#and there's just no way to reconcile those two things
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rafesangelita · 6 hours ago
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໒꒰ྀིっ˕ -。꒱ྀི১ season four (part two) let’s talk about it..
episode six:
i hate myself rn because why do i find young luke hot?? absolutely insane. larissa looked so sweet, this is unfair!! and the way jj put a hand to his heart when he was leaving the lighthouse?? SAD. rafe’s biceps look insane. i hope both sarah and rafe get to get in contact with wheezie at some point :( ruthie acting smug the whole time at the court house is making me want to crash out. when jj said “the new figure eight.” YEAH.
episode seven:
i hate groff and luke with a passion. FREE POPE RIGHT NOW!! so sofia knows she messed up but i just can’t see rafe getting past that, like there’s no way. POPE GOING TO THE MARINES?? SAY SIKE RIGHT NOW. i needed that scene with popecleo. groff is so fake i can’t do this rn. like how can you sit there, say all that heartfelt stuff and then lie on jj like that. NO WAY JOHN B MISSED WITH THE MOLOTOV ARE YOU JOKING??? LMAO.
episode eight:
john b is really doing it for me this season.. got me thinking. kie looking at sarah all crazy when she took the joint from john b lolll. john b being so supportive <333. groff calling the cops on jj, i hate himmmm!! and him making jj open that casket was so wrong of him omg. KIARA GETTING KNOCKED OUT HELLO??? POPE RUNNING OUT OF SIGNING MARINE PAPERWORK YESSS. ruthie and kelce pulling up with bats, i’m cringing so bad rn. WHY WOULD SHE PUSH SARAH ON THE GROUND WTF!! GROFF JUST SHOT HOLLIS (why do i feel bad for not liking her now?)
episode nine:
i’m sorry but why would the pogues go out in the open with a police boat?? PLSSS.. RAFE JUST PROPOSED TO SOFIA WITH HIS MOM’S RING I’M GOING CRAZYYY RN. rafe defending the pogues all backhanded is on brand for him i’m afraid.. kie cutting rafe free, okay..
episode ten:
PLSSS rafe yelling in the street like that LMAO. john b and all those apples in his shirt.. rafe having all that money and not even OFFERING to buy sarah something to eat is so crazy 😭. rafe being taller than everyone in the street is doing something to me. GROFF JUST TOLD RAFE ABOUT SOFIA WHAT DOES THIS MEAN?? so rafe literally told her to “pack your shit, get out of my house.” i just knew it wasn’t gonna last 😭 at least we got bf rafe content though, so.. SARAH SAVING RAFE AND SAYING “that’s my brother.” PLEASE RECONCILE I NEED TO SEE IT!! BYEEE THEY HUGGED AND CRIED THIS IS WHAT I NEEDED.
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WHAT DO YOU MEAN JJ DIED?? THAT’S LIKE THE WORST THING THE WRITERS COULD’VE DONE, HELLO?????!
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liyawritesss · 8 hours ago
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ᴊᴀꜱᴏɴ ᴛᴏᴅᴅ + ᴄʟᴀꜱꜱɪᴄ ʙʟᴀᴄᴋ ᴡʀɪᴛᴇʀꜱ
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-> synopsis: there's no denying that Jason Todd Is the intellectual boyfriend we all crave - so let's take a peek into his repertoire and see what are some of his favorite black artists, authors, and philosophers!
         -> characters: Jason Todd | Red Hood
-> from: batman universe
         -> contains: can be read as either pre- or post lazarus pit, 3rd person
-> a/n: here's the first hc post from the batman poll i did! currently taking an intro to black writers class, and I wanted to make a spin on some classics I think Jason would like, specifically from black contemporaries from the like late 1800's to the 1990's. And yes, I know these authors and stories dont necessarily tie in to the canon timeline of things - I honestly just wanted to have fun with this, so please take it with a grain of salt, and if you don't like it or find yourself wanting to comment something mean, just scroll! Save us both the commotion.
         -> join my taglist!
-> tags: @mbakuetshurisprincess @shuriszn @writingintheshadowsforever @cafehyunji @niyahwrites @marsfunzon22 @briology @asensitivecookie @moon-bo-young @flo-milli-shit-hoe @romiantic @shuinami @badass-dora-milaje @uranometrias @insomniac-jay @punkeropercyjackson
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      -> Paul Lawrence-Dunbar
             -> dunbar was a young novelist, writer, and poet during the 1880's and 1890's. His writing style is distinct with dialect, which earned him a lot of criticism despite his much popular portrayal of black life in southern America after the end of slavery. A lot of the tone in his pieces depict that of the African Americans struggle for survival post-slavery, as without adequate resources to gain their footing into society, the formerly enslaved were left to fend for themselves. What a lot of people at the time missed in his writings - and what Jason actually gravitates towards - is the fact that his particular style is actually intentional. It acts as a reclamation of what was mocked and dehumanized, reinstating power into it in a way that seems regressive, but is more powerfully progressive in retrospect. ‘Sympathy’ was a poem he didn’t know he needed until he read it, and now he either has the poem taped on his wall somewhere or it’s written/screenshotted in his notes on his phone. Similarly, he finds that the poem ‘We Wear The Mask’ is an allegory to the path he himself has taken.
      -> “Passing” by Nella Larsen
  -> this novel tells the story of two colored women - Irene and Clare - and how they navigate the world with the ability to pass as white women. There’s so much that goes into this novel, from the question of race as a moral ground, sexuality in the form of envy, the loss of community when one crosses the racial lines…. I feel like jason would love this book DOWN, the complexities and intricacies are right up his alley. While the book is not in production, Jason definitely finds some way, shape or form to get his hands on a copy….don’t ask a fanboy his methods okay!
       ->Toni Morrison
             -> Toni Morrison is one of my favorite black authors and by extension it is now Jason’s favorite. The way she writes is just so raw and passionate yet delicate and it really speaks to your soul. She’s one of those authors that’s in a completely different league of her own. I feel like Jason would really love Sula and A Mercy from her. He definitely cried while reading Beloved (everyone cries while reading Beloved). The Bluest Eye is his number one favorite book ever in life and I will die on this hill!!!
       -> “Sonny's Blues” by James Baldwin
             -> I honestly think anything by James Baldwin, Jason would like, but I choose Sonny’s Blues because of the struggle with brotherly love. There’s no secret that Jason has a tumultuous relationship with the rest of the Batfamily, and although for the most part the majority of it has been reconciled, tension lingers. Jason has his reservations, hes brash, and he’s the one that often clashes heads with people. This dynamic reflect that of the narrator and his brother, Sonny, who are constantly at war with one another because of Sonny’s desires and dreams, and the narrator being unable to see them. I feel like this is one of Jason’s comfort novels; it’s bittersweet, heartbreaking, and truly a testament to what people do when they think they’re doing what's best for those they care for.
       -> Other Books and Essays Include…
             -> “Letter to my Nephew” by James Baldwin, “Native Son” by Richard Wright, “Incidents in the Life of a Slave Girl” by Harriet Jacobs, “Sweat” by Zora Neal-Hurston, The Parable Duology and “Bloodchild” by Octavia E. Butler
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If you enjoyed, please leave a like, comment, and reblog for others to see! And don't be shy to send in a request!
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buildbuymode · 6 days ago
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procrastinating playing by retooling the goth manor for the seventieth time
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nozomijoestar · 10 months ago
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Asuka is a tragic figure, a figure of mystery, a wild card, all because the only thing she wants in life is peace and quiet for herself and to feel in control- yet her secret heritage that may be hidden from her for her own protection and the reality that life is unpredictable and will go on with or without you keep ruining that delusion, that vision of how the world is meant to work to her, and she suffers regardless of what she wants, what she does, and how little she understands anything
She was born into a family preaching peace and balance and order while being a creature of violence, and puts a dozen mental locks and excuses over this truth to justify giving into her impulse for fighting by pretending she's justice when she does it
She keeps trying to build a place of safety but she's using sand and life is a wave that destroys, yet she stubbornly persists rather than give up, not drowned to the point of self centered suicidal loathing like Jin- there's contrast, where Jin is cloaked in death Asuka stubbornly clings to life and humanity as a normal person in a terrifying world
She's not a fucking narrative clone for Jun's own purpose, Asuka's purpose must be determined by Asuka herself
#tekken#Jin is born of two worlds Jun walks between two worlds Asuka is at the crossroads of two worlds#Jin is broken by it Jun traded part of her humanity to reconcile it and now Asuka has to accept it yet persist- she is always persisting#that's her strength that no matter what she's always still herself#'For being so very Y o u' as Lili told her bc she sees it#she's an interesting character BECAUSE she's not Jun and she's not Jin and she's not aligned with them entirely#stop waiting for her to be something she's not#also i think it's GOOD she doesn't know everything or everyone in her family bc that builds mystery and suspense#it gives everything a tension in the background for when the normalcy charade will be broken by the bigger family drama catching up w her#what's happening to the Mishimas should be something no one is dragged into yet the one family member who's the least connected#is going to run out of time at some point and get hit by that trauma anyway and she doesn't even Know it's coming for her eventually#isn't it fucked up. how everything catches up with you in the end#and you won't even understand it until it's too late ie. her involvement in T8 global war now#also a character that wants peace and order but actively pursues violence ensuring she will never truly have those things bc of her nature#AND she's already been traumatized by T5 Feng and T6 Jin that just makes her retreat to seeking comfort in detachment- in the familiar#which only prolongs her avoiding the world outside what she can control- and then Lili won't let her live in ignorance not to punish her#but bc she wants to help her bc the Mishimas have already put their claws in Lili- they won't catch Asuka off guard#what is it with people sanitizing the messiness and humanity characters represent in favor of 'If they just acted logically the way I want#then they'd solve the entire story 1 2 3 and we'll have everything wrapped up easy' THAT'S NOT A STORY THAT'S A MATH EQUATION#FEEL SOMETHING INSTEAD OF ALWAYS NEEDING TO SOUND SMART AND HAVE PERFECT ANSWERS YOU STUPID FUCKS#IN TRYING TO MAKE EVERYTHING HAVE A PERFECT SOLUTION YOU'VE LOST SIGHT OF WHAT'S IN THE TEXT#AND ALSO ASUKA BEING VIOLENT BUT STILL CARING ABOUT PEOPLE AND DOING GOOD DESPITE IT#and AsuLili is about two similar people who've been traumatized finding safety in each other once they put down the trauma responses#this is all in line with T8's tagline of Face Your Fate btw this is literally what was always coming finding you & you face it
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mejomonster · 2 years ago
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I’m relieved to find out when i finish case 3 in silent reading the translation still has a part 4 AND extras ToT
like god i admire priest SO much. i think in many ways the writing choices in silent reading are SO ballsy. especially now that i know what publishers push toward regarding standard/norms look like all other novels don't deviate dont be brave or unique. like i know priest self published online THEN gets a print deal but like. to decide you as a public commented on author with a HUGE following where ppl buy your chapters? is gonna write THIS? 
its brave i think. its brave to trust an audience to read 77 chapters of truly fucked up crime story thats main point IS TO critique the world and justice and human nature. before you get into the romance danmei readers most wanted. to make readers both feel bad for and terrified of a little girl. to remind readers every poor immigrant with a bad life who dies is a TRAGEDY and a horrible loss that society has too much allowed. to remind readers that the justice system fails to bring many people closure or help. 
