belly. 

It felt like he had just been born a few days ago, memories of changing hundreds of nappies and preparing bottles of milk still vivid in your mind. But it’s earth shattering to consider that he’s closer to being a one year old than to the little bundle handed to you by James in the hospital room. 

Time is unrelenting, stealing mundane moments behind your back and when you realize the loss, poof! The newborn you held in your arms is now a walking toddler. Soon, he’ll be the one talking your ears off, going to Hogwarts, driving a car.. You shiver at the thought. He was growing up so fast that blinking felt like cheating, afraid that you’ll miss a precious moment that you’ll never get back. 

His first birthday came in the same manner— too fast for both yours and Sirius’s liking, but the wistful feelings came with excitement as Harry being a toddler opened up lots more opportunities to play and discover the world around him. James and Lily had spent the whole month planning a big birthday bash to celebrate the kiddo’s life, inviting all their loved ones to share the special day with them. And with that, the pressure was on for Sirius, as the self-proclaimed best godfather to get the perfect first birthday gift.

It’s like the heavens knew it was a special day for you both that it made sure to put out the best shopping weather one could ever ask for—- not too warm or too cold. It was a Tuesday afternoon, which meant the adults were kept in workplaces and children sent to Hogwarts or in homeschooling, leaving Diagon Alley nearly deserted, minus the occasional stray shoppers entering and leaving shops here and there. Clad in color coordinated couples outfits (that was your thing recently, Sirius more than happy to oblige) and hand in hand, you begin the mission to locate Spintwitches Sporting Needs. 

Nostalgia always finds a way to seep into your bones whenever you find yourself in Diagon Alley. One blink and suddenly you’re ten again, both hands tucked in each parent’s as your mom pours over the list of school supplies you’ll need again for your first year at Hogwarts. You and Sirius see Ollivanders at a short distance and hear the entrance bell chime, the very same sound you heard when entering the shop for the first time, the shopkeeper taking one good look at you before immediately rummaging around the store, grabbing a specific box located on a random shelf four stories up. The look of confidence when he says it’s made just for you, a magical glow enveloping your tiny frame while opening the magenta box. That same magic guided you to a world where you truly belonged in, a castle that felt so much like home, and friends that soon became found family and lifelong partners. The thought of Harry soon experiencing these moments leaves a giddy feeling in your chest. 

The smoky sweet scent of freshly roasted chestnuts catches your attention and you discreetly look for the source of your favorite warm snack. This doesn’t go unnoticed by Sirius (hardly nothing ever does, even the things you wish he’d miss or forget), and he gives your hand a small tug. You try to be aloof as you return his waiting gaze, complete with a quirk of your eyebrow, to which he responds with an impish smirk towards your bad acting.

“You’re not fooling anyone with that look, sweets.” The amusement in his voice is palpable as he steers you away from the main walkway and towards the small chestnut stall tucked in an alleyway, almost hidden by the bigger shops surrounding it.

“But, the store’s right there, Siri,” you try to protest. He had been anxious and stressed out about this day in particular, you knew if you were in his shoes, you’d be beelining to the store as soon as you get off the car. But he just shakes his head like its the obvious choice and nods towards the cart. “Can’t have my girl hungry now.” 

After a failed attempt of trying to pay for the warm brown bag (you were no match for Sirius’s lithe, agile fingers in basically everything), you accept it with a sigh, giving yourself a few seconds to sulk before starting on the chestnuts. You weren’t the best at accepting things from other people just because, it always felt like you had to do something in return for them just to deserve it. Maybe that’s why the universe conspired to have you meet and fall for Sirius, who is a very enthusiastic giver, teaching you hard lessons on the daily.

As you begin the journey back to the shop, you carefully crack open one and hold it up to Sirius’s mouth, to which he happily obliged. “Mm, somehow chestnuts taste better when you handfeed me, dove. Do it again.”

You roll your eyes in response, but you find your fingers starting to peel another. “You’re lucky you’re good looking, Black,” you mutter to save some face, that you weren’t head over heels for this man and he to you. That’s a conversation to be had in another, less stressful day. 

