#and that's where my most out there characters live i'd say

[dearmyloveleys]

;-; i just wanted to say ty for all your posts in the fof tag. now i'm thinking about ying lei and his yeye ying zhao... and now there is no one left to guard the mountain, but ying lei died in the same way as ying zhao, saving people he cares about

Don’t mention it! I blorb too much about things I really like it embarrasses me at times. I’m just glad you like my takes!! Anyway:

😭😭😭😭 this drama exists to hurt us,, I think more than dying for people he cares about (because nearly everyone who died did that), Ying Lei's characterisation and death provides a unique but tragic pov within the main cast

Ying Lei my poor Ying Lei. We don’t really talk too much about him don’t we. So let’s just talk all about him. CHARACTER ANALYSIS TIME YAY

Ying Lei is unadulterated sunshine and has a good heart. Morally, he is on the same page as the rest of the team. Yet, it absolutely breaks my heart that his fate is to be an outsider within the thematic concern of choice in FoF and resultingly, in the narrative.

His place in the overarching thematic concerns of FoF is unclear when we first meet him - he is simply a wandering half mountain god half demon with a bright disposition. But as with many characters in FoF, their appearances aren't just for naught. Ying Lei's representative theme - the freedom of choice and the ability to choose one's identity - finally shows itself in one of the most beautifully written (am biased) episodes of the series, Episode 17, which is all about choice.

In this episode, Ying Lei vents his displeasure of the Wilderness towards grandpa Ying Zhao

"I hate this place. I hate the Wilderness. It's so bleak and desolate. (…) If I have to stay here forever, I'd rather die. (…) I like the mortal world. I like everything that is vibrant and lively."

To which grandpa Ying Zhao gives him his blessing to head to the Mortal Realm,

"…as your grandfather, I respect your decision. You can be a Mountain God or an ordinary person."

His next sentence cements the plight of many demons (and humans) we encounter in the story,

"For many demons in the Wilderness, their lifelong dream is just three simple words… Have a choice."

These three words all the more juxtaposes Ying Lei's freedom to choose his identity, against every other character who faces this fate of not having a choice.

The Lie Demon, unable to say her true feelings until her moment of death, and Fei, who shares similar sentiments as Ying Lei about the mortal world,

"I'm a beast of calamity, I don't deserve to live in the mortal world. But I really like the bright lights, the liveliness and happiness, and the prosperity here." (Ep 13)

And Zhao Yuanzhou, where even in the same Episode 17, echoes Ying Lei's words,

"If this world gave me life to be manipulated by malicious energy, then I'd rather die."

Same words, but a different way out. Or there isn't one at all.

Ying Lei is the only one whose fate hasn't been carved out in stone for him. Even after Ying Zhao's death, he is still able to leave Kunlun Mountain and rejoin the team because he has the support of other Mountain Gods watching over the temple. He is by no means a pampered and spoiled person but he swims in a wealth of freedom. His bubbly, charming and affectionate personality is a physical manifestation of his unburdened self, unbeholden to any ending, except for the one that he wants.

And yet, he chooses a life with the group of people who never have had the option to choose what and who they want to be. Wen Xiao, the Baize Goddess; Zhao Yuanzhao, the vessel of malicious energy; Bai Jiu, determined to bring his mother back; Pei Sijing, the forced breadwinner of her family's martial heritage. To show his determination to be with this group, he never again dons the mature get-up (full sleeved robes and long hair) - his representation of maturing and accepting his responsibility as a Mountain God - after returning back to the Mortal Realm. Rather, he dons the get-up he first roamed the Mortal Realm with (or similar), metaphorically putting aside all that celestial burden in exchange for the friends that he desires. Just who in the group can as easily shed their very roots and history? His precious freedom to choose ironically makes him the outsider in a group whose only wishes are to be able to choose.

He gets along with the team, but no matter how many times he ties the knot of fate around them, these people were never his fate to begin with. Fate found the rest of them and demanded they be bound. Ying Lei wrestles that rope of fate, trying to get in, albeit with rejection. The narrative demonstrates this:

The team was initially formed without him, and he joined later them of his own accord - his own choice - while the others literally were forced to sign a death contract to be together. In the later episodes, his affection for Bai Jiu is often overshadowed by Bai Jiu's respect for Zhuo Yichen. He also continually tries to get both Bai Jiu and Zhuo Yichen's approval - head pats, anyone? Zhao Yuanzhou doesn't trust him to look after the dragon scale. In their conversation with Bing Yi, their team count is five, instead of six. His closest companions within the team are each other's confidants.

Even at his very end, the narrative still denies him a fate with them. He dies for Bai Jiu who is the only person he loves wholly, and fades away before Bai Jiu wakes from his coma. Neither gets to say goodbye. Bai Jiu who genuinely mourns his death, dies for Yichen. In a story where the cyclical nature of fate runs deep, there is no thread of fate that leads back to him. There is no resolution or reciprocation for Ying Lei's soul and sacrifice. Every thread is cut and never retied, no matter how he tries. Siheng has Sijing left to remember him. Yichen keeps Baijiu close to his heart. Wen Xiao and Yichen wait for Zhao Yuanzhou to return. But no one truly reminisces Ying Lei. The only people to do that are dead.

Ying Lei's tragedy lies in his freedom to choose. In a world where most fate is predetermined and choice is a scarcity, his death is all the more painful as every act is a conscious choice toward an unknown end. He carries a burden after all - the burden of writing his own story. And he braved each step with that brilliant smile of his.

我爱这个世界更多 又如何 So what if I love this world even more? 越平凡越长久 The more ordinary it is, the longer it lasts 月亮跟着我点头 The moon nods along with me 简简单单入梦的人最温柔 Those who step into dreams simply are the gentlest 分不清眼泪和酒 真让人挠头 This inability to distinguish between tears and wine, really makes one scratch their head 月亮和小狗默默跟我走 The moon and a puppy walk with me in silence 岁月从不停留 Time never stops once 少年也不回头 This youth also never turns back 他把故乡和爱留在身后 He leaves behind both his hometown and love

- 英雄不磊落 (Heroes Are Not Upright) | Ying Lei's Theme

[dasozelotvonnebenan]

I think that would be Grolg the vegetarian Ettin. I don't do much lore breaking so that's the extent of if. Even the reason he stopped eating meat is anchored in canon (he learned bunnies are made of meat, and we all know ettins like bunnies) so I really can't call it breaking the lore. At most I'm dangling my feet off the edge.

Some of the extra canonical bits about him are that I decided the main reason most ettin don't seem really intelligent is that due to having two heads with entirely separate persons inside they spend a huge amount of the cognitive capacity fighting over who gets to control the body. The really strong Ettin are those where either the heads work together or one of the heads isn't controling the body for whatever reason. In Grolgs case the other head (named Greg) had an unfavorable encounter with another Ettin's club.

Thus Grolg has almost free reign over their body, only having to supress frequent spasms which is the source of his speech impediment. Everytime Greg shoots out nonsense commands to their body Grolg has to think a lot more and that brain power has to come from somewhere. He knows people already assume he is not very intelligent based on being who he is and that the way he talks only further strengthens that but to him speech is not really an important function. Also helps him to sort who's worth getting to know and who to ignore based on how they talk to him. He can understand others just fine and has been known to throw people who keep mimicing his way of speaking through the lost precipice's tavern.

Of course a notable lore break is also the people he works for, considering the gentlemens gang's founding event included a dimensional portal to our world where charrlotte grabbed two books (League of extraordinary gentlemen and arsene lupin).

Other than that my other lore breaks are Valoop as a quaggan commander, though the rest of her commander career goes mostly normally, Aluen for keeping Bercilac's armor, Posh for joining Scarlet.

