#and then a bit
Explore tagged Tumblr posts
hlsficart · 23 days ago
Text
Book cover made by me for the fic 'And Then a Bit' by @infinitelymint
Tumblr media
https://archiveofourown.org/works/1415272/chapters/2972746
That one took me sooooooo long but I’m very proud of it🥰
43 notes · View notes
lieutenant-sarcastic · 2 months ago
Text
For Years my brother has been fucking with me by periodically texting me to say Jimmy Carter had finally died. Today the bit has paid off.
Tumblr media
The response to my reaction at work was “what do you MEAN ‘for real this time’?????”
Tumblr media
I fucking hate it here I’m crying
81K notes · View notes
thegeekgene · 2 months ago
Text
Someone at an old job asked why I wanted to write up the meeting minutes for our team and I said 'i wanna control the narrative' and they were like 'what' and I pointed out that no one was gonna remember what we said in six months and so my interpretation of the meeting would dictate the assumed reality of what happened
"none of you ever send corrections when I offer the draft so y'all have consented to my version"
"we don't read that shit"
"you must trust me implicitly to create our shared reality that's so sweet"
That's how several coworkers decided I was a supervillain and how I learned several coworkers didn't understand record keeping as like a CONCEPT
76K notes · View notes
hauntingrabbits · 5 months ago
Text
Tumblr media Tumblr media
comic
143K notes · View notes
nikoisme · 3 months ago
Text
I hate it when people ask me what genre of music i listen to because i genuinely have no clue. It's called Music I Like genre. The best genre out there
85K notes · View notes
paintedcrows · 6 months ago
Text
Tumblr media Tumblr media
They do this every year...
Happy 25th to Dipdop and Lebam!! and Happy 17th to Hatsune Miku!! 🎉🎉
(comic continued: The M&M stands for...)
114K notes · View notes
wordpress-blaze-223004219 · 2 hours ago
Text
Music Royalties Are Intellectual Property
Tumblr media
Music royalties are considered intellectual property because they represent the financial compensation paid to creators for the use of their original musical compositions, which are protected under copyright law; essentially, when you pay a music royalty, you are paying to access and utilize a piece of intellectual property like a song or recording, allowing the artist to monetize their creative work. Key points to understand this connection: Copyright protection: When a song is written or recorded, it automatically receives copyright protection, granting the creator exclusive rights to reproduce, distribute, and perform their work. Different types of royalties: Depending on how the music is used, different types of royalties can be generated, including mechanical royalties (reproducing a song), performance royalties (playing a song publicly), and synchronization royalties (using a song in a visual media like a film). Rights holders: Songwriters, composers, and recording artists are considered "rights holders" who are entitled to receive royalties when their music is used. Example: If a radio station plays your song, they are required to pay a performance royalty to the songwriter and publisher because they are publicly performing your intellectual property.
Source: Music Royalties Are Intellectual Property
0 notes
mangosteen · 9 months ago
Text
Tumblr media
95K notes · View notes
tolerateit · 5 months ago
Text
women in STEM (shitty posture, tired all the time, eyebags, miserable)
41K notes · View notes
rennerei · 2 months ago
Text
Tumblr media
...😎😎🌟
30K notes · View notes
creepymutelilbugger · 11 months ago
Text
Tumblr media
op turned reblogs off but this post must live. it must live and spread malignantly .
109K notes · View notes
w1lmuttart · 9 months ago
Text
Tumblr media
The lake town
71K notes · View notes
chaotic-neutral-knitter · 9 months ago
Text
I think one of the kindest things you can do for people with various mental health struggles is just... let people back into your life after they've been absent for a while.
Making friends as an adult is so fucking hard already and isolating yourself from other people is a very common symptom of depression, anxiety, burnout, ocd, trauma, grief, etc. Which means that someone will do the hard work of recovery/healing and resurface back into a world where their previous friends have written them off because they stopped showing up.
So if you know someone where you're like "yeah we could have been better friends but they fell off the map a bit" and that person suddenly reaches out, or starts showing up to events even though you kind of forgot they were still in the group chat... well they may have been Going Through It and you don't actually have to punish them for their absence you can just be glad that they're back.
66K notes · View notes
shadesofmauve · 2 months ago
Text
I want to step away from the art-vs-artist side of the Gaiman issue for a bit, and talk about, well, the rest of it. Because those emotions you're feeling would be the same without the art; the art just adds another layer.