(babes below the cut turned into a MEGA meta on zhoudu and their completely different views on the world)
and THEN of course the LEADS priest decides to write arcs for in this. its ballsy to write a lead the other lead thinks might be capable of being a killer. to write a man objectively with as many red flags as. fei du as THE lead. like? think of 2ha and the people who hate mo ran too much to try it even just hearing of mo ran lol. fei du objectively in some ways is HARDER to empathize with and view as 'an ordinary relatable man'. mo ran when you take that hes been abused is mainly just a kid who wanted to help people typical xianxia hero style and gain power for revenge on REALLY cruel people in a really cruel Fucked up world he lives in thats painted as so much worse than our real earth world. 
fei du? well he outwardly is pretty so i guess like the strangers he meets people tolerate that. but the little we get of our past lets us know he killed animals with his hands (and again its as BRAVE a writing choice as the lead in kdrama Flower of Evil who’s raised by a serial killer and trained to be like him and unable to empathize with others and he fights so HARD to be a good person but he’s no one’s definition of a safe guy to trust - but somehow he met his wife and had a daughter and loves them so dearly and he IS and has always been a good man and good kid who went through awful stuff because people were afraid of his inability to emotionally connect and his abused background). Fei du is like HIM. Fei Du self harms to an intense degree, trying to curb impulses trained in him from a young age and a natural propensity mixed with a raising teaching him and Hammering into him that death is the only absolute to feel comfort in. He could’ve become a murderer, an abuser, in the sense of his father pushing him toward it and so many things could’ve affected it - like luo wenzhou simply being not there. Fei du is fighting before anything else, himself and his own fears about himself and who he is and who he even wants to be ultimately. Mo Ran gets cursed and becomes an evil emperor, and without that was a brute revenge okay-with man (and a black lotus trope so honestly more tolerable as a violent rage fest reading-norm wise). But fei du? is just an ordinary modern man working in an office who thinks it would be nice to choke someone and watch them break down hopeless. Who’s probably felt and thought everything su luozhan did (now i’m losing track... there’s things to be said for mo ran and his abuse making him cruel and lash out like fei du and su luozhan too...but moving on for now). fei du is a realistic ‘monster.’ or an almost one. he’s a man who if taken for all he is, much of society would want removed and taken away, or see as an inevitable evil of a rich man who can’t be stopped by most. he’s like Flower of Evil’s lead and the bad rich kid who lashed out and killed people, combined into one. 
priest makes him understandable, because priest is amazing at writing very good characters and depicting them and showing their nuances and evolution. and also because luo wenzhou loves him unconditionally. luo wenzhou chooses to love the hurting child, and in doing so comes to see fei du for all the multitudes of value he has as a person, for the treasure he is in ALL of himself with the bad and the good as a whole. (sort of like Flower of Evil main characters sister always loved him and saw him as her little brother needlessly hurt by the world, or the wife who eventually realized the man she loved was part of it and is real its just hes more than she knew before - luo wenzhou is both in one). and because luo wenzhou can see him, all of him, and love and appreciate all of it even EVEN when it horrifies him? even when he thinks and knows its beyond the scope of acceptable or normal, even when he’s hearing fei du lose himself in a viewpoint of the world that is so FAR from luo wenzhous ability to understand or view it. luo wenzhou STILL thinks - how do i reach out so we connect and meet halfway, even if i have to wade into that dark and try to understand, even if i have to explain the regular world like its fantastically rare and incomprehensible to him until he gets how other people like me feel. luo wenzhou thinks: no matter who he is, in fact with ALL of who he is, i’m going to go up to fei du and connect to him, we are going to eat and be okay, we are going to carve out a life together and feel whole and safe and connected there. and so for all fei du is, when we are given luo wenzhou’s fathomless endless care for him it’s impossible not to also open our hearts to fei du. to assume no matter how different he is from us or feels things, or how inhuman or whatever, he’s a an amazing individual and worthy of being understood and accepted into our care too. because luo wenzhou’s viewpoint is hard to fight. even if we think luo wenzhou were wrong, if we didn’t get sucked in, we can’t fight the fact luo wenzhou unconditionally feels this and it won’t change, it will drive the story. 
there’s the choice priest made, to make an ‘ordinary’ enough hero of a story (a policeman - legal official solving crimes - who is almost superhero like in his original desire to help people and bring justice, who still ignores wounds and tries to be Larger than Life and do More than the average man, trying to save even with his very real human faults of a nepotism parentage and a short temper in his youth and a naivety he had to lose). he’s old but not jaded, he’s realistic and skilled now but still driven to give out justice, still hurts in his heart when he can’t help someone enough. and it all kicks off with a kid named fei du, and luo wenzhou wanting to heroically bring him justice and closure and save him like Superhero savior of the Cosmos young luo wenzhou did... and failing. failing. failing and having the realization he WILL fail people, legal justice is sometimes impossible or has dead ends and horrible things happen with no resolution and no one saved, and still wanting to care about fei du, wanting to do his best to help him even when it will Never ever be enough. Fei du will NEVER be saved. can not be saved. the damage has already been done (and after the basement scene, luo wenzhou realizes even into adulthood, even once fei du’s dad was in a coma, luo wenzhou still couldn’t even protect fei du from Himself, yet another way luo wenzhou can never be that Cosmic Superhero, not even that local guardian to one single boy, he loves fei du unconditionally and that does NOT mean he’ll ever be enough to protect him or undo the damage). 
but luo wenzhou tries anyway. and its in that trying, that is so worth it. it’s not the outcome, its the act of trying, the ‘ceremony’ and how it means he cares. how it means he views fei du as worthy of it (and he really views by extension so MANY worthy of it who he also can or can’t help to varying degrees, and it rubbed off on fei du, because now hes the kind of man who also finds it awful a poor young man named He zhongyi dies and is willing to go to any lengths to try and get justice for him, for any particular person). Anyway, the point is luo wenzhou is an understandable hero typical of his story type. His heroics are the super-detectives who want to save everyone, his failings are the cops like Lee Dong Sik in Beyond Evil who take their small tasks seriously and are aware they may never save their world or Do Enough and justice can fail but they’re still making Their Choices every day, their baggage and damage and aged lessons coming along. He is an ordinary enough choice for a lead. His most remarkable trait in my mind, that makes him stand out, is his decision once upon a time to care about fei du unconditionally. its a choice a parent makes when they adopt, a bodyguard makes in a fantasy tale when they decide to dedicate their life to their ruler, in a realism grounded story like Silent Reading real life red flags just usually keep such a decision from being made.
Take Flower of Evil - its normal for the wife to be suspicious her husband is a killer and investigate it before ultimately picking his side. Take Beyond Evil - Juwon is younger and has fucked up, but Lee Dong Sik makes fucked decisions he doesn’t expect of the younger, makes the choice to cross lines he feels the younger shouldn’t and maybe no one should but he’s too far gone to quit his path now. Luo Wenzhou sees fei du, the teenager, making death threats and you can’t abandon your own kid. But it’s not his kid, its a stranger like su luozhan who’s killed something, lashing out and feeling unlike other humans and without any real parent who gave them unconditional love (maybe fei du had his mom once a week when she was alive but with health issues and spousal issues and dad’s nonstop threat of a presence on them, fei du was not getting that secure unconditional love environment). its a stranger completely, and luo wenzhou just decides to love him anyway. 
So why’s he a brave writing choice? to use a character like luo wenzhou who does decide to love someone like that unconditionally. before the romance even starts. he’s not fei du’s family, he’s not fei du’s mentor until he Chooses to be, he’s not fei du’s lover when he makes the decision or long time spouse (like in Flower of Evil), he’s not a man who’s got enough shared experiences to understand fei du’s perspective (in fact it terrifies luo wenzhou the gulf there is between each other’s experience and view of the world). but luo wenzhou, the man that he is, chooses to love fei du unconditionally. 
it makes sense for his character of course, because priest is good at writing characters. while luo wenzhou fits the relative norm for his genre, it also makes sense his particular life leads him to a choice i rarely see in these stories. He’s an idealistic naive rash ‘hero’ rookie cop. He sees a child cope with the death of his mom and his world shatter, look at him with an intense resolve that BEGS Luo Wenzhou to BE the hero that can give fei du justice. Luo Wenzhou, the rookie who think himself Hero of the Galaxy, has been dealing with petty crime and this is one of (or possibly the FIRST) time anyone has given him the responsibility and Ability to attempt to serve justice on this scale. This is his first opportunity to SOLVE a possible murder, GIVE someone closure, and truly change their life on such a scale. Of course heroic-dreaming Luo Wenzhou, thinking himself important and inhumanly capable of anything to help someone, takes up that look fei du gives him and decides “then I will give you the justice you need. I will resolve this for you.” A character like him? what other choice would he make.
And fei du is both the first time the world gives him the chance to be the Big Hero Savior he wanted to be, and the reality check that he can NOT be that Hero. That such a heroic feat is impossible, is unreasonable, is not something anyone will be able to live up to forever without fail - especially him, who turns out is lacking much of what he needs to succeed. But even if he had ALL the tools to succeed: even if Luo Wenzhou had ALREADY been a Captain, with rich influential and politically powerful allies, and had been able to legally adopt fei du and take actual political action against fei du’s dad? Even if he HAD all that, luo wenzhou would not have been able to save fei du - from the pain of his childhood, from the loss of his mom, the mystery was too hard to be solved at the time (or luo wenzhou of stubbornness i believe would’ve found a way to solve it), or from fei du’s own self hatred and self harm (just given how privately fei du keeps part of himself - he kept so much from luo wenzhou and probably always would’ve). 
So even with everything, Luo Wenzhou would’ve failed. And at least failing then, as a rookie, he learned he WASN’T superman, he wasn’t infailable and Enough to save people inherently, and took the experience that he’d have to WORK and struggle and fight every single TIME to truly try and save people with him as he was promoted and gained power. That failure made him a better savior for future victims he’d help: because he’d be self aware that failure was possible, and helping others was going to be a struggle and require All his dedication every time, and is never a guarantee. 
