#thing hit harder

[angorwhosebabyisthis]

[cws: non-detailed discussion of both fictional and irl SA/CSA/abuse dynamics, apologia for the previous, homophobia, fetishization of wlw, and anti rhetoric.]

-

having a lot of thoughts about the wider fandom's treatment of the various abuse dynamics present in sdmi--supposedly in the name of being anti-abuse--and how instead it's propagated deeply anti-survivor/abuse apologist sentiment and behavior through where they choose to apply that rhetoric, and where they choose to look the other way.

(first off, if you're someone who does not and has not done this, thank you from the bottom of my heart. second, this is not at all exhaustive of my feelings on the subject and there will probably be more posts about these dynamics and people's behavior toward them in future. as you can imagine by the length of this post that is saying something lmao)

one of the reasons i feel as strongly as i do about the way both canon and fandom have historically been about pericles, pericky, and shitting on anyone who likes them because it Normalizes Abuse(tm), is that their fans are pretty open and emphatic about the fact that it's Fucked Up. it's why we find it compelling. it is vanishingly rare that we don't.

meanwhile, velma is the UwU Cute Sassy Lesbian Icon whose relationship with shaggy was Cringy and Immature (and mutually so 🙃) at worst, when it directly mirrored such visceral aspects of my experience with CSA that i almost threw up rewatching the second episode.

and that's not even getting into how normalized it is for women to abuse men in a relationship, in broad fucking daylight in front of other people, and how men are supposed to Always Want It and it's an insult if they don't, and how the vast majority of CSA--which it overtly is in shaggy's case, he is implied not to be an adult yet--is perpetrated by other kids.

and it's also not getting into the fact that the ~cute lesbian relationship~ is almost certainly going to end up with the other queer girl in the show also being abused, because abusers are not Magically Cured by True Queer Love's Kiss. how it is incredibly difficult for survivors of abuse in a wlw relationship to be acknowledged or get support because then they'd be a Traitor, or people would rather maintain the feel-good fuzzy feelings wlw exist to give them, or they're closeted and it's not safe to let people know they're in a relationship with a woman. how queer relationships, especially between women, are fetishized as cute pure healthy fairytale romances and not dynamics involving real people who might harm each other or be harmed and need help.

and that's not even getting into the fact that mlm are seen as inherently predatory to an extent that the majority of other queer identities are not. how older queer men grooming boys is a classic homophobic stereotype used to justify violence toward them, up to and including lynchings, and how that is the abuse dynamic everyone in the show and fandom latched onto to revile as the Disgusting Evil Predatory One while giving everything else a pass. how mlm have a long history of forced institutionalization and psychiatric torture and abuse, and the Predatory Gay Man is subjected to decades of--you guessed it!--forced institutionalization and psychiatric torture and abuse, which is framed as what he deserved and where he belonged. how he's supposed to be unattractive (and the majority of the people who do this shit lean hard on that), while people are way more likely to give Charming Attractive Aesthetically Pleasing abusers a pass.

this is just..... normal, to the fandom. it's treated as completely normal. and i think that's a whole lot more fucking harmful than finding emotional catharsis in exploring an abusive dynamic that would not fly in broad daylight irl in a million years.

[qiinamii]

we'll do fine.

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

.

.

.

.

.

.

.

.

.

.

.

.

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[miss-sternennacht]

[vodid]

zero's pressure

[bicheetopuff]

Oh nothing, just thinking about the fact that Katsuki smiles the widest in battle when he feels like he’s competing/catching up with Izuku but stops smiling when Izuku’s in danger/is forced to think rationally, outside of the fantasy that everything Izuku does is to compete with him as well. Thinking about the fact that he has genuine fun and performs his best while thinking about surpassing Izuku, in the essay I’ll-

[anticidic]

Doing my at least bi-annual reread of the manga, and I kinda just glossed over this bit the first time around because it wasn't something that I considered to have much significance until later. But the fact Dazai refers to Chuuya as partner and not ex-partner, or even just Chuuya can be interpreted in a bunch of different ways knowing Dazai and his propensity to kid around, especially with Chuuya. But the panels after where Steinbeck asks what kind of duo they are, and Dazai responds with terrible rivals rather than enemies or the sort makes me lean more toward the fact that even though they're on opposite sides now, nothing's really changed between them. Certainly not for the worse. They were also supposed to only be partners for the night and Chuuya set aside his grudge just this one time, but we know that ends up not being true because of the entirety of Meursault. Sure, Chuuya was likely at least irritated (and rightfully so) by Dazai's sudden disappearance the night he defected and went out with a literal bang by blowing Chuuya's car up, but I think if Dazai sensed any real animosity from Chuuya he wouldn't be so eager to refer to Chuuya as his partner still, even if he was teasing. But also, like, if Chuuya harbored an actual grudge toward Dazai, he would've been more hesitant about using Corruption, and yet he still trusted Dazai. Dazai knows he can be a little shit. He's definitely self-aware that he gets under people's skin. But over the duration of their partnership even he's had limits he wouldn't cross when messing with Chuuya—hasn't brought up the Sheep, the Flags, or rubbed any of the losses or betrayals in Chuuya's face. And vice-versa Chuuya to Dazai with Oda. I fully believe Chuuya knows why Dazai left, and that it was probably an open secret Mori obviously wanted to keep hush-hush about to save face, but Chuuya probably found out regardless. And that's why I think Dazai is still comfortable with Chuuya even after the reunion they had in the dungeon—Chuuya doesn't have to agree with what Dazai did and he has every right to be annoyed that Dazai just upped and betrayed the Port Mafia, but he understands because Dazai was driven off in an almost familiar way as when Chuuya was ostracized from the Sheep.

