#and the cast is so fun!!! they all look like they're having so much fun with these roles!!!! its so fun to watch them all interact on stage

[totalswag]

hey i love your work so much and if it’s not to much go ask i was wondering if you could do a fic where fem!reader is part of the cast on obx and she is really close friends with drew where they are flirting and what not and everyone ships them and they are at an interview with the rest of the cast and that gets brought up? sorry if that doesn’t make sense! if you don’t have time it’s completely

behind the scenes ⎯ RAFE CAMERON

authors note thank you so much lovie!! i'm open to take requests and write them. i've thought of this concept before and all i gotta say is thank you for requesting this because I NEED THIS!! super sorry for not posting for a small while, there were stuff i needed to take care of first.

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summary having a close relationship with drew that send hints to fans they like each other based on the way they flirt with each other.

warning(s) flirting, shipping, co-stars secretly like each other?

Being apart of the Outer Banks cast has been such a blessing. You've created relationships with people you consider family now and who you can count on no matter what the circumstances are. Being on set for weeks on end filming scenes and making memories is what you look forward to most.

You grew closer with Drew Starkey because your characters are dating in the show and always next together on set too. Drew has become someone that you consider very important in your life.

You joined the Outer Banks cast during the second season. Drew appeared in a couple appearances near the end of the season, implying that he is interested in someone— love interest. You recall fans going nuts trying to figure out if this will continue. Fast forward two seasons, and your characters are together.

After a long day of filming, the cast decided to gather for dinner at a local beachside restaurant. The atmosphere was vibrant, with laughter and the sound of waves breaking on the shore. You and Drew were seated next to each other, much to the joy of your cast members, who were closely watching your interaction with Drew.

"Drew, look at the camera," you softly sang, your phone in your hand on the table, Drew in the frame of the video— he was speaking to Rudy across the table. He gives you a look that shows he knows you are heard before looking down at your phone and waving.

"Oh! "Hello there," he smiles even more when he sees himself on the screen—you giggle at the end of the video before sharing it to your Instagram story. 

"You posted it on your story?" he inquires, his body language focused solely on you. "I obviously had to; it was cute," you said as you placed your phone on the table next to your wallet. You suddenly felt nervous in front of Drew.

He raises his eyebrows in satisfaction. "Cute, huh?" He smirks and smiles, patting your thigh.

Fans began to ship you and Drew together as your relationship grew. The chemistry between you two is clearly obvious on and off screen, which is why you perform scenarios so well. Fans go berserk every time you post something on social media about Drew.

You two flirt without even realizing it at times. You will compliment each other as if you were a relationship, but this is nothing out of the norm for you two. Even your cast members have boarded the train and made a few comments about when you'll finish up together. 

You can't lie, he's an attractive young man. There's no doubt about that.

Few hours after you posted on your story, fans have been discussing the video you shared in which Drew looks at you as if you are the most beautiful person on the planet and no one else is present.

Today, you and the cast will be doing interviews all day to promote Season four. For the first portion, everyone will sit in the same room as the interviewer, but thereafter everyone will be separated.

"Alright, everyone," said the interviewer, "we've got some fun questions from fans today, and they're dying to know more about the dynamic between some of our favorite cast members."

Everyone said "Oooo," anxious to see what else the interviewer would say.

"Let's start with a fan favorite," the interviewer added, her eyes sparkling mischievously. "There's been a lot of talk about the chemistry between you two." She pointed to Drew and you. "Care to share any insights on that?"

Your stomach dropped.

The question hung in the air, drawing a chorus of “Oohs” and playful nudges from the cast. You felt your cheeks heat up as you exchanged a glance with Drew. His blue eyes sparkled with amusement, a smirk playing on his lips

"Well," Drew said, leaning in slightly. "Y/N and I have always been close. We simply clicked, you know?"

"Really?" the interviewer asked, lifting an eyebrow. "Because the way you two flirt on and off set is pretty convincing."

You laughed and shook your head. "We simply have fun with it. Drew is a terrific person, and we like joking around. "It keeps things moving on set."

"From our first reading together, I knew she was going to be a great co star of mine and we've formed an amazing bond throughout the years" Drew says with his hands. In gratitude, you give him a pat on the back.

Your cast mates' eyes are constantly drawn to you and Drew since they can tell you have mutual feelings for each other. Granted, you two have scenes together all the time and have developed a strong bond. However, you consider being more than friends with him.

The interview continued on with more questions popping up that were exciting to answer. In the back of your mind you were thinking about the question about Drew and you— do you want more?

Later that evening, you and Drew returned to your apartment and relaxed in your living room. The city lights outside your window gave a soft glow across the room, and the steady hum of the air conditioner broke the silence. You'd both changed into more comfortable clothes, eager to relax after a long day.

"Today was something, huh?" Drew murmured, breaking the silence as he sprawled down on your couch, seemingly at peace.

"Yeah, it was," you said, sitting next to him. "They really went all in on the whole shipping thing."

Drew chuckled, a deep, warm sound that made your heart race. "Yes, they did. "Makes you think, doesn't it?"

He sat up, his face instantly serious. "About Us. I mean, everybody sees it. Hell, we see it, don't we?

Your breath became locked in your throat. The playful flirtation, the lingering touches, the way your heart raced whenever he was close—it all hinted at something more than friendship. However, hearing him say it aloud was another. It made it real.

"I suppose we do," you confessed gently.

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[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend

[jichanxo]

date outfit kitakata save me......... save me....

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[jackgoodfellow]

I made a new suitor for my horror-comedy dating manga concept I Escaped My Genre!

At this community cooking college, majoring in dinner theatre of course means that you must master the art of theatre AS WELL AS the art of cabaret-appropriate foods that align with the themes of whatever show you are doing!

But the college also has a vibrant student theatre scene: Phoenix is actually directing the Drama Club's production of Romeo & Juliet this spring as their end-of-year final! I wonder if Samo will try out! (And I wonder if Phoenix will end up looking romantically into Samo's eyes and finding that in that moment, all zyr carefully-curated bravado drops away, and suddenly, ze is no longer acting; ze is simply feeling, and it changes everything.)

Also, since I put so much work into this character design, Phoenix will absolutely be making an appearance in my graphic novel! (You can find my published scripts and concept art here, if you wanna make my day!)

[nexus-nebulae]

watching the spirited away stage play over and over just for the background spirits (and the songs)

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[osarina]

ᡣ𐭩 TELLING THEM THEY'RE PRETTY!

FEATURING: dazai osamu, fyodor dostoevsky, nikolai gogol

SUMMARY: telling the bsd boys that they're pretty! (wordcount: 3.5k; sfw; fem!reader)

AUTHOR'S NOTES: i had cute dividers but this won't show up in the tags if use them D: ! i had sooo much fun with this! i hope you guys enjoy! :D

DAZAI OSAMU

You can’t seem to drag your gaze away from him. 

As a long day of work comes to an end, you rest your head on your arms and lean on your desk. Kunikida is still tapping furiously away at his computer, Tanizaki and Naomi are whispering about something together, Ranpo is sorting through his candy, and Atsushi and Kyouka are looking through files. But your eyes are tracing over Dazai Osamu as he leans back in his chair, lazily spinning and bobbing his head to the music he’s listening to. 

The setting sun casts an ethereal glow over him, his lips idly turned up and his lashes brushing his cheeks as rests his eyes waiting for the day to end. Dazai Osamu is pretty—you’ve always acknowledged that—but there’s something about the peace of this moment, the domesticity of the office and the ambience of the lighting that has you utterly enraptured.

He looks so at ease, and Dazai Osamu is never at ease. Even when he throws up that clownlike mask of his and spends his day entertaining under the guise of joy and humor, you can always see the strain in the corner of his eyes and lips. It’s subtle, almost imperceptible really—if you were anyone else, you’d miss it, but you’re not anyone else, much to his displeasure, because you know he hates how easily you can see right through him.

After a few minutes, Dazai peeks his eyes open—and you’re almost breathless, because his eyes are like melted honey beneath the sunset, warm and gentle, glittering with amusement. You think you can stare at him forever and never tire of it.

