#and that’s just like.. very surface level I suppose of what it was like at my previous job

[anthurak]

So by this point, I think many of us are likely familiar with the idea that the breakup of Team RWBY at the end of Volume 3 is meant to thematically parallel the breakup of Team STRQ in the wake of Summer’s death, ie; Ruby falls into a coma for a few days while Summer disappears and then both their teams fracture. Along with a popular sub-theory that Blake leaving Yang after the Fall is meant to parallel Raven leaving Tai.

But the thing is, if Ruby falling into a coma at the end of Volume 3 is meant to parallel Summer’s (supposed) death and the way this loss caused the fracturing and breakup of their respective teams, then Raven’s actions DON’T really parallel Blake nearly as well as a lot of people think.

And in fact, I feel like Qrow could potentially have paralleled Blake’s actions FAR better.

Like people talk about how Raven ‘abandoned’ Tai just like Blake ran away from Yang after the Fall of Beacon. Except if the point of parallel to the Fall of Beacon is Summer’s death, then the parallel doesn’t work because Raven was ALREADY GONE from Team STRQ by the time Summer disappeared. To the point where Tai, Qrow and Ozpin had (and still have) NO IDEA she was even involved in whatever happened to Summer. Raven can’t exactly have abandoned Tai just like Blake did to Yang if Raven wasn’t even around.

Instead, as I’ve discussed in the past, I think Raven’s actions following Summer’s ‘death’ potentially line up far better with WEISS. Like if it turns out that losing Summer was what actually drove Raven to return to her tribe, then that lines up very nicely with Weiss being taken back to her family/Atlas in the wake of the Fall of Beacon: Both return to the shitty, abusive family that raised them. And given how much of Weiss’s character is tied up in her family and their ‘legacy’, then the way Raven eventually took over her tribe makes her an ideal foil; effectively representing a Weiss who did eventually take over the Schnee family and company, but in the process internalized all the pain and trauma her family gave her.

And as for a cherry on top; if Ruby falling into a coma after the Fall of Beacon is meant to parallel Summer’s supposed ‘death’, then what was one of the last things Ruby did at the Fall?

Run off on a special mission with Weiss, just like we now know Summer did with Raven.

Now going back to my point about how Raven was not even around to abandon Tai just like Blake did to Yang, you know who WAS presumably around when Summer ‘died’?

Yeah; Qrow.

Let’s consider what exactly Blake actually did following the Fall of Beacon beyond just a surface-level reading: Yes, she did go back to her family, similar to what Raven may have done, but given that the Belladonnas are NOT actually shitty and abusive, I maintain that Weiss is still the better parallel to Raven. Instead, let’s consider Blake’s whole arc across Volumes 4 and 5 relating to the White Fang: At first being depressed over loss and perceived failure before being inspired to start working for a better cause, in this case pushing back against and stopping Adam’s takeover of the White Fang.

So I have to wonder; what if this reflects what Qrow did with Ozpin and the conspiracy following Summer’s ‘death’? Maybe Qrow and his teammates had helped Ozpin in the past and knew what he was doing, but what if THIS was the point where Qrow became fully committed to Ozpin’s cause and joined the Ozluminati full-time? Perhaps seeing it as a way of ‘honoring’ Summer’s memory.

Instead of staying with the one teammate he had left (and possible partner) who was now in a massive depressive spiral AND had two kids to take care of.

It starts to make Qrow and Tai feel a lot like Blake and Yang, doesn’t it?

This is one of the big reasons why I think Qrow and Tai are the REAL foil to Bumbleby on Team STRQ. They effectively give us a look at a version of Blake and Yang whose relationship failed. Or rather, were never able to ‘take the next step’ and actually form their relationship.

Qrow is a Blake who fully internalized her self-loathing and belief that she didn’t deserve Yang or that Yang was better off without her and has simply been pining for Yang from afar.

