#and then i just found the whole saga of like

[kithj]

some stories are written precisely to elicit strong emotions from the reader INCLUDING negative ones. some stories and characters are meant to be upsetting, they are meant to challenge you and make you uncomfortable!! when a story makes you feel Big Feelings sometimes you are meant to sit in those feelings and ask yourself why! fiction is a great space to explore these emotions in a safe environment. you, as the reader, are meant to think critically about the art you are enjoying and that includes asking yourself questions like why has the author presented their art in this way and what are they trying to tell me. and then you get to have fun picking it apart and figuring it out and deciding what, exactly, the art means to you.

[megaerakles]

I keep playing with a Batfam/the odyssey fusion where Bruce is Odysseus and instead of getting fucked over by the gods for ten years he takes like six months to get home and finds a new kid practically every time he stops his boat

[unproduciblesmackdown]

another specific scenario nice & simple like winston "isn't allowed to have a 'correct' cishet(tm) gender n sexuality anyways" "keeps immediately latching on to the nonbinariest people around him" billions goes yolo mode after going [just endlessly weather it at the sunk cost factory] firmly established itself as a shitshow and decides like i'm gonna hook up with a guy fr (has not already happened, in this specific scenario) and then does so, congrats to him. however, with all the precedent in the world, it's like here's your big anxiety about any autodidactic sex ed beforehand. here's your big anxiety about just general surveillance & malicious handling of it afterwards. no way anyone could have completely founded hangups about everything even further just indefinitely now. bonus points though he still goes to math meetup has real math friends over there who have Really provided the [yeah it's not actually a popularity contest here] arena & he's known them for years & let's say has at least One amicable person who talks with him out of it, maybe even two. congrats to him canonly for getting out of there, sure hurt him as much as they possibly could on his way out though, was legitimately the goal

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[snoopcco]

. ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁.

제이크 , false image.

>_< mai’s endless fluff saga

⊹ ࣪ ˖ popular!jake x quiet awkward! reader. ! 💻

⊹ ࣪ ˖ 🗒️ when reader meets popular jock jake who seems mean and unreachable, turns out to be a fluffy, obsessed, baby girl boyfriend. !

⊹ ࣪ ˖ ✩ jake occasionally calls reader ‘glasses’ (because reader is a slight nerd. 🤓☝️)

JAKE WAS DEFINITELY THE POPULAR GUY. known by everyone in their school, “sim jaehyun” this! “jake” that! the whole school knew jake, he was a jock, an amazing athlete, a smart student.

but that all changed once jake met her.

a recap of their love story? happy to tell you.

she was in the library, studying for the maths test, jake was roaming around. finding some peace and quiet in the library, that was his escape. his escape to just feel a bit free and more calm. at that moment, she dropped her wallet trying to reach for her pen, not even noticing that it fell over the table that only she had occupied.

with jakes fast reactions, he quickly noticed the wallet silently thudding on the carpeted, calling towards him.

he thought the girl had heard it, but to his luck, it seemed as if she was wearing headphones that were on 100% volume. jake couldn’t just leave the library all guilty for not telling some stranger that their wallet tipped over and was left on the ground, right?

so, he made his way slowly to the busy girl. picking up the wallet that was a few inches away from her chair, not trying to disturb her. the wallet landed on her desk, as she suddenly looked up.

jake took a slight glance at the studying girl, she had a high pony tail and clear specs that made her features pop out. she had doe eyes that her glasses couldn’t even hide from others even if you were far away.

he gulped, realizing that it was the ‘nerd’ in the school. but to him, he know found out when you looked at her longer, she was beautiful. she wasn’t ugly, but she seemed gorgeous to his eyes at first sight.

“your.. uhm.. wallet fell. I wanted to help you cause you seemed like you didn’t hear it.” his hand landed on the back of his neck, specifically, his nape. but to the girls eyes, he was the popular jock that couldn’t be seen with a person like her.

however, his tone. his soft voice, it made the mean and arrogant remarks of the jock disappear. “thank you, jake.” she bowed practically 90° from her seat, still stunned that jake initiated a conversation with her.

“may I sit here?” jake asked to bring up a question, wanting to have a small (a long conversation that could last for hours at a time) chat with the awkward student.

“oh um sure!”

(border >_<)

jake and the girl bickered and talked for a longer time period that they both wouldn’t had expected. they found out how similar they were despite their differences, leaving the girl who had been looked as the nerd, the girl who was an outcast.

and from that moment on, jake knew that the girl he had met was the one who had to be his.

“baby no! I have to go!” the girl whined, the clingy and pouty jake who didn’t want to let go of her waist that fit perfectly with his veiny hands. he tugged onto the front of her shirt, trying to lower the crop top.

“you can’t leave your boyfriend hanging all alone, glasses, and why should I let you leave in that short ass crop top? when I’m NOT even there.” jake frowned, but she was fed up. or she would be late.

“seriously jake! I need to leave right now.”

“no, glasses, your mine”

it drove crazy at how much jake knew her weaknesses, his cute tone, his eyes, his ability to make her feel butterflies in her stomach. It made her weak.

“glasses, stay, stay with your boyfriend. It would be better than any other shit you have to do, because your boyfriend can spoil you rotten.” jake kissed her on the cheek, still desperate for her to stay.

“no.”

jake soon grabbed her legs and put her over his shoulder, walking away from the door and back inside. “boy! jake! put me down right now!”

“don’t want to.” jake chuckled, all giddy. he loved making his girlfriend all mad and heated up, it made it more fun to tease her endlessly. is this what you get for having a boyfriend who is a serious athlete?

she thought, having a boyfriend like jake, he wouldn’t have any time for her. he would be a booked and busy guy who wouldn’t have time for her. LOUD INCORRECT BUZZER. jake went out of his way to cancel his matches if it was date night, or you wanted to hang out with him.

he made sure to always had time with you, he would rather save you then the world.

“I’m gonna kiss your face a billion times and maybe we could go already and do some of the annoying shit you need to do, hm?”

“JAKE!”

“no. it’s baby time, your mine now glasses!” jake smiled evilly, not planning to let her leave. not even in a billion years.

“this is what you get for having a jock boyfriend with a false image.”

@ jwnstars … !! so cutesie core.

OK HSHSSGGS LETS CALM DOWN AFTER THAT MUCH FLUFF ???!!!?? 😵‍💫😵‍💫😵‍💫 finally got out of my writing slump and gave into writing again. like a breath of fresh air.

anyway… I don’t know how people overlook jake as the mean frat boy ??? I see him more as the clingy bestfriend of the frat boy who always follows him around ‘cuz they besties !!!!🥹🥹💞💞🎀🎀

[harveybwabbit92]

Grocery girl: Ken Sato x reader pt. 1

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You were a delivery girl who was a frequently dispatched to famous baseball player's Ken Sato residence, you were a nobody that anyone hardly paid attention to, until you found the legendary baseball passed out on his front steps looking like hell, being a bit of worry wart you help him inside and that things took a HUGE turn when you find yourself playing mommy for a giant baby dragon....

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Part 2,Part3,part4

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"He's been ordering a lot of Coconut water lately..." R/n mumbled as she loaded up her delivery van with the items on the shopping list Ken Sato's assistant sent her for his bi-weekly delivery, usually he just orders beer, protein shakes and a melange western food some of which were not a common find around Japanese super markets.

R/n had to go special import stores for some of the stuff Mr. Sato orders; which takes R/n though a wild runaround of the entire city, A route that none her other coworkers had the time or patience for; even the self-proclaimed "Sato-fan queen" Who stole R/n's route gave up within 20 minutes when she couldn't find the tiny shop that sold his special brand of coffee.

Her saga ended when she tried to cut corners and grabbed random items and delivered those instead...Yeah, that went over like a lead balloon. Her majesty got a harsh chewing out by the boss after Mr. Sato's assistant complained about the delivery and threatened a restraining order after the younger devilry girl displayed an obsessive and aggressive attitude.

(I.E. taking selfies of herself in front of the house, flirting into the intercom and trying to force herself into Mr Sato's house when she realized he wasn't home.)

Needless to say, R/n was assigned Mr. Sato's personal delivery girl, cos she was the only one that didn't have crush on him. Much to the ire of her female and few male coworkers. R/n remembered the first time Mr. Sato was there to receive his groceries in person. He seemed thrown off by her complete impassiveness towards him....

----------------------------------

{Flashback, To Ken taking the groceries from R/n, he kept staring at the delivery girl expecting her to crack a smile or squeal excitedly or something, but no, she kept a neutral expression on her face and stayed professional during the entire transaction.]

"Uh....Aren't you going to ask for my autograph?"

"Nope."

"But...I'm Ken Sato."

"Yeah, I know who you are and I don't care. sign here."

R/n holds out her tablet as Ken stares at her baffled; he signs the digital receipt, R/n printed out the receipt sticker and slapped it on the the box the baseball player was holding, The (Y/Height) woman then tipped her hat to him before getting into her van and driving off leaving Ken standing in his driveway completely dumbfounded. 

-----------------------------------------------------------------------------

After that Mr. Sato and R/n kept their interactions short and sweet, which seemed to work just fine for them. But things change and R/n was going to experience a very big change in her life.

It all started when the Sato-stalker queen Or Meiko AKA: "Meimei" as calls herself on her blog invited R/n to Mr. Sato's premier game, R/n tried to reject the offer as gently as possible; sports were never really her thing, but the bottle blonde girl had guilt tripped her into going. Apparently she doesn't have many friends (wonder why?), so there was R/n sitting up in the nosebleed section while feeling awkward in the sparkly baseball jersey Meimei had insisted she wear for the occasion.

The whole time the blonde was squealing and blabbing about Mr. Sato and how handsome he was and how unfair it was that R/n got to see him, thought the older woman was quick to dash whatever hopes Meimei had of hearing about Mr. Sato's personal life by informing her that he's barely home when she delivers to him and few times he is there it's just to receive the groceries.

"What goes on in Mr. Sato's private life is not our business..." R/n affirmed Meimei just pouted and called R/n mean before turning her attention to the pitch, she gasped loudly and started shaking R/n excitedly. "Ohmygash,ohmygash!! It's him! she squealed as Mr. Sato stepped on to the field towards his position at bat.

R/n couldn't help but wince when she watched Ken miss the first two balls, she saw the catcher from the other team say something that peeved off Mr. Sato; it looked like they were going to throw down until the umpire calmed it down and Mr. Sato change his position at the third pitch.

He pulled off an impressive power hit that got the crowd screaming and cheering. However, as Meimei was squealing and shaking R/n for what seemed to be for the umpteenth time she failed to notice her older coworker's attention was completely fixated on something else.

She felt R/n suddenly grab her hand. Meimei looked at R/n bemused but then noticed her complexion had gone ashen as the older delivery girl pointed up at the sky; the younger one followed her gaze and lost all of her peppiness in seconds as an explosion from a downed aircraft went off over the stadium causing the entire place to shake!

The stadium erupted into chaos as R/n instinctively covered her younger coworker from any fallen debris as the Kaiju alert system went off ordering everyone to evacuate! R/n and Meimei wasted no time getting out of the stadium just in time to see Ultraman arrive and punch the Kaiju away from the stadium. R/n stood back to watch them fight for a few moments before a hysterical Meimei dragged her away...

{Cut to a few hours later}

R/n was finishing up a few late night deliveries, some of her coworker didn't want to come in due to the monster attack so R/n was forced to take over their shifts. She had just finished delivering cat-food to a nice old lady, when she got a call from Mr. Sato he wanted donuts and coffee.

R/n sighed and went to work she pulled up to Ken's home on the old delivery scooter the boss had rusting in the back seeing as it was a small delivery, it was raining heavily by the time she pulled up to the house. R/n walked up and knocked the door Mr. Sato opened the door and looked startled to see her.

"Uh, What are you doing here so late?" He asked looking around his driveway, R/n cocked a brow and held up his order like it should be obvious. "Yeah, I know...But it's usually the old guy that delivers this late." R/n explained he took the night off she was filing in, Ken reluctantly took the donuts when he notices how wet her uniform was and looked outside again and noticed the rusty scooter just chilling in his driveway and frowned.

