#and then also her scenes in the third one

[agave]

GOTTA add some headcanons to this

laios spends loads of his playtime just creeping along after the big monsters, taking notes like he's studying a real wild animal. he has a dossier on each one and he's well known in the subreddit for being present at the scene every time someone has a question because the wiki is unclear about something

SOME of his dossier is carefully researched headcanon (speculative skeletal structure, mating habits, etc) but he keeps that in a separate notebook

he also has a third notebook that combines canon and headcanon so he can better imagine it being a real organism. everything is hand-copied

loves those youtube videos like "100 things you DIDN'T know about monster hunter" or "I went into the files to deconstruct how rathalos's AI works in excruciating detail, here's EVERY decision tree!" these don't impact his immersion at all

marcille had a phase where she got SO stressed out about having a PERFECTLY manicured, resetted for, time-traveled, villager-cycled town (this is especially a nightmare on the 3DS version because you have JUST enough power over your town layout to make it frustrating) that even playing became overwhelming and she had to stop. but then she also felt bad for not playing, which compounded the stress of going back to playing

eventually falin got the game so she could play with marcille and marcille bought an entire new switch so she could play without going back to her old town (and without deleting all that hard work!)

the old save file is still sitting there and on the new one marcille has vowed to herself that she won't use any manips or anything (it's still bugging her though. but she does genuinely enjoy playing)

marcille also plays fire emblem. both for the strategy and for the visual novel elements. she talks about it as a high level strategy game to anyone who asks. if a character dies she resets

chilchuck has loads of save files and they're ALL stealth archer. he does pretty much the same thing on each one but he has fun every time like it's a new experience

he LOVES survival mode. this guy will fish in skyrim for an hour. sometimes he sets up with a case of beer like he's fishing irl and has his character down an ale every so often as "bonding". if anyone teases him for this he'll kill them but he genuinely finds it relaxing. video game fishing is basically a gacha

don't get him wrong though, most of his time is spent carefully preparing materials, going into a dungeon, checking every corner, and then stealth assassinating the boss from across the room and rendering the whole thing totally pointless. he does not have any sense of clarity about this and just loves the thrill of the chase

he's tried modding but never really found any he liked enough to stick with. his favorite mod was the museum one but he thought it was too much fanfare to bother with. he'd rather it was just a plain house with a million racks and zero quests or dialogue. the real reason he's not into modding is he's just set in his ways (plus if he got used to a mod on PC how would he play switch edition? checkmate. no mods)

slightly interested in TES6 but "will it have the community skyrim has built over the years?" (he doesn't interact with the community that much)

other than cooking mama, senshi really likes wii sports and especially wii bowling and tennis. he's not that interested in the real sports but he'd try them to see how they compared to his game

has watched a million of those "we cooked every dish in cooking mama using exact instructions from the game!" videos and has a ranking of them in his head. his major criteria are how faithful it is to the actual dish, how faithful it is to the game, and how much it infuriates him to watch as a cook ("we can't add salt because mama didn't! :)")

he does EXCLUSIVELY play the wii because he finds the motion controls the most intuitive. he'll push the buttons but his brain just doesn't compute if it's ONLY buttons

has been shown that the switch also has motion controls, but he sees those kids mainly using it as a controller with buttons, you can't fool him, you know he doesn't get that kind of stuff!!

eventually someone sets him up with a capture card and a streaming setup and he's top 10 in the accidental asmr category within a year

Stinky group of gamerz

It came to me in my fever dreams

tag yoself, I’m Chilskyrim

[wandasaura]

okay but what was R’s best orgasm that happened last Christmas? 👀 from your latest fic

this is from two months ago… i have no idea what fic we’re talking about so i’m just gonna tell you about ducky’s best orgasm… so… i hope thats okay with you

well to start, it’s somewhat of a competition (war) in the maximoff-romanova household. natasha claims that from her perspective, she gives you the best orgasms. she will analyze the patterns in your behavior over the course of months, just so when the conversation gets brought up again — which it inevitably always does — she can clap back at wanda with admissible proof that physically, she provides the best orgasms. she will also never shy away from bragging about how you turn to absolute mush in her arms after a scene, how you come undone so beautifully and give yourself to her entirely. because while she’s trying to factually assert her superiority, she’s also just a lesbian fucking her girlfriend really good… like really good (verbatim what she screamed across the living room at wanda during one rehashing).

wanda doesn’t even bother to bring her own facts to the discussion despite knowing natasha will pry at her like she’s on the stand for murder, she’s so confident in herself that she lets natasha just argue at her, sometimes natasha’s been going at her with facts for something close to three minutes, and wanda will just get so fed up with her wife that she sets her glare on ducky, accent thicker than all hell, and simply remind ducky of her title, of how she’s mommy. poor girl folds instantly every time and natasha just stomps away in frustration, although she’s literally thinking about wanda gives her some of the best orgasms of her life… which then prompts her to think that she really couldn’t pick between ducky or wanda.

this is natasha’s roman empire actually. she’ll randomly be sending emails and will just sit there and contemplate how ducky and wanda give her pleasure in such different ways. in the soft moments she steals with ducky, ducky always gravitates towards her thighs, while wanda will take her time up top. and then she gets horny and ends up texting wanda, which then just leads to them all teasing each other and pissing each other off because all three of them are meant to be doing their actual jobs… i’m telling you it’s literally all in good fun though. they’re lawyers… i think they just have a fear of losing their skill if they stop arguing and rebutting… poor ducky actually, sometimes they’re just so… in it… she knows she’d never survive actually seeing them in action

but ducky! she is just like natasha when it comes to organizing the facts and fantasizing about fucking her girlfriends on the daily . she will tell you when the best orgasm of her life occurred specifically (because she’s the only one who actually knows how to directly answer a question, or rather, the only one who didn’t endure like seven years of law school and cannot be bothered with stupid banter), but she has three categories and events.the first category is natasha, the second category is wanda, and the third category is the orgasms when they do it together.

natasha’s best orgasm was in the winter time the semester after they extended the contract. ducky was stressed, exhausted, overworked, honestly you name it, the poor girl was it. she was at the point where she had so many things going through her mind, and she was so tired that she was energized. she was staying on campus because the workload was getting to be too much to balance with a commute and an internship, and in a few weeks she’d somewhat stopped communicating with wanda and natasha. they talked on the phone, sometimes they’d go up to visit ducky whenever their breaks aligned with a gap in her schedule, but she was so preoccupied with a million other things that she just couldn’t give them a piece of her. she barely was herself with the sleep deprivation and the stress. she turned up at the house at eleven, searching for wanda. she was an absolute brat to natasha, huffing and rolling her eyes, getting annoyed when she kept being told that wanda was busy — which she was. there was a major issue in a contract that needed immediate attention. definitely not the kind of thing they could delegate or allow to sit on a desk — but ducky just wasn’t getting it. natasha was full on daddy mode at that point, and after an hour of teasing and edging and spanking, she finally let ducky cum as wanda walked into the bedroom.