Source: I worked with a guy who turned out to be heavily involved in an international, multi-state sex-slavery/trafficking ring.
He was really nice.
Yeah.
It hits like a dumptruck of shit. You don't feel stable in your world anymore. How could someone you interacted with, liked, also be a truly horrible person? How could your judgement be that bad? How can real people, not stylized cartoon bogeymen, be actually doing this shit?
You have to sit with the fact that you couldn't, or probably couldn't, have known. You should have no guilt as part of this horror — but guilt is almost certainly part of that mess you're feeling, because our brains do this associative thing, and somehow "I liked [the version of] the guy [that I knew]", or his creations, becomes "I made a horrible mistake and should feel guilty."
You didn't, loves, you didn't.
We're human, and we can only go by the information we have. And the information we have is only the smallest glimpse into someone else's life.
I didn't work closely with the guy I knew at work, but we chatted. He wasn't just nice; he was one of the only people outside my tiny department who seemed genuinely nice in a workplace that was rapidly becoming incredibly toxic. He loaned me a bike trainer. Occasionally he'd see me at the bus stop and give me a lift home.
Yup. I was a young woman in my twenties and rode in this guy's car. More than once.
When I tell this story that part usually makes people gasp. "You must feel so scared about what could have happened to you!" "You're so lucky nothing happened!"
No, that's not how it worked. I was never in danger. This guy targeted Korean women with little-to-no English who were coerced and powerless. A white, fluent, US citizen coworker wasn't a potential victim. I got to be a person, not prey.
Y'know that little warning bell that goes off, when you're around someone who might be a danger to you? That animal sense that says "Something is off here, watch out"?
Yeah, that doesn't ping if the preferred prey isn't around.
That's what rattled me the most about this. I liked to think of myself as willing to stand up for people with less power than me. I worked with Japanese exchange students in college and put myself bodily between them and creeps, and I sure as hell got that little alarm when some asian-schoolgirl fetishist schmoozed on them. But we were all there.
I had to learn that the alarm won't go off when the hunter isn't hunting. That it's not the solid indicator I might've thought it was. That sometimes this is what the privilege of not being prey does; it completely masks your ability to detect the horrors that are going on.
A lot of people point out that 'people like that' have amazing charisma and ability to lie and manipulate, and that's true. Anyone who's gotten away with this shit for decades is going to be way smoother than the pathetic little hangers-on I dealt with in university. But it's not just that. I seriously, deeply believe that he saw me as a person, and he did not extend personhood to his victims. We didn't have a fake coworker relationship. We had a real one. And just like I don't know the ins-and-outs of most of my coworkers lives, I had no idea that what he did on his down time was perpetrate horrors.
I know this is getting off the topic, but it's so very important. Especially as a message to cis guys: please understand that you won't recognize a creep the way you might think you will. If you're not the preferred prey, the hind-brain alarm won't go off. You have to listen to victims, not your gut feeling that the person seems perfectly nice and normal. It doesn't mean there's never a false accusation, but face the fact that it's usually real, and you don't have enough information to say otherwise.
So, yeah. It fucking sucks. Writing about this twists my insides into tense knots, and it was almost a decade ago. I was never in danger. No one I knew was hurt!
Just countless, powerless women, horrifically abused by someone who was nice to me.
You don't trust your own judgement quite the same way, after. And as utterly shitty as it is, as twisted up and unstead-in-the-world as I felt the day I found out — I don't actually think that's a bad thing.
I think we all need to question our own judgement. It makes us better people.
I don't see villains around every corner just because I knew one, once. But I do own the fact that I can't know, really know, about anyone except those closest to me. They have their own full lives. They'll go from the pinnacles of kindness to the depths of depravity — and I won't know.
It's not a failing. It's just being human. Something to remember before you slap labels on people, before you condemn them or idolize them. Think about how much you can't know, and how flawed our judgement always is.
Grieve for victims, and the feeling of betrayal. But maybe let yourself off the hook, and be a bit slower to skewer others on it.
26K notes · View notes
snowstories · 6 months ago
Text
My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.
Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?
What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?
Worry less about whether a character would do something, and more about how they'd sound while doing it.
42K notes · View notes
mushyooms · 4 months ago
Text
Tumblr media
he's so real
31K notes · View notes