The shop, painted electric blue and orange, wasn’t hard to miss. One step in and the welcoming aroma of broom polish, rubber, and smoky wood brings you right back to the Quidditch locker rooms; memories of frantically lacing up your boots a minute or two after James called you as backup for an injured beater, helping Marlene comb out the tail end to fix the broom alignment after practice, and getting pinned to the cool lockers during post-win celebratory makeout sessions with Sirius, replaying vividly in your head. 

It looked deceivingly small on the outside; aside from the expansive selection of different broomstick models, they had books and magazines about Quidditch strategies and featured famous matches, repair and maintenance kits for maintaining broomstick qualities, complete Quidditch gear for all shapes and sizes, and tiny practice snitches flying around the room. Squint and it’ll just be like how each Hogwarts common room would be decorated when there’s a big Quidditch match between houses or international ones in the world cup: streamers and accessories like horns and banners representing each team, posters of Chudley Cannons and Holyhead Harpies (in opposing corners to prevent unsolicited fights) accompanied by autographs of famous players and collectibles littering almost every surface of the walls. It was Quidditch dreamland. 

Still in awe admiring the displays as you both walk through aisles hand in hand, Sirius breaks the silence first. “What do you think Harry will play as in Quidditch?”

You hum in response and he continues, running his hands through the bat display they had for little kids.  “I bet he’d be a beater like me. You remember how that punk hit me straight on the face last week?” 

You nod in amusement. Sirius had played it cool as he gently laid Harry back in his playpen, still laughing and cooing, then as soon as little Harry turned his back on his uncle, Sirius ran to you for first aid and whined the whole time you were healing the already forming bruise. But not a few hours later, he’s bouncing the baby in his arms again as he gave him a tour of the backyard. 

“Yeah, those little fists definitely pack a punch.”

“How about you, love?”

Sifting through a year’s worth of memories, it was surprisingly easy to find your answer. “I think he’ll follow James’s footsteps and be a seeker.” 

Sirius’s pout becomes evident, making you giggle and tug on his arm in efforts to cheer him up. “Think about it. Ever since prongslet got those glasses, it’s harder to hide anything from him now because his eyes are so quick. Poor Crookshanks too, that cat can’t catch a break now when Haz wants to play because he tracks its movements.” 

Sirius lets out a soft chuckle and slings his arm around your shoulders to hold you closer. “Good point, good point,” he repeats, seemingly deep in thought as his fingers run up and down the small of your arm. “We shall see, whatever he decides to play as, or if he even plays at all, I’ll be proud of him.”

You look up to him as he absentmindedly stares at the Quidditch gear sets for little kids, a light, wistful smile on his handsome features. He might not say it out loud, but the love he has for his godson reverberates through his being, and its a warming sight to see. 

Before you confess your love for your boyfriend in the middle of a Quidditch store, you whisk him away and towards the toy broom display, the only thing you were both here for. Only the big bright signs directed you to the right place, which didn’t prepare you at all for the heart exploding sight.

You’re about to burst into tears seeing how cute and tiny the little toy brooms were, and how they came in complete with tiny versions of the headlights, seats, and bag compartments the usual adult broom comes with. Both you and Sirius stood with mouths agape for a solid minute as you took in the expansive display, before your lovely boyfriend proceeds to pick out the most expensive one with the most features on it from the batch.

Surprisingly, it was you who reminded him to grab a helmet before running off to purchase the toy broom, the giddiness and excitement spreading between the two of you. The cashier gives both of you a knowing look as you and Sirius both mellowed down from full giggles to bashful smiles, examines the broom to be purchased, and asks, “For your little one?”

Now, you were no stranger to conversations like these with former lovers in the past, and you could almost hear the typical response of denial that comes swiftly with the question. It used to hurt, even if you knew by heart that that person didn’t have the fifth date potential or that it just wouldn’t last. It’s that unexplainable feeling of shame and rejection when they’d realize that it won’t work with you before you would, or if they answer with a laugh, as if having a future with you is an appalling thought. You’ve gotten better with it throughout the years, but for some reason your skin crawls with the thought of Sirius saying the same things. Years of desensitization down the drain, you find yourself bearing your entire soul to the man beside you the entire relationship, and he can easily break you into two with his response. You cross your fingers that he won’t.

He was already looking when your gaze met his, a look of softness and tenderness from him so profound you wondered if you were deserving of it. The surge of butterflies in your belly was all consuming. 