wanda’s best orgasm is on the shore. they’d both been woken up around the same time in the middle of the night and been unable to fall back to sleep before tourist season, and so they’d sporadically decided to make a trip down to the shore to make the most of their early start to the day to see the sunrise. all they brought was a towel… which it is not ducky, nor wanda’s, proudest moment that they got so caught up in a makeout session that wanda fingered ducky on a towel in the middle of a public beach (granted it was empty) at 3 in the morning. it wasn’t even the most physically overpowering orgasm, but it was the way wanda somewhat collapsed on top of her afterward and nuzzled her face into her neck, giggling and mumbling about they’d just acted like horny teenagers. it was a rare moment where it was only wanda with ducky. it’s so hard for wanda to let go of everything, of mommy, of lawyer, of dominant. she craves the control, the discipline, and she panics when she doesn’t have it, so she’s always compensating for something, trying to mask the vulnerabilities she doesn’t want known. ducky just felt so loved in that moment, she doesn’t care that wanda’s also eaten her out until she passed out… but it’s also definitely up there.

and the best together orgasm was on her birthday. they’d been teasing her all fucking day. like all day. wanda woke her up by fingering her, natasha then insisted on showering together and washing her body for her, which was just a lot of lingering touchy feely, and then wanda had laid her accent on thick all through breakfast, uttering the most sickly sweet near condensing praise out of nowhere. thats what really got ducky, was how they’d be having a conversation and wanda would just… absolutely melt her brain. and then at lunch natasha snuck up behind ducky, hugging her tight, and not so subtly grinding her strap into ducky’s ass. and then wanda AND natasha had been touchy feely annoying teases during dinner and the drive home. and then took turns fucking her when they got home. to the point where she was basically mush until the following afternoon? yeah ducky thinks about that a lot

anyways ducky’s actual answer is wanda. she refuses to admit this tho. wanda literally knows tho

[deus-sema]

This meta by @conundrumoftime is worth a read or several reads. It made me re-evaluate Sauron and Galadriel's entire dynamic throughout the Third Age.

Up until now, I had been thinking of their push and pull equation from a perspective of Galadriel being on the defensive and holding Sauron back from seeing her after shutting the door for good.

But what I overlooked was that he was practically defenseless against her. He could never shut the door even if he wanted to. Even if her intrusions drove him to madness.

Not being able to see Galadriel forever would have hurt no doubt; not being able to put up any barriers against her would have been akin to salt on the already festering wound.

She could come in and leave any time she pleases to and he couldn't do the same to her. It was not even that his ties with her were completely severed but rather she held the strings in her hand. The more he saw of her and the more severe addiction would have become and it would have been mightily frustrating because he could only savour her company in little doses whenever she willed it and would have been left craving for more. Instead of leaving his side, she stayed and became a thorn that could never be dislodged. No wonder, his obsession to breach the walls she had put up, to see her and her thoughts intensified with each moment. No wonder he needed the One more than ever. It wouldn't be an exaggeration to say that Sauron's attitude whenever Galadriel was concerned in the Third Age would be somewhat similar to Gollum's feelings whenever the One Ring was in picture.

It just makes their relationship more twisted and attractive. For millennia, the two of them were engaged in a game which hurt them both and,yet, proved to be delightful.

Perhaps when Galadriel finally rejects the One and realises that it's on a path to be destroyed, she is taken over by melancholy not only at the impending farewell that will have to be said to Middle Earth but also because the 'game' which she had been engaged in every day, every moment and got habituated to will stop forever. There will be no more trysts in the mind palace. No more will she hear his voice. No more can she reach out to him whenever she wants to.

Whenever I used to imagine the final scene of TRoP, I thought it would end with the door being shut. But picture this. Sauron has been defeated by the Last Alliance and weakened. He is trying to recuperate. During this moment, he gets an unexpected visitor. Someone whom he thought he would never see again. Whether she derides him or pities him is left to imagination. But she promises him it is not the last they have seen of each other.

[autisticshadowthehedgehog]

yes the plants take the gem but what does that have to do with sonic and tails can you explain I'm very intrigued

i'm assuming you're referring to this post!

In the anime Sonic X, the third season was dedicated to a completely original story. (also obligatory "please watch the subbed version, the dubbed version got censored heavily" mention) The spoiler-free version is that group of aliens in fucked-up robot armor, led by Dark Oak, descend on Mobius to try and steal the Chaos Emeralds. In attempt to save the universe from these freaks, Super Sonic scatters the emeralds across the galaxy before crashing to the planet (he's fine tho). The aliens, known as the Metarex, then attack the planet and steal something from its core, causing the plants to slowly wither and die.

Around this time, a refugee from space crashes on the planet, looking for Sonic. An anthropomorphic plant, her name is Cosmo and she is the last survivor of her race after the Metarex attacked her ship. She knows Sonic as the only person who can control the chaos emeralds, and begs him to help defeat the Metarex. Turns out these guys have been planet-hopping and genociding as they go, but their main goal is to steal the Planet Egg, which is a magic thing at the core of each planet that keeps it alive and thriving. She currently doesn't know what they're using them for but it's not for anything good. And, well, now they're hunting chaos emeralds... and, as we find out later, making fake ones.

Tails happens to have a spaceship so the whole gang goes into space to fight the Metarex. This takes up the entire season and it fucks severely. Again, the English dub was heavily censored; the og Japanese has constant death and shit. In the last of the spoiler-free bits, I will say that if you have ever heard of "Dark Sonic"... this is where he appears.

The entire season is extremely dark but extremely well-written, which makes it very popular in the fanbase. Ian Flynn has previously stated he wanted to adapt this arc to comic but Sega wouldn't let him; us seeing the Chaos Emerald surrounded by plants, along with fake chaos emeralds and Dark Sonic-implications, is making us wonder if Sega's let up and we might get this arc after all.

Now, spoiler version, though I really do suggest you watch the subbed version of this season bc it's a fucking masterpiece:

We find out late in the season that Cosmo and the Metarex are the same species. In this species, the sexual dimorphism is a different "final stage" of their life cycle. The "male" plant-creatures enter their final stage as basically a kaiju, in order to defend their society from threats; the "female" final stage is turning into a giant fuckin tree in order to reproduce with seeds. The downside is that once you enter this final stage, it is FINAL, and you die shortly after.

However, when their planet was attacked by an unseen threat (it's never clarified, but a lot of people theorize it to be the Black Arms considering Shadow 05 was about to drop), they were all about to get wiped tf out. Dark Oak started experimenting with the Planet Egg in order to stay permanently in kaiju version without dying. His wife, Earthia (or "Ashia" in Japanese, but it just translates to "Earthia") is fucking horrified that he's fucking with the life of their planet like this. While he convinces the "males" to join his side, Earthia escapes with the girls and bombs their planet to kill Dark Oak and his new monsters. They survive though, and Dark Oak starts leading them to steal more planet eggs.

