#and then! the device does all the timing for you!!

[real-british-empire]

So, this brings up one of my favourite topics: wish economy.

How do you make a worthwhile wish?

Here’s a few common wishes that people do and why they’re shit:

1) Any sum of money. This will result in inflation and reduce its worth. Also taxes exist and you’ll probably get done for tax evasion.

2) Almost any superpower. Everyone wants to be like superman or someone else, but what are you gonna do when there’s nobody to fight? What will you do when the time comes for your death? Nothing. Never wish for anything like flight.

3) Anything minor. There’s always a wish that can cover something minor (this could be changing appearance)

With that out of the way, here’s some of my personal favourite wishes:

1) The gift of immortality. This is not regular immortality though. The gift of immortality would give you the ability to bestow immortality (and invincibility) to anybody of your choosing, including yourself. Just probably don’t have kids as it would increase population size.

2) Creation. rather useful being able to create anything. (Personal recommendation)

3) Knowledge. It would function like this: any time you wish to know something, that knowledge will come into your mind, and then be destroyed when no longer needed. It is destroyed as there is not enough space to contain all of the knowledge. Say you want to make a device that grants immortality? Step by step guide to how. Does not guarantee that you will be able to make something (personal recommendation)

4) Reality shaping. Just Warp Reality to give you another wish/create a being that grants you new wishes. (Warning, having too much power will make you bored and sad)

[puckinghischier]

Dogtooth

jack hughes x fem!reader

WARNING - SMUT!!! minors, DNI. 18+. oral!female receiving, face riding

summary: just a lil jack thot inspired by the song dogtooth by tyler, the creator

notes: this is just a repost of the little jack blurb i posted last night, i just wanted to reformat it so it’d fit in my masterlist better. but!! this is probably my favorite jack thing i’ve ever written and i’m obsessed with this song so, hope you enjoy!! 🫶🏼🫶🏼

[2.3k]

dogtooth by tyler, the creator?? that song is soooooo jack coded.

it’s the right kind of cocky but also the perfect amount of loving his woman, which is exactly how i picture jack to be in a relationship.

he’s a pretty private guy, not enjoying being in the media too much and revealing a ton about his personal life. he hates media because he doesn’t like the feeling of people assuming they know everything about him. but his girl? she knows everything about this man and he basks in the fact she knows him better than anyone else.

and when he’s down for someone? oh he’s down baddddd. i mean, pining level shit. he always wants to be around her. always calling her. always texting her. he just wants her attention 24/7, no matter what he has to do to get it.

he loves to pleasure his girl. and that’s it, really. he loves any second he can spend making her feel good, any way she wants. he doesn’t even care about the reciprocation (though he does love when she returns the favor) because knowing he’s the one to satisfy her needs is enough to put him on cloud nine all by itself.

and the second jack hears this song for the first time? oh he’s got big plans for it. (and you)

you’d be sitting on the couch, waiting on jack to get home from a mid-day skate. he sent you a text telling you he was leaving the rink around thirty minutes ago, expecting him to walk through the door any second.

no sooner than the thought entered your mind, you heard the lock click, signaling his arrival. calling out a greeting, you’re met with silence. you turn your body to see why he’s ignoring you, noticing the small white ear buds stuck in each ear.

he sets his bag down at the door, no doubt filled with his sweat soiled clothes he wants you to wash. waiting on him to look up and acknowledge you, you lay your head on the plush cushions resting against the back of the couch. you watch him, never missing an opportunity to admire how pretty he is.

finally, he looks up and meets your gaze, smiling at your love-filled eyes. he pops one headphone out while walking towards you, rolling it around in his hand.

“hey, sweets,” he leans down to place a small kiss on your waiting lips.

you savor the taste of his lips, always loving their soft feel.

“tried to say hi when you walked in, but guess you couldn’t hear me,” you gesture to the one earbud still lodged in one of his ears.

he gives you a small, apologetic look. “sorry, found a new song i really like. think you will too, actually. made me think about you.”

grabbing his phone from his pocket with his free hand, the one that’s holding the small bluetooth device brushes your hair away from your own ear, comfortably resting the earbud there.

“here’s the thing though….i want you to ride my face while we listen,” he just casually tells you, not even looking up at your face, still fiddling with his phone.

you perk up, surprised at his casualness. “i- what?”

“you heard me, before i press play i want you to ride my face.”

said face in question is dead serious, not an ounce of mischief to be found.

“you…literally just walked through the front door. what happened to asking each other about our days? or discussing what we’re gonna eat for dinner?” you ask him, not knowing how to react to the sudden proposal.

he rolls his eyes playfully. “is this your way of telling me you don’t want to? because you don’t have to. just think it’d really add to the experience, s’all” he shrugs.

you still don’t know how to react to the pure casualness of it all. by the way he’s acting you’d think he’s suggesting watching a movie, not having you ride his face in the middle of the living room.

“i didn’t say i didn’t want to. it’s just a little wild for that to be one of the first things out of your mouth when you get home.”

jack snickers at your words, walking around the large sectional to occupy the spot next to you.

“not really. not for me, at least. been thinking about it all day,” he plops down beside of you, making himself comfortable.

his words shoot excitement down to your core. he’s been thinking about it all day?

before you can think of a response, you feel shuffling next to you on the plush couch. you look over to see jack laying flat on his back, head only slightly raised to look over at you expectantly.

“so, you gonna get rid of those shorts or what?” he asks, referencing your thin, cotton pajama bottoms.

“i swear to god, if i wasn’t turned on right now i’d slap you,” you grumble, standing and removing all clothing below your waist.

jack laughs a real, out loud, laugh this time, prideful in the fact that you’ve never really been able to (or wanted to) resist any of his offers.

he burrows his body further into the couch, making sure he’s in the middle of the large surface, ensuring there’s room for your knees to rest on either side of his head.

you climb to hover over his body, looking down at his hungry eyes that are glued to your bare pussy, following every movement of your body from that landmark.

“shirt off or on?” you ask him, sitting on his toned abdomen.

“off. wanna be able to play with your boobs, please,” he flicks his eyes up to your face, an innocent smile on his own as he bats his eyelashes.

“of course you do,” you remove your (his) t-shirt from your body, now completely bare as you sit on top of him.

“swear they get bigger every time i see them,” he says in awe, bringing a hand up to massage one of your full breasts. you moan as he kneads the flesh, stomach turning flips in anticipation of what’s about to take place.

“gonna press play so we can get started or you just gonna play with my tits all night?” you huff out, loving the feeling but growing needier by the second.

it takes jack a second to register what you’re saying, too lost in the feeling of the heavy skin in his hand.

“oh! yeah, almost forgot,” he reaches up to the back of the couch where he left his phone, picking it up long enough to press play.

you scoot yourself farther up his body, resting your eager core right above his chin. all you’d have to do is relax your thighs the slightest amount to make contact with his mouth. 

suddenly you hear a smooth beat ring out in one ear, assuming jack’s hearing the same.

the second you hear the lyrics “she could ride my face i don’t want nothing in return” pour out of the earbud, jack inched his face up, licking a long, deep stripe through your folds.

you allow yourself to relax, sliding your slick pussy back and forth gently, not wanting to rush.

jack’s nose brushes your clit with every movement. you sigh at the feeling, not realizing how much you needed the friction until now.

the melody in your ear continues, but none of the lyrics are registering anymore. the feeling of jack’s tongue working through you takes every ounce of your attention.

“god, fuck! jack, best idea ever,” you moan out, picking up your pace slightly.

jack groans, letting his tongue still for a moment, allowing you to work yourself over it as you please.

fighting through the bliss radiating throughout your body, you try to focus on the lyrics at least a little bit. the chorus starts repeating, but the lyrics that follow make your head fuzzy in the best way.

“she could ride my face i don’t want nothin’ in return, except for some her time and all her love, that’s my concern” is what you focus on, the words squeezing your heart and your cunt.

jack smirks into your pussy when he hears you moan, knowing exactly which lyrics elicited the reaction from your body. you’ve always been the type to get off on the sweet nothings he whispers in your ear while he fucks into you, so he knew that line in particular would be especially helpful while his mouth is otherwise occupied.

your pace increases again as the song continues on, already halfway to your release.

jack brings his hands up to hold you still, your hole mere centimeters from his waiting tongue. he guides you to lower yourself onto the muscle, encouraging a slight bobbing motion of your body.

with every depression of your cunt onto his tongue, your clit bumps onto the tip of his nose. the pressure is a delicious form of teasing, the sensation gone nearly as soon as it’s felt each time.

“please, touch me. need you to touch me, jack. so so close,” you pant out, feeling the familiar swirl of your climax forming already.

jack grunts in response, the vibrations sending waves all throughout your body and you’re convinced you can feel it in your toes.

his hands leave your hips, traveling up your body until they find your sensitive buds, pinching and playing with each pink, taut nipple.

you jolt a bit, the motion causing your clit to slam against his nose this time. you cry out at all of the various sensations all at once. full with his tongue, rough hands on your tits, and round nose scraping against your clit.

the pure stimulation of it all forces your orgasm out of you, slamming into your body with the force of a train.

“fuck!” you scream, quickly shooting a hand out to grip the back of the couch, trying to stop yourself from collapsing on jack’s face completely.

you can barely hear the words “she can ride my face i don’t want nothin’ in return, and will i ever fall in love again? i can’t confirm,” ring through your ear, the soundtrack to your release, literally.

jack continues to work his tongue in and out of your hole while you shake and convulse above him, having to chase your entrance as you move. he continues to knead your sensitive breasts, each squeeze sending small volts through your already spent nerves.

he can feel your release dripping onto his cheeks, chin, and nose. he tries to lap up as much as he can, not wanting to miss a drop of your liquid pleasure.

your taste alone was enough to form the wet spot on his grey sweats, not embarrassed in the slightest he’s literally leaking from how turned on he is. but when he looks up at you above him, skin damp and eyes half rolled into the back of your head, mixed with the feeling of your body tightening around his tongue so harshly he can’t even pull it out, he blows his load right then and there.

he can feel the last flutters of your walls around his tongue, not stopping his movements until you pull back, having half a mind to keep going and work another orgasm out of your sensitive state. he moans through his own unprompted release, the only thing keeping him from following his sudden impulse to overstimulate you.

once the tired muscles in your thighs stop shaking, and your breath evens out, you can hear the fading of the music in your ear, signaling the end of the song. you push up slightly on your knees, detaching yourself from jack’s mouth as he chases your now swollen cunt, a small whine escaping him at the action.

“jack…the song’s over,” you manage the words somehow, in awe that he made you come in only a single song’s length.

