#and then realizing it doesn't relate to the first thing at all

[impactrueno]

let's talk about shoes (stick with me here for a sec)

beetleboots beetleboots beetleboots.

what's up with the three of them wearing combat boots? they go well with each of their character designs so it's not like they look out of place with the rest of their outfits, but knowing this is tim burton and colleen atwood, these things are not mere coincidence.

(spoilers for Beetlejuice Beetlejuice below)

a common complaint i've seen people mention about Beetlejuice Beetlejuice is that "there's too many villains," but today i'm here to talk about why each of them matter in the narrative tim wanted to present here. yes the boots are related we'll get to that in a minute

delores, rory and jeremy all have one thing in common: the use of romantic betrayal in order to achieve their own selfish goals, destroying their victims in the process.

this, in turn, makes beetlejuice, lydia and astrid have another thing in common: they were the victims of these romantic betrayals.

you may think "okay but why is that necessary?"

this sequel made the interesting choice of nudging beetlejuice out of the villain role. he's now just a weird ally/deuteragonist...or perhaps even...a protagonist? but that's not enough! why should we as an audience care about him or sympathize with him?

that's where delores comes in. delores is less of a character and more of a plot device. her purpose (besides serving cunt) is to give beetlejuice backstory and be to beetlejuice what beetlejuice was to lydia, only worse. i talked a bit more about it in this post. thanks to her, we now learn that beetlejuice was a victim. not just that, she's also the looming threat beetlejuice needs to justify his marriage to lydia (he seems to be under the impression that this would help him escape delores more easily, but personally i'm not so sure, i think she's more powerful than that.) her return in combination with lydia's return to winter river is what sets his plan in motion.

rory is a pretty self-explanatory villain so i don't think we have to go into that. he wasn't out to kill lydia...but he's a golddigger, so i don't doubt he would've set something up to lead her into having a fatal accident and claim insurance benefits.

jeremy's role in the plot was to make astrid realize that she was wrong about the supernatural, as well as put her in danger in the afterlife, which is the drive lydia needs to turn to beetlejuice for help.

the role of an antagonist is to oppose or be an obstacle to the protagonist's goal. these three are the three obstacles beetlejuice needs to overcome in order to marry lydia.

first, he needs to save astrid as part of the deal with lydia. so he gets rid of jeremy to give astrid her life back. he knows exactly what it's like to be romanced into a death trap. you can tell this was satisfying for him. later, fucker.

then, he needs her fiancé rory out of the picture if he intends to marry lydia. since he knows this guy is a total piece of shit and is lying to her to lead her into the same trap he himself fell into with delores, he simply gives lydia the tools she needs to kick his ass herself. teamwork!

third comes delores. he just needs to survive delores, basically. he tries to pair her off with rory to try and kill two birds with one stone, but the stone that ends up killing them both is the sandworm that astrid summoned, which beetlejuice then guided straight to them. teamwork once again! (beetlejuice and astrid got rid of each other's problems, that's kind of cool)

these three things being taken care of means that beetlejuice can finally marry lydia.............

............except he doesn't. why? because he helped lydia. by bringing her into the afterlife to look for her daughter, he violated code 699. and he did it immediately after signing that contract. hoist by his own petard, this dumbass.

sorry i got sidetracked again. we were talking about boots, right? right right.

beetlejuice, lydia and astrid all walked in each other's shoes.

everything in this movie comes in threes. names, villains, victims, obstacles and pairs of combat boots.

[shantechni]

Related to your post about Mikey "accidentally delivering low blows when stressed" (Aug 2023) would you hc that it's related to his emotional awareness of his family? Like when he blamed Splinter for letting them go up to the surface, he would know Splinter was already questioning his decision to let them do that, or he calls Splinter out on not being affected by his mutated appearance (when Splinter looks uncomfortable being seen by humans/Shredder)? Basically, what are your further thoughts on it? Has he done this elsewhere?

The post in question for the curious cats

This compilation video as well because my big brain remembered me doing that and it's related to this topic and I meant to do a part 2

Oh, that behavior is 100% related to Mikey's emotional awareness. I'd hardly even call it a headcanon, it's just canon lol.

After not only botching their first fight above ground but failing to stop two kidnappings on their watch, the boys immediately start playing the blame game by pointing out each other's rash decisions and dumb mistakes that led to such an outcome. Obviously, the idea of Splinter's decision being yet another mistake of the sorts was hanging somewhere in the air waiting to be grabbed at, but no one readily went for it as something that needed to be acknowledged as mistake. That's why it's so fascinating to see the writers establish Mikey right out of the gate as someone who isn't afraid to comment on Splinter's decisions and his emotional state when he's making those decisions.

He was certainly aware of their father's doubts concerning them going above ground for the first time because a comment like that doesn't just come out of nowhere.

Granted, this instance was him speaking his mind in the heat of the moment and only realizing how much his words would sting after the fact (especially since they're the ones who convinced Splinter to send them off with their begging), but this becoming a continuous trend of his throughout the series further proves the fact of him being more aware of things than a lot of people pegged him to be.

In Mikey Gets Shellacne, his remark about Splinter telling him not to fret about his appearance when he could hardly bring himself to do the same can be interpreted as a more apparent example of him knowing more than he lets on. It's made rather obvious from the start of the series that Splinter wasn't keen on roaming the streets looking like a giant rat, but that's more of a show and tell deal where both the audience and the characters are left on their own to pick up on such an important yet minor detail. Splinter never tells anyone about his insecurity, nor does anyone in the series talk about it amongst each other, so a moment like this can be a bit jarring when it's framed as Mikey calling out Splinter's opinion on his own appearance.