Meanwhile Tai is a Yang who likewise fully internalized her fears of abandonment and fully resents Blake for leaving her or may not have ever even fully recognized her feelings for Blake in the first place.

Essentially, Qrow and Tai are the version of Blake and Yang who weren’t able to work through all the problems, issues and baggage which allowed them to actually start their relationship. Like a Blake who didn’t get that vital pep-talk from Sun at the end of Volume 4, or a Yang who likewise didn’t get that vital talk from Weiss in Volume 5.

Which in turn leads us to what I brought up earlier with Qrow joining up with the Ozluminati full-time, essentially representing a Blake who threw herself into reforming the White Fang instead of returning to Team RWBY and reconnecting with Yang. Meanwhile Tai simply throws himself into a deep depression, grief and ‘moping’, ironically all the things he would later accuse Yang of doing (at some point I’m going to do a post on just how much PROJECTING Tai has likely been doing…)

So now Qrow and Tai have this low-key toxic relationship where Qrow is more-or-less aware of Tai’s extremely dysfunctional parenting but has also been enabling it and a lot of Tai’s unhealthy coping mechanisms over the years because he’s been pining for Tai ever since their Beacon days and still is pining in a very depressed, self-loathing ‘I don’t deserve him/to be happy’ way and also doesn’t want to risk conflict with his former partner and also the only teammate he has left.

Thus Qrow keeps his distance and just goes along with Tai’s dysfunctions and/or lets Tai push him away. Which in turn just reinforces Tai’s abandonment issues.

And Ruby and Yang are still stuck with utterly dysfunctional parental figures.

Oh, and if you need more proof about the deliberate parallels between Blake and Qrow…

Then how about the whole damn song where they sing about how they’ve always felt terrible about themselves but now things are looking up for them.

[unseentravler]

Things I noticed my second time watching Transformers One

Restricted access to information - the first scene is literally Orion, breaking into an archive. obviously, Sentinel is trying to restrict access to information to keep the couggler spots from figuring out the truth.

Only cogeless bots use the trains - What if the whole reason they have trains is because cogeless can't transform and need other ways to travel.

The cogeless are so small - this got me thinking about a whole bunch of things. Are they supposed to grow as they get older, but couldn't because they couldn't transform?

The bar the Orion landed in only has bots with coges- there's obviously a good deal of prejudice from the transformers against the coggle spots, so are there like transformers only establishment?

D is worried about getting punished after the race - have they been punished before and for what? Are cogeless not allowed to do certain things

How long is a cycle? - obviously, a cycle is equivalent to a year, but from past media, we know that a cybertronian year is a lot longer than an earth year. But how long exactly?

D has so much anger throughout the entire movie. - I only really caught this on my second time watching, but D has a lot of anger throughout the entire movie, he just hides it very well.

Food shortage - there's probably a food shortage in Icon. We see orion grabbing as many cubes as he can from the bar, and Sentinel says that they barely have enough for their own citizens.

Does Alpha tryon think a bunch of kids have come to save him? From his perspective, he just got woken up by child sized bots. What is going through his head?

The high guard has become really demoralized. - Was it always like that? Or did starscrem leadership make them like that? Obviously, if they were trusted by the primes for so long, they must have had some moral backbone once upon his hime, so was it just that the fifty cycles they sped on the surface turn them into a might makes right cult?

Sental told everyone they died - looking back on it sentinel, prime always intended to get rid of them.He probably told dark wing to throw them down to sub level fifty.

The transformers only seemed concerned with the transmission ater Sentinel nails to the quintisomes - like I said earlier there's probably a good bit of classism between the Transformers and the cogless and some of the elite Transformers knew about the miners having their cogs ripped out, but didn't know about the quintesons.

The little ranking singly as that they are wearing. - we see D stomp his after the truth is revealed, but I didn't notice that they're all wearing them.

The longer the movie goes on, the more orion's voice sounds like Optimus Prime.