He rolls his chair closer to you, resting his forearms on your desk so that your arms are brushing and laying his head down on them so that his face is mere inches from yours, matching your position. There's a smile on his lips, soft and teasing as he whispers, "You've been staring at me for five minutes."

"Mhm," you agree, voice just as quiet as if to not disturb the tranquility of the office. You can feel his breath light against your face from the proximity he's laying at and you can smell peppermint on his breath from the candy you’d seen him swipe from Ranpo’s desk earlier when the other man had gone to speak to Fukuzawa.

“Is there something on my face?” he asks playfully, dark eyes glimmering as he waits for your response.

You can tease him back and say yes, as you usually do and is probably what he expects—and you fully intend to do just that but the words that leave your lips are not that. 

“You just look really pretty today,” you say softly, watching as his eyes widen just a bit at your words, pink dusting his cheeks. 

His lips part to say something but no words leave them. He opens and closes them a few times and you marvel because Dazai must know that he’s pretty from all of the attention he gets from women, so you don’t understand why he’s so thrown off hearing you voice it out loud. You don’t think you’ve ever seen him genuinely speechless before now.

“So you don’t think i’m pretty every other day?” Dazai pushes his bottom lip out into an over-exaggerated pout, recovering swiftly from your words, though you expected nothing less from him. But you can’t help but note that his cheeks are still a bit pink and there’s something indecipherable in his eyes.

“Prettier than usual,” you amend and watch as the flush on his cheeks darkens and he instead resorts to completely burying his face in his arms with a frustrated groan.

“I am supposed to be the flirt, bella,” he complains, voice muffled by his arms as he hides his face from your view. He cannot hide the way his ears have gone bright red, and you have half a mind to reach out and tug at them

You lift your hand to your lips to hide the giggle that rises to your lips, scooching your chair a bit closer so you can knock your shoulder against his. 

“I’m not flirting,” you say. “Just stating a fact.”

He turns his head to the side, just enough so that he can give you a heavy side eye—you can only barely see the red hue coating his cheekbone. 

“Not mutually exclusive,” he says grumpily, and you lean down to press your lips against his now exposed forehead, smiling softly as his eyes instinctively flutter shut and his body relaxes as the touch.

Then, you receive a pencil to the side of your head. You yelp as your hand flies to where it had made contact with you, scowling at your assailant who is none other than Ranpo, smiling widely as he waves at you and then motions to Kunikida, who is red faced and staring at the two of you. You can’t tell if it’s in embarrassment or anger.

“Not during work hours,” he snaps, and you realize that he’s definitely embarrassed, so you share a short look with Dazai, who has regained that mischievous look in his eyes as he glances over at Kunikida and back at you.

Without saying a word, or giving any other sort of warning, he leans in to press his lips against yours. It’s a short and chaste kiss, but his lips are soft and taste of candy, and you think you might be able to kiss them forever if you get the chance.

Now you’re the one flustered, you can feel heat rising to your cheeks as you stare at Dazai, who is evidently thoroughly pleased to not be the one uncomposed if the unscrupulous grin on his lips has anything to say about it.

He tosses you a wink before rolling his chair back over to his desk, animatedly complaining about Ranpo and Kunikida being lonely and bitter and getting in the way of Dazai’s chance at true love because of it—you only roll your eyes at his dramatics, as you usually do when Dazai goes off on tangents, but it’s with much more fondness this time. 

•••

FYODOR DOSTOEVSKY

You are not listening to a single word that he’s saying. 

It’s a dangerous situation to be in with Fyodor Dostoevsky, you’re sure he’s noticed by now and he will be petty enough to finish his brief about his plans and your involvement and then ask you to repeat what he said, but you just can’t focus. 

He tied his hair back, you note, still quite a bit awed by the sight. There are two locks framing his face and his bangs are falling between his eyes, but the rest of his hair, which has grown a bit long in the weeks that he’s been ardently preparing for the final stages of his plan, is pulled back into a lax bun. 

He looks so casual, and Fyodor Dostoevsky never looks casual. He’s dressed in a turtleneck and loose pants as he leans back in his chair. There’s a folder resting on his lap that he’s idly flipping through and he keeps glancing up at you occasionally, pale lips flat and violet eyes disapproving, but you just nod along to his words even though you know that he knows that you’re not paying attention. 

And you think, distantly, that you probably should be paying attention because he’s talking about your upcoming mission and what you should expect from it but you figure you’ll be fine—it’s a simple infiltration mission, nothing to worry about. And you’d much rather prefer to appreciate Fyodor’s rare repose than to listen him droll on about boring topics. 

Sometimes, you think if he just kept his mouth shut all the time, he’d be perfect. But you think you’d miss his sharp-witted comments and the lengthy debates the two of you have after a few glasses of wine.

He looks extra pretty tonight, even beyond the casual hairstyle and clothes and his uncharacteristically relaxed demeanor, and you think it’s because of the way the flames of the fireplace are casting an enchanting orange and red glow over his face. It makes the violets of his eyes burn alive in a way that they usually don’t, you’re far too used to the glacial visage they take whenever he puts his attention on someone. Every time he glances up at you, you swear that you can get lost in them.

“… And you are not listening to a word that I am saying, are you?” 

Fyodor is giving you the heaviest side eye as he finally calls you out, expression unamused. His brows are furrowed and his pale skin is taut with thinly veiled irritation.

“Of course, I am,” you dismiss, waving your hand. “Infiltration mission, detective agency, get close to the tiger boy.”

Fyodor looks distinctly unimpressed by your words, brows deepening—you figure you must have spoken wrongly, you probably shouldn’t have been so indifferent, and you bite back a sigh before reaching forward to press two fingers between Fyodor’s eyebrows, as if to forcibly smooth away his annoyance.

He blinks and draws back, out of reach of your arm, and then casts you an even more irritable look.

“You’re not taking this seriously,” he accuses. “This mission will be dangerous, you’ll be at risk of being exposed every moment you are in the agency and if you are exposed-“

“Your plans will be ruined,” you finish, forcing yourself not to roll your eyes. “I kno-“

“You could be killed,” Fyodor corrected, voice cold and sharp, and you look back over to him. He looks unusually intense, and you’re not sure if it’s because of the appearance that the flames of the fireplace are giving him as they flicker dangerously across his face or if it’s because he’s that displeased with you being distracted. Either way, you find your mind drifting again because wow. “Dazai Osamu is not a man to be taken lightly. When he manages to figure out who you are and what you’re doing, we will need an immediate extraction plan.”

“Careful, Fyodor,” you drawl, watching as his violet eyes narrow briefly, “almost sounds like you care.”

Fyodor’s lips twist but he doesn’t respond. You raise your eyebrows, he looks away. Your eyes shoot open.

“You have a bigger role to play,” Fyodor finally says, but he’s no longer looking at you. “You cannot be killed yet.”

“Yet,” you repeat, amused. Fyodor’s jaw tightens, he doesn’t look at you, his eyes are trained on the fireplace to the side of the two of you and you can vaguely see the flames reflecting in his eyes, burning ardently against the familiar violet.

You lean forward again, shifting off of the couch to sit on the coffee table between the two of you so you can reach him. You reach forward to brush your knuckles against his cheek—he doesn’t move away this time, but his eyes cut to the side to watch you carefully.

You don’t say anything for a moment, absently tucking one of the locks of hair framing his face behind his ear. His hair is soft, freshly washed—for once—it smells faintly of lavender and vanilla and you wonder if he stole your conditioner.

“You look very pretty tonight, Fyodor,” you say quietly, and then smile. “It’s hard to focus when you look like this.”

The expression Fyodor directs toward you is extraordinarily blank, except for the faintest specks of pink that glare compared to the pallor of his face. 

He shakes his head, looking away from you yet again. 

“… You cause me much suffering,” he murmurs, and somehow, you know that might be the closest you might get to an admission of love from Fyodor Dostoevsky.

You smile to yourself. “And you to I,” you say, voice a bit teasing, and then you add, “Now, can you tell me again what to look out for?”