“i can hit replay,” he rushes out, already reaching to grab his phone again.

you squeak out a slightly panicked “no,” while shaking your head, worried if he started again you might actually explode. you let yourself relax fully, scooting back so you can rest yourself on his lower abdomen once again, but the feeling of something wet stops you.

jerking back up, you turn and look down, spotting the large, wet stain on his sweatpants. you can’t stop staring at it, wondering if you’re really looking at what you think you’re looking at.

“jack…did you…” you trail off, turning back around to look at him.

he smirks as he leans himself up on his elbows. “sure did, sweets. you have no clue how much i enjoyed that.”

you laugh at his pride filled face. “pretty sure i do, seeing as i just sat on the evidence.”

he simply shrugs, patting your bare ass lightly to signal you to stand. you swing your legs over his body, standing and bending over to pick up your discarded underwear and slide it back up your legs.

“so….about that dinner conversation,” you ask him as he stands, suddenly way hungrier than you were when he first got home.

it’s his turn to laugh at you, walking over and removing the now silent earbud from your ear.

“whatever you want is fine with me. i already ate,” he gives you a kiss on the forehead then turns to walk towards the bedroom.

“oh…not even right, you dick,” you huff, following it with telling him you’re ordering his least favorite take out, a punishment for his sass.

making your way to the kitchen to dig through the different take out menus, you hear jack shout your name once again.

“i was thinking, how do you feel about that being our wedding song?” he asks, poking his now shirtless, but clean sweats clad, figure out of the bedroom door.

“jack!” you shout, scolding him as his loud cackle rings out around you, causing your own amused smile to break out on your face.

[intotheelliwoods]

So, I think it is finally time for a whole history regarding the black goo guy. I put lots of thought into how the thing plays into the rise lore! I can finally share it!

First thing is first, the creation of the Key when the krang had first arrived.

Simple enough, make key trap krang who have invaded the planet into it. But. I have always wondered, how did they manage to get every single krang on the planet at that time into the key?

By this point I feel that the krang were at least somewhat spread around the area, and there were more of them than just the 3 we saw in the movie. I do not think they fought every single one to cram into a key.

So along side the key, they needed to also create a device to command that would spread around the world and obtain only krang, to put into the key. They ended up creating the goop guy. This would also explain the sort of ick-like look that the movies visuals had when trapping the krang.

The black thing they created worked! It did its job! Spread around the world and collected every krang on the planet to shove into the key! But now what?

The collecting creation grew impatient, what was its purpose now that its job was complete? So to the dismay of the 4 warriors at that time it began collecting and containing other things.. the 4 warriors saw the dark turn that their creation had taken, and decided that it needed a trap too.

A box, they just made a simple box. Its location is in Japan. People could enter and exit the box fine and ask questions but the black ick creation was trapped. Generations passed, the 4 warriors moved on, and the origin of the strange thing in the box was forgotten.

Eventually leading up to well... comic events.

Another thing I wanted to point out is, Big Mamas Orb! Look! Something designed to spread black little arms wherever she pleased to trap inside whatever she wants? Hello? Are you seeing that? To me this is just a refined form of the technology. Of the goop guy was version 1.0 gone wrong, Big Mama has version 4.74, now made safe for in-home use without the fear of a world eating monster spawning in your house!

Alright now we get into comic events.

So how did the krang key help its escape?

I figured that, the only thing strong enough to break the box trap made by the 4 warriors, was to use the power of something equal in power, that being another trap made by the same warriors. Therefore unless the 4 warriors created something else, or unless the goop thing wanted to sacrifice itself to break the box, the key was the only option.

Big Leo meanwhile, was the nutcracker to access the energy lmao. You guys all remember Karai yeah? She scarified herself to hold down the shredder in the twilight realm. Equal trade. Big Leo did the same thing, but instead of the shredder it was the krang key. Big Leo held down the key in exchange for himself. However, since a third party was involved (the goop shit), the black ick thing was able to intersect the energy, and repurpose it as means to break the box and escape. Which means Big Leo was only holding down the key in its physical form, while the goop guy stole the keys mystical/energy form.

What is the deal with Sprout then?

Sprout was about to do the same thing that Big Leo did, however the process was disrupted. And the energy while being processed and transferred was lost. Think of it like someone deciding to cut your plastic straw with scissors while you are drinking out of it and the fluid just spills everywhere. Thank you Poptart.

So what ended up happening was, he scarified his finger, toe, and a small piece of his mind for the key to be broken and the energy lost. It evaporated into the air.... Does this mean theres Sprouts finger and toe just?? floating around the Twilight Realm? yeah lmao probably.

How did Big Leo know about the goop thing to begin with?

I would like to imagine that during Big Leos timeline/krang apox, the box made a great place of refuge for people on the other side of the world. I cant recall where but I know it was stated that there are multiple hidden cities around the world, and by that time I would figure that even humans would need hiding from the krang. I also assume that there may be some form of communication between all refugees and hideouts around the world.

So, when word gets out to the goop guy that "hey, lmao, the key which is the one thing that can free you is over in nyc-" the goop guy would do all it can to send out a message over there that, Hey, if you can bring the key over, I can help get rid of the krang for good, there is definitely no catches :)

Big Leo eventually heard this message and proposition, he just needed to get the key. But well, looks like they could not get the key back from the krang in that timeline, look what happened.

Anyways, Big Leo keeps this offer in his head when he goes to Sprouts timeline. So when the foot keep coming back for Sprouts family to try and get the key that cant be destroyed, he ends up taking the offer.

Fire hurts it? How did that work here, but not save Sprouts timeline?

Fire worked as a temporary solution in Sprouts timeline! But since it was so spread out everywhere, the fire would not spread far, the goop entity could separate the fire from the rest of itself. It worked as a temporary thing but would never kill it entirely. Sprout and the rest of the timeline could never find and catch the core, it was always on the move, and could be anywhere in the world.

Fire worked in the box in Poptarts timeline however because the goop along with its core was contained within a small area. The core had nowhere to go to escape the fire, thus burning it. After it was burnt the Core was taken to Big Mama, who can possibly refine the technology or find another way to contain it, in case it activates again

Hey Ell what the hell is going on?

read da comic :D or re-read it, but if you did all that you are free to send an ask since I may have missed something or made something confusing!

Hey Ell, where is Big Leo?

Twilight Realm, like Karai! :D

[clawsonpaws]

Tips for closeted littles from a closeted little

Diapers: period pads (get the overnight ones) or period underwear, they might not work superrrr well but they’re worth a try

Paci: chewlry, lollipops, baby bottle pops, push pops, I’ve seen lollipops that look like pacis before, your thumb✨

Sippy cups/bottles: cute water bottles with straws

Clothes: adult onesies, most pajamas are super cuteee, cute clothes in general no one will question you since it’s a style

Bed?: I personally roll up blankets and put them on the side of my bed not by the wall and it makes me feel like I’m in a sorta crib

If you have a way to go to a convenience store and pay without parents knowing, they will most likely have baby products, make sure to buy some big things too if they ask

Ask a friend you’re comfortable with to buy something little for you if they’re able to

Kids games on any device really, if you’re superrrr concerned you can delete them after playing them

Swaddle yourself in a blanket it’s super cozy and you can pretend you’re a ghost!!

No one questions stuffies!!! You can play pretend with them when you’re alone :3

Baths! Just say you wanna relax and you can have super fun bubble baths!

Listen to lullabies with headphones on

Mac and cheese, yoggies (they are like little balls of yogurt covered strawberries and they make me feel so little), Cheerios, cheez its, goldfish, fruit snacks

For me, cups that are super big so they make me seem small while holding them

Always use little spoons/forks

Ask parents to cut up meat when given to you (my mom does it all the time:3)

Juice boxes/caprisuns never get questioned

Bracelets make me feel little, I dunno about anyone else

Watch kids shows (no one EVER questions Bluey)

Fictional caregivers (either make an imaginary one or make head cannons of a character!!)

Character ai has fictional caregivers you can talk to, plus you can make ais of them if there isn’t any

Find old baby/toddler stuff (for some reason a lot of people have them in their closet) and say you’re keeping them for nostalgia

If you have a parter tell them the little names you like as petnames they can call you

Coloring books never get questions

Get a journal that you can write little things in or draw in when regressed

HELLO KITTY, need I say more?

Cute socks!!

Weighted blankies

Oversized everything

Truck or treat as long as you can

If you cosplay cosplay as a child

Sensory items

Those hoodies that look like puppies

Bright colors on things you can (if they don’t make you overstimulated)

The tiny backpacks

You can use graphic novels as picture books!!

Bento boxes make me feel like I’m having a little lunch

If you can use straws when you drink from a cup and not a bottle

Oversized sweater and shorts (no pants nation!!>:3)

Sorry if it’s bad I came up with everything while writing it!!

Good luck to all my other littles love y’all <3 (platonically)

[aceduchessdragoness]

UPDATE: August 21, 2024

Displaced for the 8th Time - The Balousha family truly does not know where to go. Deir Al Balah was the last "standing" town in Gaza, and with these evacuation orders and mounting violence, the future is dark and uncertain. It is not an exageration to say we are watching a final phase of genocide commence. Please donate to get them out before it's too late.

UPDATE: September 7, 2024

A sobering update:

A few days ago a massive bomb was dropped 3 tents away from where Mahmoud's family was sleeping. The immensely loud sound was what first woke them up, following by the feeling of the world beneath you literally shattering and becoming engulfed in fire.

It is a true miracle that Mahmoud's family was not injured, but the harrowing reality is there is no proimse that their tent won't be bombed next, because NO ONE is safe in Gaza.

Mahmoud's innocent nieces were forced to endure the smell of burning human flesh, to watch the smouldering remains of their neighbors be dug out from the debris - please donate so they can escape from this wretched nightmare. Their lives are quite literally in your hands.

UPDATE: September 15, 2024

Almost a Year of War

Mahmoud's family has miracoulously survived a war that has taken out over 10% of the Gazan population thus far, however as the one-year anniversary of this nightmare approaches, so does winter. Currently they have no proper clothing or shelter for winter. I hope to raise funds so that they can purchase sweaters, socks, coats, blankets, and whatever heating device they can access, even if it's a battery-powered heater. Without acquiring these necesities, it is unlikely that Mahmoud's eldery and sick parents, as well as his very young nephews and nieces can survive the upcoming cold.

UPDATE: September 23, 2024

Flooded by Rain:

Yesterday was a day of horror as frigid rainwater leaked through the thin walls of the tent, flooding all of the family's belongings and destroying their meager flour provisions. Below is a screenshot of the conversation I had with Mahmoud's sister, where she showed me a video of the flooded tent. She told me she and her daughter's wish for death. Please donate so they can buy an insulated tent to survive the winter...

