#and the worst is fans don’t really think about the implications.

[psyaurorak]

Can I just say, why is there such a focus on women being abused sexually for power in LO?

It’s horrible!

It’s implied Hera used her body to get close to Kronos

Demeter had sex with Zeus because she believed she’d marry him and be queen only to get tossed aside immediately.

(Sex by coercion is still assault I can’t believe I even have to say this)

Persephone gets sexually assaulted by Apollo.

And like why is SA being used as a way to create drama?!

Also double standards be like ‘ohh poor Persephone’ and ‘Demeter deserved it if she’s stupid enough to believe Hades would say that’

This fandom is so gross it’s not funny.

What do you mean a woman deserves to get assaulted because she’s stupid?!

Also considering Hades treatment of Demeter it’s not even far fetched for Demeter to think this!

Stop livin behind the bubble of hades is perfect! He isn’t!

Also can we talk about how Zeus and Metis’s fling thing mentioned is predatory because Zeus is younger than Hades (who’s 19 at the time of the war) and Poseidon who’s younger than Hades?

Zeus would be 15-17.

So why tf is that his fling with Metis is played off as a joke?!

I’m so mad about this. Like harhar RS we get it ‘Zeus is manwhore’ BUT THINK ABOUT THE IMPLICATIONS

The way RS portrays SA as a joke or irrelevant until it drives drama and no other thing is GROSS

[ufopigeon]

to the random ass proshippers

I’ll block proshippers and I won’t throw any first punches if I find the accounts. Just block n’ move on. Think what you want, but think it away from me. This is for the ppl who are going after others both anonymously and in the open, and being insistent about misunderstanding his character. It is absolutely absurd that some are really trying to PUSH the mere implication that the Postal Dude could be a pedo/have pedophilic tendencies, or that “it makes sense for him”. Some of you are ragebait I’m sure, but I also sadly think some of you are really genuine. And this is also the last I am going to speak about it. Just wanted to do something longer on behalf of everyone else who does not agree with this random influx.

The Postal Dude is obviously designed to be an ambiguous character, allowing players to project various characteristics onto him. HOWEVER, this doesn't mean that any and all negative traits can be justified. Ambiguity in character design is meant to give freedom in interpretation, but it doesn't equate to carte blanche for projecting extreme or inappropriate characteristics that aren't supported by the game’s narrative or the developer's intent. Assuming that a character would commit any and all bad acts simply because they commit some is a lazy and inaccurate approach to understanding character design.

The argument that, "Durrr he’s literally a mass shooter, why is it so far-fetched for him to be a pedo too?" is a slippery slope fallacy. It’s that same exact shit all the edgelords try to use when they say (just so they can justify attacking any queer fans, same way SOME proshippers want to feel justified in attacking those who disagree), “The Postal Dude SPECIFICALLY hates gay people and trans people and wouldn’t support them at all/be grossed out by them! Why? Uhh, because he’s literally an evil, vile character! Duh!” Sure he is. No denying that. And sure, you can think that about him. But it’s just fundamentally inaccurate. Just because the games allow for extreme behaviors doesn’t mean they endorse or include every possible immoral action.

And just because a character engages in morally questionable actions doesn’t logically lead to them engaging in the worst possible behaviors. The creator's stance is crucial in defining the boundaries of the character. If the creators have explicitly stated that Postal Dude would never engage in pedophilia (just like how they explicitly stated he wasnt transphobic) and that such content would never be included in the game, this is a definitive limitation on what the character can be reasonably interpreted as. Again, I don’t care if you hold a private opinion that differs. But when you start accusing those who disagree with this extreme interpretation of being the weird or wrong ones, that’s where it becomes an issue.

Dude's actions, while extreme, are presented within a certain context that aims to criticize or mock certain aspects of society. Pedophilia is not something that fits within this satirical style. Yes, even for Postal 1997. I don't care if it is generally considered more "serious" than other games, they still had Dude throwing out stupid-ass catchphrases in a silly radio-host-sounding voice that was obviously supposed to be a stark contrast to what was happening on screen (“Buttsauce”. “Smells like chicken” when burning NPCs. Really now? Go ahead and listen to more from the original. They’re all silly one-liners.). It was a shock at the time and a bit of dark humor. Following games only increased this aspect.

All in all, Postal Dude’s actions, while immoral, are usually presented in a way that allows for some level of detachment or absurdity, keeping them within the realm of dark comedy. Yes, 1997 is still included here. It’s an absurd game. One man took out hundreds of people and was armed to the teeth, even with literal rocket launchers. His main weapon has infinite ammunition. It was an obviously over-the-top video game with a loose connection to reality and an even looser message about “something something mental health and everyone has it in them to go postal”. It was a game made to shock people. Pedophilia, however, is universally considered an irredeemable act, something that cannot be framed in any context that would make it acceptable or even darkly humorous. The distinction between immoral and irredeemable acts is crucial here. The Postal Dude can be morally ambiguous, but crossing into irredeemable territory would fundamentally alter the character in a way that the game and its creators/99.9% of the fans do not support.

Also: “But muh 1997 promo art where it says his girlfriend was 17!! She says they just started dating 3 weeks ago!!” Yeah. The same photo was used with the girl also saying, “It was so weird. He told everyone I was his girlfriend, but I only met him once.” It says “live” near the bottom corner, implying this was an interview with the girl AFTER the crimes had taken place. In the promotional pic where it states she’s 17, it also says she DIED of third degree burns while he was on his rampage. Now that doesn’t really add up, does it. How can this girl give an interview after everything is said and done while also dying in the middle of his killing spree?

AKA, these promotional photos were reused over and over because they were on a budget and really not thinking about it, and are absolutely not valid for legit storytelling purposes at all. RWS has even said this themselves.

[olderthannetfic]

I’l throw my two cents into the f/f vs m/m wank fire.

I wonder if part of more m/m being written in general isn’t that certain character dynamics are more likely to remind people of mysogynistic tropes if it involves women.

I’m not sure if these are the best examples— but if the woman is the one getting dominated and the one that gets "babyfever" that seems like it invites harrasment and accusations about misoginy because authors of ye olde times reduced women to only that, and you are decidedly not safe even when all the characters are women because "how dare you write a woman uphold patriarchial standards" or something. Talking about wanting to get a cis man pregnant comes off less creepy than saying the same thing about any woman, doesn’t it?

Maybe these tropes are too niche to actually have any considerable bearing on the shipping scene at large, but it does seem to me like men just become the safer bet to explore sex with and don’t carry the fear to need to write a PhD dissertations about misoginy and sexism as a preface before writing dynamics or kinks that you like, or an explanation to why you are allowed to like that kink or dynamic.

It feels like this might extend to other marginalized or uncommon identities where certain things come with unfortunate sociohistorical (is that a word?) implications, and thus becomes much more restricted in what becomes socially acceptable to depict.

And people don’t want to risk or worry about depicting something "wrong" when they are in a space to relax, and in many cases to avoid thinking too hard about things.

More sensitive topics seem to open up more bad faith readings, which is counter productive for more text to be created about it.

Which now typing out a long explanation for seems stupid- I guess it’s a stupidly obvious conclusion to draw now that if there is a selective pressure of any kind on what gets submitted in a specific category, there will be overall less of it.

If people did feel less concious over what the worst possible reading could be of their f/f and m/f fic there’d certainly be more of it, but I don’t know if people complaining about the lack of f/f want to sacrifice the proportions of "quality" over higher statistics.

I think this might have been touched upon in some ways by other anons under "then we should encourage more het men to write f/f", just not with the exact framework I’m coming from I think.

I don’t have a good way to end this and I’m not sure if it’s worth anything (as far as these types of discourse go anyways), but this is way longer than originally intended already

--

This is a pretty standard point in "Why do women like m/m?" discussions going back decades, yeah. I'm sure this is a reason for many women just as some guys write female characters to explore things they find uncomfortable to explore via male ones.

The thing about the cyclical wank is that it boils down to m/m fans listing a bunch of reasons that make a lot of sense... at extreme length.

And then a bunch of f/f fans feeling rather attacked because nobody really wants to read a thousand pages about why their thing is unpopular.

And then someone goes "Okay, but it's weird/bad that women like slash!" and we're back to the tl;dr explanations.

[aardvaark]

the librarians "and the apple of discord" watch through

flynn’s back! yay!

"did you come to take them away? i keep their bags packed." JENKINS IM OBSESSED WITH YOU

jenkins knows hip hop too, he’s my favourite

so that dude is a dragon? i love when dragons in supernatural tv shows are literally just some guy. like sorry the budget is notttt gonna allow for a Creature okay, but you can have this normal man

somethings wrong with jacob :0

and the proper-form dragon we see is literally just its eye. again a budget of about one dollar & a packet of chips (affectionate)

somethings wrong with cassandra :0

"the world crime league" that ezekiel mentions would def also exist in leverage lmaooo

cassandra’s stripping down for the audience and also for the evil lady who kinda seemed gay for her earlier!!

i love that the "worst version" of jacob just cares about art even more than usual

i think baird really overestimates how evil ezekiel would be, and they’re all really underestimating the problem that evil!cassandra poses

what is jenkins? immortal, he seems to imply? but how & why… and him and dulaque clearly have some weird shared history

bairds like "what did u do with cassandra" mate, lamia is the one in pain on the floor looking terrified. don’t underestimate cassandra, i thought we learnt this last episode!!

jacob pays attention to cassandra’s note taking? cute. he also brought her dress!

"what happened to my clothes" fan service

they just said mobile phone technology was legally accepted as a branch of wizardry and 1) that’s hilarious but 2) i like the implications this has for what wizardry & magic mean in this world & what the influence of these VIPs is.

yeah exactly, ezekiel has no intentions or desire to do anything worse than what he already does. you can say he’s kinda bad or at least too self-serving, but he’s not some kind of terrifying evil mastermind. now cassandra, on the other hand-

oh there is DEFINITELY weird shared history with dulaque & jenkins. interesting interestingggg…

[thecoolerliauditore]

THE SHEPSCAPADES COMIC! That was to me (and from my perspective to the fandom) the turning point of “ok, im not imagining this”. It doesn’t change any dialogue or anything, it just gives the characters facial expressions and yet it’s almost impossible to interpret the interaction in any way other than the relationship not being good.

The dl era, to me, was a lot of trying to ignore the implication of ranchers fanon lore being that, for once, someone is being nice to Jimmy. People could see the difference in their interactions, which made the abusive behaviour all the more difficult to ignore, and yet acknowledging this directly would be labelled shipping discourse and no one wants to be THAT fan, right? But the tension growing was palpable.

I also would like to add that once I decided to scroll through anti-toxic fh blogs to try and understand why they think like that and… a lot of it was just “well it makes me feel gross”? And I get it. Cannibalism and mass murder are, to most of us, a very distant concept, so it’s more comfortable to engage with than the horrors of the mundane, especially when applied to a queer character. But that doesn’t mean it’s any better than talking about domestic abuse.

The last paragraph is phrased weird but i don’t know how to write it better so i hope it’s understandable.

That comic was patient zero in "oh my god other people see it too" for so many of us, I think. And yeah like you said it sticks very close to what happened taking into account tone of voice and everything. Adaptations of that sequence are like an almost surefire test to figure out what someone's interpretation of FH's relationship is and I think that's wonderful.

