#and that last one was for specific plot reasons

[awkwardposter]

If no one minds, I had an idea to add on to this, namely adding in some characters based on "portal fantasy" (or the kinds of stories which isekai is a subgenre of); the difference between these characters and the "Evil Spirits" is that they arrived by way of a magic portal (as the trope name implies), and as such, they weren't killed and reborn into the setting and lack the isekai-typical "reborn in another world powers/hacks/whatever" as a result. These characters would mainly serve to add a few layers of grey to the conflict, as many of them were brought to the setting by no fault of their own (such as stumbling across a portal or being summoned by mistake) and just want to go home or otherwise aren't going out of their way to cause harm.

For some possible examples (ranging from public domain stories to ones modeled after specific characters/works):

A version of Alice from Alice's Adventures in Wonderland.

A Samurai Jack-expy who got banished here instead of the distant future by a shapeshifting demon lord.

Expies of Mario & Luigi who happened to be brought over by a plumbing mishap (as depicted in 1980's/1990's tie-in material and the 2023 film).

An expy of Kirby who flew into a portal that appeared in their home reality with the intent of saving their abducted friends (a la Kirby and The Forgotten Land).

While the first 3 examples would more or less be there to provide contrast to the "Evil Spirits" and add opportunities for character development for the heroine and her allies, that last one could potentially become a problem for everyone involved for two key reasons. First is that (owing to this character's inspiration) their friendly, trusting and childlike nature could lead to them being manipulated into serving an "Evil Spirit" if such an individual were able to convincingly feign friendliness (or at least paint the heroine as being the "villain" of the situation). More importantly, powers that were treated as simple facts-of-life or even comedic in their native world would be nothing short of catastrophic in this one; these range from having a black hole for a stomach, being nearly indestructible, rapidly healing upon eating any sort of food, and the whole "devouring other creatures/people/inanimate objects and gaining their powers/attributes in the process" bit.

Basically, the Kirby-expy would be akin to a living weapon of mass destruction who happens to have the mind and personality of a small child, and there could be a story arc in which the heroine has to find a way to send them back to their own world or otherwise remove them from the conflict because "no one should have this kind of power at their disposal." (For out of universe reasons, it's because having a Kirby-esque character running around unimpeded would completely derail the plot.)

Idea for a new anime series: Isekai Hunter

The first episode starts out as a normal isekai anime, some loser with no discernable personality gets reincarnated to what he thinks is Generic Fantasy Land and starts with all the standard Isekai tropes, including the hyper-competent hottie who fawns over him for no reason.

But, midway through the episode, the hot girl assassinates him, and it's revealed that she's a part of an elite group of warriors who hunt down and kill "Evil Spirits" (people who've been isekaied), because every time one shows up and is left unchecked they act like, well, loser nerds who suddenly got superpowers.

The girl is the main character, and she works with her organization to figure out why these guys keep showing up and take them out when they do. It's hard because they regularly have to assassinate high ranking nobles and sometimes even royalty who get possessed by isekai people.

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[catsushinyakajima]

arcane s2 act 3 spoilers below the cut

I think Jinx is alive. To be specific, I think Powder is alive.

In one of the very last scenes, we see a glimpse of someone who STRONGLY resembles Powder from the alternate universe as people are performing funeral rites. It could be some random jinxer, but Riot Games is never one for coincidences.

I have more backing than this. In the last scene of s2 ep7, we see Powder opening the drawer of hextech. Now sure she could use it for general technological purposes now that they've experimented with it, but you know what else she could use it for? Time/space travel.

Why would Powder want to travel through time and space? More specifically, why would she want to travel to where our Ekko is going? Because Vi is alive in our universe.

Powder knows that. At the tree, our Ekko talked about how Vi was alive in his "dream". And Powder would've believed that it was just a dream, except for the fact that she saw our universe's Ekko. She's smart. She understood that he had truly been from somewhere else. Somewhere else where Vi is alive.

Additionally, everyone was telling Powder about how she has so much potential and that there's more to her life than this fixed position. That she should explore more things. It could be simple sentiment, but Riot Games is not one for meaningless sentimental dialogue. Everything impacts the plot. Powder travelling to our universe could be her doing more with her life.

Every dead end I had about this has some explanation. Ekko took the time machine with him! This would've been an issue except Powder opened the drawer of hextech stones, which she can use to build her own one. Powder has everything she needs in this universe! Wrong, Vi is dead.

Riot Games never does anything for no reason. Everything furthers the plot. No details are random or just like that. Vi being dead in their utopian universe shows no significance or parallel to the plot line before. But it serves as motive for Powder to travel to our universe. Similarly, Powder seeing our Ekko isn't random either. She needed to know that that universe exists in order to chase after it.

Some people are saying that Jinx, our Jinx, survived the massive explosion with Vander. I think there's substance to that theory but not quite as much as this theory. It would be very cool if both were alive and in the same universe. We'll just have to see what the next show depicts.

[pissgoblin973]

also;

these are my thoughts on the specific plot threads you feel were neglected — again, i’m not hating or anything. for the most part i agree with your stance on the pacing feeling off, i’m just putting in my two cents.

1. a lot came out of jinx being the face of the revolution actually..? i get the feeling of wanting more but it wasn’t a throwaway plot point for nothing. in times of crisis and oppression under the rule of the kirraman/noxus alliance jinxers looked to jinx as a symbol of hope. she was the image of their rebellion, the undercity was forming factions yes, but for a reason greater than themselves - no more petty squabbles, the enemy is topside. jinx whether intentional or not, made them realise that.

2. ekko needed to save his tree was the catalyst and a necessary step to him encountering the wild rune in order to save the world. if not for his tree dying, ekko would have no reason to step foot in piltover seeking help from jayce of all people. this decision is deliberate. ekko is as responsible for everything happening as jayce is, he is little man — he sent them on that job, he knew jayce as “the boy who didn’t haggle”. i don’t believe that decision was by mistake. this is further confirmed in the alternate reality where jayce and vi are dead, hextech ceases to exist, zaun appears to be independent or at the very least civil with piltover. to save his community he needed to take that leap, and leave a few people behind.

3. ehh, an exploration of vi’s trauma would be nice? but vi isn’t that kind of character. she’s closed off, a fighter, always on guard. not as weathered down as jinx who constantly expresses her internal battle with herself or caitlyn who masks her pain in the facade of control. there’s sprinkles of her trauma throughout the show in both seasons but an entire segment dedicated to it seems like a bold/risky decision from a writers perspective. her relationships with others is what makes her who she is, without them she is nothing/stagnant. she needs people to protect/keep alive or else she’s not living up to her promise — vander’s last wish.

^ also like, eldest daughter syndrome go brrr

4. caitlyn does realise the error of her ways, again it’s in small tidbits and hidden in the details. she doesn’t just “get with vi” because she wants to, there are moments where you see the gears in her brain turning and she looks uncomfortable or conflicted about what’s happening. sure it’s not explicit and doesn’t take up space in the grand scheme of things, which is what i think you wanted more of. but i promise you it’s there.

5. sevika got done dirty and also not at the same time? she was the character i wish we squeezed more out of. thematically speaking, her journey from henchman to a leader and the face of zaun makes sense and is absolutely perfect in every conceivable way. she evidence of the “old” zaun, one that relied on loyalty, she was there during the revolution, during silco’s takedown and his inevitable fall (sorta). i just wish she found out that jinx killed him so we could see how she would process that. but she deserves to be at that table. i wish we got to see more but i don’t think it’s by mistake either, there’s so much to explore with her, who knows?

Arcane Season 2 ‘s pacing is atrocious and nothing is ever properly followed up. Jinx being the face of Zaun’s revolution? Nothing comes out of it. Ekko trying to find a way to save his community from the Hextech infection and learn more about his efforts of saving Zaun? Dropped and he is absent from Act 2 until reappearing in Act 3. An exploration of Vi’s trauma? Unexplored to focus on her relationship with Caitlyn and Jinx. Caitlyn realizing the error of her ways? Skipped over so she can get with Vi. Viktor’s journey to becoming the Machine Herald out of his own choice? Sped over with Singed doing it for him. Sevika leading Zaun? Skipped over until the end where she is now a council member representing Zaun. Mel got a proper solo arc but her screentime was limited.

[physalian]

Wicked (part 1) was a solid adaptation

Saw Wicked last night. Only seen the musical once and for a movie longer than both halves of the original combined, the extra added minutes aren’t wasted. I can't exactly praise a movie for storytelling when its legwork was done near beat-for-beat already in the musical, and in the original book, but if you haven't or won't see anything except this film: Yes, it has a very good story.

But I want to talk about what I think is the best example of a “maybe they weren’t so terrible after all” villain redemption retcon, of which Elphaba is kind of the poster child of this whole trend. Why she works, and why something like Cruella did not. Not specific to this version at all.

Quick synopsis: Wicked is an alternate telling of the events before The Wizard of Oz, the backstory of the Good Witch Glinda and the Wicked Witch of The West. It is not the story of how good triumphed over evil, how Elphaba devolved or perhaps was always mean and nasty and underdog Glinda saved the day.

Instead, it’s a deeply political (and whoo boy is it relevant today) smear campaign against the disenfranchised and the minority population of Oz—the talking animals. Elphaba is the underdog, an up-and-coming bright-eyed sorceress taken under the wing of her magic school’s legendary professor, with hopes to one day meet the Great Wizard of Oz. There she meets mean-girl Galinda and for about half a classic mean-girl storyline, the two are enemies. Galinda makes amends, the two become friends, and they go together to Oz to meet the Wizard…

Who is an even worse man behind the curtain than in the ‘39 movie, a charlatan and a fraud, who, when Elphaba refuses to let him abuse her magic to scapegoat the talking animal community, launches said smear campaign, turning Elphaba into a pariah. Galinda (now Glinda) stays behind as the events of Wizard of Oz play out, using her socio-political savviness to help Elphaba where she can. Oh, and the melting? Well, the Wizard isn’t the only master of illusions.

—

The ingredients are all there for a ridiculously base “girl boss” plot about this OP Mary Sue who just will not get taken seriously by the ugh “men” around her (and this is absolutely a feminist storyline screaming high notes from the rooftops) until she shows them all they’re idiots and fools and she’s amazing. The bullying classmates, Glinda’s narcissism, Elphaba’s unprecedented raw power with magic.

Except it has the one thing so many recent “girl boss” movies don’t: You like Elphaba and she’s not perfect, and, you like Glinda (eventually). She’s not arrogant and flawless. She’s introverted and can come off as rude and unfriendly but she just lacks foundational relationships to help her socialize, and in the face of the shallow dipshits at her school, she has every reason to be rude and unfriendly.

Glinda, too, is naïve, but not cruel, save for one moment where she immediately owns up to it once she realizes how badly she screwed up, risking the thing she cares about most—her reputation and popularity and likability—to help a girl who selflessly gave her the other thing she cares about most: The chance to also become a sorceress.

But most importantly: Elphaba is a victim, not the architect of so much of this story. Mary Sues do everything right without any effort, they don’t struggle, they don’t overcome any fears or prejudice or limitations. Elphaba isn’t the one loudly and proudly demanding an audience with the Wizard. She isn’t going around praising herself and her abilities. She has a lot of power, but never learned how to use it, and she doesn’t luck into her story, she’s explicitly, strategically manipulated into her role.

She'd be more of a Mary Sue if the Wizard's offer was genuine and he was actually a good person, then she really would have lucked her way into fortune by virtue of being inexplicably adept at magic. But she's not, and he's not.

The story manages to build her up without dragging everyone else down. Nor does she "turn evil" because the Wizard doesn't respect her for being green, or a woman, he doesn't give a shit, he just wants what she can do for him. She "turns evil" because they have deeply different philosophies and he's standing in her way and she has no other choice but to flee and become a fugitive. She chooses this, the Wizard doesn't kick her out.

But even before that, Elphaba does become popular, her shallow classmates do start to like her (disproving any notion about how the world will hate her no matter what she does, so fuck ‘em), Glinda does actually have a heart and she is smart, just in a very different school of thought from Elphaba. The influence of the Wizard is just so strong that of course they’re going to believe his lies.

It’s not a story about how “this villain was actually the victim of a Tragic Backstory and you should feel bad for them because it’s even sadder than the hero’s” it’s “this villain was actually the victim of a smear campaign, and the heroes are still heroes, but here’s the other side of who they were fighting”.

But it also works because of the story that it is. Ignoring the actual Oz books (and there are many of them): Precedent already exists in the ‘39 movie—the Wizard is already revealed to be a charlatan. Wicked doesn’t rip up the old script, tell you you’re wrong, and then plop in a whole new story that fucks the continuity. Nor does it ask you to change your mind about a villain who doesn’t really deserve redemption in the first place, like, say, one who skins puppies to wear their fur. Instead, it digs into the fissures that were already there and pulls up the rocks to reveal what’s underneath.

And, Elphaba knows she’s going to be seen as a villain, but she’s not happily engaging in “villainy”. She’s doing what she thinks is right, something the audience should agree with, and is choosing to become a pariah to get her way. She never becomes a “villain”, just the antagonist to the hero’s journey, and I don’t remember the ’39 movie perfectly, but “this little rat from another world dropped a house on my sister and is on her way to kill me, too” would make one justifiably upset.

But overall, it’s just a story with layers and nuance that’s sorely missing in its contemporaries, and, like I said, deeply political without strawmanning either side (wellllllllll...). And, it respects the source material.

I also don’t remember the first Maleficent that well, but I think that also did a good job? Back when the live-action remakes weren’t all hot garbage.

So. Yeah. You want to write a powerful female character very explicitly being a feminist icon (and the consequences that come with it)? Elphaba is the perfect example.

[vultures-and-scavengers]

no, i am a huge sucker for 'aloof character learns to lean on others and makes it through trials via the power of love and friendship and really supportive hugs' actually.

that, and enemies to lovers. she is orlesian, after all.

[the-oracle-of-the-lost]

lower decks is the best star trek show. i'm not taking constructive criticism at this time

[kushanna]

i hate this type of red truth cause it's not specified whether the red sentence by itself is a truth for the murder we're talking about atm or for the game board as a whole. genji and nanjo were not killers? if you're telling me they can't be killers at all in the first game board then that's a huge bummer for me

also hate this one cause yeah?? does she guarantee that the unidentified corpses are actually corpses though?? i do understand that yes, since she did say "there were no body double tricks", but GOD that's such a ridiculous play with words. get out of here

[bluejaybytes]

@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO

Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later

So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.

The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something! ...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.

And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that

Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.

I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.

When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3

And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3

[titsthedamnseason]

.

[sunnami]

❝watch me, don't touch me, love me, don't hurt me.❞

[title is from ive's accendio. gif not mine.] summary. you are the fop of the wizarding society, known for your shallowness and careless display of wealth, but as hogwarts faces another threat, the marauders and lily, find themselves drawn to you and the secrets hidden under your facade. (harry just wants to know what is going on.)

pairing/s. marauders x reader. (james potter/lily evans/remus lupin/sirius black/reader.)

wc. 24.1k.

tags. enemies to lovers, angst, hurt but the comfort is later, fluff(ish), i try slow burn for the first time (it hurts.), this is highly self-indulgent idgaf, set during goblet of fire but i decide what goes, voldemort isn't the only character who can revive from the dead, BITCH. OH, LMAO I FORGOT, THIS IS FOR THE DILF AND MILF LOVERS SDKJFHSF they're married, but remus and sirius keep their name for legal and plot reasons. adult marauders and adult reader! and i was careful this time to not use any specific pronouns or gendered terms so everyone can enjoy the pain!! every1 is hurting 2nite. proofread kind of, so we die like. . . harry potter?

cws. here we go... canon-typical violence, vivid description of injuries, pain, and blood, emotional abuse, trauma, self-destructive tendencies, minor character death (non-canon), pureblood society practices, voldemort is his own warning, brief mention of war, brief scene with abducted children, panic attacks, depictions of mental illness, suic!dal thoughts, bellatrix lestrange is also her own warning, morally-grey reader.

a/n: this is inspired by my most favorite finnick odair fic EVER! obviously, i won't ever reach that level of greatness, but i've had this idea in my head ever since i read that story. sometimes, i just want to cry at night to feel something, LMFAO. halfway through writing this story, i got insecure, so thank you to this eye-opening comment on reddit that i found that will forever change how i look at reader inserts: “for me, a reader should be faceless, but not soulless.”

to my dearest friends and readers, i hope you enjoy this world that i've written for you ueueue. (the next and final part is fluffier, i promise.) will upload to ao3 soon!

act i. dear god, please save the little man.

“RITA, DARLING, do get your wretched little quill for this one. I heard from a wee birdie that Vittoria Zabini was spotted in Rome, and not just wearing last season’s designer collection, but on her honeymoon, of all things! Can you believe it, dearest? If I remember correctly, this must be husband number five now.”

Like a wingless canary in a gilded cage, you are forced once again to sing for red-lipped witches and their grating laughter, and for wizards with their fat bellies, graying hair, and leering eyes. How kind of Narcissa Malfoy to host these decrepit creatures in her manor garden—and thrust the role of main attraction onto you. There you are, lonesome badger, dressed in the finest tulle for everyone to ogle at. A ballerina in a music box, turning, and turning, and turning.

(When will your cursed lullaby finally end?)

Isadora Bulstrode cackles. “Gold-digging wench must be at it again.”

As predicted, Rita Skeeter greedily whips out her Quick-Quotes Quill. The bloodthirsty journalist preys hungrily at your every word—and you’re more than willing to satiate the irritable, little pest. “Riveting.” She pushes her glasses upwards with a quirk of her lips. “We may have tomorrow’s front page in our hands.” 

Lavinia Nott brings the teacup to her mouth, her gaze slicing towards you. “Do tell us more. Where ever do you get your information from?”

You hide a coy smile behind the fine porcelain. “Why, Lavinia dearest, if I reveal my secret now, I might have to kill you!” The drove of ladies giggle amongst themselves as Lavinia sips her tea impassively. You play these people like a fiddle, and they’re none the wiser. But even vile women have to play their parts in the cruel world forged by mad men. Yours happens to be the most ill-fated of them all. 

“A shame you decided not to pursue the same path as your mother, but that is alright—not every one is fit to work.” The Selwyn matron raises her brow, offering you a tight-lipped smirk.

“Oh, Elinor, my love, I’m surprised you’d even suggest such a horrible thing!” Your grin grows wicked and wider. You know perfectly what the wizarding society thinks of you: the orphaned heir, the shallow socialite who only cares for gallivanting about in pureblooded extravaganzas. A status you’ve so carefully fashioned; utterly beloved and adored by these people, flowers falling at your feet with so much as a whisper from your lips. 

Your gaze drifts to a familiar crowd of people to the side. It’s the pack of lions and The-Boy-Who-Lived. There they are, the marauding bunch and their displays of loyalty and whatnot; hideously coordinated outfits, but capturing the world’s attention constantly and effortlessly. 

How repulsive.

In spite of that, you are intrigued. They are the section that plays out of tune in the orchestra you have been conducting for years.

And so you bid your goodbyes to the witches; they fawn and beg for you to stay for an hour more. You pout your lips and say with faux sympathy, hand flying to your chest.  “Oh, don’t worry, my dears! I’ll be back soon enough after greeting some of the other guests. You lovely ladies might tire of me if I stay for too long.”

Melina Traverse brushes you off. “We could never! You know you’re like family to us, pet!”

