#and the crying is hurting me even more

[house-of-slayterr]

Pro Tip:

Maybe is someone is writhing around on the floor, screaming and groaning and crying in agony… don’t fucking as them to walk across the house to help with a task you could do yourself…

Sincerely,

A very upset disabled person.

[crybaby-bkg]

you know what’s absolutely terrifying???? having to cut a baby’s nails………

Katsuki has to cut your baby’s fingernails when he discovers a tiny little scratch by her eye one morning. it’s barely there, a small thing, but it’s there, marring her little face nonetheless. he frowns at her when he holds her the next morning, her dreamy eyes alert and blinking up at him, she smiles.

“Now I gotta cut yer claws down,” he mutters to her, voice quiet as to not wake your sleeping form in the bedroom. he pads throughout the house with her chubby face resting on his shoulder, her gums gnawing at his bare skin, but he doesn’t seem to mind it.

he finds himself in a conundrum though, once he realizes just how fucking—how sharp the damn clippers are. they’re tiny, lavender in color, but they’re meant to cut though the nail with such precision. and yes, he’s a pro hero, has had to adopt the title of EMT, firefighter, emergency surgeon a few times in his life when need be.

but…those people weren’t his baby girl. they weren’t this tiny and precious, and they never looked up at him with a face so similar to his, it makes his heart squeeze tight in his chest. he frowns at her again, even deeper, and this makes her hiccup a little giggle, gummy smile spreading wide.

“You’re only gonna wear mittens from here on out,” he grumbles after a while, finally daring to pick up a tiny hand that she instantly curls around his thick finger. it’s the cutest image, he thinks to himself, but he catches sight of the jagged nail, the culprit. his heart squeezes even tighter though, when he realizes that he can’t protect her from every hurt in the world, even if the hurt comes from her own hands. and the realization is an aching one, but he tells himself that he, at least, can patch her up.

you walk in minutes later, find Bakugou curled over your daughter in the rocking chair he built for her room. his tongue pokes from the corner of his mouth in concentration, his eyebrows furrowed. your daughter babbles to him the whole time, her sweet voice cooing the softest little noises that he responds back to.

“I know, I know,” he mumbles to her. “Ya don’t like baths, and don’t like your nails cut, either. What other shit do you hate, huh?” he asks, and she seemingly responds with a long, sighed out coo. it makes him smile, despite the way his hands slightly shake when he cuts the next nail. he’s terrified, of somehow hurting her even more, of cutting too close, of scratching her. but he treks on, and kisses her fat little fingers every time he clips another nail.

[ellie-shy]

I get it. I understand Lucanis now. I understand him. So. Much.

I just finished his quest Inner Demons and locked into his romance. And I cried. I legit cried while doing his personal quest. Because I felt it. It felt so personal, to Lucanis, and to myself.

I'm gonna pour my heart out under the cut because Lucanis has just ranked up so high into one of my favourite fictional characters ever. And that means a lot to me.

When I played my first playthrough (and of course avoiding spoilers) I saved Minrathous. And I was devasted to see how Treviso looked in the aftermath. Then, Lucanis was hardened. I know that there will be consequences with Luc's arc but I was not sure what it will be. So, after finishing the other companions' personal quest and getting the Hero of Veilguard for everyone... except Lucanis. I really thought after defeating Illario I would get the Hero status with him, but nooooo. Only after finishing the main quest, I got it. But, I felt something was... missing. Something was missing with Luc's arc, but I couldn't put my finger on it. Thus, I finished my first playthrough.

Understandable, I did hardened Lucanis. But it got me so curious... what was it that's missing in Lucanis's personal questline?

Then I made my dear dwarven Grey Warden warrior Rook : Juliet Thorne, to romance him.

And I finally got to the Inner Demons quest, a quest that I never done before (and also tried so hard to avoid spoilers before doing it 😂).

Hold my hand while I confess this. I cried. I really cried when doing Inner Demons. This is what I was missing in my first playthrough?? Helping Lucanis escaped from his inner prison???

Inner Demons felt so personal. Like deeply personal. My Rook is actively involving herself into Lucanis's deep and personal thoughts. And you know what made me cry even more? This quest felt personal to me too.

I also understand Spite now!!! Why he wants OUT!! He didn't just want to go out in the world through Lucanis, he can't even go out of the Ossuary that Lucanis has made for himself, his own turmoil and guilt 😭😭😭😭😭😭

I get it now 😭 Oh God do I get it now (still crying btw).