SHARE YOUR LORE-BREAKING GW2 CHARACTERS

We haven't done one of these in a while, and I miss em! Please, jump on here with a reblog and tell me all about your characters that break canon lore! Everyone, as usual, will get a response. Add pictures, ramble for paragraphs and paragraphs! Come play in this space with me and show off your cool-ass characters that stretch the limits of gw2's lore!

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[acid-ixx]

✮ — 𝐎𝐏𝐄𝐑𝐀𝐓𝐈𝐎𝐍 𝐃𝐎𝐌𝐈𝐍𝐈𝐎𝐍 : in which control is your only friend . . . (concept idea)

guys let me cook on this one but i suddenly want to post about an isekai trope au with modern! reader being transported into the world of dc comics. of course you're sentient, but sentience doesn't mean autonomy, because you're forced to don a new identity as a vigilante; guided by a malicious system only you can perceive.

a superhero, a new canon to the world, whose body is still adjusting to its given powers. you are not omnipotent, you are not a deity, and you most certainly could not adapt at such a timely rate; but you were once omniscient to the multiple plots and universes of the world you now live in. that is the only advantage you have amongst the unease you feel at the knowledge that eyes are now plastered all over your existence; a twisted game toying with you, with the price being your very life.

turns out, your existence is controlled by the very viewers (you guys, the commentors, the voters) who determine whichever fate you land on, a rule told by the system from when you were once transported into the world. whether it'd be mere yes or no answers to awkward questions, or even something as major as choosing to save others, or yourself in a life or death situation, and even as far as your love interests— only they can choose, and you'd be left to commit upon such acts, with or without your consent.

imagine, not only your presence is bared naked to the entire world, but every word you say are remembered, are criticized weekly. each and every action of yours that aren't determined by your cruel fans will gain both equal and opposite reactions.

your superhero name is chosen by whoever is the sick mastermind of this entire game. and you! for now, silly you would enjoy the momentary lapses of excitement meeting your favorite characters, but happiness in such a world does not exist. the longer you stay, where every week, your own destiny dictated by phone calls, comments, likes, reactions, and polls; the more you wish you never once set out to abide within the rules of this... game.

it is only your emotions, your thoughts that you can control, but never certain actions at major events. there is no such thing as discontinuity, or changing plotlines once you're able to catch a moment on what you truly wish to say.

as your story is published amongst thousands of people, it is up to your viewers, your deities, to decide whether or not you should live, die, or give you a chance to try to survive without them.

and it is up to you whether to fight back, or to allow their choices to destroy your very life.

either way, your tale is set to capture the hearts of many. and the only destiny nobody, not even your fanbase, nor you, could change, are the multiple set of characters within your world to eventually set their eyes on you.

and my, oh my, it is never once mentioned within these lines of texts that these characters are controlled by anybody, no?

*ੈ✩‧₊˚ are you interested to join your journey ?

♛ —⠀YES !⠀ yes, i'd love to see where this goes.

♚ —⠀NO !⠀⠀i'd rather not endanger myself, no thank you.

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[badbugbotblood]

WH- ME? And my tiny account? Getting tagged in something neat out of the blue? Well I'll be!

(pspspsps @king-candybug-backup)

As for my results:

A perfect 50/50 split between these two, which on the surface level does make sense.

Hey everyone!

I just made a Core Four-themed personality quiz!

@bashfulgnome

@thebluejetpack

@sadboytristan

@sgtcalhouns

@junkkey

@badbugbotblood

@speared-mint

@wreckitralphrestart

@wreck-it-hell

@ask-icancraft-it

@therockyroadster

@randomalistic

Reblog this post with your results!

[hellenhighwater]

What's your decision making process like for thrifting pieces? I've started looking at thrifting more earnestly, and at antiques in particular to add a bit more character to my otherwise midcentury-influenced space, but I always struggle with envisioning if a piece will "go" with everything else. But you seem like you've got the mixing and matching of pieces down pat, do I'd love to hear your thoughts!

I've gotten a bunch of asks in this vein so I'm going to go a little broader than this ask to cover the general topic.

On a purely practical level, you need to know what you have. I keep what I call a house journal, which is a notebook where I've drawn out room layouts, with measurements for available space, lists of what I'm looking for, dimensions for things like doorways (do not buy anything larger than your doorways) and even fabric and paint swatches. I also keep a digital photo album of house pictures, so if I'm trying to see if something will go, I don't have to rely entirely on memory.

So, important note: my background is not in interior design--it's in set design, studio art, and graphic design, so for me, I fall back on narrative. When you're designing interior spaces for theater or film, the room is not primarily functional: it is, first and foremost, an extension of the character that inhabits it. The room exists to tell you about the person in it.

And often, that's the tack I take in my house--not using my home as a framing device for myself, but for imagined characters. For example, my living room is The Adventurer, or the Archaeologist. The character for that room is someone from decent money in the late Victorian period, the sort of person who spent their live traveling for no particular reason, and brought home all manner of oddities. The room is rich in color and texture; the furniture is mostly late 1800s, and it's both formal and lived in. Choosing things for this room, I ask if that character would own that object. I also used unifying wood tones, and a similar depth of color, to tie things in. Pick a color palette and stick to it.

My drawing room is the Alchemist. There are lots of celestial elements, but it's a workroom, so most of the furniture is very practical and simply designed. It's beaten and worn in, showing marks of use. There is lots of storage, and curious little things in jars, and plants and bones and the tools of my trade. The Alchemist uses this space to make impossible things.

The question then is not "does this match" but "would the character that embodies this space choose this? Why? What does it say about them?"

And what all of that tells you about me, is, well....I don't know, really?

[i6eyes]

%% jean kirstein bf hcs !!

pt 2

contains: sfw and nsfw, implied fem!reader (no y/n), established relationship, soft jean teehee, jean’s horse cawk, nothing too graphic tbh

— who knew a fucking stallion will be the one who's going to bring me back from the dead .

sfw

omg omg he's soo tall right

definitely puts his arms around your shoulder, and kisses u on your temple or forehead too

the sweetest !! i feel like he would be so so attentive to u

oooh u did a double take at the dress u guys walked passed by earlier in the mall? woah it's suddenly in ur bed the next day !! :OO

he's a nice cook ! can cook but the best, his expertise are mostly breakfast foods but he can cook you lunch and dinner as long as he has a recipe

oh he'd be absolutely smitten !!!! i luv big scary men being total sweethearts to their s/o

if ur trying some shoes, he'd be the one to do all of the work ! he'd kneel down, take off your shoes, puts on what you chose on you, will be the who's going to take it off too, then will tie or buckle your shoes up for you

or or or, he'd be out alone and he passes by this little store filled with trinkets and stuff. safe to say, he walked out of the store with a silly little keychain he knew you'd like

^^ one of his love language is acts of service

he loves spending time with you. specially the moments where you two just chill and share some occasional kisses here and there

his favorite thing to do is have you lay on top of him while he's laying down and make you talk about your day !! he'd play with your hair and caress your nape and back while you do so :((

he's obviously attractive, but he doesn't know how much

there's so many simple things that he makes attractive

his attentiveness. you'd be in the grocery then he'd suddenly disappear for a while, only for him to come back with arms full of chips and snacks. "these are your favorites, right?" he said while dumping them in the cart, not even waiting for your answer.

oddly specific but the way he leans on every door way. you know the thing where people place their hands on top of a doorway? that, but he subconsciously does it everywhere. omg imagine he fetches you from your house for a date and the moment you open your door, boom! there's jean, towering you with a smile on his face.

he knows how to slow dance, like the ones in the movies where the main characters would suddenly dance in their living room, to which, he did with you!

