#i cant get a job. my art doesnt bring enough. i cant keep producing new products on the regular. i cant finish major comms on time

[vodid]

zero's pressure

[sailormanrahh]

oh no oh god oh noooo noooooo arrrrrghhh :((((

i have a comic planned. most of the art i make is of two particular characters from it. both of them have too much info to just dump all at once and expect people to comprehend at all. i will try to keep this as short and concise as possible for your convenience.

(this will most likely be long winded anyways. i have a lot to catch this page up on)

so. here i go.

this is tsuru. shes my first oc. shes been here for a good long while. shes also the protagonist of my comic, and probably the biggest mess of character lore i have. its always an uphill battle trying to put her lore in particular into words with my terrible grasp of the english language. i will try my darndest.

shes chill. been on earth for 17 grueling years, but had to age mentally tenfold to stay safe in her situation. a bit of a mess, but shes not alone in that. lives by herself in a very low-income part of town actively being strangled to death by the mayor, but manages to scrape together the materials to keep herself afloat. big hardworker with a skeptical but loyal heart.

shes immortal, she can only die if her heart is ripped out by another immortal being. if she gets hurt, flowers that bud from her heart stitch the wound back to its original state. the flowers are scorpion grasses. her immortality brings her great grief.

she also has an entirely separate power. she produces a strongly acidic blue acid in her wrists and mouth. with that acid, she can burn into peoples skulls and access and mess with their memories. she is intended to consume any memories she takes, and her immune system is made to detect and make her vomit out any regular food she consumes, however, her power is "deformed" and her immune system confuses memories for regular food, causing her to vomit them out. that makes her incredibly skinny as a result, and unable to properly consume food. she still does anyway though, she loves food.

her deformities tend to get in the way of regular life. she's supposed to be able to control the amount of acid she produces, but is unable to, therefore struggling to eat with regular cutlery, brush her teeth and share food or beverages, among other problems. she manages to adapt, and has special-made dinnerware and cutlery that is resistant to her saliva. she also brushes her teeth with her finger.

the immune system deformity would have killed her immediately if it werent for her immortality. shes thankful about it, but also a bit sad about basically being a hair away from death at all times.

most other information is unnecessary at this point in time. i will add a fun(?) fact though: she cant read or write. she never learned how :(

next:

this is yuzuru. shes fun to draw, mostly because of the hair. shes part of the main cast. i feel like her character is just a huge amalgamation of things i find awesome in a funny way. awesome sauce, even. really brings out the inner skateboarding dinosaur in me.

shes also 17 but woefully brain old. she has like 5 different huge jobs and commands a huge army of lackeys. (unwillingly, ill get into that.) shes sweet but oh, oh so very stressed. a little spicy at times. maybe a bit drastic. little unstable even, but very kind and understanding to her friends.

she doesnt remember anything about her past, but was supposedly whisked away as a little kid to have her potential exploited and made into a multi-purpose killing machine by a cult that occupies her part of town. her time during her hay-day in the cult was spent hexed by a control spell cast on her by the leader during her initiation. the hex brought out a new, violent personality that overpowered her base personality and occupied her body for most of her life.

long story short: the hex was partly dispelled by a traumatic event that slapped her mental ass so hard her old self came out for the first time in years. the semi-dispel was enough for her to communicate her concerns to a witch doctor who gave her the instructions to almost completely dispel it. even mostly dispelled, the violent persona still occupies her head and causes her great discomfort in her day-to-day life.

sorry for the terribly angsty backstory. it is how it is.

powers not too interesting, she has syringe nails. she can retract needles from her nails and suck or inject liquids like a regular syringe. liquids are stored in specialized glands in her palms. shes also immune to regular human dosages, she needs 3x the amount of a regular dosage for whatever chemical to have any effect on her.

thats relevant to the main (non-murder) job she performs at the cult. shes a doctor and is in charge of the medical department. shes also a medical researcher on the side. has tons of diaries dedicated to documenting research. thats a topic for another time.