Though the intent of his comment was to simply call Splinter old, the underlying insult is there and Mikey regrets saying something like that to their father of all people.

Other than letting his frustrations get the better of him and unintentionally plucking at Splinter's insecurities, Mikey is greatly in tuned with the emotions of those around him and will usually pick up on any changes rather quickly. Take these two moments with, funnily enough, him and Splinter near the start of Serpent Hunt.

I previously posted the first clip as a funny little observation, but the scene is more intriguing than my jestful sentence made it out to be. Mikey's attention is split between hanging his goofy pieces of artwork on the wooden boards and listening to April as she announces how the restaurant is starting to look like a makeshift home. It's not until he turns around to joke with her about his drawings that he finally has Splinter in his sights, and his attention evidently begins to drift to Splinter as April is responding to his question (you can literally see his head following Splinter's movements while April is speaking to him😭). And just look at how taken aback he is by Splinter's melancholic expression being on full display:

While Splinter answers Mikey by stating that he's concerned for Casey, Leo and Raph because they've been gone for a while, it's pretty obvious that's not all he's bothered by, and him not being subtle about his troubled mind like usual had enough flags raising in Mikey's mind for him to hop up from his spot. Once the scene transitions to the second clip, Mikey lingers with Splinter in the front of the restaurant while April ventures to the back in search of Donnie to check on his progress with the retro-mutagen, as well as to see if the others made it back yet. Mikey and Splinter decide to follow April as soon as Donnie utters Karai's name, and Mikey is visibly bracing himself for another look of heartbreak on their father's visage:

Splinter moments aside, Mikey recognizes when something is up with his brothers and friends, as well as whether or not he should step in. Of course the prominent moments of him demonstrating his ability to calm Leatherhead and Raph down count among the times when he steps in, but the times when he chooses not to step in shouldn't be understated either.

Take the pre-intro scene in The Cosmic Ocean for example, when April breaks the silence and questions where Leo ran off to. We understand where Raph is coming from when he says that it can't be healthy for Leo to confide in a simulated version of Splinter since it could just make him miss their father more than ever, but Mikey suddenly pops from his laid back position off-screen and joins the conversation:

He's knows as well as Raph that speaking with a simulation of their father isn't exactly ideal, but he also knows that Leo is used to coming home to confide in Splinter for advice whenever he feels his confidence as a leader beginning to waver. The whole gang knows all of this, but once again, Mikey's the only one to verbalize it. Sometimes people need to hear something so obvious outloud to really understand or remember its importance, and Mikey seems to know that best.

I don't really need to mention how his emotional awareness extends far beyond simply knowing when someone is down, or when he is or isn't in a position to help them, but it makes for a decent epilogue to this analysis so-

Him being the least (read: least) temperamental of his brothers automatically puts him in the position of a mediator when there's tension in the group, and it's common knowledge that he'd often go out of his way to ease that tension in his own ways. He sometimes makes jokes, both corny and intelligent, just to get everyone's minds off of the heaviness of a situation, even if that moment of reprieve only lasts for a minute. He attempts to break up fights before they get too far, which sometimes doesn't work because they're a stubborn bunch of turtles (literally the entire first five minutes of New Girl in Town lol), but his efforts are commendable and genuine.

He's exceptionally conscious of changes in the atmosphere and a swing in someone's mood, which could go hand in hand with his sixth sense for weird Kraang stuff if you think about it. But all of this comes together to paint an undeniably clear image of Mikey having a great amount of emotional awareness, and just all around being one of the most emotionally intelligent characters of the series.

[wisteria-lodge]

do you think lucius only realize he don't want to be a death eater after voldemort was defeated in the 1st war or even during it?

speaking of what are your thoughts/hc on why narcissa didn't take the dark mark despite her sister and her husband doing it? tbh i always wondered how she could've avoided it? i mean she was part of it right, she was in the meetings too

I always thought it made sense that Draco was a difficult pregnancy.

I say that because Lucius and Narcissa seem like the sort of couple who would have loved more children. Narcissa was close with her sisters before things fell apart, and Lucius was an only child... but he's so social I think that must have been lonely for him. I think he would have loved it if Draco had a younger brother or sister. And the only barrier they'd be dealing with there would be a medical one, so.

(also, I love whenever the the Malfoys and the Weasleys are foils, and the idea of Draco and Ron being born at pretty much the same time - but Ron is one of many, a little neglected, mom is a little disappointed he's not a girl etc. while DRACO is so wanted and so special. That's good stuff.)

I also think that if the Malfoys were dealing with fertility issues, Narcissa suffering, maybe even having a miscarriage - that would have made early-twenties Lucius grow up REAL fast. Because yeah, I do think that when Draco was born - about a year before Voldemort's downfall - Lucius' priorities shifted completely, and he started looking for a way out.

And I say that because Lucius rode the wave of the first war really well, coming out with his money and prestige so intact, which would have taken some planning. Lucius is also one of very few Death Eaters who actually got off using the 'imperius curse' defense. (I think the only other one is Avery.) I like the idea that he did actually plan that. Like - okay. You could have someone you trust (Narcissa, maybe Severus) put the imperius curse on you for a couple months, and that way when you're asked "Were you directed to follow Voldemort's orders under the imperius curse," you can say yes, even if you're under Veritaserum.