Big agree on the ranchers lore and I would argue Pearl's POV also has a similar effect where it forces you to acknowledge Scott not being the best ever. Funnily enough I watched the ranchers pov before the FH pov and didn't really see any of the post-FH horrors until I watched FH. I just kind of assumed when people said Tango was the first person who treated Jimmy as an equal they were putting "and Scott too but that was a season ago" in footnotes. But no they meant full-time and they'd be right lmao

My favourite example of Jimmy expecting the worst is this interaction he has with Bdubs where he essentially gets a bucket for free when the ranchers were struggling for iron and tells him to not tell Tango because he's scared he'll get yelled at. Like there is literally nothing Jimmy has done here that would be remotely considered reasonable to yell at him for but he's so afraid of having agency and making his own decisions at this point he just defaults to assuming his partner will be upset at him. (FYI I think this is more a result of how everyone treats him - Southlanders certainly did not help - but getting mad at Jimmy for doing literally anything except sit still was something Scott was especially privy to)

Don't worry I think your point was clear enough on that last paragraph, I kind of roll my eyes when people try to use distance as an excuse to justify why some dark topics are okay but others aren't, but I can't talk too much about this because I find it annoying and will probably end up saying something that feels mean lol.

Redirecting this once again to Bree's post about how hostile the language people use when talking about this discourse is to abuse victims e.g. "why can't you be NORMAL and write about NORMAL relationships and let them be NORMAL" which I think partially comes as a direct result of refusing to engage in abuse storylines and thus not being sympathetic to these portrayals or the people who write them.

And aside from that it's not even like. abuse and toxic relationships themselves are the issue sometimes. Obviously generalizing here a bit but I see a lot of the same people who find toxic fh "gross" gas up interpretations where Jimmy cheats on Scott or otherwise treats Scott horribly. Not to mention Pearl and her storyline getting turned into "girl who is mad gay man won't date her".

It just uh. sometimes feels as though the "grossness" is coming from a need to defend Scott's honour than a need to disengage with these themes entirely, which rubs me the wrong way.

(not to mention that I do think calling abuse storylines "gross" in of itself might have some unfun implications attached but I've said enough)

[fernsnailz]

February 2024 Review Roundup

well i sure did watch some stuff and read one book this month

the things i finished this month reminded me that for every incredible piece of art i find myself enjoying, i end up watching some Hot Garbage immediately after to balance things out again. idk why i do this.

i have quite a bit to say about both the things i enjoyed and the things that brought me physical pain this month, so there is um. a lot under the cut. any previous desire for brevity i had in january has been completely thrown out the window as i use these roundups as an outlet to gush about things i like and complain about things i didn't. fair warning, if you open the readmore you will be scrolling for a while. enjoy i guess

House of Leaves

does any other book out there have the balls to write a completely fake interview with stephen king

House of Leaves is a novel you gotta throw around a little bit. It feels really weird that my copy is still in the pristine state I bought it in - It seems like it should have water damage and smell like mildew with its pages falling out and spine cracked into pieces. Getting the full story from this book requires flipping back and forth, turning it around, searching for answers. All things considered it’s not that difficult of a read, but its format still allows you to feel like you’re discovering every hidden piece for yourself, and I really liked that interactivity. I was engaged pretty much the whole way through.

I don’t really think I’ll be able to revisit this book anytime soon though. It’s difficult for me to format what else I’d like to say about it because to be honest, it caught me off guard and disturbed me on a fairly personal level. There’s a relief I feel when I remember that I don’t actually know what was going on with the house - maybe that was intentional on the book’s behalf, maybe I just didn’t look hard enough for answers. I don’t know. But the implication that something divine was down there was enough of an answer for me. The book's good. read it if you want a spooooooky time or if you never want to look at a hallway the same way again

Doctor Who (Series 1-4) (rewatch)

ok so this is a fuckload of doctor who to cover so i’m gonna give some thoughts on a few of the characters and my favorite + least favorite episodes

9th doctor: My favorite butch lesbian. Christopher Eccleston truly embodies the concept of The Doctor so, so well: otherworldly guy who knows too much, genuinely cares about life across the universe, and also has a bit of deep, unresolved rage. His moments of joy and careless fun stick with me the most, he absolutely radiates with life and brings so much to this character.

Rose: I first watched Doctor Who when I was in middle school, and I didn’t like Rose that much back then. And guys. I have bad news. I'm still not really much of a Rose fan

I definitely understood her more this watch through - that desire for adventure and some sort of control over her life, emotions so strong that she’s willing to throw near everything away. That’s just what being 19 is like sometimes. I think Rose is a very compelling character who just happens to frustrate me a bit. And that’s kinda the point, her co-dependent relationship with the Doctor is doomed to fail and it's meant to hurt. Ultimately, I think when I first watched the show I was too young to understand Rose, and now I’m just too old to relate to her.

Captain Jack: Jack is my favorite character. I fucking love this guy. Dude has the worst luck in the whole universe and still cannot be stopped. Legendary. Every episode with him is a goddamn delight because he has so much chemistry with every single cast member. No notes 10/10 i love my problematic bisexual king

10th doctor: About four episodes into David Tennant’s run I realized that he dresses like a Hazbin Hotel character and it made me very sad. Still, there’s a reason this guy inspired every middle schooler to buy a pair of converse in 2008. He has style, he has depth, he’s got the sauce. It’s genuinely terrifying to see his anger, I like that a lot of 10’s run is about his denial of godhood and power over life in the universe, something that the rest of the time lords desired. idk i like my sad pathetic little weasel but he's also a huge fucking asshole sometimes which sucks. especially when it's directed at Martha.

Martha: Martha I am so sorry for what this show put you through. Martha was my favorite companion when I first watched the show, and I still have a huge soft spot for her. Her ability to hold her own and navigate foreign worlds using her own intelligence absolutely rules, and her drive forward is unbreakable. But the show seems to put her down at every possible opportunity, most notably with how 10 treats her. Her struggles and wants are constantly ignored, and she's often treated as a rebound from Rose. And I like that she eventually chooses to end it by not traveling with 10 anymore, but it hurts because it feels like she was never given the same chance or care that Rose and Donna were. This era of Doctor Who really doesn’t treat its black companions well because Mickey goes through something similar - both Martha and Mickey are characters designed to be ignored or left behind, and it sucks.

Donna: Donna Noble is one of the greatest fictional characters to ever exist. Despite seemingly living a fairly average life and working a fairly average job, Donna reflects the idea that no one is truly "average" and every single person is brimming with personality, life, and love. I love that her relationship with 10 is purely platonic, personally their friendship feels like it has a lot more depth than either of the romance-oriented relationships 10 had with Rose and Martha. 10 and Donna bounce off of each other so well and it's delightful, Donna brings so much humor and life to every world she's taken to and it's incredible. I wish her and Captain Jack could have interacted more.

My favorite episode: The Runaway Bride is hard to not choose as my favorite. I have a blast every time I watch this episode and it’s such a good introduction for Donna. Also the Tardis car chase kills me, I love when it cuts to the kids in the back of another car clapping and cheering. I was also surprised by the episode Midnight - it’s dreadful to watch and I kinda loved it. So much spirals out of control when shit hits the fan, even though no one has any idea what they’re trying to fight against. Really interesting exploration as to how fear can drive people apart.

My least favorite episode: It’s Love & Monsters. I wish I liked this episode - stories that follow regular ass people living in this world are often some of the best episodes in the series (Weeping Angels and all that). And this episode definitely has some of that. It’s honestly really touching to see this group of nerds get together and enjoy life in the first part of the episode. I think the antagonist of “guy who absorbs people” ends up dragging down any charm this story had because he just. eats all of the interesting characters. But despite me disliking this episode, I honestly have a deep respect for it - it’s fucking crazy. It ends with the main guy telling us about his sex life with his girlfriend who is now stuck in a piece of concrete. Where else are you going to get a story like this. It fucking sucks and that’s hilarious

oh also the production design: GODDDDDD I FUCKING LOVE THE PRODUCTION DESIGN AND SETS ON THIS SHOW. I love how dirty and rundown a lot of the spaceship sets look with wires and lights scattered everywhere. And a number of alien designs also go CRAZY with the prosthetics - I keep thinking about the Hath from The Doctor’s Daughter and how every head prosthetic had liquid inside it that could bubble. Absolutely crazy. I also love the moments where you can clearly see they did not have that much time and just had to throw something together or pain a bald cap green. Jank is the nature of sci-fi production design and I dearly love and miss that Doctor Who jank.

Rebuild of Evangelion

Last year after finishing the original Evangelion series + End of Evangelion, I remember going through the Evangelion tumblr tag and being very confused by the number of slice of life/found family-esque fanworks of the cast. It left me puzzled and thinking “...did we even watch the same thing??”

APPARENTLY NOT

[spoiler warning here because these movies are very good and i give the best parts away. if you want to watch these movies then DO IT NOW!!!!!!!!]

I honestly never expected a world where these characters got a happy ending. I so, so badly wish I could see 3.0 and 3.0+1.0 in theaters - these movies are stunning. I know I say things “go crazy” a lot, but man. They go fucking CRAZY.

While I have a few issues with how the first two movies adapted the original show, I do think the changes they made better serve the story this rebuild is trying to tell. For example, my favorite episode in the original Eva series is episode 18, where Toji is chosen to pilot Unit 03. It’s absolutely terrifying because Shinji doesn’t know who 03’s pilot is, yet he’s forced to be inside Unit 01 as it tears 03 apart. His resolve not to kill anyone despite not even knowing who’s in danger is an aspect of that episode I love and speaks to Shinji's inherent humanity, and when he learns Toji was in there it hurts even more. The rebuild movies change Unit 03’s pilot to Auska, and Shinji knows she’s in there from the start. I think this choice works for the movies and is still an effective emotional beat, but personally I still prefer the version where Shinji had no idea who was in there. That lack of knowledge is infinitely more terrifying to me.

I really like what these movies did with some of the angel designs though. The sixth angel (the fuckin. blue diamond cube thing) works really well in 3D/CG animation. The way the thing warps and moves is otherly and terrifying - and it’s just a fucking cube. I’ve always really loved how the Eva series approaches angel designs and the divine - despite the alien-like designs, there’s often something extremely familiar about them. They’re often reminiscent of an animal, a machine, or a human. This is also how they approached the anti-universe in these movies, I loved how it takes the form of various locations from the series and turns them into a movie set. It’s deeply familiar, but ultimately just an illusion of familiarity like the angels and the divine.

Also I gotta say. I fucking love Mari. I think she’s hilarious. She first meets Shinji by accidentally parachuting into him and then immediately starts crawling on all fours to sniff him. This girl also introduces “Beast Mode” where the Eva pilots can go wild turn their mechs into a fucking. superpowered beast of some sort. And also she defeats a whole army by using the Eiffel Tower as a spear. She’s such an absurd character and I honestly kinda love it. The only thing I knew about these movies before watching them was this gif of her Backing That Shit Up and she truly lives up to the insane nature of this shot.