she also rides a chopper motorcycle and cleans up corpses left out on the street. also has a massive collection of motorcycles. this is one of the childishly awesome parts i was talking about. shes so bad to the bone badass skeleton image.

i think thats enough blabbering. ive done it, the thing ive been dreading. at least now that ive aired out these two angsty goobers i have finally thrown out any shame i had that was keeping me from screaming oc stuff into the tumblr void.

i am so sorry for making you endure this. i swear its all better in my head.

heres a good image to heal the cringe wounds

[gaygwenpool]

give me literally All Headcanon for that post for Mysterio p l e a s e (also, for the one of my choosing, whether or not you hc he commentates movies while watching them or insists on ABSOLUTE SILENCE)

:D!!! my sweet boy, BLESS you nonnie! 

◉ whether or not you hc he commentates movies while watching them or insists on ABSOLUTE SILENCE IS A FANTASTIC QUESTION IVE BEEN LITERALLY LAUGHIN ABOUT IT ALL DAY THANK YOU

   Both actually! if you try to comment on the plot or react to an actor, immediately you get rudely shushed with the most scorching glare because how DARE you, focus on the ~ART~ you heathen!!! but also the Moment a slightly more advanced special effect takes place, he is all hoppin on his seat excitedly explaining how it’s done and how genius that is, how would he improve on it and how another movie dealt with it, the dialogue for the big plot reveal goin on the screen be damned :’D Also as the movie advances, he starts gettin more and more into long passionate rants either complaining about the lack/surfeit of respect the creators got, how arrogant this one actor is and how he doesnt respect his cues and so on….. lots of the stuff he says is actually pretty interesting but yeah, if you counted on just enjoying the movie, tough luck 

   He really likes watchin movies with people but prefers to see the movie first on his own at least once, to really focus on it. Often, he will watch a movie in the livin room while others do their own thing and he will comment on the good scenes, however if you agreed to actually watch somethin with him and got distracted during screening or worse, was on your phone?? you are dead to him. (and you can expect some …unpleasant surprises in the upcoming days)   

im gonna put the rest under the readmore cuz this is gettin long ^^;;

[ask meme]

�� - sleep headcanon

Beck is the UGLIEST sleeper, he is the worst. He snores loudly, drools, moves, KICKS, mumbles and has the most vivid wildest dreams. (it happens rarely but sometimes he’ll dream about somethin, wake up and for a while be convinced it actually happened, you know like when you dream about arguing with your friend and being mad at them the next day etc) On the other hand, sometimes, all his features relax, he loses the scowl and looks surprisingly peaceful and happy… oh and he hogs the blanket.  

His sleep schedule is a fuckin mess, he is able to go like the whole week on few hours of sleep total when he is workin on a project but other days he gets grumpy if he doesnt get his 10h of beauty sleep every night.. 

★ - sad headcanon

uhhh i dont actually have much sad stuff for this boy yet, he brings me so much joy that i dont have the heart for that :’’’D (also i like him and chameleon team ups and Dmitri brings enough angst to the table for the both of them)

He really actually died that one time and went to hell (though in Patchwork, im not gonna keep everythin about that Daredevil plot, i really like Mysti being dangerous and actually a worthy opponent but most of it was too fucked up for my tastes…) and well… it wasnt great :’D  it mostly targeted his insecurities about his own talent he buried so deep he almost stopped believing them, the lack of respect and recognition and him willingly throwing away any chance he had at those by becoming Mysterio and of course everything that happened with his ex Brick Johnson…

☆ - happy headcanon

blease consider: autistic Quentin !!!!!!

☠ - angry/violent headcanon

he doesnt have a hair trigger temper like Ock or Electro but Damn does this boy holds grudges over literally everything :’D lots of overcomplicated, carefully crafted revenge plots just for eating the last yogurt in the fridge… He gets frustrated easily, getting snappy and rude, especially if people are not listening to him, but it’s often about the pettiest things, the bigger stuff doesnt affect him as much.  