(Nott senior also seems to have also come out of the first war basically unscathed, but he also seems much more cautious than Lucius. I'll bet he was very good at making sure that there was never much actual evidence against him. Crabbe and Goyle senior also seem to be doing fine, and I tend to think it's because Lucius got them out (possibly because their wives were close with Narcissa? All three women would have been pregnant at the same time.) Vincent Crabbe and Gregory Goyle are *quite* committed to keeping Draco Malfoy in one piece. I love Draco, but he does spend several books being a little shit with no ability to defend himself, so they do have their work cut out for them.

I also think a Narcissa who spent the first Voldemort war dealing with pregnancy-related health issues could explain why she doesn't have a Dark Mark, when honestly she really should. Her husband, sister, brother-in-law, underage cousin... they're all getting them. So why was Narcissa skipped (but still allowed to remain in good standing?) I think she she stayed out of the spotlight, using her delicate health as an excuse. And then the second war comes around and she... fades to the background again, makes herself useful, and hopes that the issue never comes up. I don't think she'd say no to a confundus, or even a memory charm if she were really put on the spot.

(but the real, Doylist reason Narcissa doesn't have a Dark Mark is because JKR has a very strong aversion to writing villainous mothers. See: the very odd framing of Merope Gaunt.)

[tkwrites]

Okay I'm done now and heading to bed, one last question.

Can you name a favourite fic for each of the boys?

Hi my Lovely,

There are quite a few of your asks I haven't answered, but please know I'm not ignoring them. They'll just take a little more time to respond to.

I can tell you my favorite fics, though:

Matthew Tkachuk - Back To You because it's such a complete story. I love the way he and Jessie meet, lose each other, and then are thrown together by fate again. I also feel like I really captured that sassy side of Matthew's personality in this fic, which I was really worried about at the time I was writing it. This is also the story that I think would be easiest to flesh out into a full length novel.

Nico Hischier - I love all the parts of his story for different reasons, but I think It Doesn't Matter Part II is my favorite. I had actually written the whole sequence of nude sketches for another character, but ended up scrapping the whole story because I couldn't find any real conflict for them to resolve. When I realized I could use it for Nico and Lena if she was an artist, I was thrilled and got to work rewriting it for them. In the end, the only things that stayed the same were 5 of the 6 poses. Getting into and out of them changed, as did the characters relating to each other during them. I love all the longing and awkward tension between them in this piece, as well as how they finally end up confessing their love for each other. Finally, the culmination of all of their longing into the final sex scene? Chefs kiss.

Quinn Hughes - This one is so hard. I've written so much about Quinn and Sarah and I love all of the pieces for one reason or another. If I had to pick three favorites, they would be:

1). Five Days of Joy because I'm so proud of this fic. It took SO long to write, but I love the way it turned out. I love that we go through so many consecutive days and such a gamut of emotions with Sarah and Quinn.

2). The Second Time is Better because I love the portrayal of a more real first time. One of the things that drives me batty about romance novels is how the characters get together and always seem to have this instantly amazing sexual connection. No room for human failing or first time jitters. In reality, it takes time to build sexual chemistry and connection, and I went into this piece wanting to show at least some of that.

and 3). Second Nature because I think it has the prettiest prose. I still think this passage is some of the best writing I've ever done:

This was ultimate flirting in Quinn’s book. Something he knew he could do. When someone wanted to talk about music, or art or classic cars, he was a fish out of water. But talking hockey? He could do that all day long. Convincing someone to like the sport he loved so much? There wasn't a more ideal situation. 

“Oh, good,” she said, leaning forward to kiss him. 

This was a perfect evening. Casual and comfortable. Cooking for someone he - liked, and kissing her whenever he wanted, taking no worry of who might be watching. 

Letting himself get swept up in the kiss, he slid his hands over her hips and tried to commit her scent to memory. No matter what happened - though he was pretty sure nothing bad was ever going to happen with Sarah - he wanted to remember this. She smelled like a dream he’d had as a boy. Like vanilla and warm skin and fireside, summer nights. It was an outlandish notion, but he couldn’t shake it. 

All her life, Sarah had read stories about star-crossed, fated lovers thrown together by chance and circumstance and serendipity. But those were all just stories. Even when her grandpa talked about meeting her grandma - like they were always meant to be together, and just had to find each other to make it happen - it seemed like folklore. A tall tale he spun to make their love story seem more epic. 

After writing all this out, I realized perhaps you meant favorite writing from other authors. Let me know if that's something you'd like me to answer.

[thedrotter]

as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit

it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now

[blujayonthewing]

SUPREMELY frustrating that we found something actually really cool and intriguing and plot relevant in tonight's session but I'm still so constantly preoccupied with whether the DM is going to 100% kill us with sheer poor game design that I barely have enough brainspace left over to even enjoy it

[selfinflictedgunshotwound]

i'm kind of amazed how most of the stardew marriage candidates just want you to be their manic pixie dream whatever by agreeing with everything they like and plying them with compliments or praise or whatever (which is fine but a bit. Much) but for shane his romance is just you being there for him while he figures his own shit out... dunno why i never wanted to romance him before he's so good

[neganium]

suffering

[hiddenbeks]

thinking abt her :)

[thehealingsystem]

nate please please please please I am shaking you by the shoulders right now no one needs to do this please you can make a actual thought provoking interesting thumbnail for the song you don't need to appeal to clickbait algorithms anymore you're still letting yourself be bound to it people loved your early original songs for what they were without this. please stop doing this please stop changing thumbnails I am going to cry

[angorwhosebabyisthis]

[cws: non-detailed discussion of both fictional and irl SA/CSA/abuse dynamics, apologia for the previous, homophobia, fetishization of wlw, and anti rhetoric.]