Luo Wenzhou picking fei du changed their lives. He failed fei du (and always would have) and in doing so it made him a better person to help people moving forward. and in the moment he chose to try and save fei du, an impossible thing with no Real Guarantee (as Luo Wenzhou would learn later and not ever promise so freely with certainty again), fei du DID see him as a savior. As a hope. As the first guardian angel in his life, the first belief that ANYONE outside of himself could help him. Could fix anything in his life - could explain why his mom who loved him would choose to leave him, could explain if it was his own fault for not loving her ‘enough’ or being too monstrous or if it was someone else’s fault, who could take his father to justice for the awful things he’d done when to fei du his father was the god of his world able to kill and do anything and make fei du do Anything no matter how awful. For the first time, fei du truly had a hope in something able to HELP him. And Luo Wenzhou failed. And fei du experienced both a temporary believe in the kind of “justice is served to the evil, help is provided to the innocent” that children usually simplistically learn at first but he never did (because his father didn’t teach him that but that the predators do what they want). and then experienced a cold harsh horrible shock that it WAS a lie, that the person telling him to believe it - luo wenzhou - was wrong. that fei du’s view of the world was “correct” and the false hero he’d believed in, luo wenzhou, was a fool who believed falsehoods and couldn’t do anything real. that no one Could help fei du. 
and yet. despite all that. despite that failure shaping them both. it also tied them together. for all luo wenzhou failed, he still decided Inexplicably to be responsible for it. Instead of taking the loss, he went on to keep helping fei du. Caring. With Tao Ran as a contrast, its clear how excessive those actions were compared to the norm. Luo Wenzhou dragged Tao Ran into helping him take Fei Du after school, so fei du was rarely left alone in an empty house, into taking him out for food so he’d eat when the help at his house didn’t cook, these are all the acts of a godfather or a makeshift caretaker. They’re more than a responsible police officer should’ve ever gotten involved in a victim’s life - the most luo wenzhou should’ve appropriately done, was maybe call child services and insist and fight that no matter ‘how rich older master fei was’ the child still was in an enviornment that needs either an after school program for some socialization and social support, or a caretaker to move in, or if at all possible to get to live with a different guardian. But Luo wenzhou, knowing what’s appropriate, couldn’t abandon that ‘idealic heroic’ persona he learned failed and was unrealistic, still trying adamantly to be it for fei du. Even failure after failure. He would’ve adopted fei du probably, possibly, if the person he’d been fighting for custody against hadn’t been so filthy rich he’d have never had a chance. (never mind the legal issues im sure would keep him from getting custody, but the intent was there). He took fei du in as much as possible for their circumstances, then expanded that to full on parenting. To checking fei du’s report cards, to making sure he ate right, to checking on his healthcare, to commenting on his dating life as he grew up into a playboy partier, to insisting he pick a career, to worrying how he adjusted when his dad died and he had to take the business, to giving him gifts for birthdays and just cause (both secretly and also full on remembering his birthday when others didn’t), to the simpleness of scolding fei du like a regular teen caught cursing when he’d threaten violent, the simpleness of taking the Extreme-ness of fei du’s worse personality moments and simply saying ‘well whatever fucked up stuff you did or want to do, come sit down and have dinner, come on and join me.’ i care about you. lets eat. i accept you into our little family of two no matter what, and every meal is a ceremony reminding you this is permanent and secure and always here for you. 
luo wenzhou can’t save fei du as a child, can’t save him as an adult from himsel, can’t save him throughout of a great many deal awful things. but he can give him a safe stable eternal home in the both of them, that is always ALWAYS there. always opening it’s doors, always mobile and coming to fei du when he feels isolated and abandoned and like he doesn’t even belong to the same world, it exists everywhere. it’s his. its a thing he never had before luo wenzhou. but it exists now. and it is THAT which luo wenzhou can provide. 
He can’t save fei du from the many horrors of the world, from the monsters within himself. But he can give fei du a home that exists no matter what horrors exist or happen, a home that fei du will always belong IN no matter how monstrous he is, no matter what he’s done or what happens. 
Maybe once upon a time the end of the week with his mom, had been the closest fei du had to that kind of ‘home.’ Some safe place where he was loved even with everything different about him, with the fucked up views his dad pressed on him, with the way he felt different from others and uncomprehending of the world. His mom, fleetingly, would be there with the house made ready for him, would be happy to see him and simply be with him. 
Luo Wenzhou carved out a home for him after that, when he lost that, and made it permanent. It exists nonstop, always, whenever fei du is with luo wenzhou. waiting for fei du when they’re apart, always open for him to return. 
wow i got distracted in zhoudu dynamic stuff lol. back to whatever the point was... priest writing brave. so. while i love all of zhoudu’s very grey area roles filled up and overlapping dynamic. i think the above portion explains well WHY it makes sense for them. Why their dynamic makes sense it would happen, from luo wenzhou’s perspective. why luo wenzhou would choose to do it, and how it would end with him and fei du connecting deeply. 
Because that’s the kind of man luo wenzhou is and that’s where he was in his life, in the perfect place to make 1 single heroic Ideal decision and fail, but still feel too attached to actually quit and cut his losses. He could never cut the loss that was ‘failing fei du.’ he had to keep providing the only consolation he could, a home for fei du, even if he could provide nothing more. To Luo Wenzhou he will always be Fei Du’s very mortal and flawed Guardian Angel who couldn’t move heaven to save him or help him, but still took the job as his life’s work. And to Fei Du he will always be that very mortal Guardian Angel who lied that he was Strong enough when he wasn’t, when angels don’t exist and he was just a man, when justice doesn’t exist only this lying flawed incapable Luo Wenzhou trying to act like there is still justice. But to Fei Du, flaws and all, it’s still his Guardian Angel despite it all. In his world there are no angels, no true heroes. But this person is trying to be one, in Fei Du’s fucked up world where none exist, anyway. Luo Wenzhou is still trying to be one for him. And that’s worth something because it has MEANING, the choice to try to be an angel in a world with NONE means something, its the effort that counts. It’s the ceremony of doing it, the act, that means everything. (As luo wenzhou’s final lines in i think chapter ~79 hammer home).
Their dynamic makes sense, for them. Of course it’s where they’d end up, how they’d develop. How they’d get so enmeshed and close and Bigger Than People to each other (both symbolic Roles to each other while being gravely aware their symbol is actually just a flawed human who will never live up to it). To Fei Du, Luo Wenzhou will always be a Guardian Angel and that IS just a weak human who will fail the job. To Luo Wenzhou, Fei Du will always be his charge to Save, even though saving him is impossible, even though he’s failed for 7 years, even though fei du will never let him and both of them are More Than Aware this mission is impossible. Luo Wenzhou knows fei du is not a charge, was never one - or only one for the first time until Luo Wenzhou first failed. 
Fei Du is a grown man who has done bad things, horrible things to himself, who views the world so differently from Luo Wenzhou his morality might not even be able to compare with his, who is a man he can’t fully understand but tries to reach out any try to anyway. Every single time. What a brave choice. To be commited to unconditionally loving someone and trying to understand them, even painfully knowing you never will. We may truly never be able to understand another person completely. But in these two’s case, they truly have such different internal worlds, it is a painful point for them both that they really never will exist in the other’s world and grasp it fully. 
Fei Du is brave too. He knows Luo Wenzhou is an ordinary man, who belongs to the world most people understand and accept as reality. He knows he’ll never understand Luo Wenzhou, will always see some of Luo Wenzhou’s beliefs as lies or falsehoods most people seem to believe or assume or operate based on that Fei Du will never ever understand or connect to or operate under unless he tries very hard to force himself to act unnaturally. In a way, it is like an Angel loving a Demon. In reality they both realize they’re not an angel and devil - Luo Wenzhou realizes he’s painfully human and incapable, Fei Du doesn’t see himself as a demon he just thinks all humans are truly this way or walking-corpses unaware of it and Luo Wenzhou is another deluded soul lying to himself or simply way too uncomprehending to ever see the ‘truth’ of the world the way Fei Du is Only capable of seeing it. But Fei Du sees his own awareness as monstrous, in that it makes him a monster to those ordinary people and their entire world framework. And yet to Luo Wenzhou, he’s not a monster for it, just another flawed imperfect person like Luo Wenzhou is. They put themselves into the Roles of Angel and Demon, while knowing its partly untrue but unable to stop living that way when it comes to each other. Fei Du can’t help seeing Luo Wenzhou as an angel, in the warped way he’d view one in his world - a deluded hero who’s incapable, but still the closest thing to any angel in Fei Du’s world could exist. Fei Du can’t help seeing himself as a Demon, even though it’s normal to him he can’t shake the awareness its how he’d be in Luo Wenzhou (ordinary people’s) framework of the world. And then they meet in the middle somehow. And somehow even existing in different realities cause they perceive the world SO differently, Fei Du somehow catches a glimpse of himself in Luo Wenzhou’s worldviews: an innocent. An ordinary man. Not a demon, not even different from others. But someone who could and DOES exist in Luo Wenzhou’s world where people who are hurt deserve justice and people attempt to give them it, where cruelty is not the norm and not comprehensible to the masses. Fei Du isn’t compatible with that world - he’s not comprehensible to them. But somehow Luo Wenzhou can look at him, and place fei du into that world. And for the moment they’re together Fei Du EXISTS in both worlds. Is brought into the world outside his, that he can’t be part of or relate to or understand, and see as if he’s like Luo Wenzhou almost. And he wants to be one of the people providing justice to those who are harmed, one of the people who views cruelty outside of the norm and combats it. Could he do this, view things this way, if Luo Wenzhou didn’t connect their worlds by being connected to Fei Du?
And in contrast, in Fei Du’s world the cruelty is the norm, there is no one innocent only those harmed and those self aware enough they also cause it. There is no justice, only an attempt of power and control until the inevitable death. People like Luo Wenzhou cannot exist. In Fei Du’s mind, people like Luo Wenzhou can at most only be struggling helplessly against nature, hurting themselves by prodding other violent people, giving no justice because there’s no way to give it, just struggling to fight for an outcome that is impossible to provide. But because its Luo Wenzhou, Fei Du’s worldview shifts to accomodate him: Luo Wenzhou is a pathetic man fighting for an outcome that can never occur... but he keeps trying anyway. And because he’s Fei Du’s personal angel, even though angels can’t exist here in fei du’s view of the world? Fei Du almost wants to believe maybe there’s worthiness in someone trying anyway. To be like an angel. To do what nothing in his world does, want what can’t be achieved in his view of the world. And that’s where their worlds connect. Where Fei Du’s world connects to Luo Wenzhou’s and lets a sliver of Luo Wenzhou into his as something Possible. And is that why Fei Du wades into the water of doing work like Luo Wenzhou? Is that why he cares when a son dies and leaves a mom behind. In his world to care is illogical and pointless and has no use. But Luo Wenzhou IS in Fei Du’s world, and he cares. So Fei Du feels like... maybe he’ll care too, even if it is useless. He’ll let himself care still, like Luo Wenzhou cares. 
There is use in the ACT of caring. Even if it changes nothing. There is worth in the act of caring, even if it fails to save anyone or stop harm. Is that one of the themes of Silent Reading I wonder... its certainly a theme of these two’s relationship.
It’s the point of Luo Wenzhou trying to explain to Fei Du what their connection is. It’s the connection of their worlds - Luo Wenzhou in our usually normally accepted one, and Fei Du in his hopeless one. It’s also the connecting point of their personalities - through knowing each other they’ve both developed a level of caring. Caring despite finding it cannot save, cannot stop the awful things that have happened and will later. 
And so we get to a point where Fei Du cares about Luo Wenzhou, even though Wenzhou failed him and still does. Even though Luo Wenzhou will never fully understand him or the world he exists in. 
I never realized just how wholly separate their concepts of the worlds they exist in were till I wrote this damn. 
>>I keep losing the point in zhoudu meta lmao. Anyway back to priest. What I am impressed by (among many things), is priest writes that kind of dynamic as mentioned above. The ‘normal ordinary hero’ type Luo Wenzhou who can never connect to the kind of person/world Fei Du exists in, and vice versa. But somehow they meet halfway and see through the keyhole of the other person’s world anyway. Take one step in, while still being unable to enter the other’s world and abandon their own. It’s impossible. But it is. Because they choose to do it, no matter how impossible it is. 