UPDATE: November 7, 2024

Thank you all for helping us reach our initial goal! When I first set up the fundraiser I randomly picked $50,000 hoping the war would end before we even raised half of it...Unfortunately the war is still ongoing and the funds are still desperately needed as less and less aid enters Gaza, increasing the prices of the little that is available. Another consideration is when I transfer the money to Mahmoud's brother in law's bank account, the bank takes a 30% cut of the money. Below is a receipt of my most recent transfer into Gaza. So please, continue to donate, you are quite literally the reason why the Balousha family hasn't starved to death yet.

(picture of payment and recipient information)

What is very strange is that all the American media are talking about breaking into the house of Mark, the owner of the famous squirrel, searching his house and killing his squirrel... I am against this matter and I condemn it just as the American media condemned it, but where is the American media? And its condemnation of what Israel did to the Palestinian people? ..the landowner

There is no harm in sympathizing with this issue and against what the government did to the squirrel, as it is an animal that deserves mercy. I personally love animals very much. Some love them too.

But what the Israeli occupation has been doing for a year and two months, killing, airstrikes and besieging the people of Gaza, has not caught their attention. It is strange that there are still those who support Israel. How come their hearts are not moved when it comes to children and people? Help my family here 👈

I thank the free peoples who support the Palestinian cause. There are many forms of support. Each of you has great love in our hearts, and the American people in particular.

Please continue to support us, we need it most.

To support my family here 🍉👈

[darkficsyouneveraskedfor]

Home Away From Home 3

Warnings: non/dubcon, jealousy, mentions of loss, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Loki, Peter Parker (tall!reader)

Summary: You’ve been friends with the Odinsons since childhood. After years of separation, you reunite on Midgard after the destruction of Asgard, but find yourself caught between your old and new lives. 

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

Peter’s abode is intriguing. You find all Midgardians have such character in their homes. Stark's is elaborate and expensive, as all things he does, and the spider-hero's being is reflected in his simple but overcrowded decor. 

He has shelves of books and little figures. You investigate them as he rustles in the kitchen. You laugh at the miniature of Thor, his proportions comical as his head is far too big for his body. It’s even more amusing to think Peter would have it all while knowing the god himself. 

“Have you read any comics?” Peter asks. 

“Comics?” You put the tiny Thor back. You wish you could show him. 

You face Peter as he sets down a large bowl of popped kernels. He stands straight and grins, “graphic novels.” He steps around the coffee table and nears you. He takes a slender book from the shelf and opens it to show you the colourful illustrations within. 

“No,” you lean in to admire the pictures. “I did read a book about a strange immortal stalking this poor girl. It was about night time, I think...” 

“You read Twilight?” He chuckles. 

“That is the one. I didn’t enjoy that,” you say. “It isn’t proper the way the Ed—Edmund? Behaved.” 

He laughs again and slides the book away. “I only saw the movies.” 

“There are moving pictures?” You tilt your head. 

“Uh, yeah, maybe we can look them up after we watch some wrestling.” 

“Yes, watch wrestling,” you echo his sentiment with a lilt. “I’m intrigued. Show me.” 

You follow him to the couch. You sit and bounce a little on the spring furniture. You press your hand to the cushion and test the structure. It should do. He sits beside you, fidgeting as the hits buttons on the small remote. 

Your eyes flick up to the screen as he shuffles through the menu. Stark loaded up a device for you with all sorts of moving pictures. You find the TV too frustrating. 

He sets the remote down as the audio blusters and the images begin to move. A deep voice narrates the sights on screen. A man in bright yellow attire postures and poses as he comes down a slanted aisle. You stare inquisitively at the square platform surrounded by ropes. 

“That’s Macho Man Randy Savage,” Peter explains. 

“Macho Man,” you nod. 

“He’s going to fight Hulk Hogan,” Peter says. 

“Hulk?” You look at him. 

“Not Bruce,” he assures. 

“Ah,” you accept and focus on the screen. 

There’s music and a crowd cheering, roaring for the two figures as they put on a show just to get into the square pen. You tilt your head as you watch, leaning forward. 

“That’s the ring,” Peter says. “That’s where they fight.” 

“Hm, interesting.” 

A man in stripes comes to hold up a belt with gold on it. It’s not the sort of thing you would wear. 

“That’s the championship. The winner gets to keep it.” 

“It is not a very nice accessory,” you tut. “In Asgard, we fight for fun or gold. Who would want that?” 

“Well... it’s about what it means. The World Championship. So... they’re the best in the world.” 

You hum and watch on. The men tangle in each other. You stifle a laugh as they begin. The way they hit each other, the way they seem to dance, and do everything so deliberately is silly. 

“It is fake,” you say. “They don’t mean to hurt each other.” 

Peter sighs, “didn’t I say so?” 

You look at him and grin, “you Midgardians do stay too quiet. You never say what you mean.” 

“Oh?” His brows furrow. 

“Yes. You play at fighting and you play at your true intent,” you insist. “You bring me here and say let us watch the wrestling show but I know what you want.” 

He gulps as his eyes widen, “you do?” 

You scoff and reach to ruffle his hair. You stand and unclasp the buckles on your shoulders. Your satin tunic falls forward and unveils your naked chest, the fabric caught up in the belt at your waist. Peter gasps. 

“How do you prefer, dor-dígull?” You reach under the satin and unknot your belt. 

He stares up at you. “I didn’t--” 

“On Asgard, it isn’t a big matter,” you shrug as you free the belt and shimmy out of your top. You step out of it, your chest swinging and drawing his attention. “I have been rather looking forward to it.” 

“You mean...” 

“Oh,” you stand up, your hands on your leggings, “have I made a mistake?” 

He blinks and his cheeks tinge red, “no, I mean, I want to but I didn’t expect...um, well... usually guys make the first move.” 

“Hm, then you make your move, dor-dígull,” you swipe down your leggings and untangle your feet from the bottom. “I will take your lead.” 

He takes a deep breath and his eyes flit up and down your body. You feel tingly and a bit eager. Is it normal for Midgardian men to be so skittish about it all. 

He gets up and strips off his shirt. His chest is thickly muscled, his stomach too. He might be short but he is well-built. He undoes his denim pants and pushes them down, nearly tripping as he fights to get them off. 

You look around and eye the space, “on the sofa?” You wonder. 

“Ummmm,” he drones as he continues to strip. “I guess...” 

“Mm,” you hum and examine the cushions. 

“Unless, er, there’s the bed--” 

“You Midgardians are too slow,” you grab him and turn him, pushing him down to sit on the couch. He tries to cover his bobbing cock as he falls onto it. You tut and swat his hand away. “Let me show you how to do it right.” You snake your hand down between your legs and feel between your folds, “I’m ready.” 

“Uh, okay,” he flattens his hands on the cushions as he gapes up at you. You grasp his shoulders and bring yourself to straddle his lap. 

You grip his member and stroke it as you hover just above it. Your press his tip along your wet folds and tease him. Your hold on him is firm. He throbs and groans at your touch. 

“Mm,” you pause at his erratic shaking. “This is not the first time?” 

“N-no,” he stutters, his cheeks lighting up even more. 

You laugh, “then it will be the best.” 

You push his tip against you and slowly descend onto it. As you sheath him in your aching warmth, he sighs and pushes his head back. He trembles as you take him to his limit. You take his hands and guide them to your hips and begin to rock. 

“This is the better sort of wrestling,” you jape and move his hands up to your chest. 

[mysecretlittlelibrary]

HIII YOU DID SO WELL WITH THE X-2 KURT I feel like you really captured him welll,Can you do another one where reader was apart of the brotherhood but magneto and mystique left reader so she stayed with the x-men and she’s still adapting and when she meets Kurt she grows fond of him since she used to be religious and starts to get feelings for him please! (If you can’t write the religious part it’s totally fine too!)

~You Gotta Have Faith~

Pairing: Nightcrawler x Reader

Word Count: 4.4k

Warnings: you read the ask (hopefully) the story is about religion and having a complicated relationship about it, proceed at your own desire

Genre: fluff pretty much

Summary: You can't be the best choice for a first mission with someone you couldn't feel more opposite of

A/N: HIIII SO GLAD YOU LIKED THAT STORY I hope you what I came up with for this one :)

***

The frantic knocking at your door puts you on high alert when you hear it from your room. You creep up to the door, watching the shadows move across your kitchen as the sun inches into the sky.

"Professor!" A voice whisper shouts through the door, knocking harder.

Professor? You quickly check your peephole and gasp when you realize it's students from the school. You swing open your door to find at least 10 students clutching their arms.

"What are you doing here? Where is your guardian?" You ask.

"Me." Peter points to himself.

"You're a student. What adult is responsible for you?"

"Well- you."

"Me? How did you even know where to find me!?" You frown.

"The manor was attacked." He says.

That's not an- oh whatever.

"Wha-" You tilt your head up and mouth a 'fuck me-' "Alright, get in here before someone sees y'all and starts asking questions." You rush all of them into the house and lock your door.

"Sweetie take the little ones downstairs. There's plenty of blankets in the closet down there." You address one of the older boys in the group, maybe like 14.

"You metal man are staying up here to explain what the heck is going on." You point to Peter and gesture for him to follow you into the kitchen.

"The manor was attacked." He says sitting at your kitchen's island on one of your stools.

"You said that. What do you mean? Who attacked the manor?"

"I don't know- they were guys in military tactical gear- they came in the middle of the night and started shooting us with these. I think they're tranquilizers." Peter drops a dart onto the counter.

"And you got all these kids out?" You ask. Peter nods.

"Logan stayed to fight them off, give us a headstart."

"Logan?! But where was Storm? Or Jean, or Scott, or Charles? Where were your professors?!"

"I don't know for sure. Some mission things. They left Logan in charge."

"And the school was attacked by an army? What happened to Logan? Or the rest of the kids?"

"Logan was fighting them off. He insisted I get as many kids out as possible. He- gave me your address. Told me to bring us here. Bobby and Rogue and John stayed behind. The guys in combat gear rounded up a lot of us before Logan or I could stop them."

"Let's find everyone." You hum walking over to the wall on your left. You tap out a pattern against one of the wall panels which pops open a retina scanner which triggers a finger print and once all of that is complete the wall flips open to reveal several devices.

"Woah- what is all this stuff?"

"Expensive. Don't touch any of it." You say.

"What does it do?"

"It connects to the xmen comms system." You say.

"And you just have this in your house?" He gasps.

"No."

"No?"

"This system exists outside of time and space. I can just summon it whenever I want." You shrug.

"What kind of mutant are you?" Peter asks.

"A transmogrifier." You frown as you see most devices are offline. There's two active though, Scott in Boston? And a jet. You think.

"A- what?"

"Shapeshifter." You mutter.

"Oh like the blue lady?"

