THE AUDIENCE CLAMOURS FOR YOUR VOLMIONE TAKE!!!!!!!!! In all seriousness the curiously is piqued tenfold by the fact that you go hard to bat for the other two voldemort/golden trio ships
i've definitely been putting this one off, anon, but it's hermione's birthday, and since the requests have kept coming...
maybe i have to grit my teeth and get through it.
i am, like my good pal @yorickofyore, broadly a tomione/volmione disliker - which is a spoiler for what follows. there are - obviously - huge numbers of people who are not, and they may sit happily in their ecosystem while i flop around photosynthesising in mine.
and the reason why i don't like tomione/volmione is right there in the last three screenshots: it relies - like several other hermione pairings, snamione and sirimione chief among them - on a portrayal of hermione's intellectual expression which bears absolutely no relation to how this is written in canon.
across all seven books in the series, hermione's intellect primarily manifests itself in a sincerely impressive ability to retain and repeat information [very usually verbatim from the source she got it from]. she is able to use this ability to retain information to understand the theoretical components of magic in a way neither harry nor ron ever manage, and she is then able to apply this retention - that is, to repeat the information she has acquired - of knowledge to the performance of magic which is [often considerably] ahead of her expected level both in terms of the hogwarts curriculum and in terms of what would be seen as the median ability of an adult witch or wizard.
but hermione is never shown - at any point in canon - to be a particularly radical, creative, or experimental thinker.
she places an enormous amount of intellectual trust in disciplinary authority - not only in the respect she has for following textbooks and teachers to the letter [hence why she won't attempt any of the modifications in the half-blood prince's textbook, she thinks it's offensive that they contradict the "official" peer-reviewed and sanctioned instructions] but also in her agreement with the gatekeeping imposed by the state and/or its authorities on academic inquiry.
[hence her disliking the invented spells in the half-blood prince's textbook because they're not ministry approved, or her easing her discomfort at having read the books from which voldemort learned to make a horcrux by insisting - undoubtedly correctly - that dumbledore wanted her to do it and she therefore has the permission of an intellectual authority].
she's immediately mistrustful of anything she can't find [something she regards as] an empirical source for - which is why harry's mental connection with voldemort frightens her so much, or why she thinks that harry's lost his mind when he begins to insist the deathly hallows are real and important, or, most famously, why she thinks divination is bullshit.
she's never shown to be able to synthesise her knowledge [she never answers questions in class in her own words, she always goes massively over word limits], or to use it in ways which are considerably removed from its typical application.
[the protean charm on the da coins, for example - the magic she's using is sophisticated, and is being applied in a way which wouldn't necessarily be classroom-sanctioned, since she's using it to defy umbridge, but the evidence of canon is that it's not magic which is being used in a way which is removed from the spell's original purpose. terry boot is impressed because he's looking at a flawless execution of newt-level magic by a sixteen-year-old, rather than because hermione is using that magic in an unusual way. the same is true of the polyjuice potion - it's impressive because she brews it flawlessly aged thirteen.]
this is a very logical, rational, and scientific approach to learning - and one which the series, which tends to take a dim view of anything which deviates too far from the status quo, views extremely positively - and it is intelligence. i know some people think that when i say this about hermione i'm saying that she isn't clever - or that i'm saying she's less clever than the characters [all of whom are male] that the series permits to be "brilliant" - but that's not the case. hermione is clearly extremely clever - and her logical, empirical, careful approach comes in clutch for the trio throughout the series, right from philosopher's stone. her intellectual expression just isn't the only way intelligence can manifest itself - and it isn't an intellectual expression which will automatically mesh with another very clever person's approach.
which is to say... lord voldemort, both as a teen and an adult, is - intellectually - the complete opposite of hermione.
he is someone - as he tells us - who thinks of magic as a creative force he has every right to shape as he sees fit, something whose boundaries he has the inherent right to smash through. he rejects disciplinary authority [his loathing of dumbledore - as an adult, at least - is because he thinks that dumbledore is a petty-minded gatekeeper who attempts to repress the dark arts - magic, snape tells us, which is inherently ever-changing, unfixed, mutating - because he's afraid of them and their refusal to be neatly contained in disciplinary boxes; his appeal to slughorn's authority is purely a manipulation technique]. he is an adaptor and inventor, and he uses magic in ways which radically deviate from its intended purpose.
and so the common "teen tom riddle and hermione are at school together" trope that they'd both get off on being academic rivals is, in my view, impossible to justify while keeping either of them remotely canon-coherent. she's going to think he's a cunt. he's going to think she's irrelevant.
indeed, i genuinely think the most likely scenario if the two are at school together is that the teen voldemort wouldn't be able to pick hermione out of a line-up - not least because she has very little to offer him when it comes to his plans for world domination.
when it comes to those he's "nice" to, the teenage tom riddle targets the socially prominent, rich, and influential, whom he can use parasitically to his own ends.