With a delighted gasp, you say, “Don’t tell Narcissa, but you’ve always been my favorite Slytherin.” The venom flows endlessly from your lips. You owe your life to only a handful of people. Narcissa Malfoy, who raised you when your mother no longer could, is one of them. Finally, you’re able to sneak away from their freshly manicured talons as they tittle-tattle amongst themselves.

Once your back is turned to the rest of them, you roll your eyes until your head begins hurting. 

What a bunch of insufferable fools. 

Still, the show curtains are wide open and the sun is yet to set. You have another audience that is awaiting your next number. 

“Oh, my, my, my! Is it truly the Chosen One in our midst?” You approach the horrid family of Gryffindors—nearly doubling over in laughter at the speed with which their faces fall at the sight of you. How refreshing, you think to yourself. It’s been so long since you’ve seen people who wore their hearts on their sleeves. “Cissa and I didn’t think you’d even respond to our invitation—but this is just brilliant! Lily, darling! How long has it been? That dress looks utterly divine! Is that Charmeuse silk? The purple simply brings out the color in your eyes! And your skin, my love! Just glowing! Tell me—have you been trying those snail facials? I hear they’re all the rage nowadays.”

Sirius grimaces, cheeks turning ashen. “Bloody hell, I’m going to need a drink for this. A strong one, too.” 

“You’re at a garden party, Sirius darling,” you remind in jest, flamboyantly motioning to the grazing table. “The elves are serving Darjeeling, jasmine, chamomile, berry blends, spiced orange, silver needle, and my personal favorite, chocolate mint!” There are strings of lights wrapped around the tree branches; floating lanterns and the hydrangeas creeping on the stone walls. You put a hand over your heart, smiling knavishly. “From the Malfoy family, to yours, we sincerely hope you enjoy your brunch.” 

Lily deeply inhales as she intertwines her fingers with James’s, a polite smile on her face—an odd pang in your heart at the show of solidarity. (She questions how sincere can a Malfoy really be.) “Y-Yes, well, it’s so good to see you, too. We’re grateful for the invitation, especially since it’s for a rather honorable cause.” 

Ah, pure-hearted creatures really do get on your nerves. Lion hearts; words dripping in honey, limitless bravado. You’ve changed your mind, you’re sick of it all. A flash of vindictive glee crosses your face as you abruptly grab her hand, wrenching it away from her husband’s. “We just knew you’d see it that way! You probably see yourself in those Muggle children, eh?”

Lily recoils, as if struck by hot iron, shoulders tensing; slowly, she peels away her hand from yours, long lashes blinking away her shock.  “You and Narcissa must be raising a lot of money, then.” She eyes the marble fountain adorned in white roses, the harmonizing gnomes nearby, self-playing harps, and the scrutinizing stares from afar. “I never knew you cared so much about Muggle children.”

“Well, I suppose it must be done for all the pudgy-cheeked brats in the world,” You callously wave away her words with a sigh. Unbeknownst to most, all the charity proceeds come from your own Gringotts account. That is the one real thing left in your miserable life.  “As staff at Hogwarts, the children must come first, wouldn’t you agree, Lily flower?”

“Quite,” replies Lily, lips firmly pursed.

James enters the fray, hand snaking around Lily’s waist; jaw taut, seeming to regret ever entering the snake den. “Have you met our son, Harry, already?” He turns to the fourteen-year-old at his left side, gently patting Harry’s back with a crooked smile. “Haz, this is an old classmate of ours.” James gestures to you, and you offer the Potter spawn an amused smile as he blinks owlishly at you. The poor thing has gone frigid from the wintry cold, despite the summer sun overhead and blooming coneflowers; and you wonder if he must have run into Draco and Lucius before coming to the garden.

So this is the child the Dark Lord failed to kill, you muse. You only wish that you could have seen that monster fall to the ground lifelessly, defeated by an infant and his courageous parents. How fitting for men like Lucius Malfoy to follow in his footsteps; the blind leading the blind. Your grin stretches from ear to ear as you take his hand in yours. Clearly, he’s never held a girl’s hand before, as he limply shakes your hand, awkwardly spluttering his greetings. “What an honor it is to finally meet the savior of the wizarding world.” 

“Why, you look just like James when he was younger, always strutting around the corridors.” Your eyes drift to the lightning scar on his forehead, a testament to his and Lily’s survival against the killing curse. “And such clear-cut emerald eyes; truly your mother’s son. Tell me, Harry dearest, you must be quite the heartbreaker at Hogwarts.”

His doe-eyes harden, and your brow quirks in curiosity. (So the littlest lion can growl, after all.) “Oh. . . not really.” His hand hangs back at his side, fists coiling. The robins chirp merrily as they fly by, his parents carefully watching the scene unfold; water endlessly splashing in the fountain. Harry’s voice deepens as he continues, “I couldn’t be. My friends and I barely have time for anything else. There always seems to be something going on at the castle, apparently.”  

“How interesting—Elsie!” You bark at the quivering house elf as Harry stumbles on his words. “Get Mister Potter and his company a plate of macarons—serve them our finest tea, as well.” 

Harry winces as the elf apparates at once. “There’s r-really no need for—”

Your gaze, sharp as a knife, slices to him, as the corners of your painted lips bend contemptuously. “Have you heard the news, dearheart?”

Harry looks to his father before shrugging. “I don’t think so.”

“If Mister Lupin here has so graciously informed you,” you begin tantalizingly, eyes cutting to the rugged werewolf at Lily’s side; his back stiffening at the mention of his name, “Otherwise, keep this between you and me, Harry darling. Hogwarts will be hosting a rather important event this year—and I do love a good party—so you must have noticed the rise in appearances from the Ministry.” You gesture to the top Aurors at the DMLE towering over Harry, Sirius and James. “More than that,” you continue with a sly cant to your voice. “There will be a few new additions to Hogwarts’ staff. Among them, of course—is yours truly!”

“And to do what, exactly?” Sirius blurts out incredulously.

“Be a teacher, of course!” you feign ignorance, bashfully furrowing your brows. “Why else?”

“Brilliant!” Sirius chuckles scornfully. “So, the children will be learning about French designers and frilly dresses then, I presume?

“Is that truly all you think of me?” you ask, gasping melodramatically as you circle the rim of your empty teacup. 

“You want to know what I think? Or what everyone thought behind your back at Hogwarts?” Sirius scoffs with a cock of his head. “You’ve always been the belle of the ball, no bloody doubt about that. But I’ve always wondered if there was anything more to your head than just air.” 

He runs a hand through his dark curls, lips twisting into a sneer. “But I reckon nothing has changed since then. You’re just the same insufferable, vapid wench as you’ve always been.”

“Sirius. . .” Remus quietly calls. “That’s enough.” 

Your expression falters—but your mask cannot afford even a moment of rest. A jarring note in the lullaby plays as the ceramic ballerina stops turning. You let the minutes pass by fleetingly; it seems the self-playing chordophones have changed their tune, as well. You watch as the canary diamonds in your bracelet glint against the sunlight. (You are growing tired of the blinding show lights, unrelenting crowd, and never-ending play. Where is the reprieve, you wonder, for the tormented primadonna and her aching soul?)

The strings are now dipped in blood as your tears polish the stage. Your joints have twisted, bent, and danced. You wonder, how long must it be until you are rid of the starring role?

You muster a coy smile, fluttering your lashes at the heir of the most noble and ancient House. “Such crude language, Mister Black,” you say, albeit your voice has gone mellow; nails drumming against the table surface as the guests mingle with one another. The unbearably dull conversations buzz in your ear. You notice Draco and Astoria Greengrass heading for the glasshouse. You consider stealing her lace parasol and whacking Sirius with it, and the thought fills you with immense joy. 

Unfortunately, they are your guests, and you are nothing if not the most polite host. “Perhaps, I am not the only one who hasn’t grown out of their immature habits,” you say, eyeing his shoulder-length hair, spiky ear piercings, and leather jacket. That damned leather jacket of his. It irks you that he and his kind can show insolence freely without bearing any repercussions. (But you’d die before you ever feel envy for a man like Sirius Black.) The sun fades behind the clouds, and your mask slips perfectly into place once more.

“What is it that happened again? Between you and Severus Snape in sixth-year?” You tap your chin pensively, taking cruel satisfaction in the stutter in Sirius’s breath and Remus’s parted lips, ever stupefied. You gaze fiendishly at Remus. “Oh, silly me, I’ve gone off topic. Well, anyhow, I just wanted to say, I believe the students are in rather good hands this year. I just hope Dumbledore doesn’t accidentally let an infected beast roam the halls of Hogwarts.” 

Your eyes flash impishly. “Wouldn’t you agree, Mister Lupin?”

Lily curls her lip viciously. “Just what exactly—?”

“Elsie has returned, master.” The house elf bows her head just as the antique bistro table is circled with macarons, cucumber sandwiches, miniature cocktail buns, and slices of pound cake. Lily retracts her hand, grinding her jaw as she swallows the words in her throat.

“You may go, Elsie, thank you.” With a guileful smirk, you levitate the teapot towards James and Harry, dutifully filling their cups; steam soon arising from the Chinese porcelain. You nod at the group. “It’s jasmine pearl,” you explain haughtily. “Carefully handcrafted tea from harvested leaves and flowers. Such exquisiteness that you won’t be able to find anywhere else.”

“Do enjoy your tea; Cissa and I made sure to spare no expense for our guests.” The teapot carefully lands back on the table. The sinfonietta ends, and so does your time with this particular audience. What misfortune, that you won’t receive your flowers for today’s performance. You pivot on your heels, flinging them a lukewarm goodbye. “Do excuse me, for I must tend to the new arrivals. I believe I see Missus Parkinson over there by the koi pond. Cissa might have my head if I neglect my responsibilities.”

You turn your head, tossing a wink at Lily. “Today, after all, is for the children.”

Alas, it is not Persephone Parkinson you head towards. 

You briefly exchange tepid pleasantries with Lavinia Greengrass before walking past the koi pond to the edges of the garden, far beyond prying eyes and ears. There, like a brooding Dementor drifting through a frozen lake, waits your true target. Sadly, it is only a dour-faced professor, a long time confrère of yours, to be precise. There are only a handful of people to whom you are indebted. Severus Tobias Snape is one of those few. 

With a flick of your wand, you covertly cast the silencing charm upon the elusive spot Severus had chosen. There is no need for these edacious vultures to prey on your conversation. They are better off with their tête-à-têtes and syrupy pikelets. You drown out the chamber orchestra’s symphony, the clinking of champagne glasses, the rustling leaves and ringing wind chimes. “Severus darling,” you say liltingly, feet shuffling to his side as you playfully ghost your palm against his nape. He barely spares you a glance as a breeze courses through the rippling lake water. “You’re missing out on the festivities, you know.”

“Have you finally finished tormenting Narcissa’s visitors?” he drawls, at long last acknowledging your presence and sharply raising a brow at your saccharine-sweet smile.

“Why, I’d never dare to do such a thing,” you reply with a theatrical sway of your head. “I simply conversed with the ladies and had a delightful run-in with your old flame, Lily. Do you remember her, my sweet? Ghastly red hair, pale skin, and, oh, those green eyes. It must be infuriating to look like that,” you rattle away to the only entity willing to listen to you in his company: the wind.

“Spare me,” he drones, lips curved impatiently.

You moue. “Ever the bore, you are, Severus. Shall I fetch you a platter of brandy snaps?”

“Shall I sit around while I wait?” Snape’s lips contort into a sour grimace, eyes rolling to the back of his head. “The Dark Lord himself might even find time to rise from his grave.”

“Severus dear, if I didn’t know any better, I’d say you were trying to tell me something.” You eye him slyly, mouth tipping into a smirk as a dragonfly hovers by the waterline, avidly stalked by the dwarf frog on a lily pad. “So,” you pry, “did you have something important to tell me? I promised Mister Goyle I’d have a drink with him.”

The frog splashes into the lake, and the dragonfly flutters away without a care. Severus clandestinely slips a piece of paper into your palm as he swivels around, dark cloak billowing. “Ensure that nothing traces back to you,” he snarls. “Clearly I do know better, Severus.” You toy with the paper between your fingers, a sense of exhilaration running up your spine. “Not to worry,” you say with a clipped smile, a serpentine glare in your eyes, “I always do as I am told.”

(Severus, not for the first time in his life, wonders if the Sorting Hat made a mistake when it sorted you into Hufflepuff.) 

act ii. tonight, let’s start the masquerade.

THE NIGHT GROWS weary, and so do the alleys of Knockturn; neglected as your hooded figure navigates through the brick road, only the caged owls and flickering stars to notice your presence. You fainly traipse amongst the shadows, a moment of surrender from the spotlight and malignant eyes; a brief interlude in the performance. Past the hanging doll heads in the windows of Borgin & Burkes, you find a lonely shop. Inside the locket of your ring, lies a slip of paper that had been given to you earlier this afternoon. Well, Severus, you think to yourself, idly twisting the ring on your finger, let’s see where you sent me to this time.

And so, the stage actor calls for a costume change. “Alohomora.”

With one last glance at the dimly-lit passage, you enter the boutique. The brass shop bell accompanies your entrance, but no owner appears to greet you—and if there was, well, you have quite a unique way of saying hello. Your fingers feather across the dusty bookshelves, eyes raking through the broken staircase, the faint scent of ginger, rosemary, and mugwort pervades the room; a shattered crystal ball sits in the center of the shop desk, ripped paintings on the wall. A grimace pulls at your lips as you come across a familiar ivory mask. A Death Eater mask—it’s warm to touch; recently worn, perchance. You bury the strong urge to set it on fire. 

There’s a shift in the air, a creak in the floorboards—in an instant, you whip your wand out from its leather holster. 

“Reveal yourself,” you whisper curtly.

To the naked eye, there is only one intruder in the dingy parlor. To you, however, there is an obscure silhouette of a stranger covered by a glimmering veil. You hold onto your wand resolutely. If it was an enemy, you’d be blown into the walls by now. “This isn’t an ensemble stage, you know,” you chuff impatiently, “I’m not fond of sharing the spotlight with lineless extras.” 

The disillusionment charm slowly unveils, and you wait unblinking, until you see a familiar face standing before you. Mid-length curly hair that falls over gray, dagger-like eyes, the irksome scent of tobacco, and a frightening similarity to his elder brother. 

There are exactly five people you’d risk your life for, and right now, you’re digging the tip of your wand into their neck.

“Mister Regulus Black,” you greet with a playful edge to your voice, eyes narrowing. “Severus didn’t mention we’d be running into each other tonight.” 

“That’s because I didn’t tell Sev I’d be here,” says Regulus, dimples poking out as he swats your wand away from his throat. “I might go mad if I have to stay inside for another bloody week, there’s only so many times I can re-read Good Omens—and by the way, did anyone ever tell you how dramatic you are? Lineless extras, really?” 

You hide a fond smile with a roll of your eyes, whirling around to browse the glass cabinets and leather journals on the table, returning to the task at hand. “And so you thought going outside and risking someone seeing you in the open was a good idea? Reggie darling, I often think about the possibility of Walburga dropping you on the head as an infant.” 

Regulus shoves his hands inside his trouser pockets as he hovers over your shoulders like a lost, overgrown duckling. “Wasn’t it Cissa’s soirée today? Did you jinx the statues like I told you to?” 

“Who do you think I am?” you say haughtily, pausing in your search to half-heartedly glare at him. And after a moment’s pause, you jerk your shoulder and coyly respond with a side-smirk, “Of course I did. The young Mister Flint nearly screamed his head off.” You hum reminiscently, “truthfully, it’s been quite a while since I heard Draco laugh like that these days. For breakfast, I hear about the Granger girl, and then for lunch, I hear about the Weasley children, and for dinner, it’s an hour-long spiel on the famed Harry Potter.” 

Regulus chortles in amusement as he hops onto the shop counter, kicking back his chunky boots. “And, then? Did you see my brother?” 

“Oh, darling, I did more than that,” you mutter offhandedly, leafing through the paraphernalias and foul-smelling potion flasks. 

“How was he? Is he doing well? Merlin, I think it’s been so long since I saw his face.” There’s a lapse of silence between you and Regulus. A lizard scurries across the room, chasing after a line of ants. The younger wizard taints the quietude with a long, frustrated sigh. “Sorry, I just. . .” He slumps his shoulders in resignation. “I wouldn’t have to ask so many questions if. . . if I could just. . .”

“I don’t understand why I have to hide from my own family.” With a jagged whisper, he says, “I feel like I’m losing my mind. Like I can’t believe that I’m really here, I don’t even know if I exist sometimes.” 

You grimace as you turn to look at him, hand flinching as if wanting to reach out to him. Instead, you avert your gaze and continue scouring the room. “It’s for—”

“My own good, I know,” Regulus blows a strand of hair away from his forehead. He jumps off the counter with a hardened stare. You glance at his back as he bends to pick at the marks on the floor. At times like this, you remember how small and young Regulus had been when you found him moribund from lake inferis. What a cruel price to pay in exchange for his survival, you think. 

For Regulus Black has to remain dead to the wizarding world, stuck in an interminable masquerade, waiting until the hour is up for his performance. 

All the world’s a stage, and for the best of the actors and actresses, it seems the production never ends. 

“How long do you think it’s going to stay like this? For you, me, Sev? For Cissa?” As he stands on his toes to inspect the top of a dusty cupboard, Regulus veers his head to peek at your expression, frowning when he finds none. (You’ve no answers for him, after all; the entirety of your life was spent wondering that exact same question. All you know is that the show must go on until the audience tires of the starving artist.) “Never mind, let’s just focus on finding whatever you were trying to find here.” He walks past his reflection in the vintage carved mirror. “What are we looking for, anyway?” 

You wish to offer solace to a cherished friend, but duties are meant to be fulfilled. For now, to do what is right must come first. Your fingers slither up the side of a bookcase, a wooden ladder resting against the shelves. The mahogany is freshly varnished, the stench of glue is prominent, and deep scratches indent the floor. It’s an empty treasure cove, barely anything displayed on the racks. You grit your teeth as you realize it’s been well-maintained compared to the obsolete state of the room. “Here,” you rasp, abruptly snapping your head to look back at him.

He furrows his brow. “What?” 

You beckon him to the corner of the room from where you stand, wooden planks creaking as you push at the bookcase. “Help me with this, Regulus. There could be something behind it.” You clench your jaw as you lean your weight onto the cabinet frame.

“Why don’t we just, I don’t know,” Regulus cocks his head as he waves his wand in the air. “Use magic?” he offers discreetly, as though divulging a century-old secret. “I suggest Bombarda for maximum efficiency.” 

You stare at him vacantly. “Regulus dearheart, I hold a stupendous amount of tolerance for you, but there is absolutely no way we are drawing attention to ourselves via explosion spells in the dead of the night.” 

He grins boyishly before ushering you away. “Alright, alright, I was only taking the mickey out of you.” Soon after, Regulus deftly mutters a levitation charm, his wand steadfast as the bookcase slowly detaches from the floor. You take a couple of steps backward, lips pursed as you observe Regulus concentrate on his work. 

You note to yourself to have a conversation about Regulus’s restlessness with Severus. It could pose a liability and pull the curtains on the entire pasquinade. “Careful,” you keep a tight watch on Regulus’s pinched brows, his hovering wand, and the steadily moving bookshelf. 

“Like taking jelly slugs from a first-year,” he says flippantly, beaming at you as his dark curls sweep over his eyes. 

You give him an exasperated scowl before side-stepping his quip as you descry a faint outline of a door in the plastered wall. You feel a rumble in the ground, muffled noises behind the shrouded entrance.  “Ready your wand, Regulus,” you say grimly, hand reaching for the doorknob, looking back in time to catch his smirk fade into a distant expression, “I believe what awaits won’t be as simple as that.” 