Turns out their plan is to use the power of the eggs and chaos emeralds (fake or real) to do a full-scale attack on the entire fucking universe, which will kill all animal-people and turn every planet into overgrown plants. We actually see some characters from a Shadow one-off episode being killed and violently turned into trees in one scene. Fucked up. That's what they want to do to everything.

And Cosmo? Well she didn't just happen to be a survivor; turns out Dark Oak spared her from the attack on her ship, semi-possessed her in order to spy through her eyes and ears, and yeeted her down to Mobius. He's been using her to spy on the Sonic Crew this entire time, against her will and without her knowledge. It fucks everyone up a WHOLE lot.

Anyway there's like a three-part finale where Super Sonic and Super Shadow are desperately trying to keep these fuckers from Mass Genociding. Finally, Cosmo realizes that she's the only one who can stop this and sacrifices herself; she goes into her Final Stage, turning into a tree but trapping Dark Oak in there with her (it's a long story, he kinda turned into a meteor). She then appears to Tails, the ship captain, and tells him to fucking shoot her to kill both her and Dark Oak, saving the galaxy.

The problem is, Tails and Cosmo have had a bit of a romance over the course of the season. It's been fucking adorable, and Tails became extremely protective of her after Shadow tried to kill her (long story). There's an uncomfortably drawn-out scene (and I mean that in the best way) where Tails is like. Emotionally broken and trying to figure out any way to do this without killing Cosmo. Eventually, he has to give in and fucking shoot her, blowing her and Dark Oak up. It saves the galaxy but traumatizes the hell out of him.

Super Sonic and Shadow contain the blast, and Super Shadow chaos-controls it away and disappears (this is likely bc they were setting up for the Sonic Heroes arc, where Shadow would have to appear out of nowhere again). When Sonic returns to the ship, Tails meets with him, desperate for him to say he saved the day last-minute and brought Cosmo back. Instead, all Sonic could find was a single seed– considering how the Metarex reproduce, it's probably Cosmo's child, but it's never clarified. This causes Tails to have a complete fucking breakdown.

The season p much ends there. They show everyone starting to heal on Mobius, have a bit where the anime-exclusive character Chris has character development and leaves to go home, and then go "and now we're going to have more adventures!! yay!!" before panning to a potted plant in Tails's workshop, showing that the seed has sprouted.

As I said, it's very dark, but VERY good, and thus we all really really hope that it's what Sonic IDW is building up to. They've been building up fake Chaos Emeralds, Tails blaming himself for things outside of his control, and Sonic being 110% done. I didn't even get into the Dark Sonic stuff, cause it only appears briefly in one episode and then is never mentioned again, which you'd think would be bad writing but no it just raises so many questions and you know that was what was intended by it.

The arc is really beloved but because it only appeared in a 2005 anime (which was heavily censored in English, and the og Japanese didn't air officially until a couple years ago), not a huge chunk of the fanbase knows about it. Which means we really want to share it and get more people into it and how good a character Cosmo is. So yeah that's what we're excited for.

[letteredlettered]

Hello!! Firstly, I'd just like to say I've recently discovered your drarry work, and I have been reading your entire catalogue of it for the last week. Pulled all nighters can't stop reading it, reading it. I devoured The Boy Who Lived Twice in one sitting and I couldn't believe how well crafted it was. Blew my mind.

Now, all of this is to say, your prose has this elegant straightforwardness that is so succinct, so clear and so evocative. Your dialogue is absolute *perfection*. What are your influences? Books or authors you feel made an impression on you? I'd love to know what you read, because god I love what you write.

Thank you! I'm so glad you like my fics.

Jane Austen is a huge influence. Whenever my prose feels indistinct and overburdened, I return to her. She says things extremely sharply and cleanly.

Sarah Rees Brennan was a huge influence on me in terms of POV. I tend to write a very tight third person, so tight that the reader can generally see things the viewpoint character cannot. Check out the first book of The Demon's Lexicon series for one of the best examples of this I've read.

I spent a lot of time with Robin McKinley as a kid. I don't think that our styles match very well; she can do an ethereal, fairytale tone that I've kind of given up on. But what I loved best about her was that she could do that tone but then write something incredibly down to earth. I would check out Beauty or Deerskin for my favorite examples of this.

I actually also came into the style I write now writing for Buffy the Vampire Slayer (BtVS) fandom. While most of the stories I wrote in that fandom didn't have very sharp dialogue, I remember writing a story (a WIP still languishing on livejournal, sadly) where I realized I had "found" my voice and style. It was extremely dialogue-heavy. BtVS was famous at the time for its extremely fast-paced, idiosyncratic, snappy dialogue. The dialogue is now considered dated, and the creator is a douche, but imo it's still great writing, especially the early shows. I still go back to it sometimes to figure out a conversation with multiple people, or to work on my humor.

As for authors that have made an impression on me, I'd check out George Eliot. My favorite book is Daniel Deronda. It has wonderful dialogue, especially for an older book. Dickens, Dostoevsky, and Hugo all made pretty big impressions on me as well; I think these big, hefty books with really big ideas really influenced my language, even though I would by no means call my style 19th c.

I'd also check out Rainbow Rowell. I wouldn't say she influenced the style I write with now, because I had it before I read anything by her, but she's one of the few contemporary authors I read and think, "Yeah, I'd write it like that." I think anything by her is a great read that can give you a lot to think about in terms of style.

In my mind, Sally Rooney is a little like Rowell in terms of a cleans style that packs a sharp analysis. I'd call Rowell more comfortable, funny, and genuine, while Rooney is a bit aloof and literary. I actually don't like the stories in her books very much, but I found Conversations with Friends particularly refreshing in terms of writing style.

C.S. Pacat's Captive Prince series also left an impression on me. It has a clean, simple style, with a narrator who doesn't see everything the reader does. And I also did learn a lot from the use of the word "said," in those books--it was something I already knew! and yet.

I think some fanfic that made a big impression on me is The Paradox Series, by wordstrings (Sherlock/John, Sherlock BBC), Spice, by eimeo (Kirk/Spock, Star Trek TOS), Children, Wake Up by hollycomb (Kylo Ren/Hux, Star Wars: The Force Awakens) and Tarnished Gold, by prim_the_amazing (Shen Yuan/Luo Binghe, Scum Villain's Self-Saving System). The styles in these fics vary, but each bowled me over at different points with how beautifully something was articulated or how spectacularly a scene was crafted. I think about Spice all the time in particular.

I'd also say that if you're thinking about dialogue in particular, I also love both Oscar Wilde's and Tom Stoppard's plays.

If you are a writer, I did write a series on writing dialogue. Check out the tag "lettered writes dialogue". The first post is here.

[classicanalyzer]

Sonic 3 - Quick Review

Sonic 3 is simply peak. The movie really unleashes the full potential of the Sonic film series. It was a great movie to close out the year 2024.

The comedy and the emotions in this film are hilarious and impactful respectively. Seriously, the amount of times I laughed and chuckled at the movie is too much to count. But God, when the serious scenes kick in, they kick in hard. Maria's death still hits hard. Sonic's rage and Tom's critical condition also really sell the dark nature of this movie.