Other stuff

The little kid in front of me say "no why did you do that" when D shot Orion

Megatrons are at eyes are so cool

The way the music cuts for Optimist

[abigail]

it’s only been a week but i think i actually love my new job so much .. i am not very good at it but that’s okay, it’s a new job and it’s been one week … but yeah everyone is just really lovely and (it feels like) there’s no major pressure on me to be a certain way or whatever and my manager is wonderful it’s like.. the opposite of my previous job. i actually feel good about going in and i feel like i can actually talk to the people there without being judged or whatever and that i can just actually be myself .. idk !! and i know i still have a lot to learn but the job itself is just .. so nice.. like the customers are really nice too and it’s fun going through the donations (trying v hard not to buy everything that belonged to someone’s grandma lol) but yeah. it’s just.. nice.. i think having spent the last two years feeling.. the way i did (about my job at least), it’s just.. nice. it’s nice to feel like they care, it’s nice to know despite being a bit of a weird and awkward person sometimes they don’t care about that and they still like me regardless.. at least i hope so lol it feels like they do and some have told me they do which is cute lol but yeah. added bonus it’s like a 15 minute walk from where I live (I’m going to be saving at least £80 a month by walking to work rather than getting the bus into the city yippie) AND ! the route to/from the shop goes past one of the local churches and they have a huge bread box outside and crates of fruit all totally free for passer-by’s to take as they wish so yay I get to go past it nearly every day and can get free bread and fruits and veggies :-) today I got a free loaf of bread, two cinnamon buns, and a small bunch of bananas :-) yippie !!!!!

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[aroaessidhe]

2023 reads // twitter thread

The Sun and The Void

Venezuelan inspired high fantasy

follows a young outcast swordswoman taken in by her grandmother, the dark sorceress for a noble family, who relies on the magic to keep her alive after being attacked by monstrous creatures

and a young noblewoman who’s the shame of her family because of her mixed heritage and desire to use magic

both are manipulated by those with more power than them into a plot to free an ancient evil god

mineral based magic, politics, nonhuman MCs

[nomaishuttle]

okay saur when i get home im gonna try and fill out the insurance form since well im stuck here. once thats through and ive got insurance set up im gonna try and do a proper psych eval bc i reakized ive bever actually had one. and i think itd be very very useful

[dan-crimes]

I don't personally enjoy death in my stories for one because I have no experience with it personally and for two because you can't torture a character anymore once they've died 😇

[kavehater]

I was looking at a slideshow and it just hit me that nobody ever said to me that they don’t actually want me to kms and that it genuinely felt that they meant it except one person very recently

[mbat]

i know this statement is dumb to people who understand money stuff but honestly i dont understand economic inflation like its fake numbers why are they going up. like why do things that stay the exact same go up in price. dumb as fuck

[prickly-paprikash]

Pushing aside the fact that I am, quite possibly, a Kendrick fan—disregarding my biases, I think Drake needs to stop. Push Ups was a good diss. Surface level, vapid, but it possessed that mean, petty spirit that carries a diss track all the way. Even bringing up accusations that are, realistically speaking, unlikely still works because a diss is supposed to show just how much you hate a person and how cleverly you can bring it.

Taylor Made was weird. I get that it was a strategy. Drop the main diss first and then drop this one to really prod at Kendrick. Using Pac and Snoop AI voices sucks though. Distilling Kendrick as Taylor's underling also doesn't work because Kendrick only collaborated with her once (twice when they remade Bad Blood) and that's it. Meanwhile Drake is out here always looking for new, up and coming artists to pounce on their trends or cling to established artists. Then it got taken down, because of course it would have been. You used 2Pac's voice. Did you really think his estate, his family, wouldn't do anything?

So he bought Pac's ring and used his voice without permission. More and more we see just how much of a vulture Drake is.

And then Euphoria drops.

