#and then suddenly it all comes out

[jessieren]

This scene… he switches from completely closed to emotional download in 3 seconds flat

Maybe someone’s trying to tell me something. “Go West, young man.” Or south.

[mirthmave]

So I was thinking about the whole younger siblings getting taller that older siblings thing that I am a victim of and it got me thinking.

So it’s known that some boys will continue to grow until they reach the age of 21 . Not all of them mind you, but some of them do.

From what I remember, Dick is currently 26, Jason is 22-23, Tim is forever 16-17 and Damian is 14.

Dick being the eldest was able to stay the tallest for a long time. Then Jason came back around 17-18 and suddenly his little brother isn’t so little anymore and Dick suddenly realises that it is possible that the others will get taller than him as well.

Damian is a given as Bruce is 6’2” so Dick knows that he hasn’t got a chance there, especially when Damian starts getting that mid-teen growth spurt. But Tim…

Tim has always been shorter than him by four inches. He’s 5’6” and Dick is 5’10” and the kid is barely growing. There is hope that he will continue to be taller than Tim!

Little does Dick know that Tim is still growing, just slowly.

Something happens that causes Tim and Dick not to see each other for a little while (nothing bad, just busy vigilante stuff) so it comes as a shock to Dick when they can all get together for dinner finally that he’s not seeing the top of Tim’s head.

No, that boy is now looking at him eye to eye.

Only not completely because Tim now has an inch on Dick.

[benevolenterrancy]

hi!! I think your art is *so cool* o(≧∇≦o)

do you think you could draw more moshang? either post canon or that au you did last time?? (baby mobei has my heart and all I own)

(˵ •̀ ᴗ •́ ˵ ) oh! how about return to childhood—moshang flavor?

don't question this king, shang qinghua, he knows what he's about

[foxstens]

andrew always being at kevin's side because kevin needs it and andrew driving kevin to night practice and andrew patting kevin down to check for injuries and andrew promising kevin it'll be fine and andrew looking awake, interested because of kevin and andrew conserving his energy for kevin's quiet meltdown and andrew smiling for the first time without the drugs because of kevin and andrew always picking up when kevin calls

[tamberrio]

Chat am I cooking

[ew-selfish-art]

Dp x Dc AU: Tim doesn’t rest, not even in Death.

It’s a heart attack that gets him, well, that and the insane amount of fear toxin flooding his system. He was dead for a full three minutes before he watches (how was he watching?) his eldest brother get his heart going again and get his unconscious body to the cave. Alfred gets him onto bat-life support and Leslie looks gravely at his family after she’s done her best to heal him. They decide to keep trying, they don’t want to believe he’s gone.

Tim watches in fury. He’s more useful than this, he’s not just going to die and let the family mourn him! Tim sets to work trying to understand what’s happened to him and he realizes he must be a ghost. Therefore, if he wants to understand ghosts he needs to go where ghosts are, and thankfully he just read a JLD doc saying to avoid Amity Park at all costs.

It’s takes him a second to get used to flying at full speed, but he finds himself surrounded by strange people in a strange town and… he notices himself becoming more visible. He’s able to interact with more and more objects, he even picked up a pencil! Poltergeist is a step forward in his plan, Tim accepts this change of pace.

Then Tim meets Danny, a normal human kid who looks like he could be brought into the manor and given a cape, who looks straight at him.

“Wait, who are you? You didn’t die in Amity did you?”

“No, I died in Gotham. I came here to understand how I’m a ghost and how I can get back to my dying body. I just need a few answers.” Tim explains, and notices that his voice isn’t his own, like it’s a different language entirely that comes out.

“Well, uh, I dunno about going back to your body but it’s not safe for you to be here. The GIW are looking for lost souls like you that people won’t notice go missing. So get back to your family and find peace. Im sorry but that’s really the best advice I have.” Danny answers.

Tim begs him for answers on the GIW. Begs him for any answers at all. Danny shrugs him off each time, tell him that he’s just a ghost and he needs to move on before he gets hurt or becomes a problem.

Tim decides if he’s a problem, he’ll probably get more answers.

Soon enough, he’s stepping into the end of a battle where Phantom is getting Skulker into a thermos, and demands answers, and if not answers help.

They brawl, and Tim’s training as Red Robin gets him farther than a lot of ghosts. And then, when he knows he’s beat and he’s about to share thermos space with the robot jackass (who he can interrogate and then build his own robot) Tim realizes something.

“You’re still alive, aren’t you? You’re Danny, black hair and blue eyes.” Tim says and suddenly Phantom is as still as the dead despite the accusation.

“How the fuck- dude. Okay, you know what? Fine. Lets go talk, you’re clearly not giving up and I need you to never say that shit out loud ever again.”

Because blackmail works in life for Tim, blackmail also apparently works in death.