He doesnt enjoy violence for the sake of violence but he is not above it either, everythin is allowed for his big performance…… he can be quite a good n friendly boss if you listen to his orders and work well but can just as much set you up to die in an explosion, all while smiling and patting you on the back… 

✿ - Sex headcanon

my Mysterio is gay as hell but also somewhere on the ace spectrum… not sex-repulsed but definitely not a high drive either (he feels oddly smug about that, like look at those fools trying to get into each others’ pants, how pathetic, *I* in the meantime have time for things that Truly matter, like recreating every Xmen battle ever with only straws and gum.) 

■ - ��Bedroom/house/living quarters headcanon

listen, i basically grew up on those “the entire villain team lives in a single place - shenanigans ensue” fics so im not givin up on the Sinister Six HQ, okay. (Chameleon usually finds them a suitable house with enough rooms, as luxurious as their current fonds allow, and he prides himself in putting in lil personal touches that he knows the sin six members would enjoy, for Quentin it’s often very obscure movies, rare memorabilia from his favorite ones, stuff for his illusions, a stolen Oscar…) 

 When these are unavailable (aka superheroes got them busted) or when he aint in the middle of a crime job, he usually stays at one of the Cham’s safehouses (with or without him) and in a few of them, he already has his own dedicated room with some of his fav old tricks on display. Speakin of which, he has a BIG warehouse with most of his setups and stages or at least models. He doesnt really plan on reusing them but he likes having them all together 

♡ - romantic headcanon

((jakjgkfajga im a loser and ended up shippin him with Chameleon and everythin i’ve thought off so far is EMBARRASSING AND CHEESY AS FUCK :’’’’D so im gonna leave those for another time))

Beck being an Extra Bitch he is, lives for the Big Romantic Gestures like in the movies and he often gets so caught up in the prep he.. kinda disregards the person he was makin it for, the making of the effect means more for him than  the actual sentiment behind it… 

(ok maybe One mysteleon hc, while it pains him, Quentin knows Chammy Would Not Enjoy being a target of such grand display… he gotta be more subtle, creating a scene where he could play in disguise and dupe some superheroes mayhaps…) 

♥ - family headcanon

like 99% of the villains and their grandma, his family wasnt great, mum left when he was very young with another guy, his dad considered his passion for movies a great waste of time and let lil Quentin know how disappointed he was at every occasion both vocally and physically.. After the first few broken models and ripped tapes with stop animations that took weeks to complete, Quentin stopped tryin to impress and convince his father about the greatness of special effects.. He joined a boxing club and learnt some other martial arts but as soon as he could, he left to join a proper film school which led to his father dropping both financing and all contact with him. 

☮ - friendship headcanon

Im not even gonna start about Chameleon’s and Mysterio’s friendship because that shit is canon and i cry about it on a daily basis. 

Despite his penchant for Dramatics, the constant Need for Validation and Backstabbing and other Throwing Shit in the Fan just cuz it was narratively better, Quentin actually has quite a few friends? He gets along quite well with everyone from the Sin Six and many other villains and even has some ‘normie’ pals from the film industry or just neighborhood… 

One of his most surprising is actually Doc Ock with whom he gets along even outside of business partners/partners in crime basis. Though maybe not so surprising, Mysterio is quite vocal with his praises when he feels like they are deserved and Doc as well actually admires and recognizes Beck’s talent while it is still enough specific for him not to feel threatened in his superiority (once he tried to improve them and show them to Quentin with his usual arrogance and flair and that was the biggest fight they ever had and they werent on speaking terms for a loooong while after that… Oct cant stand not having the last word so he still modified some of Mysterio’s tricks even after that but he actually cares about their friendship enough to not tell Mysti about it.. Not like he would ever admit that to Quentin’s fishbowl face) 

♦ - quirks/hobbies headcanon

like 99% of everythin Mysti does is Somehow related to special effects/film or the Drama in general but my boy is a nerd in general, theater, books, comics, manga, roleplaying games, you name it. He especially likes flashy stuff obviously. 