A grave tenor disquiets the room, your free hand already grasping for your wand. Regulus stands at your side, nodding as you take a sharp breath. He offers his back to you, in spite of the looming danger. (A sadistic part of you finds comfort in his presence tonight, but neither of you can truly share the burdens of your harrowing façades. Tomorrow, you play the lone star once more; and he, the dead brother and son. But today, you must simply share the stage.) 

You twist the knob until a click pierces the heavy silence.

You wait with a bated breath, expecting creatures and spells to come hurling in your direction. The room ahead is enshrouded with darkness. You share a terse nod with Regulus as a ball of light appears at the tip of your wands. Regulus moves to take a step forward, but you block him with your arm. “I’ll go first,” you say breathily, curtly glancing at the Death Eater Mask. “It could be cursed the moment we step inside.” Regulus presses his lips into a white line, clearly unhappy with your decision, but relents nonetheless. 

Rough, travertine flooring begins where the woodwork ends; a gust of wind howls into the dark chamber. Wordlessly, you call for your patronus to investigate inside; thin, silvery wisps floating in the air, its light hauntingly beautiful against the unilluminated dungeon. You hear heavy chains dragging across the ground and the harmony of timid footfalls. A drop of water falls onto the cracked stone. Regulus grinds down on his jaw as he readies his wand. 

After an eternity of waiting, you snap your wand to set the torches alight. 

A pronounced chill runs up your spine; a stutter in your breath. You nearly stagger at the sight unveiled before you. If you had been a weaker wizard, you’d have dropped your wand already. “This. . .” you say hoarsely, eyes wide, blood simmering in your veins. 

Children.

Little ones as young as ten-years-old, barely coming up to your stomach, staring up at you with bloodshot eyes. Their skinny arms are covered in grime and wear pathetic rags for clothes. Moss grows in every corner of the room. Emaciated mattresses on metal beds. “Bloody hell,” Regulus growls, chest heaving. “What the fuck?” 

“It’s a prison,” you whisper, horrified. There must be more than twelve children standing before you. Bile rises to your throat. You worry about your wand breaking in half, but the overwhelming sense of dread traps you in position. 

“Are. . . are you with the bad men?” A brave, young girl with owlish eyes protectively steps forward in front of her companions. “No,” you answer gently, bending down on one knee to meet her eyes. You were neither good, or bad, but there is no magic on earth that would make you harm these children. 

Regulus calls your name. “They’re Muggles,” he hisses angrily. “I don’t sense any magic from any of them.” He exhales in frustration. “What the hell are they doing with Muggle children?” 

You grind down on your teeth, nearly dizzy with anger. You forgo a response to Regulus in favor of clasping your cloak around the trembling child. Soon after, you blanket the room in a warming charm. “Tend to their wounds,” you say sharply. “I’ll see what I can do about the chains.” And you will do something about those shackles, if it’s the last thing you do. “We’re going to get you out of here, I promise,” you tell the girl, stolid as you pat her head.

Except, the brass bell rings once more and everyone stiffens in alert. The children begin whimpering amongst themselves. Slow, deliberate footsteps reverberate from the shop into the icy-cold room. The hairs on the back of your neck rise.

“Move out of the way!” you yell, veins straining against your neck, just as you’re blown into the stone walls. 

Regulus screams out your name, but you barely hear anything over the ringing in your ears; through blurring vision, you see the children and Regulus unharmed. Relief floods through you as you sluggishly rise from the floor. There’s a large crater in the wall from the impact; luckily, the tethers to the chains were demolished, as well. “Get them to the safehouse,” you order, blood trickling from your lips. You hardly feel your arms and legs; there’s an ache in the back of your head, your spine feels as though it’s been snapped in half. You’re definitely going to feel this tomorrow. Regulus hesitates to leave, hands laid on the shoulders of the children as he glowers at the newcomer. “Now!” you bellow gutturally. 

A muscle ticks in Regulus’s jaw, but as he finally apparates with as many children as he can, you finally stop holding your breath. “It’s okay,” you reassure the wee boys clinging onto each other for comfort, limping to their side. “I’m rather strong, you know. Stronger than any of the bad men.”

In every duel, you allow yourself to be hit only once—driven by your inhuman desire to feel something other than the  emptiness of your unbroken charade. 

(And for years, you have waited for anyone to say these two specific words: Avada Kedavra.) 

“Go,” you instruct gently, brushing away the tendrils of hair from the little boy’s forehead. “Hide and wait until my companion comes for you.”

“And as for the ill-mannered invader,” you crane your head towards the entrance of the chamber, eyes raking over the tall figure’s bloodthirsty stance and flittering cloak. There’s a lack of silver mask, but you know well the stench of foreboding decay and malignity. At the speed of light, you aim your wand, “Confringo!”

You watch with a spiteful grin as the stranger is blasted across the room. The walls and ceilings threaten to crumble, and you can only hope that Severus won’t be too cross with you in the morning. You point your wand at the uninvited guest’s heart. Nothing will trace back to you, that much you are certain of.

After all, no one would suspect a vapid, insufferable boulevardier to be the greatest spy of the wizarding world.

A firebird caws in the distance.

And, scene.

act iii. where’s your soul? where’s your dream? do you think you’re alive?

“APPEARANCES ARE OF utmost importance.” You stand in the front of the Great Hall, sun rays streaming through the large, stained windows, wooden tables pushed to the walls; accoutered in a black velvet capelet with gold trimmings and vintage dragonhide boots.  The sleeves of your blouse are lined with handwoven, gothic lace; trousers made of the finest yellow satin. It is a testament to your House—the cete of badgers. (You seize everyone’s attention—whether the two Aurors in the corner like it or not.)

After a descanting introduction, you are given center stage before the students of Gryffindor and Slytherin. With a swing in your step and a wrest in your voice, you continue, “That is why the Headmaster, Dumbledore himself, invited me to personally facilitate this year’s Tri-Wizard Tournament. As hosts of the event, excellence is expected of us. Professor McGonagall has graciously allowed me to take charge of your lessons, particularly in the art of dancing.” Your eyes gleam as you offer the young fourth-years a graceful reverence. “And our first lesson begins straight away.”

The crowd of students transfigure into a sea of curious eyes and flabbergasted whispers. You derisively watch the chaos unfold with an amused grin. Yet, you’re not the least bit worried. You’ve charmed even a flock of Dementors before, the creatures having been drawn to your voice, ostentatious stature, and the dark depths of your soul; like a bee to a field of flowers. A class full of awkward teenagers should be more than easy for you. 

“Now, now, children,” you clap your hands as you make your way to the heart of the room, leaving a trail of softening murmurs. “The Yule Ball is a revered tradition, an exhibit of togetherness that has lasted for hundreds years.” You lift your nose up in the air as the girls look at one another, barely able to hide their giddy smiles and discreet glances across the hall. “As such, it is my venerable duty to oversee your etiquette in and out of the ballroom.”

(Sirius rolls his eyes from where he sits besides James.)

“Mister Filch, if you please.” With a flutter of your lashes and a poised smile, you beckon for the school caretaker who flounders to the gramophone. You wink at the young miss Pansy Parkinson who stares up at you in awe. Soon thereafter, you hear the soft melody of Léo Delibes’s Valse. Coppélia, you simper to yourself—a story close to your heart. (You’ve always found a winsome irony in a marionette like you dancing to the enamel-eyed girl’s song.)

“A dance, while enjoyable by one’s lonesome, is best savored with a partner,” you begin vivaciously, eyeing the gentlemen in particular. “Your date for the night must be aware that you’ve chosen them out of your own volition and undue necessity.” Your stare drifts to the coterie of young Gryffindors, tittering mischievously. “Shall we have a demonstration from the House of courage and splendor?”

“No one?” You raise a brow curiously when you’re met with silence and averted gazes. You then utter the scariest phrase a professor could say to their students: “I’ll choose the lucky student myself.” 

You survey the pack of lion cubs, drifting through the tuffs of flashing red hair; gangly boys raucously kicking and pushing at each other to volunteer for your teach-in on ballroom dancing. You flash the students a vexatious grin. “Mister Harry Potter?” you call out to the ashen-faced boy with your hand outstretched. “Why don’t we let the Chosen One set an example to his peers?” 

Hollers and cheers break out across the hall; not withholding the mirthful giggles of the doves on the other side of the room, wonderstruck by his green eyes and lightning scar. You motion for Harry to join you on the pseudo dance floor. The Weasley twins take delight in clapping and wisecracking into his ears until Harry reluctantly rises to his feet, a blooming shade of red on his neck and cheeks. 

“As you approach your partner with the grace of a majestic stag,” you acclaim to the class whilst Harry approaches you with a wry grin and hands shoved inside his robe pockets, “And not a newborn foal.” You place your hand in his, “You may now invite your lady to dance.”

“Or your beau,” you add spiritedly, eyes gleaming as Harry chokes on his saliva.

You pat his back as the music comes to a sweet-sounding crescendo. “Dancing is about connection,” you turn to the students with a stern gaze. “If your posture crumbles, there goes your confidence, as well. At all times, you must maintain eye contact,” you say sharply as you tilt Harry’s chin and correct the arch of his arms. “Remember, it’s not ballroom if there’s no trust. Lean onto one another, and then. . .” You lay your palm onto his shoulder. “The feet should follow the music.”

Unfortunately, Harry runs on two left feet and both persistently evade the music. On the umpteenth time he stumbles on your shoes, he’s appraised by snickers and low whistles from either side of the  hall. The Weasley twins in particular seem thrilled by Harry’s flailing arms and bewildered expression. Along with the two Aurors who’ve skipped their aurorly duties to patrol the castle in favor of heckling their ward. “You’re doing it wrong, James!” shouts Sirius through cupped hands, shoulders shaking in laughter. 

“Why don’t you try it, Padfoot?” Harry retorts back to him; thick hair flopping over his eyes as he grates his teeth. You’re given no warning as Harry extracts himself from your grip and stalks over to where Sirius and James sit comfortably. 

You blink, dumbfounded. “Harry dearest, I don’t believe that is necessary—!”

“Go on then,” says Harry, jerking his head. “Show us all how to do it.” 

To the side, Ron guffaws into his fist, brought nearly to tears. (Earlier he was apprehensive about the class. “We’ve got a whole new professor just for twirling around and all that girlish stuff?” he had asked in disbelief before entering the Great Hall.

“Shut your mouth, Weasley,” growls Draco Malfoy as he shoves past Harry and Hermione to head inside the hall.)

Sirius grins roguishly, having the gall to bat his eyes in confusion. “Who? Me?” He chuckles before forcibly slapping James’s back with the flat of his palm. “No, no. The honor should go to the debonair of his time.” Trenchant eyes flicker with mischief. “Have at it, James. How will the children ever learn without a proper demonstration?” 

“Go on, Sir Prongs!” exclaims one of the red-headed twins. “Show us how it’s done!” 

Alarmingly, the bespectacled man resigns to his fate, a deafening ovation as he shrugs his robes off, generously revealing his broad shoulders in a tight, black turtleneck; a leather wand holster across his chest; long legs framed by pleated trousers. You bite down on your tongue as James draws closer to you, a hint of a smirk on his lips. With an unerring arch of his back, he holds out his hand for you to take, “May I have this dance?” 

Your breath stutters—if only for a moment. One cannot deny that James Potter is deviously more appealing to the eye than the dance partners you’ve had during Narcissa’s galas. Perfectly-carved cheekbones and golden hoops dangling from his ears; bright, hazel eyes girdled by rectangular glasses. “Well,” you say, pursing your lips as you slip your palm into his. “If you must.” 

In contrast to his son, James needs little-to-no guidance from you. You’d have assumed that much, considering that both James and Sirius grew up in pure-blood customs. The warmth of his hand on your back is scalding. He spins you along to the song’s aria; the two of you gliding effortlessly through the soapstone floors. Any more closer to him and you’d be able to hear his heartbeat. “There will be lifts, turns, and dips during a waltz,” you inform the class as you demonstrate a twirl vine. “You will rise and you will fall together with your partner. Understand?” 

James chuckles at the wistful sighs and horrified groans that erupt through the Great Hall. “You’re good with the children, you know,” he remarks cheekily as he gently lowers you to the ground, hand steadfast on your waist. You hear his unsaid words clearly: Sirius thought you’d be downright rubbish at it. 

“Well, Mister Potter,” you say breathlessly, clasping your arms around his neck once more. “To some of the students here, frilly dresses and French designers are their entire world.” Your chin all but perched atop James’s shoulders; the scent of his famed Sleekeazy potion and vetiver—dew on fresh grass on a warm sunny day—fills your senses. You cast a sniffy glare in Sirius’s way, to which he responds with a raised brow. 

“Bit shallow, isn’t it?” he murmurs, chest rumbling and his breath hot on your ear. 

You scoff. “One could argue the same for a young Seeker who’s been given their first ever broom.” 

James Potter has the nerve to smile at you. And as you move to extricate yourself from his hold, James mindlessly lets his hand fall from your waist to your hip—incidentally, where you’ve been nursing a heavy fracture. Sore bruises from chasing vampires the night prior as you were out hunting allies of the Dark Lord from the first wizarding war. Although you had drowned yourself in pain relief elixirs, it seems you’re more sensitive and hurt than you thought. 

Even statues of white gold chip and fade over time—you’re reminded of this fact quite painfully. You roughly push James away from you, hissing in pain as you cradle the left side of your hip. Memories of crimson-stained teeth and rotten, pale skin flash before your eyes. You remember the stench of blood, and the feel of their nails slashing into your thighs. But most of all, you remember their ear-piercing shrieks just before you drive the stake into their chests, one by one, until you have left a graveyard of vampires in the outskirts of an abandoned mansion. 

James furrows his brow immediately as you cave in on yourself. (Even Sirius surges to his feet.) “What’s wrong?”

Occlude! Occlude—you must occlude immediately! 

With a sharp inhale, you close off your emotions for anyone else to see. “It is nothing of your concern, Mister Potter,” you respond blankly, as though your soul is locked far away. “I do believe we’re done here.” You step further away from him. Your attention shifts to the students as you fold your hands behind your back, lips curling into a virulent smile. The weight of your mask is comforting; you’ve forgotten how to breathe without it. “Now, let’s have the students pair up and practice what they’ve learned so far. I’ll have no patience for dilly-dallying and nescience on my watch. You’ll dance until I tell you to stop. You’ll practice until the soles of your feet are sore and raw.”

That, after all, is how you learned.

The class goes by accordingly; you maintain a distance from Sirius and James, turning a blind eye to their burdensome sympathy. (Gryffindors and their bleeding hearts—it always unnerves you how easily the avowed Marauders get deep under your skin.) You nip at the students’ heels, righting their poor footwork; looping the music until you are certain they’d hear it in their nightmares. To your surprise, the round-cheeked Neville Longbottom takes all your instructions in stride. From the moment that you allow Filch to lift the tonearm, the students practically fall to the floor, heaving; some forsaking their long robes and tying their hair in flimsy ponytails. 

As the students retreat from the Great Hall, you slink away into the crowd of Slytherins, desperate to avoid a particular duo of Aurors—no doubt ready to probe you with questions. A numbing panic claws at your chest; black spots swallowing your vision. Emotions—how putrid. The students’ discordant chatter overwhelms your hearing, more than the ringing in your ears. The unyielding, outré stone walls feel like they’re closing in on you. Still, you keep your head above the water, enduring every staggered breath. You must. 

What’s wrong? 

The question echoes in your head. 

Ha! 

You scream inwardly, if they only knew! 

While you had been expecting either James or Sirius to ambush you, you do not expect to see Draco Malfoy shouting your name as you flee down an empty corridor. 

The miniature Lucius Malfoy stands before you, grimacing as he clenches his fists tightly. “Are. . .” Draco’s expression contorts morosely. “Are you alright? Theo and I were worried that the blood traitor upset you.” he spits his concern as if it were acid. Little snakes and their keen eyes. 

“Mind your language, Draco,” you reply cuttingly, eyes flashing as you lift your chin. And for his question, one that you’ve been asked numerous times over the years, you have only ever had one answer. Despite the scars on your back, the tremors in your hands, the aching of your heart, and the endless bruises on your limbs, you tell him: “And do not ask what is not needed to be.” 

“You’re hurt, aren’t you?” he presses further, mouth pinched. “Don’t treat me like a dim-witted child because I’m not!” 

A hand lays on his shoulder, and to your chagrin, Severus makes his appearance, lips downturned and his gaze filled with subdued apathy. Your day is about to get worse. “Perhaps, it is best if you leave this discussion to the adults, Draco.” Snape drones, leaving no room for debate. He tightens his grip on the younger wizard. “I will not be inconvenienced to explain to Minerva as to why you were dawdling in the corridors.” 

In true Malfoy fashion, Draco sneers in disdain. He rips himself out of Snape’s grasp with a scoff. As he storms past you, you sigh and pat his side. 

When Draco disappears into the corner, you release a deep breath as you prepare for the onslaught to come. “Just get it over with, Severus,” you pinch the bridge of your nose, the pounding in your head growing more unbearable by the second. 

You see his nostrils flare as Severus turns to glare at you. “I wonder,” he says through gritted teeth. “If you are actually capable of following direct orders—of using that near-empty brain of yours!” His upper lip curls back into a snarl, as he scours the empty hallway for any prowling ears. “Your stunt made it to the Daily Prophet. You were asked to proceed tactfully, were you not?” 

You lean against the wall, rubbing at the temples of your head. “And I’ve done my part. Every last one of them—dead by my hands. A problem you failed to deal with for the last two months. That I settled last night. Remind me why you’re still chittering into my ear, Severus darling?”

“Do not play coy with me,” he replies brusquely. “I’ve heard the students tattling about it as though it were the most interesting event in their pathetic, insolent lives. The Embris Mansion burnt down to the ground. There are talks of a vigilante, a good-for-nothing do-gooder. You got sloppy!”

“And if I did—so what?” You retaliate, chest heaving as you step into his face. Truthfully, this isn’t the first time you’ve had this conversation with him. Over the years you have left some sort of mark on your work. Not a phoenix, but a firecrest. Wings outstretched in flames. All eyes are on the ungovernable hero, the Firebird—and never on you, the foppy socialite. “Would it be so perverse to want even a slither of recognition, Severus?” 

“Do not forget your duty,” he taunts venomously, the cords in his neck going rigid. “To the greater good you so earnestly fight for. Your duty to your mother.” 

“Do not talk about her!” you all but shout, magic sizzling in the air around you. 

“Then see to it that there are no more mistakes going forward!” Severus juts his chin, baring his teeth in contempt. 

After a few long moments, he continues with a resigned exhale, dragging his palm down his face—as though you are the perplexing one. “This. . . Moody has developed a habit of emptying my cupboards.” 

“And why, pray tell,” you retort gruffly, “should I care for this oh-so special cupboard of yours?” 

“It contains ingredients for Polyjuice potions!” he proclaims angrily. “Get to the bottom of this. I’ll not have a blithering fool like Pettigrew get to the students again. Do what you must, I have no interest in understanding the workings of your mind—as long as you do not draw unnecessary attention to yourself.” 

The sound of footfalls break you apart as Severus nimbly lifts the Notice-Me-Not charm he had cast earlier. Within seconds, you find Remus Lupin rounding the corner. He’s dressed in his usual baggy, gray jumper; jaw clean-shaved, and pinkish scars against his skin. A well-loved quilted coat over his shoulders—handmade by Lily, you presume. You notice the mismatched otter socks peeking from his loafers. Remus saunters down the hallway with tired eyes and a feeble smile as he stops right in front of you and Severus. He has a rather tall frame, slender even, despite his hunched shoulders. 