Your first diss was met with solid reactions. Your second got taken down. Kendrick drops on a random hot Tuesday, and in a matter of hours surpasses your numbers that took weeks to accumulate. Kendrick did that. Euphoria was also harsh, clever, and sounded so good that people kept replaying it over and over again. Once more, Kendrick schools you.

A few insiders then say that Drake will drop that night. Right after. But he then allegedly gets cold feet. A few hours later from when Drake was supposedly ready to drop but backs out, Kendrick drops 6:16 in LA.

In your previous disses, you begged Kendrick to drop something with quintuple entendres. Euphoria did that. But he took it a step further by naming his second diss 6:16 in LA.

June 16: Father's day. Referencing the fact that Drake has been proven to be a deadbeat father.

June 16, 1971: Tupac's Birthday. Kendrick idolizes him. Drake steals from him.

June 16, 2019: First episode of Euphoria drops. A show Drake is listed as a producer on. A show about underage girls entering a life of sex, substance abuse, and more. Things that Drake has been accused of repeatedly in the past.

June 16, 2011: in June 2, 2011, Kendrick posted on his twitter that there will be a concert at Toronto on 6/16. Allegedly this is where Drake and Kendrick first met.

6:16 AM: The time of release for this track.

6:16: Multiple possible Bible verses, given Kendrick's Christian background.

Other claims felt like reaches though, so I'll stick to that.

The final two lines of 6:16 also reference the Michael Jackson, R. Kelly, and their song "You Are Not Alone". Drake, who has always claimed he is Michael Jackson or at the very least his equal/successor, is now tied to him in a way he does not want. Because we know all of the dirt that came out after MJ's death. We all know what R. Kelly was sent to prison for. And we all know what Drake has been accused of multiple times.

Kendrick also alludes to the fact that you have a leak in your circle, Drake.

So Drake drops Family Matters. A scathing 7 minute song that makes fun of the GKMC van. Saying that Kendrick's daughter isn't his. Saying that his wife cheats on him with security. Saying that he beats his wife.

Now, these are enormous accusations levied. But Kendrick has responded before, years ago, that the DV accusations were false. He has also always been open about his faults. Adultery. Sex addiction. Insecurity. God complex. Kendrick, for better or worse, has always laid out nearly every aspect of his younger life on his songs. This also helped by the fact that in both Euphoria and 6:16, Kendrick says that Drake has spent millions on finding dirt on him but came up with nothing. Again, these accusations can still be proven true and if so, Kendrick needs to be held accountable for them.

But if not? Then Drake just adds another to the pile of "He's a liar and a master manipulator."

Drake also posts a Parody on his Insta that gains little to no attention because 30 minutes after dropping Family Matters and supposedly going on his victory lap, Kendrick drops meet the grahams.

Another thing. 6:16's cover was a glove. That meant nothing to us, the audience. meet the grahams makes it make sense by zooming out of the glove and showing off a shirt and drugs that Drake supposedly uses. Drake has not had any receipts with his accusations against Kendrick. Kendrick puts Drake's supposed prescription, his full name, on a bottle of Ozempic. Kendrick, for now, seems to make good on his threat. OvO, Drake's company, is full of leaks. And they're leaking it straight to Kendrick Lamar.

Nearly 24 hours later, Kendrick drops Not Like Us.

Euphoria was a general character dissection and assassination of Drake: Insecure about his identity as a biracial man. Culture Vulture. Blaccent user. Code switcher. Fake abs. Womanizer. Misogynist. Using black features just to feel black enough. A deadbeat dad that knows nothing of raising a child. And even revokes Drake's ability to use the N-Word (I have no stake in that I am Asian so I will keep my brown mouth shut for that).