He really enjoys learning new techniques and figuring out how to make something happen. When he was younger, he was viciously against CGI but later he started to sorta respect it as its own category that needs talent and effort… he still prefers to use the traditional techniques of course :’D (…as traditional as HYPNOTIZING PEOPLE WITH NEURAL GAZ IS) 

☯ - likes/dislikes headcanon

He has a very Complicated relationship with the film industry……. on the one hand, he loves the behind the scenes, the rush, the Action…. but on the other hand, he hates it with a fiery passion, everythin from how you get treated like dirt and the pretentious prizes being awarded just for the Big names and hollywood and everythin turning around the money an-…., he has a very long list and it is alphabetized. (While he has a point for many of those complaints, the fact HE himself never got any pretentious award remains probably the main issue…) 

he absolutely despises people making fun of D-grade shitty movies in the “this shitty horror is so cheesy and dumb it’s funny and i love it” way, either because the people workin on it were good and trying their best but the money or the producers etc ruined it (his experience) and then it’s an unfair critique or because the creators just didnt try hard enough and that’s even worse in his books and this movie should not get Any Attention much less a positive one.. 

he likes complaining and being snarky :’D he enjoys the challenge Spidey sets for them and loves playing tag with him (even when he loses..) He loves the prep before his big shows both alone or with help, the adrenalin when actually pulling it off and when he discusses it with Cham in details. He lives for the applause and recognition and ~Fame~ 

▼ - childhood headcanon

not as much as hc as adopting the Webspinners’ aproach: he spent most of his childhood daydreaming, hiding himself behind the stories and special effects….. not many friends aside from Betsy but he didnt really need them, he wanted audience not pals.. In the film school he started to be more social and communicative, he met Brick there and they started goin out… 

∇ -. old age/aging headcanon

hhhhh im conflicted, there are like 3 comics where Q is retired because he has enough of superheroes beating him up and he Really doesnt want to go back to it.. I cant see him actually givin up on it totally tho… idk idk

♒ - cooking/food headcanon

Like with sleep, it oscillates wildly. He can forget to eat when he is hypefocusin on a particular project (one single chip suffices as nourishment) or he just subsides on ramen for a month but on the other hand he is quite a capable cook. Nothing Extraordinary but he can make enough diverse simple meals. When livin with Chammy, they both enjoy eating out so they do that as much as the budget allows (so not that much, illusions arent cheap…) 

☼ - appearance headcanon

im still thinkin about that one post that described Quentin as a “toenail of a man” and i couldnt agree more :’D very short, pig nose, hairstyle à la Spock, stocky built and weirdly beefy, like this guy’s thigh is bigger than some heads… (for a nerd he is surprisingly strong what the fuck) 

All Mysterios are Good Mysterios but my preferred ones have a bigass ROUND fishbowl, the longest cape and somethin as a belt, preferably sash.. 

ൠ - random headcanon

he actually isnt….. that great of an actor nor director nor creator………………….. (im sorry baby i love you but it’s tru….) he unconsciously copies a lot of stuff he has seen elsewhere, he follows overused tropes, his work is packed with cliches and cheesy over the top pathos… his special effects mastery n creativity with workin out his illusions is absolutely INCREDIBLE dont get me wrong, it’s just… the plot/ideas……..  at first he lived in denial about this still believing 100% his work is Wonderful and Perfect and he is just a misunderstood author… later he decided to embrace it and he is livin the life now :D

[viralhottopics]

An incomplete list of Hollywood’s favorite excuses for whitewashing and why they’re nonsense

Scarlett Johansson in Ghost in the Shell

Image: paramount

Between Iron Fist, Ghost in the Shell and that first Death Note trailer, it’s been a banner month for racially insensitive casting.