“Snape,” Remus nods to him, gaze flickering back and forth as he attempts to discern what had transpired—well, you’re certainly in no rush to tattle and cry into his arms. 

“Professor,” he says to you, an ever curious smile on his face. “You’re looking quite peaky. Is something the matter?”

“I am most certainly sound and fine, Mister Lupin,” you respond, irritated, as you wobble on your feet. You are at your wit’s end—how bothersome of it all. “Should you not be on your way to your next class, Professor?” you bite tiredly. 

Remus shrugs, hazel-eyes crinkling in amusement. “Mad-Eye is taking over my next class. I thought it would be good for the students to learn from a veteran Auror. I’m sure he has much more experience to offer than me.” 

You scowl, his humility smothering you painfully. “Well, I’ve no interest in dragging my feet around. If you’ll excuse me, gentlemen, I have a prior engagement with my cat and I’m afraid I’ve left her alone for too long.” 

And as fate would have it, when you make haste for your quarters, you falter in your steps; lurching as your vision goes blurry. Your breath snags in your throat as Remus catches you by the waist. “Perhaps, we should get you to Lily,” offers Remus as he sets you upright, brows pinched worriedly, ignoring Snape’s eye roll in the background. 

“I said I was fine!” You blurt out, cradling the front of your head as you sway backwards; now seeing two Lupins and two Snapes. “Merlin, are all Gryffindors this bloody meddlesome? Must I repeat myself? I am fine—!” 

Turns out, you are not fine. 

The last thing you see before losing consciousness is a pair of brown eyes with flecks of gold, more beautiful than any full moon you’ve ever seen. 

 —

You wake up to a dry, sore throat; the bitter scent of infirmary disinfectant—a Muggle’s touch, no doubt—and concoctions of various healing potions. Your head is still pounding, but somewhat bearable. The room is small, privy to only teachers, you conclude—although, it is the very first time you have ended up in the infirmary. Remus Lupin would feel your wrath, you’d make sure of it. Your back stings as though it were doused in Dittany recently. As you nearly break the flower vase in an attempt to reach for the empty glass, the door creaks open—and in comes Lily Potter with her husbands.

“Am I in hell?” you eye them bitterly. 

“No,” says the youngest matron, dressed in her own version of the nurse’s uniform. Red vest over her white blouse, and a long, plaid skirt with pockets. Soft red hair tied back with a pink ribbon. Albeit, her expression is anything but sweet and delicate. “But you’re in my office, which means you are now under my care—therefore I’d like you to explain why you have vampire toxins in your blood.” 

“And I would like to return to my quarters now, please,” you respond haughtily, referring to the private bedroom professors were offered in the castle. “I’ve nothing to explain to someone who administers the diagnostic charm on my person without explicit permission to do so!” you exclaim, releasing a shuddery breath as your head throbs agonizingly. 

“You will listen to me—seven hours ago you were this close to paralysis!” Lily shouts right back, eyes glaring defiantly—she may have adhered to you in Malfoy’s territory, but no power holds more authority than an acclaimed healer over a patient. “If you had been a Muggle, you’d be dead ten times over.”

“Well, now that we’ve established that I’m alive and well, I suppose we have no more pleasantries to exchange, Lily darling.” You tear the flimsy blanket from your legs, grimacing at the bandages covering your skin. 

“Not before you tell us where those bruises came from,” Sirius demands, voice low and knife-like eyes on you. 

“Must have been the Nargles,” you reply sarcastically. No one would care for a bonny doll ripping apart at the seams and gathering dust on a child’s shelf. “They’re quite frisky this time of the year, didn’t you know? My good friend Xenophilius wrote about those creatures a long time ago. Good read, I’d say.” 

“Are you capable of taking anything seriously?” cuts Sirius with a snarl, tendrils of hair curling around his face; hints of tattoos peeking out from his leather jacket. Vermillion satin shirt clashing against his pale skin. The lingering smell of lit cigars only reminds you of Regulus, and so you tear your gaze away from Sirius. 

“Sirius, let’s not scare her off now, love,” Remus admonishes, softly resting his palm at the back of Sirius’s neck, before he stares at you with honey-dripping eyes. You have a desperate need to run away. They’re an uncharted danger that you aren’t familiar with navigating—and you figure young Harry wouldn’t appreciate you treating his parents like a rabid vampire. “We just want to know what happened, you looked worse for wear when we brought you to Lily and Madam Pomfrey,” Remus placates, treating you like a crow with its wing snapped in half. 

You sneer. “If I am not dead, then these wounds hardly matter to me.” 

Lily gasps, a sound so soft only the wind could have possibly heard it. “How could you say that?” she asks, hand flying to her lips. “Of course it matters, you had lost so much blood while we tried to get the toxins flushed from your system.” She stares at the puncture mark on your arm, before peering over at Sirius. “We nearly couldn’t find a match to your blood type. Sirius. . . Well, he’s a universal donor and he didn’t even hesitate in giving you his—”

“Giving me what?” you echo lowly. “What did Sirius give me, Lily?”

“Blood,” Lily says firmly. “He gave you his blood so you could live.”

“How dare you?” you seethe, chest rapidly rising; digging your nails firmly into your palms as you stare furiously at Lily. “You had no right!” You scream until your throat is sore; your magic overflowing until it shatters the nearby vase of butterfly weeds. 

Rage tunnels your vision; heart hammering against your ribcage as you move to carelessly rip at the bandages over your wounds. “You had no right! You had no fucking right! I would have never done the same for you! Get out! Get out!” 

“Get out!” You hurl the glass at the wall across from you, narrowly avoiding Sirius’s head; anguish tears itself from your voice and you barely notice James flinch from the intensely flickering lights. 

“You think I’d be grateful?” you scoff, a burning heat spreading across your chest. “You think I’d be indebted to any of you after this? Is that what you wanted? What a fucking joke!” You laugh irately as you gasp for air. “I’d rather die!” 

When you run out of items to throw at them—pillows, shards of glass, and crumpled flower stems—you sit on the bed, shoulders violently shaking as you cough yourself sick. 

“I. . .” Lily begins, swallowing the lump wedged in her throat. “I understand. . . But I am the castle’s nurse, as long as you are under Hogwarts’ protection, I am keeping you alive no matter what.” 

“I don’t bloody care,” you snide.

Her eyes flash to James. “We’ll leave you to rest, then.” 

You stay silent, vacantly staring at the reddened welts on your hands. It’s not until you feel James’s arms around you and his chin hovering above your head that you realize you’ve stopped shivering. “I’m sorry,” is all that James whispers into your ear as he lays you to sleep with an inaudible charm. The chill of his magic is the last thing you feel before your eyes flutter to a close. 

—

You wake up in the infirmary once more. This time, you lay stiff on the mattress, absentmindedly gazing at the plain ceiling; your chest falling and rising ever-so slowly. The stink of a Calming Draught is painstakingly familiar. A low humming sound tells you that you aren’t alone—but you barely flinch from their presence, too tired to do anything but close your eyes. “Some boys kiss me, some boys hug me. . . . something. . . they’re okay,” murmurs one Sirius Black, tapping on his thigh as he rests his back on the rustic chair. 

If Sirius wants an encore, he’d have to drag the fight out of you. You’re utterly drained from your emotional palaver earlier. “Didn’t know you were into Muggle songs, Black,” you chortle bemusedly.  

Sirius halts in his singing as a forceful silence falls over the room—you distinctly hear the moment Sirius’s hand drops to his thigh, most likely taken aback by the sound of your hoarse voice. You feel the weight of his eyes on your bandaged arms and legs. A few seconds pass before he responds, his words but a faint breath. “After today, I believe that there is much to be uncovered for the both of us.” 

You don’t bother replying—you’d have Obliviated them instantly if it wasn’t illegal to use on Aurors. 

“We know it was you,” says Sirius out of the blue—your blood turns icy-cold on command, wondering if he’s figured out about the wizard behind the Firebird. “On the first day of term, someone had left a basket of freshly-brewed Wolfsbane potions enough to last him for the entire year,” he explains further, leaning his elbows on his knees as he stares at you unwaveringly. “I almost didn’t believe it, but a Marauder has his ways.” 

(His son with an invisibility cloak and a handy, enchanted parchment.) 

“Thank you,” he says, guttural with emotions. “It means more to Remus than you think.”

“Your gratitude is misplaced, unfortunately,” you rasp, coiling your fists tightly, stubbornly intent on avoiding his eyes—not wanting to get caught in the storm within. You exhale with a ragged sigh. Severus was right, you had been sloppy. And this is what carelessness leads to. “Don’t delude yourself, Mister Black, I couldn’t care less what happens to you or your family.”

Sirius chuckles, like he’d expected such a response from you. “Well, do what you’d like with my gratitude, I don’t care, just know that you have it,” he says, rising from his seat. “It’s past midnight, by the way. Lily’s left you some dinner in case you woke up hungry.” 

Your eyes drift to the nightstand. There’s a steaming bowl of spinach rice with mushrooms, and a plate of honey cinnamon bars. But your gaze lingers on the bouquet of snapdragons and orchids placed in a ceramic vase. 

“She believes home-cooked meals help the patients heal faster,” Sirius tells you, carefully observing your reaction—but there’s none to be found. He purses his lips into a thin, white line.

As he makes his way to leave, Sirius pauses, hand resting on the doorframe. “You know,” he begins quietly. “The thing about magic—it can fool the best of us into thinking we’re indestructible. But, you’re not as inhumane as you’d like us to think.” Sirius veers his head to look back at you. “Take that mask of yours off sometimes, yeah? You’d see the rest of the world clearly if you did.” 

That is all you hear from him before the door clicks shut, and you’re left alone with your thoughts.

How arrogant.

How very Gryffindor of him. 

You push the flower vase closer to the edge of the bedside table, indignantly eyeing the watercolor art. The room reeks of Lily’s kindness. Lions and their constant need to see the goodness in everyone. Take off your mask? You’d give your entire Gringotts account to wear the kind of rose-colored lenses they have—they’re more pestilent than you realized. No matter, it’s high-time you reintroduced yourself to the Marauders, anyway. 

If you take off your mask, they would find nothing but a barren soul.

—

It seems your newfound parasites have forgotten who you truly are—but you have no qualms in reminding them why exactly you’re called the pureblood society’s darling. 

For the week or so, the Daily Prophet features you out in luxurious restaurants, a new partner each night hanging off your arm. International Quidditch players, foreign models, esteemed opera singers, and even Muggle celebrities. Men and women are captured in moving photographs, avidly fawning over you. 

You’ve missed three classes in favor of shopping in France; Flooing back to Hogwarts, stinking of bordeaux and rosa centifolia. Painite gems nestled around your neck, glittery sapphires lining your wrists. On more than one occasion, you’ve seen McGonagall lift her chin in distaste at your behavior. 

“Well, that’s certainly a speedy recovery,” says Lily one afternoon as the owls take the Great Hall by storm. Rita Skeeter’s new article about you is plastered on the front page, apparently you’ve gotten into a catfight with an Italian seamstress. She risks a glimpse of you from the other side of the long table, laughing away with Professor Sinistra. The sound is scraping against her ears, yet Lily can’t help but feel disappointed.

Your desk is littered with mails from admirers, invitations to galas and fundraisers. The students can’t help but notice this fact as they’re brought to the dance floor each morning. (Each day, you rewind Coppélia’s song—her wishes, and her pain—but you plan to ignore the ballad until blood trickles from your ears.)

“Mumma’s just about ready to send her a Howler,” you hear Ginevra Weasley saying in passing after class. The young red-haired girl nearly bumps into Hermione’s shoulder as Ginny dips her head low, prattling excitedly, “Called the Professor a tart, even.”

Hermione stops walking, scrunching her nose. “Really?”

“Yes, yes,” Ginny nods. “But enough about all that—have you seen the news this morning?” 

Hermione looks up, lips wrinkled in thought. “The one about the Professor being seen in Muggle London? I thought that was rather stale for a headline.”

“Not that one,” Ginny says exasperatedly, rolling her eyes. “The article about the Firebird. Remember what happened during the World Cup? When You-Know-Who’s followers came and raided the entire campsite?”

“That would be pretty hard to forget, Gin,” Hermione replies softly. 

“Well, the Firebird’s gone and hunted a few of them,” Ginny tells her, eyes brimming with awe. “Found their hideout and left them half-dead for the Ministry to find. No Malfoy, though, which is a bloody shame.”

At your desk, you sip your jasmine pearl tea with a knowing smirk.

On the first of October, your previous Head of House invites you to the greenhouse for an overdue get-together. Naturally, you greet Pomona Sprout with gift baskets overflowing with glacé treats, packets of tea, scented candles, and dried berries. She huffs in fond exasperation before instructing you to grab a pair of cotton earmuffs and gardening gloves. And, well, you don’t mind playing the part of a slap happy third-year under her gentle care. It’s a role you enjoy more so than others. 

“You’ve been worrying me these days, dear,” Professor Sprout tells you earnestly as she wrestles with the Flitterblooms. Hoo-hoo chicks flutter around in their cage while the uprooted baby Mandragoras screech nearby. You feel the weight of her gaze, much like a knitted blanket draped over your shoulders on a cold, autumn noon. “The other staff have been expressing their. . . concern,  as well.” 

You busy yourself with planting the Wiggentree in its pot, allowing only a moment to raise your walls of Occlumency. You know that she couldn’t possibly be a threat, but you would not allow someone else to expose you bare for others to see. (You loathe the thought of Sirius’s blood flowing through your veins.)

You know that concern is shallow at best, forged from fear of the students being influenced by your frivolous escapades. 

At your silence, Sprout continues on, “We always tell the children that their Houses will be like their second family during their time at Hogwarts.” You hear her draw in a long breath, gingerly placing the flitter tentacles on the ground. “I hope you understand that the same is true for the professors. We take care of each other, substitute teacher or not.” Pomona’s hand is leaden on your shoulder. “After all, you were our student before anything else. The Sorting Hat gave you to me, and what a darling blessing you have been, even until today. When I look at you now, I see the same young first-year student who was afraid of everything and afraid to come out of their shell—but do not forget, I will always be on my children’s side no matter what.”

How poignant that the first person who truly welcomed you to Hogwarts, is one of the only people who can see through you despite your protective barriers.

And so, the puppet show begins—like a lifeless ragdoll, you peel the deer-leather gloves off your hands, blinking away any hints of emotion. You stand tall before Pomona, dusting flecks of soil off your dovetail skirt. “No one has been on my side. Not then, not now,” you say as you snobbishly arrange the brim of your sunhat. “But do not be mistaken, Pomona. I have been fine on my own and a change still remains to be seen.” 

In another life, you would have happily embraced her comfort and affection—but the fate of a lonely starlet is cruel. You’ve made your bed of thorns and wilted roses, and there you shall lay when there is no one left but yourself. 

“Today was lovely, Pomona, thank you.” It is one truth you’ve permitted yourself to offer—a shred of humanity in exchange for her kindness. The dirt beneath your nail beds is real; so is the ache in your back and the sweat dripping from the side of your head to your chin. But you cannot feel any more than that—you forbid yourself. The Mandrakes fall silent, and you bid your goodbyes to the professor.

The sunlight on your skin is real as you step outside, and so is the sound of clamoring students heading for the greenhouse. Sixth-year students from Hufflepuff and Ravenclaw hurry down the hill. Their unrestrained laughter and carefree smiles are real. And so is the unwashed blood on your hands; the killing curses that have fallen so easily from your lips, and the ghosts that haunt you as the moon arises. Perhaps, you could withstand it all if it means the children would live through a real future without the sins of people like you. 

(But why is it that every time you distance yourself. . . there always seems to be someone calling out to you?) 

Cedric Diggory, your godson, yells for you with a grin that stretches from ear-to-ear. You watch as his yellow scarf swings with each hasty step he takes. Cedric crosses the gap between you in under a minute, strands of wavy, brown hair sweeping over his glimmering eyes. It’s an unsolved mystery as to how you and him were sorted in the same House. 

“Your shirt is wrinkled, Cedric,” you tut, straightening his tie. “Do you go riding Hippogriffs in your spare time?” 

Cedric chuckles wholeheartedly. “Father told me to tell you that you’ve been invited this weekend for a dinner at Hogsmeade,” he says, cocking his head as a cheeky simper erupts across his face. “That is, if you aren’t busy.” 

You raise a brow—sly little badger, he was. Harrumphing uppishly, you swivel to turn your back to him and say, “Tell your father that I’m choosing the venue, lest he chooses some primitive pub in the village.” You draw out the distance between you and Cedric, tossing your parting words into the chilly breeze, “Tell him I’m paying for everything, too.” 

His hearty laughter cuts through the hillside as you make your way back to the castle. Thinking you have the last word, you don’t expect him to yell once more: 

“I’m going to enter the tournament this year!” 

You’re certainly taken by surprise, but you don’t slow your pace. An imperious smirk tugs at your lips—well, at least you know where you’re placing your bets. 

A day before the esteemed guests are set to arrive, you run into Sirius and James—much to your annoyance. It’s just your luck that the evening prior you were hunting down a known member of Greyback’s pack. You played a little cat-and-wolf deep in the depths of a forest, hungrily isolating him from the rest of its family. Though this lycan was unturned, you walk away with claw marks on your back. Still, you hope that Greyback licks his wounds and feels the burden of this particular loss. However, you feel that dealing with James and Sirius will be much more difficult than bringing a werewolf to its knees.

After all, this is the first time you come face-to-face with them, nearly a month after your incident in the infirmary. 

“Auror Black, Auror Potter,” you say liltingly, the rhinestone tassel clinking in your hair as you swirl to face them with a devious leer. “What can I do for you today?” 

Sirius scoffs in disbelief. “So it’s like that, then? Like nothing ever happened?” 

“Partying around, missing your bloody classes, parading all over the castle like you’re better than everyone else. We thought you changed. You know, I actually thought there could be something real to you under all that,” he punctuates his words with a harsh laugh, sneering at your blinding jewelry. “Guess we were the fools, eh?” 

James stares at Sirius, a grim expression flashing across his face, before he shakes his head. “It just doesn’t make sense. What we saw at the infirmary—that’s not something anyone forgets.” He gazes at you with grief in his eyes. “It’s like you’re two different people.” 

“It’s disappointing, really,” Sirius bites, his lips curling into a snarl.

They’ve made it all too easy for you. 

“What are you so frustrated for, darlings?” you say in faux sympathy, stalking towards them as you tap at your chin; a sickly-sweet pout on your lips. “What were you hoping for? For all of us to become friends? We’re not children anymore, my loves!” you exclaim histrionically. “Did you actually fall for my little trick at the infirmary? The care parcel I left your husband? Didn’t you know my mother drafted the anti-werewolf bill?”

Sirius staggers.

“The real me?” you giggle incredulously. “What you see is what you get, dearest—don’t go searching for what doesn’t exist. It’s not my fault you fall so easily for a pretty face.” You tilt your head, fluttering your eyes as you drag your nail up James’s chin. “Not every damsel is in distress, you know.”

Your eyes slice towards Sirius with a coy smile. “Maybe if you had followed your head more often than your naive, little lion hearts—you wouldn’t have driven Regulus to his death.” 