6:16 in LA was an ominous threat that slowly reveals that Kendrick has insider information on Drake. That he is ready to leak so much more should Drake continue.

meet the grahams is a brutal open letter to Drake, his parents, and even to Adonis, Drake's son. Saying that Kendrick could be a better mentor to Adonis. Saying that Drake abandoned you and that's not your fault. Don't be like your father—whatever anyone says, for better or worse, you are a black man and don't code switch just to make yourself feel better. He says that Drake failed his mother for what he did to women. Saying that Drake's father is the cause of his gambling issues. Drake is a body shamer. Leaving the mother of his children to rot. And of course, the reveal that Drake has a secret daughter, the same way Pusha T revealed Drake has a son. Adonis.

And of course, now. Not Like Us. Where Kendrick goes all in on one topic that he has alluded to in every diss track before. Drake is a groomer. A pedophile.

I am sick. I should not be tuning into this beef. But my fever can go ahead and end me, I need to know how this ends.

[mxdotpng]

i want to think abt my twinswap more but every time i try to the only mental image i get before laughing is asch chewing at the manor's walls with guy pulling at his coat & luke and sync telling each other to throw themselves out a window while van pulls them along on a leash. like disbehaving children.

[xenodile]

"Shuro loves Falin for the same reasons he hates Laios" Completely and utterly wrong, could not be further off base.

I get the impression a lot of people watching Dungeon Meshi as it airs, or are a bit removed from its original manga run, have forgotten that Laios and Falin being monster freaks wasn't actually apparent until the events of the story. The only person that knew Falin loved monsters as much as Laios was Marcille because they were best friends at school.

Once Laios and Falin were in an adventuring party together, they both had public facing personas because they had both learned through their separate upbringings that being super interested in monsters and dungeons wasn't normal. Laios is the blunt but well meaning, outspoken and opinionated guy we all know, but Falin was way more withdrawn and soft-spoken, non-confrontational, easy to get along with. Everyone that interacted with Falin would say she's a sweet, gentle girl that everyone likes. Because she was, frankly, kind of a doormat.

The whole thing with Toshiro's infatuation with Falin is he doesn't actually know her. She is outwardly very polite and reserved, and that appeals to Toshiro because it meshes with his cultural sensibilities and how he was taught people are supposed to behave. Then he sees her marveling at a caterpillar in a private moment and decides on the spot that she's the ideal woman and proposes without actually talking to or getting to know her.

And his lack of understanding of Falin as a person is brought to the forefront in every action he takes after she gets eaten. He leaves the party and makes no attempt to contact the two people that Falin loves the most. Whether it's a matter of him just not knowing how much Falin cares about her brother and Marcille, or actively avoiding Laios to rescue Falin himself, he's demonstrating that he doesn't actually know what's important to her or understand how she feels.

Then when he meets Laios's party on the lower floors and they go over what happened, it's made even more blatant that Toshiro's affection is shallow and half-baked. He came into the dungeon a week too late and neglected his health the whole way down, so he was in no state to actually try and save Falin when he got there. When Laios talks about eating monsters, something Falin was thrilled about, Toshiro is disgusted. He threatens to kill Laios and turn Marcille in, which would never fly with Falin. His anger at the use of black magic is entirely based in his selfish idea of Falin being tainted and blaming Laios and Marcille for "ruining" his attempt to rescue her, as Kabru points out that Toshiro would have done the exact same thing in their shoes and that he's being a hypocrite. To say nothing of how he'd rather kill Falin after she's been transformed and "put her to rest" rather than put any effort into saving her, because that would require further involvement from Laios and Marcille and methods that Toshiro doesn't approve of.

And there's the fight he has with Laios, and Toshiro's subsequent confession that he had hoped to just take Falin home with him. He at no point gives consideration to what Falin feels or what she might want, only what he has decided about her based on the most surface level observation. Just like how his problem with Laios arises from his refusal to just talk to him about his boundaries, he has no actual connection with the woman he claims to love because he just wouldn't actually talk to her.

Like it's not a coincidence that every time his attraction to Falin is brought up, another character goes "yeah he's being weird about it".