My favorite section of these movies is definitely the first part of 3.0+1.0 where the pilots are basically just living a domestic life in a small town - it’s truly beautiful. The growth that Rei’s copy goes through here is fantastic, I love stories about seemingly emotionless beings learning how to live. And right after she dies, we get the shot that absolutely broke me the first time I saw it:

This shit. The way you can just barely tell he’s been crying from the red around his eyes. They don't talk about it, they barely linger on it, but it's allowed just enough time to punch you in the gut. I don’t know why this shot got me as hard as it did but goddamn. jesus christ. i want to throw up

There’s some goofy shit in these movies. The infinite synch rate. Misato’s stupidass hat and sunglasses. Some goofy ass 3D animation that doesn’t age super well. The rainbow that shows up every time an angel dies. But these things really didn’t take me out of the core of these films, and there’s so much genuine emotion and beauty in this series that had me absolutely hooked - especially in the last two films. They go crazy. My favorite line is 100% “The only thing a son can do for his father is pat him on the shoulder… or kill him.” and man. ain’t that what Evangelion is all about. i love these movies

High School Musical 3

kinda slaps just a little bit

High School Musical 3 starts with a finale number. The last high school basketball game of Troy Bolton’s life - and it goes kinda hard. The classic pep band brass that’s essential to so many High School Musical numbers returns, and the constant theme of two feuding cheer teams in the background? Genius. This is truly art. I love listening to Now or Never without visuals because in the middle Troy just starts coughing and gagging seemingly out of nowhere

Unfortunately, starting the movie at such a high point means that the rest of the runtime doesn’t quite match up to it. The story lags and meanders quite a bit, but part of me kinda appreciates that - it’s their last semester of high school, which is always a time of confusion and turmoil. However, I do have a pitch for how they could have countered the constant falling action this movie seems to go through:

The Wildcats should have lost their last game at the beginning of the movie.

What if the game is instead the inciting incident that leads Troy and his besties through their tumultuous last semester? Troy is still torn between basketball and theater, but his identity would be even further challenged here - is winning and success all that matters for him, or is it the love of sport and performance that keeps him going? idk whatever this movie came out 16 years ago i can’t be out here writing AUs for it jgnfsgfnjdksg

Some miscellaneous thoughts about this movie that i don’t care about formatting into larger paragraphs:

Ryan and Sharpay’s number (I Want It All) slaps as usual. The part where Ryan shouts “MADISON SQUARE GARDEN!!!!!!!” makes me so happy every time i hear it

The production design and sets go absolutely fucking crazy. I still have no idea how they pulled off the spinning hallway in Scream.

One of the classic staples of HSM is Chad’s shirts. Most of them are fairly silly and like something you would expect to find in the walmart clearance section. However, there’s one shirt he has in this movie that confused the hell out of me. It’s this one:

What the FUCK does Greenster mean. Is it just a combination of Green and Monster?? Why??? What green monster are we talking about here????? Where the fuck did this shirt come from?????????

Avatar The Last Airbender (2024)

There’s really only one word I can think of to describe what this show is like: sauceless. No flavor. No depth. No character. No sauce. This show is honestly so fucking boring and seems to fundamentally misunderstand what the appeal of the original Avatar series is - not necessarily because things are changed or removed from the original, but because nothing of substance is added in return. 

Most of the characters are mere echoes of their original counterparts when compared to their source material. Sokka is reduced to a guy who wants to fight good, Katara’s stubborn and confrontational nature is very rarely utilized, and Aang’s mischievous antics and love of fun is sorely missing. One of the major reasons for the dull interpretations seems to be the directing - While I have faith that most of these actors are trying their best (especially since a number of them are kids/young adults), the direction seems to be incredibly lackluster and takes away nearly every cast member’s stage presence or personality. There’s a number of reaction shots of the main trio that just look like this: 😐😐😐 as if they were just told to “look concerned” at the events unfolding before them. And these issues are apparent in the majority of the performances - for example, General Zhao talks like he’s in a board meeting up until the last episode, and it’s an incredibly flat performance. He talks somewhat monotone in the original series as well, but this live-action take on the character often meanders with his dialogue and lacks that sharp, terrifying quality that I think this character needs. Uncle Iroh also feels incredibly stiff in this adaptation, and it’s a goddamn crime that they took away the cunty little outfit and chains he was originally wearing when he gets captured by earthbenders. wait who said that

Credit where credit is due, there’s a few cast members that seem to be giving their best. It’s clear that Aang’s actor enjoys the role and does pretty well despite the lackluster direction and dialogue he’s given. On top of that, I think Zuko’s actor is honestly the best part of the show. His take on Zuko leans much more into teenage tendencies and sarcasm, which, although it can be silly, is a welcome take of the character in my opinion and pretty fun to watch. There’s this one line he has at the beginning of episode 2 where, in an incredibly whiny tone of voice, he goes “He RAN! The ultimate warrior! He’s a Coward :((((“ and the read is so. fucking funny

The case of bad direction isn’t limited to the performances, however. It’s also stunningly apparent in how everything is shot. Despite being in a widescreen format, most shots are incredibly centered - you could crop the entire runtime into a 4:3 frame and you wouldn’t be cutting out much of anything. I’ve seen some speculation that this was an intentional choice to make things more adaptable or readable for TikTok/phone video, but honestly I think that’s a dumb take. I think the issue stems from a lack of creativity and thoughtless composition. Keeping everything staged in the center can make shots feel disjointed, lacking much depth, or completely empty. It’s a boring way to shoot and indicates that the show lacks any unique vision at all.

Overall, this show doesn't really seem to understand what makes Avatar interesting in the first place. It's more interested in spectacle and action than the characters' relationships, emotions, and mistakes. I try not to compare it too much to the original since it's allowed to take liberties with its adaptation, but very few of its changes add much to the end result or give it a unique voice. It's just sauceless and boring.

Some YouTube videos i liked in February:

💥 My House.WAD - Inside Doom's Most Terrifying Mod (some supplemental House of Leaves material for ya) 💥 Martha Jones Deserved Better (this video explains how Doctor Who did Martha dirty better than i ever could) 💥 bringing JUSTICE to the worst garfield game 💥 Selling Kids for Clout: The Downfall of Family Channels

And that’s my roundup for February! Thank you for reading, I promise there are no more reviews left to scroll through below this goodbye. Nope, nothing else I watched this month. Bye!

…ok is everyone gone. phew, i’m glad no one noticed i pulled an hbomberguy and hid the largest part of this post under a false ending. Anyway holy shit i need to talk about hazbin hotel

Hazbin Hotel

well i didn’t like it

Hazbin Hotel is a weird, fascinating mess of a show. Every episode left me wondering what creative decisions (or lack thereof) led to the sequence of images I just watched. There’s been a lot of discussion of this show recently and I’m not interested in covering every critique I have, but there’s a few things that I'd like to talk about somewhat in-depth.

Hell is real and it's just Red Chicago

The setting of Hell is kinda boring in this show.

Let me try to put this into perspective. Aside from the hotel, here’s a list of the locations we see in Hell:

A boardroom

A video store

Vox’s evil lair (it has cyber sharks which is kinda cool)

Various streets

Another boardroom

A BDSM club

Carmilla’s house (it’s gray and has. balconies?)

A porn studio

A bar

Another bar

A town square (full of cannibals)

None of these locations really take on any sort of otherworldly form besides some vague demonic imagery scattered throughout (and the cannibals. i guess. whatever). In short, Hazbin Hotel’s setting resembles Chicago more than it does Hell.

I can see a world where that’s intentional. Perhaps making Hell resemble a modern city could be used as a thematic tool or point of relatability? But Hazbin doesn’t really do anything like that - since the characters rarely ever interact with their environments, these locations end up seeming like they lack creativity, like they’re just cardboard sets where characters go to swear. They all start to blend together after a while - every street feels the same, every boardroom fades into the background, and every bar feels like a google image search result for the word “club.” This world feels stunningly empty despite the busy designs and colors. Even though the backgrounds are painted and designed fairly well, nothing of substance is ever really added to them through the story.

However, a few musical numbers take effort to break away from these settings. This felt like a weight off of my shoulders whenever it happened, it was nice to see some interesting setpieces and backgrounds that weren’t red. I liked the bombastic and over-the-top broadway lights in Loser and the glowing alternate world in Charlie and Lucifer’s song. But these moments are few and crowded by the dull locations in Hell - or worse, the Hotel itself.

Despite being the namesake of the show, the actual Hazbin Hotel is… lifeless. Which, yeah, it’s a hotel where dead people go in the afterlife, but it’s missing any sort of personality or history besides “it’s old and falling apart.” I expected the hotel to be full of secrets - like maybe some hidden passages or rooms, or mysterious cabinets full of rotted meats, or old valuables hidden under the rugs by the previous owners. Something for the cast to explore and discover, and as they get closer to each other they also start to understand the hotel more. Alastor seems very intent on keeping the physical hotel standing for some reason, but I never really understood why. There’s nothing there. And that nothingness is fully realized when at the end of the show, they just rebuild the entire hotel to be grand and beautiful - an emotional beat that didn’t hit me at all because I never felt like I knew the hotel in the first place. Despite rebuilding it from the ground up, it will feel just as empty.

3 SHOTS THAT DRIVE ME CRAZY

I was truly baffled at how some of these scenes are timed and put together. Multiple sequences left me feeling nauseous and dazed - the camera moves like it’s being swung on the end of a rope, and there’s so many misplaced or meaningless cuts scattered through these episodes.

There’s a sequence of three shots in the first episode that I want to dissect. I will fully admit that I'm breaching nitpicking territory here, but the shot composition issues in this show are pretty rampant and my analysis here is just a hyper-specific look at a single part of that larger problem. Hopefully you can also use it as a quick storyboarding lesson too idk

First, we see Adam teasing Charlie.

Then, it cuts straight to this shot:

A few things here. 

Shot 2 is just closer on the characters, which is not a great idea to cut to after the previous waist-up shot. On top of being a jarring jump cut, there is no purpose for this new shot. All the information we see here (Adam laughs, Charlie fake laughs) could have just been conveyed in the previous shot.

Despite the characters being in the same position as the last shot, the background changes. This straight up just feels like an error. I think the idea is supposed to be that the camera is at a different angle, but the position of the characters does not convey that. It looks like reality changes behind them.

And if that’s not enough, this is the shot we get immediately after those two:

In this shot, the residents of the hotel sit on the couch as Vaggie walks into the shot, framing them between her legs. But there’s something… off.

Vaggie either looks like she’s floating or she’s three stories tall. Quick storyboard lesson as to why:

The main problem with this shot is that the perspective of the background doesn’t match up with where Vaggie is placed. The couch is framed as if the camera were above it, but Vaggie is framed like the camera is floor-level below her. I’ve traced the shot and added a perspective grid to hopefully better illustrate this:

Do you see what I mean? If the camera WAS actually on the floor like Vaggie’s position in the shot suggests, the composition would look more like this:

Notice how much closer the floor grid is to the bottom of the frame and how you can see the underside of the couch.

And to be fair, this is probably what the original storyboard for this shot looked like! Personally I think something went wrong in the compositing stage - this might be a couch background from another shot that was reused here to save time, or whoever approved this shot just let the error slide since the shot is so short (i've been there. sometimes you let the jank slide). Most animated shows will have some poorly framed shots and continuity errors because mistakes are bound to happen, but two egregious ones right next to each other like this is. pretty bad. It's so noticeable from a directing perspective.