The moment is ruined. Fyodor’s eye twitches and he’s giving you that unamused look again, and you think having him repeat himself might be a mistake because now you’re even more distracted, but Fyodor sighs and starts on his lecture again so you force yourself to listen.

It takes about three minutes for him to release a sigh of utter suffering when he realizes that your eyes have glazed over yet again. 

•••

NIKOLAI GOGOL

Nikolai has a wild sort of beauty about him. He’s unpredictable and dangerous, and it’s widely apparent in his frenzied laughter and chaotic behavior. His eye glitters and his teeth gleam sharply beneath the glow of the moonlight as he waves his hands around, animatedly describing to you all of the details of the things he’s been doing while you were away. 

Fyodor’s masterplan has involved Nikolai apparently taken upon an infiltration role at the ministry of defense—you think it’s a bold move for Fyodor to use Nikolai for such a tenuous mission, but he’s apparently been having the time of his life with it. Though he thinks his boss is deplorable and one of his coworkers has evidently pissed him off beyond repair, because now he’s telling you about how he’s been ‘pranking’ the man in righteous vengeance. 

You think Nikolai’s idea of pranking varies from yours, because you’re pretty sure him using his ability to break into the man’s house constitutes a crime not a prank. But you don’t have it in you to make that distinction when he’s so excitedly telling you about how every day he’s been going into his house to move around all of his stuff and hide some of his belongings to make the man squirm. He’s succeeding outstandingly in his ambition, if the videos he’s waving in front of you have anything to say about it. 

You watch as he frantically scrolls to the next video—“this one is the best,” he claims, as he has for every video thus far. You watch with an amused smile as his dark-haired coworker steps into his apartment and nearly starts crying when he realizes that all of his stuff has been moved again, scrambling for his phone to call the police, who have—according to Nikolai—apparently already told him multiple times that there’s nothing they can do about it. The video is shaking wildly, as if the person filming can barely hold the camera straight, and you’re convinced that’s exactly what it is because you can hear Nikolai’s muffled laughter coming from recording.

Nikolai naturally finds it much funnier than you do, half-way keeling over as he wheezes, his laughter shattering the peaceful night. The two of you are sitting at a park near the apartment that Fyodor had leased for you for the duration of the Yokohama operation. The moon is high in the sky, casting a bewitching glow over the lake in front of you and there’s a chill in the air—it’s a nice night all around, you think there will probably some frost dusting the grass in the morning but the cold hardly bothers you now with Nikolai pressed to your side as he laughs himself into a near-coughing fit over his harassment of his coworker. 

“Why aren’t you laughing?” Nikolai suddenly complains loudly, scowling at you, but even then he keeps having to bite back residual laughter whenever he glances back down at his phone. “It’s funny.”

“It is funny,” you agree. Nikolai gives you a look as if he doesn’t believe you. “It is.”

“Then why aren’t you laughing?” Nikolai accuses doubtfully, and then adds, even more accusatory, “You hate me.”

You’re not sure why you aren’t laughing, honestly. Usually you’d be burying your face into his shoulder trying to smother your snickers, because even though you might not entirely agree with Nikolai’s idea of a prank, you can still find some humor in it. Because it is kind of funny. Kind of. 

But then you realize that you’re probably not laughing because you’ve been spending most of the night admiring Nikolai rather than listening to him prattle on about his escapades and watching his poorly recorded videos, so you can’t fully appreciate the humor in the videos. With his cheeks flushed from copious amounts of laughter and his eyes glowing with excitement, you think he’s very pretty tonight—Nikolai is always pretty, but the angle at which he’s sitting leaves the moon haloing behind his head, and maybe it’s just because you’ve missed him the past few weeks when you’ve been abroad dealing with a territory dispute with Tolstoy, but you think there’s something special about tonight. 

“I don’t hate you. I guess I’ve been too busy admiring you,” you finally say, a playful smile on your lips as you tilt your head to the side to look at him. “You look pretty tonight.”

Nikolai blinks, eyes wide and owlish as he processes your words. The longer he goes unresponsive, you acknowledge that a quiet Nikolai is far more unnerving than a loud and erratic Nikolai, you’d expected a more… theatrical response to your comment. A swish of his cape, him leaping to his feet with a twirl and an agreement, even just a wild laugh; instead, he looks away abruptly. He doesn’t even just look away, he physically turns his whole body away from you. 

You blink.

“Nikolai?” you ask, a bit astonished when he literally ignores you. You lean forward, trying to get a look at his face, but then he swivels around even more and your lips part in shock. “Nikolai.”

You’re only met with a face full of his soft white hair, impeccably braided, as per usual—you have half a mind to tug at it hard to try to get a response from him, but you aren’t in the mood for the lewd comment that would likely spill from his lips after. 

“Koly-“

“Poor me, poor me,” Nikolai suddenly cries loudly, “The little koshenya mocks me when all I do is try to make her laugh. Poor me, poor me.”

His hand flies to his face, melodramatic as he bemoans your alleged cruelty. You stare at him, mind trying to piece together what exactly is happening—Nikolai is always hard to predict, but you feel like this is a bit strange even for him, and that’s saying something. 

“… What?” you start to ask but Nikolai has thrown himself into a loud and theatrical tirade about how he doesn’t deserve such injustice and how he was only trying to make you laugh, and how it’s so, so cold-hearted of you to taunt him when this is the first time the two of you have seen each other in weeks. 

Nikolai is impossible to bargain with when he gets like this, so you only sigh and tilt your head up to the sky, his words flying in one ear and out the other as you wait for him to settle down on his own. 

Instead, you swear the world is against you because rather than settling down, he becomes increasingly more noisy and distressed, and his accusations become even more asinine. Now, he’s saying that you’ve always had it out for him and how you weren’t laughing at his jokes because you hate him and want to report him to the police and how he should tell Dostoy about your betrayal, or better yet, he should stuff you in his cloak and leave you there?

You side-eye Nikolai heavily as he continues on, slightly alarmed, but brush off the casual threat as just Nikolai being Nikolai. You don’t know how to shut him up, you think you might be out here all night listening to him, and now you’re the one bemoaning your fate because how did a simple compliment turn into this. 

Finally, an idea strikes. 

You brace yourself, questioning your sanity and your entire existence before you interrupt him with a loud, “Quiz time!”

Nikolai goes silent instantly, head snapping toward you, eye even wider than before. 

You think you’ve hit an all time low as you say, “Was I trying to mock you before?” Nikolai opens his mouth to respond but you cut him off before he can. “What’s that you say? I wasn’t? Ding ding! We’ve gotta winner!” 

You think Nikolai might be having an internal crisis. He’s staring at you as if he’s seeing you for the first time in his life—his lips are parted, his eye void of the usual mischief dancing in it. He looks as if he wants to say something but he doesn’t know what. 

You let out a long breath as you go to speak up again, but before you can, his eye is glittering again, sharp and dangerous, and his lips are curving up into a slow smile. 

Nikolai inhales and then he takes a complete one-eighty as he bursts into loud cackles and says, “Ahahaha! I knew you loved me!” as if he wasn’t just lamenting your irrational hatred for him moments before.

Your eye twitches. He begins a second tirade, this one far more embarrassing for you than the last. 

You regret everything.

[pomefioredove]

Hello! I was wondering if you could do the Dormleaders' reactions to Yuu who, given that they're from another world, is immune to any and all magic spells.

Example: Riddle's 'Off With Your Head' doesn't make a collar on their neck, 'King's Roar' doesn't affect them at all, 'It's A Deal' doesn't take anything from Yuu and acts like any ordinary contract, etc.

However, this means any healing spells has no effect, forcing Yuu to heal on their own.

Thank you for reading this!

*ੈ✩‧₊˚ magic immune reader

type of post: headcanons characters: riddle, leona, azul, kalim, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

out of all the dorm leaders, Riddle would be the most annoyed

...not that 'Off With Your Head' would've done much, anyway

you have no magic to take away

but... it's the meaning!

it's symbolic!

even a plain old collar would be punishment enough

but he can't even do that!

hopefully, you're not the type to misbehave, so he won't have to worry about it

if you are...