Shadow in this movie was portrayed well. You can feel the grief and tragedy that the character felt losing Maria and being locked up for 50 years. Keanu Reeves did an amazing job voicing the character.

Ivo is a riot in this movie. You know Gerald is insane when Ivo of all people is horrified by the prospect of the world being destroyed. His last message to Stone is really heartwarming. Agent Stone is the goat. I hope we get to see him in the future.

I really love how Gerald Robotnik is shown to be a suicidal genocidal lunatic like in the game which makes every scene before his reveal in the third act take on a whole different meaning. When he drops the act and shows what he is, it's pretty chilling to see what type of person he is under the guise of comedy.

I love how the animated end credit sequences are done in 3D as a nod to how this movie takes heavy inspiration from Sonic Adventure 2.

When Live And Learn played with Super Sonic and Shadow heading towards the Eclipse Cannon, that was one of the most iconic movie moments of 2024 for me. The score in general was great in this movie. Also, I think Maria was playing Live and Learn on the guitar.

I am so fucking hyped for Sonic 4 with an army of Metal Sonics and Amy Rose.

This movie is amazing!

"The last time I sat beneath stars like this... I was with her. I felt this pain for so long, it's all I know." Shadow

"When I lost Longnclaw, I felt the same way." Sonic

"Did your pain eventually go away?" Shadow

"No. But in time, I learned that there was something even more powerful than pain: the love we felt for each other. That's what you need to hold onto, Shadow. Maria might be gone, but your love for her will always remain." Sonic

[aeyn]

An angel disguised in pink!

Aged up! No curse AU!Megumi Fushiguro x Jirai Kei! Reader

Summary : Megumi just turned 21, and has already received an invite from Gojo Satoru - to go drinking. It's Gojo, after all. He's seeing faces he vaguely remember from college, but fresh faces were uncommon, even in a Gojo party. You, dressed like an angel in pink, piqued his interest.

WARNINGS : people getting DRUNK, you can tell i've never been to a party and drank, mentions of addiction to host clubs, a smudge of angst maybe if you squint really hard, mostly fluff though

Word count : 1.4K (it's so short!!)

AUTHORS NOTE!!: Hello everyone... I started writing this like yesterday and wasn't aware today was his actual birthday..... ALSO this is my first time writing and i'm not 100% in my english..!! I'm not familiar with posting on tumblr as a whole, so with the layout and all that, i'm not quite familiar. Please give me some leeway with that kind of stuff. also, my laptop kind of broke while i was trying to post this, so im typing this from my touchscreen ipad. It's a little annoying, but oh well..

This was also LIGHTLY inspired by @lokissweater 's mlb megumi... i know its not anything close to their levels of writing, but i was kinda inspired to write megumi for my Landmine reader from her and how she writes Megumi.

I talked too much, i'll just let you read it already ^^"...

︶︶︶ ⊹ ︶︶ ୨♡୧ ︶︶︶ ⊹ ︶︶

The club Megumi found himself in wasn’t particularly big, but it buzzed with energy. The space was packed with familiar faces—classmates, acquaintances, and a handful of people he’d crossed paths with at one point or another. As soon as he’d turned 21, Gojo had dragged him along to this club, boasting about it being owned by one of Geto’s many “connections.” What Gojo failed to mention was that it was a private party. Not that it mattered much; Megumi realized he wasn’t exactly out of his element.

Most of the crowd blurred together as people he vaguely recognized, but there were a few exceptions. Two were Shoko’s friends, chatting animatedly by the bar. The third was a girl—you—whom Megumi didn’t recognize at all. The strobe lights bathed the room in eye-numbing neon green, but even through the haze, the soft pink of your blouse stood out.

You caught his gaze from across the room, and when your eyes met, you offered a small, awkward smile accompanied by a polite nod. Megumi’s eyes widened in surprise, his cheeks warming with the faintest blush—thankfully hidden by the poor lighting. Still, he managed a curt nod in return, stiff and reserved as ever.

Nobara, watching the interaction from her spot by the bar, smirked to herself. She’d invited you along partly because she knew you enjoyed the club scene, but mostly because an idea had begun forming in her head. You… and Megumi… Yeah, that had potential.

While most of the party (including a very drunk Gojo and Shoko) had taken over the dance floor, Megumi stayed firmly planted at the edge of the chaos, arms crossed. He sighed, his gaze flicking between the reckless dancing and his untouched canned beer.

Adults.

Gojo, currently in a drunken dance battle with Itadori, was reason enough for Megumi to swear off drinking tonight. Witnessing the sheer level of intoxication his mentor had achieved was enough to keep him sober.

Lost in thought, Megumi didn’t notice you approach until he felt the chill of a bottled green tea press against his arm. He startled slightly, turning to find you standing beside him, a tentative smile on your face.

“Figured you might want this. You didn’t touch your beer all night,” you said, holding out the tea.

For a moment, he just blinked at you, caught off guard. Then, taking the bottle, he muttered a quiet, “Thanks. Uh…”

“Oh, right. Um, I’m Y/N.” You dug into your pink MCM bag before pulling out a similar bottle of green tea for yourself.

“So… you’re not a fan of alcohol?” you asked, idly adjusting the lace on your skirt.

Megumi shrugged, taking a sip of the tea. “Not when Gojo’s around. Someone’s gotta stay sober enough to drag him home.”

“Fair enough. He does seem… like a lot.” You cast a concerned glance at the “honored one” himself, doing the Worm on the floor.

“That’s putting it mildly,” Megumi said, the corners of his lips lifting subconsciously. For the first time, he felt like he was actually enjoying himself that night.

A comfortable pause settled as you both observed the other guests.

“You’re… friends with Nobara, right?” Megumi turned his attention to Nobara, who was on the dance floor with a cocktail in hand, her face flushed red from the alcohol she’d ingested, and a feather boa draped across her shoulders like something out of a ’90s movie.

“Yeah. She dragged me along tonight. Said it’d be fun. And I just figured I’d come over and say hi since you looked kind of… out of place.” You laughed softly, his plain shirt and baggy jeans a stark contrast to the vibrant, flashy outfits in the room.

“Is it that obvious?” he asked with a small sigh, running a hand through his hair he hadn’t cared to style.

“A little. You’re the only one here who looks like they’d rather be anywhere else.”

“I’m just not big on crowds. Or neon lights. Or drunk people.”

Another moment of silence passed as you nodded in understanding, observing the dance floor growing even more chaotic.

“You seem like you’re enjoying this,” Megumi said, cocking his head toward the unfolding disasters (Geto spilling his drink onto a very pissed-off Nanami).

“I, uh, I’m used to the nightlife. I used to frequent a lot of bars and nightclubs.”

Megumi raised an eyebrow, his curiosity piqued. “Used to? You don’t anymore?”

You hesitated for a moment, swirling the green tea bottle in your hands. “Not as much, no. I… got addicted at one point, I guess. I was filling a void in myself. But I realized it wasn’t healthy.”

