#and there is no CR without her

[bell-gryffin]

‘gratitude and everything else’.

Like what?

I wonder what his issue with Critical Role is? I don’t read or watch many interviews the cast does, but I do have some memory of them mentioning Felicia. And they gave her a role in TLOVM.

The reply is to a comment about the Wired interview (which I haven’t watched). I guess they were asked how CR was started, and they talked about it being a home game. I don’t know if they go beyond that, but that is how it started.

This has just been bothering me for hours since I saw it. She’s mentioned CR a few times while streaming, and it doesn’t seem like she has an issue with them.

[c-kiddo]

thinking abt this .. the panic :( the way he just holds onto himself :( just tells himself theres work to do : (

also look at the little beetle carapace belle left for him :(((((

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[nellasbookplanet]

Mentioning Tusk Love and the potential of other independent stories set in Exandria reminded me of an old discord conversation about how they could Fix the courting of the crick for publishing (seeing as it's canonically a Bad Book due to being super dry and also racist towards drow) without breaking canon:

Rename it 'The Courting of the Kryn - a Reimagining of the Classic Story, by Jester Lavorre'

Present it as an in-universe fanfic-ish rewrite. There's a foreword where 'Jester' elaborates on the inaccuracies of the original, the impact the story had on her, and the importance of Dynasty-Empire relations. There's an acknowledgement section where she thanks Caleb and Beau as 'consultants on Empire culture', as well as an unnamed/under fake name/clearly Essek as an 'expert on the Luxon, dunamancy and Dynasty culture'. All his information on spy networks is eerily accurate and has his former co-workers scrambling. (He makes her keep all the dry historical accounts, but now it's accurate (with added dick-related puns)). She mentions that she reached out to the Bright Queen who reluctantly (after 5 messages in a row) gave some pointers. In her frantic research she possibly made some breakthroughs on the nature on the Luxon that has Essek reeling (there's a 'further reading' section where she lists the academic paper he wrote building on her discoveries and an entire list of the sources her consultants used).

For extra fun and meta-ness, include footnotes where she comments on things she changed/removed from the original and why, how various scenes may have been inspired by a real life couple or events, etc. Some of the footnotes are written by her consultants. Caleb and Essek get into arguments on dunamancy theory which is actually thinly veiled flirting. There's anatomically accurate drow sex (it's unclear whether the consultant was Essek or Caleb or possibly a certain brother, who was also consulted on Dynasty military practices).

[bug4bee]

itty bitty black pearl cookie that’s part of a lineup im doin 2 celebrate reachin elite this last season

[iatethepomegranate]

If I see one more take about Orym being "secretive" in taking the sword, I swear I might start screaming. The dude walked up to Chet in front of everyone, asked for access to the Bag of Holding, took the sword out (in front of everyone) and left with it. Then he came back with the sword strapped to his back... IN FRONT OF EVERYONE. There was ample time for someone to speak up if they wanted to and Orym, quite frankly, didn't have reason to expect it would be an issue. Laudna may have used the lack of discussion as part of her cycle of justifications for her actions, but that doesn't mean it was 1) the main issue she was actually dealing with or 2) an unsolvable problem that required a rash response even if that had been Laudna's primary issue.

[ria-the-camel]

I love you I will always love you. But the way you're hurting yourself is scary scary. I don't know what to do with it. You're lying to me, you're hiding important, dangerous things from me. Because you don't want to stop. You don't want me to leave you, and I never will, but you're going to leave me. You believe it's the only way for you to be useful. I can't make you change your mind. I'm going to lose you. I love you.

[screechingfromthevoid]

that was an exercise in "who's going to tell Orym and Dorian to fuck" chicken

[bread-wizards]

I think that Orym actually does doubt Imogen, but this isn't a thing that is unique to Imogen. Orym doubts all of them to an extent, because paranoia is something he struggles with (and this is continuously reinforced by the story).

It's not a 'good' thing that he should never get over, nor is it an immoral character flaw that proves he actually hates Imogen. However it's also not something I think he can get over as long as the threat of having to possibly fight his friends exists.

"I have all the faith in the world in you guys, all of you. And I have also spent time thinking how to neutralize each of you."

[lightningtitties]

imogen did not waste a second im crying

[hirosboard]

Line art done??? Maybe??

[pocketgalaxies]

a guard asking what's happening and imogen just going "uh i dunno" before wordlessly climbing over a wall dkfjskdf so happy she's not trapped in an endless string of deception checks anymore

[soath]

Not having the gods be responsible for the Aeor bubbles (Aeubbles) actually felt like a very nice choice to me; I was kind of dreading them turning out to be Erathis’ work or something. Because if the gods did pick and choose who to save, plucking their special followers out above all others, I don’t know if it would feel like a kindness to me! Why does this six year old in a city of horrors get to live while his neighbor dies? For the circumstance of faith? It would be cruel in a way that they haven’t been cruel—at least natural disasters don’t pick favorites. Mount Vesuvius didn’t pretend to be judging the content of anyone’s hearts.

It also gives one last bit of autonomy (and one last final brutal parallel with the gods they hate) to Aeor’s mages. They made something so beautiful and terrible, an awe that brought the god of magic to tears, and even as the gods pulled it down in their ears they had one last paranoid failsafe! One last screw you measure preserving a terrible truth. But just as Asmodeus accuses, Aeor clearly drew distinctions between the people who matter and the people who don’t. That blue bubble we’ve seen in the amphitheater—it’s not any of the panicked masses who were saved in perfect glacial magic, it was the archmage.

At the end of the day, it was Aeor that built a hierarchy to save some people and leave others. They might not have sunk the Titanic but they made sure only the first-class passengers would have access to their last, most desperate life boat. I’m glad the narrative allowed them to have that triumph. In trying to be a godkiller how close must you mold yourself to the shape of a killing kind of god?

[nellasbookplanet]

I know that after Downfall the perspective of 'the gods are a FAMILY' has permeated fandom on both sides of the kill-all-gods argument, but frankly that isn't all they are and acting as if it's suddenly their only motivation flattens both them as characters and the narrative they (and bells hells) are in.

The Wildmother and The Raven Queen didn't 'let' Lolth get away with nabbing Opal and killing Cyrus because she’s their sister. Come on man, we've already seen that the primes are plenty capable of opposing and fighting their siblings on the side of mortals (is the calamity a joke to you??). I'm not saying the primes aren’t capable of picking the lives of their betrayer siblings over mortals (downfall showed as much) but that's not what the situation with Opal and Lolth was about in the slightest.

They let Lolth 'get away with it' not because she’s family, but because this is the very rare instance of them not only having the same goal, but of them actively fighting for their lives. As far as we know that has only happened once before on Exandria, and that time they also entered a truce to defend themselves. The vast majority of the time, the primes picking their siblings over mortals won’t happen because mortals can’t actually threaten the gods (normally), making the 'they're family argument' a moot point. The primes won’t necessarily agree with Lolth's methods, but they won’t go throwing away both hers and their own champions in a meaningless struggle when they need all their strength to stop the fucking apocalypse.

[cinnamonisclown]

Everybody SCREAM !

Everybody SCREAM !

In our town of Halloween !

Please reblog this post 🙏

[astralleywright]

imogen having to listen to orym recieve a standing order to take her out if she's in any way suspcious and alma casually talk about many zephran parents prolonging labor specifically to avoid having ruidisborn children within the same hour...