"You didn't drive all the way up here on that thing did you?" R/n just shrugged Mr. Sato looked like he was going invite her in or something, but they were interrupted by a weird cry coming from somewhere in the house. "What was that?" R/n inquired bouncing on her toes trying to look over his shoulder, the baseball player got this 'oh crap' look on his face as he quickly blocked her view.

"Uh, Nothing, j-just my TV! Here's your tip!" R/n's phone pinged the delivery girl's usual calm demeanor was replaced with one of panic as she tried to explain that Japan doesn't practice tipping! Only for her eyes widened in shock the amount he sent her. "...And e-Even if we did do tips, I think you overdid-" Mr. Sato quickly cuts her off. "No I didn't!" and slammed the door in her face.

R/n blinked a few times as she looked between her phone and the door baffled after a few seconds of trying figure out what that all about? Before shrugging then walked back her scooter and drove off....

{Ken gave the reader about three hundred dollars.)

[Next time R/n finds out just what Mr. Sato was hiding in his house the encounter was both cute and terrifying.]

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Cross posted on my A03/Squidgeworld/Wattpad.

[rin-sith]

*That* scene in Six Hundred Strike is not about vengeance, it's about vulnerability ... because the Vengeance saga isn't about vengeance

To think all of this started because I was trying to determine why it feels so natural to read intimacy into the torture scene in Six Hundred Strike ... See, I'm personally not someone who reads an angle like this into things easily, but this time I found myself doing it too. And I just needed to know why.

It just made no sense for a while, because if you look at it superficially, it shouldn't make sense; it's a freaking torture scene. But I don't know, somehow, I must have felt that there was something there ... and I think I figured it out.

See, the reason why it feels so natural to read intimacy into this scene is because ... it actually is incredibly intimate. Not in an actually sexual way, but more so in a, "Imagine you were suddenly able to read someone's mind, and they yours" kind of intimacy.

It's really easy to just assume Six Hundred Strike is literally about vengeance, but it isn't. Now, please stick with me for a bit because we are going on a bit of a tangent here, but I promise we'll get back to this eventually.

The tangent I want to explore first is (as you've probably seen in the title) that the whole Vengeance saga is, ironically, about the unnecessity of vengeance and how destructive grudges and resentment can be. Think about it:

In Not Sorry For Loving You, Odysseus lets Calypso rant and then walks away without confronting her or accusing her, even telling her what she wants to hear one last time. I already discussed why Odysseus is an incredibly non-judgmental, non-resentful person in my Monster essay, and here is another excellent example of that.

Charybdis (I'm skipping Dangerous because he doesn't encounter any enemies there) is the first "monster" enemy he leaves alive since Polyphemus (Scylla doesn't count because he still "kills" for the sake of getting past her, even if it's in the form of sacrificing his men.) While one might argue that he had no choice since Charybdis is virtually impossible to kill, I think placing this encounter here might be an intentional choice especially since it differs greatly from the way that Charybdis is in the Odyssey. There has to be reason behind this change.

In Get In The Water (my beloved 🫶) we are explicitly shown that Odysseus offers Poseidon (the god who killed his whole fleet and is responsible for most of his suffering) forgiveness. The reason Odysseus has to torture him in the first place is Poseidon's own refusal of this mercy—he's literally torturing Poseidon in order to make him finally release the grudge because he has proven that this is the only way to actually get through to him. It actually shows perfectly that Poseidon's own inability to release his resentment became his downfall in the end, disproving his own "ruthlessness is mercy upon ourselves" motto as his own ruthlessness bit him in the a** this time, as I talked about in this post.

... And there is no resentment or vengeance in Six Hundred Strike either.

On one hand, it's easy to assume phrases like "For every comrade, every one of my friends, almost all of whom were slaughtered by your hand" or "How does it feel to be helpless? How does it feel to know pain?" indicate resentment, but ... not really.

We already know that Odysseus doesn't want vengeance, or he wouldn't have tried to lead from the heart one song earlier.

And then make yourself aware of something else: Not once during any of their encounters is Odysseus actually accusing or resenting Poseidon for anything.

"Almost all of whom were slaughtered by your hand" is an objective fact. It's just true. Someone vengeful may have said "I'll make you pay for all of those you slaughtered" or "All of their deaths are your fault" ... Odysseus just says, "for every comrade". He doesn't specify what he's doing for his comrades ... and it sure as hell isn't that he's (trying to) cause Poseidon pain or harm for them (which would be vengeance.)

For every comrade, he is fighting Poseidon, in order to finally reach his goal. For every comrade, he's doing everything that he has to do in order to get home, and in order to end this feud.

And then we get to the torture scene and it's ... actually so incredibly freaking intimate. Because it's not actually about vengeance, it's not about accusing Poseidon, or making him pay, or suffer more than necessary. If Odysseus were speaking from a genuine vengeance angle, he'd probably sound more like, "You killed my friends, now you pay for it. You did this to me and now it is your time to suffer." But he doesn't.

The torture scene in Six Hundred Strike is actually ... just another, much more extreme, repeat of Odysseus' lines from Get In The Water (my beloved 🫶): "Aren't you tired, Poseidon? It's been ten years, how long will this go? We're both hurting from losses, so why not leave this here and just go home?"

Odysseus tried saying it nicely ... now he's stabbing him with his own trident, hoping, practically begging, that he finally listens and accepts. Just lets them both go home.

And the thing is, this time, he isn't just saying "we're both hurting from losses" ... All you have to do is repeat to yourself Odysseus' entire monologue that he unleashes while he's stabbing him in a calmer, gentler tone and you'll see that what he is actually yelling out at Poseidon are all of the reasons why he is hurting. Sharing with him all of the pain that he probably hasn't shared with anyone ... ever.

"How does it feel to be helpless? How does it feel to know pain?" -> How does it feel to be vulnerable? I've felt vulnerable for so long without anyone to talk to or because no one truly understood me or what I'm going through.

"I watched my friends die in horror, crying as they were all slain. I heard their final moments, calling their captain in vain." -> This is why I am hurting. These are my losses.

"Look what you turned me into. Look what we've become." -> Look what I could be if I actually followed your lessons. Is this what you really want? Why can't you understand the harm that this is causing both of us?

"All of the pain that I've been through ... haven't I suffered enough?" -> Aren't you tired, Poseidon? It's been ten years, how long will this go? We're both hurting from losses, so why not leave this here and just go home?"

"You didn't stop when I begged you." -> I asked you to "Stop this, please" mere minutes ago. You didn't stop. That's why I'm doing this.

"(You) told me to close my heart. You said the world is dark. Didn't you say that ruthlessness is mercy?" -> I'm doing what you said you wanted me to do. Do you really want this? Do you really believe this? Can something like this really be mercy?

The first time I heard this, I firmly believed that Odysseus was actually crying during this part, and honestly, I believe that to this day. The canon visuals don't show us his face and I want to almost say that's intentional.

This whole scene is about vulnerability. Forced vulnerability, in a lot of ways, but raw, real vulnerability nonetheless.

This isn't just a torture scene; it's actually one of the most intimate scenes we've ever seen Odysseus share with anyone on screen. Seldom do we see him this honest in front of others (the vulnerable scene with Circe at the end of There Are Other Ways is the only other example I can think of.) Otherwise, all of his honest, raw songs are his solo songs (Monster, Just A Man, ...)

But here, Odysseus is essentially using the symbol of Poseidon's invulnerability—his trident—to force him into the most vulnerable position that he's probably been in centuries, if not ever ... and at the same time, he is being incredibly vulnerable himself. He's opening up to Poseidon in a kind of absolute way that we have actually never seen him open up to anyone.

... If that is not intimacy in its rawest, most painful, uncomfortable, and yet cathartic forms, I don't know what is.

As if that weren't sad enough... The saddest part about all of this is actually Poseidon's "Monster!" ... Because it tells us without a doubt that he is actually incapable of receiving or understanding those words from Get In The Water (my beloved 🫶). He is incapable of understanding vulnerability. All he can see is the "monstrous" act that accompanies it because that is something he knows and recognizes.

Although I believe, in the end, Odysseus did get through to him, and did get him to drop the grudge, I believe it happened on a kind of subconscious level rather than genuine acknowledgment or agreement. It's further proof of how Odysseus is capable of growth while Poseidon isn't (yet.)

Poseidon remains stuck in his ways, in his "ruthlessness" philosophy, because he isn't ready to acknowledge its flawed nature, essentially making it his own cage that prevents him from growing or moving forward. Meanwhile, Odysseus is walking away, walking ahead.

... Part of me almost wants to claim that he started begging Odysseus to stop so quickly not because of the physical pain, but because of his words. Because the vulnerability forced on him was hurting in a way that physical injuries, even from his own trident, never could. Because deep down, very deep down, he must've ... "felt" what Odysseus wanted him to understand and feel anyway.

Remember how I compared this type of intimacy to the sudden ability to read someone's mind before? I chose this analogy for a reason. What is intimacy if not using the very source of a god's invulnerability, essentially putting yourself into his divine shoes, doing what you know he would do to you ... in order to force him to connect to your mortal feelings and pains, even if he can still not truly understand them?

Here is where we see, for the first time, maybe ever, what even Odysseus and Athena couldn't do (yet), and the core reason why their partnership broke apart: a mortal and a divine genuinely understood each other's perspectives ... saw themselves in the other, even if only for a moment.

Given all that ... there is absolutely nothing I can say against kicking my feet and giggling excitedly over this scene.

[manachiichan]

Sailing against Fate

(Alabasta Saga)

Synopsis: If you want to survive on this world, you have to lean on to the strongest, to your luck, you somehow ended up with the Strawhats.

Pairing: Strawhat Pirates X Isekaid!Fem!Reader

Pre-Timeskip! This takes place during the Alabasta Arc. I planned on making this into a mini series with other scenarios.

|| One Piece Masterlist ||

|| Alabasta Saga Masterlist ||

|| Next Chapter||

It has to be a dream...

One moment ago, you were just studying for your college midterms and the next thing you knew, black spots covered your vision causing you to pass out on your desk. Well maybe passing out was your fault since you stayed up for a whole two days straight with nothing but caffeine to keep you energized.

But how did it comes to this?

"Oi...Are you dead?"

A pair of curious eyes poked your form the moment you started to wake up. A somehow familiar face greets you. Tan skin with a noticable scar on the lower left side of his eye and a straw hat. Unlike him, His crew had a look of suspicion as they surround the two of you.

'No way....'

How come you found yourself staring face to face with the Strawhat pirates?!

"What...?"

You can only gawked in shock. There in flesh were Luffy, Sanji, Nami, Zoro, Usopp, Vivi and Chopper. All staring back at you with a mixed of bewilderment and cautiousness.

"Where....Am I...?"

"Hey....Are you okay?! Stop that! Your hurting yourself!"

You questioned yourself, slightly distraughted.

Sweet Chopper got worried seeing how tightly you started gripping your hair with both of your hands. Because of his natural caring nature as a doctor, he immediately approached and grab your hands to stop you from hurting yourself further.

"Nooo! I can't take my exams now!"

Seeing that Vivi and Karoo are with the crew, you concluded that you were transported during the Alabasta arc. With Chopper already being there, that means that they had already been to Drum Island and are now on their way to stop the war brewing in the sand nation.

The Strawhats were somehow nice enough to let you stay with them for a while, although deep down, you knew it was because of seeing you in your most pathetic state.

Well most likely since you're a woman and Sanji is the type of man that will never deny a damsel in distress.

But ofcourse, you didn't want to end up on any of their bad side, and since they allowed you to stay with them, you decided to atleast try to be useful to help around the ship.

Only to find out that you have zero experience in managing a ship. You can't tie knots nor lift heavy equipments, Chopper had to help you out when the Going Merry's cannon accidentally fell on you.

All you could do was learn by observing others do their tasks, respectively.