slow dancing in the living room with jean :(

if you're still in school and he sees you struggling with a subject or school work, he'd help you as soon as he could, specially if it's something he already learned before. but! if that's not the case, he'd take his time to learn what you're having problems with and try to come up with an explanation to make you understand better

he's so lame (affectionate)

nsfw

oh boy

he's not the stallion for nothing

easily one of the biggest cock in the aot verse

usually, i'd be realistic when it comes to sizes, but jean is at 7-8 inches.

hhhhhhgggh, king of dick prints. he's naturally big even when soft, about 5 to 5.5 maybe. < he's a grower

he's such a big man, his proportions are perfect, of course he needs a big fucking cock to go along with it

he keeps his happy trail no matter what happens. he knows it's attractive and knows that you love seeing it on him

^^ up to you whether you want him to shave or trim, he's fine with anything as long as he keeps his happy trail

wide athletic shoulders that he puts your legs at while he's eating you out our splitting you open with his cock

this man's proportions are actually making me insane i don't know how to put my thoughts into words anymore

his hands are big, but not huge or ginormous. it's pretty and rough looking at the same time. his fingers are longer than most men's but are thick enough like the ones most are familiar with when thinking about a man's hand.

his nape is sensitive, simple touches like brushing his hair back will make him shiver. hickeys also show more easily on his neck, just suck on it lightly and there's already a blooming red mark left in its wake.

oh my god, touch his torso or the bottom of his stomach (ehem, close or at his happy trail) and he's gone. it's starting to become an actual problem because there would be completely innocent moments where you touch those places because you need to get pass by him and he'd just suddenly pop a boner on the spot.

*taps mic* soft dom

he absolutely loves praising you, it's an unconscious thing he does

you'd be on your knees, sucking in his cock on your mouth as much as you could, and he'd groan while keeping your hair out of your face using a hand while the other caresses your cheek, wiping away the tears that lay there.

^^ "there we go, knew you could do it.", "fuckin' natural at it.", "think you could take me a little deeper? uh huh? yeah that's my good girl."

im in shambles

he's SOOOOO good with his fingers my GOD.

he knows what it takes to make you cum with his fingers, he has an actual technique it's crazyyy. doesn't prioritize in making it fast or hard or whatever, whether you like it like that or slow, he will follow his own lead on what he thinks will make you feel spineless.

knows the fingers inside you, palm on your clit thing. has made you squirt using it on multiple occasions

while he adores missionary because he loves seeing your face and folding you in half with your legs beside your ears, doing it doggy will always make him carnal

he has a thing for your backkk. he'd grab the one side of your shoulder while he's hitting it from the back, sometimes he'd bruise your hips with his grip instead

will slap your ass. not really in a sub/dom dynamic. he just likes the way he sees his handprint on your ass while you're writhing beneath him

stroke game is unmatched !!!!!!!!!

he doesn't rely on his size alone, this bitch is actually prepared and knows his shit y'all

even if he doesn't or can't push all of him in, he'd work with what he's able to put inside you and god does he do it well

during missionary, expect him to put a pillow under your hips despite his size and knowledge. he want to make you feel the best at any given time

while he doesn't mind if you're a loud moaner or what, he LOVES hearing you whine.

if you're a whiner, boy is it a good time to be ALIVEEEEEE

he founds it so cute and hot <3

[deliciousangelfestival]

You're the One - 1

Summary: A daughter uncovers the wild, untold story of how her parents’ marriage began—and it’s way better than any romance movie she’s ever watched.

Character: Bucky Barnes x Female!Reader

Genre: Romance, Comedy

Words Count : 2,100

Chapter 1 , Chapter 2 , Chapter 3 ,-

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

Having a cool dad like Bucky is a blessing. For Jade, it definitely is. Her friends, after meeting him, always say things like: “He’s so cool!” “He’s so funny!” or even, “Can we trade dads?”

Jade could only roll her eyes. Sure, Bucky’s pretty chill and easygoing about most things, but there’s one thing that drives her crazy.

It’s not a big deal for her, but for Bucky, it’s a huge one.

Romantic movies, especially where the bride runs away from the wedding.

That’s why their house only has action and mystery movies.

But tonight, Jade wants to watch one of her favorite genres at home. Why? Because their home theater is amazing, a special project Bucky built for his wife and daughter.

Unfortunately, her dad’s silly rules mean she can’t enjoy it.

But tonight is different. He’s heading out to pick up her mom from the airport.

Jade is sitting on the kitchen counter, waiting for her dad to leave.

In the hallway, Bucky stands in front of the mirror, fixing his hair and shirt while whistling a tune. Through the mirror, he notices Jade watching him.

“Don’t have a house party,” he says, pointing at her with mock sternness.

“Yes, yes,” Jade replies, hopping off the counter. She walks over, pushes him toward the garage, and tosses him the car keys. “Go pick up Mom.”

Bucky chuckles as he stumbles slightly. “Alright, alright. You’re awfully eager to get rid of me tonight.”

She smirks. “I just know how much you missed her. You two will probably go straight to dinner or something. Now, go!”

Bucky shakes his head, amused, and heads to the car. But as he opens the door, he suddenly stops.

“Wait… my wallet.”

He heads back inside.

“Jade?” he calls out. No response.

On the counter, his wallet sits neatly next to the fruit bowl. Grabbing it, he pauses. The house feels… too quiet.

“Jade!” he calls again, louder this time.

Still no answer. Frowning, he checks the living room and kitchen before heading upstairs. Knocking on her bedroom door, he’s met with silence.

“Did she sneak out?” he mutters. That didn’t seem like her.

Then it hits him. The home theater.

As he walks back downstairs, the faint smell of buttered popcorn wafts through the air. His suspicions confirmed, he pushes open the theater door.

“Jade!”

Startled, Jade nearly drops her popcorn but manages to save most of it. “Dad!”

She fumbles for the remote, pausing the movie and quickly turning off the screen. Her heart races—the scene on display had been the bride in a wedding dress.

Bucky strides forward, picks up the DVD case, and reads the summary. With a single glance, he knows exactly what it is.

“Jade, how many times have I told you? No romantic movies like this in my house.”

“But why?” she groans, flopping dramatically into her seat. “We have the best home theater! I just want to use it!”

Bucky crosses his arms, his expression stern. “Because they’re predictable. It’s always the same: someone’s crying, someone’s chasing, someone’s kissing. And the bride always runs away for some cliché reason.”

Jade huffs. “Why do you hate them so much? It’s not like Mom ever ran away from a wedding or something.”

The moment she says it, Bucky freezes.

Jade stares at him, her eyes widening. “Oh my God. Wait—she did, didn’t she?”

Bucky doesn’t answer. He turns and heads toward the door, but Jade jumps up, running after him.

She wraps her arms around his waist, trying to hold him back. “Dad! Is it true? Did Mom run away? How did you chase her? Why am I just finding out now?”

“I’m going to be late picking her up,” Bucky mutters, dragging himself forward with his daughter clinging to him like a koala.

Then, a notification chimes.

Both father and daughter glance at the phone on the counter.

The family group chat reads: “The flight’s delayed three hours. 😔”

Jade grabs the phone and shows him. “Look, Dad! Mom won’t be here for another five hours.”

Bucky sighs, rubbing the back of his neck.

“Please tell me!” Jade begs. “I promise I won’t watch the movie. This is way more interesting. Why did Mom run?”

Bucky turns to her with a serious expression. “She didn’t run away.”

“Huh?” Jade tilts her head, confused.

“She didn’t run away,” Bucky repeats. “I kidnapped her on her wedding day.”

The room goes silent.

Jade’s jaw drops as she points an accusing finger at him. “You… you stole Mom from someone else?! You're the bad guy!"

