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watchmegetobsessed · 1 year ago

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NOW AND FOREVER (part 2)

A/N: these two got stuck in my head and seemingly in yours as well, so lets see some more of them! part 1 is linked under the summary if you haven't read it!

WORD COUNT: 3.4k

PAIRING: princess!reader x guard!harry

WARNING: sexual content

SUMMARY: To be eligible for the throne, you need to get married. The past few years have been dedicated to finding a king for you, but now that you're secretly dating your guard, these attempts are a bit more complicated than before.

PART 1 | MASTERLIST | SUPPORT ME!

There’s that scene in The Princess Diaries when they are choosing a possible husband out of a slide show for Mia. You used to find it funny when you were younger and made jokes to your parents that you want to do it too. They laughed, but exchanged a look you didn’t understand back then.

Now you do.

There are two requirements you need to meet to take the throne. The first one is to be at least 25 years old. That box has been ticked for three years now, the real problem is the second one. Because as outdated that law in the movies was, it is your reality. You have to be married, you can’t take the throne without a man.

As a teenager you didn’t think much of it, because you pictured yourself to meet a handsome prince, marry him and then become queen, easy as it is. But as you grew older and dating was proven to be impossible as a princess, anxiety and panic started to set in that you’d end up in an arranged marriage just to become eligible for ruling Eroda.

Then came Harry, you fell for him and he fell for you, but it just complicated things even more, because he is not from royal blood, not even close to being an aristocrat, therefore you can never marry him.

For the past few years most of the social events you’ve attended had a not so hidden second purpose: finding a husband.

Never ending rounds of introductions to single men, awkward chatting that ended up in asking you out on a date that you declined politely most of the time, followed by a sermon from your father about needing to settle soon, because he is not getting younger and you need to be eligible for the throne as soon as possible. You always tried your best to just ignore him, but ever since you and Harry have become an item secretly it’s been extremely hard to hold your tongue and not tell him that you have found the man you want to spend the rest of your life with, but he can’t be king, because he is your guard.

It’s such an impossible situation and you have no idea where it’s going to lead.

Now it’s another one of those occasions, the opening of the Spring Festival is just another opportunity to fill up the palace’s ballroom with all kinds of single men from around the country and even outside as well.

You know people are filling up the room already while you’re still in your suite. Your hair is done, makeup perfect, wearing a gown that costs probably way more than you feel comfortable with, but you’re never informed about how expensive your outfits are.

You’ll be announced in about fifteen minutes, walk down the stairs for the millionth time and start your rounds. You’d rather jump out the window than to meet all those people, but you have no choice.

There’s a knock on the door.

“Come in!” you call out and you see Harry step inside from the mirror. He is wearing his usual black suit, looking polished and threatening at the same time, but not to you. You see the man he is behind his thick walls, because there’s a door on that wall, just for you, wide open.

The door clicks behind him and he watches you turn around, his gaze runs down the length of your body and then up to your face again.

“Should I change?” you ask, arching an eyebrow at him teasingly.

“Do you want the honest or the brutally honest answer?”

Your lips stretch into a smile as you start to cross the room slowly, walking towards him while he remains standing in his spot.

“Both. The honest first.”

“You look stunning,” he replies, his eyes soft and loving. You stop just a few inches away from him.

“And the brutally honest one?”

There’s a short pause, you catch his eyes slip down to your chest and waist again before returning.

“I want to lock you in here and not let you close any men out there. I wish I could mark you mine.”

He knows how to turn you on within seconds with just a few words. He knows so well how much you like it when he gets possessive, ready to show it to the world that you belong to him and only him.

A shaky breath leaves your lips and just when you reach up to grab him by his neck there’s another knock on the door. forcing you to take a step back instead.

“Come in!” you answer when there’s enough distance between you and Harry, though your heart is still pounding in your chest as if it’s about to jump out and right into Harry’s hands.

Head of security, Clarke steps into the suite.

“Her Royal Highness, you’re expected to appear in ten minutes,” he informs you with a polite nod.

“Styles just arrived to walk me over. Thank you.”

The two men exchange a look before Clarke walks out. Taking a deep breath you turn to face Harry.

“Ready?”

“Sure,” you huff, earning a tiny smirk from him before he opens the door, but as you walk past him he stops you just for a split second to whisper into your ear.

“Mine,” is all he says and you keep walking as if that one word didn’t just make your knees wobble.

You use the walk to the ballroom to get your thoughts straight and not imagine how Harry would peel you out of this dress if you had some privacy…

They announce you and every pair of eyes are glued to you as you walk down the stairs and join the crowd. Endless rounds of introduction, the smile is frozen on your face and your feet are already sore from the heels, but you ignore the pain.

It always amazes you how uninteresting the men you meet are. How they can’t hold a conversation that doesn’t make you claw your eyes out. Thirty seconds into the chit-chat and you’re already planning your escape usually.

Tonight however there is one exception.

His name is Magnus, some kind of relative of the Swedish royal family, you don’t really care to be honest. At first he seemed just another one of the boring puppets, but he soon proved to actually have a personality and your status didn’t stop him from showing it.

His almost inappropriate, a bit risky jokes are what keep you sane tonight. He just knows what makes you laugh and he has a great timing dropping his silent comments that are only meant for you.

“I think I’ll have a little break,” you tell him after a rather long conversation with some old baron you know you’ve seen a couple of times already, but can’t remember his name, only that he is always oddly curious about the neckline of your dress.

“I’ll be around here, dodging questions about my father’s political choices.”

You smile with a nod and then look around to find Harry. He is not far away, by a window, his eyes already glued to you when you make your way towards him.

“Bathroom break,” you announce to him with a smile, expecting to see that hidden glimmer in his eyes as usual, because this is always the time when you steal a few intimate moments, but he is different now. Something is off.

He nods without a word and escorts you out of the room. In those few minutes you go back to your suite you try to figure out what could have happened since you parted ways that could upset him this much. As always, he opens the door for you, one guard stays outside and he comes in with you.

He plants himself by the door, his hands clasped together in front of him as he keeps a straight face.

“What’s wrong?” you ask.

He looks at you just for a second before turning his gaze towards the window, his jaw flexes and your worry just grows, you haven’t seen him this upset in a long time.

“Nothing is wrong,” he answers, but you both know it’s not true.

“I’m gonna ask you one more time, Harry. Just once more. What is wrong?”

Slowly, his eyes move back to you and for a moment, you forget to breathe, they’re so intense and darker than ever, as if all that gorgeous greenness is gone from them.

“Your little date must be waiting for you, better hurry.”

Amusement settles on your face and you can’t stop yourself from letting a laugh slip out.

“That’s your problem? Magnus?” His lips twitch at his name, but he doesn’t reply. “Harry, you know this is what’s expected from me. I have to pretend like I want to get to know the men out there.”

“I bet you didn’t have to pretend much when he came into the picture.”

“What are you talking about?!” you let out another frustrated laugh. You know he tends to get jealous, but you’ve never seen this side of him before.

“You seemed to enjoy his company a lot out there.”

“Because he is not a boring asshole like most of the men I’m usually introduced to.”

“Great. You two will look good as king and queen.”

You know he doesn’t mean it, that he is just pissed and feels helpless in our situation, but in this moment you simply can’t see over the nasty fog of anger.

“Oh you think so too? I agree,” is all you say before you march into your bathroom and shut the door closed.

There’s no more talking as you walk back to the ballroom, but even the blind could see the tension between the two of you. You catch the other guard that came with you giving Harry a puzzled look, but he didn’t dare to ask.

“Magnus!” you call out to him, making your way straight to him upon arriving when you spot him by a table. You can feel Harry’s burning gaze on your back, but tonight you’re in the mood to be petty.

“Your Royal Highness, you’re back!” he smiles brightly.

He is handsome, that’s for sure. Has great manners and an even greater sense of humor. The more you talk to him the more you think that you might be able to develop feelings for him in some years, or at least enough to live beside him in peace.

But those feelings would never live up to the love and passion you have for Harry.

You’re still angry at him, for how childish he was and thought that anyone could stand a chance when he’s in your life.

As the evening carries on your anger eases, though you’re still upset with him, you just want to be alone with him finally, touch him, kiss him, hear him call your name.

Magnus asks you out at the end of the night and you politely decline, he doesn’t seem offended, maybe a bit disappointed, but he masks it well. You say your rounds of goodbye and then finally make your way back to your suite, Harry walking right beside you.

The tension has somewhat lessened, but the vibes are still not the usual. You can’t tell what he’s thinking, if he is still as upset as before or he has cooled down, his face is so blank it irks you. Arriving at the suite you look at him, searching for any sign or feeling in his eyes, but they look back at you completely empty. So you walk in and lock yourself in your bathroom with trembling lips.

Normally Harry would sneak in later at night, but this time you don’t expect him to show up. Hoping to burn the feelings tonight left behind, you take a hot bath and try to carry on as if nothing happened, even though Harry is all you can think about.

Is it possible this is how things will end between the two of you? That this stupid little jealousy game is enough to pull you apart? You start to spiral heavily when you step out of the steamed up bathroom, but all your thoughts disappear the moment you notice you’re not alone.

Harry is sitting on the edge of your bed, still wearing his suit from tonight, but his black tie is gone and the top few buttons are undone on his perfectly white shirt. Unsure about where you’re standing and if he is still angry at you for the whole Magnus thing, you just stop halfway over to the bed, wrapped only in a silky robe.

For a while he just sits there, staring at you, silent and unreadable and right when you’re about to speak, he stands up and starts walking towards you, slowly, his eyes locked with yours. You’re waiting for him to say something, maybe lash out on you, or apologize, practically anything, because his silence is pure torture.

He stops right in front of you, if you took a deep breath your chest would be touching his, but he is still just staring down at you without a single word.

And you break.

“Harry, I–”

He doesn’t let you finish, instead, his lips smash against yours, one hand on the back of your neck, the other one grabbing your jaw as he moves forward, pushing you to move with him until your back hits the wall, his whole body pressed against you as he kisses you like never before.

He’s been rough with you before, but not like this. He is devouring your lips with the raw passion he had to hold back all evening, watching you parade around with another man while he wished he could show everyone in the room who you belong to.

You both are in a rush, he is practically tearing your robe off your body while you’re ridding him of his clothes in a frenzy. You don’t even get to pull his shirt off entirely and his pants are just pooling around his ankles when brings your legs around his waist and thrusts his throbbing cock into you, only to freeze once he’s buried deep inside you.

You both gasp, lips smearing against each other as you stare back at each other, savoring the feeling of being as physically close as possible finally. The events of tonight have turned, they are now a force between the two of you, pulling you closer and closer until you’re melted together as one.

You grab his face, tightening your legs around his waist as you breathe his name into his mouth before he starts moving.

He starts off slow, but he is quick to fasten his pace, your gasps fill the room and you’re thankful your whole suite is soundproof, just like almost all rooms in the palace. It’s the only reason why you could have been in a similar situation in the library, the guest room in the west wing and your study.

You’re tugging his hair and clawing at his back while he pounds into you relentlessly. At one point, most likely to muffle his moans, he bites into your shoulder and you faintly feel him sucking on the skin, but you’re just too gone to even realize what he is doing.

He is kissing you so hard your teeth are clashing as he comes, his movements fall out of his fast paced rhythm for a bit, but then he keeps going for you.

“Come on, baby. Give it to me, come on my cock,” he urges you, knowing you’re close too. “I know you’re there, I can feel you so tight around my cock, just give it to me.”

A few more rough thrust and you’re whining out his name, your orgasm spreading through your whole body in waves. He fucks you through it and only stops when he’s sure you’ve given him everything.

You stay like that, his cock buried inside you, his body pressing you up against the wall, foreheads resting against each other as you both try to catch your breath. When he pulls back you follow his eyes to your shoulder and see the reddish-purple mark he left on you.

“Fuck, I’m sorry,” he breathes out as he lets your legs down, your feet returning to the floor but he keeps an arm around your waist, knowing you probably don’t have much energy to stand on your own, his other hand comes up to your shoulder and he runs his fingers over the mark.

“It’s fine, I have makeup that covers anything,” you smirk at him. Secretly, you wish he’d let himself loose like this more often, you love seeing his mark on yourself.

You catch his face falling before he speaks again.

“And I’m sorry for tonight.”

You couldn’t be angry at him anymore, not even if you tried. The tenderness is back in his eyes and he is the Harry you love so much again.

“I’m sorry too.”

“No, you have nothing to apologize for,” he shakes his head. “You did nothing wrong, just… talked to a guy whose company was nice, after all those events full of assholes you always have to put up with. I was… jealous, because he got to be with you the way I want to.”

It stings in your chest, his confession hits hard now that it was said out loud, even though deep down you knew he felt like that, because you did too. You wished it could have been him.

With a gentle touch, you take his face between your hands and pull him in for a soft kiss.

“I know you know it, just probably forget it sometimes, but I’ll say it. No matter who they try to set me up with or how many princes and barons they throw into my way, I will only love and belong to you. Now and forever.”

You intentionally use his words and it seems to strengthen the message, you notice the tears in his eyes and you feel your throat closing up as well when you pull him in for another kiss, this time it’s longer and more passionate. You can taste his words on his tongue: I love you too.

When he pulls back you see the glimmer in his eyes, but then they disappear in a second.

“What’s wrong?” He shakes his head. “Harry, talk to me, please,” you beg him, pushing his hair back.

“It’s just… You’ll have to marry one day. You can’t be queen without marrying someone and I… I can’t be…”

He doesn’t want to say it out loud, as if it would make it more real, even though it’s as real as it could get.

“We’ll figure it out. I promise,” you tell him, running the pad of your thumb over his eyebrow, as if you wanted to memorize every feature of his face. When he looks into your eyes you know he doesn’t believe you, but he just nods. You don’t want to let him go like this, to end tonight on such a bitter note. “So… you’d want to marry me? You’re saying you would willingly have me as your wife?”

You see the switch in his eyes and the way the corners of his mouth curl up makes you lightheaded in a second.

“Did I say that?”

“You very much implied, yes,” you grin at him. “I’m surprised you’d want to put up with my big mouth and attitude, you get the most of them, because I can’t act up in public. Wouldn’t you get fed up with me after a while?” you ask teasingly.

“Mm, don’t let it get to your head, but I love your big mouth and attitude.” Leaning down his lips are now brushing against yours, but he is not kissing you just yet. “Especially… your mouth and everything it can do,” he adds in a whisper before finally sucking on your bottom lip.