"No not like- wait how do you know about Mystique?" You stop what you're doing to look at him.

"I- should I not?"

"Well it's not like she's visiting the mansion." You scoff.

"I overheard the professors talking about her. They were going to try tracking her down but weren't sure they'd be able to because of the whole-"

"Changing into other people thing yeah I'm familiar." You say. "Mystique can turn into other people. I can turn into anything. Real." You turn into a fox for a moment. "Or imaginary." You turn into a unicorn. "If I can envision it, I can turn into it." You explain.

You finally manage to get through to the jet comms system.

"Hello?" You say.

"Y/n?"

"Storm??" You frown.

"Yes." She says.

"Aren't you out of office this week?" Another voice chimes in, surprising you.

"Jean?" You blink.

"Yes."

"Where have y'all been?! Actually, hang on. Peter, can you join the kids downstairs please hon?" It's probably best he's not present for this conversation.

"No way. I wanna help." Peter says. You sigh and mute yourself so Jean and Storm can't hear you.

"You can help by doing what I'm asking you to do." You say.

"But I should be part of this-"

"Peter, we have no idea who attacked the mansion, or why, or how far they are willing to go for whatever they're after. Right now those kids just have us and the oldest person down there is 14. I'd feel better if you were with them while I handled this."

"Why can't I hear this?" He asks.

"I know you're older but you are still a student and therefore there are some things you aren't privy to. I'll give you the gist when we're done because I might have to leave you in charge but consider this a faculty meeting. No students allowed." You say. Peter reluctantly exists the kitchen and you return your attention back to your call.

"Sorry, hi." You huff.

"What was that?" Jean asks.

"Peter."

"Who?" Storm asks.

"Peter R."

"Why is Peter R. at your house?" Storm asks.

"Do you have any idea what's going on right now!?" You shake your head.

"No. We can't get Scott, we can't get Charles, Logan's giving no information-"

"Scott's in Boston." You cut Jean off.

"Logan's in Boston." Storm corrects you.

"Logan's in Boston?! Where's Scott?" You frown.

"He was supposed to be with Charles visiting Magneto and we can't get them." Storm sighs.

"Visiting Magneto!? What the hell for?" You blink in shock.

"We're not sure-"

"Well where are yall?" You ask.

"Headed to get Logan. He said they're in trouble but he won't explain." Storm says.

"The Mansion got attacked." You say.

"What!?" They gasp.

"How do you know that?!" Jean asks.

"I've got at least a dozen kids in my house as a result of it." You say.

"A dozen? Where are the others?!" She asks.

"Deities only know!" You sigh.

"Well who the hell-"

"No idea. Peter says they were like military or something. Storm, things are bad."

"We'll be fine. There's not a thing in this galaxy we aren't able to handle. You know this, you know us." Storm says.

"I don't like that we're so scattered. We weren't prepared for this-"

"We never are. But we don't back down." Jean says.

"Holy shi-"

"What the-"

"Can one of you finish a sentence?" You ask.

"We just got to Logan." Storm says.

"Is he okay!?" Your eyes widen.

"They- seem to have picked a fight with some cops." She says.

"Logan?" You raise a brow, Logan's not a fight picker.

"He's got Rogue and Bobby and that John kid with him." Jean says.

"Let's get outta here." You hear Logan grunt.

"Logan!" You say.

"Y/n? Did that metal kid make it to you?" He asks.

"Oh he did. Him and a handful of others."

"Thank fuck." He sighs.

"Y/n we- need to go." Jean says.

"We're being shot at! We'll touch base when we're safe!" Storm tells you and disconnects.

"This is fucking insane." You sigh.

It's a while before you hear from them again. It's then that you learned about Striker and Magneto getting involved, and the new mutant. With the kids at your place and Magneto being directly involved with their save the day plan, you decide you're better off staying home. You're not sure you're quite ready to face Magneto and Mystique in an amiable way. It's a stressful couple of days waiting for an update of any kind. And it's even more stressful couple of months trying to readjust afterwards.

Repairs on the mansion are plentiful and extensive. Several students end up displaced as their rooms were destroyed but you and the others do your best to make this easier for them.

And of course there's the new mutant. Logan and Storm told you his name is Kurt Wagner, former circus performer, teletransporter and according to Logan 'total weirdo'. You haven't really spoken to him but you've seen him slinking around the manor.

As you're walking down the hall you vaguely, just barely, hear the very quiet sound of someone breathing- above you? You tilt your head up and there's Kurt, walking down the hall but on the ceiling.

"Yo Cirque du Soleil!" You call up at him.

"Me?" He bends his neck backwards to look at you upside down.

"You were in a circus weren't you?" You ask.

"Yes!"

"Well then yeah, you. Why are you on the ceiling?"

"I feel I'm better off moving around the academy this way." He says. You give yourself a set of wings and fly up to the ceiling to be face to face with him.

"Better off up here than walking like the rest of us?" You ask.

"I think I freak out some of the kids." He admits.

"What?"

"They stare at me."

"Of course they do. You're the new guy. Scott shoots lasers out of his eyes, Logan has claws in his knuckles, one of these kids turns fully metal, another's a popsicle, one kid can't touch anyone without risking their life. Trust me, it's not because you freak them out. This isn't the kind of place where you'll be judged harshly for something so trivial." You say.

"Easy for you to say. You look normal. All of them can look normal."

"Looks are deceiving."

"Not mine." He shakes his head.

"No? Well I happen to like the way you look." You shrug.

"What?" His eyes widen in surprise.

"I think it's cool. You were born this way so as far as I'm concerned it is normal. Plus who wants to be normal when you can be awesome? Or gifted as Charles calls the kids."

"You think it's cool?" Kurt seems skeptical.

"Well yeah. Do you not?"

"I-"

"Professor y/n?!" You look over your shoulder and down at the sound of your name being called.

"Oh, hey Margot." You say to one of the students.

"Why are you up there?" She asks.

"Talking to Mr. Wagner." You say.

"Who?"

"Walk like- 2 feet forward for me." You tell her. She walks forward and looks up again, Kurt now in her line of sight. He flashes an awkward smile at her.

"Who are you?" She says.

"That's Mr. Wagner." You say.

"Oh. Well hi." She waves at him.

"Hello." Kurt says.

"Why are you on the ceiling?"

"Just- hanging around." Kurt says.

"You two are weird." Margot says.

"Weren't you going somewhere Margot?" You roll your eyes.

"Just to get lunch." She shrugs.

"You go do that then."

"Okay, fine." She continues down the hall.

"Kurt, come down with me. You live here now, you have no reason to hide. Especially not the acne covered gremlins roaming the halls."

"Should you be speaking of students like that?" Kurt asks, eyebrows squeezing together.

"When trying to convice the new guy to stop crawling on the ceiling I think I'll give myself a pass this time." You shrug, holding a hand out to Kurt. He hesitantly takes it and you fly him off the ceiling.

"There. Isn't that better?" You smile.

"I- I feel exposed."

"This is your home. Treat it as such. And don't let anyone convince you otherwise." You offer.

"Thank you." He smiles, it's shy and small, barely showing his sharp teeth.

"Don't mention it. See ya around." You say walking away from him. You're barely down the hall when an arm reaches out and pulls you into one of the offices.

"What was that?" Logan crosses his arms.

"What was what?" You frown.

"You and Mr. Circus. You would barely speak to me when you first got here why are you already best friends with the new guy?"

"You're exaggerating. All I did was try to get him off the ceiling." You roll your eyes.

"Really? 'This is your home, don't let anyone convince you otherwise'?" Logan repeats your words to you.

"An objective fact and a piece of advice nosy." You scoff.

"It is probably the first nice thing you've done for someone that wasn't a student here. You know I have to investigate."

"You don't. You're just annoying. Don't you have another soul searching mission or something you can go on?"

"Trying to get rid of me dear? And here I thought we were friends." He shakes his head.

"I'm so sorry you had that impression. I'll try not to confuse you in the future."

"Harsh."

I'm gonna go now." You tell him and walk away.

You and Logan have an interesting relationship. You speak to him more than you do the others, but it's usually some form of bickering back and forth. Not in any sort of serious way, the others joke that you two are frenemies. You're still not sure why Logan is always extending an olive branch considering he's not even one of the chatty ones here but you recogonize the effort, and while you'll never tell him this you appreciate that he makes it clear you've got him in your corner.

~

You hear a knock on your office door and don't even turn your head away from your laptop as you address whoever is on the other side.

"Come in!" You call.

"It's Charles." He tells you before opening the door.

"What's up?" You ask.

"I wanted to talk to you about our new X-man."

"Kurt?" You frown.

"Mr. Wagner seems to have- taken a liking to you." Charles says with a nod.

"We've had like 2 conversations." You scoff.

"Even so. He seems most open to you."

"What's your point?"

"I'm sending you on a mission, and you'll be taking him with you."

"Get fucked. I'm not babysitting the new guy." You scoff.

"Don't be ridiculous he's an adult he doesn't need a babysitter." Charles shakes his head.

"So why are you sending us on this mission together like a pair of siblings being forced to include each other in our plans?" You ask.

"Do you see Kurt like a sibling?"

"That's not the point but no. This just feels like when my friends parents would insist they bring along their little brothers or sisters when we had plans."

"It's Kurt's first mission. I'd like him to go with someone he's comfortable with. To make it easier for him."

"You didn't do that for my first mission." You scoff.

"Yes I did. I sent Logan on that mission with you."

"I was not comfortable with Logan!"

"You weren't comfortable with anyone. Logan just seemed to have an afinity for you, I saw potential for a friendship between you both so I went off of that. You can grumble all you want but you're going. Here's your file. Kurt will receive one as well. You leave tomorrow." Charles places a file folder on your desk.

"Are we taking the jet?" You ask.

"No."

"Why not?"

"You're not going that far. Besides, Scott needs it." 

"Fine. I'll take one of his cars then." You say.

"He's not going to like that." Charles hums.

"Oh I know, that's the fun part." You shrug.

"You and Logan really are cut from the same cloth." Charles shakes his head and leaves your office.

"Don't say things like that Charles!" You call after him. He snorts and continues down the hall as you review the file he handed you. Looks like you'll be going on a mission. With the new guy. Great.

You toss your bag into the back seat, popping your gum as you slide into Scott's car. It's not like he's gonna be here to use it anyway.

"Do you get nervous before missions?" Kurt asks you as you start the car. You glance over at him for a moment and then put on your sunglasses as you pull out of the garage.

"No." You say.

"Oh." He says. After a couple of moments of silence you roll your eyes at your own inability to let it go.

"Are you nervous?" You ask him.

"A little bit. The circus is- very different from espionage."

"I'm sure you could apply those skills." You say.

"You really don't get nervous?"