James recoils away from your touch just as Sirius flinches, eyes flashing with anger—Sirius digs his nails into his palms, chest heaving as he stares at you in disgust. You expect another stab in the chest from him, and so you lift your head up high, daring him to say another word. (You hope they stopped trying after this—that they would leave you alone to rot in your stage of lies and dutiful sacrifice.) But you don’t plan for James to step forward, shielding Sirius away from your gaze.

“You are, without a doubt, the ugliest creature I’ve ever seen,” says James, words dripping in sincere revulsion. “Can’t believe I thought anything less than that.” 

You smile widely, despite the tightening sensation in your chest. “Are we done here now, gentlemen?”

They would learn—this is who you are beneath your masks and pretenses. 

The thirtieth of October brings about a cold you’ve never felt before. As you await the arrival of the Beauxbatons and Durmstrang students, the outside corridors are teeming with students, eyes hungry with anticipation. You lean against the wall, exhausted physically and mentally, hugging your worn-out shawl closer to your shoulders. 

The skies are exceptionally gray today—you’ve had to drag yourself out of bed earlier this morning, limbs heavy as lead. The teacup in your grasp is scalding to the touch—you find that nothing hurts more than the ache in your heart. The children are particularly rowdy at the moment—each time you close your eyes, you see the hatred in James and Sirius’s eyes. 

Has loneliness ever felt so suffocating before? 

When winged horses make their way from the heavens, the clamoring grows louder—yet all you hear are their words. 

‘You are, without a doubt, the ugliest creature I’ve ever seen.’

‘I actually thought there could be something real to you under all that.’

You would not weep—not for yourself, and not certainly for them. 

Sometimes, you wondered if you were hurting too much to even be considered alive. Did your marked flesh even count as skin anymore? Worthy to be cherished with gentle touches and tender lips? How much more did you have to do until the guillotine finally fell? 

When does duty end? And when does life begin? 

Madame Maxine and her drove of Veelas descend from their carriage; awestruck gasps and intrigued murmurs echoing along the corridor. When the Beauxbatons Headmaster comes to stand before you, you instinctively sink into the role of a diplomatic host—that is, after all, why Dumbledore hired you. With a nod of your head and a pleasing smile, you greet the first of your guests to arrive. 

“What a relief that you made it safely to Hogwarts, Madame Maxime,” you tell her in a saccharine-sweet tone. “If you please, Mister Filch here will guide you to the dormitories where you’ll be staying while Hagrid will take care of your horses.” 

You want to go to sleep already. 

Finally, as a large ship emerges from the Great Lake—a sense of relief floods through you. Only one more person to greet and you’ll finally be able to return to your quarters, welcoming feast be damned—you’ve done your part for today. Igor Karkaroff and his students make their presence known; imposing statures and foreboding glares. The castle nearly crumbles from Viktor Krum’s entrance, Hogwarts’ Quidditch players eager to catch a glimpse of the prodigal Seeker—well, you could care less about such a barbaric sport. 

Karkaroff presents you a slimy leer as he presses a kiss to the back of your palm—the dig of his long nails into your skin is a pleasant feeling, to your surprise. “Dumbledore did not inform me we would be greeted by such beauty. We would have arrived earlier, otherwise.” 

You miss your cat. 

(Sirius’s eyes roll all the way to the back of his head when you giggle and melt in Karkaroff’s wretched compliments.) 

You want to die.

—

Chaos erupts the next day. The Goblet of Fire has chosen a fourth champion—Harry Potter himself. No one is more enraged than his mother, Lily. The Aurors on duty, James and Sirius, struggle to contain the students’ horror and verbal lashings. Some have taken to accusing James himself of putting Harry’s name in the goblet in the name of family prestige—predictably, it’s Draco and Pansy who lead that revolt. But you don’t expect for Dean Thomas and Seamus Finnegan to be swayed by the baseless gossip. So there’s a crack in the pride’s loyalty to one another, you surmise to yourself. 

Like a Niffler drawn to shiny objects, you follow the Headmasters and professors into a room, away from all the ruckus. 

“Did you put your name into the Goblet of Fire, Harry?” the wise Professor Dumbledore asks calmly.

The atmosphere is beyond wintry—you note the biting criticisms in their eyes, particular between Fleur and Madame Maxime. Lily hides Harry from their scrutiny, proud and unyielding despite being shorter than the Beauxbaton champion. Across the room, you find Severus and Remus engaged in a muted, albeit wound up argument. 

Everyone looks to the morose Bartemius Crouch Sr., awaiting his decision with a bated breath. You sympathize with the man—for a fleeting moment—for if looks could kill, Sirius’s tempestuous glare would have dragged him six feet under. 

“We must follow the rules, and the rules state clearly that those people whose names come out of the Goblet of Fire are bound to compete in the tournament.”

Your blood runs cold.

Ludo Bagman appears to be pleased with his colleague’s decision—you see no reason why he shouldn’t be, he’s only ever put his odds in the thrill of the game. “Well, Barty knows the rule book back to front!” 

Dimwitted fool.

You scoff. “In a room full of Headmasters and Ministry leaders, surely one of you can find a way to unbind young Potter’s name from the tournament.”

“Err. . .” Ludo’s gaze flickers from Dumbledore to Crouch Sr. Madame Maxime and Karkaroff nod emphatically in agreement, forcing him into a corner with a ragged chuckle. “There’s nothing to be done, the Goblet of Fire has gone out.”

“Do you or do you not have a wand, Mister Bagman?” you reply, piqued; crossing your arms over your chest. “If the rules were written by a wizard, surely it can be unwritten by a wizard. Teaching an Unforgivable to a first-year would be more difficult than that.” “It is not as simple as that, Professor!” Bagman cries. “But you are welcome to try a hand at it.”

“So we just let a child run to his death, then?” you seethe, nostrils flaring. “I never knew the Ministry was teeming with incompetent men. Shall I steal your job from under your nose, Ludo dear?”

(Harry’s brows pinch in confusion. He does not expect for you to care so much.)

“He’s got to compete. They’ve all got to compete. Binding magical contract, like Dumbledore said. Convenient, eh?” says Alastor Moody as he limps across the room, flask in his hand. You fall silent, an unnerving chill slithering down your spine. Something about this man did not sit right with you. You pull the sleeves of your blouse further down your arms. 

“Maybe someone’s hoping Potter is going to die for it,” Moody growls in response to Fleur. “Over my dead body!” James snarls, veins rigid against the column of his throat, eyes simmering in anger. 

“Yes, yes, Potter, we all know you’d die for your son,” Moody remarks offhandedly, taking a large gulp of the liquor in his flask. 

“It seems to me, however, that we have no choice but to accept it,” Dumbledore counters in an attempt to placate the tense atmosphere. Lily’s sharp sob engulfs the outraged clamors of the two other Headmasters. “Both Cedric and Harry have been chosen to compete in the Tournament. This, therefore, they will do. . . .”

The glass sculpture of a long-haired mermaid shatters into fragmented pieces as you bump into the table; just about ready to flee before you do anything rash like point your wand at Crouch Sr. himself. Before you exit the room, you catch sight of Cedric’s eyes—worry and uncertainty pooling within his gaze. You slam the door hard enough until the wood splinters. 

Harry Potter is imprisoned by his fate as the Chosen One—and it seems time has imprisoned everyone at Hogwarts, yourself included. 

The first task for the tournament arrives defiantly, without care for Harry and his loved ones. You have only been to the Quidditch field twice—today happens to be the second time. Everyone is bundled in their wooliest sweaters and warmest jackets; although, Hermione did have her portable bluebell flames. You stare at it with envy. 

“Oi! Professor, over here!” One freckled Weasley twin—Fred, you guess—beckons for you to sit by their swarm of red and gold. He pushes Ron away to make room for you beside Minerva. 

“Thank you, Mister Weasley,” you say quietly, sniffles falling from your frost-bitten nose. 

It’s quite odd—you’d have expected to be sitting with Professor Sprout and Amos, amongst your sett of badgers. But it’s not half-bad. You don’t erupt in flames when Minerva holds onto you, shrieking, as Fleur narrowly avoids her dragon, awoken from its trance. You don’t particularly mind either, when the Weasley twins bump their chests and holler into Ginerva’s ear when it’s time for Viktor Krum to face the Chinese Fireball.

“We got a traitor here!” George snickers when you flinch and yelp for Cedric as he fights shy of the Short Snout’s fire, and cheering breathlessly when he eventually captures the golden egg. You glare at George mirthfully, wondering where your fight and heat has gone. 

“Please excuse me for a moment,” you say, rising to your feet as the judges mull over their scores for Cedric. “Minerva,” you nod to her, and she offers you a hint of a wrinkly smile. (McGonagall thinks that if anyone can talk back in the face of a Ministry chairman in defense of her students, then perhaps she’s misjudged a professor or two.) 

Your cheeks grow numb from the cold as you cross the swarm of Beauxbatons students, past the flock of Ravenclaws. Harry’s match is underscored by the deafening cheers; the stands  rumbling from the yells for his name. You’re nearing the territory of yellow banners and black insignias, trumpets blowing into your ears, when the clamor and hurrahs turn into terrified gasps; students rushing back from the edge. You don’t understand the fuss until you look back at the arena. 

Harry’s dragon has broken free from its chains. 

You join Professor Sprout and Severus in herding the students away from danger—spotting James and Sirius across the arena, hastily reinforcing the protective barriers around the stands, uttermost precision in their wandwork. While Harry dances a life-threatening waltz, you hurriedly clear out the space closest to the banisters. Your breath hitches as the Hungarian Horntail wreaks havoc below, inducing quakes and showers of fire. 

But more frightening than any dragon, you hear the bloodcurdling scream of a student.

“Daphne!” 

The Greengrass heiress, Astoria, cries vehemently as Draco holds her back from rushing to the front of the stands. 

You scour the area frantically—there, only a few feet away from you, lies a fear-stricken Daphne Greengrass, staring right into the eyes of the Horntail. Its teeth bare, growls like thunderstorms, and the rising scent of embers and ashes. 

“Daphne, get away from there!” 

You hardly hesitate—you run to her, desperation pushing at your legs, terror holding your heart captive. As the dragon screeches in preparation to breathe fire, the nearest Aurors miles away—each gasp for air is torn from your throat. In a blink of an eye, you grab Daphne into your arms and shield her from the Horntail. The crowd bellows in fright—you close your eyes, preparing for even the most excruciating of pain. 

But there is nothing. 

Just you, Daphne, the Hungarian—and Remus who’s pointed his wand at the onslaught of flames, redirecting it up into the sky as Harry grabs the Horntail’s attention, now zipping freely on his broom. 

Remus looks back at the both of you in relief, drawing his wand back in his pocket. “Are you alright?” he asks you first, a weary tenderness in his eyes. 

You tear your gaze away from him, checking on Daphne instead; cupping her pale cheeks and wiping the tears from her eyes. “Are you alright, Daphne? What do you feel? Come, darling, let’s get you to Madam Pomfrey—can you stand? Here, put your arm around my shoulder.” 

“T–Thank you, Professor,” stammers Daphne as Astoria rushes to her, the pair of sisters blubbering and crying. The blonde-haired girl nods to you and Remus, “Both of you. I–I don’t know how I’ll repay such kindness.” 

“Don’t worry, Daphne,” says Remus, smiling as he offers her a lemon-flavored treat. 

He steps back to make way for Lily to fuss over Daphne, his eyes straying to you, oozing with sincerity as he rubs his handkerchief to your cheek. He grins at you and your heart skips a beat. “My kindness is freely given.”

Has kindness ever felt so real before?

act iv. you wouldn’t last an hour in the asylum where they raised me. 

“THE CHILDREN ARE terrified, Missus Fawley. Just last week, we had another incident. All the windows in the kitchen—shattered! The little ones couldn’t sleep for days.” 

You hear the orphanage matron’s voice behind the bedroom door. You’re allowed but a moment of playing with your ragged, plush animals, before the matron comes barging inside. (How rude, you think to yourself. Hasn’t she ever heard of knocking before?) Although, unlike all the other times, she has a lady right on her tail. This woman is much taller than Sister Thompson, certainly more beautiful-looking, too. Not that you have anything against Sister Thompson’s wrinkly face and foul smile. 

No, this woman walks with her head held up high, dressed in a burgundy leather coat that clearly costs more than the thin rag you call a shirt. This must be Mrs. Fawley, then. Her black heels click against the rusty, wooden floor; you watch impassively as she bends down to your eye level. She takes you by surprise when she grabs ahold of your chin, slowly turning your head from side to side. 

“So this is the child,” Mrs. Fawley muses, red lips quirked. Haunting blue eyes stare back at you; hair dark as ebony falling to her waist. “You may leave, Sister Thompson. I would like to get to know my future ward.”

The matron widens her eyes. “Missus Fawley, I strongly advise against—!”

“You misunderstand me, Sister Thompson,” says Fawley, a sharp edge to her voice. “That was not a request.”

A strange sense of victory fills you when Sister Thompson bows her head in response, tossing you just one sour glare before exiting the room. The rickety door clicks shut and Mrs. Fawley returns her attention to you with a low hum, eyes raking over your form once more. You wonder what she’s thinking about; wondering if it’s the vast difference between her neatly-pressed clothing and your rumpled dress shirt. Many have visited the orphanage before, but none have spared you a second glance, not with Sister Thompson scaring them all away. (You suppose there is no appeal in adopting a child with temperamental issues who can make other girls’ noses bleed.)

“Show me,” Fawley commands, breaking the quietude; her voice stern, yet hypnotic. Much like the first notes of a pied piper’s song. For a few moments, you don’t understand what she’s asking for, until realization dawns upon you. You drop the plush toy’s limbs—seconds later, the teddy bear waves its hand as though it’s gained a soul. If this had been a wooden doll with a long nose, it would be saying: ‘I’m a real boy!’

Fawley chuckles, leaning back with a pleased look. Your head falls to the side in confusion—when you had shown this little trick to Daisy Anne and Annaliese, they’d begun to throw stones at you, screaming and saying that you were a witch. You don’t try to play with the other children anymore after that. Rather than being afraid, Missus Fawley seems to be happy with you. “My name is Agatha Fawley, special adviser to the Wizengamot, daughter of the Sacred Twenty-Eight,” she tells you, and you don’t have a lick of comprehension. “What do you know about witches and wizards, darling?” “I don’t know, maybe. . .” You scrunch your nose, making the stuffed elephant twirl the bear with just a glance—Fawley tilts your chin upwards, demanding your utmost attention. “That they aren’t real? Or if they are, they should be burnt at the stake?”

Agatha Fawley hisses, a low sound that sends shivers down your spine. You wonder if you’ve angered her. The toys fall back to the floor lifelessly. “Damned Muggles—! Is that what they teach these days?” She shakes her head. “No, never mind. What matters is what happens from now on.” “Are you going to adopt me?” you dare to ask, gaze falling to the floor, heart hammering against its confinements.

“I will,” she affirms and your eyes grow wide, breath stuttering in your throat. “But if we are to become family—there is one thing you must do for me.”

“Anything!” You all but scream in her ear, a plea for her to take you away from the orphanage; far, far away from hurtful words and a room that echoes your loneliness back to you. 

“Never lower your eyes.” She smiles, teeth bared into a snarl, reminiscent of a prowling fox. “You are magic, my darling. And I will be your mother. No one on this earth can make you kneel in surrender.”

You believe her.

You believe her with all your heart.

But, you would learn that even monsters can call themselves ‘mother’ and embrace you with open arms. 

The Fawley Manor is large—larger than the orphanage, and that was a place you couldn’t fully explore due to its largeness. There must be a thousand rooms, as far as the eyes can see. It’s like a princess castle coming to life—akin to the ones you’ve read about in storybooks. Missus Fawley’s home nearly touches the sky. There are tall trees, wide grassfields, and glimmering lakes. You gasp and cover your eyes with your hands as the chauffeur drives past the marble sculpture of naked ladies. (“Think of them as Goddesses bare to the mortal eye, dearest,” says Fawley when you yelp and sink into the leather seats.) Then, the family butler, maids, and chef come to greet you, all smiling at the new addition to the manor. 

You meet Elsie, the house elf—your first real encounter with magic. Well, besides Missus Fawley turning paper into crystalline butterflies in the car. Elsie is a tiny, wrinkly creature who wears five different-colored knitted hats atop her head. She can’t seem to stop shuddering while speaking, too, as if drenched in cold, invisible water. But you look into her big eyes and you decide to be her friend forever. 

“Get settled into your room, and then we’ll have you acquainted with the rest of the staff,” Fawley says after she ushers you into a room—a bedroom just for you, where you won’t have to listen to anyone else’s snoring or fight to the death for a blanket on a cold winter storm. The bed is bouncy and soft, not unlike the cardboard they’d given you at the orphanage. Your shelves are stocked with toys and books. 

Then, you remember that in exchange for all this, you must do your best in school. That is one thing you aren’t looking forward to. 

But, how bad could a school be if it’s filled with magic? 

You happily imagine smelly trolls, dashing unicorns, talking ghosts, and floating crayons. 

For your first week in the manor, you enjoy glazed desserts, fluffy pillows, and silken clothing—and on your second week, you are reminded of your duty to the family you’ve been brought into. Something bigger than studying in a faraway magic castle. Missus Fawley introduces you to her long line of ancestors. You stumble on your footing as the portraits shuffle around and gaze upon you with curiosity, some with a more heated glare than others. They call you a funny term as you walk past. Mudblood. But, Fawley tells you not to worry. You are now her child before anything else. 

The family crest is chiseled with gold; you squint your eyes to make sense of the inscription: Virtus in Arduis.

“Virtue in hardships,” Agatha explains in her dulcet tone. As you featherly trace the emblem with your fingers, Fawley leans down to your height, clearing her throat; her expression impossible for you to read. “I brought you to this family because I saw potential in you. I sensed great magic from your person. But we all have our duties. Magic gives, and magic will take.”

“The wizarding world is in grave danger,” she tells you firmly, gripping the curve of your jaw with an intensity that frightens you. “Will you help me fight for the greater good?”

You blink.

You just got here and now you have to fight for a world that you never even knew that existed?

“Greater good?” you echo in disbelief. “F-Fight? Fight who? I’ve never even fought in my life! Making Daisy Anne’s nose bleed w-was just an accident!” 

“I will be with you every step of the way,” she vows fiercely, the tips of her nails digging into your cheeks. “Tell me, do you understand? You will do what is right without any recognition at all. Think of it as a performance, my love. And I’m preparing you for your role in this world starting now.” 

The ingénue in this act you have to play involves studying endlessly, practicing your wand work until Fawley is satisfied, and familiarizing yourself with every shelf in the library from dawn until dusk. You don’t understand why you must memorize every charm and every incantation—but Missus Fawley reminds you that you are bound to her and your responsibilities. You don’t want to go back to the orphanage, cold and alone—so, you acquaint yourself with parchments and quills, swallowing the discomfort when the nib harshly rubs your skin raw. 

On your tenth birthday, Missus Fawley gifts you with a closet overflowing with chiffon, taffeta, and organza. Lace parasols, pretty shoes, and wide-brimmed sun hats. The chef surprises you with a three-layered cake, the constellation icing charmed to flicker like real stars in the night. It’s the best birthday you’ve ever had. For the first time, you feel like your life is actually celebrated. 

The next day, your adoptive mother says with utmost exigency, “This time next year, you shall be off to Hogwarts, but that means your debut in society is drawing near. The wizarding world will officially acknowledge you as my child.”

“When that happens, vultures will flock to you as though you were a corpse.” Her eyes flash dangerously. “And you will become one, unless you learn how to fend for yourself. The most ruthless of us all can be adorned in pearls and dressed in ball gowns. Appearance is everything in this world—do not let them see that you are afraid.” 