Bucky rolls his eyes and pushes her hand down. “If I hadn’t, she wouldn’t have had a happy life.”

He heads to the kitchen, grabs a cold bottle of water from the fridge, and takes a long drink.

Jade, now buzzing with excitement, follows him like a shadow. “Tell me! Tell me everything! How did that happen?”

Seeing her curiosity, Bucky sighs and gestures to the couch. “Fine. Sit down. I’m only telling this story once.”

Jade darts to the couch, grabs her popcorn, and settles in, eyes wide with anticipation.

Bucky clears his throat and leans back against the counter. “Alright. It was 15 years ago…”

💍🔔💍🔔

15 Years Ago

The changing room in the chapel buzzes with excitement. Your bridesmaids gather near the mirrors, giggling and chatting as they adjust their dresses and share jokes.

“Oh, did you see the flower arrangements?” one of them exclaims. “The Jordans really went all out!”

“They’re stunning. Just like this wedding,” another adds with a dreamy sigh.

Their energy fills the room, but you sit quietly in front of the mirror, staring at your reflection. The white wedding dress you’re wearing is nothing short of a masterpiece. Designed by a world-renowned fashion house, it fits you perfectly, every intricate detail exuding elegance. The lace, the pearls, the veil—it’s flawless.

But it doesn’t feel like yours.

“You’re so lucky,” one of the bridesmaids says, leaning toward you with a knowing smile. “Everything about this wedding is perfect. And Clark? He’s an absolute catch. You’re living a dream!”

You force a smile, your lips twitching just enough to look convincing. “Yeah… lucky,” you reply softly, though your voice lacks conviction.

In truth, you don’t feel lucky. You feel trapped. This wedding isn’t about love; it’s about business. The Jordans—one of the wealthiest families in the country—are securing an alliance with your family. It’s an arrangement, a deal sealed with vows.

It’s not that you dislike Clark. He’s kind, patient, and honest—a good man by anyone’s standards. The wedding is happening with your consent, after all.

Still, your heart feels heavy, uneasy. Marriage is forever. And with Clark? The problem is, you don’t love him. Not yet.

You hope, maybe after the wedding, the love will grow. Maybe with time, you’ll learn to love each other deeply. But right now, your heart is stuck in the past.

It doesn’t belong to Clark—it belongs to someone else.

Bucky.

The thought of his name makes your breath hitch. That wild man who once turned your world upside down. He was nothing like the calm, dependable Clark. Your parents couldn’t stand him, but you didn’t care. You chose him. For a while, you and Bucky were unshakable, inseparable—until life threw challenges your way, and the weight of it all broke you apart. He was the one who ended it, leaving you shattered.

Your gaze drifts to the window. You wonder where he is now. Is he happy? Did he achieve his dreams? Has he found someone else?

You shake your head and whisper to yourself, “Why am I even thinking about him?”

Pressing your palms to your cheeks, you try to push the thoughts away. It’s your wedding day. You should be focused on Clark, not your ex. You give yourself a light tap on the forehead. “Stop it,” you mutter.

But just as you’re about to take a deep breath, the door to the changing room bursts open with a loud bang.

Startled, you whip your head around, your eyes widening.

“Bucky?!”

There he is, standing in the doorway like he’s just stepped out of a different world. His leather jacket looks completely out of place among the pristine suits and elegant dresses. His dark jeans and worn boots carry the same rugged confidence you remember.

“What are you doing here?” you stammer, rising to your feet, your heart pounding so hard it feels like it might leap out of your chest.

He steps closer, a familiar smirk tugging at the corner of his lips. “Isn’t it obvious?” he says, his voice low and teasing. “I’m here to steal the bride.”

Your breath catches, and your mind races. “Huh?” is all you manage to get out.

Before you can process what’s happening, he closes the distance between you. In one swift motion, he grabs you and hoists you over his shoulder like a sack of potatoes.

“Bucky!” you shriek, pounding your fists against his back. “Put me down! Are you insane?!”

He chuckles, his grip firm as he carries you toward the door. “A little, yeah. But you’re not staying here.”

Your bridesmaids are frozen in shock, their mouths agape. One finally breaks the silence with a panicked, “Somebody stop him!”

But no one moves. Maybe it’s the sheer audacity of the moment, or maybe it’s the dangerous confidence in Bucky’s eyes. Either way, you find yourself being carried out of the room, your heart racing in a way that feels strangely familiar.

“Bucky!” you shout again, your voice laced with equal parts anger and panic. “You can’t do this!”

“Oh, I can,” he replies smoothly, “and I am.”

As he strides down the hallway, you struggle to free yourself, but his grip doesn’t falter. Despite the chaos, there’s a part of you—a small, buried part—that feels alive in a way it hasn’t in years.

And that terrifies you.

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[elucubrare]

What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?

this is really complicated - i can put it in two boxes, both of which are packed very full.

disconnection from the material reality of the past

when characters display a very specifically modern mindset (about social issues especially, but other stuff too)

(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)

there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.

my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.

Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.

[bokutosbabe]

It's Nice to Have a 'Friend'

( soft launching with the haikyuu boys )

a / n — these are fun to make so i thought i'd do one for my favorite boys. find the blue lock version here !!

content — haikyuu characters x gn! reader, takes place during timeskip, fluff, tried to make it as gn! as possible, but the photos have women, lmk if i missed anything!

synopsis — soft launching with the haikyuu boys <3

✿.｡. “ sun sinks down, no curfew, ” .｡.✿

has a great following for being 'aesthetic' even though they rarely try. most things they post have photos of things they've done in the week like pictures of their food or them working.

their followers are used to aesthetic photo dumps with 10 photos each that have no rhyme or reason to them, so when they get online and see a post from their favorite account with only 3 photos and the caption

" my love " with the song 'my love mine all mine' by mitski attached? there was immediate reactions, some trying to find out who this mystery person is while others seemed to be happy with just these little snippets of the relationship.

theyluvmeee: OMG?? anyone know who this is??

↳ anon2001: it's a soft launch for a reason. that's like- common sense i fear.

they don't think of themselves as a 'content creator', they just like posting their photos. however, they did like how much strangers on the internet would stand up for them and your relationship.

°❀⋆.ೃ࿔*:･ AKAASHI KEIJI, ennoshita chikara, ARAN OJIRO, daichi sawamura

has a decent amount of followers, mostly just people they'd known in high school and family, but there were a few hundred people who followed for the cute quotes that they would post before one of their chaotic photo dumps.

their usual feed was filled with the first picture being a quote that really made you think and then the craziest pictures. them face down in a puddle after a night out? yep it's there. pictures of them at a scenic dog park? also there

people began following them for the stark contrast that showed in every post they made, but when they posted something with no quote and it was a soft launch? their fans had immediately blown up the comments.

volleyballfreak: A SOFT LAUNCH? with who? omg.

and they had replied to almost every comment asking just who you were with...

' my lover <3 '

oh he was down bad.