"Nerves get you killed."

"That's bleak."

"That's what I was taught." You shrug.

"By the x-men?" He asks.

"Do they strike you as that type?"

"Well- no but I do not know anyone well."

"I was part of something else before this. They taught me nerves get you killed."

"And you still think that way?"

"Of course. It's never failed me." You shrug.

"That seems... grim."

"It works for me. Charles would probably have me tell you that it's perfectly normal to be nervous for your first mission and there's nothing to worry about. I'm gonna tell you that if at any point you freak during this mission stay out of the way and keep quiet." You tell him.

"It sounds like you expect me to do poorly."

"I don't expect anything but nerves get in the way. They make you freeze, I won't have you ruin this mission if you freeze."

"I won't freeze."

"Just covering my bases." You mutter. There's a long while where neither of you says anything but as you get closer to your destination you hear him quietly muttering.

"What're you doing?" You frown over at him.

"Praying." He says.

"Praying?" You almost can't believe your ears.

"Yes."

"Charles has one hell of a sense of humor." You snort.

"What do you mean?"

"Nothing Kurt." You hum. From that point you try to focus on drying, but your mind keeps wandering to the strange newcomer sitting beside you. He spends most of the drive going over the mission file and mumbling things to himself. You don't think they're more prayers but who's to say really. You know you certainly weren't shy about how often you prayed before. You wouldn't put it passed Charles to assume you and Kurt would bond over the religion thing but it's a bit ridiculous if he did seeing as your relationship with faith isn't exactly- a positive one.

It takes you 2 days to get to the location Charles gave you. Mostly because you didn't want to drive 16 hours straight. You drive til sundown and once it's dark you find the nearest safehouse and spend the night there, where Kurt continues to pray incessently. He prays before bed, before eating, he even prayed before stepping foot into the safehouse.

For some reason, you're surprised every time he does it. It's like you keep forgetting he's religous because it's been so long since you've been around someone so devout in their faith. And you're not sure who Charles thought was going to get the most out of pairing the two of you up honestly, there are X-men who are much more indifferent to religion than you are who probably wouldn't be so jarred by it all.

Still, you're nothing if not professional, and no amount of personal trauma will impede your mission here.

When you arrive at the final destination you almost want to laugh. A catholic school. If this Charles' idea of a joke you might have to seriously reconsider your choice to join the X-men. At this point you're certain the egghead is putting you through some weird trials. You pop a piece of gum into your mouth and cut the engine.

"You wanna pray before we go in there?" You ask Kurt.

"What?" He blinks at you.

"You've prayed like a dozen times in the last two days." You shrug.

"Well yes but I thought you wouldn't-"

"I don't care. If it'll keep you from being nervous do it."

"Should we even be going into a place like this?" Kurt frowns.

"The school's been shut down for years." You scoff.

"It's still a house of the lord though, isn't it?"

"If His people aren't using it I don't think it counts. Besides, we shouldn't have to disturb any of it significantly anyway. We're just looking into a whatever energy Charles was picking up on." You shrug pushing open the car door. Kurt quickly mumbles the lord's prayer to himself and follows your lead, scrambling out of the car.

"You gonna chill out now Wagner?" You ask him.

"I will try." He nods.

"Good enough. Recite that lord's prayer again if it helps I guess. Just- in your head next time." You say walking towards the building. Kurt follows you inside and the two of you scan the building for anything that might have raised flags with Charles. Eventually you turn down a hall and hear a thud behind you. When you spin around and realize Kurt isn't there you whip back around the corner to find him dazed and darting through the hallway.

"Kurt!"

"Something- someone attacked me!" Kurt tells you. Ah, a mutant must've been hiding here. You feel a breeze blow by you and realize the mutant must be a speedster.

"Kurt wait don't-"

He catches the mutant before you can stop him, but you do intervene with a hand around his wrist when it seems like he's going to hit them. Pinned underneath Kurt is a mutant that looks to be about 15, huffing real hard.

"It's just a kid." You say. You grab the kid's arm and motion for Kurt to let him up. Hesitantly he does and you keep your grip tight around the youngster's forearm as he rises from the ground. "Yo kid, what're you doin creeping around this school like a ghost haunting the place,?" You ask. The kids tries to wresting away from you unsuccessfully.

"How did you even find me?"

"That's kind of what we do."

"Traitors!" He snaps.

"What?" You're sure the look of confusion on your face is severe.

"How do you sleep at night turning against your own kind? Taking mutants to the government."

"Oh hush." You roll your eyes. "We're X-men not cops. But on paper I'm a professor at a school for 'gifted youngseters'- or mutants. Like you. We track down and house young mutants, teach them how to make the most of their abilities." You tell him.

"Oh-"

"You got a bag? Photos of your dead family, childhood momentos, a sack of clothes, anything you don't wanna leave here before we take you."

"Take me where?" 

"To the school kid, congrats on your admission." You say.

"I've got a backpack."

"Good. Lead the way." You don't let go of him, in case he gets flighty on you but he without protest takes you to the classroom holding his personal items and soon you're in the car again with him silently in the back seat.

"You got a name speedster?"

"Matt."

"I'm y/n, this is Kurt." You offer.

You drive a few hours until you hit a safehouse and Kurt stays up watching Matt while you catch some sleep before hitting the road again. You decide to tough it out and do the 10 hour drive without another overnight stop. You stop for food, you stop for gas, you stop for restroom breaks if necessary but you wanna make it back to the mansion, the sooner the better.

Once there, you and Matt set out to find Charles, get the kid officially set up and whatnot. But as soon as Kurt's out of sight Matt asks a question out of nowhere.

"What's up with you and that blue guy?"

"His name is Kurt kid don't be rude." You say.

"Okay, what's up with you and Kurt?"

"What are you talking about?"

"He looks at you like nothing else has ever mattered in the world when you're near him."

"You're being ridiculous." You roll your eyes.

"You're being oblivious."

"Watch it kid." You warn him.

"Not sure if you really don't notice it or if you're deliberately ignoring it but the guy definitely likes you. How can you not tell?"

"I barely know him."

"Then why do you look at him like that?"

"Like what?"

"Like you wanna put him in a box and keep him like a pet."

"We're here. Charles! I found your funny feeling." You say pushing open the door to his office.

"Hello y/n."

"This is Max. We need to talk about the missions you're sending me on."

"You were successful. And in a shorter timeframe than expected. I see no reason to make changes." Charles says.

"I'm not gonna argue with you in front of the kid. We'll discuss it later." You say and leave the office. You head to the kitchen to make yourself a something to drink and a snack. It's been an exhausting few days.

You open the fridge, looking for something to snack on.

"You don't like me, do you?" Kurt's voice takes you by surprise, you swear the kitchen was empty when you came in here.

"Fucking- where the hell did you come from?"

"Just- around."

"Oh great what an enlightening answer. What are you even talking about?"

"You don't like me." Kurt says. It's not a question.

"How'd you come to that conclusion?" You sigh.

"You were grumpy during that whole mission."

"Not because of you I was pissed at Charles."

"Because he made you work with me?"

"Yes! Is that what you wanna hear? I was mad Charles paired me with someone I can't stand. Does that not sound insane to you Kurt? Obviously that's not it. The whole mission made me uncomfortable and I felt like it was... targeted. Like Charles was picking on me or something."

"Why?" Kurt tilt's his head curiously.

"You're very religous and my relationship with that religion is pretty rough. On top of the fucking catholic school it was- a lot."

"Ah so- you don't believe in God?"

"I don't believe in Christianity." You say.

"But you believe in God?"

"I believe in many gods."

"How can you...?"

"I believe all of them exist, because religion is based in belief- faith is the belief of something without proof of existence, by definition if believing in something makes it true then all the pantheons exist- but each person is only influenced by the pantheon they believe in."

"What an insightful line of thinking." He hums. "So you don't hate me?"

"No. I have complicated feelings around religion not you."

"What are your feelings around me?"

"You're new. I don't know you well but you seem very sweet, and there's obviously a reason everyone else wanted you to stick around in the first place so that's good enough for me." You shrug.

"What about you?"

"What about me?"

"Well- do you want me to stick around?" He asks.

You let out a sigh.

"I want you to do what makes you happy. If staying here, being part of this, doing what we do, makes you happy then yeah, stick around. But, you have to stop caring about if people like you. Not everyone will and that has to be okay because sometimes personalities just don't mix and nothing you do or say will change that and you shouldn't spend your time trying to make yourself change for them anyway. You should want people that like you for you because if you have to change then they don't like you they like what they can turn you into and that's not worth the stress. Not everyone will like you it's not a personal failure on you. Just make sure you like you."

"I agree with you, and I don't need everyone to like me." He says.

Kurt steps closer to you.

"But I do want you to like me. And if that takes a while, I'm willing to work to make that happen." He leaves the kitchen then and you're only barely able to keep a straight face until he's gone. You're stunned by his admission but your lips slowly stretch into a smile.

"Fuck me." You chuckle.

Why on earth does he want you to like him? And what made him say that just now? And what does it mean? And how are you supposed to deal with the fact that your heart is racing right now?

Things are about to get very different for you around the mansion.

***

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 4, Wave 1, Poll 5

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and round here.

Tougou Mimori-Yuuki Yuuna is a Hero

Qualifications:

her legs are paralyzed for a long time and even after she regains leg movement she still likely has some form of ptsd due to her experiences (she also clearly shows signs of some other kind of mental illness but that isn't explicitly stated by canon), she also canonically has a crush on her best friend and has an extremely homoerotic relationship with her other best friend

She is canonically sapphic and a wheelchair user.

Propaganda:

she's so amazing, like she's the mom friend, the tech wiz, she pretended to be a vigilante one time, she tried to destroy the world, she's a history buff, she's stubborn, she had amnesia, she prefers her last name even with her closest friends, she's a total goofball, she loves to cook and bribes her friends with snacks

Are you a fan of magical girls? Of magical girls who would like to kiss other magical girls, perhaps? Well then. #togosweep

The qualifications and propaganda paragraphs correspond, @melodemonica is the first submitter.

S’chn T’gai Spock-Star Trek

Qualifications:

He is canonically dyslexic, and commonly interpreted as autistic. I do not think I have to tell you why I think he qualifies as LGBTQ+.

Propaganda:

He started it all! Spirk was the birth of slash fiction and fandom itself. Autistic, dyslexic, gay-- what can't he do?

Anything Else?:

THIS APPLIES ONLY TO THE ORIGINAL SERIES VERSION OF SPOCK. NOT THE SPOCK FROM THE JJ ABRAMS MOVIES OR THE NEW ITERATION OF SPOCK FROM STRANGE NEW WORLDS. Discovery Spock does count as TOS Spock in my mind, though. AOS & SNW Spock are some of the least gay characters I have ever seen, and it is quite sad.