[aceoflights]

Oh the dynamics of "I've become a worse person for you, but it's worth it"

"I have a strict moral code, but I've killed for you"

"I know doing this will pull me into an unending cycle of violence, but I'd do anything to protect you"

"This will haunt me forever and destroy me from the inside out, but it's for you"

"I have actively covered up murder for you, and it has me questioning everything about myself"

[turtleblogatlast]

One of the most genuinely adorable things the boys have done is make a terrible cringey band together. Like it’s such a kid move, y’know? It was so endearing to witness. Sure they sucked so bad an entire legion of enemy robots took themselves out, but there’s something so cute about them collectively thinking they sounded way better than they did.

[suja-janee]

My overall analysis on Sektor and Bi-Han’s relationship and how I still think a Bi han redemption is possible.

If you don’t wanna read all this let me know, I’ll give you a summary

[sunb0ts]

something that always gets me about klavier is that he is so clearly just like. friendly. he cares so much and he cares too much. he's one to tease simultaneously but he so clearly just like. loves and loves and loves, even when it puts him in harm's way, he likes people and he likes being around people enough to be desperate for it and for friendship like. ough

[fuumiku]

Alexa play Washing Machine Heart… Been having that Succession quote on the mind

[arkiwii]

Valentines far away from where you are

I think a lot about how Silence and Saria are so busy that they can barely spend time together. About how when they finally fixed their bounds, they had to be taken away by their responsibilities. About how much Saria might miss her and struggle without her. About how they might be unable to communicate with nothing else but letters that take several days to come. About the fact that Silence is so crushed by her duty and work that she feels not allowed to have a personal life.

No matter how far from each other they are, they only wish to be able to be together without all this unecessary stress on them.

[lovesickeros]

☆ from gold, i am undone

{☆} characters tsaritsa {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings blood, implied self harm, implied suicide attempts {☆} word count 0.9k

You weren't meant to be here.

You can feel it in the marrow of your bones– it weighs you down like heavy shackles, gold bleeding from your pores until it is all you know. The taste of ichor on your tongue, the warmth of its invasion beneath your skin, that gleam of gold that lingers in the color of your eyes like specks of dust.

You are changed, and you are whole.

But you are so unbearably broken.

A shattered piece of porcelain hastily put back together with gold to fill the cracks.

Decoration, in the end, for you are not fit to walk as "mortals" do. This gold had filled every empty crevice of your body, spilled the red into your frantic hands and made you bleed so it's callous gold could make room inside your body. It has taken from you many things, given many more, but you scratch and bite and tear until it drips onto the floor and even then it never leaves. It stains the floor no matter how hard you scrub– a permanent reminder of the sickening gold that molds you into something that used to look like you– that does look like you. Desecrated, yet so horribly divine.

All you see is a monster.

Something new, something old.

A hollowed out shell, wounds left to rot and fester until you suited the image of the Creator they bore upon statues and murals, the Creator worshiped in prayers spoken in hushed whispers and joyous chants praising your magnificence.

But what magnificence is there in detachment? What joy is there to be found in carving a God out of a human? They kneel like lambs before the shepherd, but the flock has made you– and you want to unmake them. Unweave the tapestry of their being stitch by stitch until it all falls apart and the world knows the cost of casting molten gold into the shape of a human, knows the price that has been left unpaid.

You want to take it from them. Watch them squabble and pray, blind sheep stepping into the wolf's open maw– to tear the seams of their being until the world is unwound by your heavy hands.

But you know it will not satisfy you.

Nothing does anymore.

You are no wolf. Only the shepherd who guides.

And with every drop of blood spilled, they ripped the humanity from your very bones until your body was the cast in which they made something anew– something gold, something horrific. A monster as much a God, a beast as much a man.

There is nothing left but absolute authority.

You try again and again to mend this act of desecration, to peel back the outer shell and rend the gold from your marrow– but your body cannot, will not, die. It mends itself back into place no matter how damaged, and all you feel is the uncomfortable tug of your body forcing itself to live. You cannot die, but were you ever truly alive at all?

Yet with every cycle, you know only one constant besides the thrum of golden ichor in your veins– cold.

Ice that burns, ice that spreads and festers and devours. Claws that pull you apart until the gold runs thick, teeth that burrow into your bones and rip it out from the source..eyes that witness the fall of a God with reverence– hungering, all consuming reverence.

You welcome it.

It is the first time you felt pain since you were cast into an image of a being you were not meant to be. The sting of cold upon your skin makes you shiver, your body tries to reject it, but you want to welcome it– for a brief moment that lasts only as long as it takes for you to blink, you see the glint of something familiar in the reflection of her empty eyes. Something achingly, horribly familiar– something human, all the more terrifying for it.

Even when Teyvat itself crumples like paper beneath the weight of her sins – of this desecration anew, this wretched heresy – you allow her hands to do it again. You grasp her hands in yours like chains, willing her to shackle you, willing her to pull you apart and make you whole again. To break you until the gold cannot put you back together again.

You long, each time, for those eyes like spears that lodge into your skin– burrow deep and sting deeper, making gold flow like water. You long for the biting tongue, the cutting words and those teeth like weapons– long to see the spite and anger and impure disgust aimed at the woman of silver who leads you down a hall that ends only in damnation. You follow each time like the lamb led astray by the wolf, but you do not wail in betrayal when she sinks her teeth into your throat and devours you whole.

For is it a sin if you welcome it? Has their God sinned, in the eyes of the flock, for welcoming such heresy with open arms? For allowing the wolf into their home?

Is it a sin to be broken beneath the only hands that have loved you?

Is it a sin to want to love, too, those hands and teeth stained in gold?

Then you shall be damned, you swear it. Damned, but gold no more.

For death is the closest you have ever felt to being human.