Here’s the thing: these three shots happen in the span of like 10 seconds. Most viewers probably wouldn’t notice these issues, and that's fine. But even though these errors are quick, they stack upon each other so fast that even if you can’t pinpoint exactly what’s wrong, something still feels wrong. There’s so many other moments where the show breaks extremely basic shot composition, continuity, and staging rules - for example, the second musical number of the show breaks the 180 rule like four times for no good reason. The whole show feels like a dizzy, nauseating mess because the shots rarely feel like they form anything cohesive.

MY ROOMMATE TOLD ME TO GO TO BED SO HERE ARE SOME FINAL THOUGHTS

Here’s a rundown on some other thoughts that I don’t care to format into larger sections:

The show seems to lack much to say about sin and redemption other than “redemption good.” like sure, but what are they being redeemed from? Is heaven truly the place they deserve to go after being redeemed, even though it’s shown to be unjust? Are there sins that are too great to be redeemed from, or others that shouldn't be considered sins at all? I asked myself a number of questions like this, but never got many answers from Hazbin.

This show has a bad relationship with kink and sex. Both are mostly used as a punchline or a form of control. I didn’t like it. Perhaps the reason Hazbin never really comments on the nature of sin is because it needs you to consider sex and kink sinful or otherly for these jokes to hit.

Some of the animation is crazy good. I will praise any animator that even attempts to make these character designs move. A number of extremely talented people worked on this show, a few of the musical sequences in particular have some incredible movement.

Alastor is a very boring character. It’s wild that most of the side characters in this show only exist to talk about how much they like or hate Alastor, he mostly just stands to the side of some shots or kills random nameless goons. I expected him to have a much larger role in the story, but he just gets his ass kicked in the final episode and then crawls back to the hotel.

Episode 4 is the most cohesive, and i think Angel is the best character in the show. Unfortunately, the fact that Hazbin takes so much effort to show Angel’s misery left me… concerned? None of the other characters get treated as poorly as Angel by the narrative. There’s a few smaller explorations of trauma, but nothing remotely compares to what Angel is put through on-screen. This isn’t to say that I think the whole cast needs to be extremely traumatized and constantly miserable, but rather that I find it concerning that the only character subjected to incredibly graphic abuse and torture (that we see or hear about) is the gay sex worker. Which sucks, because I think the concept of hypersexuality resulted from sexual abuse is an important topic worthy of discussing in adult media. I just think they tried to execute this theme without much critical thought beforehand.

I think the voice cast does a fantastic job for the most part. Keith David is way too good for Husk.

I really liked the one shot where Charlie opens her phone and we see that she has a contact for every individual egg minion.

I was very brave and got through this whole review without talking about my new least favorite character of all time, Vox. here’s what I think of him:

The overall vision and end result of Hazbin Hotel is just mediocre. While I don’t know what led to the messy state this show ended up in, my guess is that it was probably the result of inadequate direction, sloppy writing, and lacking creative support from the studios involved. Because of this, please understand that I have no desire or intention to put down any individual artists that worked on this show - I hope it's clear that most of my criticisms are directed at the larger vision these artists were given to execute and/or the lack of creative support they received while working on this show.

I also don’t really have much desire to participate in any further Hazbin discussion or discourse because it has wasted enough of my time already and I want to be free of this curse. please spare my inbox from hazbin hotel discourse. please. i'm begging.

You want to know what the most fucked up thing about this is though? Despite everything I said about Hazbin, Avatar the Last Airbender 2024 is still the worst show I watched this month. I would take Hazbin over Avatar 2024 literally any day.

well if you got this far. thanks for reading. also sorry you read all that. whelp alright back into my hole i go bye bye

[cienie-isengardu]

I'm kinda weirded out that Bi-Han scars his brother and people act like him being a little mean to Tomas is his worst deed and he deserves to die for it or something. Bi-Han doesn't owe Tomas any love or respect. You don't have to like someone just because daddy said so.

I totally agree that hating Bi-Han for not liking or loving Tomas as a brother is pretty wild take on his character, because he did not ask for such a bond, the same as Tomas did not ask to be orphaned and adopted into Grandmaster’s family. Both were forced into a situation created by adults that apparently couldn’t act appropriately to the situation (e.g. killing Tomas’ mother and sister when the family accidentally trespassed on Lin Kuei territory and Grandmaster adopting Tomas out of shame / to save his honor rather than out of love/care for the boy). 

What is even weirder to me, Kitana and Mileena had in previous timeline(s) bitter relationship yet I don’t see fandom to hate original/alternative MK9!Kitana for rejecting Mileena ("You are not my family... you are a monstrosity!") and looking down on her because of Tarkatan blood (“[Shang Tsung] has created horrid replicas of me crossbred with Tarkatan blood!”). People apparently can acknowledge that Kitana was thrown into “sisterhood” she did not ask and the creation of “twin sister” happened out of her control and knowledge while also understanding it was no Mileena’s fault for acting and looking the way she was because it was how she was specifically created. If fandom can accept and support Kitana’s choice of rejecting “sister” on the spot without any empathy to look at the situation from her perspective AND AT THE SAME TIME can feel sorry for Mileena, then the similar treatment should be given to Bi-Han and Tomas, as they were presumably children who adapted to the unfamiliar situation in their own ways. However the main difference between those two scenarios is that Mileena is the “psycho” (so Kitana is excused for not wanting her as a sister) while MK1!Smoke is the personality-wise castrated version of MK9!Tomas who for whatever reason is now the fandom’s Cinnamon Roll that never did anything wrong and anyone who doesn’t melt at the sight of this cutie IS BIG MEANIE, boo!

A character not loving fans’ favorite does not commit a crime however fandom wants to present it as unquestionable proof of said character’s evilness. Fictional or real life, people are allowed to not like each other as the definition of family will vary from culture to culture, and from one person to another - it does not however allow anyone to abuse other people, but that should go without saying.

Bi-Han said mean things to Tomas, and Kuai Liang for that matter. He in general treated others in a similar, cold fashion. But objectively speaking he did much more questionable things over the course of the story, yet people are fixated on Smoke’s feelings alone - and to be honest, I'm not even surprised anymore by that.

But you know what frustrates me the most about fandom’s perception of Bi-Han and Tomas relationship? The amount of fanwork presenting Bi-Han as always mean, always abusive to the poor poor little Tomas which is not just the best proof the fandom is set to demonize kid Bi-Han for his adult self’s choices. It is the whole implication that Grandmaster and the Mother and like everyone involved in raising the brothers, all the masters and teachers did not act to prevent it from happening nor cared to correct Bi-Han’s action. And the most sick thing about that? Children imitate the behavior of adults. Do people really think that kid Bi-Han started saying "Lin Kuei blood only" bullshit out of his mind just to spit in the pitiful orphan's face? Like, really?

Stupid beliefs like that come from somewhere and children are taught by their parents and adult people around what “values” and traditions they should respect and follow. We literally know just three Lin Kuei characters and the fact that only Kuai Liang and Tomas rejected Sub-Zero’s leadership while the clan followed their Grandmaster implies Bi-Han’s beliefs are accepted and shared by the clan. So maybe instead of being so set on demonizing kid!Bi-Han - who so far was only said to be “always cold” to Tomas what is not equal to being abusive and cruel on purpose - maybe it is time for fandom to examine previous Grandmaster and the whole clan’s beliefs that A) were passed to Bi-Han to mold him into man he is today and B) apparently fucked up Tomas’ childhood so much.

[louisjude]

https://x. com/nadja_writes_/status/1819081263070040339?s=46

toxic buddie fans are getting very disturbing… i say that as a buddie enjoyer, but this is very weird.

i really enjoy buddie as well (it’s just not my preferred ship anymore) but my god yeah. kind of reminds me when fans were saying they were going to “destroy” oliver stark for queerbaiting and he clapped back at them for it. we really just need to ignore the toxic fans, i know it’s hard because they’re so loud about their hatred of bucktommy and lou but it’s why i’ve cooled down my ranting a bit and started censoring/not tagging when i do rant abt it to keep it between me and my moots. the implication that it’s lou’s fault for no one posting is a fucking wacky thing to think too, why would it be his fault? because he made some cameos that have nothing to do with s8??? that’s silly. they’ve been on set for what a couple weeks and we’ve gotten plenty of bts so far.

either way, this is a reminder to block toxic fans always, this includes toxic bucktommys as well and while i’ve yet to really run into many, at least on tumblr, it’s still a good idea to not let this type of toxicity get to you from either side & get off twitter!!! that’s quite possibly the worst place to be for fandom.

now i don’t know what going to happen going forward in s8 and beyond but i’m hoping smth stops these ppl from continuing on like this in the fandom, a wakeup call or smth you know?

[m3nt4llyr4v3d]

One thing that kind of (absolutely) bothers me about this show is the weird… avoidance?? Or major mistakes or flaws the characters have??

(This is me going off of the top of my head, and sooooo much personal bias is in this, be warned)

I’ve seen this being talked around the critical tab a bit and I just wanted to ramble: for some odd reason, the show is very consistent with blaming/placing fault on a character’s minor flaws, but the major shortcomings are just brushed aside (this somewhat applies to some parts of the fandom as well)! A few examples I could think of off the top of my head:

Marinette- Marinette’s blamed by the narrative for things she can’t even control or have nothing to do with anything. Like, in Penalteam, where she has to work to be a team player?? Even though in the episodes beforehand Chat’s whole thing was that he felt like he was being replaced/ set aside by the whole team??? At the same time, Derision made every instance of Marinette’s more unsavory acts in regards to Adrien (which was originally absurd comedy) into something serious because it’s a trauma response now! Which means every instance of her doing those things is now under the context of “oh god this is a traumatized teenager potentially breaking the law due to a trauma response and absolutely needs therapy!!”, while also… just… quietly sweeping all that under the rug under the guise of “well she does those things BECAUSE of the trauma” while not acknowledging just how many bad implications are there now. (I could go a full hour talking about how much Derision fucked EVERY. SINGLE. CHARACTER. OVER.) Oh, and her being secretive with Chat for… no reason? This one is kind of acknowledged but also, the crux of the issue is brushed aside in the season 4 finale? Like, in Kuro Neko when Chat is trying to, like alleviate some of her duties by gathering some of the Miraculous cause he also knows some of their identities? And she says no and says he’s wasting her time? I get he was pestering her about it, I do, but the authors were saying that her reasoning with being secretive was that she was had so much responsibility… but when the opportunity arises for someone to alleviate that, she turns it down? (Honestly liked the fanon reason that she was scared of Chat Blanc timeline and him getting to close to her way more)

Adrien- His naivety in specific situations (the whole “taking the high road” advice) being criticized HEAVILY, when it’s kind of understandable he would give that? I get that it’s bad advice in this situation, I don’t think he’s part of the problem for giving it though. But his pushiness towards Ladybug? The godawful communication he had in Season 4 (this is a Ladybug issue too)? Nah, let’s just ignore that. His… really concerning mental health (Guilttrip anyone? I mean he literally tries to cataclysm himself why is no one talking about this?) What are you talkin’ aboutttt, it’s all good here! In fact, we’ll never bring that up again, how does that sound? (Please delve more into that in season 6 dear god)

Chloe- It’s… understandable??? When the show harps on her being a bully I guess?? But the issue I have with that is that the show acts like this is the WORST thing she’s done, being a petty vindictive teenager. The show rarely brings up her failures at being a superhero (for how much some fans bring up the train scene, I’m 1000% sure the show literally forgot) or the fact that she, y’know. Literally betrayed Ladybug and worked with Hawkmoth! For how much the show loves dogging on her and treating her like a secondary villain I’d expect like, a little bit more in showing that off? Also, the literal two grown adults setting her up as a scapegoat for the whole mayor thing, then the show acting like she’s the one at fault still?? And that sending her away with her mother was a good thing????