-

having a lot of thoughts about the wider fandom's treatment of the various abuse dynamics present in sdmi--supposedly in the name of being anti-abuse--and how instead it's propagated deeply anti-survivor/abuse apologist sentiment and behavior through where they choose to apply that rhetoric, and where they choose to look the other way.

(first off, if you're someone who does not and has not done this, thank you from the bottom of my heart. second, this is not at all exhaustive of my feelings on the subject and there will probably be more posts about these dynamics and people's behavior toward them in future. as you can imagine by the length of this post that is saying something lmao)

one of the reasons i feel as strongly as i do about the way both canon and fandom have historically been about pericles, pericky, and shitting on anyone who likes them because it Normalizes Abuse(tm), is that their fans are pretty open and emphatic about the fact that it's Fucked Up. it's why we find it compelling. it is vanishingly rare that we don't.

meanwhile, velma is the UwU Cute Sassy Lesbian Icon whose relationship with shaggy was Cringy and Immature (and mutually so 🙃) at worst, when it directly mirrored such visceral aspects of my experience with CSA that i almost threw up rewatching the second episode.

and that's not even getting into how normalized it is for women to abuse men in a relationship, in broad fucking daylight in front of other people, and how men are supposed to Always Want It and it's an insult if they don't, and how the vast majority of CSA--which it overtly is in shaggy's case, he is implied not to be an adult yet--is perpetrated by other kids.

and it's also not getting into the fact that the ~cute lesbian relationship~ is almost certainly going to end up with the other queer girl in the show also being abused, because abusers are not Magically Cured by True Queer Love's Kiss. how it is incredibly difficult for survivors of abuse in a wlw relationship to be acknowledged or get support because then they'd be a Traitor, or people would rather maintain the feel-good fuzzy feelings wlw exist to give them, or they're closeted and it's not safe to let people know they're in a relationship with a woman. how queer relationships, especially between women, are fetishized as cute pure healthy fairytale romances and not dynamics involving real people who might harm each other or be harmed and need help.

and that's not even getting into the fact that mlm are seen as inherently predatory to an extent that the majority of other queer identities are not. how older queer men grooming boys is a classic homophobic stereotype used to justify violence toward them, up to and including lynchings, and how that is the abuse dynamic everyone in the show and fandom latched onto to revile as the Disgusting Evil Predatory One while giving everything else a pass. how mlm have a long history of forced institutionalization and psychiatric torture and abuse, and the Predatory Gay Man is subjected to decades of--you guessed it!--forced institutionalization and psychiatric torture and abuse, which is framed as what he deserved and where he belonged. how he's supposed to be unattractive (and the majority of the people who do this shit lean hard on that), while people are way more likely to give Charming Attractive Aesthetically Pleasing abusers a pass.

this is just..... normal, to the fandom. it's treated as completely normal. and i think that's a whole lot more fucking harmful than finding emotional catharsis in exploring an abusive dynamic that would not fly in broad daylight irl in a million years.

[welcometogrouchland]

I also want to make it very clear that the spider-verse franchise has made miles one of the dearest characters ever to me. All of the spidermen in the movie are great. But despite all our differences in bg and identity Miles' story speaks to me like very little else does (w/ some rare exceptions I keep very close to my heart). I'm not really coherent enough to provide sophisticated analysis rn but just know that he is my everything and I adore him so so much

[tardis--dreams]

I think it says nothing about me that 98% of my favorite characters are the ones who absolutely do not trust anyone, always consider how bad people can be, rather than how good they can be. The ones who cannot read social cues well, and for whom intimacy, trust, and being comfortable around people is a foreign concept. The ones with childhood trauma who learned to adapt to a world where nothing could be considered to be save and no one could be considered to be trustworthy. The ones who never show their true emotions but if they do they do so violently breaking down. The ones who get treated as outcasts and have accepted this role.

But like i said. That says nothing about me as a person

[cryptidcalling]

Literally only using Disney Plus to watch Bluey. Talking about all my feelings in the tags (sorry, I didn't realize it would get so long)

[seelestia]

✧ i'll show you (if you'll let me).

⎯ there is a certain touch of beauty to witnessing a side of theirs revealed to you so naturally. it becomes as easy as breathing if you just let it happen... so, will you? ( or in other words, a way you enable them to be themselves. )

#STARRING. aventurine, dr. ratio, sunday, dan heng ft. gn!reader. { 4.2k words }

#TAGS. fluff, established relationship. more: minor spoilers for aven's backstory (described mostly abstractly), ratio is referred to by his first name, i called sunday a nerd (sorry), dr. ratio & dan heng are certified workaholics.

#P/S. i think i may have yapped a little considering the word count but i hope it ends up being a good kind of yapping. tysm for reading! ♡

© seelestia on tumblr, may 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.