Sirius shifts uneasily and shakes his head, you prepare for the worst. “For our nephew, not for our own child..,” he pauses, glancing back at you for a quick second. “Yet. But if all goes according to my sneaky plan, we might be back sooner than she thinks.”

The cashier chuckles at your stunned reaction as you shift your focus between him and your boyfriend who was both furiously blushing and actively avoiding your stare. Did you just get a marriage proposal? 

Taking advantage of your confusion, Sirius pays for everything including the gift wrapping, which you had previously argued about who was responsible paying (you won, not that that matters now). You let him tug your arm and guide you out of the store, saying a quick thank you to the amused cashier. The influx of butterflies were back, tickling your insides and spreading warmth in each crevice. Just seeing Sirius handle the rambunctious mini James with care and glee, makes it so easy for you to imagine a life with him, and eventually have a little bean that’s equal parts of you and him. You hope they’d get the best parts of both.

No one brings it up as you began your journey back to the car and you’re grateful. Gift bag swinging on your arm, you drag Sirius to go get ice cream to which he happily obliges. 

A gentle quiet settles on accomplished shoulders like a warm blanket as you settle in the car. Strawberry and vanilla fudge ice cream sticky sweet on each other’s lips as you exchange cones every once in a while. It would be enough to lull you to sleep, if not for Sirius’s deep breaths and sighs, the thundering of his heart that he tries to quell by discreetly scratching a small part of the steering wheel where his thumb usually lay. 

He breaks the silence first, an uneasy tone making his voice seem small. “Do you think he’ll like it, dove?”

“Yes, Siri. I know he’ll love it.” You try your best to enunciate the right words, but a conflicted expression marrs his handsome features, sending a twinge to your heart. 

It comes to you before he speaks. This was something that had been plaguing Sirius’s mind for a while, occupying his dreams and thoughts, embedding itself to his mind and causing unwarranted amounts of stress. You resist the urge to fill in the blanks for him because it has to come from him and him only. 

But after everything he’s been through, what seems easy for most sometimes is the hardest to muster. “Siri,” you pause, waiting until he looks up at you and you keep his gaze. “You know you can tell me anything, right?”

His gray orbs still before the dam breaks. “I’m sorry, love.” He chokes. “If I’m being so difficult, irky, irritated, anxious, everything.”

Hot tears run down his cheeks and it’s a painful watch. wanting nothing but to wipe it off and tuck him in your embrace and promise him he won’t be hurt as long as you’re there, but you can’t. The best thing you could do for him is to let it all out and finally feel.

He stares ahead on the city road with fingers trembling on the wheel. “I’m just so scared. So scared. James and Lily have been amazing parents, I can’t say same thing for myself but I try my best. Sometimes I still feel like he deserves someone better to be his godfather,” he sobs. “I just love him so much. I want only the best for him. I just want him to be happy and healthy all the time.”

After a while, you say with a bittersweet tone. “You know we can’t promise that, Siri,” you sigh. “Storms will come and will do damage and hurt and things that we can’t undo,” you pause, sniffling as you take your right hand to guide him to face you again, vulnerable gray eyes meeting yours. “But you know what?”

You give him an assuring smile, speaking the truth. “He’s gonna be alright because little as he is right now, he is so loved and adored by so many people, so loved by his parents. And so loved by his godfather.”

It wasn’t said aloud, it doesn’t need to. Loud as it could be, Sirius knows what you’re about to say; that his ability to love despite of everything he’s been through, despite of his own family ruthlessly trying to rob him of the ability to do so. That’s the type of love that Sirius gives, a love that withstands rain and abandonment; a love that stays after a rough storm, offering a home always open to go to when times are rough and feelings are still hurt; a love that tells the truth even when its hardest to hear. 

You know all this as an easy fact because you’re at the receiving end. Even if you hadn’t heard it from his lips yet.

“Have I told you I love you?”

A watery smile spreads on your face as you shake your head. “No, but i feel it everyday.”

“I love you, Y/N.” It leaves his lips like breaths, naturally and easily. 

It’s the same thing for you, too. “I love you too, Siri.” 

And it ends with sticky kisses that taste of vanilla fudge and berries.