He pulls you away from the wall and starts walking you towards the bed and you just smile widely against his mouth as you willingly move with him until you both fall into your bed and make the best out of the little time he gets to spend with you before he needs to sneak out.

Thank you for reading, please like and reblog if you enjoyed and buy me a coffee if you want to support me!

#harry #styles #harry styles #harry styles fanfiction #harry styles fanfic #harry styles oneshot #harry styles one shot #harry styles fluff #harry styles x you #harry styles x y/n #harry styles x reader #harry styles blurb #harry styles smut

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thebestsetter · 4 months ago

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Blue Lock Masterlist!

☆ -> My favorite works!

Jujutsu Kaisen Masterlist , Haikyuu Masterlist , Mixed Fandoms Masterlist , Percy Jackson Masterlist

• Rin Itoshi

* Please, dedicate me a goal! (Hurt with comfort)

You really want your boyfriend Rin to dedicate a goal to you. However, he thinks that's unnecessary. Well, you'll have to prove him he's wrong.

* My girlfriend's little sibling (fluff, a little ""angst"")

Rin wishes he had a normal sibling relationship with his brother, Sae. Luckly, your little sibling won't have the same childhood as him

* Happy halloween! (fluff)

Rin loves you. Therefore, he also loves one of your favorite holidays: halloween.

* Lucky charm (fluff)

It seems like Sae took away all of Rin's luck when he went away. Well, at least until he met you, his lucky charm.

• Isagi yoichi

* Loser! Isagi (fluff) ☆

Just Isagi Yoichi being a loser when it comes to the girl he likes.

* Isagi with a s/o with thick thighs (fluff)

He loves your thighs. They're amazing, and the day he first slept on them will never be forgotten.

* First date syndrome (fluff) -> Can be read as a part 2 to the Loser! Isagi fic

Isagi's nervous for your guys first date. So, he asks for his friend's help. But was it really a good idea?

* Hair ties (fluff)

The whole world knows Isagi Yoichi's your boyfriend. And now, they wanna know more about how your relationship works and how he's a loser for you. And they discover that by your hair ties.

* Watch your mouth (in protective Isagi we trust🙏)

Isagi can't handle people talking bad about you. Not even a smug argentinian reporter.

• Michael Kaiser

* Se se morre de amor (fluff)

Kaiser tried to understand the meaning of love for a long time, but never managed to grasp it. That's until you came.

• Alexis Ness

* Merry Christmas! (Fluff)

Ness' gift has to be perfect. It's your first Christmas with him, after all. But how will you discover what he wants?

• Bachira Meguru

* Unlovable (hurt with comfort) ☆

Bachira used to think he was unlovable. That was until you came and proved him wrong.

• Barou Shohei

* The prettiest princess (fluff)

Barou loves his little sisters, even when they acted like little pricks sometimes. And even when they made him dress up like a princess right in front of you, the girl he likes.

• Otoya Eita

* Once a cheater, always a cheater (Idk the genre of this lol)

Otoya has never crushed on a girl before. He had flings, sure, but not a crush. So imagine his surprise when he started to crush on his neighbour. And imagine his face when he discovered she HATES cheaters. He's screwed.

• Hiori Yo

* Dear diary (angst, kinda a little very little yanderish???)

Hiori has never had someone to talk to. His whole life was spent every feeling up. So, he got a diary to write about everything. Little did he know that would be his ultimate desmise.

• Oliver Aiku

* Sweet old revenge (angst)

Oliver Aiku is a cheater. You knew that. And yet, you gave him a chance. Well, he'll have to leave with the regret of knowing he lost you, now.

• Smaus

* Them talking about you with their friend (fluff, crack)

Part 1: Isagi Yoichi and Hiori Yo

Part 2: Reo Mikage and Bachira Meguru

Part 3: Karasu Tabito and Chigiri Hyoma

* You saying you love them and hanging up after (fluff, crack)

Part 1: Alexis Ness, Bachira Meguru, Shidou Ryusei

Part 2: Karasu Tabito, Isagi Yoichi

Part 3: Reo Mikage, Nagi Seishiro

• Various

* "Oh Mister Todd!" trend with the Blue Lock guys: Isagi Yoichi, Rin Itoshi, Bachira Meguru

Hopefully more to come!!!

About requests

#blue lock x reader #reader fluff #reader angst

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ronwestbreeze · 1 year ago

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you’re gonna go far | 1

pairing: jake sully x neytiri x tsu'tey x fem!human!reader summary: a scientist arrives on pandora (unwillingly) a year after the exile of the rda. now she must deal with the likes of a clan leader, a great warrior, and a thanator rider. . . word count: 7.k

read on AO3

15 October 2146

Dear Joan Reeds,

Hi Mom.

I know we’ve been sending video diaries to each other since you went to Pandora a year ago and this might be a little strange, but I thought writing this to you would be a lot less impersonal than sending a video. I don’t know, watching myself emote on camera has always made me uncomfortable—so when I respond to your video diaries, know that I’m actually excited to see them and not incredibly bored as I appear.

If that’s why you’ve stopped sending videos, because you think I’m bored of them, I promise you I’m not. And I miss your videos…

Year 2150

“—Unfortunately, your mother, along with the rest of the twelve other scientists had died before we were able to get them into quarantine.” One out of the three in military uniforms said.

You don’t quite remember how you got here.

Last you checked, your mother, Joan, was leaving for a huge project located on a discovered moon in the Alpha Centauri System. Pandora. An inhabited planet that the human population hoped to relocate. To find a newer home. Instead of the dying planet they created.

Joan had been accepted into the Avatar Program, a branch of the big project that had less to do with taking and more so giving. She, an esteemed scientist herself, would get to work with others like her. To explore a planet you only saw in dreams.

Dreams that would remain that way for a while.

You were only an apprentice at the time, ten years before 2150. Therefore, unqualified to accompany your mother on this new adventure. All you could do was be happy for her, even if she would be gone for a long, long time. But it was hard to be angry at that fact, remembering vividly how your mother looked before she left.

Identical eyes staring lovingly and worriedly back at you. Manic worry if anything.

“I want you to watch over the forest while I’m gone.” Joan laughed at your stunned expression. “You’ve been studying under me for years now, don’t be so shocked! You’ve followed me like a loyal shadow. My little shadow. You are the Head of the Amazon Division now. I trust you’ll continue my work.”

“Mom—I—are you sure?” A younger version of you asked. Ten years earlier you. “What if—how do you know? That I’m even ready? Surely there are more qualified scientists—”

Joan grinned, another identical trait you shared with her. “You have as much love for the Earth as I do. You have this determination, unlike any, to save it. To save what is left of this dying world, our home. Some might find it naïve. Others might discover a whole new planet to live on.” You smiled as she chuckled at that. “Yes, you will work with my second-in-command, he will show you the ropes—not like you already don’t know it—but he will be by your side until you are old enough to officially take over. But I have no doubt you can do it. And I need you to believe it too.”

There was a certain glow in your eye that matched your alight and determined face. This childlike wonder. This unyielding ball of hope that was you.

You nodded surely, holding her hand tightly, “I’ll do it. I’ll keep it safe for you.”

“Promise?”

You pressed your lips into a line, “Do you wanna pinky swear on it?”

Joan gasped, her face lighting up instantly. “I thought you’d never ask!”

Rolling your eyes at her excitement, you locked your pinky with hers. Tight and sure.

“I haven’t done this with you since I was five.”

“You’re never too old to make a promise!”

Joan then pulled you into a tight hug. Small drops of wetness fell onto your shoulder.

Neither of you said anything for a while.

She finally pulled away and pressed a kiss to your forehead. “I’ll come back for you. My little shadow.” That was her promise.

Then she walked out of the door. And all you could do was smile for her. You couldn’t even be sad.

The woman in uniform spoke up next. “Dr. Reeds? I know this is difficult information to process—"

You still didn’t remember how you got here.

Last you checked, Joan had been on Pandora for nearly five years now.

During those years, you managed to keep your promise in the beginning.

There were more trees planted, the water was becoming cleaner as the days rolled by, and you managed to gain some military protection for the forest—along with more researchers joining the cause.

During the first year of her in Pandora, your mother would send you video diaries of her time on Pandora, which prompted you to send videos back in reply. Showing your progress so far and everything you have accomplished.

One time she sent a video of her crying dramatically while holding up a picture of you as a toddler.

“Look what I found in my suitcase—sniffles—you were so small and cute back then—sniffles—guys look how cute my baby is!”

You remembered cringing and smacking your head against the table. Some of your colleagues also enjoyed a chuckle or two.

Tell me about the creatures and the plants. Take me on one of your treks through the forest in your avatar body. I enjoyed those videos the most. I always looked forward to them, even if you think I thought it was boring or too much of a lecture. I promise you it wasn’t.

I wasn’t mad about the baby picture by the way. Yes, maybe embarrassed—I was fourteen, Mom—but it’s nice that you took something with you to remember me by.

Also don’t worry about the forest, everything’s fine here. I saw all your emails asking about it. And I don’t want you to worry too much, not so much that it would ruin your experience up there. I have everything under control, Mom…

Sometimes the videos had nothing to do with talking. Joan one time sent a video of her sleepily talking to you about anything until she eventually fell asleep. The rest of the video would be of her sleeping.

You told her she didn’t have to send videos when she should be resting.

“I just want to see you, honey.” She would respond back. “Plus, talking to you is always a perfect end to my day.”

So you didn’t complain. Talking to her, seeing a new video arrive in your inbox always made your worst days just a bit brighter.

After the first year, Joan stopped sending videos. You didn’t think anything of it at first. All you assumed was that she was buried in her work. Which meant that whatever she was doing, must’ve been important. Life-changing even. And you weren’t going to interrupt that.

One year turned into two.

Two turned into three.

Four.

Four years of radio silence.

Scarily, you allowed yourself to wonder if she forgot about you.

And before you knew it, that thought abruptly left your mind in place of another.

The forest was on fire.

You remember rushing around the lab, grabbing every research hard drive, journal—anything important and belonging to your mother’s long hardworking years of work before it could be destroyed by the fire.

But. But none of it mattered.

The forest burned to the ground. Everything your mother worked for. Gone.

Gone. Gone. Gone.

“Dr. Reeds?”

Your hands were covered in ash and blisters.

She was dead. Her forest burned down a day ago.

Now the three in uniform stood with you in what was left of the forest. The grey daylight haunting in the smoke.

The mask you wore protected your facial expressions. “When did she…?”

One of the men cleared his throat. Two men and one woman. “Four years ago. A few months after she first arrived on the planet. Their lab was compromised with a deadly toxin—”

“You said that already.” You pointed out impassively.

The male nodded, “Right—We were sent straight after, unfortunately, the journey from Pandora to Earth takes…”

You turned away from them. You wanted to throw up. You want to scream and call them liars.

But you were older now. Emotions controlled. Face restrained.

There was a certain dullness in your eyes that matched your worn and solemn face. This beaten and bruised resolve. This unyielding wave of resentment that was you.

Your mother had been dead for four years.

Without you knowing about it until now.

Everything you had thought. Had assumed. It meant nothing.

You thought she had abandoned you. You thought you were alone.

Turns out she was already gone.

And you were still alone.

Blinking away ash—tears maybe, you couldn’t tell—and looked back at the three in uniform. “Alright. You told me. Thank you for coming.”

With that, you begin to walk away and continue cleaning the spot you’d been working on before the uniforms had approached. Dumping the burnt bark and ash of what used to be trees into a plastic bag.

“There’s one other thing, Dr. Reeds.” The woman spoke next. You tried not to scowl in irritation and reluctantly turned back to them. “Before your mother passed, she asked that you take her place.”

Your heart lurched and your body grew stiff.

“The late Dr. Reeds had made a lot of progress on some research that could’ve been beneficial for our organization and project.” The woman tucked her hands behind her back, back straight as she continued in a matter-of-fact tone. “We need someone like you who can continue the work without fail and who knows Dr. Reeds…particular work ethic.” You frowned at the wording. The woman—she seemed to be leading this small crusade. “We have an avatar waiting for you. All you need to do is come with us to Pandora.”

And there it was. Anyone would’ve seen this as a second chance. Another opportunity to fix your mother’s legacy. To keep your promise.

But all you saw was something else you could screw up. Something else for you to destroy by fire. Another way to fail her. The forest was gone. You had killed the forest. Now they wanted you to take your mother’s place—possibly to work on something shady that they have full control over. When was it enough?

When would people stop expecting you to be Joan Reeds? When would they see that you were nothing like her? That you weren’t their savior, that you weren’t someone to turn to whenever the original goal didn’t work? You were nothing. Everything you touched ended up destroyed. So why?

Why would your mother want you to take over her perfectly structured sculpture? When all you were was the hammer that shattered it down to pieces.

You tightened your jaw, “I’m good here. Again, thank you for coming.”

Once more, you tried walking away.

“Unfortunately, Dr. Reeds, it is not a request.” Now you were scowling at the woman, not bothering to hide the expression this time. “We’re in dire need of your mother’s expertise. She can identify resources that the RDA has collected—better than anyone. And we could use these sources to put those…our enemies in place. Heal poisons we have little information about. Your mother—”

“My mother, it seems, had no idea what she was getting into when she accepted that job for the Avatar Program.” You sized all three of them up with a quick resolve. “You’re RDA, correct? Hmm, my mother may not have seen it but I do. I see right through you all.” With that, you raised your chin and steeled your back. “So, for the last time. Thank you for coming. Now if you’ll excuse me, I just learned my own mother’s fucking dead. I’d like to take the time to grieve if you don’t mind.”

As you turned to leave again, your mind wandered. Your eyes stared bleakly at what used to be a beautiful forest. It used to be so life-like. So, so beautiful.

Your mother was gone. And so was her forest.

Maybe you should’ve seen it as a sign.

Mother dead. Forest gone.

And where were your tears?

You stopped walking suddenly when something sharp hit the back of your neck.

Instantly, without warning, your body crumbled to the ground with a thud.

Breathing was difficult. Your body couldn’t move. Black shoes filled your vision.

“Apologies, Doc. But I did say it wasn’t a request.”

Slipping from your control, everything went dark.

If you must know, your forest is making amazing progress. We planted exactly thirty more trees in the past two months and they’ve grown healthily! I’ll send you pictures of them once I’ve sent this letter.

But as I said before, there’s nothing for you to worry about here. If I wanted your help, I would’ve asked and you know this. You should be focusing on making life-changing discoveries on Pandora. Also, have you met Dr. Grace Augustine yet? I’ve just finished her book and I have many questions! Can you, possibly, maybe relay my questions to Dr. Augustine? If you’re not busy of course…

Year 2155

It had been a good day for Jake Sully.