Megumi’s expression softened, his usual guarded demeanor giving way to curiosity. “Addicted?”

You hesitated before nodding. “Yeah. Not just clubs—host clubs, mostly. I’d go out all the time, spending way too much money just to be around people who’d tell me what I wanted to hear. For a while, I thought it was fun, but… I guess I was filling a void. They hook you in, you know? They leave you alone, and when you start getting desperate, you spend more.”

He frowned slightly, tilting his head. “Host clubs?”

You glanced at him, gauging his reaction, and let out a small laugh. “Yeah, I know. It’s not the most… admirable thing. But when you’re feeling empty, it’s easy to get addicted to the attention. They make you feel special, even if it’s just an act.”

Megumi took a moment to process your words, his gaze steady but without judgment. “What made you stop?”

You smiled faintly, your expression a mix of self-awareness and vulnerability. “I realized it wasn’t real. I was paying for affection, not earning it. And honestly? It wasn’t making me happy—it was just a distraction. So I quit and started focusing on myself. It’s not easy, but… I’m trying.”

He nodded, his eyes thoughtful. “That… takes a lot of self-awareness. Most people wouldn’t even admit they were doing it to fill a void.”

You looked at him, surprised by the sincerity in his tone. “Thanks. I’m not sure if it’s self-awareness or just running out of money.”

That earned a soft chuckle from Megumi, and for the first time that night, the tension between you eased.

“What about you?” you asked, shifting the focus. “You don’t seem like the type to… well, pay for attention.”

He leaned against the wall, thinking. “Not really my thing. I guess I’ve always been more focused on the people I already care about.”

You nodded, impressed by his grounded perspective. “Must be nice. Knowing you’re enough without needing to hear it from someone else.”

He glanced at you, his expression softening. “I think everyone needs to hear it sometimes. Just… not in that way.”

A quiet moment passed between you, the chaotic energy of the club fading into the background.

Finally, you broke the silence with a teasing smile. “So, if clubs aren’t your thing, what is? What would you do for fun?”

“Honestly?” Megumi said, his lips quirking in a rare smile. “Probably stay home with a book or go to a quiet park. Somewhere peaceful.”

You grinned, leaning closer. “A book and a park? You’re a walking cliché.”

He rolled his eyes but didn’t seem annoyed. “And you’re not, Miss ‘Host Clubs for the Guys’?”

“Touché,” you said, laughing softly. “But hey, if you ever get curious, I can recommend a few places.”

“Pass,” he said, shaking his head, but the amusement in his voice made it clear he wasn’t dismissing you.

“Your loss,” you teased, taking another sip of your tea. “But seriously, thanks for not judging me. Most people wouldn’t be so… understanding.”

He looked at you, his expression earnest. “Everyone’s got their reasons.”

Your chest tightened slightly at his words, and you found yourself smiling in a way you hadn’t in a long time. “You’re a lot deeper than I expected, Megumi.”

“Don’t get used to it,” he said, but there was warmth in his tone.

And just like that, the club felt a little less overwhelming, and the two of you felt a little more connected. Fein by Travis Scott played in the background of the packed bar at 1:23 a.m. Gojo and Geto slumped over each other groggily as the alcohol took its toll. Itadori darted around, still inexplicably full of energy, while Nobara stood barefoot, heels in hand, complaining to Maki. 

Somehow, amidst the chaos, this moment felt peaceful.

︶︶︶ ⊹ ︶︶ ୨♡୧ ︶︶︶ ⊹ ︶︶

(I hope everyone liked this... I probably will write a continuation or maybe make it a series when i have the time to.)

[arcadianmoonshadowjedi]

Hey so. I'm not up to date, still watching. Didn't see any fandom reactions so far. What do we think about Callum choosing Rayla over Ezran?

Right now, I'm torn. Part of me is super happy that Callum and Rayla pledged themselves to one another, for it to then immediately be tried, tested, and won. (I'm happy that their relationship won.) I love that the situation has them suddenly face a loyalty conflict that they didn't think they'd have to solve. I'm happy that it comes unexpected, catches them off guard, and that they have to decide on the spot. It's messy, puts them on edge, and I love it.

Callum also seems to initially give a really smart answer by differentiating between his role as High Mage and his role as a brother. However, depriving Katolis of its High Mage in a time of great need such as the one they're in?? really is a special kind of treason, and the King's brother abandoning the King NEVER looks good either, especially in that time of need! The show treats it like a private conflict, but Callum has a function in the royal court. He just signaled to all of Katolis that the King's family quit supporting Ezran. So although Ezran isn't in a good personal place in that episode, if he chose to interpret Callum's actions as high treason, I'd be with him.

I think the scene lacked certain tensions of unspoken things though. It still happened all too quickly. Ezran didn't know that Rayllum swore to never get separated again. Callum should have forced a different kind of magical time-out than the ice thingy (which directly attacked Ezran and his personal bodyguards), he should have played for time to explain. I'd have made him send Rayla and Runaan away, stay behind to explain to Ezran, then catch back up with the elves.

Then, if there was still some hurt between the brothers, at least Ezran would know the full story and would know where to place his priorities. The brothers could work to at least stay out of each other's way, instead of clashing again like when Callum sent the letter to suggest imprisoning Aaravos again. That wasn't Callum's place, he was out of touch with Ezran's warfare strategy by this point, and he was endangering his little bro's kingship by messing with his authority.

I wouldn't say it was out of character, but it certainly was more messy than necessary and lacked one of Callum's better ideas to resolve it.

I'm at the third-to-last episode rn, Ezran and Callum haven't yet met again, but Ezran did receive Callum's letter. No spoilers pls, but I'd love to hear your genuine reaction!

Hey so I personally think this situation was a lot more complicated than Callum just choosing Rayla over Ezran for loves sake. The way I saw it, Callum was torn between two people he loves. On one hand he was trying to tell Rayla to be patient and kept trying to tell her Ezran will eventually come around, to which Rayla after clashing with Ezran at the council meeting, she no longer felt she can wait. On the other hand, he did try to talk to Ezran esp about how he shouldn’t keep blaming Runaan for the kingdom being destroyed and how he’s playing into the cycle of violence he pledges to stop. While Ezran’s hurt and anger towards Runaan were completely justified, I felt like his actions came more from a place of vengeance rather than being right. Callum even called out Ezran for forgiving Zubeia who was the one who sent the assassins in the first place.

Callum only fully took Rayla’s side once Ezran showed up with an entire army to confront Rayla and Runaan which then resulted in Callum taking action against them to prevent Rayla and Runaan from being harmed. He did end up leaving with them not only because he ended up committing treason but also because he felt like Ezran was too vengeful and angry to listen even after trying to talk to him earlier.

As for the letter, unlike Ezran, Callum knew that Aaravos couldn’t be permanently killed which was why he was proposing the prison plan, which could’ve been a more permanent solution if no one were to find the prison again. The problem with Ezran was that he was falling into Aaravos’s trap not knowing that using the novablade to kill him would bring him back the next time the stars align and even potentially kill everyone around them.