But while the problem may be getting extra attention right now, it’s not new and it doesn’t seem to be going away anytime soon, either. In fact, with each passing controversy, the excuses have just started to sound more and more familiar.

SEE ALSO: Netflix’s ‘Death Note’ teaser trailer opens the book on horror and destruction

Hollywood’s racial bias comes in many forms. Sometimes it’s “whitewashing” casting a white actor to play a character who was originally conceived of as non-white, like the Major in Ghost in the Shell or Light in Death Note. (John Oliver has an excellent primer on the industry’s long history of whitewashing here.)

Other times, it might be favoring a white lead character in a narrative that borrows problematically from non-white cultures like positioning Iron Fist‘s Danny Rand and Doctor Strange‘s Stephen Strange as the ultimate practitioners of mystical martial arts that they learned in made-up Asian countries.

Perhaps most insidiously, it can also mean simply overlooking POC talent, and defaulting to white characters and white actors time and time again, even when there’s no narrative reason to do so. We adore Tim Burton and the Coens as much as the next person, for example, but it’s hard to deny that their films tend to be pretty homogenous.

(And we’re just talking about casting here, though the data shows that there’s racial inequality in basically all areas, at basically all levels of the industry. More on that here.)

Image: giphy

If there’s a bright side to these seemingly endless controversies, it’s that they’re making headlines moviegoers seem less and less willing to let this kind of prejudice slide. Even as journalists and audiences have become more critical, though, too many stars and filmmakers seem to be stuck pushing the same old defenses.

So in the interest of saving everyone some time, we’ve compiled some of Hollywood’s favorite excuses for favoring white people in casting and some thoughts on why each one falls apart.

Actually, this is a really diverse cast.

Eddie Redmayne and Katherine Waterston in Fantastic Beasts and Where to Find Them

Image: Warner Bros.

Recently used by: J.K. Rowling, who insisted, “Everyone in Fantastic Beasts is not white.”

Also used by: Steven Paul (Ghost in the Shell), Joe Wright (Pan), Ridley Scott (Exodus: Gods and Kings), Finn Jones (Iron Fist).

Why it’s nonsense: This excuse might hold up if it were actually true in any meaningful sense if, in fact, the real problem was that detractors were just woefully misinformed about the makeup of the cast and/or the significance of their roles.

But very often, the “diverse” cast members turn out to be supporting players or even extras, while white stars get the meaty leading roles. Yes, it’s nice that America’s wizarding community has a black female leader in Fantastic Beasts, or that Tiger Lily’s tribe is a racially diverse bunch in Pan. It’s just too bad they get fuck-all to do compared to the white leads.

Even in Iron Fist, which is a bit more evenhanded than some of these other examples, there’s no question of whose story gets top priority and it’s not Claire Temple’s or Colleen Wing’s.

This argument, then, turns out to be disingenuous. It makes no distinction between a high-profile hero and a half-baked love interest, a one-off guest star, or a non-speaking extra.

This is a universal story.

Russell Crowe in Noah

Image: paramount

Recently used by: Producer Ari Handel, explaining why Darren Aronofsky’s Noah was about a bunch of white people. “From the beginning, we were concerned about casting, the issue of race,” he stressed, before going ahead to put his foot in his mouth:

What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesnt matter. Theyre supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise. You either try to put everything in there, which just calls attention to it, or you just say, Lets make that not a factor, because were trying to deal with everyman.

Also used by: Lilly Wachowski (Cloud Atlas).

Why it’s nonsense: Leaving aside that it’d actually be really nice to see a cast diverse enough to make up a Benetton ad, why should “everyman” default to white? (We can’t know the ins and outs of casting for Noah, but Handel makes no indication that they ever seriously considered the possibility of, say, an all-Middle Eastern cast.) The assumption here seems to be that only people of color have race, while white serves as a totally neutral default.