Spite wanted to go out and it knows that they aren't in the Ossuary anymore, but why does Spite keep seeing the Ossuary? That is what made Spite so frustrated! Until Spite was desperate enough to ask for Rook's help because Spite knows, Rook "opens doors, never closing them" 😭 Spite knows the only way to get through Lucanis, is through Rook.

Lucanis, has made a giant wall to protect himself from everyone. Including Spite. He self-isolates, to the point of pushing Rook away. But he didn't mean it. Lucanis has a heart of gold. He is kind, he remembers my Rook's chocolate drink, he cooks for everyone, he considers Emmrich's vegetarian preferences, he buys things for the team, he isolates himself in the pantry because he doesn't want to cause trouble to anyone. He is a selfless bastard that's willing to sacrifice his happiness and comfort for everyone around him. Why? Because he thinks he doesn't deserve it. 😭 This mindset has developed after years of trauma. Years of training and torture... so he can be perfect. If he can't be perfect (which is the very high standard and expectation that he has set for himself), then he can never have happiness. At least that's what he thought. And I get it, because I have this trauma too.

This is why he punished himself so much. He was rescued by Rook and lived, but has a demon inside him. His city is saved, but at the cost of Neve's city. He made a god bleed, but didn't kill the god as per the contract. He killed Zara, his abuser, but he was devastated that Illario, his family, was involved. Every single time, everytime Lucanis thought he had a moment of victory/happiness, it will be at the cost of another he cared for. And he punished himself again, and again. Trying so hard to solve his own problems without involving anyone, and never asking for help. And that's why he pushed Rook away, he can't lose another person he cared for. Because he is such a selfless man!

I felt this, his trauma, fear and anxiety, I can relate with Lucanis. This feeling will eat you from the inside. It will make you develop a sense of self-hate, low self-esteem, not being satisfied with everything you have done and etc etc. It will drown you, literally, within your own spiral of self-hate. I cried while playing the Inner Demons quest, because it felt so personal to me too, as if I'm drowning again. But visualizing it with Lucanis this time. And hey, the Ossuary is an underwater prison. Lucanis is drowning.

And it's hard, you know. Because you will feel like no one is gonna help you other than yourself. Yet, you can't even save yourself. Lucanis couldn't save himself.

Until Rook.

The way that Lucanis just kept pushing her away, but my Rook just kept breaking down every single wall he built. Reassuring him, acknowledging him, supporting him, validating him, every step of the way. Rook didn't give up on him. Rook cares for him, so deeply. And nothing can stop her from reaching to Lucanis. Lucanis was so scared to lose Rook, or something would happen -- but Rook knows, it's gonna be okay.

I cried again because... to have someone like Rook, who willingly bring down every wall you make, carefully guiding you out of the place that's drowning you... that's special. That's very special. Rook is so special to Lucanis. Whether he was romanced or not, Rook is special. I was so happy for Lucanis, he has found someone, that will bring down his walls, that rescued him from drowning, that reassures him that he is enough. Because he is enough. And he will be okay.

This quest is so personal to me. Lucanis is a fictional character that resonates with me, so deeply. I understand him better now, because I see myself in Lucanis, and the experience he has been through are so similar with mine irl (minus being possessed ofc haha). It felt so validating, knowing that I am not alone. But don't worry about me, I'm in my own healing journey too <3 The moment I bawled my eyes out was when reading his thoughts fragments. My actual thoughts that time was "why does these thoughts sound so much like mine?".

Now I finally understand what was missing in my 1st playthrough. Knowing Lucanis, he built a wall to Rook, because he just lost his city. He has to put his guard up to Rook because he knows, no one will save him. Eventhough, in the end, he does trusts Rook, but not enough to bring his walls down. And that's valid, because I would do the same.

This is what makes his romance so meaningful and deep. He is vulnerable to a romanced Rook. He trusts Rook wholeheartedly. Literally, placing his heart on his hands and presenting it to them. Rook freed him from his inner demon (which was actually, himself), and guess what happens next? Lucanis would literally worship the ground Rook walks on. Let me tell you something, to achieve this level of trust in a relationship with someone like Lucanis, is otherworldly. I can't explain how meaningful Rook is to Lucanis. Perhaps even Rook wouldn't know how important they are to Lucanis. Only Lucanis knows how much Rook means to him. And me, the player.

Lucanis is a man that's going to treat you right. He would cook for you, he would take care of you, he would waste his time with you, he would do anything you ask. He would live for you, he would die for you, he would kill any gods you ask to keep you safe. His words and actions carry weight. Lucanis is indeed a passionate man, but his passion is only for the person that deserves it... a romanced Rook.