A long and grueling hunt had ended with many other warriors succeeding in their finds, just enough to feed their families, enough to feed the entire clan.

His pride only swelled more when his mate and the current Olo’eyktan grinned proudly at him as they started their way back home.

“You’ve gotten better, ma’tiyawn.” Tsu’tey had said with a smirk.

Jake’s heart warmed, “Well, I had an amazing teacher.” Tsu’tey looked even more smug then until Jake added. “Tell Neytiri I said thanks.”

A huff left his mate's mouth and Jake laughed at his reaction. “Tell her yourself, skxawng!”

When they both returned to their new home—a new location after the Hometree was destroyed last year—it wasn’t long before their third mate, Neytiri made her way back from a hunt as well. And Jake was right. She had to be one of the best hunters of the clan as she came carrying back a rather large sturmbeest at her tail. Large enough for tonight’s celebration. She yipped loudly, raising her bow up in a cheer as she returned to the clan.

Jake and Tsu’tey couldn’t take their eyes off their mate.

Once she managed to get to them, Tsu’tey was the first to meet her in a warm and tight hug—careful to watch for the baby carrier strapped to her chest.

“And how was our boy’s first hunt?” Tsu’tey smiled down at the one-month-old child, their firstborn, Neteyam, who smiled at the sight of his papa. His smaller hands grabbed onto one of Tsu’tey’s fingers.

“He will make a great hunter.” Neytiri smiled down at him, grabbing Tsu’tey’s other hand. “And you? Did you find anything?”

Jake chuckled, looking back at the sturmbeest a few warriors carried by. “Not as good as you, babe. Let’s just say if we had made it a bet, you would’ve won easily.”

“What’s a bet?” Tsu’tey questioned, with a furrow in his brow.

“I’ll tell you later.”

When they made it back to their hut—Jake did a quick look around to find that it was empty. Sending a silent prayer to Eywa, which he found himself doing a lot more recently, he was relieved to find that Tsu’tey’s mother was nowhere in sight.

Artsut, who had been a frequent visitor to their home ever since Neteyam was born. Before then she had steered clear of their hut—not wanting to go anywhere near Jake. He was a demon, a false body, the stain on their clan. Jake was fine with her being away from the hut—that was when he could tolerate her the most.

But after Neteyam was born, after the perfect Na’vi baby had come out of Neytiri, Artsut came around more to care for her grandson. Which meant Jake had to deal with more of her comments and sneers—and he would. For his son.

Forcing Artsut to not see her grandson would’ve been too cruel—not just for his son but for Tsu’tey as well. Tsu’tey—who wanted to keep the peace between his mates and his mother. Tsu’tey, the only male in his family who is able to stand up to her and not take any of her shit.

So, Jake wasn’t worried for the most part. Artsut would play nice for Tsu’tey—her favorite son. Omatikaya’s rightful Olo’eyktan. And Jake would ignore her presence. A fair compromise.

Fortunately, he didn’t have to worry about seeing her now. Otherwise, his very good mood would be ruined.

“I went to see my mother today,” Neytiri said as she took Neteyam out of the carrier and gave him to Tsu’tey who was standing right next to her.

“For more training or something else?” Jake questioned, analyzing her body in a quick scan for any injuries he might’ve missed. “Are you okay?”

She smiled softly and pressed her hand to her stomach, “She told me that Eywa has blessed us with another child.”

Tsu’tey’s eyes widened and Jake’s mouth hung open. Neteyam watched them all quietly.

Neytiri looked down shyly, her ears fluttering, “I wanted to tell you at the celebration for a surprise but I couldn’t wait so—”

She didn’t get to finish as Tsu’tey launched himself at her, wrapping her in a tight hug, earning a joyous laugh from her. A large smile Jake hadn’t seen for a minute. Not since they first discovered Neteyam was coming.

Jake rushed over after placing his hunting equipment down, “You’re pregnant?” Neytiri nodded as Tsu’tey pulled away with a smile of his own. A grin broke out on his face as he pulled her in for a loving kiss, “Oh baby, I love you so much.”

All three of them joined together then—including Neteyam who giggled at their smiles. Sharing kisses, long hugs, and large smiles that they couldn’t contain.

Happiness was simple. That was what Jake believed.

He never thought he could achieve something like that. Not on Earth. Hell, no even on Pandora. Not after everything—but he worked hard for it. He kept going, wanting to prove to himself and his mates that he belonged there. That he was one of the People. That he would be a good mate. A good father.

And not something that destroys everything by a single touch.

Happiness was as simple as it was rare.

Whenever it came, Jake grasped onto it as tightly as he could. Because he never knew when he’d ever have it again.

He held on tight when Tsu’tey survived the battle against the Sky People. Nurtured it when Tsu’tey soon joined him and Neytiri in their union as mates. Loved it when Neteyam was born with his eyes and Neytiri’s markings.

But even then, even if he had a well-adjusted life a year into being on Pandora, Jake still had a long way to go. A long path to make up for all the strife he had caused.

For now, he would enjoy this night. He would enjoy being with his mates. He would enjoy this joyous celebration of the sturmbeest and the new life that would be here in nine months’ time.

It had been a good day for Jake Sully.

That night, Neytiri laid between Tsu’tey and him. That night he watched Tsu’tey’s body carefully as he usually did during the other nights. That night he couldn’t shake the warmth in his chest.

Happiness is simple.

At some point, Jake turned onto his back. His eyes trailing up to the sky. Stars. There were always stars here. And every night, Jake counted them until he fell asleep. Every night he had one arm around Neytiri. Every night he reached his hand out just enough until his fingers brushed against Tsu’tey’s bicep. Every night he would be the last out of the three of them—or four if he counted the heavy sleeper that was his son—to fall asleep.

Only this time there was a moving star in the sky. For a moment, Jake thought he was dreaming.

But the star kept moving. Closer and closer toward Pandora. Until Jake knew that it wasn’t a star anymore.

A body shifted, Jake instantly got up and placed gentle hands on Tsu’tey’s shaking body, trying his best to calm his mate down from the nightmares. Not knowing what he would do if he had to tell him—to tell Neytiri—that they were about to wake up in one.

It had been a good day.

Until it wasn’t.

Do you think I’ll like Pandora? I still dream about it. Being there with you. Do you still want me to come one day?

You woke up on a ship.

“Hold her down boys.”

At the moment, you hadn’t realized your body jerked roughly or that you were now being held down in your seat by a bunch of hands, far stronger and firmer than you. Never mind the tight seatbelt across your lap, no, they wanted to make sure you couldn’t escape.

So, you screamed. A horror-filled cry that sucked in all sound in the ship. Leaving the rest of the passengers with nothing but silence and your scream.

“Calm down, Doc.” The woman sat across from you spoke. The very same woman that approached you in your mother’s forest. “We wouldn’t want you harming yourself before we even get to the planet.”

With as much strength as you could muster, you tried pulling away from the two men sitting on either side of you, whose grips were practically steel. “What did you do?! Where the hell am I?!”

“I already told you five years ago, it wasn’t a request.”

You didn’t need to ask what she meant by five years. Your mother had told you about the process that got her to Pandora in one of her video diaries. You didn’t have to figure it out in your hazy state without getting pissed.

“You stole five years off me! What the fuck is wrong with you people!?” You seethed.

The woman looked unconcerned toward your outburst. “Your mother’s work is too important to give up, Doc. She and her group of scientists were close to probably giving us the one edge we needed against the Na’vi. The inhabitants of Pandora. With your mother gone along with the rest of her group, we were desperate for a replacement. Which is why we needed you. Which is why we wouldn’t take no for an answer.”

“Why the hell would I help you?!” You snapped, still fighting against the two male’s hold on you. “Get off me!”

“Boys.” The woman gestured for them to let go. After a pause, the hands were gone from your arms. And that was when you began to notice your surroundings.

Yes, you were on some type of ship with a few other soldiers. All of you strapped down to seats. And instead of your ash-covered clothes, you were now in a simple grey tank top, borrowed camouflage pants, and black combat shoes.

Slight groans and whines along the walls told you that the ship was still flying.

So you couldn’t escape even if you wanted to. You had been practically kidnapped by the military—the RDA.

And you were trapped.

That is, until you reach Pandora.

“Now if you’re done throwing a fit,” The woman brought out a tablet and held it toward you. “I’m Captain DeVoe, by the way. A pleasure to make your acquaintance, Doc.”

You didn’t take the tablet.

Captain DeVoe sighed before pulling the tablet away and began typing on the screen. “Your mother had been close to finding a way to create an antidote for the neurotoxin those savages use on the tip of their arrows. It’s dangerous for us humans. And our goal is to get this small obstacle out of the way in order to proceed with our mission.”

You let out a short laugh, your body still tense and trapped. “Like I said. Why the hell would I help you? What my mother does has nothing to do with me.”

“Oh, but it does, honey,” DeVoe smirked while you scowled. The captain had to have been in her mid to late twenties. Her hair was cut short into a blonde buzzcut. Toned muscles underneath her long-sleeved shirt. She looked like she could break you in two without even breaking a sweat. So there was no point in trying to fight her. At least not in this confined space.

She held out the tablet to you. And again, you didn’t reach for it. Instead, you pressed your back against the wall behind you. DeVoe didn’t lower the tablet. From your spot, you could see on the screen a light blue rectangle and a digital lock above it.

“She’s kept everything we need behind a lock. Her last words were for you to unlock it and finish her work.”

You raised a brow and crossed your arms, “Those were her last words?” Another brittle laugh left your lips. “Wow, you all must be very desperate.” You continued to laugh, unafraid of the glare the captain sent you. “Fuck you. Fuck everyone on the ship and fuck the RDA! I haven’t even gotten to see her body yet—did you even bury her? Or did you toss her aside when you didn’t find any use for her anymore?”

DeVoe blinked and frowned. She then sighed, “I am sorry for your loss, Dr. Reeds. Really, I am. And I know emotions are quite high right now—”

“Fuck you.” You snorted humorlessly before leaning back against the wall again. The two men on either side of you shifted. You ignored them.

“Yes, you’ve said that already.” DeVoe tucked the tablet down next to her right thigh. You glanced at it briefly before directing your scowl back to the woman.

A speaker suddenly came to life above all of you. “We’ve entered the atmosphere. Landing in twenty.”

You sat up straighter as everyone suddenly began placing what looked like advanced oxygen masks on their faces.

Through all your righteous anger, you hadn’t truly realized it until right then. You were on Pandora. You were going to land in the place of your dreams.

And you refused to be happy about it.

DeVoe handed you a mask as she grabbed bags from under her seat. “Quaritch was always good at being persuasive. He’ll convince you. He always—"

A loud boom rattled your ears.

The ship suddenly flipped—if not for the seatbelts, you would’ve flipped too—and then it felt as if you were falling.

Falling.

You put on the mask in hopes of helping bring the air back into your lungs.

Falling.

Thud!

Do you remember your second-in-command? JJ? Well, he retired recently. We threw him a really big party. Plus, he just had a baby too. I think it’s a girl last I checked, I’m going to have to ask Cheryl about that—you know her. Always being in the know with her coworkers…

There was no light. Heat closed in all around you, suffocating you and fogging your mask—or was that your quick breaths? No, that was the smoke.

Your ears rang terribly. People were moving but you couldn’t see who. Someone suddenly grabbed your arm, cut the seatbelt from your lap, and practically hauled your body from the seats and through the smoke.

You weren’t walking. A striking pain in your thigh prevented you from doing so.

Suddenly there was light. Lots of it. Your vision was somewhat clear enough to see that you were now outside. Enough for you to see that the one dragging you was a feral-looking DeVoe.

“Shoot them all down now!” She screamed. There was a long gash along her toned arm. “Contact base! We need backup ASAP!”

Finally, you realized what was happening.

There was fire—why was there always fire?

The large, winged creatures flew above the damage with people riding them. There were yips and hollers from the people on the creatures mixed with the explosions and shouts from DeVoe.

As your senses began coming back, as the world began to set around you, your instincts finally kicked in.

While DeVoe was distracted giving orders, you searched the ground until your eyes landed on a nearby rock. Quickly, you lunged for it, grasped it, and smacked it in the back of her head without wasting another second.

And the impact was hard too. You were sure you heard a loud crack from it.

When DeVoe ducked and stumbled, her grip on you loosened, giving you the chance to run. Or rather, limp through the wreckage and away from the fight happening around you.

But because of your leg, you didn’t make it too far.

A sudden weight knocked you down, a cry leaving your lips as you hit the ground. Wincing in pain from the burning in your left leg. When you tried getting up, the weight kept you pinned down. Whatever landed on top of you made sure you wouldn’t be able to move.

“I already told you!” Roughly, you were turned onto your back. DeVoe was on top of you, snarling. “You have no choice! Not when it comes to saving your race!”

“Get off me!” You cried out, trying to push her off. But DeVoe remained as firm as iron.

“That was a cute little stun you pulled back there. But make sure to remember this.” Instantly, she yanked your mask off.

Your eyes were wide and a loud gasp left your lips,

DeVoe grinned, a mad glint in her eye. “Your life is in my hands! That means I protect it or take it just like that! Don’t be stupid, Doc. Don’t make this more difficult than it has to be. Pick! I protect you or you die!”

You held your breath. More booms sounded around you. More winged creatures flew above you. More yips. More hollers.

Briefly, you glanced at the mask in her hand and considered everything leading up to now. Because you didn’t have much of a choice.

None but one.

Finally, you stopped fighting. Your limbs fell loose against her.

DeVoe nodded with a smirk, “Good choice.” She gave you back your mask and stood up. You kept holding your breath. “Back up should be here soon. We’ll have enough numbers to take down these savages—”

She abruptly cut herself off when you slammed the mask down on your good knee, shattering it.

You then started breathing in the air.

“What are you doing?!” DeVoe screeched, grabbing you by the front of your shirt.

You grinned now, struggling to breathe, “You need me. I don’t need you.”

To them, you were valuable. DeVoe knew this. Which was why you knew she wouldn’t go through with killing you herself. It was like they said on the ship. You were too valuable. And they were desperate.

And that value would be lost once you’re dead.

“Damn you brat!” DeVoe growled as she took off her mask. “Selfish bitch—”

Blood splattered across your face when an arrow found its way through DeVoe’s head.

She slumped against you, the mask falling from her hand and skittering onto the ground a few feet away from you.