...expect to spend a lot of your week trimming the hedges around Heartslabyul as punishment

*ੈ✩‧₊˚

Leona doesn't even know until his overblot

...well...

until after his overblot

everyone keeps going on about how lucky you are

(personally, he doesn't see what's so great about being magic-repellent, but sure)

he's... glad you're okay

not that he'd ever admit that...

just don't let it get to your head, alright?

being immune to magic means both bad and good spells

and he's not going to be sanding you again anytime soon

*ੈ✩‧₊˚

Azul is PISSSSSED lmao

all that work he's put into his latest business venture

and for what??

you're not even BOUND by his contracts!

he has a hard time saying goodbye to Ramshackle...

what a nice cafe it would have made...

but, still

there's got to be some way he can use this to his advantage

he's an adaptable man

and he's always looking for a new assistant

*ੈ✩‧₊˚

Kalim is only a little disappointed

first, you can't even cast a spell

now you can't have any cast on you?

you're missing out on all his great party tricks!!!

but... oh, well

he thinks of it as an adventure, or a fun challenge

magicless parties sound kinda cool, right?

and Jamil says it's probably for the better, and Kalim trusts his judgment

(...for now, at least, cough cough)

*ੈ✩‧₊˚

not counting the... VDC incident, Vil doesn't care

unlike your annoying friends, he has no reason to curse you

and he can certainly think of many magicless punishments should you ever misbehave

so, no

not really something that crosses his mind

even when you're unwell (because, of course, he's the first to tend to you), he prefers using natural remedies before magical ones

to him, it's just another piece of the strange puzzle that is you

*ੈ✩‧₊˚

honestly what is Idia going to do

open the gates of hell on you?

nah

even boring spells would be too much effort for a guy like him

he does find you kinda interesting, though

I mean, being immune to magic in this place is a total buff!

imagine a group of NPCs firing magic at you, and you're like, wham! whew! zoooom!

...in his own words, anyway

(it's not actually that cool)

*ੈ✩‧₊˚

Malleus...

where do I even start?

he's so reliant using magic that he can almost sense there's something different about you right away

one on hand, it's a good thing

he worries about you, you know? the students at this school can get... unruly

on the other hand, knowing that you won't respond to magical healing is... worrying

he tries not to think about it so much

his overblot is a different story, though

if he can't put you to sleep, what can he do? trap you at NRC with him forever?

actually... I take it back, he'd totally do that

[agnesafterhours]

trophy | lee know. smut.

As team captain, your boyfriend has his priorities straight. Minho doesn't take neither his training nor role lightly, and, sometimes, you like to tap into this inflexible side of his. (3.7k words)

CONTENT: smut, dom!minho but he's more persuasive than physically controlling, brat!reader, oral (female receiving), fingering (female receiving), unprotected sex, creampie, squirting, slight degradation kink. minors and empty blogs do not interact.

© all rights reserved. i do not allow reposting and/or translations of my work.

You shouldn't get under Minho's skin when he's training, you know that. The hurried whispers of his teammates leaving the field after matches told you this much. But still, it feels a bit unfair of him to make you sit here, after a whole game, having to watch as he leads his team through a “just, like, thirty minutes?” practice. Although annoyed, you understand why he's so hung up on practicing as much as possible—winning this game meant going to the finals, after all. You knew how much this meant to Minho, so you tried your best to be patient whilst sitting on the bleachers.  

Even though you're in a bit of a hurry to get him home, watching Minho play earlier makes it hard to deny that the field is his element, leading the team is his calling. You were completely stunned as you watched your boyfriend play—this being the first game of his you saw which you were actually rooting for his team. It was a bit of a rascal when the team captain introduced the cheerleader of their rivalling team as his girlfriend, but his mates eventually got over it. 

Your relationship with Minho was fun. You were together for a couple months and the freshness and excitement of it all never failed to make your skin tingle each time he looked at you in a certain way. Like the look he's giving you right now—chin up, eyes down, head slightly tilted.  

“I told you to wait.” His uniform's shoulder pads make him look even more intimidating, the bright spotlights behind him turning the white material almost blinding—his shadow casting on you. 

“I have been waiting! It's been like an hour, Min! And you said you'd take thirty minutes…” You hope a slight pout would help your case and soften his heart, but he simply turns his focus to the field for a moment, before looking back at you. Minho takes a few steps closer.  

“What’re you so eager to go home for?” He asks, voice a bit quieter. There's no need to speak this lowly when he's so close, especially when his teammates are so far away and everyone else has gone home by now—but you'll take advantage of whatever you can get from him. Even if it's just the feeling of his eyes on you. 

You look away, arms crossing under your chest as he smirks.  

“What? Cat got your tongue so early on, baby? Speak up.” 

“I'll tell you when we get in the car.” 

His eyebrows furrow. “I don't wanna wait ‘til we get in the car.” 

“Well, then maybe you should hurry.” You turn around, eyes lingering on him for a moment before you make your way to the parking lot. 

Your nerves make you jump a little when you hear Minho shout to his team they're wrapping up the practice—the parking lot getting darker and darker with the distance you put between yourself and the field's spotlights, a cool breeze awakening shivers up your arms as the night hugged you tighter and tighter. You (and the butterflies on your stomach) wouldn't settle until you felt Minho's presence. But you don't wait for him to catch up to you. You don't look back. 

The few minutes you sit in the car feel like hours, your phone's screen lighting up with a notification from your boyfriend finally seizing the constant checkups of your hair and gloss. 

min🖤: locker room  

You: why  im waiting for u  in the car 

min🖤: locker room:)  im waiting  

You: ive been waiting for longer  what if i just dont go 

You slam the car door shut, making a bee line to his location. 

min🖤: if you dont come you wont get what you want when we get home 

You: whatever 

The building's back door shuts loudly behind you.  

min🖤:  if you dont come ur gonna have made me end practice for nothing  

You: idc  ur already mad anyway  

You reach the locker room and as soon as your hand turns the door handle, you feel two hands on your hips pressing your back to the cold metal. 

Minho's tongue is in your mouth before you can even notice he kissed you, the cold air seeping through the open windows contrasting his warm palms on your skin. You're covered in shivers as he controls the kiss—one palm running up your chest to your neck until he reaches the back of your head, tilting it as he pleases.  

“Not mad enough to use numbing cream on you.” The bottle sits menacingly on the wooden bench. He spreads your legs with his thigh, pressing against your core. “So don't push me.” 

You're completely helpless, hands grabbing fistfuls of his uniform as he lightly pulls the hair on your nape every now and again—his mouth latching desperately onto yours. The room is dark, the campus so empty it almost feels like you're in a different dimension, completely by yourselves. Air fills your lungs for the first time in a while—you didn't realize you were that breathless until gasps fill the room as he kisses your neck. 

“I didn't even do anything.” He leaves a harsh bite at your words, sucking on the bruise a moment after. “Ah- I just wanted to congratulate you for winning-” 

“If you wanted to congratulate me”, his voice drips with sarcasm, “you would've sat there and wait for me to finish practice.” Minho hastily pulls the front of your tank top above your chest, not bothering to fully strip you out of it before his hand reaches under your bra, massaging your breast. “You would've been patient until I had the time to bring my pretty little trophy home, hm?” 

Air hitches in your throat when he rips your bra open, the cloth falling to the floor. You struggle through heavy breathing to talk back as he licks his thumb and brings it to your nipple. “I'm not just some trophy.” 

“You're not? What are you, then?” His lips leave your neck so he can look you in the eye, finally allowing to rest for a bit. You don't like the distance. 

You lean your head forward, chasing his smirking lips as he pushes you back against the lockers—the shuffling metal sounds strident in the dead quiet. Minho tilts his head back a bit, rejecting your kiss. “You didn't answer me.” 

“Because I wanna fucking kiss you!” You whine through gritted teeth, leaning towards him one more time. 

The grip he has on your hair stops you once again, but this time, he gets so close his lips touch yours when he whispers. “Tell me what you are, baby. ‘Cause sometimes you act like you're just a desperate little hole for me to fill." 