Zoro was far more suspicious along with Usopp who was wary of you, so you couldn't ask any of them for any pointers. Nami, tried to teach you how to stir the ship but you somehow managed to get off course, so she had to step in, not after yelling at you ofcourse.

As much as Chopper helped you out whenever you were struggling, he was a bit too afraid to actually talk to you. And you like Sanji, but you hate how he treats you like a delicate and fragile glass to the point that he never let you help out whenever he's nearby.

Luffy and Vivi were the only ones who are normal around you. Luffy being somehow curious with your mannerism and weird habits. You were slightly glad that he was still the Luffy you knew in the show.

"Where did you came from, (Name)?"

He would often ask the most random questions about you. And whenever you answer, you could feel the eyes of the crew lingers your form.

"Some where really far away..."

"But I doubt that I can return back..."

You answered honestly. It had been a few days since you got sent into this world and you still don't understand how you managed to get here. You knew that you don't belong here, and without the Strawhats, you would probably be dead by now.

The Grandline is indeed a terrifying place, so you have to do what you must if you want to survive in this world.

Luckily for you, you read a few isekai mangas along with those popular korean manhwas back in your world. So with your One Piece knowledge, you have a slightly advantage of knowing what will happen next. However, you kept silent of that, as you were still trying to figure out what you were suppose to do.

In the world of pirates, a sane person would ask the crew to drop them off to a nearby island, however you were far from sane.

You are in the One Piece universe, how can you miss all those major event, nor miss the opportunity to meet some of your favorite characters.

There were two options for you, To become a pirate or marine. You did considered trying to join the revolutionary army, but you didn't like people bossing you around as you go on missions.

As much as you want to see the adorable Captain Koby as a marine, you weren't that keen to get beatened up by pirates. What if you meet those famous characters of the series, you'll definitely die.

So your only option is to become a pirate, being already on board the Going Merry. Besides, you doubt Luffy will let you go now that he has taken an interest on you, not that you know what he saw on you anyways.

You stayed up a few nights, trying to recall the future events that might happen soon. You wrote them down on a notebook that Nami gave you, not before giving you an interest of paying her back. She was slightly suprised on how you just smiled and told her that you'll somehow find the berries for it.

And now, your habit of not sleeping came back. It's like your studying your notes for an upcoming quiz again. You wrote down everything you remembered regarding the current arc you were in right now.

But first, you have to earn the crew's trusts. So you made a lot of effort to get to know them.

Their personalities were still the same like how it is on the series. There was also somethings that weren't mentioned yet you were able to notice small details while being around them.

Whenever Luffy goes feral at the sight of meat, he would let out small growls when someone approached him. It became noticeable whenever he's really hungry.

You were never a threat, Zoro saw that. You were just a weird helpless woman who somehow just ended up in their ship. Surely he was cautious around you, but seeing how you trip on your own two feet made him rethink of his assumptions that you were a spy sent by baroque works.

"Please...! Teach me how to fight...!"

At your most desperate tone, you plead Zoro to train you. If you have to survive, then you need to learn how to fight.

"Worry not, Mademoiselle! For I shall be there to protect you from those filthy trolls that dares to lay a even a finger on your delicated skin...!"

Sanji straight up told you with hearts on his eyes as he fawn over you having him as your Prince charming on a white horse. You won't learn anything from him.

"Sorry, (Name). I'm not exactly an adept brawler like Sanji, Luffy or Zoro."

"Fighting is not really my expertise. Just ask the guys about it."

Nami and Usopp aren't really much of a fighter, so they wouldn't be able to help that much. And Luffy is out of the question.

"Fighting? Just throw hard punches like this! Oh wait, you can't stretch..."

As much as you like Luffy, his fighting style is a bit too reckless for your liking and you doubt that he can teach you without getting side tracked.

And you can't just ask Vivi, like Nami, she's more of a dictator rather than a fighter. Surely she can fight, but you doubt using whip like weapons is fit for you.

So Zoro was your last hope. Watching anime for as long as you can remember, swords is something you were familiar of and You always wanted to learn how to use a sword, and Zoro being a skilled swordsman could maybe teach you a thing or two to atleast defend yourself.

"If you're asking for my help, you must have a good reason. But why should I help you..?"

Zoro was still wary of you, yet you can see that he was less hostile than he was when you first ended up at Going Merry's deck.

"Unlike any of you guys here, I'm the most vulnerable...! I'll die the moment the Navy or another pirate ship appears!"

Okay, you could have sworn that you sounded and look like another Usopp in his eyes.

"If you're serious about learning to fight, you'll have to prove your dedication. Show me you're worth the effort, and maybe, just maybe, I'll consider teaching you a thing or two."

Zoro was dead serious. But it also look like he's willing to teach you how to weild a sword if your resolve was strong enough.

"I'll do it! I want to learn how to defend myself. I can't rely on you guys all the time."

Seeing him suddenly grin, you knew you were about to experience hell.

[imaginesmai]

Your name on my body - modern!Azriel

Beautiful and amazing @thehighladywrites posted this INCREDIBLE idea and I had to try it. I've never written a modern!acotar AU, a college!acotar AU or nerdy-tattooed!Azriel. I haven't written bimbo!reader, and since English is not my first language, I don't know if I have done it right. I enjoyed this sooooo much, let me know if you want more or have some requests!

Extra points for whoever gets the crescent city saga reference!

Plot: nerd-tattooed!Azriel gets a tattoo with your name and it leads to smutty time.

Warnings: porn and porn and Azriel being freaky and porn with just an inch of plot. This is dirty.

The door of the apartment closed behind your back and you were met with an empty living room. You usually didn’t come in unannounced, because Azriel’s shared apartment always had some type of surprise. But your boyfriend had asked you to do so, and to use the spare key he had given you a while ago.

Azriel had been studying for his finals for weeks, and had finally finished them. Instead of going out to celebrate like you had, he had stayed in with his friends. You hadn’t seen each other too much, apart from the long hours in the library where he tried to help you with your exams – and you didn’t count those hours, since you did nothing more than stare at him.

The apartment, as expected, was trashed. There were beer bottles in the ground, suspicious stains in the carpet and a very naked Cassian sleeping in the couch. You had just barely gotten out of your hangover, and Azriel’s roommate was about to start his.

Through all the chaos, you were certain none of it belonged to Azriel. He liked to party, sure, but not hard and long as you. He preferred to stay quiet and observe, with a drink that lasted him the whole night. You were trying to remember if the heel that poked through the back of the couch was from your friend when you heard him coming.

“This way, princess”

His deep, morning voice made you turn around and stumble to his presence. Like a serpent caught in a sweet melody, you were always pulled towards him. Azriel was wearing a grey t-shirt and black shorts, that fit him like a globe. Dark glasses and disheveled hair. And lots of tattoos that you had traced previously with your fingers and tongue.

“Hey, handsome” you greeted him, not hiding your bright smile. “Got your text this morning. What were you doing up so early?”

“Hit the gym before breakfast. Not all of us are hangover”

“Tell that to the other half of the campus or your roommates. Rhysand spent the night with Feyre in the rooftop”

Your roommate hadn’t appeared last night, and you had found a very cryptic text that morning that led you to the rooftop – where both her and Rhysand were fast asleep with the bottle still uncorked.

As soon as you were within reach, Azriel pulled you closer by your waist and smashed his lips against yours. He tasted like coffee and mint, and erased any trace of drunkenness from last night. You tangled your manicured fingers between his locks, shamefully scratching the nape of his neck with your long nails.

They differed from Azriel’s bitten ones. Your short dress from his baggy clothes, and your dyed hair from his untamed ones. While you liked to shine in the public, to dress up and party, Azriel preferred to be quiet, thrift clothes and study. To the campus, you were the bimbo, and he was the nerd.

But you were his bimbo and he was your nerd.

“How was the party?” Azriel asked between kisses, his lips not staying for too long on yours.

“Good. Missed you” you almost whined when he pulled back too soon, and he chuckled.

“Missed you too. Did you have fun?”

You hummed as his hands lowered until they cupped the edge of your ass. The dress was short enough he could pull it up until anyone could see your panties, but neither of you cared. He had to lean down to do so, and you took advantage to deepen the kiss.

On the outside, Azriel might have looked like the shy, nerdy student, but he was freaky. You had been surprised when a hook-up with your assigned tutor turned out in the best night of your life, and there was nothing that could unhook you from him.

His hands were big enough to squeeze most of your ass, kneading it just like you loved it. Roughly, you were pushed into his body. Azriel was always semi-hard when you came to view, and you always took care of choosing the shortest and most provocative dress in his presence.

Few things were better than a good night out and a good morning fucking.

“I’ve got a surprise for you. Can I take you to my room?”

“You don’t have to ask”

But he did, breaking away your heated kiss. Azriel pushed the bridge of his glasses up and gave you a crooked smile, offering you his hand. You gladly took it and let him guide you to his room. The farthest, the darkest, but also the neatest. Azriel spent a good part of his time in there, and you loved it. He had incorporated you slowly in it, from the spare clothes in his closet for you to the stupid crafts you did together when you were bored.

“And what did you do last night? Started studying for the next semester?” you teased him, and he gave you a sideway look.

“I could, but I was busy with Mor”

“What were you doing with Mor?”

Your frown was instant, as the jealousy that rose to your chest. Morrighan was his friend, and you respected that, but you knew he had liked her in the past. That the woman was gorgeous, brilliant and smart in ways you didn’t complement Azriel. You liked her enough to be kind and maybe envious, but the notice of her with Azriel left you with a sour taste in the mouth.

Azriel chuckled at the edge of your tone and didn’t answer. If anyone had reasons to be jealous, was him, yet he never was. You had quite the reputation in college, and dressed to impress. More than once, you had been walking with Azriel and received not so subtle glances. You had even gotten the barista’s number when you asked for his order. And through all of that, Azriel had just shrugged and told you he trusted you.

So, for his sake, you tried to do the same.

During the longest seconds in your life, you were quiet. You sat on his bed and crossed your arms across your chest. Azriel closed the door behind him, just as you heard the first groan from his roommate, and turned around so he could face you.

The height difference, the size difference, warmed you in every place of your body. Azriel loved the gym just as he loved his books, and there was not a part of his body that he didn’t work. You liked the difference, liked his big form and how it towered over you even standing. As you sat in silence, you bit the inside of your cheek to control yourself.

“We went to the tattoo parlor, since she knows the owner. I wanted something done” he watched your frown with diversion, and continued when you said nothing. “So, you can be jealous of her, who has a girlfriend now, but I’m supposed to be fine with guys drooling over you last night?”

“I didn’t look at them”

“I didn’t look at her” he answered back, and took off his tee.

The sleeveless piece of cloth didn’t hide much, but you still lost your breath when it hit the ground. His muscled, tattooed chest came to view, and that was enough to make you get up. It wasn’t Mor’s lips that had left marks two nights ago on his left shoulder, or who had bitten his pierced nipple until he had come into his pants in the library’s bathroom.

It was you who had caused the tent in his pant, that caused his eyes to darken when you stepped closer. You placed your hand over his right thigh, the muscles tightening underneath. His boner hit your stomach and you pushed yourself against it, opening your mouth to apologize, or maybe to suck the life out of him.

“Don’t you want to know what I got?” he asked, sounding on edge.

“I don’t understand half of your tattoos. Whatever you got is hot and perfect, just like you”

“Look down, princess” Azriel groaned when your nail touched his dick.

“On my knees?”

You were ready to do so, or let him bend you over the table. He could do with your body as he pleased, but you were caught off guard when you noticed the reddish, new ink wrapped in invisible paper. It looked delicate against the rest of his tattoos, new and beautiful. Right between his hips, where the dark trail of dark hair had just been removed, was a new tattoo.

In his v-line, that you licked and adored and stared at so much. With the nickname he had gifted you since he met you and the stupid, childless heart you drew on every notebook of his.

Princess ♡

Your breath came out shaky as you traced the letters with your finger. If it wasn’t for the make-up, you had so carefully put on that morning with a killing headache, you would have burst into tears. His own hand covered yours and helped you trace the missing letters, and the heart.