While I do think that arc 2 shows some complications between the two brothers esp because both Callum is the older brother but Ezran is the king, which does cause a power imbalance between them, at the end of the day they’re still brothers first and foremost. I won’t spoil the last few eps, but I will tell you I loved and was very satisfied by how things went, including with Callum and Ezran. 😍😊

Hope this answered your question 🙌🏽

[xjackjackx]

I wanna start out by saying I do respect your opinion, but... yea I disagree partially.

Point 1, I mostly agree. The fact Vic and Agent are the third/fourth example of the "My X died I'm evil!" backstory sucks, and it's lame that Mitsi essentially got fridged when she could've done much more; now, her potential was useless as Victim can easily be angry at Alan from the torture alone. Mitsi didn't do enough to prove she's needed because Alan went with the easy way of just killing her. And you know she'll still be a plot device if she returns, "resurrected to redeem Victim" or whatever theorists are saying. The issue is that you're showing Dark as an example of this issue, when he isn't.

Pink, Gold and Mitsi are all examples of "flashback characters killed for the villain's backstory". Dark... isn't. He WAS the main villain, an effective if somewhat boring one imo, and death just fit for his story cause... if not death, then what?

He was a dangerous maniac that posed a threat to all life in the Internet, and unlike King he was born with his powers so you can't just remove them and make him harmless. You can't non-fatally defeat him, have him "blast off again" and act like the day is saved and he won't bother the heroes again. The only options were to redeem Dark or kill him. Dark couldn't be redeemed as he showcased zero good qualities, his motive was pure sadism than something sympathetic, he threw his one friend away and didn't care about anyone or anything except himself and his entertainment. And if he DID turn good, there would be no stakes as he could've easily beaten the mercenaries (based on both on-screen strength and Alan himself implying he agrees) and this no Season 3. You couldn't make Dark good cause it's illogical and ruins all conflict, and you couldn't non-fatally beat him; Dark had to die one way or another, Alan just showed Orange's power for it.

The second point I fully disagree with. The episode didn't add anything new; we KNEW Chosen was a villain who killed people, but wasn't happy with it and eventually turned over a new leaf. AVA 11 showcases nothing new, it just expands on it; Chosen was evil, he killed innocents, but he wasn't happy doing so and regretted it. Again, nothing new, there's no such thing as "Chosen turned into a villain" because we knew for a long time he was a villain before Dark out-eviled him and he decided enough is enough. No offence, but it's like you forgot the scene in Flashback where Chosen and Dark rampage and destroy websites.

The third point I also do not get. Are you... angry that a question was answered? We didn't know what Orange's powers were, now we know he has the Power of Creation. Is that an issue somehow?

I don't have much to say about the fourth point besides the Agent thing. Like... we KNOW the motive. Agent was close friends with Mitsi and wants to avenge her. There's no "but why" we know EXACTLY why.

Why I hated the new AvA Episode: how you butcher your entire shows cast, their personalities, motives and likeability In one episode.

Before I start angry ranting I wanna say that I love this show regardless and I mean no harm to the creative people behind it. I think they did a fantastic job providing us a indie animation show through out the years and I wanna thank Alan for inspiring me as an artist. But seriously..... did It really have to be like this?

My opinion may change as I rewatch It a while later or with the relase of the new episodes. I'm well aware of that. So even If It changes, It'll be fun to look back at this.

Thread is long so I'm cutting it under here.

I'm gonna talk about why I don't like about this epsiode, and things that I actually liked, under different titles.

1- The killing of characters for the sake of plot

This is something that's at this point happened SO MANY TIMES through out the entierty of AvA/M It fucking dissapoints me.

The first time this happened was In The Showdown, here we had Dark (and Chosen) re-introduced to us again for the first time. Within the same 20 minute episode / season we already said goodbye to Dark. The reason why he was there and killed afterwards was to reveal Second's powers. That's literally It. The entire point of that episode and Dark's death was so we could get Orange's powers revealed.

Now I'm actually okay with The Showdown's short comings as a season because well, It's old. It was much more low budget both In terms of writing and animation. But that still made me really angry about how they killed off a character just for the shock and plot point of Second's powers. You don't have to kill off a character who Is important to the series just so we can put emphasis on another. It's just really sad for Dark (WHICH I'LL TOUCH MORE ON LATER).

The second time this happened was The King, which I'm more okay with, because there was a reason why Gold and Pink died. To set up a relationship between Purple and K.O. but even that was very rushed, since we had no clues or hints about their backstories before the two episodes where It was revealed.

And finally, coming to this episode, Mitsi. Now before I talk about her I wanna say that as much as I don't like Victim getting a love interest, I'm okay with her and that. I'm okay with Victim and her and how they were once a couple. But It just really rubs off the wrong way when you introduce us one of the only confirmed female characters of the show and make her a love interest. On top of that- you kill her off. Why? to make a reason for Victim's anger. The problem Is that Victim already had a reason to be angry at Alan. I don't think he needed a love interest to be killed just so he can start planning for revenge. You already showed how he as PTSD, (which was done In an excellent way and one of the things I really liked about the episode), you can just build on top of that Instead of having someone else killed for him. If you want us to feel pity for Victim- we already did! He was already such a complex character and a story about how abuse changes a person, but now the plot has literally just turned into ''You killed my wife so I hate you!''.

2 - Chosen, my poor boy Chosen.

TCO deserves his own section because oh my god they did him SO DIRTY.

I hate how they potrayed Chosen in this episode more than anything else. He turned from a character that I loved so much to.... what? one dimensional guy who does not care about ones he killed...? What happened to scenes in Showdown where he was clearly against Dark's ideas of destroying the internet. You know, where he LITERALLY FOUGHT HIM NOT TO. Did he do that all for no reason?

Chosen, until this episode, was always presented as a character who was misunderstood and afraid of coming to terms with whats happening around him. He excused Dark destroying the internet because he literally had no one else to go to (atleast thats how I interpreted it BUT I GUESS NOT). He was shown be hesitant when Dark was doing those things, that he actually did not agree with his ideas. I and many others believed that he was gonna be redeemed and be a part of the future episodes, but now what?

He literally killed Mitsi with no hesitation, no holdback, no regret. You took a character that was set to be redeemed and gave a reason to hate him. Sure, It was in the past, and It was in Agent's POV, but like If he is the one we are supposed to cheer for, why? I just don't get it. You made me absolutely hate a character that I loved so much and I despise that.

3- You hyped Second's powers only to make it ''just another thing''

What I mean by that is... I thought Second's powers were special to him. I really love Second, he is my favourite character in the show. In The Box they showed us that yes, Second's powers are special, no other stickfigure can do what he does- bring things to life. But now It all just feels so predictable. Because we saw where his powers are sourced from, what they do and what they mean. He turned from a character that excited me about the big reveal to... Oh. It's just that. Whenever an animator brings a stickfigure to life the green magic happens. Second is an animator. Hooray.

4- All your characters are one dimensional

I already kind of touched on this but I really need to type all this out In a simple way because It drives me crazzzy, and It's also very funny.