And its this relationship that outside on paper on some novel summary is the tags idk older/younger, rich/gruff, cruel/heroic whatever. When I walked in once upon a time, with the impression from a tagged summary it was going to be a cold genuis with a fascination for analysing cruelty, and a heroic gruff type combatting him and helping him ‘grow a heart’ I did not expect this kind of deep relationship dynamic i actually got. I didn’t expect a relationship that’s part caretaker/child, part opponents striving to fight yet it’s to connect their irreconcilable worlds, part lovers who were already closer than usual lovers before the romance even enters the picture. I didn’t expect 7 years of failing each other, but still being unconditional care there. Fei Du is not just a ‘cold genius’ he’s given the traits of a man from a world where he sees himself as the ordinary monster of it, and he will never ‘grow a heart’ and come to see the world like Luo Wenzhou (I’m 70% through the novel but i don’t think he will). And Luo Wenzhou for all his physical actions is not a gruff man with a ‘warm heart’ a la some sweetie pie emotional warm hero. He was an idealistic idiot who got a reality shock he wasn’t Superman, who grew into a realist. He is a guardian angel who is not actually an angel and KNOWS he isn’t but can’t stop himself from trying to be for Fei Du, the first and only time he tried to be one, refusing to quit this mission even though it’s been lost a million times and it’s painful for both of them for him to keep pretending he’s an angel instead of a man. Luo Wenzhou’s warm emotional ‘hopes and ideals’ don’t touch Fei Du and ‘change him’ (although Fei Du trying to understand Luo Wenzhou’s pov at least does open him up to witnessing Tao Ran’s idealism and kindness even though he finds it naive). 
While their failures with each other certainly change them, they don’t actually change the core of each other - they are permanently too distinctly different people who see the world in an incompatibly different way. Growing up with Luo Wenzhou certainly influenced Fei Du’s behaviors, and gave him a peek into seeing the world differently, but he still ultimately exists mainly in his own world. Even with shared experiences together now, working together, it’s not shifting Luo Wenzhou into a person who sees the world as inherently cruel and monstrous like Fei Du, and its not shifting Fei Du into seeing justice as natural and possible. In some couple stories the worldviews would gradually mesh as the shared experiences grew - but no, not with these two. 
The beauty of their relationship is they Will exist in their separate worlds, their incompatible worldviews and interpretations of it. But they still connect. They still carved out this space of a home together, that exists in both worlds. That has a window to each other’s worlds where they ask the other to explain what that unimaginable window’s view means, how the hell the other person is interpreting it because they don’t see it the same way. This shared home, that lets them concieve of a world where the other person can and DOES exist in their world. Fei Du sees himself as a monster in a world where it’s natural, and where angels don’t exist let alone just heroes - but Luo Wenzhou is in his world. Impossibly. He’s there, he’s part of it, he’s relentless, and he always will be. In Luo Wenzhou’s world, Fei Du exists and is just as inevitably part of it as Luo Wenzhou is. Even though Fei Du can’t conceive of existing in Luo Wenzhou’s kind of world - luo wenzhou sees Fei Du WITH him there, dragging him in by refusing to accept that Fei Du couldn’t be there. 
Fei Du’s heart (in my prediction anyway lol) is not going to grow 3 sizes and decide justice is possible, is expected, and he’s an ordinary person who thinks like the others and feels wronged when he’s not given help and doesn’t instinctively think cold things. But Fei Du’s heart, despite himself and knowing Luo Wenzhou lied about being an angel in Fei Du’s world where none exists and failing him, holds a permanent space for Luo Wenzhou. A permanent part of him lets itself open the window to what Luo Wenzhou sees, and even though Fei Du simply can’t understand it, he lets the wind come in. Lets the idea drift through his own world: that for all justice is impossible, try to fight to do justice anyway. Try to conceive that people deserve it anyway, even if there is no way they do. Just humor the idea. Try anyway. It’s okay to try, even if the result will fail. Luo Wenzhou tries anyway, so you Fei Du can indulge in trying too despite it all. Fei Du’s heart has Luo Wenzhou in it, broken through the window and bringing the breeze, residing warmly in it and bringing all the ‘idealistic-fictional’ warmth from the world ‘other ordinary society thinks’ and decorates. Brings warm cooked noodles, shrimp, sweet candy so sweet its better than Fei Du’s world but here IT IS. Brings hope and determination and belief that doesn’t exist in Fei Du’s world, but here it is, in residence in his heart, with good smells that make him hungry, that taste like nothing that’s supposed to exist. And Fei Du thinks: its a lie, it can’t exist, it can’t be this good, it can’t be permanent... it must be an illusion or something that will crumble later. But its Luo Wenzhou... so Fei Du tries indulging the temporary goodness anyway, even if it WILL crumble. Like how Luo Wenzhou will still fail. Even so, even though this is nicer than any dinner in his world with his mom and dad had been, so much nicer he believes it impossible and a lie and just as hard to rely on as trying to grab the wind. He’ll still sit down and accept it for the experience it is. Because Luo Wenzhou brought it and said it was their home. And even if it makes no sense, somehow in their shared point of connection - this place where their worlds can almost overlap? It’s worth it to try. It’s the act of trying that’s important, not the outcome later. Not what’s possible or impossible. But that here, they can coexist somehow. That they tried very hard to carve out this home right here. They can be brave enough to believe the other sometimes about their other worlds, even if they can never move into the other’s. Try to go on faith on the other person, and try out the other person’s way of living in their very different world, even though it makes no sense. 
It’s a love story about yes, being seen as all of who you are and still loved unconditionally (something often appealing in fiction romance). But also like. Its this heavy reality of No, actually, you will NOT ever be seen completely and understood completely by another person. We are not Fei Du and we are not usually seeing the world and it’s ‘laws’ as so drastically different as him. But like him, when we meet people even as close as we may become, as much as we share, another person will truly never see and feel exactly as we do. Words are imperfect, people’s past experiences and personalities are all different, people can’t read your mind and see your history and feel your emotions. There is no perfect fullproof way to get someone to truly understand you completely. And that’s okay. You can be loved, you can connect, even when that’s true. There is worth in making connections, even if we will ever only be understood imperfectly, only partly be able to view the world or something the same way. Even if someone can’t understand why X is that way about you or why you can’t believe Y the same way they do (even when you try your best to). There is space in all of us to find a way to still love whole heartedly, to choose to Try to understand. There is power in choosing to try, and keep choosing to, even though it’s an impossible endeavor to ever fully accomplish. Like Luo Wenzhou, we choose anyway. Like Fei Du, we realize there’s worth in just the act of trying. Even if we are never fully seen, can never fully grasp the other, there’s care there. The care builds a space for us to connect. A space for us to feel close enough, safe and loved. 
#silent reading#lb#meta#zhoudu#zhoufei#WELL this turned into a mega zhoudu meta and character analysis#character analysis#i will say though. damn.#i think this is true of many (possibly all of priests works but i havent read all) of priests novels#is that they really CAN be delved into analysis wise as works of literature#Silent Reading alone? It has a LOT to say about society and justice and our expectations we're raised on#versus how society really acts. versus the unique ways individuals VARY WILDLY in their perception of it#which i didnt even go into in this meta. but in a Literature Class that'd probably be the main theme.#but then also? fei du and luo wenzhou really ARE doing something so unique with their dynamic that's worth discussing#the fact that like they DO put each other on pillars. while also being self aware those pillars are LIES. and then yet they keep#functioning as if both aware the other are only human AND still putting faith in the pillars they put them on#the fact that in this story the two NEVER reconcile their worldviews into one shared one more or less. which usually happens in these#stories of different ppl. think Goodbye My Princess or Love and Redemption or The Untamed - those different ppl#end up experiencing things that help them come to understand each others pov and perspective of the world.#but the thing is lwz and fd will NOT compromise or change their core world view understandings. lwz just CANT see the world#as inherently monstrous and cruel and kindness as so fleeting and impotent. its against his entire belief system and experiences and#against who he IS. and fei du just Cannot see the world like the ordinary masses. let alone like luo wenzhou who#when young saw himself as the pure idealistic super Hero. to fei du a man like luo wenzhou just Cannot exist and succeed or and just IS#wrong. but their choice to connect anyway is a bridge between worlds. they cant even see eye to eye. but they can choose to connect anyway#despite it.#and internally grow hope and awareness and motivation. even if their worlds remain the same
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justiceburst · 1 year ago
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Moral Alignment Test
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Goro is 18.3% good, tied between chaotic and lawful, making him true neutral.
#justice || akechi#justice || dash games#i thought long and hard about goro's alignment when working on his carrd and i settled on true neutral too#because good evil law chaos are ALL massive themes in his character! so boxing him into just two of those just doesn't feel right#i love that law and chaos are perfectly balanced here that's so cool#he's meant to be playing for the god of control and his mission is to sew chaos and distortion#and on a more personal level he does really believe in like. The Law.#he genuinely thinks following the proper procedures and such is generally the best and safest way to do things for everyone involved#but at the same time fuck rules he does what he wants!#and as for good and evil aaahhh i love the lean here towards good#he wants to be a hero! he wants to help people!! really genuinely he does! and he tries to!#but he also is willing to justify anything he does in pursuit of his 'justice' including a lot of incredibly vile shit#not even in a 'doing evil things for the sake of doing good' type of way he KNOWS what he's doing is just unabashedly bad#but he REFUSES to grapple with it let alone try to reconcile his opposing viewpoints#the cognitive dissonance is so severe that he sees two different versions of himself and that's why he has two personas#anyway. he's so many different things where else can he be placed but in the middle?#he's nothing and everything all at once#so not exactly the traditional idea of 'true neutral' but true neutral nonetheless i think!!!
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thebibliosphere · 1 year ago
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I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?
I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.
I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.
We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.
If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.
Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.
They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.
And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.
The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.
So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.
That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.
Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.
They're not.
If they were, the fash wouldn't be trying so hard to take them away.
Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?
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fwibblefwobble · 5 months ago
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Jason Todd loves a lazy Sunday morning.
He wakes with his cheek smushed against the pillow. Blinking slowly, he lifts his head to assess his situation. The first rays of morning peek through the weave of the curtains, dousing the bedroom in a soft glow. The comforter bunches around your bodies, insulating your shared warmth. His left arm dangles lazily from your midsection. Your slow, even puffs of breath warm his chest through the thin cotton of his sleep shirt. He tilts his chin to look down at you, and relaxes. You're snuggled close and safe in his arms, right where you should be. His head falls back against the pillow and he closes his eyes. For once, he allows himself the indulgence of falling back asleep.
The second time he wakes, the clock face reflects 10:36. You begin to stir from sleep, slipping your hand from his back to rub at your eyes. He yawns, exhaling the funk of morning breath right into your face. Your nose scrunches and you feign offense before doing the very same right back at him. He recoils playfully, swatting at the air in front of his face.
The two of you lay in bed for another five minutes before he pulls you up from the bed and into the bathroom. He smiles at the way toothbrushes lean against each other in their container. It's the first thing he looks for in the morning, small but tangible proof of the life you've built together. He needs them, sometimes - reminders of the life he's living, the reality he has trouble trusting. Little pinch-me's litter the bathroom: his razor next to your face wash on the counter, two pairs of bathroom slippers tucked neatly against the wall, the mingled medicine cabinet. He smiles at them all as he brushes his teeth next to you. The two of you make eye contact in the mirror and exchange sleepy grins, sudsy mouths and all. He hums contentedly when you rope him into your morning routine, dutifully rubbing in the various serums and creams you dab onto his face.