Submitted by @convenient-plot-device

Check out some additional propaganda for Spock here and also here.

[h50europe]

BUCK / TOMMY - HELL HATH NO FURY LIKE A FANDOM SCORNED!

I did some thinking. Never good, but my brain can't wrap around the breakup that came out of the left field.

Recently, it was announced that a spin-off of "9-1-1" is in the works. While no locations have been finalized, Hawaii and Las Vegas have been suggested as potential settings. The showrunner is already working on the project, with filming set to begin in March 2025.

However, one of my biggest fears has come true: the focus of the showrunners is being diverted from the current show to concentrate on this new spin-off. All the energy runs in the new project. Also, at this point, we don't know if the mothership will be renewed. Without an early renewal, we must wait until May for the announcement. That is another reason why they are focusing on the new show. I wonder if this is why the plots feel rushed and repetitive. It's nice to revisit the past, but not ad nauseam. 9-1-1 does it too often lately. What's the point in bringing back Gerard and turning him into the butt end of a joke? What's the point in digging out Abby's Tommy and hanging it around Tommy Kinard's neck when nothing was ever mentioned in the past. The focus is clearly not on the current show. It feels like Tim abandoned the ship to board a new one. It's fresh, it's crisp, it leaves room for a lot of things. Even if the breakup was meant as a shocker. If your focus is somewhere else, you don't see it. Right now, the mothership is leaking and starting to sink. If Tim keeps his focus on the new project and isn't invested in the current show, the lights will go out sooner rather than later.

Bringing in an established character was probably the biggest mistake Tim could have made if he wasn't meant to stick around. Bring in Mary Sue or Marty Stu to be a LI but not a character with a history that connects to so many people on the show. You can't sideline them forever. Especially as Buck's bi-arc was announced as something big. And it was big. A bit too big to be treated the way it was. The fanbase that had built around TEVAN, or BUCKTOMMY, within weeks, was massive. It drew so many members of the queer community into the show. Suddenly, many of them felt seen. Tommy and Buck were different from the other queer characters out there. Different from what was represented on any other show. People were willing to watch to get the slightest glimpse of them. Because they felt real. Their chemistry shot into the stratosphere.

And then you go and end it on such a horrible note? I don't care if the haters call Tommy a plot device. Everyone on the show is one at some point—even Christopher, Eddie, or anyone else from the main or recurrent cast, Karen, for instance, the Wilson kids. You name it. Tommy Kinard came, saw and conquered. So why not give him more room? They did it with Taylor (yes, I know JLH was pregnant then, but that's reason enough? I doubt it). As I said in my other long post, you could cut in a sequence of 5 minutes and show a summary of Tommy's and Buck's life.

Tim makes the same mistake as many showrunners do. Cramming a shitload of plots into 42 minutes of airtime. Is it really necessary to tell that many stories in such a short amount of time? That feels like speed dating. You blink, and you miss an important scene. Every episode, you jump from plot A to B to A to C to B. We didn't have this fast pacing in season 1 or 2. Stop it. Make Quality plots over quantity stuff.

In Tommy's voice: And for God's sake, clean up that mess you created with that shitty breakup, or the audience will wither away.

I'm sorry. I could write a book about what is happening in my head. You'd get Super Brownie points if you made it here.

[loulovingho]

listen it's no ones fault but your own, oliver was more then transparent multiple times that they were going to break up, you just decided to bury your heads in the sand and listen to lous fanfiction headcanons. if you couldn't see the writing on the wall even in episode 5 maybe that's your fault for not understanding basic media literacy but then again you're probably too stupid to realize that eddie saying "i'm straight" is a chekovs gun to dismantle it later on in the season. you probably took that at face value just like you took BT as some queer wonderful relationship when before this episode they didn't show any kind of physical affection of any kind and that funeral scene had many opportunities to cement BT and it didn't. Tommy could have kissed Buck boils on his face and all or they could have walked off hand in hand out of the graveyard instead Buck walked away without looking back, which is foreshadowing FYI. You got no one to blame but yourselves for not realizing Tommy is nothing but a plot device and the show didn't give a damn to deepen anything with him because they don't and never cared about him.

I’m sorry, you lost me at the “basic media literacy” crap because I’m convinced anyone who uses that line does not understand media literacy themselves.

Also, if we’re not taking into account that Oliver stated twice in an interview that the straight line was meant to cement that Eddie is straight, or that Ryan stated (yet again) that Eddie is straight, well… I guess we shouldn’t listen to Oliver when he says Tommy is done. Tommy is coming back guys!

Also lmao at kissing Buck’s boils because ewwwww wtf?! Who goes around kissing boils?? Keep me away from your mouth!

Also also, I actually could understand the breakup better if it was Buck that did it, after 805. Because I do agree with what some said that he seemed to be not as in it. Tommy on the other hand, all in.

And yes, it is very clear to me now that they never cared about Tommy or bucktommy, which is such a shame when the pairing did mean a lot to so many people. It was great representation (imo) and Tommy was given little pieces of backstory that would have been great to dive into.

[mytearsbuckochet]

What's your most hated Bummy scene?? I'll tell you mine. It has to be the kiss in the hospital lobby and buck getting outed because of his soot covered mouth. Never hated a 911 episode more than that. I love Buck. They just made a mockery out of him by that scene.

Where do I even start.. Couldn't agree more about the soot scene, although I'm more angry at the writers about that one than I am at Tommy, given how important it was to Buck that he came out to Eddie and Maddie on his own terms and how much weight he gave those interactions I feel like even though that one was supposed to be a cute little "hehe look this is very Buck coded", it fell short in that I would've liked everyone else at the 118 to find out in a more heartfelt way ya know??

In terms of my least favourite(s), the whole arc with billy boils was a very interesting play by the writers in that it highlighted the differences between Eddie and Tommy in a meaningful way. On one hand, Eddie, who has presumably been with Buck in the hospital the whole time he was being treated for his boils, is used to Buck's hyperfixations and Wiki deep dives, and finds them wholesome and cute. I reblogged a post a little bit ago where Buck told Maddie about how her and Chim always finish each others sentences and that theyre basically already dating, and then contrasted with how Eddie was finishing Buck's sentences in that scene. Buddie fanatic aside (I will admit im obsessed with these two idiots), THIS is the kind of domesticity I've always wanted for Buck's partners, where they acknowledge and love those little moments that he has.

Now lets go ahead and look at Tommy's side of this whole thing: Tommy's reaction to seeing the boils + how he treated and viewed Buck's obsession as exactly that, an obsession + the graveyard scene??? You can break it down into "oh well Buddie have known eachother since s2, Bummy have been together 6 months", but from my perspective the fact that Buck didn't even realise Tommy didn't like women until their 6 month anniversary (???) just goes to show that they don't really know that much about one another. Tommy was completely right in the breakup scene; he was definitely not Buck's last, and the poor guy is definitely in need of some self exploration (#letbuckfuck) before I'd be happy to see Buddie honestly (and thats not even considering the work that needs to be done on Eddie, my guy is going through it rn with Chris). Anyway; I just read this amazing fic by playinginthundestorms (on ao3) and I think the way they described Tommy (slightly Tommy bashing), was overall how I imagine he sees Buck. It never really felt like Tommy was fond of these little things Buck does in the way that Eddie (and the rest of the 118) are, more seeing him as childish or juvenile as the fic described. And it makes sense, tommy is older than Buck. A whole other can of worms and probably the icing on the cake for me was the Abby debacle, the misogyny really showed??? like man you have not changed since Hen my lord. Calling Abby out for running off with some "himbo half her age" was wild considering thats what he is currently doing with Buck? Especially with all the shit she had to go through with her mum at the time? Like what on earth is your excuse Temu? Anyway, to cut a long rant short, I actually have given you like 50 reasons, but i definitely think that Tommy was a well placed plot device and it was obvious from the start. Also, ABC could've chosen ANYONE to be Buck's first experience with a man and they were like yep lets use the racist homophobe from Chim and Hen begins cos why not?! I probably would've had a far less negative opinion of him if he was a fresh character, and I think that's on purpose, I think it would be really interesting if they go down the road of hen and chim sharing their experiences with Tommy now that they've broken up, and that they didn't say anything cos they just wanted Buck to be happy. Definitely after that heartfelt scene with Hen especially, that I didn't get cos of that bloody soot scene.

[yubnubforhire]

Yeah, I know. I don't think it's a bad thing to have characters as plot devices, that's how shows work. (And also books, and movies, and any other type of story telling media.)

But Tommy I guess seemed like he could be more - or at least we in the fandom thought so, maybe because of Lou's cameos?

Now it's like wow, the bvddies were right, looking back now and just paying attention to the show and not the fanon, it was always so obvious and I feel like such a fool :(

Lou was definitely doing a lot but you’re also not a fool for interpreting the narrative in a certain way or getting invested in a character. Yes he’s a plot device but that didn’t necessarily mean that he was going to be booted so suddenly. Taylor as a plot device lasted way longer and got a ton of screen time. Part of me saying the writing is bad is because the breakup did absolutely come out of left field — literally one episode ago Tommy was being portrayed as a steady presence in Buck’s life, someone who was part of “our people who make life worthwhile.”

This ask does also give me the chance to say the fandom infighting over all this has been fucking ridiculous. Buck coming out and having his first same sex relationship should’ve been a moment of joy but a large contingent of this fandom turned it into a months-long bitch fight over which two men should kiss. Y’all managed to make this about yourselves and ruin a deeply meaningful story arc (someone coming out later in life is rarely seen on tv, especially in a show with such a large mainstream fan base, and ESPECIALLY when it’s presented as a joyous realization with no angst or internalized homophobia to overcome). You can think that buddie makes narrative sense as I do without wishing death on Lou or bt fans, and you can enjoy bucktommy for what it was as I did without gleefully calling buddie fans worthless idiots or going after Ryan. Grow the fuck up.

[estro-gem]

Stupid colour differences on stupid different devices

I was working on my PC and I was happy-ish about this panel. (Please ignore the quality, this is about the colours >_<)

Not too bad and all, but I transfered it to my phone and-

Bruh.

Why does bro look radioactive?? 0_0

I spent a while on this, so WHY??? I don't have the energy or time to fix this now.

This looks like a problem for another day. -_-

Screw you, Jax! I'm MAD!

[farfromstrange]

Do No Harm

CHAPTER SIXTEEN: Thirty Minutes

Masterlist | Series Masterlist

Pairing: Matt Murdock x F!Reader

Summary: After the Russians came to take you, Claire discovers the chaos in her apartment, and she has a call to make. There is only one person she can think of who can fix this--Matt.