Minho's dilated pupils stare right into your soul. Your eyes shake but you don't look away. “I'm your fucking girlfriend. It's not my fault you're not good enough of a fuck that I'm never satisfied.” 

You regret the words as soon as they leave your mouth.  

You see, Minho wasn't the type to growl his demands and manhandle you into whatever position he wants—he always tries reasoning with you. He lets you know what it is he would like to do, and if you don't comply, he'd show you why that was the best option for you in the first place. Minho gets off on proving he knows better, showing how he knows what's best for you. 

He takes a small step back, a click of his tongue letting you know his disappointment. “So I don't fuck you right? Okay.”  

“I just- I didn't mean-” 

“No, you're right, you're right. That's why I never make you come, right?” His sarcastic voice coming out a little bit breathless as he shoves your shorts and underwear down your legs, eyes fix on yours. You kick the clothes to the side with trembling legs, bambi eyes looking up at him. 

You didn't exactly know what the outcome of your stubbornness would be, but you did not expect Minho's knees to buckle—his gaze dead set on yours as he reached the ground.  

Suddenly, your boyfriend grabs your hand and latches it to the hair on the back of his head.  

“Why don't you fucking teach me then?” He speaks through gritted teeth, throwing your right leg over his shoulder pad—the unusual angle giving him all the access he needed and leaving you much more exposed.  

Unhappy with how limp your hand stayed in his hair, Minho grabs it once more, pushing himself against your core. 

“Come on, baby.” He mumbles, leaving wet kisses over your outer labia. When he looks up, resting his chin on the skin under your bellybutton, the dim light coming from the window makes his profile glow blue—pearly white grin hypnotizing you. Minho looked like an incubus—eager to suck the life out of you. “Where's your attitude, hmm? Show me what you like.” 

You can see your bare chest heaving with each breath as you look down at him. “Fin... Fingers?” 

He tilts his head to the side, big eyes full of mischief. “Fingers? You're asking?” 

“I… I don't-” 

“You don't know? Of course you do. You're just not thinking straight. Maybe it's stress, right? ‘Cause I'm not good enough?” Without a warning, the tip of his tongue lightly zigzags up and down your pussy. Up, and down again—avoiding your clit each time.  

“You see,” he says, letting his saliva mix with your arousal, “if I use my fingers now, you'll come too fast.” Minho leaves a long peck on your core. “I know that's what you want, but what about dragging it out a little bit? I think you'd like it better.” He flattens his tongue and your body squirms as he licks up. “But I mean, I wouldn't know.” 

Minho's being painfully annoying, but you deserve it. He takes his time dragging his tongue through your core, lapping your arousal and smearing it on your cunt—making your legs shake every now and again. His right hand keeps your squirming hips still as the left one slowly caresses it's way up your body, until he reaches your chest.  

He's looking up at you the entire time, watching every single twitch and reaction to the flow of his tongue on you. When he finally latches onto your clit, you swear you lose your mind a little. Your hips stutter and he follows you promptly, big brown eyes burning through you. The sight of Minho on his knees being illuminated by the moonlight is so ethereal it's almost haunting, and at that moment, you know you'll never really forget this view—you'll never forget how he's making you feel. He really is like a incubus in a way, imprinting his mark on the back of your mind forever. 

Impulsiveness takes over and you force your hips forward, the hand in the back of your boyfriend's head thrusting him against your cunt. Minho's eyes turn impossibly darker, his smirk much more noticeable than before. When he closes his eyes and his eyebrows furrow, you already know you're gone—instincts making you hold onto his locks harsher than ever. 

The soft sucking turns progressively rougher, your eyes squeeze shut as his tongue draws figure-eights on your clit very softly in contrast to how quickly his lips are working the same nerve. 

When your eyes start to water from how overwhelmed you feel, the telltale begins. As soon as your body starts shaking and your hips squirm away from his hold, you open your eyes to look at him just in time to watch as he completely removes himself off of you.  

Your heart drops, hot tears running down your shamed cheeks as you wobble a bit, trying to find balance without his hands on your hips. 

“Fuck, can you even feel anything, baby?” You feel the ghost of gentle fingertips on your labia, following up and down the slit. 

You can tell through your watery eyesight and the poor-lit room that he's now paying attention to the way his fingers play with your cunt, smirk wiped clean off his voice as he watches your arousal coat his fingers. “If I try something like this-” He gently pushes his ring and middle fingers inside you, slowly curling the tip of his fingers in come-hither motion, low voice filling up the emptiness, “does it feel good?” 

Does it feel good? You're long, long gone. Minho's voice sounds like it's coming from inside your head, the stimulation feels like it reflects in white orbits in your vision. You can no longer force yourself to open your eyes—it's for the better, anyway. You'd probably pass out if you caught a glimpse of his pretty brown eyes by now.  

Does it feel good? You don't remember how you got yourself in this situation—you don't even have the brain power to form a phrase involving anything but religious chants of his name. You've become nothing but a warm body for Minho to touch and use as he pleases, you'd be satisfied with the smallest of touch he'd be kind enough to reach for.  

His pouty lips find your clit again and suddenly, fireworks start setting off in your insides way too fast. Your stomach muscles contract in a way that's entirely new for you and you feel like you'll fall to the floor if he doesn't support all your weight. Your start to feel your throat straining, the constant whining suddenly getting higher. Your eyes are shut so tightly you can see blobs of colour behind your pitch-black eyelids. You think you're out of it for a little bit, but you can still hear his voice. 

“Yeah, I don't think I'm doing it right.” The raspiness of his tone almost puts you to sleep—his fingers are still inside you, now pumping back and forth, very slowly. You can hear the embarrassingly loud gushing sound of his fingers moving inside you, and you open your eyes to find your boyfriend's face and chest covered in your arousal. 

“I, I-” You don't know exactly what you have to say, but his loving eyes and the kiss he pressed to your thigh were not helping you find it out. 

“You ruined my fucking jersey.” His lopsided smile makes your breath hitch. 

“Need you.” 

He tilts his head again. “Do you? Really?” 

Your head is heavy as you nod, and you try your best to not lose focus. You know what he needs to hear to finally drop the act, and you know you should give in before your body gives out completely, but there's a little twisted voice inside your head asking how far you can take this—your body seems to be addicted to the thrill, moans immediately spilling out your lips when his fingers pick up pace. 

“You're not satisfied?” He asks, voice sugary sweet. His pouty lips pepper quick pecks on your inner thigh, expectant eyes looking up at you. “I’m not sure I can help you, though. I mean, if it doesn’t feel good it’ll just get painful at some point.” 

You stutter your words through a strained voice. “I’ll let you know if it does.” It takes your entire being to attempt to sound demanding. “We can keep going for now.” 

An amused countenance takes over his sharp features. “Oh, we can? Alright, ma’am. Thank you so much for letting me know.” He stands up, and the sudden shift in atmosphere rising goosebumps on your skin as he now looks down on you. 

Minho stands tall before you, the lighting no longer illuminating his doll-like eyes—shadows now cover most of his face, long hair hiding his gaze. As if he can hear your heartbeat picking up pace, he gets close to whisper against your lips, eyes hazy as he looks down at you. “I think we gotta stretch you out a bit more, hmm? If it didn't feel good, you're probably still tight.” 

Good God, you hate this man. You know what he’s trying to get out of you—you’re just not sure if you want to give him the satisfaction yet.  

So, you look up at him with the sweetest eyes you can possibly muster. “Don’t worry, bunny. You’re not that big.” 

He stares at you for a few seconds, the smile on his lips doesn’t quite reach his eyes. “Bench. On your back.” 

Although it seems you’ve worn his patience thin, you stare back. The cogs in your brain working their full capacity trying to figure out a way to make his life a bit harder. A disappointed sigh leaves his lips as he walks towards his locker, looking for his stuff to leave. 

As always, his action is effective. Minho really doesn’t need much to convince you to give in, after all, you know what you’ll get when you do. 

Silence fills the room as you discard your shirt all the way and lay on the bench, legs bent at the knees, heels resting on the cool surface. Anxiety bubbles under your sensitive skin when you hear Minho taking off his clothes. You rest you weight on your elbows to watch—his jersey was gone when you got to look at him, shoulder pads following suit. 