And so, you don’t tell her that she’s petrified you to the bone.

“As the sole heir to my fortune and properties, you must understand how to navigate, not only the wizarding world, but this treacherous domain, as well.” Missus Fawley straightens your back, harshly tapping you once more to spread your legs at a more acceptable distance. “To be envied by all—the perfect host must always be ready to receive their guests with attention and politeness.”

When you wince, or move to massage your sore muscles, she barks at you, “You must always be composed, even in near-death. If you crumble—if you let even a single person know what you’re truly feeling, all this will be for naught.”

The burden of her words is heavier than the textbooks she shoves in your hold. 

“Control them before they can control you,” Fawley explains as the seamstress measures your waist and arms. “Exert your influence in a conversation. Not only in words, but your stature. Present yourself accordingly. Jewelry and clothing can be your armor when you cannot draw your wand.”

You grumble under your breath when the seamstress accidentally pokes you with a needle for the nth time. 

“Smile when flattered, giggle when offered a dance, and curtsy when greeted.” Fawley glares daggers at you when you hiss in pain. “But most of all, do not let any of those cretins know that you are fully aware of the power you wield over them. Anyone can be a puppeteer if they want to be. You’ll just be the greatest of them all.”

(But even a master of puppets has someone pulling their strings from behind the curtains.)

Elsie stays up with you each night, carefully pouring ice-cold water over your head, and playing with the floating bubbles to distract you from the ache in your legs and arms. “Elsie will give Master her hat!” the young elf says one evening, pulling the topmost beanie from her head and laying it on yours. She tells you a bedtime story before tucking you beneath the covers of your queen-sized bed. You fall asleep to the sound of grasshoppers chirping and portraits murmuring to one another. 

Then, you get your first taste of a pureblood skirmish. Missus Fawley had taken you to Diagon Alley, months away from the first of September—a letter in your hand with all the materials a first-year would need for their classes. Safe to say, you’re more than excited. (“Oh, mother, look!” you exclaim, pointing to the various shops—and also remembering the rule of calling Agatha mother out in public. “A sweet shop! Fortescue’s ice cream parlor! Mother, can we go there? Please, please, please!”) Fawley smiles at your wide-eyed wonder, your hand in hers—today is a special one, she decides. You’re allowed a bit of fun. Especially since you’ve shown unfathomable progress in your studies. 

You get your very first wand at Ollivanders—and now this world of grumpy goblins and jumping chocolate frogs becomes even more real. You hardly let go of your wand, a tingle of exhilaration running through you each time you brush your fingers against the finely-carved wood. Even Missus Fawley is pleased with the wand that chooses you. Later, you’ll be given three hours to practice your charms again, but you find that you don’t mind—not when you’ve learned that you can now read books under the covers when Elsie turns the lights off.

As you exit the shop, breathless and flushed with a hunger to explore more of this world you’ve been given access to, you and Fawley run into one of her friends. This must be one of the scary people she’s warned you about. Sharp cheekbones, unfriendly gray eyes, and a stern demeanor. You immediately suck in a breath and school your face just as Agatha has taught you. 

“Walburga!” Fawley greets with a lovely smile, but you notice that it doesn’t reach her eyes, not like when she smiles at you for growing another inch taller. She brings her hand onto your shoulder. “What a pleasant surprise, my dear.” She peers at the two young boys hiding behind her, much like you were doing now. “Oh, my! Is it that time already? I’d forgotten young Sirius was set to go to Hogwarts this year. You must be overjoyed.” 

Walburga is a tall lady, taller than Agatha, even. She hums, lips quirked, chin held up high. “Fawley,” Walburga responds, rather displeased. “Talking my ear off, as usual.” Her trenchant eyes land on you and her smile curves into a sneer. “And who might this little one be?” 

You risk a glance at Missus Fawley before offering the other woman a sweet, half-curtsy. “Madam Black, how do you do?” you smile at her, gaily revealing your name and the gap in your front teeth—the two boys snicker and your eyes instantly narrow into a glare. 

Walburga stares you down harshly. “How adorable.” Her eyes slice to the two boys behind her. “Sirius, Regulus, introduce yourselves.” 

Missus Fawley laughs, a grating sound—much like warning bells—as her eyes flash dangerously at her, hand tightening on your collarbone. “What a relief to know that Sirius will at least have one friend already before they arrive at the castle.” 

“But—oh, dear, look at the time.” Agatha quickly casts the Tempus charm before looking at you aghast, eyes wide as saucers, mouth parted dramatically. “I promised the Daily Prophet a photoshoot today! It is my thirty-first birthday soon, after all. I’d give you tips on how to capture this look, but, Walburga, it seems you’re embodying the housewife fashion perfectly.”

“Ta-ta!” She plants two, airy kisses on Walburga’s cheeks before waving the three goodbye. 

“That,” Fawley whispers into your ear as she snuggles the side of your face. “—is exactly how to do it.”  

You collapse in your bed that night, wondering just what you’ve gotten yourself into and what kind of world you’re about to live in.

How confusing.

All this time, you thought that Missus Fawley had been preparing you for an intense entrance exam. Why else would she make you study twenty-five hours a day and eight days a week? But as it turns out, all you had to do was sit on a chair and have Professor McGonagall put a talking hat on your head.

“Hufflepuff!” the Sorting Hat proclaims, and the table of yellow and black welcomes you with open arms. You sit next to a boy named Amos Diggory. Later in the night, you’ll share a dormitory with a kind girl named Amelia Bones. 

(Hogwarts is the best!) 

The holidays arrive in the blink of an eye and you find yourself standing at the steps of the manor once more. Agatha Fawley waits for you by the door, engulfing you instantly in a hug that shields you from the falling snowflakes and biting winds. Hot cocoa with marshmallows and gingerbread cookies await you in the grand dining room; you even get a crotchety greeting from Isolde Fawley the Third’s portrait. Elsie crumples to the floor and sobs at your arrival. 

“So you were sorted there,” Fawley mutters to herself, a worried expression contorting her face. The fireplace crackles as a winter storm rages outside the manor. You lay on her lap as she absentmindedly pats your head. Stories of your first few months at Hogwarts fall from your lips without pause. “This would go smoother if you had been sorted in Slytherin, however; but no matter—it’s not what I expected, but we can make do. The Diggorys and Bones’ are purebloods, so maybe not all hope is lost. But you need to get more acquainted with the Greengrasses and the Malfoys, Druella Black’s daughters as well.”

You hide your frown against her legs. You really liked Amos and Susan, Bellatrix was just downright mean to everyone, even calling this one girl, Lily, a Mudblood, too. But if mother wanted you to try, you might, but only once. If Bellatrix didn’t want to be your friend, then there’s no helping that unhinged witch. (At least the Prewett twins’ pranks were funny. Bellatrix once snuck inside the Ravenclaw tower to leave a dead pig’s head in the girls’ dormitory just because.)

On the twenty-fifth of December, Agatha Fawley throws a gala just for you—masqued as a fundraiser for Muggle children in need. (None of the families cared about them, you would realize later on.) The ground nearly rumbles from the number of guests she’s invited. From your bedroom window, you spot a few familiar faces. Sirius Black, who stands out from the crowd like a pale bean sprout; his cousin, Bellatrix, who’s already taken to yelling at the staff; Lucius Malfoy, the Flints, and the Parkinsons. Your head goes dizzy. 

As long as you don’t trip during your entrance, everything should be fine, right? Right?

(You one-hundred percent trip in front of everyone as you descend the stairs. The sound of James Potter and Sirius Black’s laughter haunts you.)

But other than that, the Yule event goes by smoothly. You don’t fall flat on your face when greeting Cygnus Black and Druella Black née Rosier, and mother is thoroughly satisfied when you smile in the face of Walburga Black and Abraxas Malfoy. You stay in the corner after welcoming your guests, sitting in your chair like an abstract painting forbidden to touch; whilst the Prewett twins and James teased Elsie until she cried from anxiety. Sirius also goes out of his way to congratulate you for growing all your teeth in. 

You don’t understand why Mother is so scared of these people.

But you’ll understand virtue in hardships soon enough when you receive your first tutoring in ballroom dancing. Instead of sapphire earrings or a trip to France, Missus Fawley has a different gift in mind for your fifteenth birthday. She surprises you with a tutor—you’re bewildered at first, arguing that you’ve consistently been at the top of your class. (“Madam Hawthorne is not here for your academics, my darling,” Fawley explains with her red-lips stretched in a foreboding smile. “Dance is a beneficial skill for any host to have. You’ll practice until your footwork is perfect. You will dance until I say you can stop. And when your feet are aching and bleeding, you will keep dancing.”) 

Each night for your summer holiday, you go to bed, sobbing into your pillows, body trembling from Madam Hawthorne’s cane. 

Everything changes on the eve of your sixteenth birthday.

Like all the years before, Missus Fawley invites the entirety of the pureblood society to the manor. 

You stay with Narcissa and Andromeda, gently placating their concerns when they ask about your unnatural quietness—truthfully, you could no longer breathe in the flounced dress you’ve been forced to wear; the sides of your feet raw from constantly practicing with Madam Hawthorne, head aching from the lights and obnoxious perfumes; stomach gurgling. Bags under your eyes from revising endlessly for your N.E.W.T.S. 

Eyes drooping and neck craning from exhaustion, you don’t at all expect for James Potter to emerge from the crowd; wavy, brown hair sweeping over his glasses, wine-colored suit melting into his dark skin. He holds out his hand to you with a boyish grin. “May I have this dance?” 

You blink, frozen solid for a few moments until Narcissa softly nudges your side. “Y-Yes, if you must,” you splutter, placing your palm in his. 

He leads you to the dance floor as the orchestra plays a song perfect for a waltz along a flower field; your eyes glued to his back. The chandelier hangs overhead as James settles your arms around his neck in one swift motion. You almost step on his feet, spluttering your gratitude when he steadies you by the waist, the heat of his hands permeating your layers of clothing. 

“Isn’t it odd that the birthday celebrant wasn’t dancing all this time?” he says, pulling you in for a twirl. 

“I assume the others were all too afraid to deal with my mother,” you reply timidly. “She’s quite overprotective, you see.” 

“Who? That tall lady over there by Missus Black who’s currently glaring at me?” James chuckles into your ear as you step closer to hear his heartbeat. “She couldn’t possibly terrify me.”

“Lily says thank you, by the way.” 

“Oh? For what?”

“Letting her copy off your Defense Against the Dark Arts essay—she’s downright shite at the subject. Don’t tell her I said that, though.”

You laugh along with him, and you find that you could rest in his arms forever.

But, as your dance with him comes to an end, so does your wistful reverie. 

When most of the guests have left the scene, and when the lights have dimmed, Mother presents to you her real gift—your debut in the wizarding society. She leads you to a room, one where you’ve never ventured before. It’s deep past the cellars, where cobwebs and dust bunnies grow. (Before you enter, Narcissa grips your hand firmly, a look of dread and urgency in her eyes. “Be brave,” is all that she says, encasing you in her arms.) 

In this dark room, you see Abraxas and his wife, Walburga, Cygnus, the Notts, the Goyles, and more people you recognize, all dressed in their finest black cloaks—as though it were a funeral instead of a birthday. In the center of it all, is your mother, Agatha, with a man kneeling in front of her. 

“What is this?” you ask in alarm, frantically searching for answers. The man struggles against his rope, binds, screams and pleas muffled by the cloth shoved in his mouth. The sight of his bruises makes you all but retch. “Mother, what is going on?” 

Walburga is the first to step forward, her lips painted blood-red against her ashen skin, curving into an edacious smile. She cradles the back of your head to her chest. “My lovely dear, it has been the utmost privilege watching you grow. Your mother is certainly proud of you, we all are. Tonight, just as our sons and daughters before you, we offer you our blessing on this very special day.” 

“You know of the Unforgivables, right, my child?” Her voice is a sweet, ruthless cadence in your ear; her touch, like worms crawling on your skin as she places your wand in your hand. You bite down on your tongue, swallowing each breath as the walls threaten to cave in on you. Your fingers forcibly shake in terror and you worry that you might snap your wand in half if you aren’t careful. “The Cruciatus, the Imperius, and—?”

“The killing curse,” you breathe out, ever-so stiff in her hold. You watch as Abraxas kicks the man to the ground; you dig your nails deep into your palm to keep from flinching. 

“That’s right, little one,” says Walburga, tracing your jaw with a morbid sense of satisfaction. She holds your chin in place as Abraxas tears the cloth from the man’s mouth. It’s worse now. You hear his desperate begging and his guttural cries for help. “Muggles,” she spits the word out like venom. “Look at them. They’re filthy. Infecting our blood with theirs.”

“Kill him,” Walburga says, a delicate whisper, as though she had asked for a cup of tea. “Kill him and you’ll have proved your worth to us.” 

“No! No, please!” The man struggles against Abraxas’s arms. “Please! I have a family! A c-child!”

You stagger backwards, nearly losing your grip on your wand. You look to your mother for help. “I—!”

“Kill him, pet!” Bellatrix cackles from across the room, teeth bared viciously, eagerly beckoning for you to come forward. “Make sure you mean it! Otherwise it won’t hurt!”

“You know the words,” says Walburga, lifting your pliable arm—a puppeteer controlling its ragdoll. “Say it.”

The man before you is real. He’s a real person with a real family anxiously waiting for him to come home. His children worried sick for their father. How can they just stand there and expect you to kill him? “Mother, please—I can’t. I w-wont.” Your breathing grows labored, hot tears pricking your eyes; the man screams and yells, and the sound echoes ceaselessly in your ears. “I don’t. . .  I don’t understand.”

Agatha Fawley closes her eyes, and you understand perfectly. 

Each sob wrecks your body and the tears endlessly flow from your ears, you hiccup and shiver; blood pooling from the bite in your tongue. “I can’t do this—please!”

“You will.”

You close your eyes just as a flash of unforgiving green shoots from your wand. “Avada Kedavra!”

The man falls limp to the floor, and so does your wand. Walburga coos and drowns you in a sea of shallow praises, the men offer their congratulations, but all you hear is the sound of a lifeless body dropping to the ground. 

A man who you just killed by your wand, in your home. 

That night, the four walls of your bedroom bear witness to your anguish—you cry until you throw up on the floor, body lurching and quivering on the freezing red oak. 

“Do you get it now?” says Agatha as she enters your room, the faintest of sunlight streaming through the windows. She bends down and cups your face in her palms. “This is your world from now on.” 

You rip her hands away from you, gritting your teeth. “I don’t want to live in your world—not anymore! I don’t care about all this! Magic, wealth, and all these things mean nothing if I have to kill innocent people! You’re a monster!” 

“Good.” Fawley’s voice is cold as she stands up, lifting her chin as her eyes glaze impassively. “That means you’re ready for your next lesson.”

“Didn’t you hear me? I said I was done!” you retort, sore from crying.

“Don’t you see?” says Fawley, pausing underneath the door frame, gaze ruthlessly slicing towards you. “We will destroy them from the inside out. Walburga, Abraxas, Tom Riddle. All of them, one by one. That is our true duty.” 

As she turns to leave, she adds coldly, “Ready yourself. I’ll be teaching you Occlumency during your summer break.” Then she slams the door shut, leaving you all alone in your room. 

When you return to school after the winter holidays, you’re forced to pretend that you hadn’t taken the life of an innocent Muggle. 

‘Do not let them see you are afraid.’ 

“Unfortunately, flaming red hair and hand-me-down robes will not complement my dress—it’s crimson taffeta, you see, handcrafted only by the finest tailors in Italy,” you say dismissively to the ragtag of Gryffindors before you, Vittoria Zabini and Isadora Bulstrode giggling at your side. The Prewett boy visibly wilts and you almost give in—almost. But everyone must play their part in this world. You know that if you show a sliver of weakness, Vittoria and Isadora will be happy enough to report to their mothers—vying for the pedestal you’ve been put on by their parents. 

For the final blow, you scrunch your nose in disgust, slamming your Divination textbook close. “Can you even afford anywhere in Hogsmeade for a date, Prewett?”

(Walburga would Avada you herself if she caught you in such a place with such a wizard. You’re more terrified of what she might ask you to do to Gideon—someone she deems as a blood traitor. You refuse to utter another Unforgivable. You just won’t.) 

“Oh, you cruel wench!” Marlene McKinnon steps forward and before anyone could take another breath, she slaps you in the face. And, finally, you feel something other than the guilt of taking someone’s life.

Your cheek stings from the impact, your ears ringing with the sound of your friends asking if you’re alright and Dorcas Meadowes roaring about how you deserved it—well, you’re not about to disagree. You move your jaw about, cradling the side of your face as you sigh impassively—oh, it’s nothing compared to the etiquette lessons of Agatha Fawley. “My mother will certainly hear about this, McKinnon.”

“You and your mother can kiss my arse!” she shrieks, eyes ablaze.

“Gideon didn’t deserve that, and you know it,” Lily argues fervidly, eyes sickle-shaped as she looks back at the Prewett twin’s dejected expression. “How could you even say that?” 

“How could I not, Lily darling?” you reply off-handedly with a roll of your eyes.

Lily flinches. In her gaze, all you see looking back at you is the Muggle father who had cried out relentlessly for one last glimpse of his children. She stares at the badger emblem on your cloak with disdain, and you with a great deal of pity. “You are, without a doubt, the ugliest creature I’ve ever seen.” 

She has the softest voice you’ve ever heard, but it hurts you all the same. 

You’ve scrubbed your skin raw in the bath, hoping that you’d wash the feel of your sins off your hands—it’s all for naught. Agatha might be a monster in your eyes, but you’re the fool that played right into her act.

You get to your feet, meeting her eye-to-eye. In a low whisper, lips close to her ear, you say, “There are far worse creatures out there, Evans. You’re lucky you’ve been born only a Muggleborn.”

Fortunate that she won’t ever have to play the role that you’ve been forced to. You feel an overwhelming envy towards her—effortless beauty, pure and untainted hands, a kind heart that draws in every one and every person. Compared to her, you must be a dirtied, black swan in a lake that’s only meant for white swans like Lily Evans. 

And she will have more charming princes and truehearted fairies on her side than you could ever hope to gain. 

“Say another word and I will tear your hair from that pretty head of yours,” Marlene snarls, pushing Lily behind her.

Oh, how easy they make it for you. 

You smile in delight. “So you think I’m pretty?”

Marlene lunges.

(You are so tired of it all.)

Every night of your summer holiday, you spend it writhing on the floor, Agatha’s lessons on Occlumency taking its toll. She grows harsher, stricter, and more apathetic than the sun beating down on the manor windows. (“Again!” Fawley demands as you collapse to the ground, drenched in sweat and your head numb from her probing. “Do you think the Dark Lord will be lenient with you? Get up! We’re going again! If you want this to end, you will endure this without error!”) 

While your peers are out swimming in lakes and racing around in Quidditch brooms, you’re stuck within the confinements of your home. But you are not that naive, you’ve seen the headlines of the Daily Prophet. A coalition known as Death Eaters have begun making their mark on the wizarding society. There are rumors of a great, sinister power rising. People go missing everyday, and you worry that this might be the world that your mother has been preparing you for all this time. 

But why you? Why must you carry this burden all alone? Who will pick up the pieces of your battered soul when the weight of your burden crushes you entirely? 

There are times when you wish you never left the orphanage at all. 