★ 〜 masterlist.

will you let aventurine hold you close when he sleeps? . . . whether it's an arm slung over your hips or his nose buried in your shoulder or fingers tracing shapes onto your skin. he doesn't ask for too much; only that you grant him the permission to cradle you in his arms, somewhere within his reach. it's a habit, he hopes you don't mind.

you have to wonder, though. considering the plenitude of pillows on the bed, why do his hands still seek you out? with all the credits he spent on those cotton-stuffed angels, you thought aventurine would relish them a bit more. but ah-ah, see? that is where you're wrong. sure, the pillows are extremely comfy but he always has a preference for things with much, much more value.

and the truth — well, his truth — is that even the softest cushions from oti mall couldn't compare to the privilege of laying his head on your chest, he'd say. especially when you brush his hair with your fingers - oh, one of the easiest ways to paradise. truly, the best value there is! can you blame a man for being honest and a little lovesick?

(“sappy,” you accuse. he pouts, offended.)

but aventurine has a flair for theatrics, you know that. his witty quips are as feather-light in weight as light-hearted they are in intent. but his touch - in the forms of kind caresses or rhythmic taps to a tune from his forgotten culture - lingers on your skin, with a yearning so heavy. you question whether it could be nostalgia or instead, silent awe at a reality he never imagined could ever be his.

(kakavasha remembers. clinging onto you for warmth like he once did to his sister, falling asleep with her prayers to mama fenge in his ears. the avgins believed gaiathra triclops to be the symbol of humility; so naturally, their prayers to her should also be humble, not too quiet but not too loud. all in moderation. for a frail child like him, those gentle prayers alone were enough to let him drift into a dreamless slumber and to ignore the shackles of reality if not for the briefest moments.

time passed. came a time where the melody he associated with slumber was no longer a soft voice lulling him but pure static, a noise to distract his mind from the chains around his wrists. they burned themselves onto his skin, searing, but he was already too familiar with the sensation to care. the mark on his neck was unwelcome, laughing at him, but he too laughed at his own pitiful reflection so what's the difference, anyway?

time passed again, the call of slumber then turned into clattering noises of chips doused in gold and dice thrown onto a surface. he thought it'd stay that way forever but before long, it morphed into up-and-down waves he couldn't decipher initially. they're gentle, faint like a human's breathing: your breathing as you allowed him to lie beside you for the first time, he realized back then. although he deems himself unworthy, an ugly grime on your pristine existence that still insists on cradling him — but despite it all, he finds this last melody to be his favorite so far.)

✧ a moment among the stars:

ticklish.

the sensation, minor yet still impactful enough, causes you to stir out of sleep. the light of noon greets your eyes and you become vaguely cognizant that the root of it all is the tufts of blond hair brushing against your neck.

there is a solid weight on your torso and a pair of slender arms loosely wrapped around your waist - but they're nothing you haven't grown used to. you comb your fingers through the messy locks licking at your skin, instinctively, and the fragrant scent of what you register as penacony's limited edition perfume kisses your nose.

“...ugh, what system time is it?” you let out a grunt, shifting around slightly to let your limbs breathe. you don't get an answer to your question, instead, aventurine's arms reestablish their hold on you. hooking you closer to him as if to wring out whatever proximity is left, if there is even any. his simple proclamation of “who cares?”, in a sense.

there it is again, that ticklish feeling. you feel soft lips grazing feather-like kisses against your collarbone. oh, he definitely isn't letting go just yet. truly merciless, a dozy morning thought accompanied by your tired sigh. the noise still comes out fond, however, so your feigned act of annoyance is fooling no one.

“it's warm, you know,” you grumble. but the yawn escaping your mouth right after betrays whatever stern image you're trying to adopt. not like you can ever be too stern with him. aventurine knows this, yes, and he gives you an A+ for effort each time.

“mhm,” he finally speaks, snuggling into your chest with no care about anything in the world, “g'morning to you too, lovely.”

his favorite mornings aren't his favorite if not thanks to your innocuous complaints and delightful attempts at pushing his pretty face away, no? a lazy grin graces the stoneheart's lips and eyes like exquisite gems, although sleepy, flutter open to gaze at you languidly. he takes the sight of you in then lets out a sigh - a fond noise just like yours earlier; the both of you really are two peas of a pod.

you must look a terrible mess right now and yet, the sight of you has aventurine smiling dazedly. “ah, what a spectacular sight. i really am the luckiest man in the galaxy,” he hums in approval. you want to roll your eyes but stops as he leans up to pepper (ah, one necessary correction: smother) kisses all over your face, arms dragging you closer to his chest like a cage. your eyes widen comically. what a nefarious trap, he has the advantage!

every remnant of sleepiness clinging to your mind evaporates. you squeal with laughter, shoving at his shoulder using the strength of a baby deer because no, you don't really want him to stop. he knows that too, of course.

“mwah, mwah, mwah—”

“pfft...! kakavasha, i can't breathe!”

(he has half a mind to pinch his skin, as if to remind himself that this is real. he can feel your giggles tickling his skin as if to tell him in return: yes, you are.)

will you let veritas pour his heart out after a long day? . . . well, that could count as too much of an overstatement. others say, “that man is like a brick wall!” some more dare to whisper, “doesn't his temper already exhaust whatever emotional quota he has?!” needless to say, everyone knows that dr. ratio is a man ruled by the mind, not by the heart. alright, that's quite true - but does that imply he has discarded the latter altogether? if so, then you beg to differ.