“What made you change your mind?” He opted to leave his white tank top on as he unbuckles his belt, one knee—supported by the bench—between your legs. The moonlight now shining entirely on him.  

“Don't like the emptiness…” Your voice trails off, and you don't mind staring shamelessly as he puts on a little show for you—one hand on your knee and running down your thigh, the other stroking his cock.  

He scoffs, “You say shit like this but doesn't like it when I say you act like a hole.” He taps his tip on your clit, earning a loud whine from you. “Make up your mind, bunny.” 

Minho stays kneeled before you, the cloth of his tank top so thin you could make out the lines of his chest and abs—the muscles on his pale arms shining iridescent in the lighting. 

Your boyfriend moved his hips, slowly grinding over your slit. Your eyes roll to the back of your head without much resistance, mouth watering with each nudge of his tip to your clit. “Whatever you said about me not being too big…” He leans down to leave a quick peck on your lips. “Keep that in mind.” 

With absolutely no warning and much faster than your brain would've been able to process, Minho buries himself as deep as he possibly can inside of you. He lifts your hips off the bench with ease, sitting on his heels—his hold on you so tight you bounced back against him with each thrust of his.  

The stamina of the man above you is unfaltering. You can't do much besides watch him: his biceps flex to support the weight of your hips every time he slams you back on his cock, veins prominent on his arms. Minho's face and neck are covered in the prettiest shade of pink—his wide chest, blushed with the same colour, is struggling with each breath he takes. The moonlight highlights the droplets of sweat sliding down his neck, and he can't seem to decide whether he wants to throw his head back or look down at where your hips align. 

Keeping himself together is the hardest when Minho looks down at you. He got his pretty girl all splayed out for him; her eyebrows furrowed in utter pleasure as the whiniest sounds constantly pour out of her pouty lips. The way your body reacts to him is hypnotic—it's so fun for him, how every little thing he does makes your eyes roll back. The power trip he gets when he watches your skin shiver wherever his hands touch is better than anything he's ever experienced. All because it's you. Because he gets you to feel like this. The fact you're so drunk on Minho gets him even more addicted to the feeling of your body shaking under him. So when your hips suddenly spring back to life rolling desperately against his and Minho's name seems to be the only coherent thought your brain can formulate, his desire increases tenfold. 

You have no control over how loud your moans or the smack of Minho's hips against yours are. He lowers you back on the bench and is fully above you in the blink of an eye—holding your face as he kisses you so deeply you struggle to keep up. His thrust become less timed but continue as deep as they were. Minho throws his head back, moaning loudly, but quickly brings his gaze back to your lips. His eyebrows are furrowed, lips touching yours as he whispers. 

“Come on, baby. You know how much I love to feel you coming around me. Be good.” 

Be good, be good. Of course you want to be good. When his lips touch yours again, euphoria explodes inside of you. Your eyes being squeezed shut seem to enhance your other senses a bit—you feel every inch of Minho's cock grinding inside you, his hands burning hot where they touch, his loud moans and the wetness spattering between your legs being the only things crystal clear in your cloudy mind.  

“Holy shit, fuck. I'm close, I'm so close.” He pants, face buried in your neck.  

Your weak hands gently soothe his back, you mindlessly mumble your words, “Wanna feel you coming inside me, love. Want it so bad.” 

His strong arms wrap around your waist when he comes, cock buried deep inside of you. Minho shudders with each movement of your hands against his skin, as you now gently scratch his back under his tank top. It feels like a long time has passed until he breaks the silence. 

“We're taking the numbing cream home, by the way.” He gets his face off your neck and rests his weight on his elbows. His right hand cups your jaw, thumb playing with your drooled lips. “You're not done paying for that attitude.”

[asidian]

Alright. It is time. Buckle up.

Why you should be watching Dead Boy Detectives: the targeted-specifically-at my-readers edition.

Meet the leads, our two ghost boys:

Edwin Payne: Fussy, repressed intellectual type from the Edwardian era. Exceedingly gay for his partner and best friend. Tortured in hell for seventy years on a technicality because he was ritually sacrificed as a prank gone wrong. Endearingly awful at people and dealing with emotions or his own wants.

Charles Rowland: Impulsive, people-pleasing wildcard from the 80s. Heart eyes 24/7 at his best friend but has zero self-awareness. Badly abused by his asshole of a father. Beaten to death because he saved a kid from bullies. Endearingly awful at sorting his own emotions or talking about his problems.

Some highlights:

/slaps hood you can fit so much trauma in these two

Both leads get sobbing breakdowns that happen on screen. The actors are incredible at crying

Both leads get much-needed hugs

The absolute devotion between the two of them. The shared history that lives in their dialogue and how they work together like people who have been each other's Most Important Person for literal decades

I mean, I'm talking in-canon Orpheus and Eurydice reference level of devotion here

The protective way Charles puts himself physically between Edwin and damn near every threat in the show

They're just fun together. Their interactions and banter and how they work as a team is a delight

Their shared plot arc literally involves them learning to talk to each other and communicate more so that they can be there for one another about their respective issues

The symbolism. God. They are metaphorically and literally one another's light in the darkness

But what about stuff that isn't the main duo? Just wait, there's more:

This show is unabashedly, unapologetically queer. It's there in the text and the subtext. The whole show lives and breathes it

So many good, complex, well-written female characters. The Bechdel test gets blown straight out of the water in episode one and they never look back. Headstrong amnesiac psychic learning to be a better person! Quirky meta commentary matchmaker! Cynical lesbian butcher! Delightfully sadistic witch! They are all amazing.

[audience voice] But I'm here for the hurt/comfort. How can I whump ghosts? Worry not, my friends. Canon has you covered. Not only are there ways, there are ways that happen on-screen. The hurt/comfort and rescue are also on-screen. Yes, it is amazing

Absolute chaos, really cool supernatural cases and creatures, a surprising amount of humor, charming writing, and a cast that absolutely nails it on the acting and chemistry

There is an extremely suggestive trickster type who is also the king of cats. He's a cat in human form. He hits on Edwin nonstop. Charles gets blisteringly jealous

All of the leads have well-thought-through, fully developed, emotional character arcs. They're all messy and flawed and sometimes lash out in their pain, but at turns can be incredibly supportive and kind and loyal

A character who is a crow who is also a boy, who is tortured by his witch/creator and also is crushing hard on one of the leads

There are so many incredible details in the setting, costume choices, prop decisions, etc. that you only catch after you know what it's laying the groundwork for. The level of care that went into this show is phenomenal

It's only eight episodes. The time investment barrier to entry could not possibly be lower

Anyway, tl;dr, if any of this sounds appealing to you, you should give this show a watch.

Dead Boy Detectives is well worth your time. It's easily my favorite show in years.

[edwinspaynes]

I was angry. I'm still angry. But sadness and exhaustion have overtaken that anger, and I have A LOT to say about this.

Dead Boy Detectives is a very special show to me. It occupies a ridiculously large place in my heart, and it's brought me joy in a way that only a few pieces of media ever have. When I watched it for the first time, Edwin Payne had my heart within minutes. By the end of episode one, Charles Rowland did, too.

It meant a lot to me, seeing such wonderful and nuanced queer characters brought to life in the type of paranormal story I have always loved. In these past months, Edwin and Charles have felt like real friends to me, and to never see them again without a satisfying conclusion to their story is something I have not truly processed. Same for Niko and Crystal and The Cat King - they should be back. But I haven't fully processed it yet, that they're not coming back, and yet I am still aggreived.

@netflix is, at this point, so fucking gagged on capitalism's dick that they're not even pretending to care about art anymore. Dead Boy Detectives is genuinely masterfully made on just about every level. The actors did a phenomenal job and I will be following all their careers heavily. Steve, Beth, and the writing team crafted an incredible tale. The sets, the lighting, the props, the effects were all on point. This was a well-constructed program, and you could tell that everyone involved with the project gave it their all because they cared so deeply.