A week into your summer break, you find out that your mother is dying. Violent coughing, dizzy spells, jaundiced skin, her eyes bloodshot, and the healer frequenting her bedroom quarters. You’re not allowed inside, of course, but you can hear her feeble voice and the doctor’s stern orders. 

You also learn that she’s absolutely insane—but that is a fact you’ve come to terms with years ago. One night, during dinner, you’d let it slip that you have your suspicions of a classmate being inflicted with a lycan’s curse. Agatha Fawley reacts just about as one would expect her to. 

“A werewolf? In Hogwarts?” Fawley staggers to her office, the tower of neatly-piled documents and research reports from the Ministry now fluttering to the floor. “No, no, no. . .” she utters to herself, panic seeping within her skin. It’s the most frazzled you have ever seen the great Agatha Fawley. You stare at her unraveling from the threshold of the room, unsure of what to do. “Dumbledore has gone mad! That old loon! What was he thinking? Sheltering a beast within the castle!” 

“Don’t worry, my dear,” says Agatha as she reaches for you, a ghastly smile on her face and a near-empty look in her eyes. Your brows pinch together in confusion—you hadn’t been worried about that student at all. “I’ll have that monster out of the castle in no time. The Ministry will have no choice but to listen to me.” 

“That’s it,” she mutters, haphazardly grabbing for her feather quill and blank parchment. “Perhaps a law to forbid werewolves from ever integrating into society. School, house properties—can you imagine if they manage to infiltrate the Ministry? Everything I’ve worked so hard for!” 

“Mother?” you call out hesitantly, crossing the distance, hand outstretched as Fawley slips on her footing, a muttered profanity under her breath. The woman before you is unrecognizable, a sallow casing of a moribund soul. “Mother, please, Remus is no threat to the castle,” you plead, ripping her hand away from the quill. “You can’t do this!” 

“Do not tell me what I can or cannot do!” Agatha seethes through her teeth, chest heaving as she glowers at you. “Everything I have done, I have done for you! Yet, you still continue to fight me? I should have left you in that orphanage to rot while I had the chance!” 

“Well then, why didn’t you?” you scream, pushing her away as the words force themselves out of your throat. “Maybe that Muggle father would have still been alive if you did! Maybe I wouldn’t have to suffer so much! To hell with you and your duty!” 

Fawley laughs to herself, a weak and feeble sound. At first, you think it’s in response to you, but then you watch her drag her palm down her face, unblinking when her fingers appear to be drenched in blood. You take a step forward and there’s crimson trickling down her nose, a pallid contrast against her skin. “Ha,” she chuckles once more, keeling over to the ground as she stares up at the ceiling, blood on her flesh. “Merlin, what have I done? I–I’ve gone too far—even the Gods cannot save me.”

The despair in her voice is confounding. “Come here, my love,” she croaks from the floor, reaching out to you with bloodstained hands. Reluctantly, you sink to her side, gnawing on your lower lip as she cups your face in her palms—how many times have you been in this position before? “I’m sorry,” she sobs, shoulders trembling. “Oh, my darling, I am so sorry. I’m afraid I’ve doomed the both of us.” She traces the frame of your jaw and cheekbones. “My child, my beautiful child. What have I done? Will you forgive me?” 

You realize that this must be the consequence of living in a constant lie. To be an imitation of a human person, with no room for grief, rage, fear, hope or even a semblance of love. You stay silent, drowning in the arms of your adoptive mother. “I am to die soon,” says Agatha with utmost finality, eyes boring into yours. “But you are better than me. Braver. Far stronger than I have ever been. I know this must be the heaviest burden a child can carry, but you must understand that the fate of this world is at stake. I am so sorry, my love, but I must leave this duty to you.” 

She lets her head hang limply. “I-I am tired, as well. I’ve pushed away everyone and anyone for this. To do what is right, to endure what is hard—that is what I’ve lived by all these years.”

“And so must you.” Agatha has been mourning all this time, but not for her life. 

You hate her. 

You hate her with all your heart. 

But even monsters need a heart to breathe. 

A month passes by in a blur, and you are now set to meet the ill-famed Tom Riddle. You know that he was a student of Professor Dumbledore; that Narcissa is extremely terrified of him, and that Lucius Malfoy idolizes him to a fault. (“This is the moment I have been preparing you for all these years,” your mother tells you, shields of Occlumency glimmering in her deep blue eyes. “Do not let him in no matter what.”) Soon thereafter, Missus Fawley apparates the both of you to the Malfoy manor. 

The dining room is bleak, befitting of a Malfoy; curtains drawn, fireplace idly crackling, and hushed murmurs upon your arrival. All eyes are on you, and you’re lucky to have dressed in your Sunday best. At the head of the table, you see Tom Riddle, with Abraxas and Cyprian Nott sitting on each side. You hear something large slithering across the polished floors—your breath hitches at the sight of a monstrous serpent curling around Tom Riddle’s chair. The glass chandelier chimes overhead and you wish it would fall from where he sits on his shrewd throne. 

(You find Regulus Black sitting beside Narcissa, cheeks flushed, body quivering as his skin pales to a deathly color; holding onto his left arm for dear life. And, your heart just physically breaks. You don’t understand why this is the world you must live in.) 

“Come here, my dear,” Tom Riddle hisses, urging you forward with a serpentine leer in his eyes. You feel like a circus lion forced to perform its tricks. 

Tom Riddle is handsome—you notice begrudgingly. A menacing kind of beauty that entices the weak and preys on the vulnerable. (You would not be one of his victims, you vow, raising your own walls against him.) His gaze drills into your own—instantly, you feel his magic snaking around in your head, searching for hidden truths. The sensation is staggering, dizzying, and you’re nearly brought to your knees. You clench your jaw at his Legilimency—obstinate bastard. 

“This one is lasting longer than your son, Abraxas.” Riddle chuckles, his finger tracing the curve of your jaw, as Abraxas forces a smile. Finally, after what feels like an eternity, he leaves your mind. You release the breath you’ve been holding for the last thirty seconds. He finds none of your secrets, and you suppress a vindictive grin. Riddle glances at your mother. “How fascinating.” 

You wonder if his intrigue will keep you alive for another day or bring you closer to your death. 

“My Lord,” you greet windedly as you press a kiss to the cold signet of his ring. “What an honor to stand before you today. Although, I could have done with a more polite greeting from you.” 

Bellatrix snarls at you in warning. “Do not speak to the Dark Lord that way, you insolent brat!” 

“Enough, Bella,” Tom rasps, flicking her concern away, barely so much as sparing her a glance. “I’ve no need for a little girl to come to my defense.” She visibly wilts at his dismissive words and you almost feel pity for her—almost. Then, you remember this is the man who treats the Cruciatus curse like a treat to give away freely to children—now, you pity Bellatrix fully. The curly-haired girl twitches at the sight of him toying with his wand, Nagini’s forked tongue flicking in anticipation. 

“Tell me, my dear,” says Riddle, trailing his gaze down to your arm. “Has your mother arranged a marriage for you yet? Much like our dear Cissa here.”

You grow frigid in his hold. “Not at all, my Lord. Mother thought it best if I focused on my studies before anything else.” 

Tom hums in thought, eventually releasing you from his clutches. “I see. . . Then, have you considered other ways of pledging your allegiance to our cause?” 

Instinctively, you hide your left arm from his sight. “My Lord,” you begin, wondering how much longer you can address him as such without throwing up in his lap. “The only reason there isn’t much backlash to your. . . merciful endeavors is because Mother and I have ensured that the Daily Prophet’s eyes are elsewhere. The Ministry is blindsided, and no one expects a mondaine darling to be under your influence,” you say, desperation pouring from each word. 

You don’t want to carry his Mark. Not ever. You can endure it—you can endure it all so long as you aren’t eternally condemned to his name. 

“Take that away, and you’ll face significant repercussions,” you threaten boldly. “I promise you that. They look away because of me.” 

For every village and family terrorized, you had shifted the public’s attention to your facetious behavior. Throwing galas left and right, appearing out in public with various partners—you had done it all to bury the looming war. Rita Skeeter is at your beck and call. For every attack, your face is plastered on the front page. For every cry for help, the Ministry is busy dealing with trivial matters that your mother has proposed—such as anti-werewolf bills. 

And Voldemort would never notice that you’ve been thieving covert information from right under his nose and delivering it anonymously to a rising organization known as the Order of the Phoenix. 

(You’re also not pleased that they share similarities to your non de plume, the Firebird, but you suppose that is the least of your worries.) 

If Molly Weasley comes across a sealed letter on the steps of Grimmauld Place, with complete details and addresses of Death Eater hiding places, it is no one’s business but the Order’s—and yours. 

For every life taken, you remember that Muggle father in your mother’s cellar. It may not be today, it may not be tomorrow—but you’ll dismantle the pureblood society yourself. All of them, one by one. 

Tom Riddle smiles, and you realize that no one threatens him and gets away with it unscathed. 

A day before you’re set to return to Hogwarts for your seventh-year, the Malfoy Manor is pervaded by your gut-wrenching screams. 

There you are, little Firebird with your wings clipped, writhing on the floor of Lucius Malfoy’s guest room—the Cruciatus curse surging through your veins like molten lava threatening to burn you from the inside out. You hear Narcissa and Missus Fawley’s voices blend into a cacophony of panic. They’re shouting for various things: warm towels, bandages, essence of Dittany, and water. Regulus’s hold on you is tight, near-suffocating, even. 

But you don’t feel anything other than the mutilated flesh of your arm. 

You scream, cry, and scream again—you feel his magic over and over again. Branding you. The ink blends into your skin—but it’s not your skin anymore. A part of you now will always belong to him. 

Bile rises to your throat. 

Tears fall from your eyes. 

(How cold is the floor? You don’t even care anymore.)

And, the worst part is that no one can see it. Riddle charmed it perfectly to coalesce against your skin tone. But you see it. You see the skull and the stupid, wriggling snake. You see Tom Riddle’s monstrous glee as he drives his wand into your arm—Abraxas and Lucius holding you down as you thrash and flail. Your only reprieve was your mother was there, cradling your head to her chest, blocking out their malignant laughter. (You can’t believe you never noticed, but your mother had been branded, too.) 

“I’ll. . . kill him,” you say to yourself, blood and saliva trickling from your lips. If it is the last thing you’ll ever do, you will have Voldemort’s head on a silver platter. 

“Don’t be foolish,” Narcissa scolds, tipping your mouth upwards to swallow the drops of Dittany. “None of us have the power to do that. We just have to make do with the life that we’re given.” 

“I promise. . .  you,” you gurgle through the searing pain, gasping for air, clawing at her arms. “I’ll destroy them all.” 

You pass out in her arms. 

When you awake, you’re on a train to Hogwarts, left arm bandaged and hidden under the sleeve of your school robes. 

You don’t bother attending your classes—seeing no more purpose in Transfiguration and Herbology when you’re just a pawn in someone’s, everyone’s plans, apparently. The professors express their concern when you no longer turn in your homework or assigned projects. Once again, you barely see the need to. Your meals during breakfast, lunch, and dinner go untouched. You stay away from Narcissa, Vittoria, Isadora, Lucius, and Regulus. Your only friends, Amos and Amelia, stay away from you, too, having seen news of your promiscuity in the Daily Prophet. You scoff internally—you’ve never even had your first kiss yet. But even that seems like a distant dream. 

You are tired. 

How much longer do you have to play this part? How much more of yourself do you have to give? 

You’re only seventeen—how can you even hope to defeat Voldemort like this? 

The castle walls have dulled, and you drift through the corridors like a wearisome ghost. The once colorful world that you have been brought into now pales in the face of curses, spilt blood, and the Mark on your arm. You wonder what would happen—if you just run away now. 

Why should you be the one to bear the burdens of this duty thrust upon you? Why do people like James Potter and Sirius Black find loyalty and a real family within Hogwarts, and there is no one willing to fight for you? 

Perhaps, you have no one else to blame but yourself. 

Rita Skeeter publishes her article on the growing rift between you and Vittoria Zabini—claiming that you had stolen her beau from her.

You toss the newspaper into the fire. 

Some nights, you don’t bother returning to the Hufflepuff dormitories anymore. You know what they think. You know what they say behind your back. 

For the third time this week, you find yourself at the top of the Astronomy Tower, legs dangling from the edge of the window, eyes blankly staring at the horizon—if you run towards there, you wonder how long it will take before they find you. The cold nips at your cheeks, but you barely feel anything other than a gnawing emptiness.

Your gaze falls to the ground below, thirty, fifty meters from where you sit. 

Maybe. . . 

If you move a few inches forward. . . 

If you just fly. 

You’d be free. 

“Oh, I didn’t know this window was occupied.” You loosely turn your head to find Remus Lupin standing before you with a crooked grin, hands shoved in his pockets as he awkwardly shuffles one foot over the other. He raises his arms up in surrender. “I guess I’ll. . . find somewhere else to brood.” 

I don’t care. 

Go away. 

I want to die.

If I disappear, would you care? Would anyone? 

You rest your head back on the windowsill, hugging your legs to your chest. 

Starlings chirp and fly past you—how liberating it must be, to soar in the skies. But all you can do is watch enviously. Powerless, little songbird with no more lullabies to sing and no more wings to fly with. 

You let your weight shift over the window. 

Maybe if you fall, you could see what it’s like to fly. 

“H-Hey! Don’t—!” Remus quickly snatches your hand and pulls you into his embrace—the both of you tumbling to the floor. You feel his chest heaving, arms trembling around you, and the sound of his rapid heartbeat. His eyes are wide as he looks over your face for any injuries. “Why would you do that? Are you mad?”

You sigh. 

Maybe tomorrow, then. 

“Oi!” Remus pokes your shoulder. “Don’t just ignore me! You scared the piss out of me, you know? Bloody hell.” His shoulders slump in relief, and he takes another peek at you—just to make sure you’re still in front of him. “A-Are you okay?” he asks softly, afraid to spook you further away. “Do you want to talk about it or anything?” 

You shrug. “Nothing to talk about.”

His gaze flickers from you to the window ledge. “I think that’s a big something to talk about, honestly. B-But I get it. Really. No judgment.” 

An unwilling chortle escapes past your lips. Remus Lupin and his marauding bunch of lions would never understand the burden you have to carry each day for the rest of your life.

Remus scratches the back of his head with a wolfish grin. “Hey. . . listen. We don’t know each other all that well—so this is going to sound terribly weird. But would you like a hug?”

He opens his arms wide enough for you to fit—and you stare at him in horror. “C’mon, then. It really seems like you need it. And honestly, I kind of need it, too, especially after a scare like that.” 

You stay silent. 

He shakes his hands, beckoning you forward, golden hair flopping over his eyes. “I don’t bite. Promise. One hug and we’ll go on pretending like we don’t know each other tomorrow. Marauder’s honor.”

“I haven’t done anything to deserve your kindness,” you say with a prominent sneer—certainly not kindness from him. It must be another prank of theirs. You wait for Peter Pettigrew and Sirius to jump out and spray you with garlic juice. 

Remus smiles. “I think you’ll find that my kindness is freely given.” 

You nibble on your bruised lip. 

Could you really? 

Maybe just this once. 

You’re only human, magic as you are. 

You take one step forward. 

Then another. 

Another.

Until you fall right into his arms, and you inhale the scent of honey, milk raspberry chocolate, and cedarwood. The warmth of his arms around you is real. His voice is real. He whispers cruel words into your ear, “You’re alright, love. Let it out. I’m here.” You burrow your head deep in the crook of his neck. The sound of his heartbeat is real. He tightens his hold around you, and the ground underneath feels real. For a few moments, you don’t feel like you’re floating away into oblivion. 

Maybe you’d stay alive—for a few more days. 

To do what is right. 

To endure. 

Perhaps, tomorrow will be easier—if such kindness is real, maybe you’re allowed to seek it for yourself every now and then. 

But your nightmare doesn’t end when you’re awake—it takes you by the throat when you find yourself summoned to the Malfoy Manor on Hallow’s Eve. 

You’re not the only one caught by surprise. One by one, Tom Riddle’s followers apparate into the dining room, stumbling inside with a bewildered expression. Their Dark Lord has called for them in the dead of night—it must be for something important. You stiffen, sinking into Lucius’s shadow. You search for your mother but she doesn’t appear to be anywhere in the room. Someone brushes their hands against yours—Narcissa. She stands by your side, face impassive, her pupils frantically trying to make sense of the situation. 

Then, Tom Riddle finally apparates into the room, startling you for a fraction of a second. Not far behind is Abraxas, Cyprian, the Lestranges, Bellatrix, and finally—

Your mother. 

Fawley looks worse for wear, her skin sinking into her bones, clothes tattered, and her face littered with bruises. Bellatrix drags her across the floor, hair wrapped around her hands. 

You move to stop Bellatrix, anger blinding your vision—Narcissa tightens her grip on your wrist, subtly shaking her head. You rip your hand away from her. 

“We have found a traitor in our midst!” Bellatrix cackles, throwing your mother to the ground—your fists clench, swallowing each lump in your throat with rage blinding your vision. “I caught the bitch helping the McKinnons escape!” 

“No,” you whisper, dread knocking you backwards—it just isn’t possible. The two of you had always been careful. Bellatrix hits her again, and you have to restrain yourself from marching forward and cursing her from where she stands. 

One moment of weakness, that is all Tom Riddle needs. He finds you in the crowd with ease. The crowd of Death Eaters part like the red sea, and you steel yourself with Occlumency before you are sharply pulled forward, the mark on your left arm blistering as though a hundred needles are driving into your skin repeatedly.

“If the mother is a blood traitor, the child is sure to follow!” Bellatrix hisses, spit flying into the floor, her eyes gleaming with maniacal glee.

Voldemort cruelly holds your jaw in his hand, nails digging into your flesh, threatening to break through your bones. “Is this true?” he asks, drawing blood from your skin. “Tell me!” 

“No!” you cry out, kicking and punching to get away from his hold. “It’s not—let me go! That is my mother! You’re hurting her! She’s sick!”

“That,” Riddle’s eyes flash with hostility, breath hot on your skin, “is a betrayer to our cause.” 

“She’s not!” you scream.

“How did she find out, then?” Voldemort flings you to the ground—immediately, you rush to your mother, gathering her in your arms. Tom Riddle cocks his head and you’re blasted into the walls—you feel his Legilimency trying to force its way in, exploiting your pain and shock. But you won’t let him in. He’ll have to pry your memories from your cold, dead body.

The pain is searing—you’re being torn apart from limb to limb. Your mark is burning, head throbbing from a concussion, and still fighting against Riddle’s magic. Through your blurry haze, you see Lucius holding Narcissa back from running to you. “We’re not traitors!” you cry out desperately, crawling pathetically to your mother’s listless body. “I swear!”

Voldemort sneers just before he points his wand at your mother. “Crucio!”

“No! No! Stop it! Please! Please, stop it!” you beg on the ground as your mother helplessly writhes on the floor, the Cruciatus curse reducing the once austere Agatha Fawley to a whimpering mess. “You’re killing her!”

Tom snarls, “Good.”

Bellatrix digs her claws into your neck, her laughter resounding throughout the manor—you swallow the sobs down your throat as she drives her wand into your flesh. “Your mummy over there is done for. But you—our precious jewel, you can still prove your loyalty to our Dark Lord.” 

She puts your wand and closes your fist over the wood—your eyes grow wide as you thrash in her hold, screaming as she forces you to look at Fawley. “Kill her. And you may live.” 

“Just say it,” Bellatrix whispers in your ear. “Two little words. You’ve already done this before, pet—the second time should be easy enough!”