It should have been distracting to look at it while his dick demanded your attention inches lower, but you couldn’t look away. Not when you felt a hard clench on your heart that left you lightheaded.

“Do you like it?” it was a whisper in the dark room, a spark of doubt that made you look up.

How could you not like it, not like anything about such a perfect man? You nodded enthusiastically, your other hand searching blindly for his.

“Why did you get that?”

“Because I love you, and I want to carry you with me always” Azriel’s eyes were kind, and soft, and loving – and they were making you dizzy with desire.

“Did it hurt too much?” you asked, looking down again at the tattoo. You, who had smooth and unmarked skin, couldn’t phantom the pain of a nursing needle to draw blood. “It must have”

“Worth every second. Lay in bed, princess. I need to be between your legs”

He didn’t let you take the initiative and threw you on his bed with a quick move. Azriel towered over you for a second before kneeling between your already open, wide legs, and leaving his glasses on the. He smirked with no doubts as he pulled the hem of your dress over your panties. His fingers were rough, pressing hard enough to leave red marks on its way.

You only bit your lower lip when he rose your dress to your waist and sneaked his hand beneath, the edge of his fingers pressing over your breasts.

With the idea of that outcome, you hadn’t bothered with a bra, and his eyes darkened even more at the discovery. You watched his throat work around the new information as he rose his body higher, now covering your breasts with his hands. He squeezed them, keeping them trapped in his palms as he lowered where you needed him.

“I’m gonna erase all those looks from last night” he promised, hands retreating following your curved. “Whose got you this wet, hm?”

“Azzie, don’t be mean”

Azriel was in your hands the moment his nickname fell from your lips, and at your mercy when you used that whiney, flirty tone. He didn’t even bother taking off your panties – he tore them off. Like a sheet of paper, like a piece of cake. You moaned his name, and it came out like a yelp when he dug in without reservations.

His tongue was feral as he licked a long stripe between your entrance to your clit. He pressed it against your clit and actually trapped it between his teeth for a moment. The barrier between pain and pleasure was hard to tell when he snuck his hands under your ass and lifted you a few inches for him to devour.

“Love this so much” you spoke with a content smile, as he massaged your ass in silent appreciation. “Love you”

One of your hands reached to his hair, pushing his face closer to your center. He agreed and pushed one finger inside you. Your mind emptied when he began pumping it in and out, curling it just in the right spot before pulling out and replacing it with his tongue.

Cassian pounded on the wall and yelled at you to be quiet, and Azriel pounded back harder as a fuck you response. You didn’t have it in you to care about him as Azriel pulled you closer by the ass, your legs laying boneless against his wide back.

His nose brushed your clit, up and down, and you weren’t sure he could breathe from how passionate and hard he was eating you out. You called his name wordlessly, your mouth emitting only broken noises.

“So good for me, princess. My beautiful princess” his voice was guttural, so primal it made you lock his head between your legs. “Give me one, come on. Give me the first one so I can wreck you from behind”

“That sounds clinically dangerous!”

Azriel growled against your clit and parted your folds with his chin. He ran his lips through all of them, and by the time he pushed his finger back in, you were cumming on his face and screaming so loud his name you could have woken up the rest of the campus. He caressed your lower regions as you came down from your high, accompanying your orgasm with lazy, long stripes through your folds.

When Azriel came back up, his chin and mouth bright from your juices and his hair sticking in every direction, you were already ready for round two. He didn’t need to be told, and he rose leaving a trail of bites up your body.

He briefly stopped to leave two twin marks between your breasts, so round and perfect and purple you were squirming under him again.

“Azzie” it had been the only word you were capable of saying, and your mind cleared down for a second

“Was that good? Worthy princess treatment after a night out?” Azriel asked, leaving wet kisses on your neck.

“Perfect”

You hugged his back as he pulled himself above you, and your nails left angry, red marks across his lower waist. You pulled the band of his sport shorts and underwear down, and squeezed his hard ass just like he had been doing to yours. His dick sprung free with little effort, and he rubbed himself against your side as you caught your breath.

It wasn’t a one-time thing with Azriel, and you heard Cassian muttering about calling 911 before turning on the music. It took Azriel at least three of your orgasm to be content, and he could cum another three before he let you go. He always stopped, for your sake, when your legs couldn’t hold you up anymore and you had tears ruining your perfect make-up.

Few things turned him more on than being the cause of that ruined make-up.

Before he could empty your mind again, you quickly brought up the only coherent thought that kept pounding your head.

“I want your name too. On me”

“A tattoo?” he raised a brow.

Azriel didn’t stop rubbing himself slowly but tightly against your thigh. His hand was over your sore cunt, in a possessive manor he only showed inside the bedroom. At your petition, he pressed his finger tighter.

“Here. Between my breasts, with your name” you quickly explained. “I want Azzie between my breasts, so each time someone looks at me, he knows these are yours”

“You are mine”

None of your relationships had lasted as long or had been as deep. You were the type of girl who would have his ex-name tattooed, but truth was you were wary of tattoos, and Azriel knew that. He had tried to get you into a simple one, something he could draw for you and hold your hand through it.

His body was a map of ink and drawings, some of them goofy and some of them deep. He liked your innocent, smooth skin, but he found himself breathing harder at the thought of his name on your chest. Thinking of how many kisses, how many marks he would leave there every given moment.

Azriel recalled not a month ago pulling down your cleavage between classes to kiss your nipples sore, the hand he always sneaked to unclasp your bra and touch you beneath the lace. His name, the nickname that brought him to his knees, decorating that skin.

“Are you sure?” he didn’t want to get his hopes up, not when he was ready to tattoo you himself right then and there. With Cassian playing loud classical music in the next room.

“And a crown drawn by you on the top” you rose a teasing eyebrow at his lack of movement, given the discussion for finished. “Are you going to wreck me from behind or do I have to ask Cassian for help?”

Azriel broke into a loud laugh before smacking your cunt loudly, then manhandling you around. With his left arm holding you by your waist, he pressed himself against your back. His dick brushed all the right spots between your bodies, but your hands were trapped under you and you couldn’t touch him.

Complaining would only make him take out those beautiful handcuffs you knew he owned so you only bit your lip and whined like the good girl you were for him.

“I’m gonna tattoo my name between your breasts, if that’s what you want” he whispered against your ear, his other hand appearing around your throat. “I love you so much, princess. So fucking much”

Azriel squeezed your throat at the same time he entered you with a rough, only thrust. It avoided the moan that died in your chest, that had you rolling back your eyes in pleasure. It didn’t stop Azriel from moaning your name out loud, loud enough for Cassian to turn up the stupid music.

The headboard banged against the wall and his glasses fell to the ground, as he left you no room to breathe, to recover. Maybe he had managed to shut you down, but he was doing nothing about his own sounds. You were vaguely aware of Cassian slamming the door of the apartment after screaming some profanities, but you didn’t acknowledge him.

Not when Azriel seemed to be trying to tattoo his name deep into your body and soul.

Want to read more? Check out my side blog @imaginesmaimasterlists, where I keep all the masterlists! Feedback is always appreciated

Let me know if you want me to do an Azriel taglist!

Azriel taglist:

@boygeniuses10 , @tothestarsandwhateverend , @starsinyourseyes

[eirianerisdar]

Top 20 Charlos Moments

Was talking to my twin @wafflesrisa about Charlos during Imola FP1 earlier and I decided to rank the most insane Charlos moments in order - ranked purely on moments that show just how much they're friends, not just teammates

This is just my own preference and it'll be different for everyone, but here a (non-exhaustive) list:

1. Bahrain 2024 crochet chili

"I want to gift this to you. From my fan to me, to you. So you will remember me for the rest of your life." "A chili!!" "For our post Teammate Era." "Ay we are only starting the season!" Carlos: "You will forget [the chili] there." Charles, softly: "No I won't." Also feat. nearly crying in the car afterwards

2. Miami 2024 Water flick

Carlos doesn't even look at the glass in the couple seconds before he flicks the water at Charles. He's looking at Charles and smiling. Charles gets a little overwhelmed with the affection and gets shy (bonus Ferrari team member being us looking at them)

3. Canada cotton ball lean

The cutest moment in this isn't Carlos telling Charles to admit that Carlos won. It's them both Zendaya laughing at each other when Charles gets caught cheating and Charles having this moment looking at the back of Carlos' head where he gets so overwhelmed with affection he collapses his whole weight into Carlos' side. Their caps bonk. It is cute.

4. Zandvoort 2022 headphone exchange -

Carlos, fixing Charles' headphones: "Put them properly eh? I know you very well." Lissie: "NO, YOU GUYS ARE VIBING TO DIFFERENT SONGS." Charles: "WE FOUND LOVE IN THE HOTTEST PLACE -" *C2 wheeze-laugh at each other and exchange headphones by placing them on each other's faces* Lissie: ...

5. Miami 2024 "I know you too well now"

Charles knowing he knew Carlos well enough to speak for him, and Carlos nodding silently in agreement. Then vice versa, Charles then having unshakable faith in Carlos' understanding of himself. Fist bumps. Fondness.

6. The kiss kiss saga: Charles' rayban kiss. 2023 Bracelet kiss kiss. 2023 music challenge kiss.

The first one especially gets me because it's a solid 5 seconds of Charles looking at Carlos, going FRIEND! MY FRIEND! and going *air kiss*

7. 2023 Abu Dhabi waist pinch and DTS Bahrain waist pinch

Waist pinches run in the Sainz family. Charles knows it's Carlos without needing to look by the time Abu Dhabi rolls around

8. 🎵Just the two of us🎵

Do I even need to say anything

9. Bahrain 2022 1-2 podium hug and butt pat

I can't find the video but Charles stepped up to the top step and instantly was like I HAVE TO HUG MY TEAMMATE I AM TOO HAPPY NOT TO HUG MY TEAMMATE AND SHARE THIS WITH HIM

10. Cookie decorating

So much happens in this video. The complete lack of personal space. The comfy sofa. The vocal stims. Twinning. Carlos sings "Dancing in the Moonlight," and Charles whistles it a bit later. Icing to the cheek. Teasing.

11. Zandvoort 2023 catch up

Charles forgetting they did spend the last bit of summer break further away from each other because they spent so much of the first part of summer break not far from each other. Also again. Carlos loves his personal space, Charles also loves Carlos' personal space

12. Carlos: "I'm not going to be here." Charles: *flinches*

13. TELL CHARLES TO COME CLOSE TO ME AND WE CELEBRATE THIS ONE TOGETHER/helmet pats/gentlest hug in parc ferme /podium champagne

I can't find the video of the hug but it's so gentle and Carlos leans his cheek into Charles' and I die

14. Love Honey Sweetie Baby Darling

They just pick up pet names and exchange them like lego

15. OG music challenge squishes/holding hands in OG quiz with wrenches

16. Abu Dhabi 2022 end of season message

Charles was plainly trying to smile for the camera but rightly upset with not having the championship year he wanted, but his smile turned genuine when Carlos hugged him and said Charles at least deserved P2 in Abu Dhabi for the great year he had driving incredibly well

17. Mexico separation anxiety Charles (Edit: posted initially with wrong link, updated now)

18. Zandvoort 2023 fond eye rolls

19. Carlos' 2022 birthday

They're insufferable. Charles' whinging is cute too

20. Carlos looking somft when imagining racing Le Mans with Charles

"With Charles," he says, while his press officer smirks

Feel free to add to this I just went down a wormhole of Charlos feels

[imagopirateversion]

Pirates of the Caribbean: Dead Men Tell No Tales; Why It Shouldn’t Exist

Or how I invested time and energy into an analysis of a relatively dead franchise instead of doing it for my actual media analysis university course.

An essay by: a bitter and obsessed PotC fan since they were 7, with a lot of free time.

Lads, this is going to be long. You have been warned.

The Beginning

At the very beginning of the movie, we see a young Henry Turner looking for his dad.