[ivysangel]

surprise post bc my blogs fixed woo hoo!! i initially sent this as an ask to @hanasnx as my contribution to his baby daddy!jason au, but i also wanted to share it here for u guys as a little treat :p

Baby Daddy!Jason, who you co-parent with, in a very civilized way. No joke, the picture of camaraderie between exes. He takes your daughter on the days he's supposed to (which isn't that often, given his occupation) and brings her back on time, always with a little gift for you as well. Flowers, chocolates, a little knick-knack reminiscent of when you were together. It's not because he's in love with you or anything; it's just the principle of the matter. "Happy wife, happy life," not that you were married or even dating, but he figures the mother of his child should get love sometimes.

Baby Daddy!Jason, who, the next time he sees you, it's to drop off something your daughter forgot with him, and as he's handing you the bag, he casually asks why you haven't been asking him to take her more often. You had been for a while when you were going on dates weekly, but for some reason, the relationships never went anywhere, so you just gave up. "Oh, you know, it just wasn't working out." you say off-handedly, "Kept getting ghosted." you sound only marginally disappointed, moreso annoyed. "What a shame, they're really missing out," he says, getting real close to you and taking up your entire field of vision.

Baby Daddy!Jason, who's got your entire calendar memorized and knows that his daughter's not home tonight and that you've got no plans other than watching movies in solitude. He knows you're too stubborn to call him over for company even though you've been giving him fuck me eyes in passing for the past few months, so he figures he just has to take matters into his own hands and corner you until you give in like he knows you want to.

Baby Daddy!Jason, who fucks you on damn near every surface in the house, telling you he's just christening the place like he would've already done if you lived together. Whispers apologies in your ears about scaring off all of your dates while he's splitting you open, bullying his cock into you while your eyes roll to the back of your head because you haven't been fucked this good in years, not since the last time you'd been with him. You're face is deep in some pillows when you realize the memories you had of his dick pale in comparison to the real thing, and you aren't sure you could go back to using your imagination to get off after tonight.

Baby Daddy!Jason, who keeps you up all night until your pussy's red and puffy from how many times it'd come in contact with his hips while he was fucking you. Fat tip kissing your cervix until you were clawing at his biceps, begging him to give you some reprieve, tears in your eyes while you babbled incoherently, too lost in the feeling of him to make any sense. He admits in the midst of sex that he tried to get over you; he really did, but he just couldn't; he just couldn't picture you with another man in any capacity. The thought of someone else touching you, fucking you, loving you, made his stomach turn, filling him with rage and an overwhelming need to claim you as his.

Baby Daddy!Jason, who's a level-headed, non-fragile ego'd man until it comes to his family, which, contrary to what some would say, did not only consist of his daughter but you too, and any guy who tried to get with you was a threat. he didn't know the intentions of other men, but he knew his own, which was to keep his little family happy as long as he was alive. If that meant putting a gun to the head of anyone who made a move on you and consoling you by stretching you out the way he knew you liked until you just said "fuck it" and let him put another baby in you, then so be it.

[jibunbosh]

Mesmerizer is a satire of TikTok, YouTube Shorts, and the rest of the modern short-form vertical video format

A brief thematic analysis.

I'm sure there are countless people already interpreting the imagery and details in this wonderful song & MV, like here and here, so I won't spend too much time retreading that ground. Miku and Teto are dancing. Miku gets hypnotized. Teto signals for help, but gets hypnotized at the end as well.

That part is obvious enough, but that's still pretty surface-level. What is this seemingly hyperspatial horror scenario supposed to mean to us?

While checking to see if anyone before me's already come to the same conclusions as I did and if I should bother not writing this text post at all (lol), I came across udin's great analysis video. She comes to the conclusion that the song tackles themes of disillusionment with reality and the ways we indulge in escapism to relieve ourselves of the pains of the world.

I agree with that reading! From practically the very beginning, we have Miku call to us - the viewer - to push away our true feelings. Teto comes in to peddle a solution, inviting us to surrender and empty our minds - in her words, "pretending to know nothing."