Your mind had not realized that DeVoe was killed. Was dead now. All you cared about now was grabbing the mask.

So once you got the dead weight off of you, you began crawling toward the mask. Your breathing becoming a struggle with every passing second.

You hadn’t realized—just like with DeVoe—that someone was watching you. Curiously and quietly following you as you crawled. You didn’t realize you weren’t alone until blue feet appeared in your line of vision. Until four fingers took the mask off the ground and away from your grasp.

A whimper left your lips through hollow breaths as you looked up to find a tall, blue alien woman standing over you. With guarded, yet silently curious yellow eyes.

A Na’vi. You had seen them in your mother’s videos. You had seen her avatar.

“Mom.” You rasped, lying on your back. You didn’t know how much time you had. Might as well stick to the original plan then.

Become invaluable.

But Mom…

“I-I just want my Mom.”

The Na’vi woman just stared at you. Her fierce gaze turned into something somewhat contemplative. You weren’t even sure if she understood you.

Black spots covered your vision.

There was barely any oxygen left to grasp for.

“Demon.”

The Na’vi woman hissed just as you lost consciousness.

This had to be the second time you’ve woken up from passing out.

Only instead of a ship greeting you, it was a white ceiling. And somehow instead of lying dead in the ship wreckage, you were instead lying on a cot. With a bandage wrapped around your injured thigh.

It was slow—slower than before—but everything came back to you. You were on Pandora. DeVoe was dead. At least that’s what you remembered happening. The arrow through her head certainly wasn’t a hallucination.

But why weren’t you dead?

For a while, you just say on the cot. Trying to figure out what exactly happened.

The Na’vi woman. Did she…Did she give you the mask?

No. She’d have no reason to. Something must’ve happened while you were passed out.

You were in some type of cell—perfect—no bars but no doubt some type of impenetrable glass in front of you.

A groan left your lips, dropping your head into your hands.

How the hell did it get so much worse?

A door opened further away from your cell. A thin-looking man stepped through it. A human man.

You watched him carefully and silently. The human male nodded to you. “You must be Dr. Reeds.”

Instantly, you tensed and the words tumbled out of your mouth, “I already told DeVoe I’m not helping the RDA. So torture me all you want but you’re not getting shit from me.”

He raised his brows both curiously and observantly. “The RDA hasn’t been allowed back on Pandora for a year now. Not after the war.”

War? You carefully stood from your cot, “Then why am I here?”

“Because you were on an RDA ship—” You move to protest, “Before you say anything or curse me, I already know about Joan Reeds and your supposed arrival. But unfortunately, you arrived at a pretty bad time. The People are skittish. They think it’s best to keep you here for now—”

“What the fuck?!” You screamed. The resolve was broken. There was no composing anything anymore. Your face was heated. Your muscles ached. Your throat hurting. “I didn’t even want to come here! Those fuckers kidnapped me and now I have to be imprisoned in a cell because of them?! I’m not RDA! I have nothing to do with this! All I want to do is see my mother who I couldn’t even bury!”

Toward the end of your rageful sentence, your voice quivered.

“Is she even buried yet?” You asked him, your voice now quieter.

After a pause, the male nodded. “She was buried. She…She was one of the few humans the Na’vi got along with. They gave her a burial years before. She—I’m sorry for your loss.

Everything was so—heavy. You were just exhausted.

You hadn’t even been able to grieve for her. Cry for her.

“I didn’t even know she was dead.” You sunk back down on the cot. “Not for four years. I didn’t she was dead for four fucking years. And now I’m here. On a planet I’ve been dreaming about since I was young. But now it’s just some fucked up nightmare.”

There was a long silence between the both of you. The male rubbed the back of his neck before saying cautiously, “Yeah, this isn’t ideal—um, I’m Norm, by the way. Norm Spellman. I work in the Avatar Program. I—well, I didn’t know or meet your mother personally but she was an amazing and intelligent scientist. Her work here and on Earth is very admirable.”

You almost scoffed at that but said nothing.

Norm moved to say more but stopped instantly, pressing a hand to his ear. For a beat, you watched him bleakly, as if he were listening to something.

He then turned to you, “Hold that thought.” And as soon as you blinked, he was gone out of the room.

For a moment, it was silent.

And then you cried.

And cried.

Until your eyes offered no more tears left to give.

I had to clean up cow shit yesterday. And I’m definitely smiling when I tell you this. It’s progress but you probably get to see and interact with creatures we don’t even have here. So, at least you’re up there…

Norm came back a little later after that. He approached your cell, typing something against the wall. A second later, the glass came down.

You straightened.

“They want to talk to you.” He said.

“Who?” You frowned tiredly as you slowly got to your feet, wincing at your thigh.

Norm thought for a bit, “Some representatives of the clan nearby.”

Reluctantly, you followed Norm out of the cell. He led you through a hallway until you approached a door where Norm grabbed a mask for himself and you.

“They’re right out there.”

When you walked out the door, you were startled to find three winged creatures and tall—really tall—Na’vi waiting at the landing strip where you were sure ships would’ve been. But instead, it looked a bit abandoned.

“Dr. Reeds this is the chief of the Omatikaya Clan, Tsu’tey, that’s Neytiri, and the last one is the clan’s Toruk Makto, Jake Sully.”

You analyzed all three of them. The Na’vi woman—Neytiri—you recognized from the crash. The one that had been standing over you before you passed out. Long braids, warrior paint on her face—matching her body posture she instantly took as soon as you came out of the building, and a bow clutched in one hand with a fierce expression. She was sizing you up. Same as you did.

The next one—Tsu’tey—watched your movements carefully. Out of the three he looked like the one in charge, a leader, someone that of importance. His snarl was severe, even making Norm shift uncomfortably despite it not being directed at him. He gripped a spear tightly in his hands, his eyes following every slight movement you made. As if readying himself to take you down the moment you step out of line. Dangerous beast.

Then there was Jake Sully. If you hadn’t learned his name, you could instantly tell that he stood out somewhat among the three. Compared to Neytiri and Tsu’tey, Jake’s stance was different. More human-like. Like a Marine—which you had been around back on Earth. They were mostly the ones hired as military protection, so you were around them often. Jake was exactly that. But it didn’t make him any less fierce or severe.

Then of course there was the gun that he held—another huge thing that stood out among the three of them.

“And this is Dr. Reeds. She was supposed to replace the late Dr. Joan Reeds, a friend of Grace—”

“Why is she here now?” The leader, Tsu’tey interrupted with a scowl. “We need no more demons here.”

You chewed the inside of your cheek but didn’t say anything. Norm, fortunately, continued talking so you didn’t have to. “The timing’s off, I know, but it’s on record that she was supposed to arrive here upon Dr. Reeds' last request. And confirmed by Dr. Augustine herself. She’s only a scientist, that’s all. We even have an unused avatar waiting for her.”

Tsu’tey didn’t look convinced, not surprising. Neytiri’s eyes never wavered from you. Jake’s tail swished behind him, but his expression was unreadable.

Norm cleared his throat, “If Grace approved of it—”

“Where’s my mother buried?” You asked. All four eyes snapped to you. Norm gave you a look that you ignored. “Spellman told me she had a burial here. I just want to see her. That’s all.”

“And then what?” Jake questioned, eyes narrowed. His face was still guarded.

You didn’t care for it. “I don’t know. Maybe then I’ll go back to Earth and die with the rest of the planet. Does that suffice?”

Tsu’tey frowned, clearly not liking your response while Jake lowered the gun slightly. Neytiri slowly eased out of her defensive stance.

Norm chuckled nervously—attempting to save your sardonic response, “You hear that? She said she’ll leave.”

You breathed out a sigh. God, you were so tired. “I just want my Mom. Please, that’s all I ask.”

Another beat went by before Jake, spoke first but in another language. Tsu’tey didn’t look happy at whatever Jake was saying, his ears were pinned to the sides of his head. Neytiri, on the other hand, looked contemplative.

Eventually, Jake turned back to you with a stern frown, “We’ll have a few warriors take you to your mother’s burial.”

“And after you do not return.” Tsu’tey hissed, his violent eyes pinning you in place. If I see you on my grounds again, I will kill you, demon.”

Jake breathed out through his nose, closing his eyes. He then looked at you, “Understood?”

You huffed, “Loud and clear.”

You’re far away from this mess and I think that’s good. Not that there is a mess, I’m just saying metaphorically….You know what never mind. I hope you’re having fun, Mom.

Please respond. I miss your videos. And it’s getting pretty lonely down here.

I still want you to have fun so don’t put too much energy into trying to respond.

I’ll leave you now.

Love,

your little shadow.

PS.

Remember how you said I accomplish more stuff than you could ever imagine? I kind of get the feeling you were only saying that to make me feel better. It’s pretty clear by now that out of the two of us, you’re gonna go far. Farther than I can reach.

Okay, bye now.

yes, another series! this time i'm going full force with the poly than i do with my other fics. and you guys have this beautiful fanart to thank! also i listened to you're gonna go far by noah kahan the whole time i wrote this chapter so it's probably obvious i was inspired by that song. anyway, i hope you guys enjoy this new mini series of mine for anyone that's still out there in the fandom lol. i hope you guys will give this a chance--and tell me your thoughts when you're done! i love hearing from y'all. full rants and everything!

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stupidlittlespirit · 4 days ago

Note

OKAY BUT SCP FOUNDATION FORD. I feel like young Ford would be absolutely GIDDY to join an organization that he thinks shares his world views and mission- scientifically classifying and studying anomalies. But he would absolutely get fired for being WAY too fucking weird about like everything. He gets too personally invested and obsessed for their liking imo.

I can also see young Ford being weird about anomalous people, who he'd identify with. That's like a thesis in itself, really.

Either way, Ford would get fired and then have a lifelong grudge against them lol

Old Ford would get fired for his general "I know more than you" vibe and be convinced that they fired him out of insecurity.

Dying to hear what head cannons you have for SCP Foundation and Ford 💞

Okay so I have spent way too long thinking about this because I actually wanted to write a fic about it and I’m very devoted to the whole concept in general, so this all applies to the Ford-SCP AU I have in my brain.

I’m so fond of the series. I was often on /x/ as a kid (not the rest of 4chan because, duh) and I would spend hours on it, reading up on greentexts and believing every single fucking word. I desperately wanted to work for the shadowy American governmental orgs that kept these creatures in containment/a secret, and I was devastated when I grew up and found out that they weren’t real. (A part of me holds out hope that they are a real organisation but if America was covering shit up, we’d know because they fucking suck at keeping stuff on the DL).

Anyway, let’s get into it, and remember that I’m playing fast and loose with everything SCP related because everything is canon and therefore nothing is canon!

Below is everything from my AU ideas to Ford’s behaviour to fucking SCP/Ford ships because fuck it why not:

I think you’re right: young, starry eyed Ford would be psyched to get to see that kind of thing, but I do think that he’d be too focused on carving out his own path to allow himself to get wrapped up in the government’s red tape. It would be something he enthusiastically pencils into his diary and intends to follow up on, but never does because of how things unfold.

Post-Portal Ford, however, is going to be The Guy for them. His personal intellect is attractive enough, but Ford has a lot of stuff going for him on top: he’s travelled interdimensionally, he’s spent time in places that would get even 05 Council Members to sit up and take notes, he’s had talks with beings that the Foundation would give their child’s left kidney to be privy to (not that they wouldn’t sell their kid for a bag of magic beans anyway but whatever) and he’s got more than enough knowledge to hit the ground running with minimal (perceived) liability for them. I mean, Bill alone has to be a Keter / Apollyon type object, surely? World ending scenario and all that.

I think he would still be very personally invested and enthusiastic at that age, too. He would do better at trying to be aware of himself because he’s more conscious of being taken advantage of, but he wouldn’t be able to help himself when it came to just being a total nerd about it all.

How does Ford get picked up by the Foundation?

He’d be recruited thanks to his extensive publishing on the weird and wonderful stuff within Gravity Falls (which at some point is also catergorised by the Foundation themselves) and his travels with Stan, and he would be head hunted to work for the Foundation.

And he’d say no at first, because he’s not going to work for the government, what are you, insane?! He would want nothing to do with them, and Stan, equally, would be wary of them because nothing good ever comes from the Feds, right? But the Foundation would be persistent and they’d give Ford appetising incentives (funding, support, tools etc) for his own research, so he’d eventually give them an inch because he'd grow to wonder what they might have on offer and they’d then introduce themselves.

Ford would be wary but as we all know, he’s a curious cat and it doesn’t matter how many times he gets run over, he still wants to know what’s on the other side of the road even if it means weaving between cars with a blindfold on.

Ford is obviously going to have a vested interest in the anomalies because of his own abnormalities, however I do think he’d be laughed at for even considering himself a ‘freak’ because… well…. Take a look at the guys we’re dealing with here and then say ‘having six fingers makes you weird’ with a straight face.

Doesn’t mean he wouldn’t be empathised with by some of them, even by some of the staff, but some of the beings in the SCP universe are so extreme that having six fingers is an easily-overlookable trait. I mean, the reactions would range from “okay, and….?” to “good lord, get a grip, there are real problems out there in the world, man!” to “oh my god that’s cool, he’s just like me fr”.

Ford would quickly learn that whatever research he’s done/is doing is really nothing in comparison to what the Foundation does. Not that his work is of less value or anything, just that the Foundation is so large and the breadth and scale of their work would be unbelievable to him. He’d still think he knew best in a lot of ways but he’d be willing to listen and learn from the researchers and scientists that he did admire.

However, Ford would definitely manage to piss off every other person on the site he gets contracted to LMAO. Except the scientists he respected, though perhaps even them sometimes. Oh, and the nicer/less serious D-Class personnel, because they’d often remind him of Stanley and he’d be rather grossed out by the process of sacrificing those lesser prisoners to creatures in the name of governmental gain, so he would make an effort to be patient with them where he can.

Not to mention that he’d kick AWF if he found out how loosey goosey the regulations are around picking prisoners for testing…. We know the Foundation has a habit of taking anyone with a life sentence/death row conviction, but we also know that not every convict is guilty. On top of that, we know they’ll take literally anyone if they really need to get some tests done and they don’t really give a fuck what the D-Class has done. I mean, they’ll take civilians too, so. I don’t think Ford would be okay with that.

If they’re actually just awful people then he’s not likely going to care as much of course, but sometimes I read/listen to reports with D-Class in them that have just sold drugs or something, and the researcher’s are like yeah fuck it put weed-dealer Greg in the box with the mutated crocodile made out of poisonous spikes and shake it really hard, it’ll be funny! I think that would upset Ford and he wouldn’t be afraid to kick off about it (after all, any of those D’s could have been his brother at one point, right?)