This is such an emotional post, but I just want to express how this short 'outing' quest means a lot to me. I won't go into detail on how much similarities I have with him. Just let me say this, I see myself in Lucanis Dellamorte, and I'm happy that I'm not alone going through the journey of healing my inner self.

Let me be hopeful, that one day, I will find my own Rook <3

[gomzdrawfr]

[iizuumi]

smek

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.

[solhunder]

when are you going to update the lbm origin comic?

(don't feel pressured tho)

uhhhh eventually 👉👈

imma be real honest, i'm in one hell of a star trek lower decks haze right now cause theyre in the middle of their last season and i am equal parts excited and devastated and my brain just has 0% room for lbm at the moment

(he, of course, lives forever rent-free in my heart)

I have about two chapters written and laid out, I just gotta make them look nice. I'll probably get back into the swing of things by January. ^^;

[somewhereincairparavel]

imagine percy jackson, who actually got to live a long life in new rome with annabeth, sitting on the porch of his garden, he feels a gust of strong wind one morning of july 1, which had percy reminiscing about his playful, now childhood, rivalry with jason grace.

almost 50 years ago. back then, he was genuinely focused on proving himself, that he and jason sort of took their rivalry seriously in the beginning, before they became good friends. the way they glared at eachother, the way they'd made it a competition on who'd called their respective pegasuses faster, they way they almost seriously hurt one another because of possesion, and they way they had silly tension on who gets the first seat of the dinner table on the argo ii.

It all made an older percy laugh now, they were both such silly, silly teenagers, but only one of them stayed that way forever. without even realising it, percy's eyes stung with tears at the same time. jason died decades ago, yet the grief felt so new, like it happened yesterday. his friend never got to experience getting old and having grandkids like he wanted to, but percy did.

and for no reason, percy felt immense guilt. zeus was the god of justice, yet he found it fair to have his son die so young. It dawned on him, that the poor guy couldn't even make through highschool graduation.

percy could only hope now, that all of his friends, would together be able to reunite with jason in elysium one day. that is, if jason chose to permanently stay in elysium, a part of percy selfishly wished and prayed, that jason hadn't chosen rebirth.

to all of them, experiencing the gaia war with jason grace, had felt like a movie they'd acted in centuries ago. that's how long ago it felt like to them. but their memories with him, were as fresh as day. percy wishes that jason hadn't died right when they were warming up to eachother.

[moeblob]

"Him? Oh, you know, he's kind of a loser." - probably everyone except for his younger brother.

Germaine is based on the layer of hell (Dante's Inferno) for material wealth before self, others, and god. So basically very materialistic and possessive of his belongings. Unfortunately, his younger brother qualifies as a belonging in his mind. So he does his absolute best to keep his brother safe and sound and scratch free - which is a bit tough in a post apocalyptic setting but he mostly manages.

Also a fact I just like to mention: he is incapable of lying.

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[ilkkawhat]

[skunkes]

the bad: i have been raised without much warmth from my parents in childhood, but also pressured to conform to familial authority, doubt myself always, and value familial connections above all else (<- failed at this, and feel guilt about it.)

but also in experiencing this i have been so isolated from the entire rest of the world and others, that it will be nearly impossible to create my own "family" -> find safety and comfort in anybody else once my family is Gone. despite dis i find it really difficult to break away from the familiar, disobey and disappoint, because, well, why are my wishes more important than anybody else's. why would I cause upset and distress in anybody, and exert so much effort into my doubt filled half decisions, for my meaningless little Wishes. being away would also mean less time with these people who I'll never see again once they're gone. being raised this way is definitely paying off for those who did so.

the good: yaaaay adjacent inspiration for writing talon lore

[justaz]

listen. my guilty pleasure is those merthur fics where merlin is handed over to foreign lords and they get violent and then arthur finds out and goes apeshit. love it. so fun. but what i think is so funny is that like,,, merlin would punch back. maybe not realistically, maybe he’d restrain himself, but spiritually merlin is throwing hands. i just think its funny bc in like all the fics ive read merlin is the personification of 🥺 over it

[emberglowfox]

i kind of knew in theory that all my hobbies involved my hands but i kind of just ignored it n was like oh well im sure id manage

top ten pics taken seconds before disaster

[gladiatorcunt]

han solo wants what atton rand has

[arolesbianism]

Despite how much I suffered making my last isat au Aris sprite redraw, I decided to do it again and once again went through hell doing it. There’s like a billion mistakes in this (such as her having the wrong arm rip) but at the end of the day I’m still happy with how it turned out :]