You, the viewer, are a critical character in this masquerade. For nearly the entire video, Miku and Teto's eyes are unfailingly trained on you. Or, well... perhaps they can't actually see you, but they can see a camera, or whatever other aperture the point of view is supposed to be from. And they know they're being watched. (Who else would Teto be sending distress signals to?)

Let's put a pin on that for later.

udin notes very early on that Miku and Teto are, conspicuously, kept in vertical frames - very similar to the video formats of TikTok (and Instagram Reels, and YouTube Shorts, and whatever other clones of the format exist.) You know, just like the animator Caststation's Rabbit Hole fan MV that went viral some months ago.

Hey wouldn't it be crazy if the song's producer, 32ki, released Mesmerizer shorts too haha. Wouldn't that be crazy.

Wow, wild.

These short-term vertical videos are captivating & alluring. If you're reading this, it's more likely than not that you've also found yourself caught up in them at least once, scrolling through the infinite algorithmic slurry and forgetting about the real-life issues you have at hand. Would you say, then, that you felt hypnotized? Mesmerized, even?

And so these two invite us to join their world and focus on the... uh... rectangle.

Their dances are repetitive, following the same loop. Their outfits are distinct, but their choreography isn't. They're copying the same formula, repeating it ad nauseam to the best of their ability.

They're doing a fucking TikTok dance.

Back to the pin I told you about earlier, with Miku and Teto looking at a camera.

Miku sways with the camera, eyes looking directly at it like a swinging pocket watch. She's been looking at it the entire time, after all. We've been seeing her via our screen this entire time, but, again, she doesn't necessarily see us. She's beholden to the camera, which she dances for day after day, caught up in its spell. She's hypnotized by it. Eventually, she breaks.

Teto, on the other hand, resists. For a while, anyway.

Despite her being the one jumping to us with the "solution" at the beginning of the MV, there's very quickly good reason to question how much agency she has in this. She dances for the camera as well, but she doesn't want to. She's signalling for help. She wants out.

Many content creators (as much as I personally loathe the non-specificity and soullessness of the term) have struggled with the adaptation to the short-form video format, and the preference the algorithm has had for these captivating, bite-sized videos. They're catchy, and easily drive up metrics. Practically anyone who's publishing their work via video format online needs to learn to adapt or fall behind, even if that means whittling their content down to fit the frame, the time, and people's shortening attention spans. Sometimes, that means compromising on specificity and completeness... or, in other words, the true representation of a full work.

The song's writer, 32ki, has been releasing songs on YouTube for several years. Their first YouTube Short, however, was posted only a year ago: a short, whittled-down segment of their previous song, CIRCUS PANIC!!!, hoping for it to win the ProsekaNEXT song contest. It was their first song to achieve widespread popularity and hit a million views.

The shorts, however, aren't the "true" versions of the song. The full song just won't fit.

We're being mesmerized as consumers of this endless stream of content, rather than appreciators of music and art. However, that relationship isn't completely symmetrical across the plane that is the 4th wall. Miku and Teto are trapped not by their attention spans, but by a compulsion to project their "truthful acting" and peddle that window into a colorful, problem-free world.

We, as the collective audience, need not dwell on any one thing for too long - we need only swipe, and move on to the next video. However, Miku and Teto are trapped behind the screen for eternity, day after day.

They're the only characters we get to see, of course. There's no evil 3rd voice synth character that's plotting to keep them trapped in there. We can't put a face to whatever force is hypnotizing them and trapping them behind the screen. It's faceless - like the inscrutable algorithms of YouTube recommendations or the TikTok For You page, or the impersonal corporations that develop & maintain those aforementioned apps. Miku and Teto's likenesses, on the other hand, are being exploited and extracted from for their entertainment value, being strung along by that metaphorical hypnotizing force like puppets on a string.