(Also my heart breaks for the whole cast, but it's hardcore hurting for George since this was not only his first screen role but one he clearly thought he would be keeping as of two weeks ago. He seemed so secure. I hate this for him.)

In addition to being a good show, DBDA had good reception. It's got a 92% on Rotten Tomatoes, was on the Top 10 for several weeks, got 4.7 million views within week one, and was getting daily articles posted on various review sites with NOTHING but praise. The fandom is incredibly active. We trend on Tumblr like five times a week and on Twitter regularly as well.

THE. SCRIPT. FOR. SEASON. 2. WAS. WRITTEN.

What the fuck happened?

Idiot executives at @netflix, choking on the dick of capitalism, probably just thought that they wouldn't get new subscribers for a second season of an existing show that didn't rake in Bridgerton-level cash. That's how they work - people who are interested in it are already subscribers, so who the fuck cares about them? Better to make some other shit, hope new people subscribe, and maybe that'll be a Bridgerton-level hit.

But also, Netflix has fun little trends to look into. And, when you look at the lineup of shows Netflix has canceled, they are overwhelmingly queer. The homophobia of @netflix and their operatives is clearly boundless, and it hits here really badly because this show was clearly made with a queer audience in mind. It was one of the most authentic pieces of queer media I have ever experienced, if not THE most authentic pieces of queer media that I have ever experienced.

It's fucking ridiculous that Netflix canceled a show that they commissioned a completed script of months ago. It sucks that they decided that their existing subscribers, their queer subscribers, did not matter.

Edwin and Charles are ours now. Well, of course, they're George's and Jayden's respectively, but the characters are no longer Netflix's to use and throw out. They're ours now, our fandom's, and we all love them so much.

And we deserved to see more of them, and we deserved to see their love story play out onscreen, but I for one am not going anywhere. Let's give Edwin and Charles - and the rest of the gang - millions of versions of the stories and endings that Netflix deprived them of.

[cindythecyclops]

OG! Cale is at a nobles banquet and there are some important guests attending so causing trouble could cause a big incident that wouldn't affect only his reputation.

So, he's on his best trashy behavior. Meaning, he's quietly drinking in the corner, minding his own business and glaring at anyone who comes near him.

Well, one down on their luck artist saw him when he thought no one was looking. This can be anyone, an oc, an AU version of an existing character, whatever. All you need to know is that they have a parlour in the place the banquet is held which they use as a studio or painting place.

His elegant motions, his expression smoothing to a tired sort of blankness that caused his eyes to droop, his long lashes casting faint shadows on his cheekbones. His lips, shapely and rosy, glossy from the near constant drinking and how his tongue swiped over them to catch every last drop of wine. Pale skin flushed and his blood-red hair artfully framing his face, the dim lighting of the corner he occupied making him appear isolated in the crowded ballroom.

Basically, he looks out of this world and this artist has just found their new muse.

So, they ignore his prickly attitude and ask if they can paint him. Cale is confused but he chalks it up to this person not knowing who he is and thinking he's pretty, which he is. He wants to scare them off but the ballroom has quietened a bit due to the music slowing down and really, they have done nothing wrong and he decides, just this once, he can have this.

Cale says yes, and the artist, excited, immediately drags him away to their studio room. He shrugs and goes with the flow.

During the sketching part, Cale takes off his coat and loosens up the laces on his neck because he's feeling warm. Artist-nim is thrilled and flustered and even more amused. So, they make him pose on the couch like this:

Except his legs are on the floor, his gaze is to the side and his hand is propping up his chin. Cale is a bit tired and he drank enough to be a little buzzed, his expression is soft and he zones out.

Everything goes well, they paint him beautifully and amazingly, he likes it enough to offer them a few gold coins which they try to refuse but he insists so they relent and take the money from their muse.

Cale doesn't think much of it, it was the only fun he had at that banquent.

A few weeks later, the Artist is showing off their work at an exhibit and they display the painting of Cale as their magnum opus.

People recognize Cale but they're shocked and amazed because one the painting is stunningly beautifully and because of how Cale looks. He appears relaxed, his expression dreamy, almost dazed, his cheeks rosy with that drunken flush and shapely lips parted ever so slightly. His throat and collarbones are bared in an unintentionally sensual manner.

Long story short, the painting goes internationally viral, Cale becomes a target for artists everywhere and the Henituse are being bombarded for their son's hand in marriage.

The Artist who painted is hella rich and hella smug.

[rpclefairy]

𝐁𝐆𝟑 𝐜𝐨𝐦𝐩𝐚𝐧𝐢𝐨𝐧 𝐛𝐚𝐧𝐭𝐞𝐫 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

a selection of lines from the various companions' banter quotes (not cut scene dialogues!) from baldur's gate 3. these are generally spoiler free and non context specific so they can apply to different settings and dynamics! feel free to change names and the like to customize the prompts.

“Death can't have me. Not yet…”

“Calm yourself. There is plenty of me to go around.”

“Realmspace is vast. Countless worlds to be mapped, kingdoms to be conquered.”

“I have missed this. The adventure. The danger. The kicking of butts!

“Let me guess - you need something.”

“Such attention.. I never realised I was so popular.”

“Let's cook with fire, baby.”

“Do you intend to vocalise every thought?. Or just the most obvious ones?”

“Wherever we go, ye gods let there be something green.”

“Careful, or I will take your toy away from you.”

“Watch your elders and learn.”

“Perhaps try attacking the enemy?”

“So much we don't know, lingering in the furthest reaches of existence.”

“All the world's my stage and you're just a player in it.”

“The shadows are my friend.”

“Yes, yes, have your fun. It isn't you they're trying to kill.”

“Feet planted firmly on Faerûn, please.”

“Admirable stamina, yet terrible priorities.”

“Well you certainly have the 'omnipresent' part down, don't you?”

“I am ready, whatever may come.”

“My faith protects me.”

“Need a throat slitting?”

“Death greets us all - but not today.”

“You need my expertise?”

“Can you feel death's cold grip?”

“So many stars, so many mysteries yet to be discovered.”

“Death comes quietly.”

“And I thought we were going to be friends.”

“Locked tight, but there must be some way to open it.”

“No, you can't die. Get up, damn you!

“You had my attention, now you have my fury.”

“From silence to suffering.”

“So many worlds out there. You'd need a thousand lifetimes to see them all - more.”

“I hope this is important. For your sake.”

“Let them gaze deep into their own abyss, and wonder just what it is they are trying to achieve.”

“I ought to just burn this whole thing down.”

“We have slightly more pressing matters to attend to.”

“You have still have time to surrender.”

“Every kicked buttock, another step on the path.”

“Weave save me. I can't take much more…

“You are right to fear me.”

“Let me look around. Might be something that'll help me crack this thing.”

“Incredible, to think how many worlds exist beyond this tiny speck within a speck I call home.”

“I really wish I could cast a Hold spell on you.”

“I can fawn over my face later.”

“Ready for another round?”

“Keep your blade close.”

“I can't unlock it from here, but there must be a switch or a button somewhere…”

“No, that's not moving. There must be a way to open it somewhere.”

“Battle favours the fearless.”

“Sleep with one eye open, evil. Maybe both.”

“Gotta be something around here to unlock this thing.”

“Why do beautiful people taste better?. It hardly seems fair on the ugly - they have such wonderful personalities.”

“Oh, calm down. I'm happy to see you too.”

“Just go for the Magic Missile and fire away. Never fails.”

“Still standing, no matter what you heard.”

“Enough waiting. I crave blood.”

“Hang on - I won't allow this. You aren't dead, go it?”

“GODS, it's HOT in here!”

“No rest for the wicked, I see.”

“Better to hide than fight, sometimes.”

“Would that I could hide from you, too.”

“Are you feeling lonely, perhaps?”

“There is no right or wrong, only truth.”

“Battle is afoot - you can poke me once we are safe.”

“What good all this ethereal eladrin blood if I can still get pimples?”

“I should've been a drow. They have such stylish armour.”

“I am armed! Armoured! And entirely sick of your foolishness.”

“Let's have some fun.”

“War is an old woman's game.”