Victim turned from a character who was abused and then became the abuser himself to ''You killed my wife''.

Chosen turned from a character that was misunderstood, had nowhere else to go and no one else to ''I killed people because... because.. I'm mad. Yeah''.

Second was hyped to be a character with special abilities and powers to ''Oh I guess I'm connected to this Instead of being independant with my own lore''.

Dark was always just a character of ''I'm here to destroy, that's all I do.''. They could have brought him back and showed him display atleast a hint of empathy, but nope, he still Is just ''The Dark Lord''. They didn't even have to redeem him just come on show me something else he does than just destroy, all because he is edgy!

Agent... I'm sad about Agent. I thought Agent was gonna play a bigger role because they really had focused on him In the previous episodes. I thought he was gonna be there to tell his own story, to be against Victim eventually. No. He just witnessed what happened and decided to stick with Victim. Why.... why?? What's the motive there??He now Is just yet another stick figure.

Its just sad.

5- My thoughts about this series- final conclusion.

Changed. That's all I can say.

For me this show has always been about how abuse changes a person. How what your precieved as influences you and destroys you from the inside and out.

Dark, Chosen, Second and Victim are very special to me. They all come from the same story of being tortured by their creator, yet, they all end up in different situations.

Victim was abused over and over again. He found a way to stay alive, but his anger and rage was still within him. He had turned into the abuser which he had despised, doing awful things.

Chosen was used as an adblocker, a tool. When he escaped he was happy, but never free, as he was constantly being dragged down to do things he didn't want to or be chased around by people who want him dead.

Dark was created just to be a weapon. He escaped with the help of Chosen, found a way to call him his friend, but ended up falling for his internal desire to take revenge on what hurt him.

Second found a way to make ammends with his abuser. He became his friend, forgive him, and found a way to live a life happily with his friends. He didn't know about the truth behind Alan and his wrong doings because he was just... all too naive.

For me, Ava was a story about them. The four brothers who went through the same thing, but ended up being against eachother. It was meaningful to me In a matter that It was there to tell a story. Their story.

But now they are all just ''I hate you because you did this''. And I hate that. I hate how after an entire year of waiting this is how one of the biggest plot points Is revealed. It feels disrespectful to them. I hate how we are most likely never gonna see them In the same room. I hate how Dark was completly shrugged off, how Chosen turned into a villian. How Victim's motives were just cliches. How they are all just cliches!!!

When I was waiting for this episode I of course knew that what I wanted from the show wasn't gonna be it. That my theories were not gonna be true, that I knew I was gonna be let down. But I thought I would be let down In a good way. I just feel bad now because the characters I very much loved have been turned into cliches right In front of my eye. I thought my expectations were gonna be broken In the best way possible. But honestly, this was the worst It could have been.

-IN MYYY OPINION

That's right It's all my opinion. If you completly disagree, thats cool. Good for you even! I mean this in the most non passive-aggresive way possible. I'm glad some people could enjoy this episode.

That's all I'm here to say for now. Thanks for reading. Feel free to share your own opinions.

[elizabeth-mitchells]

the movie title:

what i see:

[honestlyitsjustsam]

favourite moments of bg3 -> (5/?)

[scribefindegil]

Obsessed with the POV choice in Imperial Radch as well, both because Leckie does some really wild stuff with how expansive the strict first-person is able to become due to the worldbuilding and who her narrator is, and because it's SO entangled with the central thematic concepts of identity. In the first book flashbacks when the narrator is still a warship, "I" can encompass so many things, and sometimes explicitly refers to different facets in the narration--is "I" Justice of Toren, or One Esk, or a specific segment, or Breq narrating from twenty years in the future? "I" isn't simple, isn't unified, and while this is most literal and obvious with Breq/One Esk/Justice of Toren and Anaander Mianaai's split factions it's true constantly throughout the work at every level of scope. Individual characters struggle with internal conflicts and hit their breaking points--what is it that makes someone decide they have to disobey orders and make a stand or they won't be themself anymore? How do you know who you are if you've been forcibly changed (Tisarwat) or if the world you knew has moved on and become unrecognizable (Seivarden)? How does a character on a colonized world navigate the split identity that comes from the pressure to assimilate to the dominant culture? And then there's the Radch writ large, all the Radchaai so deeply invested in the idea that there is only one true concept of Radchaai society, of civilization, but of course there isn't! It changes based on location and over time, and Breq muses that the Radchaai empire would be largely unrecognizable to the isolated sphere of the Radch itself. In these books, even if you aren't the last remnant of a destroyed spaceship and its legion of bodies, "I" is such a complicated concept and the narrative never lets you forget it.

[wickmitz]

what do you think mitzi’s type in men is?

hmm, this is a fun little ask! especially since her love interests, on a surface level, couldn’t be more different. we have :

zib : former long term boyfriend but not quite … they were very loose with labels, as we know from outside information and the way zib lives life in general. but despite this, whatever feelings fostered between them were intense ; enough so for him to stick around years later, resigned to a chained down lifestyle simply because he doesn’t want to leave mitzi. he’s very loyal in that sense! even if it’s not a conventional type of loyalty. we know that before bitterness seeped inbetween their bond that zib took good care of her, while also being a complete mess of a person ; someone perpetually scared whenever physical conflict is concerned and being a musically inclined man who very much treats himself as a free spirit, with a morbid philosophy and feel towards life. he’s got a major tortured artist aesthetic!! is a little gripped by melancholy and nostalgia … zib is a lot of things, and ambitious is surprisingly one of the many puzzle pieces that make up dorian zibowski.

atlas : ruthless gangster, has an eerie presence that frightens even the people closest to him. he is prone to a more quiet disposition ; never speaking and always a blot of unremarkable grey. but he is an opportunist! someone who can manage a business and take advantage of shortcuts and loopholes to become even more successful … basically he is wealthy and uses his assets well. but all of this is done with a manner of distance, leaving even those closest to him never having the full picture of who he was. it’s also worth noting that mitzi and him had eventual problems, which caused her to seperate. also perhaps has a heart of some kind, but whatever love he possesses is hidden under layers of blood and mystery.

wick : well-to-do bore, and i say this with all the love in the world for wick! but compared to previous paramours he’s rather clean and talkative … there is a constant earnestness to him that bleeds out, an honesty and a more conventional sort of kindness. he doesn’t hide behind smoke and mirrors and there’s never really a front he puts up around mitzi -- or his investors for that matter, hence why he’s treated as an ‘outsider’ so to speak. he is an alcoholic who loathes the details of his job but is more than passionate about the job itself and makes this everyone’s problem … he is a little helpless, in the sense he’d die without someone there to make sure he functions … and is, like zib, perpetually afraid of conflict. can be a little wishywashy and can come across as uncaring due to his cheeky tone … but he’s loyal and caring, with a hobby for the unusual ( bugs and rocks lol ) as well as being able to look past the gossip mill and see the actual mitzi may as he knows her, someone who’s going through a rough time and is either too kind or classy to be a brutal killer. he is hypocritical, a little snobby, and rather forward with mitzi too. kind of a flirt when he wants to be!