he's happy, undoubtedly, to have minions who are less useful to him from a social-advancement perspective, but who come in handy as pawns in his schemes - as dumbledore puts it, "the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty" - but this is the only thing he sees them as. hermione has a capacity for cruelty he would undoubtedly see potential in [even if he would probably be wary of her "run and tell teacher" vibe], but as someone who does his bidding only, rather than anyone for whom he's willing to fake [or, indeed, to actually feel] any degree of mutual affection.
and i do think this - in and of itself - is interesting. hermione is someone - as i've said elsewhere - who has a tendency towards blind loyalty, which often causes her to accept people she likes and/or respects treating her cruelly [something we see in canon particularly in how she reacts to snape's behaviour towards her]. she's also someone who is incredibly deferential to authority, fairly naive, convinced she's always right, convinced she's not irrational, superstitious, or emotionally-driven, and capable of pretty egregious cruelty in pursuit of being rational and correct.
or, in other words, she's very easy for a flesh-and-blood voldemort to manipulate.
[she's not at risk from a horcrux because she's possessed of the empirical fact that they can't hurt you if you don't let them get emotionally close to you, which impacts how she behaves around the locket.]
on the rare occasions when i've enjoyed fics with this pairing, then, they've tended to be ones which actually acknowledge this - and which have hermione completely destroyed by a voldemort [usually in adult form] who has never cared one iota about her, all because she was convinced she'd be far too clever to fall for his tricks.
[my rec: enigma by devdevlin.]
and this is the main way my view of tomione/volmione deviates from my view of tomarrymort or ronmort - i don't think there's any circumstance where it can ever work as something mutual, whereas the entire point of tomarrymort is that the relationship is something voldemort perceives as equal, and ronmort sees the dark lord running headfirst into ron's ability to disarm and confuse him by possessing a crumb of emotional intelligence. i don't think voldemort would hate hermione - or even be particularly irritated by her - but nor do i think he'd find anything about her interesting enough to make him want to keep her around for any longer than she was useful.
but - like so many hermione pairings - the default in tomione/volmione tends to be "omg, hermione is so hot, brilliant, and fascinating that [insert man here] becomes completely obsessed with her". whether the story leads to voldemort becoming a better person or hermione going over to the dark side, the way the pairing is written always assumes that hermione is someone voldemort would consider [often very quickly] important to him [even in circumstances where she is a prisoner]. only very rarely do fics ever explore the much more canon-justifiable - and, in my view, much more interesting - idea that voldemort is somebody hermione could and would consider important, while he wouldn't give a single fuck about her.
[neither of them give a shit about dead rabbits though. it's the only thing they have in common.]
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The Van Has Officially Declared It Spooky Season
---
I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.
...I might need to back up a bit.
My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.
They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.
Truly, the height of Camping Luxury.
My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.
Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.
It's a Great Van.
Very easy and comfortable to drive.
Stunningly good MPG for it's size.
The best cruise control I've ever had in a car.
It's just also.
Quirky.
Mischievous, even.
---
If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.
It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.
My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.
On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.
Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.
---
As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.
The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along.
Sometimes, they fight for Dominance.
The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.
Firthermore, The Van has a favorite song.
I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song-
The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors
-is The Liberty Bell March by John Phillip Sousa.
You all know this song already.
...but in case you've forgotten the tune:
Yeah.
The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.
It does not play this song at a normal volume.
Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.
Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.
...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.
---
So last Friday the 13th, I get a call from my friend and housemate, at said airport.
It's roughly 11PM at night, and I have already retired for the evening.
I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window.
My feet are up.
There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv.
-But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage,
including,
among other valuable possessions,
the keys to her car.
...So she cannot just drive home as originally planned.
There are, as luck would have it, her spare set of keys not eight feet from me.
Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.
Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.
I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.
The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.
It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.
I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic.
It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.
While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.
Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.
I wave my friend off and turn to enter the 7-11.
I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.
Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.
It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.
I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.
The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.
We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.
I go up to pay and realize something is amiss.
The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.
I look down at myself.
In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:
Flip Flops.
Not matching.
It's below freezing outside.
That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.
Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time.
It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.
The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.
A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal.
It is also Bright Red. with black accents.
The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.
The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.
My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge.
It is ALSO bright red.
A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.
The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.
I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:
The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.
This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes.
So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.
The Creature has such a High and Naive Opinion of humanity.
I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.
"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"
The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.
$6.66
"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.
I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.
It also turns on the music player.
I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.
Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.
---
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I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.
In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.
What's the first two lines in this article?
"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."
No one talks like this naturally. No one writes like this naturally.
This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.
The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:
"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."
"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."
Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.
The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:
"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."
Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.
Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("
Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!
Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.
She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."
Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:
a) That doesn't meant you weren't being exploited, and
b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.
I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.
Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.
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