“No rest, be you wicked or wise.”

“I'm getting too old for this nonsense.”

“I would poke you back, but I fear that's what you want.”

“You have my attention - now do something with it.”

“You are insistent, are you not?”

“Do what must be done.”

“Your suffering will be spectacular.”

“Lest I sit down for a rest and not rise again.”

“Better to look evil in the eye. Even if it be very small.”

“I'm not built to crouch.”

“I think I could go another round.”

“Always the same old song.”

“Is perfection too much to ask?”

“Eyes on victory, tummy on dinner.”

“So many places to be.. and I chose Baldur's Gate.”

“I'm not opening that. Not from here, at any rate.”

“What is the point, if not victory?”

“Won't last much longer like this.”

“Let's hope the locals are friendly.”

“Let us show them how it's done.”

“Weapons high. Standards higher.”

“Must everyone be so exhausting?”

“What I would not give for a chunk of fresh honeycomb…”

“Which way to the nearest library?”

“Now this is my happy place.”

“Who shall I silence?”

“Stop, or die.”

“Wear your scars proudly.”

[theminecraftbee]

it's fun because the things that appeal to me most about the three canonical evil clones/twins of hermitcraft are similar, but they're all different.

evil x appeals to me because he is very much Just Some Guy, for all that he's an evil force of nature; when he's sympathetic, it's because he's Just Some Guy who's been shackled to the terrible fate of being "evil", but when he's a villain (like in season eight!), the things that make him villainous also aren't the supernatural aesthetics, but the ways he is also the evil of being just some guy. for all the lightning and thunder and echo of xisuma's appearance, he isn't anyone special. (xisuma is.)

helsknight appeals to me for almost the opposite reason: this isn't just some guy, this is you, explicitly, a demon that possessed your clone and possesses all the things that are bad about you, magnified. he's a mirror, inherently, in his very creation. in the stories where he's a threat, he's menacing because he's a mirror of someone we should like; in the stories where he's sympathetic, we must confront how much of ourselves are also mirrors. (what happens if you don't like what you see in those mirrors, anyway?)

empires!false is somewhere in-between; she's not a mirror but she is the result. she's learning something you'd rather have forgotten about your past, and at her most sympathetic, we feel for the way she's been cast aside so false can 'fix her', the things done to her memory. at her least sympathetic, though, she's reflecting these pains onto others; violence begets violence, and even with it missing, the past begets her. there's no looking at empires!false without seeing the echoes of what false did to her. (there's no looking at false without it either.)

............then they also all appeal to me by being ridiculous failguys but like if you want to be DRAMATIC ABOUT IT, the ways they appeal to me are like the above,

[tobiasdrake]

Fun Fact: Even in space, ACAB.

Let's talk about Jaco: The Galactic Patrolman, a somewhat more obscure manga compared to Dragon Ball that Akira Toriyama wrote in its setting.

For the most part, this is a short and fairly simple story. It's primarily a character drama, with the developing relationship between Jaco and the scientist Omori as its central focus.

The manga is surprisingly vague about its connections to Dragon Ball for nearly all of its length, until its final chapter. Jaco is here on Earth to thwart some vague threat sent to the planet from a world of hostile aliens. It's only at the end of the manga that we learn he's talking about Goku.

Galactic Patrol detected an Attack Ball leaving Planet Vegeta and making its way to Earth, so they sent Jaco to... assess the situation and then make a decision about whether or not to do anything.

In his defense, the Saiyans are the most powerful race in the universe. I can understand why he doesn't want to fuck with a full-grown Saiyan warrior. Nobody wants to fuck with a full-grown Saiyan warrior. The most that the finest police force in the universe can do against Saiyans is to try and nip them in the bud when they're babies.

It's interesting that Galactic Patrol doesn't have Scouter technology. I wonder if that proprietary? Frieza might have a patent.

But at the same time, I don't want to be too sympathetic to Jaco because. Well. He sucks.

Galactic Patrol sucks. That's kind of the bit. Jaco is a self-absorbed little shit, utterly devoid of empathy or compassion for the people he polices. He's stranded on Earth right now because he wasn't watching the road while driving.

Jaco's a prick, but what little we learn about Galactic Patrol as a whole doesn't make them sound much better.

This one time Jaco accidentally pressed the Extinction Bomb when he wasn't supposed to and wiped out a planet. Hoo boy, was his boss mad! Gave him a real talking to before giving him another Extinction Bomb and putting him back on patrol.

Universe isn't going to police itself, y'know. Someone's gotta be out there very occasionally trying to stop those real estate genocides.

For his part, Jaco's in it for the aesthetic. He likes the image of being a cop, and he spends his time practicing looking cool for when he presumably dispenses justice upon the criminal element.

But his interactions with the common people are filled with condescension and menace.

Like I said, this is the bit. Jaco is a self-important thug with a badge, with the initial conflict stemming as much from trying to keep him from doing something awful to the community under his jurisdiction as from trying to solve his problem.

Ostensibly here to protect Earth from the impending arrival of a Saiyan threat, he is as much a threat to this community as the invader he's here to assess. Without Omori there to guide him, he'd be killing people left and right.

He fits in pretty well with the cast of Dragon Ball, many of whom at least begin their tenure with a degree of amorality to them. Omori himself is a bitter misanthrope ironically thrust into the position of having to convince Jaco not to kill people.

And then there's the manga's biggest Dragon Ball connection: The introduction of Tights.

Any reader who's been picking up on the Dragon Ball-ness of this universe will know immediately where Tights came from. Her name pun gives the game away. Just like how the final chapter clarifies Jaco's target as the young Goku, we get to see the familiar faces of Tights's family as well.

Bulma basically solves the entire plot singlehandedly.

Even as a little kid, the universe's greatest heretic remains unparalleled in the field of game-breaking super-intelligence. Bulma OP do not nerf.

Again, this speaks to how little of the manga is actually about the plot. If this were a story-driven manga, having a character from another manga show up in the final issue and solve the plot in the span of two pages would be pretty disappointing. But since the plot is just an excuse to make these characters interact with one another, it doesn't really matter.

We aren't here for the story; We're here for the relationship between Jaco, Omori, and Tights. With that in mind, Baby Bulma waddling up and going "I fixed the spaceship; Are you stupid or something?" is hysterical.

For her part, Tights lives up to her family legacy of being super-brilliant.

She graduated from college at 16. She's a genius like the rest of the family. What she's not is interested in science and technology. Possibly as a justification for why we've never heard of her before, Tights goes against the mold for her family.

She honestly seems like something of a free spirit. She lives in East City when we meet her, famously the city that Nappa wiped off the map, while Capsule Corp and Bulma's family are out in West City. Rather than a scientist, she works as a body double for a famous pop idol.

As a publicity stunt, they're going to launch an idol into space. Tights's job is to impersonate the idol so she can die in the inevitable disaster instead. She is bizarrely chill with being paid a huge sum of money to get stupidly killed. Much like Bulma, Tights has a terrible sense of self-preservation and is willing to take on incredible risk for the sake of achieving a personal goal.

Tights is the best character in the manga. An aspiring sci-fi novelist who agreed to probably die in space for the sake of the experience. This family gives zero fucks.

And then there's Omori himself.

Despite its title, Omori is basically the main character of this manga. He's the one whose life situation is most heavily scrutinized. This is his status quo that Jaco and Tights enter. Similarly, Omori is the character who undergoes personal transformation as his experiences with Jaco and Tights help him find hope in connections with other people again.

The three characters click really well together. So well, in fact, that Dragon Ball would end up recycling the setup of Super Alien/Crotchety Old Man/Spunky Young Woman for one of the best dynamics they ever wrote.

This is not a copy/paste; Cheelai, Leemo, and Broly are all distinctly separate characters. but you can still feel the barebones aesthetic of Tights, Omori, and Jaco in their dynamic.

So. Yeah. Overall, for what it is, it's a cute little short story about a group of characters just living lives in the world of Dragon Ball. It's the kind of thing that the franchise needs more of, and still does to this day: An opportunity to flesh out the universe a little but also just to let us live in it through the eyes of someone else.