°❀⋆.ೃ࿔*:･ YAMAGUCHI TADASHI, aone takanobu, SUGAWARA KOSHI, osamu miya, NISHINOYA YUU, kita shinsuke, TANAKA RYUNOSUKE

so so so sooo many followers (that came with being a professional volleyball player you supposed) many people who didn't even enjoy volleyball followed them because of the silly stuff they posted.

their fans watched their stories where they would post memes and such, something that many pros didn't do on the daily...because they had a reputation to upkeep. to be fair, all of their followers never knew them to be the brightest, so nothing they posted caused up a stir.

until they posted photos they took with, what was supposed to be, some mystery person with the caption ' a soft launch on MY minecraft server ? '

and it would have been an AMAZING soft launch...if they didn't tag your PERSONAL ACCOUNT on every. single. picture.

you weren't a pro volleyball player, you weren't an actor, you weren't even a manager, nope! you were just some normal person who lives an everyday normal life.

they had the spirit, just not the execution, but that's why their fans (and you) loved them <3

°❀⋆.ೃ࿔*:･BOKUTO KOTARO, atsumu miya, HINATA SHOYO, KANJI KOGANEGAWA

didn't get a chance to soft launch you before the paparazzi put out the tabloids of the both of you. the titles always saying something like "STAR VOLLEYBALL PLAYER WITH MYSTERY LOVER??"

the article was posted ten times over on every single social media platform there was, with many people with many different reactions replying to it

MSBYmomma: ur joking. he's literally mine

goofgoob: thank god one person on this team is in a loyal relationship.

the two of you hadn't even gotten the chance to open your own social medias before hundreds of texts invaded both of your phones. only from the people who knew of your relationship and were worried about the both of you.

so what did they do? reposted the photo on their story with two simple emojis...

"👍❤️"

°❀⋆.ೃ࿔*:･ USHIJIMA WAKATOSHI, kageyama tobio, OIKAWA TORU, sakusa kiyoomi

✿.｡. “ twenty questions, we tell the truth. ” .｡.✿

i love soft launches and haikyuu <3

likes, comments, and reblogs are appreciated!

[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[controld3vil]

atreides and bene gesserit

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader

synopsis: requested by this ask!

⤷ alt: as clueless as you were about your sister's role, it brought you much surprise and joy to see her on the same carpet as you.

notes: reader uses fem pronouns as she's playing a role as a bene gesserit. reader is also described as wearing a sleeveless jumpsuit. and i really enjoyed lea seydoux's performance and hope to see more of it !! this is also COMPLETELY separate from the first two posts ive made since the readers r playing different characters yeah?

When Denise Villeneuve asked you about the role of Lady Margot Fenring, you were genuinely shocked about his decision. You appreciated his works but have never gotten close to any of his sets before. You have worked with directors who've admired Villeneuve for his imaginative mind. And now, you witnessed his creativity in person for the first time.

The role was small and not as significant as the other main leads. Regardless, your character was just as enigmatic and complex as any other in the Dune franchise. Even though your time was short, it was a fun experience to learn and observe from. You weren't able to meet the entire cast after production, but with the NYC premiere, you were able to link up again.

You heard your name being called out. "Hello! How are you?" The well-known comedian and presenter by the name of Amelia Dimonberg was now beside you. In her jet-black corset dress, her style is chic and elegant. She hands you a microphone with the film's title plastered on it. "You look beautiful!"

"Thank you!" you sweetly recuperate, diverting your shoulders to the sight, cutely. You give a little pose before complimenting her own outfit. "You as well!"

"Do you have a memorable day on set that sticks out to you?" Amelia questions, subtly leaning toward your direction. And now you noticed her detailed eye makeup which enhances her outfit altogether.

"Well- I've had, like, only a few days," You let out a quick sigh. Truly it was nothing to be embarrassed about but you could not help but feel shy about it.

"Mmhmm! So all of them?"

"Yeah, all of them!" With ease, your shyness turns into giddy laughter as all you remember from your times on set. Recalling those tiny moments brought a small smile to your face. "Every day counted for me and that was enough."

"Oh absolutely!" Amelia chides, nodding in agreement. She quickly then moves onto the next question, "How long do you think you could last in the actual desert?"

"Oo that's a tough question," Lifting your fingers to rest on your chin as you try to contemplate an answer. "Ideally no- I feel like I could never recover from the heat."

"Yes yes, the heat's very intense,"

"Yeah- no I don't think I'd ever leave my house for that-" You shake your head nonchalantly, acknowledging how most of your scenes already were indoors. You could imagine how you would do in the desert of Abu Dhabi. It makes you appreciate the cast and crew even more for their effort to make filming more comforting and tolerable.

"Where would be your dream location to hang out? I'm assuming your home then since you prefer to say inside?" The blonde interviewer quickly catches on, eyebrows raising intrigued by your response.

Instead, you hummed bashfully, "Actually I think an oasis would be nice." The camera catches onto Amelia's face, fully fixated on you. "Which fits perfectly if I were to live in the desert actually!"

"Mm yeah, smart choice!" She responds more cheerily. "You can maybe go for a swim, you know-"

"Right right," You give her an playful look, "And you don't have to go thirsty!"'

"Absolutely, the best of both worlds," Amelia chirps, doing the same expression. "So this film centers a lot around dreams. Do you have vivid dreams of yourself?"

"Yes! I've uh- I've had many dreams of myself. I mean, this one, for example-" You turn to the camera, waving with the most adorable smile on your face. "'I'm living my dream right now!"

"You're living your dream right now!"

In another section of the premiere, you were walking down the carpet for press interviews and photography. The set where the premiere was taking place was gorgeously made in the shades of black and orange, the perfect theme of the film. The entire venue was outdoors, allowing you to feel the cold air and be more at ease in the crowded space. There were more paparazzi than you had expected, and you suddenly became aware that you were alone. Without any friend or acquaintance to accompany by, you searched aimlessly for a familiar face.

Then there was a holler. And then multiple more came after, it made you confused really. Your head swerves to the sound of the person you so try to look for and immediately you're struck in awe.

"Anya?!" In an instant, you're seen running towards your sister in the far back of the premiere wall. People were reluctantly used to fast-paced relocations around the carpet. Therefore most did not mind your hasty stumbles through the crowd. It was almost comical how apparent your demeanor changed when you heard her, in fact, videos and pictures caught all of it.

"Hi!" She beams in her white dress robe. Her makeup was glowing, making her skin seem angelic, and sheer without impurities. Her outfit covers her like a nun, covering her head and body in almost transparent cloth. Yet it flows around her so elegantly, almost like she was an angel from the stars. She squeezes your figure firmly, only after releasing to gush about your appearance.

You adored a beige sleeveless jumpsuit. The color is complimented with tiny designs of sparkle. Its seams captured your figure perfectly, as you also wore a gold chain and bulky rings. From the lighting, it looks as though your outfit is shining. And to be completely honest, you prefer comfort over the judging looks of fashion critics. Therefore you wanted to wear something that you could still move comfortably in. Thus you were able to run over to your sister with ease.

Through the other lens and camera, they could pick up some of her words after. "You look so gorgeous! How are you here?!" Anya's expression changes into a perplexed one as she gets a hold of your shoulders, shaking them back and forth.

"I was invited obviously, "You said, mimicking her voice while holding onto her arms on yours. "You didn't tell me you were a part of Dune!" Viewers from afar could tell you were pushing an act, reacting as though you were petrified about how Anya managed to be here in the first place.

"I didn't know you were either!" She giggled, closing in on your right ear. Your sister whispers to you slowly, trying to withdraw from the camera and recordings. "Villeneuve had mentioned something but honestly I just thought it was a joke."

It was your turn to guff. Your mouth opens wide flabbergasted, looking sarcastically offended. "Why would you think he's joking?!"

Anya scoffs lightly, wanting to go further with the joke. "I don't know- I just didn't take his word seriously,"

"Why? Because you didn't think I'd make it into the film?" You accused, eyes widening with a hand over your heart. "You're so cruel."

"So cruel," She smirks up at you, then moves back to be by your side. You see her face forward the flashing cameras, as you do the same. "Come! Let's take some pictures!"

"Your outfit looks beautiful by the way!" Anya Taylor muses, eyeing down at the fine details on your jumpsuit. "It's very... you!"

You give her a nod, before flattening some of the creases, "I thought this color was so exquisite, so I thought it would be perfect for the premiere." You lift your head to look at your sister, before realizing behind her, the upcoming stars of the film were getting ready to take cast photos. "Oh Anya- I think you should go!"