Now, we're not talking about characterization problems or how likely it is that a ten-year-old child would risk his life to look for a man he technically only saw once; we're talking about plot problems, actual logical fallacies. My questions are:

How? The Flying Dutchman is a legendary ship, impossible to be found unless She wants to be found. The only reason we see Her in Dead Man's Chest is because Davy Jones himself is looking for Jack to collect his debt, and in that occasion the Dutchman's captain wasn't even doing what he was supposed to do, so he was most definitely in the living world. Will otherwise, he's doing the job Calypso gave him, so he's constantly in between. Is the movie trying to convince me that a kid was able to do something no one in the history of piracy was ever able to do? And even if he did, why hasn't anyone explained me how? He simply looks at a map and throws himself on the bottom of the ocean. How did he know The Dutchman was there? How did he know it would've come to surface?

Where is his mom? We got to know Elizabeth in the first three movies; we know she's a smart woman and we can assume she's an attentive mother. She didn't notice her son preparing himself for a trip in the middle of the ocean to go look for his dad? Was she distracted? Was she outsmarted by a 10ish-year-old? Or is she just not contemplated in this scenario?

Why does Will look like that? Will is doing his job, so... why does he look like he's slowly corrupting? That kind of corruption is the punishment Calypso reserves to The Dutchman's crew when the captain fails her, which isn't the case. Did they forget about it? Was the idea of putting algae on Orlando Bloom's face just impossible to resist to?

Alright, this isn't actually from this movie but it's bothering me, so I have to write it; also, it would make this whole movie unnecessary, so it's somehow related to it. Why (and I can't stress this enough) can't Elizabeth be on the Dutchman? Why can't they do the job together? Is it because she's not a pirate? I'm pretty sure se actually is. Is it because she's a woman? Last time I checked she was the KING. She wants to stay with Will forever, Will wants to stay with her forever, they can literally live forever on the same ship. Why aren't they?

Whatever the Hell Happened to Jack Sparrow

Imagine creating a character that is so iconic whenever you ask a person who was a kid in the early 2000 to imagine a pirate, they imagine said character.

Now imagine fourteen years pass and you decide to ruin that character by making him the most hideous, annoying, idiotic person in the whole saga, and we're talking about a saga that has Philip the Missionary in it. Why? Jack Sparrow is THE anti-hero. Never on the right side, but never on the wrong one. You can tell he's doing something morally questionable, but you still find yourself rooting for him. He's stupid enough to make you laugh, but he's secretly clever enough to always get away with it. Now he's just... drunk. And that's not even an excuse for this horrendous new characterization, because he was always drunk. The guy FORGOT HE WAS ROBBING A BANK, the same guy just one movie earlier was able to escape from the King of England's palace and steal a lady's earring (by pretending to be a literal slut) in the process. He just switched from the iconic drunk bi bestie everyone loves to my cringe uncle that drinks too much at Christmas parties and makes everyone uncomfortable. Please, if the risk is ruining an entire generation's beloved character, either don't make the movie or find a better explanation than "Bad luck dogs you day and night".

The Pearl in The Bottle

So... what you're telling me is that Jack Sparrow, the guy who was able to defeat Hector Barbossa, Davy Jones and Blackbeard thanks to his slyness, and who loves his Black Pearl more than anything else in the world, had said ship in a bottle in his pockets for FIVE YEARS... and he never thought about breaking the bottle to free Her. That's what you're telling me. This is the pivotal point upon which the entire Jack's plot hinges. I... I don't even know what to say. Was this supposed to be funny?

What an Incredibly Lucky Coincidence

A guy needs a treasure to save his father. To find it, he needs the help of a notorious and legendary pirate. He looks for him everywhere, sailing on dozens of ships just so he has the remote chance to stumble across the pirate. The last ship he's been on has sinked, he's the only survivor. He's been found in the middle of the ocean and someone brought him to the nearest city. Which city? I mean, the one that has both the pirate he was looking for and a lady who's the only person in the whole planet who's able to find the treasure he was looking for! And, oh my... he finds the both of them! In that same city! Without even LOOKING FOR THEM! A hell of a coincidence, if you ask me. Also known as lazy writing.

What's Wrong With the Guards?

Now, I know Pirates of the Caribbean isn't exactly known for its accurate historical reconstructions, but why are the guards in this movie acting like they're some sort of hellhounds ready to kill anyone in sight? Even pirates and traitors as Jack and Henry were supposed to stand trial before being sentenced to death. It would've probably been an unjust and barbaric trial, but there should've been one. We literally saw it, in the previous movie. Why's Jack been sentenced to death for simply existing here? He gave pirate vibes and they decided that was enough?

Paul McCartney

This is not an actual point of the analysis, I just wanted to remind people that Paul McCartney is in this movie and that's the only valid reason to watch it.

Salazar

I am confused. Once again, I have questions.

El Matador Del Mar was so good at his job he had almost defeated piracy. "The last ones joined together to try and defeat me". The last what? Pirates? There were no pirates left? This happened when Jack was young, so a lot of time before the first movie, right? Where were, I don't know... Blackbeard? Davy Jones? Barbossa? All the other Pirate Lords? I might be wrong, but I guess Salazar didn't kill them, did he? Why weren't they there during that "last battle" in which "the last ones joined together"?

The Devil's Triangle. I just don't understand what's the logic behind it. So, this is a cursed place. Whoever enters there, can't get out. One would think it means that if you get there, you die; and Salazar does die, but he somehow also becomes a ghost whose only purpose is to find Jack Sparrow and have his revenge. So, do people become ghosts when they get in The Devil's Triangle? We have to assume people have gotten stuck in there before; otherwise, there wouldn't be legends around the place. So why isn't it like full of spirits ready to haunt people? Why are Salazar and his crew the only ones?

Poseidon or Calypso?

What's the Trident of Poseidon? Does Poseidon exist? Isn't Calypso the Goddess of the sea? Breaking the Trident, you break all the curses of the sea, so the Trident must be more powerful than Calypso, which leads to a question. Where is she? She IS the sea, right? So she must have known someone was about to find the Trident and brake all curses, including her one. She just decided it was okay? It really feels like someone decided to suddenly change the world's mythology without giving explanations.

The Compass

This is possibly the most blatant plot hole in the whole saga. Probably the most blatant plot hole I've ever witnessed, and man, I watched all the Harry Potter movies. In Dead Man's Chest, Jack meets Tia Dalma in her "shop" and he tells her he's looking for the Davy Jones' key. She asks him "The compass you bartered from me, it cannot lead you to this?", making another pivotal point of Dead Men Tell No Tales factually senseless.

That man couldn't have given his compass to Jack, because that wasn't his compass.

So either Salazar is lying while telling his tale or they forgot about that line in the second movie. Anyway, let's pretend that line doesn't exist; even if that captain gave Jack his compass in that exact moment, why would it be the key to free Salazar, exactly? How is the compass in any way related to The Devil's Triangle or to Salazar? In the movie, they try to explain it with a sentence: “if you betray it, your greatest fear comes true”. So, is Salazar Jack's greatest fear? I really doesn't seem right, Jack almost didn't remember Salazar when Henry mentioned him. To Jack, he's only a guy he outsmarted decades earlier. Also, Jack technically already gave the compass away, twice: to Elizabeth in Dead Man's Chest, to make her find the chest, and to Beckett in At World's End, when they're negotiating.

That's... That's Just Body Shaming, Mate

Let's talk about her. So, the woman's ugly. It can happen that a woman is ugly. Was it necessary to build an entire scene around some blatant body shaming? This scene wants to mimic the similar scene in Dead Man's Chest: Jack's on an island, running from the main villain, and he's forced to do things he doesn't want to do until someone saves him, then it was Will, now it's Hector.

Except in Dead Man's Chest it was LITERAL CANNIBALISM he was facing, and yet he looked LESS TERRIFIED and DISGUSTED. What's exactly the message here? Lads, is marrying an ugly woman worse than cannibalism? I don't know... that was just bad.

Justice for Hector Barbossa

If you know me (you probably don't, but if you do) then you know about my obsession with Hector Barbossa. I truly believe he's the best written character in the saga, and he's in my top five of the characters I love the most in all media. I watched The Curse of the Black Pearl when I was seven and I am autistic, so I had all the time to develop a literal relationship with these characters in my head. As much as Geoffrey Rush's interpretation was impeccable, as always, it really hurt to watch Hector in this movie. He just doesn't sound like him. First of all, why isn't he on the Queen Anne's Revenge? Why's he letting someone else sail around on his ships? He would've never. Why's he just sitting on a throne and shooting musicians instead of, I don't know... being a pirate? Being a pirate is the only thing that matters to him. He says it at the end of On Stranger Tides, and he even says it in this movie, to the witch. "I'm a pirate. Always will be".

So, why isn't he pirating? What happened to him? And what about the pact with the witch? He made her curse all his enemies; that's honestly the most out-of-character thing he could've done.

Seriously, watch this movie, and then The Curse of the Black Pearl and tell me he sounds like he's the same character. Then there’s his death... was it necessary? And I don't mean if it was necessary to the plot (it wasn't), but the way he died, did it make sense? He takes the sword and sacrifices himself to kill Salazar, but WHY? Salazar was back a mortal. They could've brought him to surface and then shoot him. What was the point of his death, Disney? I will never forgive you.

I would've preferred if they never showed him again. He's alive and living his best life in Tortuga, if you ask me.

How does Carina Smyth exist?

Let's do the maths. Carina Smyth has approximately the same age as Henry Turner, who was born around nine moths after the end of At World's End. At the end of that movie, Barbossa once again stole the Black Pearl (he's iconic we stan a legend), so we have to assume it is during that time (between the At World's End and On Stranger Tides) that he conceives Carina. He stays with this woman during the whole pregnancy, bacause he says he was there when she died. So nine months, at least, right? Except; Jack makes it clear that he and Barbossa met Carina's mom, Margaret, together.

When, exactly, did this happen? It can't be between On Stranger Tides and Dead Men Tell No Tales, because Hector himself says only five years passed between the two, and Carina doesn't look like a five-year-old;

it can't be between At World's End and On Stranger Tides, because we know Jack and Barbossa weren't together, and Hector was too busy losing a leg and planning his revenge by working for the King of England; it can't be during At World's End, because Barbossa was too busy rescuing Jack and then slaying (literally and metaphorically) Beckett's men to save piracy; it can't be during Dead Man's Chest, because he was dead; it can't be during The Curse of the Black Pearl, nor during the ten years before it, because he was... he was a skeleton, I hardly believe he could reproduce, despite what’s written in some fanficions; it can't be before, of course, because Carina would be too old. The only chance, but it's a stretch, is that Hector and Jack met this Margaret Smyth years and years before, and that at a certain point (while he was still busy slaying, losing a leg or planning his revenge), for some reason he decided to come back to her and accidentally had a daughter. That would mean that Jack remembered Margaret Smyth's name DECADES after he met her.

The Post-Credit Scene: What?

WHY'S DAVY JONES BACK? The Trident technically broke all the curses of the sea. He is THE cursed man of the sea. AND HE'S DEAD. The only answer I was able to give me, is that the moment the Trident broke the curses, the curse that said if you stab his heart he dies was also broken, so he technically didn't die, but it makes even less sense, because if the curses just aren't real anymore, then a man shouldn't be able to... carve out his heart and put it in a chest, right? (Which by the way, makes Will Turner being alive senseless as well). Even if so, Davy should've come back as a human.

My conclusion is that this movie should not exist, and we, as a community, should pretend it was never made. Hector is alive. Bye.

Imago

[gareleia]

Wisdom Saga headcanon

"I had a friend", "Then his light went dark", "Maybe, if I made a different call, [...], Maybe he'd be fine]

out of context these lines sound a lot like Athena's 'friend' had died. guess what Telemachus doesn't have? that's right, context. he says it himself, "I don't think he'd mind". 'I don't think he would', not 'will [when he finds out]'. so, i'm pretty sure Telemachus thinks that Athena's friend is dead.

but I raise you one better. bright young man Telemachus might've just realized that the friend in question is his dad, and taken it as a confirmation of his demise.

so he listens to Athena pour her guts out while she thinks he doesn't understand anything, and figures that after she left his dad Odysseus had died and she'd been suffering, blaming herself the whole time. and he reaches out to her and extends a hand in friendship. he forgives her.