Gabriel- “Oh he’s too obsessed with his Ladybug to actually save his wife! He’s cold and distant but still loving actually!” What about his neglect? What about him literally ignoring his wife’s wishes (there was no way he didn’t know beforehand I’m sorry)? I genuinely don’t care that he “made the right choice” with his wish, he stabbed Marinette in the back to do so. Literally LOCKED ADRIEN IN A WHITE ROOM AND AT SOME POINT WAS ATTEMPTING TO AKUMATIZE HIM…! But nah, he’s just too ambitious, he’s a loving father, whatareyatalkinabout? He’s a hero! (😨)

Andre (Bourgeois)- “His flaws are that he gave up on his dream to live an unhappy life! Oh but we’re gonna ignore his role as a literal corrupt politician, look he’s redeemed now! He even sent that she-demon Chloe away! What do you mean he literally raised this child to act this way? Nah, everything is Chloe’s fault and we’re not even going to acknowledge his hand in literally raising her with these values since she was basically in elementary school! Look he’s adopting Zoe, isn’t that sweet? Nevermind how we just won’t acknowledge where Mr. Lee is, if he’s alive, or if Zoe is even okay with everything that just happened! (I mean, cmon, she literally lived with Audrey for years, she would reasonably be a little put off by this, even if she thinks Chloe is a lost cause)

These are just a few I could think of, though. Honestly my biggest wish is that the show would stop bringing the character’s least offensive trait/fault (compared to others) and truly acknowledge the worse aspects of them.

Bit that’s just me rambling like a madman, I’d love to know what you guys would think!

[dangans-ur-ronpas]

Chapter 19

(blowing a lil party horn and firing confetti poppers) YIPPEEEE

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

sorry to the ishimondo fans

this is the one with an execution!!!

@digitaldollsworld my bestie my lord my homie <333

Content warning tags: descriptions of injury and mild gore, character death, canon-typical violence, guns

< previous - from start - next >

“NO!”

Owada’s shout is loud enough to startle Byakuya out of the slight torpor he had fallen into, too busy trying to fend off the migraine that was threatening to make him sick. He jerks, eyes blinking open to see Owada leaning in Ishimaru’s direction, his entire frame tense and trembling with restraint.

“It’s okay, Taka, you don’t have to say it,” He’s babbling, talking in a rush. His complexion is blanched, with fear or desperation, maybe both. “It’s okay, okay? I’ll tell them. It’s fine.”

“You really should let him-” Kirigiri starts to say, but Owada shakes his head vigorously, his hair bounces side-to-side.

“No, I’m not gonna make him cover for me any longer. I’m not gonna make him- make him lie for me.” He cuts Kirigiri off, before drawing himself up tall. “I did it. Okay? I killed him. I killed Chihiro.”

“Mondo-” Makoto starts to say, but Owada barrels through him like a steam train. His voice has the same, strained quality of a whisper, but it feels shockingly loud at the same time, the only thing audible in the entire room.

“It was - I know I was calm. Earlier. When Chihiro told me everything. And - I really was supportive. I was happy for him, so happy for him, you saw me Makoto, that was all real. But-” He pauses to take a sharp breath, and Byakuya wonders if he looks as insane as he sounds, leaning over the edge of the railing, like a seasick man over the edge of a rocking ship. Spewing words like he’s trying to empty his stomach of them. “I was thinking about it after, and I just. I just got so fucking mad, I mean - we all have secrets, and mine is - I know it’s probably not the worst one here, but it’s something I’ve been holding on to for so long, and he was just. Flaunting it around? Like it was something to be proud of?” He snorts a laugh, ugly and demeaning. “If it was that easy, then what the hell have I been doing all this time?”

His voice breaks, and for a moment his shoulders slump. But he regains his composure just as quickly, drawing himself back up with a shuddering breath. “I.. on the way back to the trophy room, I couldn’t stop feeling angry. It was like I couldn’t see anything else but red, I wasn’t paying attention to anything else. And when I got back I saw - I saw Taka, injured, and Chihiro standing over him -” He swallows. “It’s not an excuse. I know Chihiro would’ve never hurt him, never hurt anyone - but I was so angry and he was there, and there was a trophy on the floor, with blood on the corner, so I just…”

No one says a word. The implication of what he had done hangs over them all, like a fog - like a body, Byakuya thinks. Fukawa hadn’t been able to pin Chihiro as high up as Syo, but it feels like the boy was watching over them. A ghost listening silently from the rafters.

“...Then, tell us. If you did kill Chihiro, how did you do it?” Kirigiri asks at last, and Owada makes a sound crossed between a sob and a groan.

“I - I just sort of blanked out, when it happened. When I came to, he was there, and - I didn’t know what to do.” He lifts his face, and Byakuya can make out the shine of tears, the gray pallor of his skin. “So I took Taka to the nurse’s room first. And bandaged him up. And then I grabbed supplies to clean up the scene - that’s where I got a sheet to wrap Chihiro up in, and the gauze pads to soak up the blood.” He’s slowed down now. The words come tiredly, laboriously. “And then I…I was just thinking about cleaning up the room at first. That was all I could do, so I just did it. I wasn’t thinking about my survival or anything, or the fact that I might end up getting killed by this fucking bear - I just. I was planning on confessing to it all, but I didn’t want the place where he died to be so…so messed up.”

“Oh, Mondo…” Hagakure breathes quietly, grievingly. Owada’s head twitches, but he presses on.

“I went to check up on Taka, and when I came back, the body - Chihiro - he was gone. Sheet and all.” He laughs again, another twisted sound. “I thought, maybe it was all a dream? Maybe I was going crazy and Chihiro wasn’t dead, and all that blood was from Taka’s injury? I didn’t know what to think. I didn’t want to think. But I went back to what I was doing, and then a little later, the announcement went off. And you all know what happened after that.”

The room is silent for a long moment. No one says a word, and Byakuya can only just make out the sound of breathing, the only indication of life. And, a slight, quiet rattling; Ishimaru was trembling slightly, but still not uttering a sound.

In the silence, all Byakuya can feel is a storming, pitch-dark rage; rage for Chihiro, killed over something so pointless and without warning, rage at Fukawa for framing him, and rage at Owada for hiding it all. For losing control of himself in the first place. “So afterwards, Fukawa went downstairs and found the body. If we consider the sheet around Chihiro’s corpse and the scene cleaned of blood, that also helps explain how she was able to hold off Syo for so long.” He says, disgustedly. “But, the bloodied gauze in the library. I’m assuming that you were the one who put it there? Whatever happened to confessing?”

“I was! …I was, planning to confess to all of it. But then I saw Chihiro’s body, and - and as everyone was talking about Syo, I saw you holding the file and the blood, and I thought… I thought I had a chance. I mean, you were right there, and…I knew that Makoto wouldn’t have been able to back you up. I stuffed the gauze through the gap between the library door hinges while everyone was investigating.” Owada looks up for the first time, and Byakuya can’t see what look he’s wearing. And he feels glad for that; he doesn’t want to see whatever simpering face Owada has, pleading for forgiveness, miserable and sullen. “I know it was wrong, but all the pieces just seemed to fit together so perfectly, and the more time that went on, the more believable it seemed, and- I’m sorry. I really am.”

And Byakuya wants to scream.

What use is your worthless apology, he wants to rage. It wouldn’t resolve anything - in the end, he had still been accused, and humiliated, and now utterly disgraced. He was still blind and disabled. Chihiro was still dead. “All this, because you couldn’t decide if you wanted to live or die? Did you never consider if you deserved to?” He hisses, and Owada actually flinches back.

“I know I don’t. I’m sorry.” He repeats quietly, and he sounds so hollow and drained that Byakuya finds it hard to maintain his anger, all the heat and passion dissipating in an instant like smoke. It leaves him feeling empty, bewildered, and so, so tired.

“...Well. It seems that it’s time to vote, no?” Celeste claps her hands lightly, a smile in her voice. “Monokuma, won’t you please?”

“Since you asked so politely…I was still enjoying this dee-light-ful soap drama, but for my precious student, I will oblige!” Monokuma bounces up to its feet, one arm raised high in preparation to call the vote. “Everyone-”

“Wait.” Kirigiri interrupts. She hasn’t looked away from Owada once, her pale face turned towards him this entire time like a hawk. “Something’s not right.”

“Wha- what do you mean?” Hagakure asks. “It’s pretty cut and clear by now, right?”

“It’s suspicious. Why put in so much effort trying to pin the crime on Byakuya, and then confess so suddenly now?” Kirigiri rebuts. “And we still haven’t heard Taka’s testimony.”

“Man…come on, Kiri. Just look at him. I don’t think he’s in any shape to talk.” Hagakure shakes his head. “And - I think we shouldn’t push this on any longer than it needs to be.”

“Our lives are on the line. I don’t want to move on until we’re entirely sure.”

“He’s already confessed, though…isn’t this enough?” Yamada lets out a long-suffering sigh. “And, I can’t see any indication of anyone else who might’ve done it.”

“No, but Kyoko has a point,” Asahina interjects. “We almost got tricked once already into thinking it was Byakuya, right? We should be careful.”

“Yes. We should err on the side of caution,” Ogami agrees. “I can’t see the harm in having Taka speak, and…I cannot trust Mondo’s confession entirely. No matter how logical it seems.”

“He can’t,” Owada cuts in, that desperate tinge on his voice again. “I keep telling you guys- can’t you just leave him alone? Please?” He hangs his head low. “I know - I’ve done bad by you guys, I’m not exactly the easiest to get along with, but please, just…he’s been through a lot. Can’t you cut him a break?”

“Erm…Can you kids make up your mind?” Monokuma is still standing, balanced precariously on the tips of its toes with one arm still straining upwards. “My stitches are ‘bout to pop, you know!!”

During this whole time, Makoto was silent. Thinking again, Byakuya recognized, as he usually does with his chin tucked under a curled finger, his foot tapping a quiet rhythm against the floor.

“Okay, then. Taka doesn’t have to talk.” He says slowly. “But in that case - Taka, can you please take off your bandage? So we can see the wound?”

“The wound-?” Owada sputters, taken aback by the sudden request. “Wha- Makoto, what are you…?”

“Something about the whole story has been bothering me. Mondo, I know that you, uh…sometimes, you react kinda strongly, I guess, to stuff that makes you mad, but you’re also really caring. I find it hard to believe that you’d twist up on Chihiro like that so fast.” Makoto drops his hand to a fist at his side, clenched tight. “If the trophy really did hit Taka as bad as you said - where he got hit by the edge of it - then the wound should also be really bad, right?” He turns back to Ishimaru. “Taka, please. You don’t need to say anything, but- please, just show us.”