Staff members:

In terms of working with specific staff members, he’s obviously not going to have much to do with MTF or even any of the agents etc, really. Not unless he would require specific information from them during a test or something. There could be crossover if he was to get pissed off at how poorly executed a field expedition went or something, but I expect that his main area of interaction would revolve around Researchers and Objects themselves.

Let’s talk about my beloved Dr Bright. I think Ford would have a careful appreciation for Bright. As we know, Bright is a bit nuts. He’s very eccentric and volatile, but very intelligent and good at his job as well as being personally afflicted, what with his brother’s objecti-fication within the facility. Ford would recognise Bright’s appreciation for suicide (bless him, real recognises real) given all of his own personal issues and understand why Bright might be so difficult.

I do, however, think Ford would also be exceptionally wary of Dr Bright, given the way he’s bound to SCP-963. If you don’t know, 963 is a medallion/necklace and if you wear it you’re immortal. However, it’s tied to Bright and if another person wears it, their mind is basically wiped and replaced with Dr Bright’s. So, it would be very close to possession and for Ford, that would be very triggering, I think. Ford would be amenable with Bright and even appreciative of his work, but he’d be too nervous about 963, even if the likelihood of him being made to wear it was low.

Next up is another fav: Dr Alto Clef. Now, I think Ford would have a love-hate relationship with Clef.

Clef is reeeeally smart and very talented. He’s also very eccentric and weird, and is also anomalous himself, so Ford can get behind that. But Clef is also a fucking nightmare. He lies and is gross and unethical (was an awful misogynist, but possibly isn’t anymore? Hard to know for sure because there’s a LOT of information out there and no hard canon), though I don’t think he’s an irredeemable guy. Most notably, Clef has what he refers to as a ‘deformity’. He underwent anomalous alterations that prevent his face from being photographed and gave him resistance to reality shifts. Clef is described in files but you just can’t ever see a photograph of his face.

Though I think Ford would tire of Clef quite quickly, he’d be willing to give Clef more rope than Bright. I think Clef has a tendency to be kind of jammy and very funny, so I daresay Ford might be fonder of him than he’d let on and he wouldn’t feel as uncomfortable around him as he might with Bright’s 963 issue. Clef is also aroace! Yay!

Clef lies a lot though, so he might be more inclined to kick it with Stan than with Ford in terms of down time lol

Onto Everett Mann. Dr Mann is said to have always felt like an outcast and he was also manipulated by an entity (Mr Lie) into doing something that put others at significant risk. I think he and Ford would have a kinship with that and they’d be friends. Technically, Clef killed Mann in one AU but whatever. No big deal. I think Mann is really funny and sweet, and he’d get on quite well with Ford.

Honourable mentions for:

Dr Elliott - known to be a too involved in the anomalies she works on and often gets fucked up by them because of it.

Dr Glass, because obviously. We love Dr Glass in this house! I think Ford would always be wary around a psych professional but he’d be thrilled to hear about other SCP’s and understand their ways of thinking. I think Glass would also have a field day with Ford and he’d fill up at least 4 notebooks worth of psych-eval notes on him :)

And there are more but there are SO many more that I can’t get all of them down here or I’ll be sitting at my PC forever.

In terms of the actual anomalies that Ford becomes fond of:

Well, we have to start off with my absolute all-time favourite: SCP-507.

I highly recommend checking out Volgun’s video on him because it’s great. Frankly, all of Volgun’s videos are great if you’re interested in learning about SCP’s in a lore accurate way.

SCP 507 is Ford’s special little guy. Ford LOVES him. Do I ship them? Kinda. That’s my business okay don’t judge me.

In fact, I believe Ford likes him so strongly that I think when 507 requests a hug from personnel, following a traumatic shift, Ford is the one who grants it to him. I don’t care if the timelines don’t match up, I don’t care about anything that makes that impossible. I want 507 to get a hug and I think Ford gives great hugs. Ford would even volunteer to be his escort if he had the time to spare and I think he’d let 507 hang out in his lab sometimes.

507 has always broken my heart because he’s so scared and so alone, and they won’t let him leave or really do much of anything. He really has nobody and he has 0 control over everything in his life, and I think that would resonate with Ford a lot.

He’d be highly interested in SCP-2700 because it’s made by his All Time Fav hot scientist Nikola Tesla. While 2700 isn’t humanoid, I think Ford would be super geeked about it solely because it’s Tesla based haha.

I think Ford would also love SCP-1762 (aka ‘Where the dragons went’), too. I find 1762 to be a really sad story and I think others agree, and Ford would enjoy them. They’re cool (origami dragons fuck yeah) and cute, but also poignant.

He’d be naturally curious about SCP-096 but obviously, due to its nature, would have to give up the ghost on that one.

I think Stan would like SCP-1472 aka the Multiverse Strip Club. Naturally. He’d be at risk of wandering in but, respectfully, he ain’t going to Illinois. Not for all the strippers in the world.

Like Researchers and other personnel, there are SO many SCP’s that I can’t even remember all of the ones I think would be most relevant/enjoyable for Ford so if you have something you think he’d like then please please hit me up because I’d love to talk about it with you!!

Ultimately, I think Ford would do some great work and make friends with some of the more pleasant scientists, and he would really enjoy himself up until he stopped enjoying himself lol. I think he’d quickly realise how controlling the Foundation is and how they refuse to let anomalies be known to the public, rightly or wrongly, and Ford would refuse to play along with them.

He’d be vocal about his disagreement with the treatment of some anomalies and with regard to the treatment of personnel, and he’d stand strongly against any corruption, which means he’d never see eye to eye with them. Many such cases, if you take the time to read the entries.

So, they’d fire him or he’d walk out. You’d never know for sure because Ford would insist he left of his own accord and the Foundation would insist that they [REDACTED] so… It would be a mystery.

And the Foundation would let him leave, by the way. Their knee jerk reaction would be to terminate him, of course, but he’d leave such an impression on some of the other scientists that they’d somehow manage to convince their higher-ups that Ford offered value that would be lost upon his death, so they should let him live and just try to monitor him instead.

Ford, being Ford, would sniff out all the monitors every single time they tried to trace him and Stan (with his great knowledge of wire taps) would help him debug their house etc if they needed to.

Eventually, the Foundation would say fuck it, this guy is annoying as fuck, and let Ford deal with his own containment specialisms while keeping a distant eye on him/Gravity Falls at large.

….Can you tell this has been on my mind for a while? LMAO I’m so sorry this answer got sooooo out of hand but I love GF and SCP so much that I can’t help myself. I hope that as I get better at drawing I can make some crossover art for them because it would be too cute. Plus, like I said, I’m still considering writing this. I might make a reader one but also do a gen crossover because I think it would be a riot.

If anyone else wants to make stuff on this then please do but pleeeeease tag me because I need to inject it straight into my veins.

#asks #ford asks #stanford pines #ford pines #gravity falls #stan pines #this was so fun to write i'm craving some scp ford now #stanley pines #bill cipher #also if i got anything wrong no i didn't you didn't see anything

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devilfic · 10 months ago

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Reading right place, right time and found myself kicking my feet and twirling my hair at the thought of Bruce writing about the surgeon in his diary after their first encounter . 🥺😂 (Sorry, I’m being silly) 😭 but I really do wonder what he wrote. Would he have added any personal thoughts of his own or keep it about his routine? 🤔 sorry for this weird message. I love your writing 💕

this is not weird at ALL. I've been itching to talk about this! unlike in where two are joined, I'm trying not to tell any of it from bruce's perspective so that the reader can be immersed in their own pov. therefore,,, this gives me an excuse :)

when bruce gets home, he is not thinking about his diary.

in an uncharacteristic turn of events, he puts his body first and passes out on the couch in the terminus. he gets about an hour or two of sleep, something he deprived himself of in your apartment out of fear of letting down his guard.

he sort of jolts awake after that second hour, thinking that he had fallen asleep in your home. his chest heaves as he gathers his surroundings, registers the pain in his side, unaware of the hour. it takes him a few minutes to collect himself and then he's pulling off his suit piece by piece, assessing the damage at his desk. to his surprise, your stitches have held together pretty well. he pops a few main meds and pulls out his journal.

Wednesday, November 16th.

I made a miscalculation with the smugglers. The weapons they're moving are military grade, and from the communications I was able to intercept, they've got several buyers I can't afford to let get their hands on these guns.

I managed to put a dent in their inventory tonight, but for every shipment I hit, there are two more I miss. I can't be everywhere at once, which means I can't afford to lose momentum. I can't let up.

I sustained injuries from tonight including one gunshot wound. I was able to remove the bullet once I found somewhere safe to retreat, but the wound was worse than I anticipated and I struggled to keep the bleeding at bay. I made another mistake and intended on finding a place to rest—a nearby apartment I assumed to be empty—where I could at least stop the bleeding and send Alfred my location. But someone was there. Before I could escape, I passed out from the blood loss.

I must've been out for a few minutes. This stranger could have unmasked me, and I'm still not entirely sure they hadn't. Regardless, they were a doctor. They managed to stitch me up, and after some convincing, I rested in their apartment for the next three hours. I had no intention to, but I'm certain I wouldn't be writing this now if I hadn't done so. If it wasn't for them, I would be

I was desperate. I realize that now. I put myself and potentially someone else in danger. Someone who chose to help me. Their intentions seemed innocent, but I need to know for sure. I can't make any more mistakes. I won't.

after that, I think bruce just throws himself into researching you. he starts with gotham general, looks for all the surgeons, eventually finds your name, and he falls down this hole of finding out whatever he can about you: your age, where you went to school, your relatives and past jobs. he wants to know that this freak twist of fate was just that: a twist, an abnormality.

alfred finds him like that, ready to retrieve him for the tour (which bruce definitely forgot about). he's about to make a comment like "you're up early" and then he sees gauze taped to bruce's side and god, if alfred doesn't have steam blowing out of his ears by the time he's done yelling at him.

and later, when he's standing in front of you as bruce wayne, he's caught off guard again because what are the odds that you could save his life as some freak twist of fate once, only to have him run into you again not hours later?

and you're... whip-smart. kind. he hears you talk about the work you do and he can see how much you care about the people of this city. it's not in his nature to trust easily but when he gets home later that day he is poring into everything he can about you, searching for the chink in your armor. there must be something. maybe he's missed it or you're good at hiding but all of this feels too good to be true.

it takes him a few days after he finds your file for him to think it over. the stitches have held up. he's replacing his gauze in the bathroom and asks alfred if he thinks it's the right call.

"are you certain there's no one else?"

"a vigilante doctor?" bruce laughs, stretching his spine. "how would I take applications for that, exactly?"

"they're a civilian."

"they saved my life."

alfred holds his tongue, nearly chokes on it, "you must be prepared for this not to work out. or worse. you may never pick up that cowl again."

bruce stares at his hands, scarred from his long nights. he doesn't remember much after passing out, only the split second of finality and the regret that followed... until you brought him back, "I've already made peace with that."

#if you see me using a weekday that conflicts with something I said in the first chapter no you don't :)#dates and times in my fics are based on vibes only #bruce wayne x reader #bruce wayne headcanons #batman x reader #batman headcanons #battinson #the batman #dc #mjwrites

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somewhere-south-of-neutral · 4 months ago

Text

This is a post that I’ve been planning on making for well over a year, but have been putting off repeatedly. Tomorrow, I start my final semester of undergraduate education, however, and I want to go into it as the most myself me I can be. So, to quote the great Rav Hillel, “If I am not for myself, who is for me? [...] If not now, when?”. But first, some backstory.

When I was like two or three, I saw my sister and mother painting their nails and, naturally, I wanted to join them. Apparently, I asked for my polish to be purple, still my favorite color, and my mom is genuinely still proud of the fact that I painted my own toes, apparently very well, at the tender age of not-quite-three. The next day, I went into preschool, and when my preschool teacher saw my toes, she asked me who painted them. I, of course, proudly exclaimed that I had done it myself.

She then proceeded to gruffly explain to me that I was not allowed to have painted toes, because little boys aren't allowed to paint their nails, and I was a little boy. When I got home, I asked my mom why she let me paint my nails even though I was a little boy and therefore not allowed.

My mom, who I imagine was as close to genuinely desiring that preschool teacher’s death as she ever has been of anyone’s, before calling the school to ask “what the hell?”, did her best to explain to me that the teacher was wrong. She tried to explain that nail polish, and other nice things in that category, are for EVERYONE, boy or girl. But it was too late, the damage was done.

In the over twenty years since, I never wore nail polish, even when asked if I wanted to join. My parents were successful in instilling in me a deep suspicion of the general idea that some things are “for girls” and others are “for boys”, but I could never apply that suspicion to myself. Sometimes, when you are queer and neurodivergent and learning to mask, you get your wires crossed. Over time, despite my disregard for gender conformity in others, I became deeply uncomfortable with the idea of myself not conforming to a certain degree of gender presentation.

Boys don’t paint their nails, so mine remained bare.

Boys don’t wear bright colors and patterns, so I am most comfortable wearing grays and blacks and monotone clothing.

Boys don’t show strong emotion, so I maintain an air of stoicism.

Boys don’t cry, so, to this day, even alone, I have trouble letting myself just cry.

The fact that, despite living in a house where all of these stereotypes were actively discouraged, I internalized them all says something about how pervasive they are in our society.

In second grade, I was very close friends with several of the girls in my class, until the whispers developed into a new internal Rule that (straight) Boys don’t hang out with girls unless they have a Crush. I didn’t have a Crush, so I stopped hanging out with them, because that was the Rule.

I didn’t have many friends in elementary and middle school.

By high school, I had somewhat gotten over that rule. Most of my small friend group was female. That said, I still made sure not to show undue affection, lest anyone think, God forbid, that I was experiencing and/or acting on physical attraction, like some sort of CREEP.

Then, like two or three years ago (I honestly have zero sense of time at this point) I learned about, realized that I was, and came out as aromantic and asexual. It unlocked something in me. I started saying "I love you" to and hugging my friends (male and female). Realizing that I wasn’t straight let me let go of some of the internalized rules about things that I felt I had to conform to as a straight man, because it turns out I wasn’t. It also let me start thinking about gender.