"I don't think he'd mind" is not 'he doesn't care about you anymore', it's 'I never knew my dad, but judging by the stories he was a fiercely caring soul and he wouldn't hate his friend for making a mistake'. it's 'he would be glad to know we found solace in each other, even though you two parted on bad terms'

you couldn't pry cinnamon roll Telemachus out of my cold, dead hands

[msbigredmachine]

☕Roman Reigns Menu☕

☕SIGNATURE DRINKS☕

The Boy Next Door

A sexy mysterious man is new in town…but mystery is not all he brings with him… (Co-written with @harmshake) AU. [In Progress]

Power Couple - The Series

They say, “Behind every great man stands a great woman”. But behind the Universal Champion and the Tribal Chief is a different breed of woman, a force of nature capable of bringing even the Head of the Table to his knees…and vice versa. [Completed]

Into The Deep End - The Saga

Sasha has always tried to play it safe, to keep her life as simple and risk-free as possible. Things change, however, when she garners the interest of a handsome, charming, younger man from a completely different world than hers. As she starts to question her own rules, is she ready to take the biggest chance of them all? Will she let herself take that dive? My very first Roman fic set circa 2014. [Completed]

Targets 

Roman Reigns is an agent in the secret organization The Authority and one of the world’s deadliest assassins. When he crosses paths with a mysterious woman during an assignment, he makes a life-changing decision that switches his role from the hunter to the hunted. (AU Espionage Story)  [Completed]

Roman & Jaida: The We Are Series 

He’s not her most favorite person in the world, but she finds it in her heart to be there for him in his time of need. In return, he shows her just how much he appreciates it. Set around the events of the 2015 Royal Rumble and the Blizzard Raw the night after. [Completed]

You Consume Me

She was beautiful, tempting, carefree, and everything I thought I wanted in a woman. One taste and I was hooked, abandoning everything and everyone I cared about to be with her. What I failed to see was the other side of her; a side that was dark, dangerous…Deadly.  [Completed]

Come What May 

Today was supposed to be the happiest day of her life. So why did she feel like she was making the biggest mistake of her life? (Roman Reigns/OC/Tama Tonga)  [Completed]

☕DOUBLE SHOTS☕

You Again 

That awkward moment when the biggest star in pro wrestling happens to be your high school bully…and he’s in your office. A 2-part series [Completed]

Talking Body 

Photoshoots, lingerie and a long overdue baecation are in store for Roman and Gia heading into their five-year(ish) anniversary. Let’s hope it all goes off without a hitch. [Completed]

☕SPECIALTY BREWS☕

Midnight Sparks - On New Year’s Eve, the OTC retreats to a quiet bar, craving solitude. When a confident and captivating woman crosses his path, their connection ignites, turning a quiet night into something unforgettable.

An Angelic Christmas🎄- On their first Christmas together, Roman and Naima share heartfelt gifts, tender moments, and an intimate celebration that deepens their connection. (Prelude on my upcoming fic, Finding Angel)

Nothing Left - The tale of a marriage built on trust, torn apart by lies, and a woman’s breaking point that should never have been reached.

Handsy - When the OTC asks for help and you oblige him, he’s very happy to return the favor.

Behind The Mask -  Sometimes love demands that you fight not for yourself—but for someone who can’t fight back.

Cheat Meal - The OTC is hungry for a whole lot more than just good food.

Butterscotch & Chocolate - What’s better than a hunky, rich and powerful Samoan boyfriend? Why, two, of course! (Roman Reigns/OC/The Rock)

Kitty Kat - After a lifetime of searching, the Tribal Chief may have finally found the woman of his dreams. Post-Summerslam 2024.

Black Sweatpants - Why did the Tribal Chief arrive late to the Pat McAfee Show? Based on Roman’s appearance on March 22 2024.

Checkmate - The new Smackdown GM reminds the Tribal Chief who’s boss, in more ways than one. The aftermath of the highly entertaining WrestleMania 40 Press Conference.

Santa Daddy🎄- All the Tribal Chief wants for Christmas is you.

Sugar & The Chief - Reader is a best-selling erotic author reflecting on the success of her newest novel, which is based on her secret affair with the man who became her muse.

Say Cheese - A steamy after-work rendezvous with the Tribal Chief and his princess is captured in 4K. 

In Peace - When one of the Wiseman’s incessant phone calls comes at the wrong time 🙄.

Here With Me - As the Bloodline Civil War takes an unexpected turn of events, Reader comes up with the perfect pick-me-up for her Tribal Chief. Post-Summerslam 2023.

M.K.A.M. (My Kinda Morning) - Who says birthday sex has to end after the birthday?

Dirty Little Secret - They are each other’s escape, too good to let go of. Until they have to let go.

I Still Heart You - This year, Valentine’s Day takes an interesting turn for two exes.

Latch - The most meaningful conversations take place in the shower. 

Daddy The Sub - The Tribal Chief comes home to receive his punishment.

Feedback - The Tribal Chief loves it when you tell show him how much you like his promos. Set after that epic unification contract signing segment of Feb 25, 2022

Sex On The Beach - Remember that “Running Around Naked” promo the Tribal Chief cut some months ago? Well, this is exactly what happened on the private island…in my mind at least.

Boss Lady - It’s always good to have a close working relationship with your boss. But what if you want to be closer? More importantly, what if the feeling is mutual? AU.

I Won’t Let You Fall -She was ready to give up on herself, but one man had to let her know he was not ready to lose her, even if it meant revealing a certain secret he’d kept to himself for years. 

Gold Digger - Roman is having a hard time getting rid of his gold-digging ex-wife. What exactly does he have to do to get her out of his life permanently? AU.

Believe - Still hurting from a nasty breakup, Livia is convinced that love does not exist. But Roman decides to prove her wrong…in the most romantic way possible.

The One That Got Away - On the biggest night of her career, Hollywood movie star Beverley Tyler looks back on what might have been. There are things more important than fame and fortune. Beverley learned that the hard way. 

The Mechanic - An impromptu trip to a service station leads to an encounter with a sexy mechanic. Her car isn’t the only thing he works on. AU.

☕ESPRESSO SHOTS☕

Kiss Me (200 Words in May Challenge)

All banners made by me.

Credit to all the owners of the pictures and gifs.

Divider by @thecutestgrotto

Please don't steal my content. Thank you!

[anniflamma]

My Thoughts on The Thunder Saga

I've been thinking about The Thunder Saga all day, even though I have a headache, and I can say one thing: I liked it!

I was mostly prepared for the emotional damage in Mutiny/Thunder Bringer for multiple reasons, like collaborating with Jay on the ending of Thunder Bringer. However, I was genuinely surprised by Suffering, Different Beast, and the reveal that Odysseus had already tried to kill Eurylochus during Scylla. I really wanted Odysseus to go full-blown monster mode in Act 2, so I felt satisfied.

Maybe this is a hot take, but I have never really felt bad for Odysseus. The only time I did cry and felt for him was when his mother was singing to him in The Underworld Saga. I've never been fond of the crying, shooting soldier type, both in fiction and in real life. I've watched too many documentaries that made me incapable of feeling bad for people or characters committing cruel acts on others and then crying about it like they were the victims.

The song Suffering was a delight! You immediately knew something was wrong just from the happy tone of the music, especially since we were left with Monster. At first, I thought it was a flashback, and yes, the comment "daughter" piqued my interest. Then I quickly thought it was a dream, but at the same time, something felt wrong.

When it switched to Different Beast, my first thought was, "Did he just shoot Penelope?🤣 " And yes, we now know it was the Sirens! But the imagery is very ironic. I even see it as a parallel with the first saga, with the infant. Odysseus has a whole song about his struggle with the decision to kill an infant that reminds him of his own child, ends up killing him, and then in the second act, he kills a female creature that looks like his wife without hesitation. That, folks, is character development! Yes, Odysseus knew it was a Siren, and we can still tell that he is somewhat tries convincing himself in Different Beast.

"My real wife knows I'm not scared of the water And my real wife knows I don't have a daughter"

Essentially, he is reminding himself that this woman in front of him isn't his wife.

All the cruelty against the Sirens was unnecessary. But that is the point! He believes that the only way home is to be as ruthless as possible. However, bringing unnecessary suffering to both foes and friends was obviously the incorrect decision.

Musically, the song Different Beast didn't really click for me. I mostly found it edgy and not really "cool," if you know what I mean. I've heard it a couple of times but still have a hard time remembering the melody, weirdly enough.

If I ever make an animatic of these songs, it will probably be all together in one animatic. Those two songs are meant to be one, but I understand why they are separated due to the major difference in tones.

The song Scylla was the least anticipated song for me. The snippets didn't really catch my attention. But I did like the conclusion of making Scylla and Odysseus have a short duet at the end. Scylla's cruelty was just a mirror of Odysseus, and he was the one actually killing his men. I think this saga really was Eurylochus' peak in terms of characterization. Eurylochus confesses that he was the one who opened the bag and has suffered with this weight and guilt. Odysseus, in his state of mind, turns away and tells Eurylochus to light a torch, knowing that action will doom Eurylochus. Odysseus straight-up tried to kill Eurylochus already, and I thought it would happen in Mutiny! XD

That moment was cold! No words, no goodbyes, just "Light the torch."

Then we have Mutiny. I really liked it! The callbacks to Luck Runs Out were a bit expected but felt so good when they happened! I've seen comments here and there saying that Eurylochus was a hypocrite due to his comment from the Circe Saga to abandon the men who became pigs. Odysseus even brings that up! But Eurylochus is very justified in calling Odysseus out for his actions.

"When we fought the Cyclops, you were quick to hatch a plan And when we fought with Circe, it was you who left behind no man But when we fought this monster, we didn't take a stand"

Odysseus could have made a plan that at least could have increased the chances of survival for the six men who died. But he didn't, he only thought of himself and betrayed them first, using them as bait to guarantee his own survival. Eurylochus, in the Circe Saga, was a man who was scared, confused, and filled with guilt for opening the bag. So his wanting to take the cowardly route is understandable, but it's nowhere near what Odysseus did.

So then they fight, epic moment, we all love it! And for the second time, Odysseus tries to kill Eurylochus but ultimately fails because Perimedes stabs him in the back. Odysseus is like, "My brothers, why?"

WHAT DO YOU MEAN WHY??? But that is still the point of Odysseus' perspective. He is acting like a ruthless monster now, so he is in a state where he is incapable of understanding or more like thinking of his victims' perspectives. Of course his men would defend themselves from him, of course they would betray him, of course they would backstab him. If you treat your own friends as disposable, eventually there will be a reaction: they will either abandon you or retaliate. It takes an immense depth of pride to feel secure with someone you have inflicted suffering on. And pride is the very theme in this saga!

When Luck Runs Out plays but the roles are switched, it felt a bit nostalgic in a way, but it's still a bit distorted. This time, Odysseus is the one singing Eurylochus' lines, but it's not him being confused and doubtful, instead, he is scared yet manipulative. Eurylochus opens up and is vulnerable toward Odysseus. He feels hopeless, clearly experiencing survivor's guilt.

"Eurylochus: How much longer must I push through doubt? Odysseus: I need to get home Eurylochus: How much longer must we go about my life like this when people die like this?"

When it doesn't work, Odysseus switches from "I" to "we." I love that detail. It's not genuine, and I love it!

Thunder Bringer… I loved it. There, I said it! There is nothing more! LOVED IT! ⚡⚡⚡ I am so happy that I got to do an animatic for Jay for this song!

Thunder Bringer is the song where Zeus punishes the whole fleet for killing (presumably) Apollo's cattle. My theory now is that Apollo doesn't like Odysseus for killing his cows in God Game, and Athena is probably like, "Yeah, but his men did it, not him." And Apollo is like, "Touché."

EDIT: I know that the cattle is Helio's but I speculating maybe the musical will change that to Apollos. Who knows!