“No way, he doesn’t need to-” But Owada stops suddenly, slack-jawed as he stares.

Watching as Ishimaru slowly unwinds the stained, white strips wrapped around his head with shaky hands.

—

“As I thought,” Kyoko says, as the last bandage falls away. “There’s nothing there to constitute that amount of blood on that bandage, is there?”

And it’s true. The pile of linen that now litter the floor around Taka’s feet is stained and spotted through with blood, but there’s no sign of an injury anywhere on his head. There’s not even a bump, or a bruise.

Makoto swallows thickly, before he continues. “Taka, you never hit your head at all, did you?” And Taka flinches, face somehow blanching paler. “You’re the one that killed Chihiro.”

“No, he didn’t, it was me-!” Mondo throws out an arm in Taka’s direction, as if trying to shield him from the accusations. “I keep telling you - I was the one who did it, I killed Chihiro-”

“No you didn’t. You were covering for him.” This was the worst. Mondo - he was violent at the worst of times, but ultimately kind, and extremely loyal - and right now, Makoto was going to kill his best friend.

“Are you stupid or something? Makoto, hey-” There’s a strange grin twitching on the corner of Mondo’s mouth, like this was some joke he could laugh off. “I’m telling you - how many times do I have to tell you? It was me.”

“It wasn’t-”

“It was!”

It goes on like this for a while. Everyone else is silent - or, it feels like they’re silent. Makoto can’t really hear them, not over the rush in his own head, or Mondo’s desperate, hysteric words, denying the accusation, insulting Makoto and everyone else, cursing, pleading, screaming. It’s the same as when Leon was condemned, when all he could do at the end of it was wail, ‘stupid, stupid, stupid!’ until Makoto pointed out the toolkit, the undeniable proof that it had to be him. Or, when it was Byakuya-

And he stumbles a bit, his rebuttal stuttering as he falters. He remembers the look on Byakuya’s face as he asked about his handbook, with the knowledge that he couldn’t bring it out himself. Not without revealing it to Monokuma. And therefore forcing him to admit it by his own words, the one thing he wanted to conceal from everyone else in the room. The betrayal, the hatred - just thinking about him made Makoto want to disappear.

But there’d been no other choice. Kyoko told him as much when they were investigating; ‘There’s a likelihood that you will have to reveal his secret during the trial,’ she had said, as they inspected the still-damp floorboards of the trophy room. ‘It may be the only way to clear his name.’

He’ll hate me for it, Makoto had protested, and she had just shrugged and turned back to inspecting the trophies, one of which had small dots of blood at the corner of its marble base.

‘Would you rather live being hated or die knowing you could have prevented it? He’ll get over it if he wants to survive.’ 

Easy for her to say, he thinks, as Mondo screams something at him, an barb so ugly it made him feel equal parts furious and sick with guilt, because Mondo would probably never say such a thing otherwise if it weren’t for this. She’s never had to do this before.

“Dammit, show me the proof! If he did do it, what’s the proof!” Mondo shouts, accompanied by a loud bang as he slams his hands against the railing. “You don’t have any goddamn proof, you little shit! So don’t just stand there and say shit you don’t know!”

“That’s enough.”

For a moment, it’s hard to place who said that. The words were spoken so quietly, after all, and so raspy it was hard to discern whose voice it was. But Byakuya cocks his head, and turns to look in Taka’s direction with a frown.

Taka is still as still as ever, but one hand rests on the bannister, and he’s leaning forward. “That’s enough, Mondo,” He says again, louder, before coughing into his elbow, clearing his throat. “Please…just stop.”

Mondo looks like he was slapped across the face, mouth agape in shock. “Wh-what are you saying?” He tries to laugh, but it sounds more like a sob than anything. “Taka - bro, it’s okay, you fell and hit your head-”

“Mondo. That’s enough,” He repeats. His eyes are hollow; Makoto finds it hard to look him in the face. “I killed Chihiro.”

Kyoko is the only one who speaks up to ask: “How?”

Taka talks slowly, haltingly, as if trying to dredge the memories up. “It - it was after Mondo left with Chihiro and Makoto. To the cafeteria. I was still cleaning, alone - when I’m alone, I think. About things, my family outside the school, if they’re alive, my secret, my grandfather - and then Chihiro came back. Alone.” He sways slightly, steadied only by his hand, white-knuckled against the wood. “And - as he was talking - I was still thinking - and -”

He pauses, taking slow, deep breaths. No one says a word. Makoto’s not sure if he’s even breathing.

“It just - it wasn’t fair. Him, confessing it - it was so easy, for him. He was so happy about it. My grandfather - if you knew, you would hate me. That’s how it’s always been, everyone who’s ever known about it, hated me. But he was so happy, and he -” He takes another deep, shuddering breath. “It was an accident. I - I just pushed him, I didn’t think I pushed him hard, but he hit the shelf. And, the trophy…”

It’s not hard to figure out what happened afterward. Makoto can practically imagine it, though he doesn’t want to; Chihiro going up to Taka, and Taka, too caught up in his own trauma, backing away, combatting his own fury and dread. And Chihiro, walking up closer to check on him, only to get shoved bodily backwards, into the trophy shelf, and then-

Mondo is shaking his head, tears falling silently down his face - muttering ‘no’ under his breath, over and over, like a mantra. Taka turns to him, a sad sort of smile tugging at his mouth.

“Thank you, Mondo. For trying,” And he sounds so genuine and so incredibly sad. “But - I can’t let my family be disgraced anymore. I can’t let anyone die for my sake.”

“No, no, no,” Mondo repeats, and despite his size, he shakes like a leaf. “No, don’t, don’t, Taka,” And his voice breaks. “Don’t- Please don’t, I won’t be able to take it, I can’t take it, Taka- not again-”

“I’m sorry.”

“Don’t apologize, don’t you dare fucking apologize-! Just-” He breaks down fully now, and turns away, one hand raised to his eyes.

“Forgive me,” Celeste interrupts, still wearing her indecipherable smile, unnatural red eyes narrowed slightly as she addresses Taka. “But I recall you were the first to suggest sharing secrets the night Monokuma revealed the motive, no?”

Taka recoils slightly at that, bowing his head. “I…I was. I thought - I could be prepared. If it’s the right thing to do, I could do it. But-” he turns away, his brows twisted into a scowl. “I…”

“Enough.” Kyoko sighs. “There’s no point in making pointless allegations. We have our explanation. There’s nothing left to say.”

And she casts Makoto a look, which Makoto interprets immediately, and he sighs.

—

As Makoto explains, it started when he and Chihiro were walking around the first floor, planning to find and talk to everyone Chihiro had yet to disclose his secret to.

After they had spoken to Owada, Chihiro went to talk with Ishimaru alone - Ishimaru, who was so rule-abiding and careful that no one would assume him to be of any danger - and that was how he died. Suddenly, and unexpectedly, and completely by accident.

Owada was the one who found the body, and to protect his friend, who was reeling from shock, he concocted a story as he wrapped the corpse in a cloth and mopped up the blood. To claim that he killed Chihiro, that Taka was merely injured, and therefore protect his friend from harm.

It was during this time that Fukawa was in the library, making her own confession, before Byakuya’s swift rejection sent her fleeing. As she went down the first floor, she saw the body, and with the cord that was tangled around her ankle, she strung it up outside the library door in a poor likeness of Syo’s handiwork. In some twisted display of vengeance, or a demand for attention, or something; and when it was done, overwhelmed by the blood and exhausted by her own perseverance, she took the sheet to the bathroom with her and collapsed, where Kirigiri found her moments later.

Byakuya listens to him explain it through a fog, feeling distant from it all. As if he was merely observing it from behind a broken, filthy screen, the sounds tinny and the visuals shot. He watches as Owada clings to Ishimaru, screaming for mercy at Monokuma’s feet. He watches as Ishimaru is dragged ruthlessly away anyway, behind the steel doors of the execution chamber.

He watches the execution, from behind a glass window. Ishimaru standing in a gleaming white car, the sunroof pulled down, driving through a street lined with the black-and-white shapes of more Monokumas, cheering indistinctly as confetti rains around him. The Monokuma in the seat next to him is holding a sign, lifting his arm to make him wave, poking his cheek to make him smile.

There’s a loud crack, and Ishimaru seems to stumble, a bloom of blood on the shoulder of his white uniform. But he doesn’t fall; he must be held up by some kind of mechanism or another, because a moment later he’s upright again, still being forced to wave, to smile, even as the cheering turns to jeers and he starts being pelted with what looks like rotten fruit, the dark red shapes of tomatoes smashing against his head. Another gunshot, and this time it’s his leg, a large, dark spot in his thigh. Another, in his stomach, and he seems to cough a little, blood trickling from his mouth.

There must be a microphone or something pinned to Ishimaru’s collar, because Byakuya can hear his breathing, harsh and labored, pitched with fear. The whimpering he can’t quite suppress, the jumps in his throat as he tries to swallow. And, the quiet whisper, barely audible behind the shouting, the gunshots, the noise of it all -

‘I’m sorry-

The final shot is a thunderous noise accompanied by a sudden, gaping pit between his eyes. He slumps, and the scene stills at last; the crowd stops yelling, the car freezes in its tracks. The lights go off, plunging Ishimaru’s lonely form into darkness.

And through it all, Owada never stopped screaming once.

Byakuya tears his eyes away, holding onto the railing of the stand to keep from falling as he steps down. It’s a similar scene as the aftermath of the last trial, everyone either comforting each other or wallowing in their own grief, and Monokuma giggling over them.

“Oh, oh, oh! That was good! Not even ol’ John could’ve done it better!” It sings, dancing between them. “I got a little antsy earlier when you called for the vote the first time, but you all pulled through with fly-ing colors!! Amazing performance! Especially that last confession, I was so moved!” It cackles, twirling and landing right next to Owada, who was on his knees, hands plastered against the window as if praying. “Such a lovely display of friendship at the end there, or was it really friendship? Whatever the case, the bond between men sure is something! I don’t think I’ve ever seen - whoops!”

Owada had grabbed him, and now rises with the bear dangling between his hands. His arms are trembling like Monokuma’s the heaviest thing he’s ever held.

“You,” He hisses, and his voice is wet and choked through. “If it wasn’t for you- if it wasn’t for you-!”

“Puhu, do you ree-ally want to do this, Mister Owada? Didn’t you learn your lesson on the first day of school?” Monokuma swings its feet in the air. “I’d hate to punish you after that amazing show-”

“I don’t care.” He spits. As Byakuya draws closer, he can hear the quiet splat of fat tears, striking the floor. “I don’t care, you killed him- I should tear you to pieces right now-”

And he stops, as Byakuya places a hand on his elbow. “Put it down.”

He’s sure that the face Owada is giving him is positively murderous. “Why should I,” he snarls, and his words are still thick with grief. “The fucker-”

“Even if you break this one, another one will take his place. And there’s probably countless replacements.” Byakuya sighs. What was he doing? He wasn’t sure himself. “What are you planning to accomplish? Other than a very messy suicide?”

“You bastard-” He drops Monokuma, who lands with a squeak, and grabs Byakuya instead, hoisting him by the collar. “What the fuck do you think you’re doing? What does it matter to you if I die?” His last words sound less like a threat and more like a genuine question.