something that immediately stands out to me when looking at this lineup is that mitzi doesn’t enjoy a violent man. i don’t think she loathes someone who can so brutally or clinically remove others from this earth, but if she were to go for someone they’d usually be sweeter in a sense. it meshes well with her old personality and kinder heart, perhaps brings it out in her, and that sort of levity and breeziness is more enjoyable than, say, being fully aware of the dangers that lurk around every corner because the man you’re beside is prone to bringing it. she also enjoys more talkative types, someone who’s less quiet and demure and serious, and is keen on her men having a hobby they care deeply for ; some sort of long term goal to work towards doesn’t hurt either. and because of some scenes in the comic, i’m a firm believer that mitzi wants someone who can make her smile or laugh with ease, whether because they’re ridiculous by nature or genuinely funny! she has a sort of funny bone herself, enamored with gallow’s humor and darker jokes, so having someone who either a.) reacts hilariously in the face of her jokes or b.) who can return that energy with teasing or their own brand of silly is desirable. everyone could use a good laugh or two, a sense of joy injected into the bustling life they all live, and this all ties back to mitzi being more drawn towards the less stuffy types of men.

so atlas seems to be an outlier when it comes to her type in many ways, hence the later problems they apparently had in their relationship even if she did love him dearly. but, of course, atlas did have something very appealing to her that zib had failed to give, which she rather fondly recalls in the comic page vestige. whether zib likes acknowledging it or not, mitzi wasn’t as gungho about their normad life as he was … or, at the very least, when she lived another life besides that one, she realized she had a preference! and atlas gave her that path, that knowledge that she wanted something else, and seemingly for the very first time in her life … she felt like a proper lady, a feeling that clearly meant a lot to her. it wasn’t just the dresses or the wealth, it was the constant eye of atlas who could have any dame he wanted, but fancied her his wife regardless. it was having someone so respectable looking, dressed well and groomed well, being able to see her as something other than a sweating, exposed girl in a bawdy dress. atlas’s seemingly polite treatment towards mitzi was enough to garner her affections in spite of everything else, so i think she enjoys that now in others, ; folks who treat her as though she’s a woman in high society, men who don’t gawk at her or make lewd remarks immediately … she probably prefers the courting process now and the quaint dates ( that she doesn’t pay for, mind you ) that come along with it. she just -- likes mutual respect, i think. and who doesn’t? she’s been through a lot to get to where she is now, even if it’s a bad predicament, and she’d like for that to amount to something. some sort of acknowledgment, some kind of recognition.

however, it’s worth mentioning that her views on romance and all that it entails have been warped since the death of her husband. such a loss would change how anyone approaches their dating life, if they were to even have one afterwards … after all, mitzi’s whole problem is that she doesn’t want to move on from atlas and has thus completely romanticized him in her head, to the point that she earnestly believes she’ll be miserable forever without his presence. any problems she had with atlas have long since been erased by her tortured mind, leaving her with a profound misery she’s wallowing in. i think she believes herself as incapble of romantic or sexual inclinations nowdays, leading her to view the advances made towards wick as a necessary ‘evil’ for the sake of atlas may and little else -- when she genuinely does like sedgewick to a degree, and wouldn’t go on dates or kiss a man unless some part of her honestly wanted to do so. ( i also think she was attracted to wick somewhat even while married to atlas, but that’s besides the point ) so this is all a rather complicated affair! she is vulnerable and weak, is too aware of herself and the criminal underbelly squeezing in closer … add this on top of her still heavily grieving and having no one she feels she can talk to, you have someone who is rather changed. mitzi is so far removed from herself and who she truly is, or was, that there’s no doubt it’s affected her type ; now she’ll settle for anyone if they’ll just help her, and even then she’d be dispassionate if romantic entanglement of any kind was involved in that relationship. it’s not something she wants right now, and honestly, it all seems scary and daunting … besides atlas, zib was the only other man she’s ever loved enough to stay around for, so she’s never faced a loss like this before. has kept zib throughout all the turmoil and changes -- so this is, as far as we know, her first major loss where it concerns matters of the heart. it’s not shocking she’s so messed up after it, especially given how fresh it all still is. all of this rambling is to say that mitzi’s a little more stingy and cagey then she used to be about love or sex, and she has a lot of inner battles to face before she can fall for someone and be sure about it. needs to thaw, i think, and she would require patience and understanding from anyone who actually wanted to be with her. mitzi could move on with time ( i do not think she’s the type of widow who’d never date again! ) but it would take quite some time to do so. well, in a world where she’s allowed / is able to heal anyway!

while her type would probably remain the same, i could see her wanting a serious relationship more than she did prior to the death of her husband. has no energy for the loopholes, or the rationalizations, or the fickle nature that can grip someone’s heart. she has matured in a lot of ways since her band days and would take comfort in frivolous things like labels and promises of a future, together, as lovers. while what she had with zib was nice and is cherished alongside the freedom to do as she pleased while on the road with the band, i don’t think she misses it. having the stability and assurance of an actual relationship, with all the hardships that come with it, would be better suited for her. as long as she’s treated like an equal of course! i don’t think she’d be keen on her partner hiding anything from her, even if it’s meant to protect her, due to where that put mitzi when atlas was killed. she’d rather know and be disgusted, or worried, or scared than to not know about something at all until it’s too late … again. naturally patience and compassion would also be of importance, as would the usual things she loves like loyalty and a passion for something in life. and while never required, she’d be happy if the person possessed even a singular musical bone in their body! she still thinks artists, particularly musicans, are sexy after all … likes the angst and brooding that comes with it, the slight flare towards the dramatics … as long as they can handle mitzi in her pitiful entirety and do, to some degree, care deeply for her and will compromise … i think she could find some happiness wherever. bonus points if she can live comfortably for the rest of her days too, lord knows she’s tired of the constant battle of hucking and bargaining.

but yeah! mitzi’s love life is vast and complex and i definitely see her as someone who is more flexible in type than other people are. though there are similarities between her suitors if you really look! anyway, i hope i was able to briefly touch upon this subject because my shipping brain loved your question and kinda went into overdrive, alas. tldr ; her ideal type is wick sable. sorry. once wick learns an instrument the wedding is back on!! … i’m kidding lol. well, mostly <3

[chloecherrysip]

There's a huge universe out there, with a lot of galaxies.

[kacievvbbbb]

Look Challengers is very mishanks coded I don't know what to tell you, but it is. And you might say Kacie; Which homoerotic boy is Shanks? Who is the third person in the relationship (buggy maybe)? Would Mihawk need to have an injury? Isn't it a little more nuanced than that? All very important questions, all very valid points but all totally irrelevant.

Because Mihawk is very Tashi Duncan coded and this scene

is very young MiShanks coded.

While this scene is very after breakup but before make up coded.

And that my friends, that's what really matters

[trashcreatyre]

I really like their dynamic but this is how this conversation went in my head lol