Many people, represented by Miku, enjoy their success on such platforms. It's freeing and liberating to throw oneself wholeheartedly into such an endeavor, of course! Others, represented by Teto, harbor their doubts of the emotional veracity of such a medium, but know they have little choice lest they face destruction... perhaps not literally as a person, but as an idea.

Wouldn't it be easier just to let oneself be swept away by it and give in?

[astroterf-ed]

[resigned to reality but still in disbelief] girl there is no way I'm paying tuition only to teach myself.

[ddejavvu]

Animangus reader x Remus where she is a cat and while he sits in the common room asleep on his lap while he readers and Sirius comes in and stops the cat immediately with a "what is that?" In disgust. When Remus responds "a cat?" Padfoot is immediately barking at her and she startals awake digging her nails into Remus before she jumps on top of a book shelf and transforms back and I stuck up there throwing a book at Sirius.

Sirius Black's voice is, perhaps, never melodic, but it's far more grating than usual today when the man stops dead in the doorway and demands to know, "What is that?"

Remus glances up at him, then down to his lap where Sirius's eyes are locked, finding only your little cat form curled up and dozing.

"A cat." Remus blinks, uninterested until he realizes that his explanation hadn't been enough to de-escalate Sirius. Apparently, he should have notified him that you are not just a cat, but that you are, in fact, his girlfriend. Sirius isn't aware of your animagus abilities yet, and before Remus can stop him, he's transforming into his own animal counterpart.

"Sirius, no-!" Remus tries, but it's too late. He finds that dogs' paws are far less gentle and comforting than cats' paws are, only when there are four of them jabbing into his thighs and torso as Sirius vaults into his lap. Fortunately, you'd escaped the dog's snapping maw, but you'd startled awake with a yelp and jumped onto the bookcase behind Remus's head, which means that you're now sleep-deprived, terrified, and stuck.

"Pads," Remus sighs despondently as the dog braces his front two paws on Remus's shoulder to bark up at you. Your back is arched and you're yowling down at Sirius, until you manage to scramble to the top of the bookshelf and find yourself on a steady surface. You have space to transform back now, and you do so while perched precariously atop the bookshelf, eyes just as sharp and unnerving as they were in your cat form when you glare at Sirius.

"You stupid mutt," You accuse, "I just wanted to nap!"

Now Remus has a lapful of Sirius, fur giving way to pale skin and messy black locks. He glares rather unimpressed at his best friend, but Sirius pays him no mind, gaping up at you where you balance on the top of the bookshelf.

"You're an animagus!" He realizes, and you scoff at his inspiring observational skills.

"Well done, Sirius" You sneer, "I didn't know becoming a dog animagus meant you'd retain the same intelligence level even as a human."

"Dogs are very smart," Sirius muses, unphased, "I didn't know you were an animagus!"

"That's because you were too busy collecting sticks beneath your bed," Remus grumbles, pushing at Sirius's chest, "Come on, Pads, off."

"Alright, alright," Sirius whines, pitching himself rather dramatically off of Remus's lap and offering a hand to you where you're still balanced on the bookshelf, "Here, Y/N, jump off this way."

"Absolutely not!" You vow, then with a whirl of limbs and fur, reside in a cat's body once more. Sirius watches as you bat a paw at his outstretched hand, then leap gracefully back into Remus's lap, hissing warningly at him before curling up once more to doze.

"Prissy," Sirius scoffs, and Remus juts out a gentle hand to stroke along your back when you look like you might leap at him. You're placated enough, for the time being, and Sirius stalks away to busy himself with something, hopefully homework but probably his aforementioned stick collection.

"Well I suppose the cat's out of the bag now," Remus muses, a sound between a laugh and a grunt managing to escape his lips when you dig your claws into his jeans at the poor joke, "Alright! Alright, sorry. But don't let him bother you, darling, okay?" Remus strokes a finger between your ears and grins when they twitch, "He's just a dumb dog."