Instead of immediately replying, Byakuya casts a glance over his shoulder. Only a few people were watching them, the rest too preoccupied by their own misery. “...Take a look. There’s only so many of us left.” Byakuya looks back to Mondo, and even through the haze, he can see his face is pinched into a look of anguish. ”Did you hear what his last words were? Because I did.”

The grip on his shirt slackens, and his feet meet stable ground again. He pushes Owada’s limp hands away. “I don’t care if you want to die. But take responsibility at least.” He glares at him, his kneeling form. “We can’t leave until everyone’s on the elevator, so stand up and walk.”

There’s a part of him that wants to berate Owada - to tell him that Ishimaru likely never wanted his help in the first place, that all he accomplished was unnecessary strife - but such a thing doesn’t sit right with him. That would be the actions of someone petty and sore, a pathetic loser who couldn’t let it go; and right now, all Byakuya wants to do is sleep.

He steps onto the elevator. Celeste is already there, poised as ever, as is Yamada, who is mumbling unhappily to himself. Kirigiri and Makoto join them shortly after.

Makoto balks slightly when he sees Byakuya, tripping at the threshold with a yelp. But he straightens up quickly, glances around, and slowly, hesitantly, walks to Byakuya’s side. “Um…”

“Be silent.” He snaps. Makoto recoils instantly. “Do not speak to me. The deal is null.”

“Byakuya-”

He turns away, focusing on the metal grates of the elevator walls. The wires are bent into some kind of honeycomb pattern, though it’s not like Byakuya could make out exactly what.

He half-expects Makoto to say something more, but the elevator ride up is silent and still.

< previous - from start - next >

[zhansww]

The first ~28 episodes of War of Faith are so good. So fucking good. And definitely recommendable. But the drop in the quality of the writing after that is... jarring. The pacing runs wild, the plot gets ridiculously contrived and a good character turns evil for no reason. Basically, the best way I’d recommend this show is to watch until about episode 28 and after that, just skip to the finale. Spare yourself all the nonsense in between. Although I will say that the character of Wei Ruolai, at least, stayed pretty consistent and mostly well-written until the very end. He’s easily become my favorite of all the characters I’ve watched Yibo play. Oh and there is definitely potential for a second season. As long as it has the same quality as the first two acts of season one, I would totally welcome it.

spoilers under the cut

As much as I appreciated what they did to redeem Tunan at the end, my biggest issue is that Tunan should not have turned evil in the first place. He shouldn’t have fucking needed redemption. It (still) makes no sense. And it’s the worst mistake of the third act. I could literally condone anything else. The fact that Tunan turns into a warlord, even though he is banker. The fact that everyone suddenly knows how to wield guns and fight. The ridiculous plot armor for certain characters and how conveniently important things constantly happen at the same time. Like, I’m fine with all that. But changing characters to move the plot in a certain direction instead of having characters move the plot naturally... that’s where I draw the line. And I know what they did it for. To make it more angsty. To make us, viewers, feel some type of way. But nope, the only thing bad writing makes me feel is annoyance.

Even if I take my shipping glasses off for a moment, I think it’s safe to say that Tunan and Ruolai are the heart and soul of this story. Heck, this show literally starts off with Ruolai, trying to get a place at Central Bank, where his beloved Tunan works. That’s what kicks off the entire story. Honestly, their relationship is gayer than the only canonically gay c drama I watched. And even though the third act is a mess, their relationship is still probably what I liked the most on this show. And I’m glad that they, somehow, got a sort of happy ending. I assume the implication in the end is that Tunan is the comrade Ruolai was supposed to meet... And since they’re finally (belatedly) on the same side again, they get to work together again, too. It’s a bit bittersweet but oh well. Better than if Tunan had died, at least. Ruolai has this really endearing and whole-hearted devotion to Tunan. They very much have a master/servant dynamic at the beginning. But the more Ruolai grows into his own, the more he steps out of Tunan’s shadow and at the very end, they meet each other as equals. I really liked what Yibo himself said about their relationship, that they started as master and disciple but gradually came to consider each other family.

I’m really fucking glad that Yibo chose this role and that he played it the way that he did. I don’t even know how long it’s been since the last time I was this invested in a show (not counting the OP live action cuz I’ve been invested in the og for a decade lol) so I’m ultimately quite happy that I watched this which I wouldn’t have done if it weren’t for dd, tho. My man really chooses the best roles and his performances keep getting better. I’m super proud of him and to be his fan~

[8bitsupervillain]

Higurashi When They Cry Hou Ch. 8 Matsuribayashi pt. 66

I guess we’ll see if this is the second part of my prolonged essay about how I feel characters get done dirty in the finale.

But the thing about the idea that she’s ruining the work of Hifumi Takano is the fact that that is blatantly untrue. There was a letter, note, journal entry in Minagoroshi where Hifumi basically begs Takano to make something of herself, to attain godhood by her own hands. To achieve some level of influence or fame because of the fact that he failed so completely in his own life.

I have to say, I like it when the console art has unique screens like this. Sure it’s not a great event, the abuse of Miyoko Tanashi, but I think it conveys her fraying mental state really effectively.

I do believe that this confirms it, Miyo Takano is indeed on the higher end of the Hinamizawa Syndrome. It doesn’t say it outright, but if you’ll recall one of the symptoms of the syndrome is a sense of persecution. I would like to point to the above and ask what is that if not confirmation and an example of Takano’s own persecution complex?

I don’t wish to appear wishy-washy but you could certainly use Hinamizawa Syndrome as a justification for why Takano seems to be acting so wildly out of sorts. In a way it’s the only explanation that makes sense, there are even parallels to Rena’s extreme symptoms from when her parents divorced. Ever since she received the news that the government was shutting down the Irie Institute Takano has acted more and more frantic about her dreams falling to pieces.

This dialogue towards the end of the screenshots make me wonder what exactly is communicating with Takano. Initially I presumed it was an entity similar to Hanyuu, some other cosmic being that is in opposition to Hanyuu and Rika’s struggles. There were vague implications earlier in the chapter, and towards to the end of Minagoroshi that there was something that was opposing them. There is one person who it could be, and that’s the Rika from the Fragments, the one who identifies themselves as Frederica Bernkastel. I have some theories as to why I think that its her, but I won’t get into them for now. The primary reason I think that it’s her is because of the fact that in the flashbacks an otherworldly voice saved Takano from dying when she made her escape from the orphanage. Then she led her to the phone booth that allowed her to call Hifumi and set all of this in motion. The only other option is that there is another of Hanyuu’s “demonic” kin that has survived and is secretly aiding Takano in her plans against Hanyuu. But the series has to this point never alluded to the idea of any of these other demons being alive so take it with a grain of salt, and also don’t look at the box art for Higurashi Hou +.

You gotta commit yourself Takano, can’t do things by halves.

It’s just the worst being stuck in a room with no fans or anything during the hot summer months. I get headaches from the heat so it’s sheer agony being stuck in a slightly above room temperature room, head pounding while time just seems to crawl. I can only imagine it’s worse doing exercises of any sort in a room with no means to cool off, or ventilation.

It struck me just now that for everything that’s about to happen in the story it all is going to be happening within a relatively small amount of time. Altogether, maybe about twelve hours. That’s something that’s always a bit difficult for me to reconcile with, the sense of time in a given narrative work. For all of its faults 24 had the decency to let you know pretty precisely when, and how long an event is in the narrative.

[inkizblog]

this is like a little rant about fantube so if you ship it and are kinda sensitive to opinions I advise you not to read

it isn’t targeted to the normal or actually okay fantube shippers so dw if your one of those

idk I feel I have to talk about this

if you decide to read just read till the end it gives you all the info (it’s pretty long though)

tw: opinion, cursing, sexual mentions

why can’t we have fan and test tube separately?

why is it when THOSE fantube shippers see test tube they are like “oh my gosh it’s literally fans wife!! literally married to fan guys” BUT WHAT IF SHE WASNT? BUT WHAT IF SHE WAS A SCIENTIST AND NOT MEANT TO BE LABELED AS SOMEONES “WIFE”?? BRO IT MAKES ME SO GRRRR

also when I say those fantube shippers I mean the crazy ones not the normal ones you guys are fine

it’s getting out of hand though .. like seriously

“B-but the marriage is literally canon!! It happened in a stream” FIRST OFF, THAT WAS A VOICE REQUEST. SECOND OFF, THERE WAS NO ROMANTIC IMPLICATION!!

“b-b-b-but that one part at the end when test tube says-“ erm! what if that was a JOKE and it didn’t even mean that things should be romantic between them, it was just the DELIVERY of the speech? let’s put our thinking caps on!

“oh my gosh people can’t even have fun or ship now you suck inki” I DIDNT SAY YOU CANT SHIP FANTUBE. BUT CAN WE STOP. MAKING. EVERY. SINGLE. THING. ABOUT. FANTUBE?

sure!! I’m all for the platonic family with Bot and Egg and whatever but I don’t make EVERYTHING about it. like cmon bro they are separate characters

Another thing that pisses me off (and this probably is the worst) FANTUBE IS BECOMING OVERSEXUALIZED. LIKE REALLY OVERSEXUALIZED TO THE POINT IT MAKES ME (and probably others) UNCOMFORTABLE

I JUST SAW A VIDEO WITH AN AUDIO OF FAN LIKE, MAKING WEIRD NOISES OR SOMETHING?? I HAVE NO IDEA WHERE IT CAME FROM (I THINK FAN WAS BEING PEPPER SPRAYED APPARENTLY OR SOMETHING) BUT THAGS NOT THE POINT

THE VIDEO HAD TEXT ABOVE IT THAT SAID SOMETHING LIKE “Damn Fan, the backshots can’t be THAT good” AND ALMOST EVERY SINGLE COMMENT WAS JUST FUCKING

“Test Tube had that shit ON”

“Yeah that was me, aka Test Tube”

“Someone animate this with Fantube”

IM ACTUALLY SO ENRAGED. BEYOND WORDS. THIS ISNT EVEN PREPPY, QUIRKY, SILLY, OR WHATEVER YOU WANNA CALL IT. ITS ACTUALLY NOT FUNNY

ITS ESPECIALLY NOT FUNNY BECAUSE IT KEEPS ON HAPPENING OVER AND OVER AND OVER

this is why I can’t say I like object shows anymore. this is why i can’t watch silly little thingies compete for an unknown prize. THIS IS WHY.

forgot to mention even the creators of ii are annoyed of people still asking if fantube is canon.. that says a lot

I don’t CARRREE if it’s “canon”. THIS HAS TO STOP

I thought this was a silly or cool ship at first. I was wrong.