Warnings for this chapter: ANGST, violence, mentions of alcohol and blood, S1 plot, self-loathing, religious imagery, mentions of alcoholism

Word Count: 4k

A/n: This is the kind of chapter that took me so long to write because it's necessary for the rest of the story but I really just want to write the following scenes. But alas, I got it done. I only had the dialogue to begin with, and I tried to do the characters justice.

Read Chapter 16: Thirty Minutes here on AO3!

A lot can happen in thirty minutes.

In thirty minutes, over 8000 babies are born. 

In thirty minutes, over 3000 people die. 

A lot can happen in thirty minutes and most of the time, it does.

In thirty minutes, lives are lived, lives are lost, and lives are given, and the world keeps turning, but it doesn’t necessarily have to take thirty minutes for a life to drastically change. All it takes is a second for the world to stop turning, and a life to be destroyed. 

Claire left the apartment for thirty minutes. She took a walk around the block, her mind reeling with the weight of your argument. It would be a lie if she claimed that it didn’t hurt, that she didn’t consider not walking out because people have continuously hurt you all your life, and that is not your fault. 

You don’t know what’s good for you. You don’t know what it’s like to be loved unconditionally. You are not to blame for the people who abused you. Claire knows how fragile you are. Trauma like the one you endured is not something that goes away easily, but there is only so much abuse she can take. There is only so much she can do to try and help you. 

Sometimes, to help the person you care most about, you have to walk out on them; you have to leave them to their own devices, give them space and time, and hope they realize that they need help. But she can’t help but think that the reason you are so miserable now is her fault. 

Claire told Matt to stay away from you. She told him that he is far too dangerous for you. You barely knew him, so she figured it wouldn’t hurt too much. A little bit of pain is better than death, she thought. In the end, though, she only made you face your trauma all over again because, against all odds, he actually did what she told him to. She didn’t think it was that serious until you stood on her doorstep last night, and she feels guilty—she feels so guilty she could throw up on the street.

Matt is a good guy, but he is a mess. You need someone put together enough to deal with your mess. He isn’t the right person for you and yet, the times you talked about him you sounded the happiest you had in years. He made you happy. She is the reason that happiness is gone now, and you turned to the bottle—again. 

Thirty minutes. 

It feels like an eternity has passed when Claire drags her feet up the stairs. She promised the beaten-up man in the mask she dug out of the dumpers that she wouldn’t leave the apartment. She wouldn’t leave until he solved the problem with the Russians. Until she was safe. 

It was only supposed to be a few days of hiding out, but she lost more in a few days than she gained in two years. She is utterly exhausted. Lying is exhausting. All she ever wanted was to keep you safe, and you still got hurt. If she is destined to fail, what is she even trying for? 

Thirty minutes, that’s how long she was gone. As she enters the building, the air feels different. A shiver runs down her spine, curling in her stomach like a black cloud of doom. 

Claire takes a tentative step forward. The floorboards creak. It is almost as loud as the faint sobbing streaking out into the hall through the gap in her door. 

There are claw marks on the floor. They’re faint, but they’re there—gashes left by a set of sharp nails that weren’t there before. And there’s blood, a trail of blood leading from the door into the apartment, and her heart drops into her stomach. 

She pushes the door open. “Liv?” she asks. No answer. “I swear, if this is your way of getting back at me… this is not–” the ‘funny’ dies on her tongue when her eyes fall on the destruction left behind, the open window and—

Santino is cowering against the wall, beaten up and bleeding, staring back at her like a deer caught in headlights. The bottle of bourbon she bought at the liquor store downstairs falls out of her hand and shatters, mingling with the traces of blood. Your blood. 

“Lo siento,” the boy cries. I’m sorry. 

He tells her he couldn’t stop them. He tells her that he told them where she’s staying, and they took her—you. They took you. Two strange men took you when it should have been her, and it is then she starts to feel her heart bleeding into her chest. 

Santino’s just a child, she thinks. He’s a child who got dragged into a mess much bigger than him, and it’s her fault.

It’s all her fault.

Last night, Matt learned what it sounds like when your heart breaks. 

He listened as it sped up over the dishes clattering in the restaurant. First, it was nerves that had your body shaking against your will. But nerves turned into worry turned into fear, your heart relentlessly hammering against your ribcage. It was hurting you. Every beat brought you closer to the inevitable truth your mind refused to acknowledge. 

Until your heart began to pump the blood a little slower. 

Until the clock turned minutes into hours, and you’d downed your fourth glass of wine. 

You kept a faith you claimed you never really had until time ran out, and you realized that he wasn’t coming. Fear turned into utter disappointment, and your heart cracked. It cracked, and then it broke, shattering like a wine glass on a white cloth.

When he first met you, you were crying over losing a patient—a child. You seemed particularly vulnerable to him, almost broken, in a way, but he also knew that it takes a special kind of strength and resilience to do what you dedicated your life to. 

You confided in him. You had your heart broken by the people who were supposed to protect you most in this world. You could relate to what he went through, and yet when Claire said that he would only ever hurt you, that you deserve better—so much better—Matt didn’t hesitate to prove her right. In vowing to stay away from you, he did the very thing he was trying to avoid. But at what cost? 

God and the Devil are laughing at him. He can kneel on the cold wooden benches that line Clinton Church and pray for His forgiveness; he can confess his sins to Father Lantom as if he’s writing a book about them, and try to repent, but every time he puts on that mask, he is giving away pieces of himself. He sacrifices his happiness for the greater good of the city he loves and for justice, and he lies to the people he loves. He lies, and he ultimately ends up pushing them away. 

Matt sabotages himself over and over again. He pushed you away. He broke off something that was not quite a thing yet, but it could have been; it could have been so beautiful. He ruined it, again. 

He hasn’t slept since. 

When it’s not you, it’s him: Wilson Fisk. The name runs in circles around his mind. It is a whirlwind tornado he cannot seem to stop. He knew something was off when this nameless stranger came to Nelson & Murdock to hire them to defend an obvious murderer. A juror being paid off, the hung jury—it all seemed like an intricate game orchestrated by a third party to assess them.

He tried to keep his work separate from the man he becomes at night. Maybe it was Karen that put them on the radar, or maybe it’s simply because every bad thing in Hell’s Kitchen seems to be connected somehow, and he has put himself in the middle of it. He saved Karen and protected her from a worse fate, but unless he finds a way to stop the boulder from running down the hill toward them, his friends will always be in danger. He attracts it like a fucking magnet. 

Healy impaled himself because he pushed for a name. He caught him, and his curiosity killed the cat. Wilson Fisk. He has never heard of him before. No one has. But if he is the reason for everything that has gone wrong, he needs to find him and he needs to stop him. 

Matt doubts he would have a chance with you if he came running back. When he can make sure that you are safe, maybe he can crawl on his knees back to you and beg for your forgiveness, but rationally he knows he doesn’t stand a chance. 

He hurt you. He broke your heart. He tore through the already friable tissue, and he ruined something that could have been so good for him—for both of you.

No amount of praying can fix that. 

His mind is elsewhere as he and Foggy step out of the precinct into the cool night air. 

“My mom wanted me to be a butcher, you know that?” Foggy says. 

Matt sighs, tapping his cane along the sidewalk. “Oh, not the butcher story.”

“I said, ‘No, Mom, I want to be a lawyer.’” A pause. “I don’t remember what I said next.”

“No, you never do,” he says.

Foggy doesn’t take note of his snark comment. “But I’m fairly certain it wasn’t about bailing out a piss-drunk electrician who nearly burned his house down.” He looks across the street, tugging his friend’s arm in the process. “Let’s cross.”

Matt knows very well where the street is and where the cars are coming from, but he follows his lead without using much of his senses; he trusts him. 

“Ed’s wife left him, Foggy. It was an accident.” His nails dig into his jacket. “Admittedly involving cigarettes and gasoline, but still.”

He had to do some good tonight. He had to make sure at least one broken heart wouldn’t crash and burn. And it’s work. Getting a friend out of a misdemeanor might not be what Foggy signed up for, but it is work they would otherwise not have. After what happened at Healy’s trial, it’s been piles of paperwork and unpaid bills, and Matt really couldn’t stand another second of running his fingers over pages of Braille. 

They cross the street under Foggy’s observant eye. “I could be carving my own corn beef. Making my own pickles. Having a little shop of my own…” he trails off. 

“You got your own office,” Matt murmurs. 

“We have office space,” Foggy corrects. “An actual office would involve plantery and equipment. Fax machines or whatever successful people use.”

He chuckles. “I don’t think they use fax machines anymore.”

“How would I know? Which is endemic to the problem.”

They stop. Matt can feel his eyes boring into his skull, smell his sandalwood cologne and the deli sandwich he had for lunch, the one with the onions and extra pickles. 

“Matt,” Foggy asks, “what if we’re doing this all wrong?” There is a certain uncertainty in his voice. “What if Landman and Zack was the way to go?”

Fear. Worry. Concern. It all plays together.

“You hated interning there,” says Matt.

Foggy shrugs, approaching the street to hail a cab. “I hate being broke.”

If his life weren’t so complicated, he would try harder to give his friend what motivated him to agree to his ballsy idea to start this firm in the first place. Matt knows Foggy has sacrificed a lot for him, sacrifices he surely did not deserve for keeping him in the dark, but when it comes to Foggy, the fear of losing him, of him running away, paralyzes him. 

“You think Landman and Zack would’ve helped out Ed?” he asks. 

“No. But they had free bagels every morning, and they had furniture that didn’t smell like a pack of cigarettes. And elevators… God, I miss the elevators.”

“We’re doing good here, Foggy.”

He turns around. “Are we?”

“Yeah,” Matt nods, “we’re making a difference.”

A cab pulls up to the curb just as his phone starts to ring in his breast pocket. Not the one he always uses. The ringing is new, not yet very familiar, but he recognizes it almost instantly. 

“You have a new phone?” Foggy asks. “We can afford that?”

Matt pulls out the burner phone he bought just a few days ago. There is only one person it could be, only one person who has this number. He flips it open. “Hey, one sec,” he answers, moving away from the speaker to address his friend once more. “Foggy, I’ll see you tomorrow.”

He holds open the door to the cab, eyes roaming over Matt’s figure. “It’s a girl, isn’t it? You got a new phone just for your girls.” He slides into the backseat. “My life sucks.”

Again, he chuckles. “Get home safe.”

The motor roars and Matt listens as the yellow car drives away with Foggy inside. Once he’s sure that he is out of reach, he lifts the phone back to his ear. 

“Yeah, Claire, what’s up?” he says. 

She breathes shakily through the line. He can hear her heart racing at a million miles an hour, beating out of her chest like a fright train. Tears lace her voice when she finally finds it in herself to speak. “You have to come over,” she says. “Right now.”