I increasingly realized that I didn’t feel super connected to my masculinity. It was just sort of… there. Finally, (reading The Murderbot Diaries helped) it finally cracked and I decided that I didn’t actually need a gender anyway… and then I didn’t do anything about it for an entire year. But now I’m ready to say it:

Hi! I’m agender. I use any pronouns. I am not a boy, and that means I’m allowed to do things that boys don’t do.

Do you like my nails?

#for those who know me IRL I am not changing my name #It's supposed to be the agender flag but I forgot that hands don't have seven fingers #feel free to reblog if you want #coming out #agender #queer #long post

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ineffable-suffering · 1 year ago

Text

Why Aziraphale is an unreliable narrator

Part 3: The Story of the Magic Show in 1941

Let me at first put a small index for you here, since this is a three part meta and you might want to read the posts that precede this one:

Part 1: The Story of Job

Part 2: The Story of wee Morag

... and now: Welcome to the final Part 3! We made it! Or well, we will have, soon-ish. Because let me give you a fair warning: This one is definitely the longest one out of the three. And by long I mean literally almost 5k words long. Mainly because there's a lot to work with since the 1941 minisode is less mini and more the entirety of S2E4 and also, in my opinion, needs a lot more context than the others. But! That shan't discourage me, as I am currently stuck in bed with a bit of a sore throat, a steaming cuppa tea and an entire afternoon to spare.

So, for the third and final time in this meta series: Let's get cracking! Under! The! Cut!

I shall spare you another summary of the points I have made so far and, should you not have read or remembered them, I kindly redirect you to the end of Part 1 and the beginning & end of Part 2, where I summarize most of it. Don't worry, the link to this post will be in both of them, so you can hop right back once you're done!

On commence with some needed context.

I think one of the most important things to point out at the very beginning here, is that unlike with the other minisodes, we don't have a direct indicator that this is once again one of Aziraphale's memories or diary entries. In the Story of Job, we see him read the part in the Bible and actively immersing himself into the flashbacks (so deeply, even, that Crowley leaves in between, since Aziraphale seems to be so intensely lost in thought). And the Story of wee Morag is being narrated to us by past Aziraphale's diary entry.

All we see before the start of this episode's minisode, however, is Aziraphale driving the Bentley before Shax unconsensually hitchhikes with him and then leaves again. The title squence rolls and we're in London, 1941. And once the minisode ends, it's also not with Aziraphale looking like he just remembered something or a shot of his diary, but instead with present day Shax going to Beelzebub to request permission for the attack on the bookshop and then Aziraphale arriving in Soho, back from his trip to Edinburgh.

It's safe to say, therefore, that these two somehow indicate why and when the 1941 flashback starts and ends the way it does. And they do! You just have to listen and look closely, because the hint of whose memory this is, is a bit more subtle. Let's take it bit by bit.

Shax reveals herself to Aziraphale, catching him off guard. ("You have the advantage on me." "I do, yes.") She then go on to introduce herself as "former admissions demon" and ...

"Now, a Hell's ambassador planner, potentially plenipotentiary* to this corner of the planet. Replacing the demon Crowley."

*(Thank you for pointing this subtitle error out in the comments, @odonataanisoptera!)

At first sight, this might seem like no new information. We already know this, we have seen Crowley and Shax talk multiple times, we know Shax is Crowley's hellish successor and we know Shax now lives in Crowley's flat in Mayfair and, due to that unfortunate circumstance, Crowley in his car. You know who doesn't know this yet?

That's right: Aziraphale!

Neil himself confirmed that the reason why Aziraphale hasn't yet asked Crowley to move into the bookshop is because he doesn't know Crowley is living in his car! Which also indirectly implies that he hasn't told Aziraphale yet that he's no longer Hell's representative on Earth! Massive communication issues aside, this means that four years after Armagedidn't, Aziraphale is realizing for the very first time that Crowley is no longer officially employed by Hell.

Which is quite big news! We don't really know what Aziraphale's exact state of employment is with Heaven, but we do know from Crowley saying so (to Shax, again) in S2E1, that they no longer talk to him and he no longer reports back to them about his work. We can therefore deduct that he isn't actively operating as Heaven's ambassador on Earth anymore – on Heaven's own volition.

After they pulled off their body swap stunt post Armagedidn't, Crowley and Aziraphale of course secured themselves some temporary freedom from both Heaven and Hell. But it was only ever that, right? Temporary. Crowley says so himself at the end of Season 1: "They'll leave us alone ... for a bit." Sure, they were both sort of free to do whatever they wanted, but up until this very moment in the Bentley with Shax, Aziraphale thought he was the only one out of the two of them who had not only been let off the leash a little but also, so to speak, let go from his former employment. Which really explains his genuine, surprised look once Shax lets him know she's officially Crowley's replacement.

Their body swap trick gave them some breathing space, yes, but that's still entirely different than actually officially being let go from your job obligations and duties. What Aziraphale doesn't know either, however, (because again, Mr. Anthony J. Can't-Communicate-Crowley hasn't let him known), is that despite having been replaced and technically absolved of his hellish duties, Hell still very much relies on and demands things of Crowley. And also that Crowley himself hasn't been able to drop his weariness and worries since he still seems to seek out any and every information he can get on what's going on in the Up and Down. David Tennant said in an interview about Season 2:

"[...] interestingly, when we first meet Crowley, he's on a park bench catching up with the person who's taken his job. He obviously can't quite let go. He still wants the updates, and he still wants to know what's going on."

There's just so awfully much Crowley isn't telling Aziraphale – but that's stuff for another meta.

Either way, it eeks me a bit that we don't certainly know how much and what exactly Crowley has told Arziraphale about Shax – but it clearly can't have been all to much, since the Bentley conversation is their first encounter and Aziraphale doesn't even seem to know what Shax looks like, let alone that she's Crowley's new replacement. Crowley must have mentioned her to Aziraphale at one point or another pre-S2, because he does name-drop her when Aziraphale is about to reveal the appearance of Jimbriel ("You'll never guess who Shax was asking me about").

But it's one thing for Aziraphale to know or deduce that Hell might still occasionally send someone (like Shax) to check in on Crowley and another thing for him to not know that Beelzebub still summons Crowley whenever they feel like it, trying to coerce/blackmail him and that Shax regularly follows, even threats Crowley and lives in his goddamn apartment because she now fully replaces Crowley in his former job.

So, to sum this up: Aziraphale just received quite a bit of news Crowley withheld from him until now, but is also still lacking some other context that neither Crowley nor Shax has given him yet in order to be aware of the full picture.

Now, you're probably wondering: What the f*ck are you on about, OP, what does this have to do with the memory and narration analysis that this whole meta is supposed to be about? Well, dear reader, I'll kindly ask you to just hold onto that thought I outlined here until a little later. Tuck it in your pocket, don't worry, I'll remind you to take it out again once it's time.

Despite looking clearly incredibly surprised and, what is is again– ah, yes, flabbergasted upon hearing of Crowley's replacement, Aziraphale only reacts with a short "Ah", trying not to give away the fact that this is indeed very much news to him. He then continues to try and deflect anything Shax is saying and suggesting about Crowley. Except for the part where Shax says that she doesn't think Aziraphale seems like Crowley's type at all. And I cannot, for the absolute life of me, keep that GIF out of here, so:

God, how I adore you, Mr. Sheen, master of immaculate microexpressions.

Alright, let's move on from the brief flash of sassy angel, onto what Shax says next. Because this is the crucial part:

"You know ... what, sometime in the last 80, 90 years I remember hearing that you and Crowley were an item. I didn't believe it then. Not really. Poor old Furfur. He thought you were his ticket to the big time."

Which Aziraphale replies to:

"I'm afraid I have no idea what you're talking about."

But you do, Aziraphale, don't you? Of course you do. How could he forget the time he almost got Crowley caught together with him by Hell ("Fraternising!") in what was probably one of their most insane and turbulent adventures (that we know of, at least). And now he knows that Shax knows about it too! At least some of it, because she used to work together with Furfur and was the one who pushed him to do his investigation in the first place.

We end their little Bentley encounter with Shax getting out, cryptically saying "You've already told me where Gabriel is" and Aziraphale hurriedly speeding off back to London.

I'd like to briefly point out that according to Google Maps, Edinburgh is almost an 8-hour drive away from London. Of course we don't know where exactly Shax semi-grand-theft-auto'ed into the Bentley, but it's safe to say that since it's still dark when she does and Aziraphale arrives in London when it's light out and morning already, he must have at least been driving for another couple of hours. All by himself, with nothing to think of other than a) Crowley never having told him that he's been relieved of Hell's duties and –– you guessed it –– b) what happened in 1941.

And here's where it gets interesting: It's not just Aziraphale who's remembering 1941. It's Shax, too. It hit me like a ton of bricks, once I realized. Shax is the one who brings up 1941 and Furfur's mission to get his promotion. So everything we see that happens in Hell, with the Nazi spies being processed, are Shax's memories. Obviously Aziraphale couldn't have known or remembered any of that. But Shax could! And she does. Because this entire minisode is their shared memory of it, stitched together with the parts both of them actually witnessed.

And alas, here you have it: The reason why it makes so much sense that this minisode is so much longer than the last ones and also happens right after Aziraphale's encounter with Shax. They both were just very much reminded of what went down all those years ago. And they're both thinking back on it to come to some sort of conclusion. And funnily enough, it ends up being the same one – but I'll get into that in a bit too.

Aziraphale's got time to kill in the Bentley. A few good and long hours alone, with the knowledge of Crowley's and his own sort-of-newly-found freedom at the back of his mind. (Crowley! No longer bound to Hell! Himself! No longer bound to Heaven! Blimey!)

What else would Aziraphale think of, if not the time he realized, after the demon had saved his precious books, he was utterly and irrevocably in love with Crowley. And what else could Shax think of on her way back to London, if not the time Hell almost got proof of Crowley and Aziraphale being "an item", putting one of her colleagues onto investigating it and only now, decades later, coming to realize that it was true after all – giving her the confirmation that there was only one place Crowley would hide Gabriel while Aziraphale was gone: the Bookshop. Aziraphale's bookshop. Because if there's any demon that would have unrestricted access to it, it would be Crowley – as Shax has just now realized.

Let's just say it's no wonder that this minisode is about to be an explosion (pun intended) of all the things we have seen and realized about how Aziraphale capital-r Remembers things (ft. a bit more behind the scene knowledge, provided by Shax). And yes, it took me this absolutely ridiculous amount of time and words to get to the actual beginning of this minisode. But I'll be as bold as to say that you'll thank me for it because if there's one thing all of this teaches us, it's that context is so very important for memories and decision making.

... let's continue!

Title sequence: Rolled. London, 1941: Begins. Nazis in the church: Bombed. Books: Saved.

(Aziraphale: in Love.)

Right away again, the title card for "London 1941" looks like an old black and white film, similar to the retro hue and colouring of the Job episode in S2E2. We see what we saw already in Season 1, with the bomb dropping and Crowley saving the books. What we didn't know is what Shax's memory will now show us: How the Nazi spies were processed in Hell. And how she offered to help Furfur with being promoted if he could get her some intel on "some demon being up to no good."

I have yet to fully take my time to take a closer look at Shax, but I think she's a lot more competent and smart than Hell gives her credit for (similar to Saraqael in Heaven). How else would she have gotten word of A Certain Suspicious Demon while she was still an admissions demon herself. Or figured out simply by Crowley's Bentley not being at the bookshop in S2E3 that Aziraphale must be the one who'd currently be driving it somewhere. But okay, I really don't want to divert too much from my own plot here, so let's jump right ahead into our next scene: Aziraphale's first memory in this minisode.

I'm just gonna play Captian Obvious for a second here: There's literal sparks flying in the air. Red, firey, passionate sparks. And an angel looking like this:

I'll just let the imagery do the talking.

Now we have that love-birdery out of the way: I was at first going to once again call bullsh*t on the timeline our dear smitten Aziraphale is giving us here. Because I thought: "You're really gonna try and tell me that while there was an actual Blitzkrieg happening just down the block, the girls playing Ladies of Camelot had nothing better to do than to happily perform at the Westend like nothing out of the ordinary had happened?"

But the answer is ... yes. Yes, they literally had nothing better to do – because they were still performing! I chastised our dear angel too soon, because lookie here:

(Source: https://en.wikipedia.org/wiki/Windmill_Theatre)

I indeed didn't know that the Windmill Theater remained open during WW2 –– but it did put a smile on my face that the article specifically mentions it remaining open even during the hight of the Blitzkrieg. Neil, you clever man!

Also, one last nugget of appreciation: Aziraphale most definitely having no clue what sort of performances actually happened at the Windmill Theater (in case you don't know, just check Wikipedia for a sec), exclaiming "Sophocles! Shakespeare!" and Crowley simply going "Something like that" just warms my heart infinitely.

Fondly thinking about Aziraphale asking Mrs. Sandwich: "What exactly is it that your girls do?"

Another thing that seemed strange to me at first, that I think I also managed to semi-debunk, is the fact that Crowley's Bad Deed of that day seems to have been to deliver 80-percent-proof alcohol to the Windmill Theater. It made me frown and go: "Huh? I don't think alcohol was illegal in England in 1941?" However, upon googling around a bit, I think it might actually be not so much about the alcohol itself, but who it was given to. Which, in this case, is the American soldiers frequenting the nude shows at the Windmill Theater. All I could find were some books and essays, one of them titled "The Wet War: American Liquor Control, 1941–1945", as well as this short abstract of a paper that seems to talk about how American soldies consuming alcohol while at war/stationed abroad for WW2 were frowned upon by US Army chaplains because "the impact that alcohol would have on the men's moral well-being".

So, it would make sense for Hell to send a certain alcoholic temptation to one of the dens of temptation itself – the Windmill Theater. Enter Anthony J. Crowley, your local Nazi-church-bomber, book-saver, angel-seducer and alcohol-smuggler. (Albeit that last one sort of failing a little. Sorry, Mrs. H.)

(Sidenote: @createserenity gave a lovely and very plausible explanation of the whole alcohol delivery and also who Crowley's character design might have been based on in the comments of this post!)

Aziraphale then of course jumps in, offering to be the magician of the evening to repay his "good friend" (sideye), waving around his little handkerchief like an excited little boy. ("Ah, the ✨theatér✨!") We also get the first zombie!Nazis content, which I believe is probably a reconstruction of what the zombie!Nazis told Furfur once they met up with him again and what Furfur then probably told Shax once he failed his mission. Brains eaten, we continue to this glorious line:

He's just so very excited and giddy about it all – and I think that's partly because he a) just realized that Crowley loves him (and he very much loves Crowley too) and b) because Bentley!Aziraphale who is remembering this, probably remembers it even more fondly and giddily. We've seen his emotions bubble over a lot more during the other minisode-memories – so it only makes sense that in this one, he's remembering himself to be almost out of his mind with happiness and excitement about Crowley the magic show.