Your sister turns and then gazes back at you with a soft smile. "You should come with me!"

The thunder of cameramen and journalist blurred your focus for a moment. "Are you sure-"

Again the sound of your name is hurdled but this time from someone you haven't seen in a long time. Jessica Ferguson, who too wears a black body suit with veils and bold makeup. She waves her hand almost too eagerly to have you come closer alongside your sister. "Come, join us!"

Videos were filmed of the people gesturing to the cast of Dune in a line. Little by little, the row of people is filled and organized to be in the center of the camera's focus. Some actors had to move spots, due to lack of space or better color semblance on the other side of the row. You stood next to Jessica and Florence Pugh was beside your right, as you tried to stand closer for the picture.

Anya Taylor was on the opposite side, with Austin Butler and beside him, Timothee Chalamet. A noticeable clip taken all over was when the French actor went to greet the English actress, warmly, clasping her hand with both hands as a proper salute as on-screen siblings.

You did not mind the lack of attention. You were happy for Anya for achieving a great role. One with a welcoming cast and crew. It was then your eyes scanned down the row, from Zendaya to Stellan Skarsgard. Then to Austin, whom you've been familiar with since day one. Only him to find your gaze seconds later. You give a little nod and smile before averting your direction to Anya who is already staring at you with gleaming eyes.

You were going back and forth with Jessica and Florence on your travels for a while. From plans reception to favorite desserts, all you three wanted to talk about was food. Paparazzi caught onto your banter quickly and snapped a few photos. You even went out of your way to do silly poses. Followed by Jessica and Florence, then did the same, sticking their tongues out in a rock star kind of fashion. You throw out piece signs, giving a dramatic frown as another flash happens.

Catch-ups were definitely refreshing and fun. Thus why you nearly jump when Austin appeared behind you.

"Oh my gosh, hey!" You stuttered, giving him a quick hug to calm your nerves. "You scared me!"

"Sorry sorry! I just wanted to surprise you!" He leans his head slightly, allowing better eye contact. You felt a few taps on your shoulder and noticed Jessica and Florence scurrying away, with their thumbs up, all goofy and excited.

Your eyes make it back to his. "I would've said hi back at the cast photo, but you were so far away," Shrugging you dismiss your failure as a mild missed opportunity.

But Austin shakes his head in an averted manner. "No- Don't worry about it." You could already sense interviewers and others with microphones closing on you two. You were out in the open, and it's bound to happen. "I wanted to- you know, say hi to you in a less chaotic place."

"I tried looking for you but there's just so many people," You give your costar an exhausted look. It was then a keen young man approached the pair of you. It was the People magazine, as you became aware of the logo alongside their camera and microphone.

"Hey, would you two mind a short interview for People's magazine?"

Truly, this was what premieres were about. The cast and crew meet with fans to show what they have worked so hard for. You brought you no better satisfaction than to praise everyone's efforts. The interviewer then proceeded to have a quick introduction of you and Austin beside you. You both had separate microphones in each hand. Once the video started rolling, you peered at the camera and gave the audience a grin.

"So how are you guys doing? Met all of your lovely cast members yet?"

"Oh absolutely," You emphasized every syllable, nodding. Austin only glances at you in amusement. "It's crazy how many people are here I was so overwhelmed!"

"Yeah, it was pretty crowded," The male actor adds, lowering his microphone slightly.

"Hopefully it will die down!" The interviewer beams. "So what was it like getting to know each other in this film? How was the first day on set like?"

"Oh, well it went very smoothly," You start, staring up at Austin in approval. "Even though my time was short on set, I feel like we had a pretty good rhythm starting out."

"I was about to say! The scenes with Feyd and Lady Margot were really something!"

"Why thank you, we appreciate it," Austin nervously laughs, scratching his ear.

The interviewer takes the lead to discuss your preparation for the role and how it was working with Villeneuve. As new characters, you and Austin both talked about your views on both of your characters. Both are very different yet mysterious to the viewers. Additionally, you two were introduced in a similar scene of the pit fight. The People's Magazine interviewer was compelled to compliment Austin on his opening scene. You knew he had practiced the choreographed fights vigorously. And of which you were lucky to witness on the days that you were present.

"It was completely freeing and different than what I was used to doing," Austin probes, leaning toward your direction. "Were you there for the pit fight?"

"I think I was," You turn, similarly. "I remember watching from afar and thinking wow." Immediately you could sense him eagerly looking down at you with a sly smile. "He was- Austin did amazing with the fight choreography, I was impressed!"

"Was this the first time seeing him in full costume too?"

"Oh yes!" You bonked your hand on your forehead, "He was and I just- couldn't believe it was him!"

Suddenly Austin jumps in, "She was startled when I first came up to her in full costume."

"You came out of nowhere, by the way!" You rebutted, giving him a side glance.

"I didn't mean to," As he tries to reassure his actions, "I wanted to give a good first impression!" It was humorous how playful you two were together despite having dissimilar filming schedules. Though most of your scenes involved Butler, your friendship only became more apparent weeks after working together. It was off and on for months at a time due to being busy in other countries simultaneously.

Eventually, you were able to link up again weeks before the premiere. After waiting a long time to meet up, you almost felt relieved that you hadn't seen your costar in a while.

"And Austin, how was filming with her?! From a character's standpoint, what kind of dynamic do you see playing out?" The People's Magazine interviewer perks up, having the camera transition from his face to Austin's.

"Well I'd say, she's great. You know I've got to meet a lot of amazing people in this film. And," He says your name sincerely, "She's- she's one of those people. I can't say much for Lady Margot and Feyd's relationship- you know there's a lot of that's still not uncovered. We don't really know what's happening but kind of have an idea of something. And to have such a great actress like her, it makes everything feel authentic and- feel the tension." It felt as if you were in a daze, eyes completely focused on his words with such admiration and grace. Before you knew it, you were smiling as if you had won the best possible prize in the world. His compliments to you meant more than you had anticipated really.

Unbeknownst to you, the cameraman had caught your lovestruck expression before directing attention back to the interviewer. "And how about you, Miss Margot?"

"I'd say it's the same," Now looking at the interviewer, only momentarily back at your costar. "Austin's- he's great at all the stunts and acting like a scary dude. Every scene with him was fun to do. Like he's all serious in character but once they yell cut! he's so nice and funny!" Your bubbly laugh breaks as you can feel your face growing hot.

"Well I appreciate you liking my humor," Austin pokes fun at you, fanning a little air towards you.

You mutter a soft thank you! before continuing, "And he's dedicated you know? I remember one scene, a little spoiler, where Feyd is about to be tested by Lady Margot, and I just couldn't do it! I couldn't keep a straight face!"

"Really?!"

"She just kept breaking, I don't know why," The actor shrugs, his attention closely drawn to you. "We had a few takes on a few days."

"We did! We did!" You gave a big frown, "You just have a really distracting face."

"Do I?" Austin asks, between the lines of teasing and coolly.

By the time, other premieres had occurred, people were still focused on your interactions with Austin Butler. Your chemistry on and off screen on the carpet was hilarious. And with how polarizing your characters were, it made many clips of your shared encounters gain attention.

A few short videos were recorded after the People Magazine interview of you and Austin, bashfully talking behind the stage. The two of you went back and forth whispering in each other's ears about what was unknown to the viewer. Through a bird's eye view, the video also catches you hugging your arms before zooming in on Austin's placing an arm around your figure.