Cloud Atlas and Noah might think they’re beyond race somehow, because they’re concerned with lofty ideas but they’re still movies made by and for people who live in this world, with all of our weird racial hangups and troubling cultural contexts.

We wanted to avoid stereotypes.

Tilda Swinton in Doctor Strange.

Image: marvel/disney

Recently used by: Doctor Strange director Scott Derrickson, who in trying to avoid one controversy face-planted straight into another. It was a challenge from the beginning that I knew I was facing with both Wong and the Ancient One being pretty bad racial stereotypes1960s versions of what Western white people thought Asians were like,” he said. “We werent going to have the Ancient One as the Fu Manchu magical Asian on the hill being the mentor to the white hero. I knew that we had a long way to go to get away from that stereotype and clich.

Also used by: Johnny Depp (The Lone Ranger).

Why it’s nonsense: Avoiding stereotypes is a good goal to start with, but casting a white person to play the part of a person of color doesn’t fix that problem. It just creates a different one. The better approach in scenarios like these would be to subvert the stereotype, maybe by using the character to comment on it or simply by fleshing them out so much that they’re not a flat, two-dimensional archetype any more. Or, better yet, start by asking yourself it’s even worth resurrecting such an outdated and possibly racist property in the first place.

But we hired a woman.

Scarlett Johansson in Ghost in the Shell

Image: paramount

Recently used by: Ghost in the Shell star Scarlett Johansson, who used Hollywood’s woman problem to deflect a question about Hollywood’s race problem. “I certainly would never presume to play another race of a person. Diversity is important in Hollywood, and I would never want to feel like I was playing a character that was offensive.”

However, she continued, “having a franchise with a female protagonist driving it is such a rare opportunity. Certainly, I feel the enormous pressure of that the weight of such a big property on my shoulders.”

Also used by: Tilda Swinton and Kevin Feige (Doctor Strange).

Why it’s nonsense: We’re all for seeing more and better female roles, but gender and race aren’t somehow equivalent or interchangeable. Bringing in a white lady doesn’t magically make up for erasing a person of color. Plus, this line of argument conveniently forgets that women of color exist. Ghost in the Shell wouldn’t have been any less female-led if its star had been an Asian or Asian-American woman.

We hired the best person for the job.

Characters voiced by Charlize Theron, Art Parkinson and Matthew McConaughey in Kubo and the Two Strings

Image: Moviestore/REX/Shutterstock

Recently used by: Director Travis Knight, addressing why his Japan-set fantasy Kubo and the Two Strings has a mostly-white voice cast. Ultimately, what matters most for us is the ability for an actor to convey the nuance and the emotional truth of the role using the only tool that they have at their disposal, which is their voice, he said. “There are very few actors in the world that can do that. There are a lot of great actors that cant do that.

Also used by: Tina Fey (Whiskey Tango Foxtrot), Scott Buck (Iron Fist), Rupert Sanders (Ghost in the Shell).

Why it’s nonsense: “Hiring the best person for the job” sounds all good and fair in theory. But “best” is a subjective measure, and the specific criteria are set by the filmmakers. If they believe the “best” person for a non-white role is a white person, it means the filmmakers decided that racially sensitive casting wasn’t something they felt they needed to address.

(Keep in mind, too, that “best” can encompass all sorts of qualities that have little to do with the actual quality of an actor’s work, like how famous they are or what their public image is. It’s not as if the casting process exists in some artistically pure plane before race is factored in.)

Furthermore, there are plenty of films that seem to fare just fine with racially appropriate casts. Kubo itself was shown up a few weeks later by Moana, which went out of its way to find stars of Polynesian descent and was rewarded with praise in addition to all its of excellent reviews and truckloads of money.

Non-white stars arent bankable.