Remember what I asked you to tuck into your pocket?

Take it out again. Go on, there's a love! Because what is it that Aziraphale realized mere moments ago during his conversation with Shax? Crowley is free of Hell.* (*and remember, he doesn't know that that's not entirely true because no one told him the rest of the facts. So yes, we know it's not quite as simple – but Aziraphale doesn't.)

For all of S2, he has been trying to bring his relationship with Crowley to a new, more domestically intimate level (our car!), confidently and potentially even a bit carelessly ignoring the still-very-much-there threats of Heaven and Hell. I think one of the things that might have still been holding him back in his attempts to get to the next base (huehue) was the fact that he thought Crowley was still actively employed by and tied to Hell.

In all of S2, Aziraphale does come across as a little bit blinded by his desire to finally be with-be with Crowley (rose-tined glasses obstructing the view and all) but he's not completely carless. He knows Hell to be way more cruel to their employees and has always been careful to not get Crowley into too much trouble by being associated with him. But now he has (a little falsely) deducted that Crowley is in fact no longer in hellish demand – and isn't that just absolutely tickety-boo! Lacking the context that we, the audience, have, Arziraphale.exe is currently running hot on: Heaven and Hell don't care about Crowley and me anymore! We're free of our employers' interest in us and the threat that used to bring!! I've been trying to lock this serpent down ever since the World didn't end – and now I finally can!!! I'm We're able to do whatever I we like which is to finally confess to Crowley!!!!

From Bentley!Aziraphale's point of view, this is the literal green light on their highway to Alpha Centauri! Metaphorically, anyway. More like their country road to the Southdowns. And, for now, the M1 to London– back, back, back to Crowley!

For a minute, I did wonder about why he doesn't seem at all worried or stressed once he arrives in London after his journey. After all, Shax did very clearly threaten him and insinuated that she already knew where Gabriel was. But if you look at Aziraphale all throughout Season 2, it's so very evident that he's completely occupied with being soppily nostalgic of all the memories he recalls of him and Crowley and, even while facing off with Heaven and Hell again, seems oh too happy to ignore all that because he only has eyes for one thing.

Need I say more?

So, of course, realistically Aziraphale should probably be worried and weary of what Shax said (and maybe also a little taken aback by the fact that Crowley never told him any of this). But oh, isn't the world just that much lovelier when you look at it through shades of yellow and rose? And ignore everything else because if you only look at what you want to look at, both you and the serpent of your dreams are finally free to be together? So, of course! Azirapahle should be so! Very! Concerned! But instead, he is so! Very! Happy!

Both back in actual 1941, after Crowley saves his books, as well as in his memory of the story, aka in the current present day – which we don't get to see until he leaves the Bentley, but then it does show.

And it shows even more while he's still remembering 1941:

Crowley doing an American accent? Oh, that must have been so funny and charming, look at him slapping his thigh, unbuttoning his jacket, leaning back all suavely and watching me– I mean ... the Ladies of Camelot.

There's this excellent meta by @cobragardens I read on the colours of red and yellow in this 1941 minisode as well, which further makes a point of how red is clearly Crowley's colour in Aziraphale's mind – and it's so, so vibrant in this memory specifically. Poor angel has really got it bad for his beloved book-saving demon.

I'd also like to point out Aziraphale's tendency to exaggerate again, both when it comes to others and himself. We see this in the other minisodes as well, and here again, when he seems almost overly-clumsy, dropping those big trick-rings twice, making a tower of cards topple over and then dropping even more things on the counter. This is probably just a bit of a projection how he might have been feeling about performing as a magician: Slightly nervous, trying to overplay it and yet very keen on getting it right.

Crowley seems to always just be watching silently when memory!Aziraphale is acting a little out of character – possibly because there was no actual reaction from him since these slightly overdramatic things weren't actually this dramatic in the first place.

Another thing I would very much take with a grain of angelic memory salt, is one of the Nazi zombies actually walking into the shop while Crowley and Aziraphale are still in there. First of all, that would be pretty bold of him/them, given there's only three people in this tiny shop. And second of all, don't you think it's odd that neither Aziraphale nor Crowley would notice a literal undead person sauntering into the shop? I'll give Aziraphale the benefit of the doubt, since he's currently on cloud nine. But Crowley? How on Earth would he miss that?

Unless the zombie never actually went into the shop, put on silly costumes and rings (because given their track record, in my opinion, goofing around is a very un-Nazi-like thing to do) and it's just what the autopilot of Aziraphale's daydream is playing in the background, to fill in the gap for how the zombie!Nazis figured out where his magic show would take place. Because as we already saw, Aziraphale is a bit, well ... busy in that moment.

This GIF is not sped up, by the way, that is indeed the absolute astronomical speed Aziraphale shook Crowley's hand with when he agreed to pretend to shoot him on a live stage. He's my favourite. Of all time.

Alas, the curtains at the Windmill Theater draw aside, ladies and gentlemen: Enter Fell the Marvellous!

Firstly, I would like to point out that Aziraphale is literally being surrounded by all things Crowley – the red curtain to his back, the red and black feathers to his left and right and, well, literal Crowley in the audience to his front.

Just another little ode to how beautifully this whole minisode is done colour-wise.

If you read Part 2, you might remember me saying that how and what Aziraphale is feeling is actually translating directly to what we, the audience, are shown through cinematographic and auditory clues. And this very same thing happens here too. Its starts around the minute mark of 28:31. Right after Aziraphale realizes that his miracles aren't working and he still announces the bullet catch, introducing Crowley, you can tell that the whole frame starts to shake every so slightly.

At first, it's extremely subtle and you could possibly wave it off as simply being filmed with a hand-held camera. However, the further we progress into the bullet catch trick scene, the more the frame starts shaking.

I have taken the liberty to make a little cutdown of how this intense shaking progresses, so that in case you never noticed it before, I can spare you the time of going back to watch it for yourself.

It might be a trick of the eye but it even seems like the edges of the frame grow blurrier the closer the actual firing of the gun comes. And I don't think I have to tell you what feeling this is trying to convey. Anyone who's ever had a panic attack would probably describe it exactly like that. At least I would.

Everything is shaking because Aziraphale was most certainly out of his mind with fear and adrenaline. He wants to do this, he has to because he needs to show up for Crowley the way Crowley showed up for him at the church – but he's also literally risking being discorporated for good. And once again, we feel his panic, we feel like just like it's our own blood pumping through our veins, just like when we ourselves are shaking with fear. Because this is his memory. And a memory of such a tense and dangerous moment takes a long time to feel less scary.

Once they successfully pull of the trick, the shaking stops, of course. Fell the Marvellous nails his second trick by stealing Furfur's picture, the Nazi!zombies wander off to Satan knows where and we get another one of Shax's memories when we see Furfur not getting his promotion. (Almost makes you feel a little sorry for him, poor bugger.)

I don't have much to say about their romantic red wine candle light boogaloo, apart from the fact that it makes me want to punch holes in walls with how smited smote smitten Aziraphale looks at Crowley the entire time. And also there's this awfully sweet post about Crowley deciding to still sit and drink with him despite not knowing yet that Aziraphale had stolen the evidence picture.

HE IS SO IN LOVE I AM GOING TO SCREAM–

Back to reality, whoa, there goes gravity (as we plummet down to Hell).

Because remember: While most of this was indeed Aziraphale's memory, some of it was Shax's as well. And I'm pretty sure she knows most of what went down that night. After all, Furfur was most definitely the one who caused the rumors of Crowley and Aziraphale being "an item".

So, while Aziraphale was in the Bentley, indulging and revelling in his love-struck memories of the night he almost died* (*discorporated) twice and managed to survive both times because Crowley was there and trusted him, Shax also thought back on all of this since it was the final nail in the coffin that confirmed to her that Gabriel was hiding in the bookshop with Crowley.

So, what's the conclusion that both characters have come to during this very long flashback? It's simple:

Aziraphale loves Crowley. And Crowley loves Aziraphale.

There's only one person Aziraphale would trust with Gabriel – and that is Crowley. And there is only one place that no other demon would have access to except for Crowley. And that is the bookshop. Shax knows this now. Which is why it makes so much sense that once we're back in present day!Hell, she immediately requests a legion to attack the bookshop. Because she knows this is the only place Crowley and Aziraphale both consider safe from the outside world, and the only place Crowley would have access to because Aziraphale loves trusts him. Reflecting back on it, 1941 confirmed to her that they have been and still are the item everyone suspected them to be.

Clever, clever Shax!

As for Aziraphale: It's less of a conclusion, to be honest, and more of a reassurance, an affirmation of sorts. As I pointed out in my horrendously long context introduction, Crowley no longer working for Hell is exactly the push Aziraphale needs to finally feel like it's possible to make his move and confess to him.

And what does that news- and memory-induced realisation look like? This:

Ah yes, what a lovely day to confess your millennia-long love!

Too bad Crowley's not really up to speed yet and Aziraphale's rose-tinted little moment is met with:

... a face-full of plants. Whelp.

It's okay, they'll figure it out eventually.

My final little sidenote: The Jane Austen Ball and why it wasn't about Nina and Maggie

By all means, if you're already sick and tired of my tangents, do feel free to just skip this and end the meta early. I hope you had a good time with it, let me know your thoughts!

And for those of you who are up for a last burst of tinfoil-hatting: My conclusion to all of this is that I am 100% convinced that the whole Whickber-Street-Association-turned-Cotillion-Ball stunt Aziraphale pulls off in the next episode, was never actually meant for Nina and Maggie.

Why? Because up until getting a mouthful of plants once he arrives back in London, Aziraphale hadn't even known yet that Crowley's awning of a new age under the canopy had failed! The last time they spoke was over the phone in Edinburgh which ended with Crowley hanging up on Aziraphale to go make the love mission happen. And yet, Aziraphale clearly already has the whole ball thing planned out once he arrives in Soho, because he already calls it 'a night to remember'.

So, riddle me this: Why would Aziraphale plan this whole over-the-top romantic Jane Austen Ball on his ride back to London to make Nina and Maggie fall in love if he didn't even know yet whether or not Crowley's attempt at it had been successful or not?

It's almost like he meant for it to be his ideal way of a romantic confession for someone else.

'member the pub scene in S2E2?

Aziraphale: "People would gather and do some formal dancing and then realize they had misunderstood each other. And were actually deeply in love!" Crowley: "Now that sounds unlikely."

Resolving a deep misunderstanding like, hm, for instance, your "de facto partner" not telling you he'd been let go by his toxic employers just like you and also your quarrel about you wanting to protect your former-asshole-turned-cottage-core-dad boss from your own former toxic employers? With ✨a ball✨? (And that being, well, really unlikely to work? Oh, deary-dear angel. Oh, Aziraphale. Be still, my beating heart. You're a soldier for trying, I'll give you that.)

Are you goddamn done yet, OP?

Yes. I am. The tinfoil hat defense rests. I'm aware this was less focused on the actual unreliable narration and a bit more on contextualizing memories and feelings with decision making, deductions and actions – but hey, the road to epiphany has many winding paths. Or something.

Once again, here are Part 1 and Part 2 and if you made it this far: Congratulations, you have reached the end! Thanks for baring with me. I hope you enjoyed the journey just as much as Aziraphale did his daydream in the Bentley. And if you and me both feel strong enough for it, I might see you around in a cheeky little Epiloge to this meta series!

(Also: @dancingcrowley asked so nicely for me to tag them once Part 3 came out, so here you go!)

Cheers!

#good omens #good omens season 2 #crowley #aziraphale #ineffable husbands #gos2 #go2 #good omens 2 #good omens meta #good omens s2 #my own meta #why aziraphale is an unreliable narrator #1941 #good omens blitzkrieg #bullet catch scene #bullet catch good omens #someone take this laptop away from me i need to be stopped #neil if you see this wink with both eyes i'm sure i'll feel it

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ami-no-todoke · 9 months ago

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'That' chapter in the Apothecary Diaries LN 13

I translated (Well, more like made sense of mtl with a lil help of my very very basic japanese skills) a bit of the chapter bc I heard about it and couldn't wait even tho I haven't read LN 11 and 12 bc they're not yet translated. and IT'S SOOO *cries* sad Jinshi hours but also Maomao is funny af So here's some scenes from the chapter: (You can find the JP novel on amazon JP or online, if you know where to look.) MAJOR SPOILERS!!! Night Visit.

Jinshi bit his lip tightly. He had gone and gotten excited. Perhaps he had forgotten who he really was. To Maomao, he was Jinshi, but what did the people around him call him? He was Kazuigetsu, the Emperor's brother from the same mother, the Prince of the Moon. The young Crown Prince that the Empress gave birth to was still young. Within the court, there were some who did not entirely oppose Jinshi being pushed towards that position. In this scenario, what would happen if he had a child with a lady who he hadn’t yet married? Furthermore, how would things unfold if his partner was the daughter of Lakan?

Oof the politicss. Maomao says that while she consents to forming a romantic relationship with Jinshi and thereby sleeping with him, she does not want to make an enemy of Gyoku-you (by begetting Jinshi an "heir").

"Considering the lunar path, tonight is a relatively unfavorable day. Even if things go wrong, rest assured. I know how to handle it."

There was likely no falsehood in Maomao's words. If a child were to be conceived, she would undoubtedly take the necessary steps. She had no intention to conceal or raise the child in secret.

Heartless as it may seem, considering the potential consequences, it was the rational approach.

Jinshi embraced Maomao tightly.

and then here, when Jinshi accepts that Maomao's decision to abort if a child is indeed conceived might seem heartless but it would be the right one in their position bc they're still unmarried and he's in an ambiguous position with the royal family - the guilt he feels for making her think of all this and the sorries, uff, the slight angst is soo.

but the chapter ends with Maomao being hilarious as always as she's sent back home so it's all good, lmao.

Jinshi agonized.

Therefore, he missed the words Maomao muttered as she departed.

"I was thinking of continuing without the main event."

Jinshi was just too preoccupied.

#kusuriya no hitorigoto #the apothecary diaries #maomao #jinshi #Maomao being maomao #Jinshi missed out again lmao #they're my favorite

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honeytonedhottie · 5 months ago

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lessons in protecting ur peace⋆.ೃ࿔*:･🛍️

after reading the book pyscho cybernetics something that rly stuck out to me was that literally EVERYTHING IS UR MIND. and duh, thats what i've primarily based my blog on…💬🎀

but i wanted to talk about the idea that everything that u experience is because of ur mind and that goes into how you interpret things as well. so lets talk about how u can protect ur peace through ur reactions.