Another clip that had been reposted many times was when you both took duo pictures together. As you comfortably shift your weight on one leg, as you turn to have your side face the flashing paparazzi. Whilst the Elvis actor stands beside you at a pleasant distance, doing the same pose to the other side. There was one instance where you lifted your head to make eye contact with your eyes instantly brightening. As Austin's smile widened, only to blow air in your face.

[kiiwiigii]

Mine

Jasper x Vampire!Fem!Reader 

Summary: You make the mistake of wearing someone else's hoodie. 

Warnings: 

NSFW 18+ 

Smut 

The Major *wink, wink* 

Possessive sex 

Oral (F. receiving) 

Cream pie 

Word Count: 2.8k+ 

Requested?: For Kinktober! 

Intense and angry possessive sex with jasper pleaaaaaase 🙏 

A/N: A special thank you to @alecvolturi and @demetris-cocksleeve who both encouraged me to not bin this. This was the most frustrating one I have written so far. But I hope you enjoy!

I honestly should have seen it coming. 

It would be just my luck to be left alone with Jasper while the family had decided to take separate vacations. 

Coming out of the newborn stage at 2 years, I still didn't feel comfortable enough to be out in the world just yet. Alaska was a safe haven for me until I felt I was ready. So, Jasper had stayed behind, essentially playing babysitter. 

And it was awkward as hell. 

I think it was obvious that I had a crush on him. 

Obvious to everyone in the fucking house. 

Including Jasper. 

And I knew he could feel it. Which was as embarrassing as it sounds. And it was quite obvious that he didn't feel the same way, since he had never acted on it. 

We were just friends. 

And as awkward as it was, I sucked it up and enjoyed his company instead. 

At least he couldn't hear my thoughts, unlike poor Edward. 

Jasper made sure that we had something new to do every day, but he also gave me space when he sensed I needed it. In a weird way, it felt like we had been growing closer, and I had caught him looking at me often, something flashing in the back of his eyes. And like me, he would look away quickly.  

It was like a sort of dance that neither of us would admit to. 

I sat on the kitchen counter, watching the snow drift by in thick flurries through the large windows. Alice had given us the heads-up that a storm was rolling in during one of her daily check-ins. Jasper and I had just returned from hunting a few hours ago, and despite being cold-natured now, I was still uncomfortably cold. I held a cup of hot water in my hands. Not to drink, but it made me feel somewhat normal, and it warmed my hands fairly well. 

I let my mind wander. I should go sit in the living room where the fire was, I'd be much warmer. But Jasper was in there. And every time I even looked at the fire all I could think about was him taking me right there on the floor in front of it, the plush rug soothing against the skin of my back- 

I squirmed a little at just at the thought of it. 

"Darlin'?" 

I blinked up at Jasper. I had been so lost in my own thoughts that I hadn't even been paying attention to my surroundings. He had only taken to calling me 'darlin' recently and it practically set my body afire. By God, if I could blush, I would be beet red. Quickly clearing my thoughts, I smiled up at him. 

"Hey, Jazz." 

"What are you wearing?" 

I looked down at what I had on. Shorts and a hoodie. 

"Clothes?" It came out as a question. 

"Yes, I can see that. But why are you wearing Emmett's clothes?"  

I started at the anger in Jasper's tone, surprised and wary. I eyed him quizzically. 

"Because. I wanted his hoodie. I like it."  

 Jasper scowled, and disappeared before reappearing a moment later, one of his own hoodies in hand 

"Here. This is much warmer, and I know you're cold."  

"Why do you care?" I raised a brow at him in challenge. 

This was completely out of character for Jasper and to say that I was confused was an understatement. 

We had a mild stare-down until Jasper actually growled at me. I sucked in a breath, heat shooting straight between my legs, and I squeezed my thighs together again.  

Fuck.  

That was playing dirty.  

And given my current state of emotions, he absolutely had to know it. 

"Just get rid of it." He demanded. 

"What?" 

"Emmett's hoodie. Get. Rid. Of. It." 

I gulped, a little uncomfortable with Jasper's sudden mood swings. I quickly took the hoodie from his hands. It was his dark blue one, my favorite one to see him in. 

He continued to stare at me, waiting, and I cleared my throat. Finally, he raised a brow at me, and I rolled my eyes, trying to fight the bit of embarrassment rolling through me. 

"Well, if you insist on me putting it on right here and now, Jasper, I'm going to insist that you turn around." 

His brows furrowed adorably. "And why would I need to do that?" 

I looked away from our little staring contest, biting my lip. "Because I don't have anything else on under it." 

Jasper straightened up and his eyes darkened as he looked at me, and if I'd had a beating heart it would have leaped at the burning look in his eyes. 

"What?" I said defensively. "It's soft. I like how it feels! Most of my clothes are scratchy!" 

He turned around quickly, his hands coming up to massage his temples. Keeping an eye on him I quickly discarded Emmet's hoodie and slid my arms through the sleeves of Jasper's, zipping it all the way up. I discreetly buried my nose into it for a moment. It was so much softer than Emmet's, and it smelled significantly better. Like Jasper. 

Fuck. 

I could feel the wetness beginning between my thighs. 

I needed to escape. 

Like, now. 

I couldn't exactly hide it, but it was way better than creating an uncomfortable atmosphere for the both of us. 

"You know, you wouldn't feel so cold if you put more clothes on." He was facing me again. 

I felt embarrassment flood through me. He had a point. And it was also the perfect excuse to escape- 

"Not that I really mind," He continued with a smirk, his eyes raking up and down my form. "I like what I see. And I like  how you look in my clothes. Especially in my clothes." 

My brain screeched to a halt, my lips parting in shock. His southern drawl had suddenly gotten deeper. This sounded like the Major talking. I had only met the Major once, right before Victoria's army came for Bella. That had been… an experience to say the least. And if that part of him was coming out, then that explained his sudden shift in mood. 

"And I have to say that I also prefer you wrapped up in my scent."  

He was practically purring. 

I gulped, suddenly on edge. "Why?" 

Jasper's eyes were predatory, nearly black. "Because darlin', you're mine." 

My eyes widened at his words. He approached me slowly, hands reaching out on either side of me on the counter, my legs falling open unconsciously and allowing him into my space. He leaned in, eyes watching me with such intensity that I forgot how to breathe. Perhaps it was a good thing that I didn't need to breathe because before I knew it, I felt a wave of lust roll through me, and it wasn't just my own. 

I gasped as he leaned in, claiming my lips with his own, and my legs wrapped around him without a second thought. He groaned, cupping my neck as he tilted my head back, while his other hand gripped my waist possessively. He tasted like mint, with a small tinge of copper from hunting earlier in the day. He swiped his tongue along my bottom lip, and I opened my mouth obediently, letting him in. 

After a moment he pulled back and buried his nose into my neck, his hands sliding down to grip my thighs. I tried to catch my breath, despite not really needing it. 

"You taste so much better than I thought you would." His voice was low and husky, muffled by the fabric of his hoodie. 

Goosebumps erupted across my body, and I could practically feel the wetness begin to drip down my thighs to the counter.  Jasper must have caught on to my confusion and doubt because he gripped my thighs even tighter. 

"Oh, yes. You have no idea how many times I've thought about you, darlin'." He pulled back to look at me. "Of all the ways I could have you. In my bed. On the couch. On the floor. Against the wall."

I gasped, thighs squeezing together around his waist. 

"That's right, darlin'. I've lost count of how many times I've thought of making you mine." 

"Yours?" I squeaked. 

"Mine." 

Oh my.  

Oh fuck. 

I really, really liked it when he was possessive. 

I moaned, clutching his shirt, a bit dazed as he swooped in for another kiss. 

"Oh," I gasped as he kissed his way down, lightly raking his teeth against my neck, his hands tracing invisible lines over my curves.  