[EDIT: before some of you are like “just click off of the video..?” WHEN ITS PLASTERED EVERYWHERE AND ITS LIKE 90% OF II CONTENT I CANT]

[bapydemonprincess]

I’m 24 and I’ve been in this fandom since like 2010 . So not the entire time it’s been around but I was here for its main surge I feel like. And I won’t lie, when I was 10 and a majority of the fandom did ship sebaciel publicly and people made you feel weird for not shipping it, I definitely did engage with it. It was pushed on me as a 10 year old by a majority of the fandom, and I didn’t see anything wrong because I was younger than ciel/same age and I was like “yeah I think Sebastian is cute and I’m the same age as ciel so—“ BUT you know as I got older I’d say even by 14 I had the realization of how gross it was and how I didn’t actually ship it it was just that they were the two main characters in the fandom and that typically main characters are the ones who get shipped and that at that time in the fandom it was impossible to not be faced with ship stuff. And I was groomed by adults in the fandom on this very website. They knew my age and would send me smut and talk to me about myself and flirt and I honestly feel bad that I ever did engage with the ship. I didn’t know any better. But now as an adult when I do see sebaciel stuff I find myself questioning if they’re just young and if they’re going to grow out of it too and I wonder if maybe they’re also having it pushed on them by older fans like I was. I find it concerning because i know what it did to myself and what kind of situations I was put in because of it. I try to avoid the adult ones because unfortunately I think if they haven’t grown out of it and realized the implications of the ship and how it does affect real life I don’t know that they ever will. I hate that this fandom has such a bad label on it. Every person I mention it to is like— “oh the pedophile demon anime?” And it just sickens me. Idk this is kind of just a rant and I wanted to offer my thoughts as someone who has been in the fandom a long time and as someone who was in the fandom as a child even. I’m sorry if this is weird ask to send but I see you posting content about it sometimes and it made me feel safe to share my thoughts

Well I am not personally good at answering these types of asks but I am glad you felt safe to send this to me, specifically, and get it off your chest, it's all good!! 💖 And glad to know you came to realize how bad the ship was at one point, I'm always happy to see that happen once in a while in kuro, because there are so many folks around my age refusing to accept the truth and doubling down on proshipping, and also I notice very recently too trying to cause problems on purpose for antis in their spaces. 😒 It's getting hard out there since the new anime came out, and a lot of those types have attempted to return.. likely from twitter where they ran off to last time they were booted (some quite literally banned hmm I wonder why) from tumblr.

And the worst WORST part knowing proshippers around my age is knowing.. remembering.. the very beginnings of kuro, seeing the early fics on ao3 by those guys, who really started it all, knowing somewhere they're still out there.. some even maybe with kids of their own WHO KNOWS... Ugh.

And I hope new fans, no matter their age really, make sure to be careful esp on here in the main kuro tag, for these proshippers have been constantly- AND VERY BLATANTLY I MIGHT ADD -trying to advertise their blogs and discords as safe spaces for interacting... CLEARLY trying to start/continue the process of grooming that is so well known in fandoms like kuro at this point.

Overall just use block on tumblr recreationally, it's free real estate ✨, stay safe in general, and again don't be afraid whether on fellow anti blogs like mine send messages or if you feel more comfortable make posts of your own on your own blog expressing how you feel, getting it out of your system.

Hope my response was okay (I say because I'm at work at also health-wise a bit out of it so sorry grbhjfkugu) and hope you, anon are currently doing okay now!! Thank you again for sharing your personal experience!!

[ordinaryschmuck]

Guardians of the Galaxy Vol 3 made me cry three times.

Hey, that’s one per movie...Yeah, this movie’s awesome.

If you couldn’t tell, this is a very emotional film for sure, and a part of why that works so well is because it’s these characters. The Guardians are some of the most likable characters in the MCU, so seeing them go through a lot of hard stuff in this movie hits ya where it hurts because of how much you care about them. Especially Rocket, who I might not see the same way again after this movie due to his crazy tragic backstory.

Speaking of which, shit gets DARK with Volume 3! Do you like animals? Then maybe don’t watch this one, because there are scenes where animals get tortured, mutilated, mutated, and even killed throughout the film. You don’t see the REAL brutal stuff, but the implications that James Gunn puts in might actually be worse than SHOWING us. But don’t let that make you think we DON’T see any gruesome stuff in this. Guardians of the Galaxy Vol 3 is one of the few MCU projects that EARNS its PG-13 rating, having some VIOLENT imagery and deaths. For example, there’s a moment where you see what a character really looks like, and it might just be the goriest thing the MCU has ever had, which is the biggest compliment I can give.

But despite all that, it’s still funny! Like, REALLY funny! And the jokes don’t spoil and dramatic or serious moment in the film, either...Well, except for maybe one or two scenes, but that’s NOTHING compared to films where the jokes completely harm the final product like Thor: Love and Thunder. Here, the jokes are perfectly placed, are rarely forced in, and are ACTUALLY funny. Me and everyone in the theater were cackling with laughter a LOT throughout the movie. I could barely restrain myself from belting out a laugh or two half the time.

And the action. Holy SHIT, the action! These “trilogies” in the MCU really know how to save the cool stuff for the third movies. Iron Man 3, Captain America: Civil War, Thor: Ragnarok, Spider-Man: No Way Home, and now THIS FILM all feature some of the most epic, creative, and fun action scenes and set-pieces in the MCU. There’s a hallway fight that might just top Daredevil’s due to how violent and creative it is with these characters, their powers, and how they kill people. It really does feel like James Gunn wanted to give the fans a few final cool battles before leaving the MCU forever.

Which brings me to another thing about what makes this movie awesome: It is a clear send-off for James Gunn and the Guardians. The movie makes it VERY clear that this will be the last time all these characters will be together. Hell, the credits features pictures of the Guardians throughout their journies and adventures in the MCU. The most we’ll PROBABLY get are cameos, but other than that, this is the end for most of these characters. And WHAT an end it was.

If there’s anything to complain about, there’s two problems.

#1, Adam Warlock. The character isn’t...bad and Will Poulter nails the voice I always pictured this character having. But he doesn’t really nail who Warlock is in the comics and, overall, he’s kind of...pointless. You can easily write him out of the movie and make a few extra tweaks NOTHING would be missing. Honestly, it feels like the only reason why he’s here is because Volume 2 teased his appearance and James Gunn had no choice but to...bring him in for this last ride. Also, Warlock has the worst costume in the MCU. I mean, look at this:

What even is this?

Which brings me to #2--Which is my most nitpickiest complaint: Star Lord doesn’t wear his mask. Ever. Throughout all two hours and a half hours of this film. It’s part of a bigger complain I have where characters don’t mask up as much as they should in these movies, but it doesn’t stop how distracting it is. I don’t want see Chrisp Ratt’s stupid face in this. I want to see STAR LORD.

THIS! I want to see THIS! And the crazy thing is that Volume 3 finally gives the Guardians their comic accurate uniforms, but don’t go all the way in giving us Star Lord’s mask. Not even the original one they made for these movies. Part of the fun of superheroes are their cool and iconic costumes so it sucks that we don’t get to see enough of that. Imagine if Spider-Man: No Way Home or Captain America: Civil War didn’t have Peter and Steve wear their masks for the big and epic fights, including the finale battles. It wouldn’t be great, would it? Seeing Tom Holland and Chris Evans fight instead of Spider-Man and Captain America.

LET YOUR HEROES WEAR MASKS, YOU COWARDS!

...But other than that, this movie’s a near perfect 9/10 for me.

Now, does this mean Marvel’s back on their game and they’ll be making good movies again?

...We’ll see.

For now, I’ll remain hopeful. Because while the MCU is going through a bit of a rough patch with its films and recent shows, there’s still some fun to be had. I’ll always keep an eye out for what they have next, even if it’s not always as good as it could be, it’ll always lead me to seeing...

A fun, nostalgic thrill-ride that honors Spider-Man and what makes him so awesome.

A touching tribute to Chadwick Boseman and how much he and the character he portrayed meant to others.

And this final ride that’s fun, tragic, and complete in all the right ways.

[nights-nonsensical-ramblings]

okay so I watched the knuckles series (by following the example of the pirates of course ) and I have to say while it was a very enjoyable watch, I have no clue what I watched and I’m mostly confused and have come away feeling mostly neutral. I don’t hate it, but it hasn’t dug its hooks in like other sonic things have for me.

Like some bits I very much enjoyed watching and would happily see again and others I couldn’t stand and dread the idea of watching again.

there were plenty of moments where Knuckles went against what I adore about him, and others that perfectly capture what I adore about him. Boy was so adorable though. Loved lots of the expressions he made.

okay I’m gonna get a bit more specific from here and cuz I got no clue what’s going on with the tagging and it gets long I’ll put it under a cut.

So it’s kinda hard for me to remember what happened, but I will say I love wades mother, she was amazing, loved her and Knuckles’ dynamic and would welcome it if she appeared again. (Also, new headcanon unlocked that knuckles is such a mamas boy he’s a magnet for motherly figures)

I really am not a fan of his sister Wanda tho. The childish sibling banter did entertain me at first (and made me think that knuckles was going to reflect on his relationship with his brothers) but it went on too long and just made Wanda feel like she never matured past being a bratty teenager. (And judging by what I’ve seen I think she’s gonna be on ‘top _ worst sonic characters’ lists for a while)

my opinion on Wade himself hasn’t really changed. I have no strong feelings towards the guy

We didn’t get as much as I wanted, but I loved the Wachowski family stuff. I needed so much more of knuckles being the trouble kid and the family trying to help.

It’s pretty annoying that the start of the show set up Knuckles learning to chill, be a kid on earth and settle in with his new family. Only to drop it basically immediately and the closest thing it has to a resolution is Knuckles finding his jam.

and yeah, I could see plenty of moments where they had the perfect opportunity to explore knuckles on a deeper level but chose not to. But I am glad they at least hinted at it with those expressions I keep raving about

On that. Cuz Pachacamacs appearance was what springboreded what was going on in a different direction. What is going on here? Is this a Knuckles thing? But Wade speaks to him to, but that was under knuckles’ guidance? I think? So can anyone in this world talk to spirits? Can only certain people be spirits? I mean. One Knuckles got over the initial shock he accepted the fact he was talking to a dead tribe member (I’m also sad that nothing was done with the idea that in this universe Knuckles and Pachacamac were alive at the same time) I got so many more questions on how spirits work in here, but I’m just gonna move on. (Although, maybe this sets up knuckles speaking to Tikal 👀. Or maybe his dad or even his mum.)

But considering what Pachacamac’s role is in the games making him so comedicly focused felt weird. Yeah this universe has different events. But still feels weird cuz of how we know Pachacamac.

I don’t even know what to say about the whole fire powers fire demon (who’s heavily implied to be iblis) I need way more time to think what is going on. Like does any of the pre existing lore apply? If so those are some WILD implications. If not, did that mean they just made this guy like iblis cuz it’s a fire creature that fans will recognize??

A minor thing but I can’t hear our house without thinking of the chemist warehouse add. And a few of the other songs are strongly associated with other things and I couldn’t help but think of them when they played. I don’t see this as a good or bad thing. It is just a thing.

hmm. I had more thoughts but after that ghost tangent I can’t really remember them. I guess I’ll have to come back later with another post if I get them back.

So, for now my closing thoughts are: it’s not a terrible show. Lots of writing choices I disagree with, but I don’t nessicaily think they’re bad. And there’s definitely enjoyment to be found (more if you watch it with some friends) but it’s not really to my taste. Especially with how much irs advertise as about knuckles and then not. Some moments made me very happy some made me want to nope out some I don’t even know.

congratulations to Wade fans, I’m gonna find what bits I wanna cherry pick and I’ll be on my merry way.