Joel Edgerton, Sigourney Weaver, John Turturro and Christian Bale in Exodus: Gods and Kings

Image: Fox/Scott Free

Recently used by: Ridley Scott, who blamed the business for making his Egypt look so white in Exodus: Gods and Kings. “I cant mount a film of this budget, where I have to rely on tax rebates in Spain, and say that my lead actor is Mohammad so-and-so from such-and-such,” he said. “Im just not going to get it financed. So the question doesnt even come up.”

Also used by: Dana Brunetti (21).

Why it’s nonsense: This argument sounds kiiinda pragmatic until you start to break it down. Sure, Exodus star Christian Bale is world famous. But is Joel Edgerton’s international fanbase really that big? Is 21 star Jim Sturgess’? And why are the options here “white A-lister” or “nameless nobody”? Non-white stars exist some of them even starred in Scott’s next movie, The Martian.

This rationale also conveniently forgets that Hollywood doesn’t just employ stars it creates them. Indeed, Sturgess himself was just a scrappy up-and-comer when he landed 21, which would turn out to be one of his first big breakthroughs. Brunetti could’ve used this opportunity to boost an Asian-American actor; he just chose not to.

And yes, while conventional wisdom might state that only white-led movies do well overseas, the conventional wisdom in this case is wrong.

Why would we need non-white people in this?

Ella Purnell, Asa Butterfield, Eva Green and more in Miss Peregrine’s Home for Peculiar Children

Image: fox

Recently used by: Tim Burton, justifying the lily-whiteness of Miss Peregrines Home for Peculiar Children. “[T]hings either call for things, or they dont. I remember back when I was a child watching The Brady Bunch and they started to get all politically correct. Like, OK, lets have an Asian child and a black,” he said.

“I used to get more offended by that than just … I grew up watching blaxploitation movies, right? And I said, thats great. I didnt go like, O.K., there should be more white people in these movies.”

Also used by: Joel and Ethan Coen (Hail, Caesar!).

Why it’s nonsense: Once again, this argument only makes sense if you assume that white stories and white characters are the default, whereas non-white stories and non-white characters have to be specifically “called for.”

This, by the way, is how you end up with stereotypes: by presuming that, say, a Latino character should only exist if there’s something “Latino” about the story.

And never mind that the blaxploitation genre, which Burton cites in his own defense, was created specifically because black people weren’t being represented in “mainstream” (i.e., white) movies.

This character is supposed to be (or look) white.

Matt Damon in The Great Wall

Image: Universal

Recently used by: Matt Damon (The Great Wall). I didn’t take a role away from a Chinese actor … it wasn’t altered because of me in any way,” Damon said, adding that he hopes criticism of the film will die down once people see that its a monster movie and its a historical fantasy.

Also used by: Cameron Crowe (Aloha), Ben Palmer (Urban Myths)

Why it’s nonsense: Of course you can have white characters in a story full of non-white people. Of course some non-white people can pass for white. But that doesn’t mean it makes sense to cast a white person as the star of a story about a person or a culture of a different background.

The reason it’s frustrating to see Damon in The Great Wall or Emma Stone in Aloha or Joseph Fiennes in Urban Myths is that it’s hard enough for an actor of color to snag a meaty role without getting shut out of stories that borrow from their culture or revolve around people of their heritage.

In short, as Hollywood continues to drag its feet on casting actors of color, their arguments are only wearing thinner. The only real fix is for this industry to become more inclusive.

That might mean reinventing an old property by bringing in a Native-American lead. Or launching the next big movie star from the pool of overlooked Latino actors. It might even mean gasp! hiring an actual Asian person to play an Asian person.

What it definitely doesn’t mean is returning to the same old excuses for keeping out people of color. We’ve heard it all already, Hollywood. It’s time to write a new story.

WATCH: Viola Davis is the first black woman to win an Emmy, Tony, and now, an Oscar for acting

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