He follows you into the kitchen afterwards to perform your respective morning tasks. It's a mutual compromise: Jason decides food, and you decide beverage of the morning. Today calls for tea, you think, reaching for the tin of lapsang souchong in the pull-out drawer. The pan sizzles softly behind you and you turn, interested. The sight of Jason, bedheaded and domestic, makes your heart squeeze in your chest. You can't help but walk over and press a kiss between his shoulder blades on your way to fill the kettle. He turns, gesturing at you to kiss him proper before going about your way.
A comfortable silence hangs between the both of you as you eat, intermittently broken by the scraping of silverware and sounds of eating. Diffused sunlight warms your skin to a glow, swathing your body golden against the shadows of the apartment. Jason admires you over the tilt of his coffee mug. He loves you like this, tousled and swallowed by your sleep shirt. He loves watching you eat the food he makes you. It helps him reconcile with the hands that made it, that they’re still capable of loving and nurturing despite the brutal take, take, take of his night job. You catch his stare and slow your chews, swallowing.
“What?”
“Nothing. Just lookin’ at you.”
“Something on my face?” You brush off the sides of your mouth.
“No, dumbass. I just think you’re pretty.”
You blink, your brain lagging in a response to dumbass and pretty said in succession.
Your face reflects your hesitation, and he laughs. He takes the opportunity to reach for your hand, kissing the inside of your palm and cupping his face. The display warms your heart and numbs your retort. You exhale through your nose, quirking your lips. It’s impossible to be miffed at him when he blinks slowly at you with those stupidly gorgeous eyes, blue and gleaming with mirth like burnished sea glass. He flutters his eyelashes at you, and all your remaining fight acquiesces.
“Was there anything you wanted to do today?”
He hums, considering. His head shakes no.
“Lazy day in, then?”
His head tilts, interested.
“What do you have in mind?” he asks.
“Well… we could finally do that read-a-thon thing we’ve been wanting to do for a while.”
You pause, considering. “I read your favorite, you read mine, and we can live react to each other?”
His face splits into a wide grin. “Deal.”
The rest of the day is spent on the couch with his head on your lap and a book in his hands. You mirror him in an upright position, fingers threading lazily through his hair in between flipping pages. Every so often, you look down at your hulking lap cat of a boyfriend to check in. Each time, you find contentment resting soft and easy on his face. Your heart squeezes with affection, proud of the little slice of heaven you’ve carved out of his day off.
Peace looks good on him, you think.
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hug-your-face · 8 months ago
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Insight today while washing the lettuce and thinking of my friend who doesn't want to vote.
They are an otherwise intelligent, responsible, generous person, who appears to be socially conscious. They have worked hard and long for their position in their profession. They express concern for the planet. They get twitchy if you use too many paper towels.
But they don’t want to vote for Biden for reasons, and quote "doesn't like the whole system where the parties take turns swinging things back and forth" unquote.
I have been dumbstruck at their attitude for about two months now. I've been thrashing back and forth trying to reconcile this person I love with their attitude:
If you care abt the planet enough to conserve paper towels, don’t you care enough to stop a Repub administration from raping the land?
If you don’t like how things can swing back and forth, don't you want an administration that's going to work to shore up, rather than dismantle, more lasting democratic systems of governance?
If you understand the value of the long game, why are you only satisfied with instant results from a single election rather than viewing that election as a single move in an ongoing process?
The insight came to me as I used an extra set of paper towels to dry my lettuce:
These people are not motivated by outcomes. They are motivated by how their choices make them FEEL.
Not how the outcomes of their choices will make them feel. But how the action associated with their choices makes them feel.
In terms of outcomes for the environment, saving paper towels doesn't do shit compared to pushing for restrictions on oil companies. But using half a paper towel is an instant dopamine hit: "Ahhh, I am caring for Mother Earth. I care. I am a good person. Ahh yes that's the stuff."
This model fits for voting too. We know that The Only Votes That Count Are Those Cast. We know that Dems Go Where The Votes Are Not Where The Votes Aren't. We know that voting in every election, every time, in numbers, is a very low-effort way to contribute to moving the Overton window farther left.
But in the moment, for people who are motivated by how their action associated with their choice makes them feel... the absolute best move for their dopamine supply is to abstain: "I am NOT supporting an old fart; I am NOT supporting genocide; I am Challenging The System; I am a good person. Ahh yes, that's the stuff."
At the time, when I challenged my friend on their position, they held up their hands and said "look, I'm not saying I have any answers, I'm just saying I don’t like how the system works."
They didn't like how participating in the system made them FEEL in the moment.
For those of us who think this is madness, hey, we aren't off the hook entirely. We are basing our choices and actions off of outcomes, true. But there's probably a feeling/dopamine component in there too. "I am holding my nose and voting Blue; I am doing my part to actually affect the future even if I hate some things abt my choice; I am a good person. Ahh yes, that's the stuff."
So maybe the difference isn't in the motivation (my feelings and self-image) but in what motivates us (my action vs the outcome of my action).
I don't have an answer to the question at this time and this post is already long enough. But I'll think on it. And I invite you to do so as well:
For these people (who seem to be a sizable part of the population), how to outweigh the choice where their action preserves their self-image, doesn't cost them dopamine for having to take a "bad" action, and maybe even gives them a happy boost for "not being part of a flawed system?"
For these people, how to help them connect more to the outcome?
Off the cuff, I can't think of any means other than cognitive-behavioral therapy. :/
EDIT: Apparently there's a term for this and it's called Emotivism -- ethics isn't abt effects but abt feelings.
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logicalbookthief · 2 years ago
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I adore the fact that in so many other stories, Mob Psycho would’ve concluded with the World Domination Arc. After all, it has the big, climatic battle with the ensemble cast versus the overarching villain. They win, and everyone goes home, all’s well that ends well, right?
Except the story doesn’t end there. Because Mob has yet to reckon with this internal, antagonist force that has haunted the narrative since the very beginning: Himself.
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When Mob comes face-to-face with ???% at long last, he says: I am Kageyama Shigeo.
This isn’t a conflict with a villain, or another esper, or even a separate entity that resides inside Mob’s body. It is something far more personal, and far more relatable.
???% is the culmination of everything Mob’s held back. Not just emotions like anger or fear. Even his desires, like his crush on Tsubomi. All muted by his efforts not to hurt anybody with his powers. Mob has come such a long way, but he’s still restraining his feelings so tightly that the moment his control wavered, ???% took over.
But the conflict isn’t the destruction ???% is wreaking just by walking through the city. The conflict is Mob refusing to accept this part of himself he’s suppressed for so long.
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And ???% is right! Every attempt to stop him thus far has failed. Because he isn’t meant to be stopped. Mob has to reconcile with the parts of himself that he won’t acknowledge.
And it’s the most difficult thing Mob has ever had to do! This is the part of himself that hurt his brother; that hurt his friends and decimated so much of the city. Reconciling with it means accepting that Mob hurt those people, whether he wanted to or not. It means accepting all facets of himself, even ones he’s not proud of or wishes he could change but cannot.
Mob has grown so much in this latest season alone, he hasn’t had any explosions, and he felt confident enough in his own abilities to actually ask Tsubomi out, which was something the Mob of two seasons ago could never imagine.
But what about the advice Reigen gave him for his confession to Tsubomi?
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His true self, in its totality. This is what Mob has struggled with the entire story. This is why his confession to Tsubomi is the culmination of his character arc. Expressing his feelings means exposing his true self to someone else, even with the fear of rejection.
And while we’re on that subject. Let’s talk about Reigen. Right after he gives this advice to Mob, he says this about himself:
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It is the height of irony (and tragedy) that Mob and Reigen admire each other’s strengths so much, yet have no idea they struggle with the same exact fear: that if the people they cared for found out who they truly were, they would reject them. It is why Reigen relies on lies and why Mob suppresses himself.
It is also why Reigen has never actually witnessed ???% until now. It is why Mob has never heard Reigen admit the truth about himself out loud.
And that’s why the final arc feels like such a gut-punch in the best of ways. What is harder than accepting who you are, and hoping for others to accept you as you are? Even at your most deceitful, or your most destructive? Mob Psycho ends with the Confession Arc because that’s the very heart of the story.
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fernsnouveau · 1 year ago
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Tags by @erisluna35 :
#yeah the ship cracked not cause we dont believe in teen love #but because s5 messed up their dynamic #this whole thing messed up adriens arc not because of adrienette #but because he kept getting locked out of his own narrative #which is not satisfying regardless of adrienette #reducing all these complaints to just the salters belittling teen love #the sugar side really dont get it
Tags by @generalluxun :
#as a writer I feel this #writing the LS is hard now I need to ensure there is a clear break from canon to even contemplate it #why did they turn it so toxic?
“You don’t ship the love square because you’re an adult who doesn’t believe teenage love is legitimate”
I’m going to stop you there. Yes, I am an adult person who is aware teenage romance doesn’t have a great track record of being lasting in real life. But Miraculous Ladybug: Tales of Ladybug and Cat Noir is FICTIONAL.
If the writers decide on a convincing arc for Maribug and Adricat being “made for each other”, then yes, I will ship them. I considered them an OTP for years, actually.
UNFORTUNATELY there was a multi-season storyline of Ladybug keeping important secrets from Chat Noir that was not fully addressed and pushed aside.
UNFORTUNATELY as of the season 5 finale, we have Maribug lying to Adricat about his very existence as a son of Monarque and his status of being a Sentimonster.
So no. I don’t ship it anymore. And I’m actually kind of bummed this fictional relationship I invested in for years is dead to me.
#yeah this is why I divorced the last two thirds of s5 and probably whatever comes afterwards#Adrien's arc has shifted from an abuse survivor story where he eventually gets away from Gabriel#and finds healthier relationships such as with Maribug#to an abuse victim story where Maribug is gaslighting Adrien into loving his abuser#and respects said abuser more than she respects Adrien#and feels like the message now is that there's no use escaping abuse because everyone else will treat you the same anyway.#It's not just Maribug either but Félix/Kagami/Plagg/Alix/Alya/Suhan/Nathalie(/Emilie?) aren't dating Adrien#so that's not specifically a shipping issue it's just 'all of Adrien's loved ones start treating him like Gabriel wanted' issue.#for the record I generally liked the s4 ladynoir conflict and thought it kept both characters imperfect but sympathetic.#but damn it needed a reconcilation arc and instead we get this escalation. this is thematically horrifying.#s4 was like 'it will be so satisfying when it's resolved'. s5 is like 'yeah I don't think there's a satisfying way to resolve this.'#the best I can hope is they break up and get therapy far away from each other.#also s5 already demonstrated this narrative's unwillingness to resolve things it pretty much promised to resolve so yeah.#ml writing salt#ml fandom salt#adrinette salt#(s5 canon trajectory only. it was ok until the ladynoir ghosting.)#the lovesquare were some of the most blorbos is situations of all time. they could've been so many things!#why out of all those possibilities would the writers pick THIS? 💀 this is the worst timeline. who wanted this?!#the writers really didn't NEED to turn it into abuse victim grooming material. yet here we are. why.#ml writing criticism#ml s5 criticism#ml s5#marinette#adrien#abuse#abuse apologism#agency#meta#the ship we got is a thematic 180° from the ship that the narrative originally set up and we were rooting for
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chilschuck · 7 months ago
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Can i request for chilchuck react to reader who like to daydream and after he tell the reader he is married, the reader keep spacing out more often out of sadness and they also try to avoid interacting with him much so she can move on. But laios and the other think it's normal since she always avoid interacting with people ( the reader interact with chilchuck more after falling in love with him )
Do you think he will notice? (ಥ﹏ಥ) (ಡ‸ಡ)
`✦ ˑ ִֶ 𓂃⊹ WAHHHH ANON this is such a good concept and made my heart hurt…… i ended up adding some comfort to it because if you’re like me, you need it after reading angst!! :”)))
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— OF COURSE: chilchuck x gn!reader.