He’s given all of the info they have on the GIW, he’s introduced to ghost technology and how it works with ectoplasm. He’s told about the portal (although they refuse to sneak him into the house to see it- he can handle a few lasers, ugh) and he’s told about the general sequence of events in Danny’s life/death.

And then Tim is suddenly back in his body in Gotham.

The family found a way to bring him back and he’s 100% alive, no longer ghostly, but he retained all his memories.

“We have a war against the government to start” are not the first words his family expected to hear from Tim post death.

[littlefeltsparrow]

Schrödinger’s Feyre: Where Feyre is simultaneously a cunning and badass girlboss with a mind of steel and a fragile little lamb who doesn’t know any better. When they’re proud, she’s a skilled strategist and competent High Lady, but when it comes to facing the consequences of her actions and the implications of her power, suddenly she’s a little baby waddling through fairy land.

[hiding-under-the-willow]

Okay. hear me out. Creaking Helsknight

[charlie-rulerofhell]

Pick up the pace, pack up the gear Gimme some face, a souvenir Here come the gays, here comes the fear Now we're having fun

[gojoest]

i am thinking about girl dad satoru measuring his daughter’s height by drawing a line on the doorframe and tearing up every time at the difference and how she’s growing up too fast….can’t she just stay his little girl forever? :,) he is not taking it well, really, and it’s your job to pick up the pieces

[superbat-lmao]

Damian Wayne stuck in a time loop.

It resets when someone dies, and since Damian is the youngest, it doesn’t matter how rocky his relationship is with the bat-siblings, each and everyone one of them sacrifices themselves for him.

And Damian is pissed off because he doesn’t understand why.

Grayson is obvious, he has made it clear that he feels affection for Damian and has made the most effort into integrating him into the family. Of course he would die for his little brother. And at first, Damian believes he finds this outcome to be the least acceptable.

There is also his Father, again, a logical expression of love. Damian can understand why his Father would die for him, even if he doesn’t want him to. Even if, in the first few loops, he wishes that anyone else would die instead. At least it’s a type of parental relationship he can understand in the abstract, even if it surprises him to see its true about himself. That even though he has several older brothers and is unsure of his place by his Father’s side, the man would do anything to protect him. It reminds him of his Mother, even though he’s sure if she were here she’d find a way for the both of them to live.

Brown is the first one to surprise him. They had worked together when Grayson was Batman and he recognized her competence, but he thought that’s all it was. A working relationship between professionals. A mutal, if grudging respect. He is shocked when she dies, how he had no clue she would go that far for him. How he refuses to let it happen again.

If Brown was a surprise, Cain was a shock. Damian thought of her as nigh invincible, unable to be touched. It was clear she was the best of all of them, that she had seen the hit miles ahead of him, had maybe even seen him brace for it. But she had chosen to let herself go down. He feels every bit his age as he begins to wonder if he’s even more powerless to stop this than he thought if his most competent sister chose to let herself fall.

Thomas was confusing. He was new, newer than Damian and not quite sure of himself. They rarely saw each other aside from school due to the mismatch in schedules. Thomas gave him a wide berth, respecting Damian’s space in a way his other siblings failed to do or intentionally disregarded. Damian didn’t think much of him. Couldn’t understand how Thomas hadn’t even paused, had taken the hit as if it was an unquestionable law of the universe. As if they were really brothers and not strangers. It was a sentiment Damian didn’t know how to return.

Todd was the worst. He had seen him, briefly, before he had come to Gotham from the league. His Mother spoke of him rarely, but with pride. He was skilled, if untamed. He avoided the manor and his brothers and their Father. The only one he usually sought was Pennyworth. That is why Todd was the worst. Because he avoided all of them. Because this family had already allowed him to die before and he had come back wrong. A painful reminder that their family has failed. And he fought so hard to remind them all of that failure, every way he chose to keep fighting to live, to prioritize his own life over their Father’s morality. Only to throw it away for Damian. To force him to watch how his brother’s second death shattered their Father and Pennyworth and Grayson in a way that Damian didn’t think they’d survive a second time.

Drake is incomprehensible. Antithetical. A cosmic error. Impossible. There is no love between them, no grudging respect, nothing. Damian can’t stand to look at the person who he feels is a disgrace to the costume Damian now wears. He is the one who dies for Damian the most. The one he can’t possibly understand. The brother he has the least time to question, who gives him the least answers as to his motivations. Who will both die for Damian and refuse to utter a word to him in the same loop. It is madness. Damian needs to prove himself above this embarrassment, and yet Drake chooses to be beneath him. To die for him. It is in spite of Damian’s skill that Drake dies, and Damian hates him for it.

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.

[bumblydumbly]

insane how people act like charles is ‘the jealous one’ like edwin didnt spend the whole first episode screaming crying throwing up every time charles looked at crystal and not him

[icantdothistodaybruh]

I took a screenshot and it's doing things to me I can't describe

[lestink]

is it just me or do the women who start off as villains lose their lipstick/makeup