(not in the literal sense, of course! the heart is a vital organ of the body. saying otherwise would be akin to spitting on his shiny phd in biology... or his seven other phd's at that.)

the pedestal which the public places veritas ratio on reaches still great heights, even if it may not rival an ivory tower a member of the genius society resides in. it is so high up that mundane troubles of those below can't reach a genius like him, surely? well, as tall as he stands - somehow, the universe grants you a front row seat for a particular sight that proves otherwise.

if only they knew the doctor has a habit of mumbling these incomprehensible (more like barely intelligible) grumbles under his breath, striking a resemblance similar to a grumpy old cat. if you strain your ears hard enough, you might catch a “...this has to be it...” or “...i dare not think so...” from time to time as he roams around the room with materials in his hands.

(absurd, people would say. but you think it's extremely cute.)

veritas doesn't say it out loud - but you can tell by the hunch in his stiff shoulders, by the one or two sighs he huffs every six minutes - that he is itching to tell somebody of all the tomfooleries he has encountered today. of course, the topics he laments about vary; it's only when you hear him exhaling the loudest sigh that you get to find out.

mostly though, it's about his students and remarks on how they can further improve their performance — sure, he could phrase it a little gentler — but you still find it sweet that he cares. if not that, then it'd be about indolent colleagues, complicated formulae and more. on some days, he'll even let out an exasperated “truly mind-boggling! could you believe that?” to which you'd reply with an “uh-huh, go on.”

at the end of a ranting session, veritas takes careful note to leave a kiss on your person afterward. no matter where it is - on the lips, the cheek or your hand. no matter where you are - sitting on the couch beside him, behind the kitchen counter or across the room. the warmth that stays on your skin when he pulls away is somewhat tingly. appreciative, you think, especially when he looks at you with such loving eyes that his colleagues would be sure to retch in shock if they were a witness.

looks like you are right on the money; he has never discarded his heart, after all. so yes, to rephrase - will you lend veritas a listening ear when he needs it?

✧ a moment among the stars:

“...yet another headache.”

as unsubtle as ever, the doctor's complaint is barely hidden behind the guise of a mumble. those neatly styled violet bangs of his aren't doing an excellent job at concealing that frown strewn across his forehead either. veritas's posture is tense, a dead giveaway, as he goes over the piles of documents on his desk.

you cock an eyebrow upon seeing the stamp belonging to the intelligentsia guild on one of the papers. definitely work. it has been two system hours since he took a seat at the work desk, you concur, or lifted a finger to do something besides flipping through drafts. a mere glance at the stack of documents is enough to convince you that those researchers at the guild must really value veritas's input.

a perk of being a genius, maybe? the phantom of a weight lands alight on your shoulders. with a mug of black coffee in hand, you make your way to him. your footsteps are without a sound, only the noise of porcelain being placed down onto woodenware is enough to announce your arrival. “rough day at work?” you ask, peering down at his progress.

(a doctor's handwriting really is something. you resist the urge to squint.)

veritas doesn't seem to mind. if the way he smiles at the sight of you, albeit tiredly, is any indication. “hah,” he rests a hand on his temple and scoffs wryly, “so much grievances like you wouldn't believe.”

oh, he is teetering on the precipice of a tangent but stops himself. “...fret not, i'm fine. this is hardly something beyond my expertise,” he shakes his head, the motion causing his reading glasses to slide down a smidgen down the bridge of his nose.

you're too familiar with the self-assured bravado he puts on. you're quite endeared, actually. “okay, mr. i-require-no-rest,” you take the glasses off his face and he breaks into a frown. at the childish tone you're using or for having his reading glasses taken away, you don't know.

“why don't you take a little break?” you suggest. veritas sighs, “need i remind you that dilly-dallying is for fools who wish to waste their time?” and crosses his arms defiantly. he knows your strategy, he has come face-to-face with it several times.

“do you think a break with me is a waste of time?” you present him with a rhetorical question, quite the difficult adversary.

(and he keeps losing to it every single time.)

“well, that's—” the doctor nearly splutters, taken aback. “that's different if you insist on inserting yourself as a variable,” he infers, putting emphasis on the last part accompanied by an incredulous look.

“the answer is up for debate then,” you shrug with a cheeky smile. your hand then deftly lifts the mug you previously set down to your lips, veritas's eyes dilate in bewilderment. “so,” you hum at the rich taste of your handiwork, “wanna tell me about your day? haven't heard about the council in a while.”

“you—” he gasps in defeat, “i thought that was supposed to be my mug of coffee.”

(he has a slight pout on his face, but you dare not point it out lest it disappears in the blink of an eye.)

“our mug of coffee,” you take a few more sips with an innocent decadence. “all is fair in love and war, doctor.”

“i can never win with you,” he buries his face in his palm with a groan. you laugh heartily, a sound that chimes like quaint little bells in his ears - it elicits a reaction from his lips, for them to quirk up at the corners in the smallest of ways.

“regardless. . .” veritas relents and reaches for your free hand. you let him. “it seems a break wouldn't be so amiss, after all,” he then presses a kiss on the side of your wrist, affectionate.