꒰ warnings: ꒱ sfw + hurt/comfort! might be a lil ooc, lol.
꒰ wc: ꒱ 941
✦ i hope this turned out okay!! i made it shorter than my other drabbles by accident but it felt good to end it where it did. i kind of changed the prompt a lil but only because i wanted to give you guys some love from chil still. (;;;w;;;) i’m honestly worried this turned out bad…. hhhhh. i’m so sorry if it’s not what you wanted. ;;; i still hope you enjoy!!! <333
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He knew something was wrong.
It wasn’t difficult to see that you had started avoiding him. Even your gaze refused to meet his own for longer than it had to. Your constant spacing out and stares at the floor said all he needed to hear: you were upset.
It only seemed to get worse when you overheard his talk about reconciling with his wife, any hope you had shattering into a thousand pieces in front of you. From then on, you didn’t smile unless you felt you had to. The thick silence you left in your wake was suffocating, and Chilchuck wasn’t sure how much more he could take.
The other members in the party took it as if you were being your usual spacey self, and didn’t draw any attention to the issue. This only made Chilchuck feel worse; he definitely noticed the change.
You used to hang back with Chilchuck and talk with him constantly, sharing little tidbits about yourselves or chatting mindlessly. Things seemed to come easily when it came to you... Too bad he only realized this now.
The smiles you gave him, the eyes full of affection, the lingering touches… It stung that they were no longer a part of his everyday life. Instead, the sadness that ate at you only bled through to your face, into your actions, and into your silence. It was unfamiliar and unbearable at the same time… Especially with the way you’d closed up further.
Chilchuck wasn’t stupid; he knew you harbored some sort of feelings for him. He wasn’t sure if that made this hurt more than it would otherwise. You were obviously distancing yourself from him, further proving his point that inner party relationships were trouble. Yet, there wasn’t any anger or resentment in his chest towards you. If anything, this was a misunderstanding between the two of you.
Calling your name, he approached you almost apprehensively. The recoil you gave made that familiar sharp pain in his chest reappear. Blurting out an excuse, you made your presence scarce. And just like that, you left him alone again.
Of course he noticed. If anything, he hoped that it was all some sort of miscommunication. Sure, he wanted to reconnect with his estranged wife, but… That’s what they were: estranged childhood sweethearts that grew apart. Along with their love, their relationship changed. Things weren’t something he could fix, and his old flame knew that too. But he hoped more than anything they could sort through their differences and still be at least friends.
Of course you didn’t know. There was no way for you to know, or have known his true intentions. Like everything else he tried to bury deep down, you were fading from his life. Chilchuck couldn’t seem to let this one go, to let you go.
So he chased after you. For once in his life, he decided to not swallow these feelings down. He knew there was only so much he could bury, only so much he’d want to bury. You didn’t deserve that, and he needed you to give him those smiles again. To give him those gazes full of adoration and those tender but fleeting touches…
You didn’t pull your hand out of his immediately. Instead, when he called your name again this time, you turned. Chilchuck swallowed.
“Why are you avoiding me?”
Surely there was a better thing to ask at this moment, but your lip quivered nonetheless. A deep sigh leaving you, your gaze met with the floor again.
“…So it’d stop hurting.” Was all you replied, the weight of those words knocking the air out of him. He opened his mouth to speak, but you raised a hand to silence him.
“This is for the best... I hope you understand.” Your voice used to never sound so broken. It was soft in a way that he’d never heard before. You had truly given up on this, and he can’t say he blames you. He’d have given up on himself, too.
But he can’t let himself fall into that same cycle of self-pity. Not again, he assured himself, reaching up to grab a fist full of your top and pulling you down to meet his eyes. “Let me explain this to you. Please. I… I’m not going back to her because of the reason you think.” Chilchuck hadn’t heard himself this pleading in so long. He felt pitiful, and he suddenly remembered why he doesn’t like being vulnerable.
You couldn’t stop your head from nodding a yes to his request, that spark of hope trying to ignite once again in your chest. Trying to snuff it out, you waited patiently for him to continue.
And so he did. Baring it all to you, he decided this would be another step towards being more open with himself. Maybe you’d see him as pathetic for this, but he tried to piece the words together as congruent as possible. The feelings he had for her distinguished with the years spent apart and even some of the time spent together. This whole time he’s been sure that he just wanted to right the wrongs he did, and move on. Hopefully with you, when all this was over.
Of course you said yes. You listened, and with every word that left him, the flame within you rekindled. You weren’t sure what to say for a moment, besides giving a light laugh in relief. Even Chilchuck exhaled a brisk chuckle, scratching the back of his head in nervous habit. He’s not sure he could ever get used to this whole “telling your true feelings” thing.
But for you, he’d try.
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— dividers by @/cafekitsune!! <333
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tizeline · 19 days ago
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1-I've fallen in love with your Tiz Sep AU, especially how you made Mikey the problem child with the hardest redemption arc out of the 4, because normally it's not Mikey who gets that role (Cause he'll always be a sweet kid no matter what dimension or universe or faction he's in<3), so I'm really interested to see how Sep Mikey and Sep Donnie finally reconcile and become closer<3<3<3<3
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I'm glad you're enjoying the AU :D! And I'm still trying to figure out how the events of the movie is gonna go down in the AU, but so far this is what I've come up with (though keep in mind this is subject to change)
So it's during season 2 that all that drama between Mikey and... basically everyone else in his family gets really intense, but he does end up mostly reconciling with Leo, Raph and Draxum during the season 2 finale (don't know the details yet, just that it's gonna happen). With that character development, Mikey also grows more accepting towards humans, he still doesn't like them but he's also not trying to destroy them all so that's something!
But Mikey and Donnie just can't seem to get along, in the time leading up to the invasion they're just stuck in this constant state of animosity. Raph and Leo certainly try to mediate, but it's almost like Mikey and Donnie don't want to get along. It's kinda one of those situations where it doesn't really matter why two people started fighting, cuz now they're been fighting for so long and about so many things that it feels impossible to even try to make peace.
So then The Foot get the Key, which in the AU happens because Donnie and Mikey can't stop fighting for two fricking seconds and they screw up the mission. And then each of them blame the other for the mission going wrong, which just gets worse when Casey Jr shows up and warns them about the Krang and goddam these two are being annoying. STILL! Despite their less than ideal relationship, they have started genuinely care about each other, and they both feel guilty about losing the Key, so when Mikey sees an opportunity of getting the Key back he goes for it (like canon!Leo did). And when Donnie sees that Mikey is about to get fucking skewered by the Krang, he jumps in front of his little brother and shield him with his own body (like canon!Raph did).
The story from here on out is not as thought out, but needless to say Donnie gets captured and "krangified". I'm kinda thinking that instead of the Krang just making him a soldier like Raph was, they instead hook Donnie up to the Technodrome or something? And after being freed from the Krang's control, maybe Donnie can still take control of the Technodrome himself to pilot it back through the portal. Cuz ya know, they still need a way to send it back into the prison dimension and the other turtles can't connect to the TD because of their hard shells. I did have an idea of potentially making April pilot the thing lmao, but I also have a headcanon that the only reason Donnie could pilot the TD at all was because he has some Krang DNA in him (empyrean), which April obviously doesn't. So Donnie will still probably be the one to send the TD back into the prison dimension.
In the AU, I imagine that Leo and Raph are still kinda dealing with the whole leadership-issue throughout the invasion haha. It's not nearly as dramatic and hostile this time around, don't worry! But I love the idea of Leo and Raph becoming co-leaders, only problem is that they're still trying to figure out what exactly that looks like for them. It not a huge issue when they're doing small-scale missions, but with how intense and stressful the invasion is, they're kinda struggling figuring out how exactly their dynamic should look like.
But back to Mikey, he obviously feels guilty as fuck over Donnie sacrificing himself for him and he's not handling very well. Mikey having lost access to his mystic powers is also really getting to him considering how heavily he relies on them. Leo's drama with Casey Jr in the movie is in the AU replaced with Mikey's drama with Casey Jr. Mikey is initially pretty cold towards CJ just because he's human, when Donnie gets taken Mikey decides to direct his hurt and anger at CJ because... well... he's human! And he didn't properly warn them about the Krang! So obviously it's somehow his fault that Donnie got taken! Somehow! It's very weird for CJ to interact with pre-character-development-Mikey acting like a petty brat about the whole situation, he's hurt by it but also quickly just grows very annoyed at Mikey's hostility towards him. And then we get That One Scene where CJ yells at Leo to get his shit together, except of course this time it's him yelling at Mikey haha.
Anyway, then Mikey DOES get his shit together, and he manages to help Donnie break free of the Krang's control by giving this big heartfelt speech about how he's sorry about how he has been acting and he wants to befriend Donnie and become real brother, you get it. But Mikey still feels guilty about everything that has happened, and to add on to that he still kinda has main character syndrome lol. Point is when Raph, Leo and Donnie all get knocked out of the fight and it's only Mikey against Krang One, he pretty quickly decides to sacrifice himself if it means defeating the Krang. It goes down pretty similarly to how Leo did it in canon, Mikey can fly so he lures Krang One into the prison dimension and is able to restrain him there long enough with his chains to convince CJ to close the portal.
So then the question is - how the HELL does he get out of there??? Mikey opened up the portal in canon, which is gonna be hard for him to do in the AU if he's being beaten within an inch of his life by Krang One haha. But I do think I've figured it out, so Leo and Raph at this point in the story have unlocked their Hamato Ninpo but Mikey hasn't, because their Ninpo is fueled by like... the connection to their family, and Mikey doesn't feel very connected to his Hamato ancestry before this obviously. But what if this is the moment where he doesn finally unlock his Ninpo! After both Donnie and Mikey proved their dedication to each other through their sacrifices, Mikey finally feels connected to the Hamato family. The way I imagine this scene is that it's not just Mikey creating the portal, his brothers are reaching out to him with their Ninpo and Mikey is able to reach back, even while in different dimensions. They're able to establish a familiar connection and because of that a litteral connection is formed through the portal, and Mikey is brought home.
Lastly I wanna talk about Donnie, specifically the uh. Injury he gets from the Krang when he shields Mikey. I actually drew this really quick sketch of that moment a while back but I never posted it here so I might as well do it now! It's not super gory or anything, but Donnie's shoulder got a little but fucking impaled and also there's blood so I'm putting it underneath the read more thing
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Haha remember when I said this this AU was gonna stay mostly silly goofy? Teehee!