Essentially, Zeus literally comes down and sets things straight. Instead of being sneaky and witty like Odysseus usually tries to be, Zeus just gets to the point, "Who gets to live?" And Odysseus points at Eurylochus/the crew, saving himself from Zeus' punishment. Well, I do see that Calypso's island is Odysseus' punishment in a way. It's an ironic one. He comes to paradise and gets a home and a wife… just not the home and wife he wanted. I have some fun ideas for my Thunder Bringer animatic!

Rest in peace, Eurylochus. You will be missed.

[jasmineoolongtea]

plastic palm trees ― gojo satoru

caught in a dream, it's not what it seems

contents: gojo satoru x f!reader (exes), from the reader's pov this time, nicknames (sweets), angst, hurt + no comfort, questionable coping mechanism, small moments of happiness/fluff (in the flashbacks/memories), suggestive themes for like one memory, swearing/cursing, insecurities from the reader's side, drinking/alcohol

summary: memories from during and immediately after your relationship with satoru (pt. 2 to deeply still in love)

wc: 4.7k (wow that's a doozy and sorry on my part for any errors you might spot because this is kinda not proofread)

a/n: ahhh ty guys sm for the love on deeply still in love, i was not expecting it to blow up like that but i'm just so happy that you guys also enjoy it as well !!! this is kinda a part 2 but not really since it's mainly flashbacks. there is a part 3/conclusion to this whole mini saga coming soon so watch out for it :000. art by objectgraphy on x (nsfw warning for the full pic)

It plays again in your head like a clip from a movie you've seen way too many times.

It's you and him, just the two of you and no one else, sitting in his stupid beat-up black jeep wrangler that's probably seen too much by this point that's parked in the middle of some random parking lot well past midnight by now.

Satoru always complains that something's broken for the hundredth time whenever he comes to pick you up from your dorm for another one of his late-night rendevous however despite all this complaining, you're always greeted with the sight of the same black car even though you know he has a car collection that's way too extensive for any reasonable university student to have.

You're pretty sure you've lost count of how many times you've asked to just get a new car at this point but he always refuses for some reason that's beyond you.

Nostalgia, he says as he pats the well-worn leather lining of its interior. We've been through a lot, me and this one, he'll add on, talking about the vehicle as a person rather than some inanimate object and then he'll start pouting at you like some sort of petulant child when you stare back at him unconvinced.

There's a part of you that wants to call him a 'sentimental idiot' for stuff like this but actually, habits like this only serve to further endear him to you in some weird twist of fate and you can only muster an affectionate eye roll as a response.

There's no particular reason as to why you and Satoru would drive out and just sit and be together like this. It wasn't even because of this specific parking lot as well since you two would just usually drive around until you found a parking lot that looked empty enough and just park there to bask under the canopy of the night sky above.

It was always so quiet. You liked the quiet.

Before you met Satoru, you thought this quiet was something only you could keep to yourself but he taught you that there was merit to be had in sharing the quiet with someone else. Even if that someone else might make your 'quiet' much louder than what you're typically used to.

"I like it here." You mumble softly in the sleeves of your (his) sweater. It was one of your favourites because it was soft and it smelled like him.

"You like the city?" There's an edge of suspicion in his voice like he can't believe someone could ever like this place coming from someone who's grown up in said city. To be fair, the place had its good, bad and ugly and maybe as a city native, he had become accustomed to more of the bad and ugly rather than the good.

"I mean, it's nicer from where I came from. A lot of places are nicer than the town I'm from." You laugh half-heartedly as you lean against the cold glass of the window.

Satoru goes quiet for a moment. You don't talk about your hometown that much and for good reason, in your opinion. University was one of your few chances to get out of there and you took that chance without so much of a look back or regret in your mind.

It's nice, cosy even, if you ignore the slight tingling sensation crawling up your legs when you sit in the way you like to sit for too long or the fact that you're both hanging out in an abandoned parking lot in the dead of night. Whatever this is, you think you wouldn't change it for the world if you were given the choice.

Too bad, your getaway couldn't last forever.

The words are weighing heavy on your tongue, just there on the tip as if they're ready to jump off any second but you tighten your lips in a frail attempt to stop them from spilling out. You know the words you're going to have to say will change the way that things are, no matter how much you want things to stay like this.

Satoru leans his head against the car window next to him, hitting the glass with a soft bonk that you're sure hurts but of course, he doesn't react to the collision. Instead, his attention is focused on staring at you, angling his body in a way so that he can get a better look at you, with that classic dopey smirk of his plastered on his face as he does.

A part of you hates him for being able to look so good even in the broken glow of the overhead parking lot lights that would have made anyone else look sickly under its cracked yellow hue.

Not him though, never him. He looks like an angel, you think to yourself, with the way the wisps of white hair splayed out around him illuminate into something that resembles a halo which further elevates his already ethereal features into something otherwordly.

"Shame, it can't last though." You murmur quietly to yourself, moreso of in the vein of thinking out loud rather than starting a conversation. Unfortunately for you, it seems he's heard you.

"What do you mean?" He asks, sitting a little bit straighter in the driver's seat as he looks on inquisitively.

You avoid looking back at him because you know if you could see his expression, it would only make saying goodbye harder. "I can't stay, Toru." You tell him as you gaze into the black nothingness of the night sky from inside the car. "I'll have to move back after graduation."

"What? Why?"

"The rent is crazy expensive here. The only reason I can stay here for uni is because of the student pricing and now that we're graduating, there's no way I can afford to find a place in time." You gnaw nervously at the bottom of your lip as you speak, a bad habit, you know, but it's just something you can't really kick.

You don't want it to end like this, who would? You don't want to say goodbye to the city, to your life, to him. You've had your first taste of true independence and it's being taken away from you because of stupid expensive rent prices, of all things.

A very anti-climatic way to go out if anyone were to ask you.

The car is dead silent for a few minutes. You're scared for whatever his reaction is going to be. He's going to break up with you, isn't he? You think to yourself and you hate the fact that your mind instantly jumps to the worst option but you can already feel a pit start forming at the bottom of your stomach .

The longer the silence drags the more you're convinced he's going to kick you out of the car or something worse and you can already feel yourself bracing for whatever fallout is coming your way.

"Then move in with me. I have an apartment here, a pretty good apartment if you ask me." He states, shrugging his shoulders casually as if he were simply talking about the weather instead of suggesting something as major as this.

"...What?" You reply, though your words come out more as a question as you try to comprehend what he's just asked.

A beat of silence passes the two of you. You don't move.

"I'm serious. Move in with me." You scan his face for any of the typical telltale signs that he might be pulling a prank on you and you find his face scarily devoid of any of them.

Oh, he's dead serious, you think to yourself, with the way he's looking expectantly at you.

"Satoru, do you understand what you're asking?" You ask, still in a state of disbelief at his offer.

He makes a face at you like the answer to your question is the most obvious thing in the world.

"Obviously, if I didn't why would I ask you." He remarks as he raises an eyebrow at you and before you can open your mouth to retort back, he brings a finger up to your lips to silence you. "And, it's not that strange of a request considering the fact that you're my girlfriend. Don't people in a relationship usually move in together like isn't that some big relationship milestone that they look forward to?"

"I-I mean it is but still."

"Okay, then what's the problem."

"I don't know." You sigh, mulling over his proposition in your head for a bit before turning back to him.

"Just promise me this, Toru. Promise me you won't get sick of me?" You ask him as you reach out your pinky towards him.

A pinky promise. It's childish you know but Satoru knows how much small things like this mean to you.

He reaches his hand out to you and interlocks his pinky with you but before you can pull away, he laces his other fingers with yours and brings your hands up to his lips for a soft kiss. The tips of your ears burn red at the way his lips brush your skin.

"Sweets, I could never get sick of you. Actually, I don't think I could ever get over you as long as I lived."

"You better hope that's true or I'm gonna make you eat your words." You grin cheekily at him, a smile which he reciprocates tenfold before basically pouncing over the console to wrap his arms around you. A squeal escapes you as you burst out into a fit of giggles as he peppers your face with feather-light kisses all whilst fighting off your weak attempts at pushing him off.

His arms rest against the plush leather of the passenger seat, trapping you against him, as his flurry of kisses dies down. He stops for a second, admiring the sight of you so close to him and a part of you wants to shrink from the intensity of his gaze. Unfortunately with the way that his arms are caging you in, there's nowhere to hide and you're left at his mercy.

Satoru leans closer, barely inches away from your face as he hovers right above your lips. "Oh yeah? Well, you're gonna be waiting for a long time because that's never gonna happen." His lips find their place against yours, melting into you like they were made for you and you think to yourself that this must be what home feels like.

Another memory of a happier time flashes through after that.

This time, you're lost in between the bedsheets with him, bare skin on skin as the two of you whisper sweet nothings to each other like lovers do in the dead of night when there's no one watching.

"I like it here." He mutters softly. His arm is wrapped around your waist, pulling you into him like you're his very own lifeline, and his legs are haphazardly intertwined with yours in some mess of limbs that might be able to pass as an abstract art piece if you look at it right from a certain angle.

The blanket is resting dangerously low around his hips and you're wondering how he isn't freezing as you cling onto him as your own personal space heater in the darkness that surrounds the two of you.

It's quiet once again.

"What? Us naked in your bed?" You quip.

"You know that's not what I meant." He groans into your bare shoulder as you giggle softly to yourself, clearly pleased with your well-timed jibe.

"Sorry, I just had to take the opportunity to tease you."

You can't necessarily see him right now but you're sure he's probably lovingly rolling his eyes at you. A sigh escapes his lips and you shiver slightly from the way the blast of hot air hits your skin.

"I like it here when it's just me and you and there's no one else except us in this world." He confesses to you as his fingers begin to explore the expanses of your body as if trying to commit the way you feel under his fingertips into memory.

You bite the corner of your lip as you fight the urge to shrink under his delicate touch.

There's another jest resting on the tip of your tongue but you decide that Satoru's had enough terrorising on your behalf so you say nothing and instead quietly soak up this rare respite from the busyness of everyday life that has been afforded to you two.

"Just us, together, in this bed where we don't need to care about anything else except just that." He adds on, his voice resolute and although you don't say anything out loud, you think you agree with him.

In here, in between these four walls, you two can pretend that the entire world existed within these confines and all the two of you needed to do was to reach out and you had the world at your fingertips. At the end of the day, it was simple and something the two of you could forever return to.

You wished that things could stay simple.

Before you can linger on that moment any longer, it's gone in the blink of an eye as another memory swoops in to take its place.

The door to your shared apartment creeks open and as you crane your head towards the doorway from your spot on the sofa, you're greeted with the sight of a slightly dazed Satoru clumsily entering.

"What's up?" You ask as you shoot up from your place, quickly making your way across the apartment to check up on him as a pang of concern over his current state hits you.

At the sight of you, Satoru is suddenly drawn back into reality as he blinks owlishly for a few seconds as if attempting to reacquaint himself with his surroundings and bring his clearly distracted mind back into reality.

"I just got a call from my family's company. They're giving me the chance to head a new division they want to expand into." He replies as he runs a hand through his hair, a nervous habit of his which shows that this offer is clearly weighing heavy on him. You take his hand in yours and give it a comforting squeeze in the way that he would do for you all those times before, a gesture you can tell he greatly appreciates with the way his shoulders sag with relief.

He confesses softly to you. "I don't know if I should do it."

"Why? What's holding you back?" You question, somewhat confused by his hesitation. This is a major offer and you're surprised that he isn't jumping off the walls with excitement but you're sure he must have his reasons.

"I just- The hours are going to be long and well, you know how many family is and the elders are-"

You cut him off sharply, sensing that Satoru was on his way down a lengthy ramble. "I think you should take it." He stares at you, almost slightly bewildered at your apt response. "It'll be good for you."

"Are you sure?"

"Of course, I'm sure Toru. If you don't take this opportunity, you're going to regret later down the line." You insist, sending a reassuring smile his way. Even if he can't see it now, you're sure that this going to be good for him. For the both of you.