(your heart skips a beat.)

will you let sunday regale you with facts you've never heard of before? . . . a man of eloquent words, no less a man of educated mind. you have no doubt that the books in the dewlight pavilion really aren't just there for show - not that you're allowed to browse through them at your own desire. a servant's voice would stop you in your tracks should your fingers ever brush against something in the family's secret bookshelf.

how mysterious.

but sunday makes it known to the staff that you, in particular, are allowed more access to the shelves - perhaps, not too much - but more than even mr. mccoy, at least. with the way you have to crane your neck far up to pinpoint the tallest height that the shelves reach, you wonder: has sunday gone through everything here personally?

your immediate answer is most likely. you know sunday fairly well; to have something that he hasn't scrutinized from the inside out in his possession will surely gnaw away at his psyche incessantly. not being in the know at all times is a looming fear for him. but of course, you have other ways to confirm the answer for yourself.

pick out a book from a shelf there, either intentional or purely arbitrary, and watch as sunday carefully traces his steps towards you. his curiosity is piqued, which topic has caught your interest this time? but he tucks it under proper cordiality. with a hand behind his back, he'd utter your name in the softest tone and ask the familiar question of “would you like to know more?” — asking for your permission to ramble, essentially — you find this tendency of his to be charming, so you nod each time.

(and he smiles when you do. a smile less refined at the edges, kinder and relaxed.)

the best place to start from is always the beginning. you think sunday agrees because he often starts by telling you the history and its origins before moving on to its impact on the galaxy, then his personal stance on the topic. it's a pattern, you notice, his ramblings have a pattern. and it's consistent every time, you might've believed he was reading off a script. and what's more? sunday is blissfully oblivious of it.

fascinating. you ponder: what kind of things you can do with this information? decisions, decisions, decisions. . . but ultimately, you opt for keeping it a secret like a treasure only you're allowed to see.

(that might be true in a way. you don't doubt that robin, his dear sister, is familiar with this side of him. does that mean he treasures you like he does her? your chest starts to feel a bit lighter.)

if you were to point it out, you fear you might never witness it again - goodness, to know that he has been displaying such foolishness or rather, what he viewed as an embarrassing freudian slip in front of you? his wings might as well resort to covering his face for good until the end of time.

as you listen to him talk (with such elegance at that), you can't help whatever tender look you have on your face. really, who would've thought the head of the oak family could be such. . . a nerd?

(you hope in secret that sunday will be more willing to show sides like these to you in the future. and that they're not a weakness at all, not when they're shared with you.)

✧ a moment among the stars:

“it looks like you're fascinated by the dreamscape nursery rhyme this time.”

sunday spares the article in your hold no further inspection. one glance at the cover and walls of memorized information rush to the front of his mind. he looks familiar with it; could it be a part of his childhood too? but then again, everything found here is within his knowledge.

“i am,” you say with intrigue, “it got me ruminating for a while.”

you meet his gaze, stumbling upon yellow irises that glimmer akin to gold under penaconian chandeliers. you think you see a hint of affection in them, swimming around your reflection like a school of fish in a pond. it makes you smile.

he smiles back, oblivious to your thoughts but returns your gesture. he asks, “how so?” and you reply without delay, “i read through it and the morbid undertone took me by surpri—”

or at least, it's supposed to be without delay until you realize sunday has stepped closer in order to peer down at the page you're holding open. and suddenly, you're extremely aware of every minute detail like how his breath brushes against the side of your cheek and how his chest rumbles as he hums in acknowledgement.

(you flush in the neck and he perceives this reaction of yours with mirth.)

“my apologies,” sunday chuckles and pulls away, “i've simply forgotten the rhyme and wished to refresh my memory.”

“somehow, i feel that isn't the case...” you mumble accusingly. that seems to amplify whatever little amusement he gets from flustering you. “oh, my dove. i can assure you that it is,” he caresses your head, a little placatingly.

most times, sunday isn't so laidback about giving affection in public — since he has an image to maintain — so you assume the fact that the servants are out and about, leaving only you and him here, plays a role in his unusual boldness. you accept the gesture with a bashful pout.

“now, where were we?” sunday clears his throat, “ah, yes. some people have noted on the nursery rhyme's strange quality but still, it retains its popularity in penacony. it is also widely assumed that the hound resembles the bloodhound family while—”

you hold back an amused sigh, but it's more out of fondness than anything. he'll start from the history then the effect on the general public, as per usual, but you're not the only predictable one here. you'd listen to him anytime too, won't you?

(you do adore when the head of the oak family would put off his public figure mask around you. if only for just a while.)

will you let dan heng rest his head on your lap when it's just you two? . . . the sense of comfort it provides isn't something he can explain with words. as if he has ever been good with words in the first place. saying a sentence bereft of logical reasoning or witty remarks doesn't come easily to the express’ guard. neither does intimacy. . . but you know that already, don't you?

after all, it isn't a secret that dan heng prefers speaking with his actions. if to show one's intentions is the end goal, then actions are the fastest route to choose. words, although able to sweeten the trip like how a beautiful scenery can, will eventually lead to actions regardless so why take the extra step?

but you're different from him; you articulate what you think and what you mean. you're honest in ways that keep catching dan heng off guard without fail — just like the first time you offered your empty lap to him when his head was swirling in pain — but he supposes that is one of your charms. “words can be useful. we're not all born mind readers,” you told him once and he hummed, accepting of your perspective.

(“look at you two! opposites attract!” march chirped. he recalled shooting her a look of indignation and she rubbed the back of her head sheepishly in response.)

dan heng has learnt to grow used to your propensities - but by far, your shameless invitations are still one matter that can't be comprehended even with time. he cannot understand; how you smile as you sit on his futon in the archives (he doesn't mind), how you link gazes with him so effortlessly, how you pat your lap knowingly and say, “why don't you rest your head here?”

(he has to restrain himself from bursting into flames like a heliobus.)

sometimes, he'll accept reluctantly or he'll decline with an underlying tone of longing he doesn't want you to notice. because as much of a good hold dan heng has on nonchalance, he cannot deny that this particular gesture of yours has left a mark on him.