Anyway, I can't really decide if I wanna make Donnie just lose his enitre arm after this because lol. Lmao. But the reason Donnie doesn't like die from blood loss right after this moment is because the Krang goop is sealing up the injury, both when he first gets captured and interrogated, as well as during the time when he's under Krang control. After he's freed, he's mostly only able to help in the fight by piloting the Technodrome up partway through the portal, maybe he's able to like act as support in the fight against Krang One by using his Ninpo? But yeah no he basically gets benched as soon as his brothers get him back because he's still quite injured.
But look on the bright side, Mikey and Donnie both being on bedrest after the invasion gives them PLENTY of time to bond! :D Like sure, they showed how far they're both willing to go for each other during the invasion, but they've still got a lot of bad blood to sort out afterwards and them both being stuck in medbay kinda forces them to deal with their problems haha. So yeah, while the invasion is the catalyst for them making peace, it's mostly during their recovery that they properly bond with each other. (Prepare for B-Team cuddles, it WILL happen!)
And you asked about specifially when Donnie loses his immunity towards Mikey's puppy dog eyes, and I'd imagine it's during their recovery. Not only because they're growing closer, but also because his baby brother is INJURED and SUFFERING and to Donnie's horror he quickly realizes that he is unable to say no to Mikey now haha XD
HOOBOY that's basically everything, I still have to figure out a lot of the details, but writing this all down made me realize that I've figured out way more of the plot than I initially thought, so that's nice!
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deadboyween · 3 months ago
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DEADBOYWEEN PROMPTS!!
Text-version Prompt List and inspiration below the cut!
Oct 21st: Day 1 - Colours
We made sure to include a few vaguer prompts for a wider range of creative ideas!! Colours could really be anything: Niko while she's possessed by the sprites, a different character having a run-in with a similarly colourful creature, or even something that just uses colour connotations or symbolism!! Get creative!
Oct 22nd: Day 2 - Comfort
One of the non-spooky prompts for day 2. It could be the boys comforting each other after a particularly difficult case, or a character study about something they find comfort in, or even just characters having a well-deserved day off from the Horrors
Oct 23rd: Day 3 - Disguise
The obvious one here would be Charles and Edwin's human disguises, but there's so much to play with. Works could perhaps feature the group going undercover on a case, or maybe the Cat King causing mischief again with his shapeshifting
Oct 24th: Day 4 - Orbs
Okay, you just know we had to put this one in there, everyone needs more Orbwin and Chorb content in their life right? What are our favourite glowing balls of light up to now? Why are they orb-ed? Is it a willing transformation or a result of exhaustion?
Oct 25th: Day 5 - Family
Family can mean a lot of things. Blood family? Could be an introspection into Charles's family back when he was alive, or Crystal trying to reconcile with her parents, Niko's grief, Monty's relationship with Esther... Or could be found family: the group choosing one another over everyone else, forming their own bonds more important than blood. Works can encompass many different character dynamics so go crazy!
Oct 26th: Day 6 - Casefic
The group are on a case!! Works could be a retelling of one of the show cases, or maybe one from the comics, or an entirely original one. It could be a simple run-of the-mill haunting or perhaps one that runs deeper, one that affects one or more members of the agency in some way
Oct 27th: Day 7 - The Endless
In the show we meet Death and Despair, but this prompt could feature one of the Dead Boy Detectives characters meeting one or more of the Siblings. Maybe they visit the Dreaming, or have a run in with Desire
Oct 28th: Day 8 - Free Day
No prompt for this day!! Works can be anything you like, unconnected to any of the suggested themes!!
Oct 29th: Day 9 - Myths / Legends
Charles referenced Orpheus and Eurydice in episode 7 but there's so much to work with with mythology from all over the world. These works could be a retelling of a story from an ancient mythology, or imagining the characters meeting a creature from a legend
Oct 30th: Day 10 - Hell
Really getting into the Horrors of the event now. Hell is such an important part of the series, especially for Edwin. These works must simply incorporate Hell in some way. Perhaps it's set during Edwin's 73 years in Hell, or maybe another character has an experience in the place, or with one of its many creatures. Really looking forward to seeing the potential body horror with this one
Oct 31st: Day 11 - Halloween
Day 11 is the main event. For such a spooky show, there's got to be a lot of Halloween inspiration. What do ghosts even do on Halloween? Do they dress up? Party? Haunt the living? It's entirely up to you!
Nov 1st: Day 12 - Psychic
These works must involve something psychic. Whether it be Crystal and her powers, another person with similar abilities, or any other creature that really gets in the head of the characters
Nov 2nd: Day 13 - Pre-Canon
There's so much to work with before the 2023 setting of the show. Over 30 years of the Dead Boy Detective Agency, the ghosts' lives, Edwin's Hell. Even for other characters: what happened during the Cat King's first two lives? What has Esther been up to for the last several hundred years? What's the Night Nurse's job like when she hasn't got two tricky ghost detectives to deal with?
Nov 3rd: Day 14 - AU
The only rule is: put those characters somewhere else. It could be a different time period, or characters could be different in some way. What if the Alive Girls were the Dead Girls? Or Charles and Edwin were Charlie and Edith? So excited to see everyone's ideas for every prompt, but especially this one, this fandom is so creative when it comes to AUs!!
Happy creating!!
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as-if-and-only-if · 5 days ago
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the thing that I've got to say is that it really is ethically straightforward that you should vote Harris.
it's not even a trolley problem, it's a trolley triviality. I don't want to use the meme because it seems disrespectful to use those specific images of MS paint people when these are real lives we're talking about.
The analogy itself is serious, though. it looks like this:
the track diverges at the lever; many people are on lower track, while no one is on the upper track. then: the tracks re-converge and continue, and there are people on the track after that convergence.
The point is that the lever—the vote—can be used to prevent those lives on the lower track from being lost, but cannot save the lives lost after the re-convergence.
it differs from the classic trolley problem in an extremely important way: there isn't anyone on the upper track. as such, it's not a question of "who do we save?"—it's only a question of "do we save the people we can?"
(I need to emphasize, because many on this site have long shed the shackles of reading comprehension, that this does not mean that no one dies as a consequence of U.S. or presidential policy choices in a vacuum. It means that your vote cannot prevent that, but your vote can prevent strictly more people from dying, with no trolley-problem type tradeoff of "who do we choose to die".)
~~~~~
you might think that this is abstracting away too much of the real situation—but it turns out it's ironclad.
to see that it is, and reconcile it with reality, we have to ask: what is not modeled by this analogy? where might it fail?
this amounts to asking the question: is there a benefit to killing the people on the lower track that makes doing so "worth it"?
that is: what justification might you have for saying "yes, we actually need to let those lives on the lower track, the ones we could save with the lever, be lost"?
and the answer—as you might have guessed—is that there is no such justification. no peculiar fact about voting means that you should let those people die.
~~~~~
so why do some people—very passionately—insist that not voting is right? I'll survey a few of the most common attempted justifications I've seen, such as:
"I'm not going to vote for less genocide." This is obviously equivalent to "I am totally fine with more genocide!", a truly horrific stance, and yet I have seen it nearly verbatim from so-called "leftists" a few times. My guess is that this usually stems from a kind of perceived moral contamination: a feeling that a "vote for" a candidate is a moral alignment. This is artificial; not real; not consequential. A vote only makes you responsible for the difference between the two tracks while they diverge. Touching the lever doesn't make you responsible for the track. Choosing between these two outcomes is all voting can do—and because voting for most is easy, and doesn't stop you from doing anything else, there are no trade-offs. No "I'm not at the lever, because I had to work on another way." (If your vote is suppressed, that's another story—but this doesn't imply a general anti-voting stance.)
Ironically, some who aren't voting feel they are "keeping their hands clean", when they are in fact actively increasing the chance of more death and suffering. This is kind of the definition of getting your hands "dirty"; it just doesn't feel like it because they're not touching a voting machine, which is kind of just magical thinking. it's not a point not made frequently enough, I think: what some think of as "doing the right thing" here is very much doing the wrong thing, with respect to their own underlying values of right and wrong, and with respect to what they say they care about. those who claim to have the moral high ground by not voting do not actually have it at all.
On that note, some people (fewer, though) seem to think that touching the lever does make you responsible for the track in a real outcome-based way. That somehow, voting lends "legitimacy" to the track, and that by not voting, we are maybe creating a future with no people on tracks. This is just not true; a dangerous fantasy that asks you to sit back and wait for a utopia that's not coming. There are enough voters in this upcoming election that that institution is not going anywhere anytime soon; you'd need a coordinated movement of not voting plus plans for what to do after the state has lost legitimacy, and that is just...obviously not here. To think otherwise is to live in that fantasy, and so to abandon ethical thinking at all, as ethics comes first from a confrontation with reality. you cannot act ethically without acting practically. However: the margins are thin enough that a few people deciding to vote (who wouldn't otherwise) could actually change the outcome. You can actually save the people on the lower track.
Some people think that the tracks never separate at all, or that the same people are on each, or that one way or another, Harris and Trump are "the same". If you think this, please look beyond tumblr "leftists" for facts here. You've been bombarded with all and only all the bad stuff about Harris (not arguing with most of that—though there are misconceptions, e.g. that Biden/Harris provided no protections for trans people); but you haven't seen how much worse Trump is on every single one of those cases, issue for issue, including Gaza. If you think Gaza can't get any worse, you've essentially written everyone still alive there off for dead. Likewise for any group who would suffer more under Trump. Needless to say—don't do that. The comparison—the difference between the diverging tracks—is all that ethically matters when deciding whether to flip the lever or leave it alone.
Some people think voting is primarily "speech", a means to communicate (or worse, merely express), and probably do not realize that this means they think the outcome of "sending a message" (which would do nearly nothing in real terms) is worth killing the people on the lower track.
Similarly, some people think that it's meaningful to "punish" Harris or the dems. (Truly, putting punishment over the cost in lives and suffering is the most horribly american thing to do here.) Some people just want the feeling of punishment, of blame; some people try to excuse their actions in advance ("well, if the dems lose, it will be their fault"), conveniently omitting their own agency in voting, and thus excusing them from the practice of acting ethically at all. Some people think that punishing the dems will actually push them left in the future, to which I say: you don't have a good reason to think this at all, based on history. Parties go where the winning is. And if you do still have a hunch to the contrary, I am sure you don't have a good reason to be reasonably certain of it. This means that you are paying for a gamble, a mere chance, one unsupported by fact, with the lives on the lower track. You can find another way.
~~~~~
Let's be concrete for a moment.
Since this is about difference, let me gesture to a few obvious differences between Trump and Harris: LGBTQ+ rights, Gaza, climate change, mass deportation of illegal immigrants, education, voting rights (and, yes, democracy), the economy, housing, the long-term future success of leftist movements and activism (much more difficult under Trump, who, no joke, has said neatly verbatim he wants to use the national guard and military to handle the leftist "enemy from within", and who can now do so thanks to the supreme court's ruling on presidential powers), everything Lina Khan and Deb Haaland are doing, etc.