The urgency surprises him. Not so long ago it was him uttering the same words. The wind brushes through his hair. “What happened? You okay?” 

“It’s not me,” Claire whispers. “It’s–” She almost says something else. Another word. Another fact. Another name. Her lungs contract and her breathing gets just a little harder. 

His veins feel as though they are about to burst. He can taste his heart on his tongue. Who, he wants to ask. Why are you calling me? But he doesn’t need to ask her to know the answer. He doesn’t need her to tell him because even from across the city, her reaction speaks louder than words. 

“It’s Liv,” she chokes out, and Matt nearly drops his phone in the gutter. “Someone took her. The Russians...”

You never got involved with the Devil of Hell’s Kitchen. You weren’t there when he threw the fake Detective off Claire’s roof. You have no idea who he is, you only know that Matt Murdock is an asshole. He wanted to keep it that way. He stayed away to keep you safe. 

They were looking for her. They were looking for Claire, and somehow, they found you. 

They took you.

“Please,” she’s so close to tears that the word barely makes it out in one piece.

The phone snaps shut, wandering back into his pocket. ‘Someone took her,’ it keeps repeating on a loop. Matt folds his cane, and he takes off running. He runs faster than he ever has, not caring if someone sees him. Not caring if someone wonders why a blind man is running in the middle of the night as if he can see. Not caring if someone questions his identity. 

He runs and runs and runs until his lungs are burning and his legs are hurting, and he runs even faster toward the apartment above the liquor store. Toward Claire. 

He runs toward you, for if he lost you he would never be able to forgive himself.

The door to the apartment is already open when he arrives. The distinctive copper of blood hits his nose. It has seeped into the floorboards, seeped into skin. Your scent hangs heavy in the room. He can smell you on the couch cushions and the discarded needle on the living room table. It’s your blood, and hints of someone else’s. You’re everywhere yet nowhere at all, and for the first time since he met you, he can’t feel you. He can’t hear your heartbeat. He can’t make out your presence because neither are you at the hospital nor are you safely tucked away at home where you should be. 

Liquor and rubbing alcohol cling to the oxygen. A broken bottle of bourbon lies shattered on the floor. You weren’t just taken; you spent the night here. Why? What on earth were you doing?

“Oh, thank God!” Claire exclaims. 

“What happened?” Matt asks. His ears are ringing. “Where is she?”

She moves away from Santino who sits motionless, crying, on her sofa. He recognizes his heartbeat faintly from the night on the rooftop with Detective Foster. What a pathetic alias, he thought. But the boy they kidnapped is the reason he is even in this mess. He thought Claire would be safe. He thought he was doing the right thing. 

They hurt an innocent child. They were going to hurt Claire. They hurt you; they took you, and he isn’t sure which scenario is worse. He doesn’t want to imagine. 

“They found Santino, beat him, and he told them where I was,” she says, lip quivering. “Liv spent the night here. We fought, I went for a walk, and… he told them she wasn’t me, but they didn’t care. They just took her.”

He reaches for the nearest chair. “Fuck!” The wood splinters against the wall. 

Claire flinches. “Matt.”

“She wasn’t supposed to be here. You weren’t–” He inhales deeply. “You weren’t supposed to go anywhere. What the hell were you thinking, Claire?”

“What was I thinking?” she bites back. “She was falling apart! That wasn’t my fault!”

Her words cut his skin with the force of a thousand blades. He’s bleeding out in an endless pool, and she goes and twists the knife one more time. 

He ruffles his hair, tugging at the strands for some kind of lifeline. The ground beneath his feet has long melted away. He’s staring in the face of certain demise, but it won’t be him who dies. No, death would be too merciful. He is destined to watch everyone around him fall apart and die before the pain inevitably kills him, too. 

Everything he touches turns to ashes. It rots from the inside out, and then it dies. A withering field of flowers unable to grow new seeds. A graveyard. 

“I told you to stay away from her,” Claire snaps.

“I did,” Matt says. “The second you told me, I broke things off. I stood her up. I told her she deserved better. I did everything so she could make me the bad guy. She had nothing–” He gasps for air. “She had nothing to do with this.”

“You painted a fucking target on her back!”

He matches her volume, even goes above it as the echo threatens to break glass. “Don’t you think I know that?”

“No, you broke her. She almost drank herself into a coma last night because you couldn’t let her down easy. That’s why she was here. You broke her!”

“I–” It takes a long moment to register. 

You almost drank yourself into a coma. You got so drunk you had to sleep on her couch, so drunk she had to hook you up to intravenous fluids, so drunk the two of you fought to the point your friendship imploded, and it was all because of him. Because he thought turning his back would make it easier for you to hate him. 

He turned his back on you. Like a coward.

“I was on that rooftop with you when you put that guy into a coma, not her,” she says, spitting bitterly at his feet with tears clouding her hazel eyes. “I was the one they were looking for.”

Matt begins to pace. The weight of the guilt pressing down on him is making it hard to speak. “Are you sure it was the Russians?” he asks.

She deadpans. “Oh, I don’t know. Did you piss off anyone else?”

“No, I–”

“She wouldn’t have been here if it wasn’t for you!” A tear rolls down her cheek and gets caught in her necklace. “That girl has been through hell and back, and she can take one hell of a punch, but she’s barely got any fight left in her. Now, part of that’s my fault, but she doesn’t deserve to get dragged into your bullshit!”

“I know!” he cries. “Don’t act like she doesn’t mean anything to me.”

“You don’t get to say that!” Claire cuts him off. “You don’t know her! She’s dedicated her life to saving people,” she says. “She beat the odds more than once, and she should be here right now instead of me. So, I need you to get out there and beat the shit out of whoever you need to get her back. Put them in a coma. Carve their hearts out. I don’t care! I need you to fight for her because if she dies… if she dies, I will never forgive you.”

Her heartbeat remains steady throughout. Her words aren’t some overly emotional reaction to the fear of losing a friend, her best friend, but they are the blatant truth. In her heart and her soul, she knows she would never forgive him if you died, and she doesn’t care what he needs to do to get you back. If she could, she would burn the world down herself. 

It’s not romantic love that drives her. She just knows you. She knows you, and she has grown to love you in a way that is hard for outsiders to comprehend—for those who don’t know you. She’s protective of you. She cares about you. She’s your person, and she is yours, even when you hate each other.

She will never stop fighting for you to the best of her abilities, but this is beyond her capabilities. Claire has no choice but to place what little faith she has left, no matter how mangled or broken, in Matt’s calloused hands. She might be furious at him, she might even want to claw his eyes out and sacrifice them to Satan, but she does know he cares. He cares more than most people. And if there is one thing the two have in common it is that they care about you. That has to be enough. 

“Okay,” Matt whispers. 

“Say it,” she commands. 

“I’ll find her,” he says, louder this time. “I promise, I’ll find her.”

He needs to find you. He needs to tell you the truth. He needs to hold you in his arms, safe and sound, just to make sure you’re alive. He needs you to be alive. He prays you’re alive. 

He is sure he’s losing his mind to the smoldering flames of fury. He can’t think, can’t hear anything over the rushing of his blood, and he can’t fucking breathe, but he has to—for you. He has to get it together for you.

So, he does. He takes a deep breath. He pulls the black suit out of the chest under the stairs in his apartment, and he stands on the rooftop until the city has gone quiet, and all that remains is you. 

He is going to find you, and when he does, those who took you will have hell to pay. 

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[deusexlachina]

It goes right back to what I see as the central theme that you can't just decide to have a cultural post-everything blank slate: the Vertumna Group tried to flee Earth and its self-destructive systems, only to carry those same systems with them because they're part of the same culture.

And so you get every single one of the Strato children coming right back to Earth ideologies organically, not because capitalism is inevitable but because the adults still cling to capitalistic, hierarchical logics. You can see some of it in Nem, and some of it in Cal and Tammy's relationship, but most of all you see it in Marz and Tangent.

Marz

Early in the game, Marz gets the idea to game the kudos system, trading kudos around freely. Tammy sees something wrong with this - kudos are supposed to be doled out for labour and used at the store. This is Marz's first step towards recreating Earth capitalism, the greatest threat identified by the Vertumna Group.

But! Marz didn't get the idea simply because she's greedy or literally shameless. Kudos already operate on a capitalistic logic. They're like money because they are money, invented by people who grew up spending money. And so you get Marz able to afford more luxuries than the other kids, not because she works more, but because her family can get more kudos. She's not playing the system, she's recognizing its true nature.

The government allows this obvious inequality, because everyone gets food, kudos are just for luxuries - but "luxuries" includes everything from dessert to musical instruments to incredibly useful cybernetic devices like the Brain Trainer to accessibility tools like a fidget spinner. And, in the "election," Seeq demands a bribe in the form of kudos, which is completely incoherent unless kudos are already being used as money. It's the same shit from different assholes!

Tangent

Tangent lives in a constant, hellish cycle of always needing to work. She fixed her body's failings one time with a genetic sex change. But she wants to fix it again by removing the parts of her that aren't productive or rational. I think this is why she shaves her head despite not seeming proud of this choice or wanting to talk about it - her hair, even the feeling of it, reminds her of her humanity, her frailty.

She's desperate to prove to herself that she has a Good Brain because her mom had a Bad Brain and that killed her. And her only metric of a Good Brain happens to be, ultimately, productivity. Where did she learn that from? Probably her de facto mother Instance, one of the last defectors to Vertumna (and thus the most entrenched in capitalistic culture).

Unlike Marzipan, Tangent never has any ideological commitment to capitalism. And yet she internalizes some of its worst ideas, being the single most accomplished scientist in the colony and still hating herself, because she still needs to sleep, even for minutes.

A lot of Tangent's worst excesses seem to come from not being able to just sleep on it. Older Tangent discusses a plan to totally control human reproduction, being terrified that the colony will become inbred. This is projection - she thinks she has Bad Genes, and she can't sleep on that, so it gets bigger and bigger in her mind until she's willing to take extreme measures to "fix" the problem. This plan never comes to fruition, because what the fuck, literally nobody wants this. Eugenics is just one more terrible Earth idea that made its way through the wormhole.

In her best ending - where she doesn't work on the plague and does reconcile with her brother - she contributes her genetic material to the colony, implicitly rejecting that she has Bad Genes. This is the only ending in which she does so. At the same time, she becomes the colony's first psychiatrist, finding high-tech solutions for mental illness.

Because - as she knew even as a little girl - biology never has to have the last word on your life.

...Y'know I wonder how I Missed the capitalistic "You have to work every day to have value" undertones that Tangent and her augmentation holds when I was first playing?

[sleepinglionhearts]

Absolutely amazing, the concept of setting timers on your phone for things.

And alarms. I do love some alarms.