(it remains persistently.)

when he rests his head on your lap, he can't help but take a deep inhale - your fragrance fills his senses and he discards the selfish desire to keep it all to himself. your fingers are soothing as they thread through his hair gently. the feeling that washes over him is serene, almost comparable to submerging himself in the pure waters of scalegorge waterscape.

when overcome by such a tranquil state of mind, dan heng wonders what expression he might be making at that moment? he always keeps his eyes closed, so it's a shame he may never know. but you do, and you don't think you've ever seen him look so at peace before like he does now.

(perhaps, that's why you keep offering him this in the first place.)

✧ a moment among the stars:

“someone looks tired,” you state with a pointed stare. the archives isn't a room too spacious and the only ones here are you and him. the target of your sentence is obvious.

but dan heng doesn't take the bait, barely looks away from the entry he is currently authoring. still, he spares you a glance and hums glibly, “are you projecting? if so, feel free to use my bed in the meantime.”

you let out a noise, something gibberish that conveys disappointment but it is effectively drowned out by the typing noises. “you haven't even touched the food i bought you,” your voice becomes mellow, “why don't you rest for a while?”

he isn't convinced, you think, since his fingers are still hard at work. the new info the team brought back must've been a lot if he's that focused.

“dan heng?” you try again, hopeful for the last time. you don't take him for a fool, of course, he'll know when he reaches his limit and have proper rest then. but would that really be ideal? a second passes and that hope flickers like a dimming light. but just an inch before the edge of giving up, the typing slows to a stop.

“. . .alright,” he murmurs. finally, after a good hour spent drawing patterns on his backside with your eyes, dan heng turns around to face you. he look tense, you note with abject concern.

“here,” you usher him to your lap, empty and conveniently so. dan heng shoots you a blank look - this isn't the first time you offered and this isn't the first time he reacted like that. you try to suppress a laugh, failing gloriously at it. “just for a little bit,” you utter through a stifled fit of chuckles.

dan heng shakes his head, not in rejection but in defeat. his eyes slip close, second nature, as he leans to situate his head on your lap. you welcome him with a hum and let your fingers card through his hair. a calm sigh falls from his lips like a water droplet in springtime.

“this. . . is nice,” he admits, sudden and unprompted. you nearly doubt your ears for a moment there. did he— “i don't hate it is, uhm, what i mean to say,” dan heng adds and it dawns on you that your ears are still working. his eyes are still closed, not that you'd expect anything else, he prefers to treat it as a shield from being face-to-face with embarrassment.

(or to avoid your ecstatic gaze. he can feel warmth rushing to his cheeks already.)

“i know,” you smile, brushing away a few messy strands from his forehead. he isn't an open book but you think you've read the pages enough to remember all the little details. “but thanks for telling me. i'm no mind reader but i think i can read yours pretty well.”

“i shall provide no further comment,” he holds back an incredulous exhale, yet his lips still curl slightly at the corner. you feel the teeniest desire to trace the curve of his lips with your fingertip but settle for silently admiring them instead.

“it's fine. i know the answer already,” you say, words dripping with affection. such a shame dan heng never looks up at you during a time like this. because if he did, he wouldn't have missed seeing the sheer fondness in your gaze that rains down on him in light showers. a true shame.

(one day, he'll gather the courage. maybe.)

— thank you for reading! reblogs with comments are most appreciated. ♡

[kathaynesart]

It is done! *falls down*

BEGINNING || PREVIOUS || NEXT (SOON) MASTER POST

I have... so much to say on so many different things but it is 2:30 in the morning so I will keep this as brief as possible. First off, thank you to all my mom friends and mutuals who helped me with accurately portraying and normalizing the experience of giving birth. It is wonderful, and painful, and gross, and beautiful. I apologize if it made any readers squeamish (and I know there were a few gross jokes in there) but considering how gross the tv show got, I think it remained true to the overall vibe!

Second, I wanted to talk about the concept of "hope" in this story. When I first watched the movie, I felt like the idea of hope being their greatest weapon seemed sort of heavy handed and cheesy. However, after watching the ending of the show again I realized that hope is actually a huge reoccurring element in the story and a big part of what it means to be of the Hamato clan. Doubly so, I wanted Casey Junior in a way to symbolize that hope for Leo specifically, so when Leo talks about hope in the beginning of the movie, he's not just talking about some vague concept, but Casey Junior himself. He is their greatest weapon and he doesn't even realize it.

Thirdly, so uh... Casey Junior. I apologize if it had seemed out of left field, but do know that the decision of his origins was not made lightly. The shear similarity in his facial structure to Lou Jitsu as well as several other factors that I will refrain from stating due to future spoilers was too numerous to ignore! It is an integral part of his story for reasons that will go unsaid for now, and no, he does not know he's distantly related to them. Also, Big Mama! Been holding onto her concept for some time now! I loved the idea of her mystic broach becoming damaged so she can only be cloaked to a certain degree, making for an interesting blend of both her forms. She was really fun to figure out!

Finally thank you everyone for your patience. This special turned into quite the endeavor with most of the updates exceeding 20 pages each, but I'm so happy I was able to finish it... even if it did take so much longer than my projected hope. I can't wait to get back to the main storyline, though I shall miss these silly, overpowered boys. We got a lot of ground to cover and I'll likely be posting a summarized reminder before continuing. ...and after I finish work on some Zines and the holiday special winning commission!