I could feel every inch of him pressed up against me, and it was almost too much. I rolled my hips up against him and he pulled away, breathing heavily. 

Before I could comprehend what was happening, I was being lifted off the counter. One of his arms wrapped around my waist while the other slid under my ass to hold me up. I held on for dear life as he carried me to the living room and sat me down on the couch. I stared at him as he kneeled in front of me on the floor, spreading my legs open slightly. 

Jasper suddenly paused, looking up at me with dark eyes. 

"This is your one and only chance to tell me no. Otherwise, I will have you, right here and now, and there will be no going back." 

I gulped but said nothing, choosing to nod instead. 

"Use your words, darlin'. I need to hear you say yes." 

"Y- yes." 

"That's my girl." 

He smirked before reaching up and tugging at the zipper of the hoodie, the fabric slowly falling away to reveal my nakedness underneath. I automatically went to cover my breasts when Jasper grabbed my wrists with a warning growl. 

"Don't you even think about it darlin'. You are mine. And I want to admire every inch of you." 

My breath caught in my throat, and I felt a thrill of pleasure and submission at his words, my body betraying me as my nipples hardened. 

Jasper let out a purr of pleasure and slowly let go of my wrists, pulling my arms away from my body and exposing my breasts to his hungry gaze. 

I gasped when he leaned forward, wrapping his arms around my waist, splaying his hands across my back beneath the hoodie, and pressing me to him, sucking one of my nipples into his mouth. My hands automatically came up to twist themselves in his hair, my back arching at the wet sensation of his tongue on my skin.  

I couldn't help but moan as he nipped and licked before biting down lightly, teasingly. I gasped as the pain and pleasure mixed together, creating a delicious sensation that had my pussy practically pulsing. The sensations were overwhelming, and I couldn't keep still. I started to rock my hips against him, moaning. 

Before I knew it, he was pulling away, leaving me to whimper at the loss of his tongue.  

Jasper slowly began to peel my shorts down my legs, exposing my soaked panties. 

I squirmed at the way he took in the sight of me before traveling back up to my face. 

"Mine." he purred, his eyes never leaving mine as he hooked his thumbs into my panties. He gave them a little yank, and I felt them slide down my legs. "Fuck. You're gorgeous."  

His hands trailed up my smooth, silky legs and I quivered as his hands got closer to my heated center. I couldn't help but whimper as one of his hands traced the apex of where my thigh met my pussy, right along the panty line.  

"Please." I begged softly. 

I gasped in surprise at how quickly he moved, one hand gripping my ass to pull me closer, and the other quickly shoving his face into my soaked pussy. 

I had to bite back another moan, my back arching as he slid his tongue along my folds and began to lick me. 

"Holy fuck," I managed to croak out, my eyes nearly rolling to the back of my head. 

The feeling of his hot tongue along my slick folds was almost like an electric shock, hitting me in the base of my stomach and sending sparks throughout my body, ending in my fingertips, which had tangled themselves in Jasper's golden locks. 

I had completely lost control of myself, practically squirming with each swipe of his tongue. Jasper grasped my thighs to keep me still, relentless in his assault. He started swirling his tongue around my clit, teasing me, and slowly driving me closer to my climax. The feeling of his mouth finally deciding to suck on my clit sent me right over the edge. 

I let out a cry as I came hard, gasping for breath. Jasper didn't let up, continuing to viciously lap up my juices as he sent me spiraling into yet another orgasm.   

By the time my breathing had returned to normal, he had somehow managed to escape from my hold and was standing in front of me. 

"We're not done yet, darlin'." 

I swallowed thickly. He smirked, watching me intently as he slowly unbuttoned his jeans, making me even more aware that I was unable to get rid of my burning need for him. He slid his jeans down and kicked them off before stepping close to me. I could smell the faint scent of me on his breath and I licked my lips in anticipation as he inched closer. 

"We're not done until you can't walk." 

I sucked in a surprised breath, pussy practically pulsing with need. 

Jasper chuckled as he pushed me back on the couch and spread my legs wider. His touch was soft and gentle as he spread my pussy open and slid two fingers inside me, stroking them in and out yet again. This man had magic fingers. And if he had me coming undone with just his tongue and fingers alone, it made me wonder what he was able to do with his cock. 

"I have to make sure you're nice n' ready for me darlin'." He murmured. "Here, put your hands up under your knees for me. Just like that. Now, don't let go." 

I obeyed, chest heaving and now fully exposed in a way I never thought possible. Jasper grinned before leaning in and kissing me deeply, tugging at my bottom lip with his teeth. 

I could taste myself on his lips and it only made me more aroused. He slowly slid his fingers out of me and replaced them with his hard, throbbing length. 

When had he lost the underwear?? 

I didn't have much time to think about it before he was pushing himself inside me, filling me up in one smooth thrust.  

I let out a ragged breath in surprise. 

"Jasper!" I squeaked. 

I was so full that I could feel every inch of him, so thick and hard. 

Jasper barely stopped to pause, bending down to nip at my ear in admonishment before he started thrusting in and out of me, a slow, steady rhythm that had me moaning and gripping the underside of my knees for dear life. 

Fuck. 

He was hitting that spot again, and I had the feeling that I wouldn't be seeing only stars this time around. I could feel myself getting closer and closer to another orgasm, the pleasure building up inside me until I couldn't take it anymore. 

"Jasper," I gasped out, my nails digging into my thighs. "I'm gonn- gonna come." 

He grinned before driving himself even deeper into me, his pace picking up as he started to drive me closer and closer to the edge, feeling my walls practically strangling his cock. 

"Come for me, Darlin'." He purred.  

My toes curled in pleasure as the coil building in my belly snapped, and I came hard, my body shaking and my pussy clenching around him. Jasper followed suit a few seconds later, his body going rigid as he came inside me.  

"Don't move." He ordered. 

Jasper paused before pulling out, looking down at me with a satisfied grin, eyes still dark and intense. I was panting, doing my best to catch my breath yet again while holding my legs up. I could feel his seed dripping out of my pussy and onto the couch. 

He licked his lips, taking in the sight of me and I nearly moaned at the thought of what he was seeing. I must look like a wreck. Completely ruined. Half dressed in his hoodie and completely defiled, his cum running down my pussy and ass. 

Jasper smirked. 

"Oh, darlin'. You look perfect that way." 

{Kinktober} // {Masterlist}

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[darealsaltysam]

I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT

below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this

oh my god okay okay where do i even start

opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up

watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok

this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!

i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis

arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie

but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.

i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.

the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this

OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD

jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed

the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH

all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!

once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM

rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it

the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that

okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT

FEYD FUCKING RAUTHA LADIES AND GENTLEMEN

oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER

stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET

just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT

when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.

the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd

GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.

dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.

and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell

speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing

what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah

special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast

WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL

the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS

a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!

anyway. back to the horrors.

i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP

i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me

chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!

SPEAKING OF GOOD ACTING

TIMOTHEE

FUCKING

CHALAMET

listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.

he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing

paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting

like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different

what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!

also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg

when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us

also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore

have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her

okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive

chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much

THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD

IT ALL CAME TOGETHER SO SO WELL

THE WORMS

THE SENSE OF SCALE

THE FIGHT CHOREOGRAPHY

THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME

THE SOUND

EVERYTHING FLOWING TOGETHER SO WELL

the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell

every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis

gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3

the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall

i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell

i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3

OHOHOHOHOHOHOH. OH. HERE WE GO

HERE WE GO YALL

THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK

THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!

THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh my god oh my god oh my goddddd where do i even start

okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys

paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around

i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more

i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?

but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.

oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.

theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point

another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!

this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani

chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"

i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.

sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3