And before you respond with something bad the dems or Harris are doing with respect to one of these—I know. Now compare it to Trump on the same issue. That is the only thing relevant to acting ethically in this brutal, tightly-constrained situation.
For example: Harris doesn't want to ban fracking or reduce oil consumption (bad), but wants to fund renewables, stay in the Paris agreement, strengthen climate initiatives in general.
Trump wants to completely gut funding for renewable energy, withdraw from the Paris accords, dramatically increase oil consumption, commercialize NOAA, weaken the EPA, and so on.
We don't get neither. A vote for none is a vote for "worse is fine by me". We are handed the terrible task of making one of these work, and any person actually, practically concerned with that would choose to try to make the Harris version work then spend precious resources fighting the overwhelming tide of the Trump version.
Only someone who does not actually care about these issues is okay with letting Trump in.
Unless you are capable only of black-and-white thinking, unless you can write off the lives in the difference and convince yourself this is ethical, you can see that letting Trump in only lets more lives be lost, and does not reduce anyone's suffering. No trolley "problem". No trade-off.
Voting Harris is not moral alignment. It's not unconditional support. It is maybe the most conditional action you can take: there are only two real outcomes. One not only has more people, as in a trolley problem, but also results in the death and suffering that would result otherwise.
~~~~~
So there it is, spelled out in the most painstaking detail I'm willing to give to a tumblr post: a few of the failure modes of reasoning that lead to not voting. Often simplicity is too simple, a meaningful departure from reality, but in this case the opposite is true: the simple argument
There are two possible outcomes: one of them eases no one's suffering and creates a great deal more. Therefore choose the other, instead of allowing the worse one to come to pass.
—stands up ethically in this case to every sublimation of righteous anger into misguided action.
And I am not using "righteous" sarcastically: it is right to denounce the Biden/Harris admin on Gaza, it is right to denounce the dems on not doing enough for climate change, etc. But that is not the question being asked by your vote. Do not give the right answer to the wrong question.
The question is only: Harris or Trump? Which outcome should happen, now, in the real world, when it's one of exactly two, when "neither" really, truly isn't an option?
If you do not vote, what will your answer be to the people on the lower track? I am sorry; I dreamt nobly, of no track, no lashings at all. No, I was not kept from the lever. It did not even compromise my dream to push it. Still, I just couldn't bear to touch it; still, you had to die, to save me this discomfort.
acting ethically does not always feel righteous. it is not always a release valve for righteous anger. it does not always feel like progress; sometimes it is only the prevention of catastrophe. it is still ethical. it is still necessary. vote Harris. vote to save the people you can.
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ripdragonbeans · 4 months ago
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You Win Epilogue // modern!Aemond x Reader
Summary: You and Aemond have always had a solid relationship built in trust and love. All that is challenged when Aemond has to take a class led by Professor Alys Rivers. Once she's gone, though, how do the two of you heal?
TW: p in v, oral (m and f receiving), manipulation, indefinitely
Part 1 • Part 2
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It has been two months since you and Aemond have reconciled, for lack of a better term. Things were not great but they weren’t terrible either. Alys still haunted both of you. For you, those images she planted in your head as well as ones that you made up yourself. For Aemond, everything about her haunted him. He desperately wanted Alys out of his head, out of his life, but she lingered like a scent that wouldn’t go away. Every time you touched Aemond you couldn’t help but wonder if Alys touched him the way you did.
Sex was off the table. Aemond had tried, but you had denied him. You couldn’t bring yourself to look at him like that, all vulnerable, because he had been vulnerable with Alys. It disgusted you, how he let her touch him. Not only was she his professor, but there was at least a fifteen year difference. And of course, the face that he betrayed your promise of being faithful.
When Cregan and Jason came out with their own encounters with Professor Alys Rivers, everything became clear. She preyed on other students just like she had with Aemond. A manipulator was what she was.
On one hand, knowing Aemond was not the only one made you feel better, but on the other it made you see red with anger. How dare she use students for her own entertainment like that? The fact that she was only fired was a mercy to her. In your opinion, her whole career should be upended.
“How are you feeling, Pri-” Aemond stopped himself before he called you the once cherished name.
“I’m feeling okay. Just lost in my thoughts, I guess.”
“Can I sit down?” He gestured to the empty seat on the couch.
You smiled at him. “Of course.”
Silently, Aemond took his seat and the two of you sat there in the nice quiet. This was how most of your time was spent now. No touching, no kissing, just being in each other’s presence was enough for now.
You wished things could go back to normal but you know that is impossible. There will always be the memories and knowledge of what happened in the past; something that cannot be undone.
“I miss us,” you whispered.
Aemond gently reached for your hand and when you didn’t pull away he let out a silent sigh of relief. “I miss us, too. If I could do anything to take it all back, I would.”
“I know you would. It’s just all fucked up, huh?”
“Yeah.”
You rubbed your thumb against his knuckles and held on tight. While you couldn’t have everything right off the bat, at least you could still have this.
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Three months have passed and slowly but surely things were getting better between the two of you. Physical contact no longer felt tainted and you could hold his hand in public without being afraid.
Alys has been less of a menace in your mind, which you have been grateful for. You moved back in with Aemond but haven't slept in the same bed as him. That's still too much, too intimate for you.
“Do you think we're getting better?” You asked Aemond one day. You were sitting at a cafe table.
“I like to think we are,” he replied. “I'll do whatever it takes.”
“What if it's not enough? What if we can never be happy together again?”
You began to worry. You couldn't imagine a life without Aemond, can't imagine sharing your life with anyone else.
“We are going to make it. I promise, I swear on my mother’s life that we will be okay.”
A single tear ran down your cheek.
Aemond was quick to wipe it away. You leaned into his touch. He was so warm, so familiar, so comforting.
“One step at a time,” you reminded yourself.
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Six months had passed and there was laughter again. Laughter and smiles and hugs and kisses. Alys was a dissipating thought to both of you. She wasn't around so she couldn't hurt either of you anymore. Until you ran into her.
 Finally, you and Aemond were going on steady dates at least once a week again. Back at your usual park, it felt nice to return to some sense of normalcy.
“Did you really say that to your professor?” You giggled. “Aemond, that's terrible!”
 He shrugged. “He's a professor, he should have decent knowledge of the subject he's teaching.”
You bumped Aemond with your shoulder and continued walking until he grabbed your hand to stop.
 “She's here,” he whispered. “Why the fuck is she here?”
 You gave him a confused look. “What are you talk - oh.”
 Across the other side of a little bridge was Alys. She was on a run, just like last time. Seeing her made you tense up. Not again. This can't be happening again. Aemond’s hands began to get sweaty and you looked at him with a broken look. You two were doing so well.
 “Oh, the lovely couple,” cooed Alys when she crossed the bridge. She put her hands on her hips and leaned backwards to stretch, extenuating her chest. “I've missed you, Aemond. I'm sure you've missed me. Though I will say I'm surprised to see the two of you together.”
“Shut up, Professor Rivers,” Aemond ground out.
Alys walked up to Aemond, completely ignoring you. “Don't ‘Professor Rivers’ me now, babe. We both know where your true loyalty lies.” She went to touch him arm but Aemond yanked back and stepped closer to you.
“You fucking ruined me.”
“No, babe, you did that yourself.” Alys winked at him then turned to you. “Poor thing, choosing to be with the one who broke your heart. You're such a desperate little thing.”
“Get away from us,” you growled.
Alys cocked her head to the side. “Hm. I see the pup has some bite. Okay, I'll leave you two alone. But don't be surprised when he comes running back to me.” With one last wink to Aemond she was back to her jog.
Silence.
“I hate her,” he mumbled.
You looked down at the ground, too scared to see Aemond’s face. Alys’ taunt played in your head. He wouldn't go back to her. No.
“Is it true?” You hesitantly asked. “Would you go back to her?”
Immediately, Aemond turned to face you and grabbed your other hand. “No. I will never go back to her,” he swore. “Not only did she ruin us and you but she ruined me as well. I refuse to go back to her. You are all I want, all I need.”
Taking a shaky breath, you squeezed his hands. “I believe you, but it's sometimes hard to wrap my head around that.”
“I understand that you wouldn't trust me, and that's okay. I'll wait for you.”
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Nine months had gone by and Alys has not shown up again, thankfully. Kisses, hugs, laughter. It was all back. Your trust has grown and your bond has become strong again.
Moving into the same room as Aemond was daunting but you knew it was time to be together again.
“Aemond,” you breathed against his neck. “I need you please.”
You were rocking yourself against him. He was hard underneath and feeling it was glorious. How you had missed this.
Aemond wrapped his arm around your waist. He kissed you back with passion and gentleness. “You will have me, I promise.”
With one smooth movement he locked your ankles around his waist so he could move you to the bedroom. With a flop you fell into the bed, arms open wide for Aemond to lay on top of you.
“Take it all off of me. Please,” you whined.
Without saying anything, he was quick to help you undress and then undress himself. You ran a hand down his chest, loving the feel of him under your hand. Lower you went, grabbing the thickness of his cock.
Aemond groaned as you bent down to give his head a small lick. He moaned as you took him all in your mouth. It felt great to make him feel this good again. You bobbed your head up and down, getting into a steady rhythm. Whatever you couldn't fit in your mouth you use your hand. Droll was dripping from your mouth but you didn't care. When Aemond started shaking, you released him with an obscene pop.
“My turn,” he growled.
Aemond pushed you back on the bed and spread your legs open. He kissed the inside of your thighs before slowly making his way to your core. You clenched around nothing as he began to kiss and pick and suck your clit. He had you arching your back into his touch. He had you moaning his name as he brought you to your first climax. At one point he removed his mouth and replaced it with his fingers, pumping in and out of you. He licked your clit while hitting that special spot inside you over and over again.
“Please, Aemond, I need you inside me,” you mumbled.
He was quick to stop and position himself in front of your entrance. Before he went any farther he asked if you were sure.
“Yes, I'm ready for you,” you told him. “All of you.”
In one swift motion, Aemond sheathed himself inside you. It felt so right like this. You and Aemond were made for each other. There is no other person for either of you.
Together you found a good rhythm, your hips rising up to meet his thrusts. He hit that special spot inside you each time and it had you clenching hard around him.
“Fuck, I can tell you're close,” he rasped. He bent down to capture your lips in a searing kiss. “Will you come for me?”
You nodded your head weakly.
“Good girl.”
Aemond picked up the pace, rutting hard into you. You soon became limp with pleasure, losing the energy to do anything except lay there as Aemond pounded his cock inside you. It was the best thing you have felt in months.
“I'm going to come!” you cried.
“Come for me. Holy fuck -”
Aemond’s thrusts became erratic as you fucked you through your orgasm. All you could see were stars. You vaguely remember him finishing inside you but you were so wrapped up in your own pleasure it was only secondary to you.
He collapsed on top of you, careful not to completely squash you underneath him. Kissing you cheek gently, he rolled over to be next to you. Before he could pull away, you cradled his face and caught him in a passionate kiss. When you broke apart you looked in his eye and saw love.
“I love you, Aemond. And I don't want to let go. Ever,” you almost began crying.
“I love you too, and I promise I won't leave you again,” He pressed another kiss to your forehead. “My Princess,” he murmured.
And for the first time in nine months, your heart filled with love.
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