Whatever new hurdles that might come your way from this like Satoru is convinced is going to happen, you have faith that the two of you can make it out relatively unscathed.

It's good to have faith right?

The new question was, how long can your faith carry you?

You're pacing back and forth in your shared apartment for what seems like the millionth time as you anxiously watch the seconds tick down on the clock.

"Hey, Toru. What time do you think you're going to be back?" You're trying to balance the phone between your ear and shoulder as you smooth out a napkin to the best of your ability. It's looking a little wonky, if you're going to be honest and maybe tonight of all nights wasn't really the time to find out if you were good at folding napkins into fancy shapes like they do at the restaurant but you needed tonight to go according to plan.

It had to. Tonight was an important night for both of you.

"Why, what's the occasion?" From the way he's asking, you don't think he's putting on an act of pretending not to know for the surprise. Rather, it's a genuine question on his behalf and somehow, for some reason, that feels even worse than outright disgust.

"Did you forget?" You feel your voice falter ever so slightly, another crack etching its way onto your already fragile heart. "It's our anniversary dinner."

"Shit, I'm so sorry, sweets. It totally slipped my mind with all of these meetings and stuff they're having me do." You hear an exhausted sigh ring out from the other side of the phone in between the cacophony of other voices taking up space in the background. "I'll make it up to you, I swear."

"...No, It-it's fine. We can just reschedule this stuff for another day." A breathy laugh leaves your lips in a weak attempt to try and convince him that it was truly alright and that it was just something else to brush off.

"...If you say so."

"I'm serious, Satoru. It's fine, I can just reschedule things for another day that's all." Another one to add to the evergrowing pile, a bitter voice barks from within the recesses of your mind.

Much to your chagrin, you're unfortunately becoming much more acquainted with this voice and although you haven't responded to its taunts yet, you can feel your resolve wearing away with each late night you watch the streets below for any sign of life, his life to be specific.

Worst of all, you can't say you regret this, can you? Because if you do, then it would basically be confessing that all of the pain and late nights the both of you have been sacrificing have been all for nought and that you were wrong for pushing the both of you down this path.

It needs to be worth it so that there's a reason for this pain that you're feeling when things like this become an afterthought but you're starting to wonder how many times you have to say it until it becomes real instead of just a pipe dream you had the misfortune of being caught in.

Soon, it seemed that these doubts weren't just one-sided anymore.

"This is good for us, right?" Satoru asks one night as the two of you are getting ready for bed. It's been a while since the two of you have gone to bed at the same time as your clocks fall further and further out of sync the longer you two spend out of each other's embrace. There's a strong hint of uncertainty in his voice like he's trying to convince himself as much as he's trying to convince you. "...You're happy right?"

You don't look at him in the eye. You can't. "Right, yeah. I mean, this is what we want." Your answer isn't as resolute as you hoped that it would come out but you brush past it in the hopes of making sure whatever doubts you may have bubbling underneath your surface remain there.

"You didn't answer my other question."

A nervous laugh escapes you. "What do you mean?"

"Are you happy?" You stop in your tracks for a moment as you process his question.

There were a lot of things you could have said at that time, the truth would have been a good option, but instead, you chose to swallow the difficult choice down and take the easy way out by plastering on a sickly sweet smile and lying to him through your teeth.

"Of course, I'm happy Satoru."

As soon as the words leave your mouth, you're greeted with that oh-so-familiar sensation of that pit in the bottom of your stomach as the bitter voice you've tried to suppress makes its infamous return to the forefront of your mind.

Looking back at it now, maybe you should have said the truth, it would have saved you two a lot of pain in retrospect but pride is a funny thing and you're sure that Satoru was in the same position you were in at this point.

That's probably why he didn't push any further after your response, no matter how fake it probably sounded out loud. It's either that or he wanted to believe that you were actually telling the truth.

You're not sure which one is worse.

In another world, you would like to think that there's a point to your mind deciding to subject you to this trip down memory lane aside from dredging up your past pains and regrets to torture you. Maybe, in this other world, you would have a sudden life-changing revelation awaiting you at the end of the road but all you can see just nothing.

It's better this way, right? For the both of you.

You told yourself that when you sat him down and broke up with him in the total sum of a few sentences before leaving because you didn't want to truly say goodbye to him as that would make everything more real and therefore much worse. You told yourself that when you sat in the backseat of your friend's car they came to pick you up for a night out because they insisted that you needed to get out of your head sometimes. You tell yourself this when you stare into the barrel of the gun in the form of the glass of alcohol sitting in front of you.

He deserves better than being lied to on the daily and someone like you holding him back. You can't even remember the last time you actually, truly looked him in the eye for longer than a few seconds. You imagine the old you who loved to get lost in the vast expanses of his cerulean eyes that would gaze at you like you were the one who personally hung the stars in the sky.

Before, if his eyes were the great roaring ocean, you would gladly let yourself get pulled under by the tide even if it meant drowning in its depth. Now, you're scared to even dip your toes in the shoreline when the wave is nothing more than just the remnants of sea foam.

You reach over for another sip, pretending like the burning aftertaste left in its wake doesn't make you want to wince.

Maybe Satoru was onto something with his dislike of alcohol. You've learned that after a few drinks, all liquor, no matter the amount of zeros slapped onto the end of its price tag starts to taste the same by the end of the night.

There's just so much of him everywhere. In the objects, the, hell even the air. You think you might suffocate from the sheer amount of him you're surrounded by. It doesn't matter where you go, all you can see is him.

You needed to get out.

Pushing past the crowd all whilst ignoring the confused calls of your friends to your sudden switch in behaviour, you stumble your way to the bathroom and lock the door behind you as you slump down defeated next to the sink.

Truth be told, his question haunts you more than you would like to admit.

"Are you happy?"

You don't think you are. Maybe you should be, you have everything that would usually qualify for someone to answer that they are happy and you're no longer that struggling student you were a few years ago which is definitely a plus.

You tell other people that you are 'happy' when they ask, with a smile that never reaches your eyes and a grip that's probably too tight on whatever you're holding in your hands at the time but the answer never feels right, no matter how many times you say it out loud and let it roll off your tongue.

Despite what you tell yourself, perhaps the time when you were happy, truly happy, was when you were with him.

Deep down, you think that if you were given the choice between now and then, you would trade all of this for a chance to be those dumb kids sitting and making out in parking lots without a care in the world except for each other again in a heartbeat.

As you study the tiles of the wall opposite you, you think to yourself that it would be nice to stay here in this bathroom, far away from the rest of the world and far away from what feels like all your regrets personified but the logical, reasonable part of you knows that there's no way you could realistically stay here any longer before your friends start worriedly banging on the door.

Slowly, your shoulders deflate with a defeated sigh as you stand up and make your way out of whatever bar you've been dragged to as you bid your friends goodbye in a way that you hope doesn't raise any suspicions.

The air feels bitingly cold as the wind nips at your face while you stand awkwardly on the curb, waiting for a taxi as you go to both the first and last place you want to be at; your apartment. Ironically, in a cruel twist of fate, the total absence of anything relating to Satoru only makes his lack of presence only more pronounced.

If this was the universe's doing, then you had a few choice words for them to say the least.

You wrap your arms around yourself in a vain attempt to maintain some semblance of body heat as you quickly flag down the nearest car and clamber in. When you arrive back, you glance at the clock and you have to fight the urge to let out a laugh when you see that it's barely even past 10pm and you're already back at home.

Pathetic, the bitter voice in your head spits out.

You do what you do best and ignore it as you collapse into the embrace of your bed and try your bed to lull yourself to whatever empty dreamscape awaits you this time if only to get a moment away from your current reality. It doesn't last long though because you're awoken by the shrill ringing of your phone.

Should have silenced it, you curse yourself silently as you blindly reach for it. Once it's in your hands, you squint as the blinding brightness of the screen and a flicker of recognition flashes through you as you realise who's actually calling you and for some reason, against your better judgment, you pick up.

When you hang up, you don't go back to sleep. Rather, you're unable to go back to sleep as you're left staring blankly at the ceiling above you. The bed feels too big for one person and you find yourself missing the nights where you could go to sleep alone and wake up in the arms of another.

Much like when you're forced to watch a replay of all your memories, you're wondering if what you said was right. If you were to go by what you've been telling yourself since the breakup, then sure, you did the right thing. But if it is truly the right thing, then it doesn't explain this inexplicable emptiness gnawing deep within your chest or this aching feeling that sits in a place you can't quite reach but are all too aware of.

The longer you let your mind run through all the possibilities you can think of, the more often you find yourself coming back to the same conclusion. It's better this way, be damned, you think to yourself and with that, you make up your mind to set off on a mission.

Out of all of the places you could have found yourself at, this is definitely quite down low on the list and maybe this is what you deserve for trusting your feet instead of your head but you decide that at this point, you don't have much else to lose and so, you gather up the courage to say the words that you've been waiting to say for a while.

"Hi."

[meraki-yao]

EPIC the musical: Athena's Philosophy and Character Development

I have a very different take on Athena and Odysseus' moment during "I can't help but wonder" than the other opinions I've seen. After investigating and thinking about it, I realised I think I have a different understanding on Athena's character.

The take I mainly see about that moment is that Athena and Odysseus switched mindsets. And while yes, their mindsets vastly changed from where they were during My Goodbye, I don't see it as a switch.

See, when it comes to Athena telling Odysseus to kill Polyphemus, it isn't about being ruthless. Ruthlessness was never the focus of Athena's philosophy.

Her philosophy, is absolute logic and rationality.

She is the goddess of wisdom and strategy: her domain is using smarts: planning and plotting. Those things rely on logic. In fact, during her first meeting with Odysseus, the reason she found Odysseus as a potential protege was because he outsmarted her with reverse psychology.

And in order to focus on the logical, factual aspects of situations, you need to be rational. This is what Athena was pushing, as seen in "Have you forgotten to turn off your heart? This is not you" in Warrior of the Mind, and "You’ve grown soft, your dead friends can attest; Put your emotions aside" in My Goodbye.

Empathy is an emotion, and Athena deems that a hindrance.

But then you get to the wisdom saga, and from "We'll Be Fine", we are told that Athena's fall out with Odysseus has haunted her ever since, to the point where she can't sleep. And Telemachus, in turn says that perhaps by helping this old friend, both of their lives can be better. Note that at this point, Telemachus doesn't know that Athena's friend is actually his dad, all he knows about this friend is what Athena told him.

And that is an act of compassion, an emotional act.

Yet somehow, that brings comfort to Athena, so she does as he suggests, and pleads for Odysseus' life.

And I've mentioned part of this in my essay on God Games, but if we look at each level Athena completes, we can see that for the five Gods, she uses logic to persuade all of them, but almost fails on Aphordite's level. Aphrodite, the Goddess of Love, which is an emotion.

But when her rationality and strategy enraged Zeus, she can't do anything in the face of his anger, because he won't listen to reason.

Then she thinks of Odysseus and Telemachus.

And uses the thing she learnt from them: emotion.

Her final plea to Zeus, is nothing more than "Let him go, please". There's no elaboration or explanation or rebuttal. It's just four words.

But she's desperate, and sad for her friend.

And that's what convinced Zeus to help. Not as the king of Gods, but as a father fulfilling his daughter's request.

If we look at it step by step: Athena's sympathy and affection for Odysseus led to her final lines of God Games, and Zeus' sympathy and love for his daughter led to him eventually agreeing.

Odysseus was freed because of the empathy of two Gods.

I truly think this moment was what fully changed Athena's worldview.

So when we get to Athena and Odysseus' reunion, I don't see it as Athena asking for anything from Odysseus. I understand it as her reflecting: "If we all held each other with a bit more empathy", it turns out that at the end of the day, the best way to resolve conflict is empathy and love. That overrides any logic or strategy.

Odysseus, despite everything, agrees that this is the best world for everyone. All his ruthlessness and rage in beating Poseidon and killing the suitors came from his unending love for his family, if anything he fully embraced pure emotionality in those two battles. He just doesn't have it in him to make the whole world see it like he used to.

This is actually Athena and Odysseus coming to an agreement.