CAN WE NOT? ;

first, lets remember that everyone experiences the world differently and reacts to things differently from each other. based on subconscious belief, self concept, upbringing, trauma etc. therefore everyones perception of things is shaped by their own unique brain.

for example lets imagine that theres a rly pretty girl and shes rly sweet. the people around her have an idea in their mind that pretty girls are stuck up and mean, so they look for reasons to categorize her and prove themselves right. they look for ways to make her fit into the narrative that they've fed themselves…💬🎀

i give this example to show that peoples judgement of u is based more on them and their subconscious beliefs more then it is about you. period. someone else's problem with u isnt ur business. when u persist in a belief whether its consciously or subconsciously your reality will prove you right. your literally manifesting a belief that doesnt serve you so can we not?

PROTECT UR PEACE BY NOT TAKING THINGS PERSONALLY ;

taking things personally means, misinterpreting someone's thoughts/actions and believing them to be targeted toward us personally…💬🎀

this is particularly dangerous to our peace because when u take things personally you'll start to adopt what other people tell u about urself as fact. if someone calls u dumb then ur gonna believe them and think that something is wrong with you when that isnt the case.

if u know that ur actually rly intelligent and someone tells u that ur dumb, you won't care because you know that ur smart and you know that they're just projecting their beliefs unto you. you make the facts about you. not others.

YOU DECIDE THE FACTS ;

for a fun journal exercise i want you to write down the facts about yourself (u can also write down new traits that you'd like to manifest and make fact about urself) so open ur diary to a fresh page and write an about-me page. fill the page with positive facts about urself and who you are. these are the facts and if someone tells u otherwise, fact check em.

BE GENEROUS ;

people spew some crazy shit when they dont like you or are envious of you and the best way to respond is to first, not respond at all because they dont even deserve to get a reaction out of you. but if ur lowkey petty, add onto their accusations to make them look dumber.

like if they try to clock you about something and accuse u of something, make the accusation WORSE. ofc with nuance but have some fun with it sometimes.

people can't shame you for made up accusations if u dont care and if ur living in ur truth and therefore their agenda to try and bring u down to make themselves feel better is ultimately squashed. dont waste ur energy arguing with people and just keep that peace protected.

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tothisemptiness · 1 month ago

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Golden Hour: Part 2 Analysis Series Part II: "Ice On My Teeth" MV

Hey everyone! Welcome to the second part of my analysis series of this comeback. In this post I will be analizing the Ice On My Teeth MV step by step. Please watch it before you read this post so that you can follow along easier. If you would like to see the other parts of this series you can find them below:

Part I: Golden Hour: Part 2 Diaries

Part III: The Chess Piece Theory

Bonus Part: Character Studies

Meet Counter-TEEZ

Author's Note: This must be what Atiny felt like when "Say My Name" MV first came out because dude I understand nothing and I have nothing at my hands. I only know that ATEEZ MVs have a pattern of representing future events especially when they are filmed at the early stages of their respective story arcs, like "Say My Name" and "Answer". Therefore, I think this MV takes place during a plot point that will be revealed to us in a future diary and we will be able to make perfect sense of it then.

First off we see the towel turn from white to black. I am hitting you so hard with a theory right off the bat. Now, let's settle that the ATEEZ we see in this MV is represented by the color black. They wear all black except for some scenes of HJ and San and according to the members are chess pieces theory, the ATEEZ in this MV are the black pieces. Who is the white one? Z's regime is characterized by white uniforms, sure. Who else wears all white though?

These guys.

Also these guys. We can basically conclude that the ATEEZ we've known from the start are characterized by white, which symbolizes purity and ingenuity. It is very fitting considering their youth and noble goals.

Then who is this ATEEZ, why are they black and why are they against our ATEEZ? I genuinely don't know. For now I will be calling them Counter-TEEZ which will make more sense as I proceed with this analysis.

The ring kissing move is usually part of patriarchal establishments, or at least groups with heavy hierarchy. When compared to Black Pirates, this isn't very anarchist of them.

Snow. Keep this in mind, it will come up later. I also want to point out how, except for group shots and a single shot that is immediately followed by a group shot at the same setting, Hongjoong is always alone in this MV, he doesn't interact with his groupmates at all.

A broken mirror. We know this is an important symbol because it also shows up on the D-Day poster. Mirrors are symbols of self-perception and identity, this was the main reason why in Z's regime people were impeded from seeing their reflection in any way. Here, the mirror is broken. This may indicate ATEEZ's own identities are somehow distorted in this MV, further supporting my Counter-TEEZ theory. Notice how a chandelier appears in the background, which is also in the poster? Also keep that in mind.

We said that Counter-TEEZ are the black pieces. I imagine the tennis player army and the ballerinas to be their pawns because otherwise what would the tennis players' presence even mean. Interestingly, they are dressed in all white with just a black ski mask. I don't exactly know what this means, but it means something.

More chandeliers! San is pulling himself up using the chandelier but it barely budges. Gravity seems to be fucked since normal weight doesn't apply here. Another instance of weaker gravity in the MV is when Hongjoong floats in front of a neo-classical painting. Tumblr won't let me add more photos, just look at my icon. Usually we think stuff like this happen in the dream sequences, so this must be a dream sequence. Except we don't have the bright colors or extra-absurd imagery. Do you remember where else we see mention of fucked gravity?

"Halazia". The MV very likely takes place around the time of "Halazia" or at least after the event that caused the world to lose its gravity.

Excuse the shitty GIF, I did my best putting it up here, just focus on the move. The footwork is a Charleston move, which was a dance very popular during the Roaring 20s. Also HJ's flapper-esque styling belongs to the same era. The Roaring 20s was a period in the US characterized by the American Dream and extravagancy that showed off your wealth. Does the theme sound similar? "IOMT" in itself also shows us extravagant displays of wealth: a giant mansion, way too many chandeliers, diamond covered jewellery everywhere, a classical car on the dinner table... Is this dance move or HJ's clothes plot relevant? Not really, but it is fun to notice and draw parallels from! They also subtly reinforce the themes very well while keeping the artistic touches.

Especially in this part of the MV Yunho looks more in control even over other members and fills in HJ's absence in the leadership. Yunho taking on the role of the leader and HJ being isolated from the rest is also something we see in "Halazia". I usually don't like relating songs directly to the lore but ATEEZ have established that they actually tell the story through their music, so I will consider some lyrics. Yunho basically stops the puppet show Yeosang puts on for the press saying "How do we look?". What was Yeosang about to disclose that Yunho worried about their image? And why through a puppet<*

Yeosang is once again likened to a little bird. Let's draw some parallels between the MV, lyrics and the established lore. Other than this, we hear "Halazia" mention a little bird that is silenced:

"Mm, the little blue bird that lost its voice

I can hear the whispers

The beginnings of a deep echo

The voice that will overturn the world"

In the diary analysis post, we had established that thinking of YS as the blue bird seems like a reasonable idea now. When do we see YS being disregarded when he speaks? When he speaks to his father about his dreams. When he asks members about Sopro again and again. When he goes against WY's idea of starting again. We are so focused on WY but nobody verbally supports YS then, WY at least has Jongho support the idea even a bit. I doubt the theme of disregarding YS's words will end here. Furthermore, we see that he is becoming more and more central to the lore than he's ever been. I will come back to this point.

I need someone to help me understand if he is saying something clever or if he is just saying "WE ATE!!!".

There is a tied tic-tac-toe game between a white and a black player. I will start stretching this out to symbolize something. I think the white player (both in chess and in tic-tac-toe) is the original ATEEZ that lives on passion and dreams while the black player is Counter-TEEZ that live with the desire for money and other materialistic stuff. The reason they are in a tie is without money, they can't do their art but to make money they must compromise from their dreams, however what would the money they earn this way mean if they can't use it for progressing towards their dream? There is a blackish gray cat walking around the game. Wooyoung's symbolic animal is a black cat, so I think it symbolizes him trying to find a way out of this game. Both in this game and in chess whites start first and it also applies to this theory: before they ever thought of money they were already chasing their dreams, the need and desire for money came later on.

Jongho seems to stand in the middle of what looks like a medieval chandelier, with two fallen chandeliers beside him. I know I talk a lot about the chandeliers but they just keep appearing and falling down out of nowhere. I swear I am going somewhere with this topic, I just want to leave it for the end where I can talk about it more comprehensively. For now, I have 2 small theories that explain them:

They represent Counter-TEEZ's greed for extreme wealth falling apart

In "Halazia" not only do we see gravity weaken, we also see it coming back (the floating metal ball San pulls falls down). For all we know the gravity may also get stronger in this case. Then the chandeliers that hang from the ceiling may get unnaturally heavier and fall off from the ceiling since they hang from there with a support system fit for a lighter weight.

Return of bouncing yellow cars. Why though? Why put a recurring image like this? It doesn't even fit the aesthetic or the mood of this MV. Also we see that there are also full black pawns, so the white ones with black masks aren't the only ones. However, these ones aren't dressed up like artists or sports players but more like businessmen or a mob.

The song isn't even about this bro.

Yuh. I have no idea what kind of scheme requires this. I can only trust it will be revealed in the upcoming diaries

Yunho is showing the doctor something like an X-Ray scan of... the mansion? How do mansions have X-Ray scans? Who is the doctor? Why is he so scared of this and why does Yunho look like he is threatening him? Stuff that I hope we will find out in (checks old MV and diary dates) 2 years... fuck.

Is this a generic antique lighter or is it specifically made for this MV with a special meaning to the logo on the lighter? Someone help.

Arson and homicide all at once. 4 questions come to mind:

Why were all those furniture outside?

Why did Jongho pull them all in from a small window on the top floor?

Why did they burn them all outside after taking them in?

Why burn the doctor too?

The destruction of art, something normal ATEEZ covets and puts effort and money in keeping alive, is a theme previously explored in "MATZ", generally considered as a Halazia-related content. Too early to say anything, but I believe Counter-TEEZ may be walking along the same line as MATZ there. Speaking of fire and "Halazia", they prefer to destroy the images of Halateez using fire there.

I don't know if anyone else noticed but they don't put cookies at the end of MVs anymore :(

Loose threads to tie

There are a few elements I left to discuss here so that I won't be tied to a singular part of the MV or the song to discuss them.

I mentioned the chandeliers so much but pianos are also a recurring element in the MV. I believe it is the only musical instrument to show up (despite violins being the focal part of the song).

As I point out the chandeliers fall an abnormal amount of times. When San hangs from one, when Seonghwa claps his hands during his rap, two-three are already fallen while Jongho sings the second pre-chorus. Where else in ATEEZ's videography do chandeliers (fallen or not) and pianos come up? "Halazia".

There are 3 fallen chandeliers and one still standing just in this room. This is an absurd amount of chandeliers for a room of this size btw. In the back we also notice a piano. Not a grand piano like in here, but the pattern is still here.

Where else?

"Answer", which coincidentially (?) starts with a piano melody that has nothing to do with the song itself. Other elements that parallel "Answer" are the presence of snow and the images on the D-Day poster: glasses, a table ornate with candles, chandelier (again), and a mirror. In "Answer" we see an overwhelming amount of mirrors, both full size and as shards. The room HJ is in looks similar enough to that of "Answer" but smaller and not exactly the same. The theme of glasses also come up in "IOMT"s lyrics like "How many glasses? Woo, eight total", even though in "Answer" we see twice the amount. While I am so sure "IOMT" relates directly to "Halazia", I'm not sure how it links to "Answer", but the parallels are there, and out of all the images in the music video they chose the ones that were previously seen a lot in "Answer".

Yeosang Interlude

Another topic is the mansion itself. It feels like an exaggerated version of Yeosang's villa. Below are all the descriptions of the villa:

An antique villa, far removed from the city center and hidden by lush trees

A large table in the dining room

“The dining room let out into a short hallway that connected to the living room.”

Large windows framed by curtains

An antique cabinet is next to the window with a familiar frame and a broken glass object

The location, the hallway we see Seonghwa in that is narrow but seemingly endless in length, the absurdly large dining table that can fit a car on top of it, and the room where we see the Cromer and Sopro is likely the study where we see Jongho (with the large window and antique furniture). The mansion has a lot of artwork in it. Yeosang is an investor who also invests in art, taking on the historical "patron" role. Especially in the previous centuries, patrons would commission artists for artwork that they would exhibit in their own houses, so Yeosang having many artworks in his villa is a very fitting thing for his character. However, as I said, the mansion isn't directly YS's villa, it is an exaggerated image of it. Speaking of the parallels between the villa and the MV, the line "How many glasses? Woo, eight total" may also refer to the dinner scene in the diaries.

The backtrack of this song has violins as its focus. As we mentioned before, ATEEZ uses music to link their stories together. Violins don't come up in the songs, but they come up in "Halazia"s prologue, right after the blue bird flies away. Violins are also representative of Yeosang. "IOMT" basically combines all of Yeosang's imagery in one MV and gives us a good reason to think that he will be central to the story from now on.

Aside from not being able to speak, the little blue bird is also seen guiding Seonghwa to the white-clothed people in "Halazia"s prologue and epilogue. I will theorize a little on Yeosang's role here. He was the only member who explicitly went against Wooyoung in the diaries, saying their lives aren't failures just because they aren't chasing their first dream now. After Wooyoung uses Sopro, I think Yeosang will be the first member to break out of its effect (because he is much less tied down to this old dream than any of the other members, shown by only him being able to refuse the idea immediately) and will try to wake others up but he will, again, either be disregarded or downright shut down by the members who are caught up in its effect, mimicking the silenced blue bird. In this process, he will take on a guiding role for the group and his success will start a series of events that will change ATEEZ's universe completely. In this arc if Wooyoung is the voice of the heart Yeosang will be that of reason. Finally, I think Yeosang will first be able to wake Seonghwa up, leading him to the "Be Free" bracelet will trigger this as seen in the Epilogue, and moving from there will wake the others up with a similar method.

I hope I didn't miss anything but it is currently 3 AM so I very likely did. This has been a very detailed analysis and I couldn't even talk about some details I would like to because I can't really make sense of them. If I remember anything else I will come back and edit this post. If you took the time to read until here thank you very much and see you soon with the remaining parts of the analysis since I still have some themes in this comeback that I would like to discuss <3

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