“No!” you knock your head back into her nose, slipping away as her hold loosens and she screams profanities at you—but to your misfortune, Voldemort captures you, like a defenseless bunny running into a starving snake. 

“Mum, wake up, please!” 

You cry out helplessly, sobbing as Voldemort forces you to watch the life gradually fade away from her blue eyes. Her magic envelops you—and you remember warm holidays spent by the fire, Muggle storybooks before bed, surprising you with breakfast in bed for your birthdays. It’s a warm feeling, a stark contrast to Tom Riddle’s invasive magic. Her voice echoes in your head one last time.

“Thank you for showing me what love feels like, if not for a moment. I am sorry I could not show it as a proper mother would.”

“Kill her!” Voldemort rages into your ear. 

You watch as Fawley’s eyes drift to a close, an act of resignation. “It’s okay, my darling,” she whispers tiredly. “I. . . can rest now.”

For the second time in your life, you point your wand at someone’s heart—this time, it’s your mother’s. 

“What are you waiting for?” Bellatrix asks, twitching menacingly. “Kill her! Before I do it myself!” 

There’s a faint smile on her face. 

“I’m. . . sorry.”

Those are Agatha Fawley’s last words before you take away her life.

The incantation falls so delicately from your lips, an act of mercy for the woman you once called your mother and your greatest tormentor. 

But your eyes are on one person and one person only.

Tom Riddle. 

“Avada Kedavra!”

He will know your pain.

Not today, not tomorrow.

But you’ll destroy them all, one by one.

a/n: THERE IS KISSING IN THE NEXT SCENE I PROMISE.... AND TRUST MY LILY LOVERS WE WILL GET OUR REDEMPTION ARC SKDJHFGKJH and sirius lovers too,, but yall are well-fed every day so.. next part has the yule ball, likee,, there's no way THAT becomes angsty.. if you saw a plot-hole, no you didn't just CRY and enjoy sdhgsdf... come tell me what you thought!! (if you have any constructive criticisms, just come to my dms BUT PLS BE VERY GENTLE.... oh and don't hesitate to tell me if i accidentally wrote anything super specific like height, skin color, etc.!!) i promise to better in the final part!!!! (there's only two parts to this fic.) I LOVE YEW I HOPE YOU ENJOYED THIS STORY AAAAAAAAAAAA

[returnofismasm]

Given how much of the immediate backstory to Dragon Age: Inquisition was found in Asunder and the Masked Empire, I think some people might be wondering if any of the short stories, anthologies, or comics are also "homework" for The Veilguard. Obviously, the game's not out yet, so I can't be 100% sure, but here's my best recommendations based on what we know about the characters (done in alphabetical order because why not).

Bellara: She's new! The Veil-jumpers are in a single issue of the Missing, but she's not any of the ones named there. They investigate magical disturbances around Arlathan forest, and that's kind of all we know.

Davrin: Also new! The reason he seems to have a juvenile griffon (or at least, why there's a griffon at all!) is covered in the events of the novel The Last Flight, but it's hard to say how much any of those specifics are relevant to Davrin.

Emmrich: Emmrich (and Manfred!) is in Down Among the Dead Men in Tevinter Nights, and another, The Eternal Flame released during a Dragon Age Day and archived on the wiki. We learn he's a senior member of the Mourn Watchers, somewhat eccentric, and capable of talking to the dead. Also he's got a last name, Volkarin, so that's neat. All of that seems pretty easy to catch people up on in-game. (Down Among the Dead Men is really good though).

Harding: Harding is in the Missing, accompanying Varric on his hunt for Solas. Her buddy-cop-comedy-ing it with Varric is apparent from the trailer. Her apparent magic powers are completely new though!

Lucanis: He and Neve probably have the most backstory in Tevinter Nights of the bunch. Lucanis's story is found in the Wigmaker Job and he's mentioned in Eight Little Talons, both in Tevinter Nights. A Dragon Age Day short story called the Wake seems to have implied that he died, so mayhaps he faked his death? To hopefully set some people at ease, even though he's advertised as "The Magekiller," the mages he's killing are Venatori, so it's all good. I doubt he'd have beef with Neve or Emmrich or a mage PC JUST because they're mages. Also he's got a last name, Dellamorte.

Neve: Neve has a last name too! It's Gallus. Neve is the viewpoint character of the Streets of Minrathous, where she stops a Venatori plot to unleash a giant sealed demon underneath Minrathous. Her story is very Noir-vibes in a fantasy setting. She's also in the Missing for an issue, where she meets Varric and Harding and they work together to help escaped slaves avoid recapture by the Venatori. The giant sealed demon business did feel very "preview of a boss battle" but who can say if it actually is.

Taash: Like with Bellara, Taash herself is new, but the Lords of Fortune have featured elsewhere. They're in a number of stories in Tevinter Nights, as well as in Dragon Age: Absolution. The group doesn't seem to have a formal role, they seem to be sort of "adventurers for hire." Side note though, Ataashi is Qunlat for dragon, so I wonder if that's where Taash got her name.

[ssahotchnerr]

hi my love!! how are you?🩷

i saw your requests are open and i wanted to ask for more jealous!aaron if you’re up for it! maybe one of the girls (probably jj or penelope) set up reader on a date and they are talking about it on the jet ride home from a case. she’s not too sure about it but wants to give it a chance…rossi and derek are hyping her up too maybe! and our man aaron is just watching thinking he’s lost his chance but little does he know she’s only going to try and get him out of her mind.

wishful thinking

these kinda plots >>> 💓 cw; bau!reader, sooo much mutual pining (they're both idiots), a touch of jealous!aaron, slight angst wc; 1k

part two

You weren't being too subtle.

As the others were settling down, getting situated for the ride home, your priorities laid elsewhere; admiring Aaron and the handsome, beautiful, handsome features he possessed.

The way his cowlicks were tousled gently over his forehead, just begging to swept back. His chiseled jawline, one your hand yearned to span across. His enviously long eyelashes. His lips-

Penelope suddenly sitting next to you pulled you from your trance, causing you to jump. It had been one of those rare instances she was needed in the field, offering her specialities on sight rather than stationed back in Quantico.

The expression she bared was rather eager, complete with a pair of googly eyes.

You laughed shakily, a faint blush creeping onto your cheeks - hoping your longing stare hadn't actually gone noticed, "May I help you?"

"So," Her grin widened, "are you excited!?"

You grimaced slightly as your mood instantly deflated. You uneasily crossed a leg over the other, "I don't know."

"Excited for what?" Morgan inputted from above; headphones in hand, twirling the headband in a circle around his index finger.

You offered a sigh in response, so Penelope took the initiative to answer for you.

"You know James Cameron? From Homeland Security?"

"Yeah, what about him?"

"He's expressed quite the interest in our fellow crime fighter." Penelope's excited grin turned back towards yourself, also nudging you with an elbow. "And so I've honorably claimed the role of Cupid and someone," More wistful eyes pointed at you, "has a date Saturday night."

"He's a catch." JJ expressed enthusiastically, dramatizing a swoon as she sat across from the two of you. "Tall, dark, handsome."

"I can vouch I've heard nothing but good things about him." Morgan teasingly ruffled the hair on the top of your head, "Way to go kid."

You offered a meek smile, squirming ever so slightly in your seat. It took everything in you to not let your gaze drift back elsewhere. "Thanks but... I'm not so sure I want to go."

"What's not to be sure about? He's smokin', successful. It'll be good for you, too. When's the last time you put yourself out there?" JJ pointed out, arching an eyebrow in emphasis.

You shrugged, your chin landing in your palm.

Clearly you couldn't go into the specifics; the truth being you had your eyes on someone else. A particular boss you all shared, sitting just a few feet away.

The whole dating scene, you've been hesitant due to said feelings. The only reason you had truly considered going out - was to get Aaron out of your mind. You've spent countless, sleepless nights thinking about him, picking apart every little interaction; the way he looked at you after you had a breakthrough at a profile, admirable enough to make you want to burst at the seams. Walking alongside him, hands centimeters apart, softly grazing his skin. The concern he showed following an unfortunate brawl with an unsub - he had almost reached out to cradle your face. But, all of which could have been entirely figments of your imagination. Wishful thinking.

But regardless, they had given you the slightest amount of hope. Which is why you waited, but you couldn't do so forever; the probability of you and him - highly unlikely.

You had two choices; to continue holding out for the impossible, or to pursue the realistic.

You peered over at Aaron, consumed entirely by the file in his lap. It didn't appear he was paying attention, and that stung. All things considered.

The truth is, he was, and disliking every single bit of it. While it looked as if he were working, he was merely scribbling on a scrap piece of paper, enough to wear it down and produce a hole; silently brooding and anxiously waiting to hear where the conversation went. The more it carried on, however, the more jealousy burned in the middle of his chest. The two of you were close, you understood him like no one else, but that itself was the issue.

He feared if you got too close, if you really, really knew him, he would damage you somehow. Or worse, you'd end up similarly to Haley - unsatisfied and yearning to leave him behind. And so, he had refrained from being proactive.

In addition, right now, part of him didn't know what hurt more; the fact you were going on a date with someone who wasn't him, or the fact that you hadn't mentioned it.

"I say go for it." Dave offered, "Trust me. I am an expert, after all."

Emily bust out laughing, "Okay."

"What do you think?" You asked over their laughter, your voice detrimentally small. "Hotch?"

Aaron's head lifted, his eyes immediately latching onto yours. It kept circling in his head; You missed your chance. You're missing your chance.

Despite the ongoing internal conflict, one he could resolve in a few simple words, he panicked.

"I don't see a reason not to." He rushed out, your heart plummeting into your stomach at his words. "Of course, don't do anything you're not comfortable with. But there's no harm in seeing if there's a connection."

Even as he spoke, he didn't sound like himself - as if someone else were doing the talking. Extremely feigned, forced. Speaking from his mind rather than his heart.

"Okay," You bit your lip, looking directly at him as you spoke. "I will."

As the others switched topics, your eyes stayed with Aaron's. A silent exchange drifted between the two of you, Spencer's current tangent seemingly miles away. Hurt, betrayal, a touch of something else too.

You exhaled deeply, turning to look out your window.

Whatever it was, it didn't matter now. Did it?

[httpsserene]

can you do a smau if you want where the reader is a driver and makes music on the side (music like sza or Megan thee stallion and kaliii) and she makes a music video for area codes and all her other music and it has the drivers in it

𝐠𝐢𝐫𝐥𝐬 𝐣𝐮𝐬𝐭 𝐰𝐚𝐧𝐧𝐚 (𝐟𝟏) - 𝐲𝐧. 𝟎

summary: you make hit songs when you’re not driving a formula one car. your fellow drivers love to feature in your music videos. content warning: driver!reader makes music. toxic internet culture. profanity. hateful comments. attempt at humor. fluffy. light angst ig. there's no specific face claim, just pretty black women! ex-haas driver, current aston martin driver!reader. reader is american. seb retires in 2021, fernando is on the grid just not with aston martin. nikita mazepin mention lol. lando norris and george russell get bullied (humor). light british slander. no plot just vibes. pairing: platonic f1 grid x fem!black!driver!reader genre: smau.

from serene: i have a disease and it's called "being unable to make a normal length smau." it's a sickness, idk if i'll ever be abl to fulfill a request without the plot running away from me. anyways, enjoy loves xxx

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yn ln signs multi-year contract with aston martin • espn f1 • 2021 post-season

ESPN F1 yn ln has signed a multi-year contract with Aston Martin! The American driver completes the team’s lineup with Lance Stroll. Even though she was an F4, F3, and GP3 Champion, and she won the F2 Championship on her first try with Prema; her F1 career began with unexpected opportunities and last-minute substitutions—becoming a reserve driver for Haas and filling in for Romain Grosjean after his accident in 2020, and then replacing Nikita Mazepin halfway through the 2021 F1 season—an official seat of her own in Formula One was a long time coming and well deserved. Congratulations to yn ln, the first Black woman to race in Formula One!

instagram • yn0 • 2022 pre-season

liked by astonmartinf1, lewishamilton, maxverstappen, sza, and 3,451,967 others

yn0: i have always believed that being an f1 driver would become my reality. it was a never a dream to me because i KNEW i was going to make it here. i’m incredibly thankful to haas for giving my first chance to race in the big league and i will miss all the incredible people who helped me grow and improve while i was there. however, i am extremely grateful and excited to have a seat of my own at aston martin in 2022 and onward. some critics have called me "conceited" to bet on myself, so i made a song just for them < 3

tagged astonmartinf1

view comments

yn0 on sundays, we wear green 💚

➥ user1 you're an inspiration to all women in motorsport, especially women of color 💚💚💚

➥ user2 praying that your aston is quicker than your haas! prove the haters wrong 😤

astonmartinf1: we'll bet on you every race! can't wait to play this in the garage 💚

haasf1team: take care of our songbird 🥲

➥ haasf1team: and keep the tea and honey STOCKED for her vocal cords

➥ user3: i’m gonna cry :(

user4: yeah who paid for her seat? no way she got it off skill. she's never been above p12. f1 has changed for the worse now that a woman's out there. she's a hazard.

➥ user5: incel mindset 😒

➥ user6: bro she was in a haas. reaching p12 in that car is enough of an achievement. better than mazepin ever did, even with his daddy's money 🤷‍♂️

lewishamilton: LFG 💪🏽💪🏽💪🏽 can't wait to see you in the paddock

➥ yn0: lfgggggg 🤸🏾‍♀️🤸🏾‍♀️🤸🏾‍♀️

➥ yn0: i wouldn't be racing at all if i didn't see you do it first :)

sebastianvettel: prove them all wrong and never apologize for it.

➥ yn0: i learned from the best 🥹 happy retirement, seb!

mickschumacher: "no reason to make friends, i'm cool"??? is that line about somebody else or should i be worried 🤨

➥ maxverstappen: yeah let us know 🙄 your seat on the jet can be revoked

➥ yn0: bros...we all know who it's really about

➥ user8: you can say it's about mazepin nobody will be mad at that 🤗🤗🤗

landonorris: wish it was papaya, but i can't wait to see you in green!

➥ yn0: you know what?i think I CAN wait

➥ yn0: i'm actually going to quit f1 rn i think 😐

➥ user9: lando stop, get some help

lancestroll: hi teammate!

➥ yn0: hi teammate!

➥ user6: oh,,, this is awkward

charlesleclerc: finally 🙌🏻 i thought you would never drop this song

➥ yn0: the music is more important than my f1 seat to you 🙂

➥ charlesleclerc: encore encore encore 🙏🏻🙏🏻🙏🏻

georgerussell: i would be happy for you if i didn't know this meant you'll be bullying me every race weekend

➥ alexalbon: she smells your fear which makes you an easy target

➥ alexalbon: CONGRATSSS 🥳🥳🥳🥳

➥ yn0: 🤭

instagram • yn0 • 2022

liked by charlesleclerc, lewishamilton, megantheestallion, and 2,191,042 others

yn0: thee "cognac queen" learns how to celebrate their FIRST EVER f1 points in italy with their honorary prince 🇮🇹 im in my gacccc, i wanna danceeee, come get yo man, come getcho maaaannnnn 🍾🍾🍾

tagged charlesleclerc

view comments

user10: WOOOOOAH WHATS ABOUT TO PLAY 😳

➥ user11: she PUT IT ON HIM last night apparently 🫣

➥ user12: he calling her BACK TO BACK????

astonmartinf1: you only win first points once but you only have one liver. please show up to the paddock next week 🥴

➥ yn0: don't worry admin i'll be there bright and early!

➥ user13: drink responsibly kids alcohol poisoning is not fun

➥ user14: aston martin shouldn't stress. it sounds like charles took very good care of her 😏😏😏

user15: i feel like i shouldn't be allowed to watch that video (i'm 23)

➥ user16: they were having a tiiiiiiiiime out in italy 🫦

➥ user17: if she was all over me like she was on charles i would be asking about marriage. he's so much stronger than i am 🙂‍↔️

charlesleclerc: went courvoisier crazyyyy

➥ charlesleclerc: je suis très fière de toi (i'm very proud of you) ❤️

➥ yn0: thank you charlieee (for the mv too x) 😚

➥ user18: oh so she really got charles thinking that he's her man???

➥ user19: you were DOGGING it? i didn’t know charles had it in him 🐶🐶🐶

user20: ew this is gross. charles is in a happy relationship and we're all going to pretend like yn isn't a homewrecker???

➥ user21: i was waiting to see this comment! this is like proof she used her body to get on the grid 👀

mickschumacher: no way you put charles in a video before me...i thought we were locked in 😞

➥ yn0: mick be so for real. you hate cognac :(

➥ user22: mick said we suffered through haas together and you already forgot about me

landonorris: are you looking for a cognac king?

➥ alexalbon: boys point and laugh 🫵🏼🤣

➥ charlesleclerc: 🫵🏻🤣

➥ maxverstappen: 🫵🏻🤣

➥ georgerussell: 🫵🏻🤣

➥ mickschumacher: 🫵🏻🤣🤣🤣💀

➥ user23: 🫵🏾🤣

lewishamilton: xnda feature when you make it on the podium

➥ yn0: i'll be up there next week.

➥ user24: bring back xnda girl !!! for all of us 🙇🏽‍♀️

instagram • yn0 • 2022

liked by alexalbon, astonmartinf1, maxverstappen, sza, and 4,233,761 others

yn0: my girl is my girl, is your girl, heard that's his girl too...he's like 9 to 5, i'm "the weekend"

tagged alexalbon, lilymhe

view comments

astonmartinf1: highest race finish of your career can you drop a fire song to celebrate 🥵

➥ lancestroll: team karaoke when????

➥ yn0: make it happen and i will show out for y'all 💯

user25: this video was funny af! my favorite song from you so far 😁

➥ user26: yessss i was not expecting her to flip the song in the video like that 🤌🏻💋

➥ user27: the premise of her and alex fighting over lily was perfect 👌🏽

lilymhe: make me lose my mind every weekend 😮‍💨

➥ alexalbon: you take wednesday thurday 🧎🏼‍♂️‍➡️

➥ yn0: then just send her my wayyyyy 🤤

➥ user28: think i got it covered for the weekend 🎤🎶

landonorris: i'm available any day of the week with no other commitments blocking my schedule ☺️

➥ georgerussell: mate this is embarrasing

➥ mickschumacer: lando no wins & no rizz what a shame 😒

➥ user29: MICK CHILLLLL ⁉️⁉️

➥ user30: whatdidhedo to deserve that calm downnnn

➥ charlesleclerc: lando please just listen to the song like everybody else this is painful to see 😣

maxverstappen: you laced this song with something addictive

➥ schecoperez: i hear it on repeat through the wall he is not lying

➥ user31: yn ln gives you wings 🤪

user32: just because lily was in the video and yn made the focus of the song about her doesn't mean that the orginal song is okay? it's not like she stopped singing about being a side chick.

➥ user33: no, it literally IS okay. because lily and alex both said they made the song with her and were happy to be in the video 🙂

➥ user34: i don't know, lily agreeing to the video makes me dislike her

➥ user35: yeah this song was a miss not a good message at all

instagram • danica patrick • 2022

liked by 10,764 others

danicapatrick: “This past weekend the Aston Martin F1 crew celebrated yn’s P5 finish track side and, honestly, that was unnecessary. It’s not like she managed to reach the podium and personally, I feel like she doesn’t take F1 seriously. I mean, it seems like she spends more time making explicit songs than she does preparing for a race weekend. Her little songs are a distraction to the men on the grid and she appears as a promiscuous, immature, and unfocused girl. She’s not the formula one standard, in my opinion.”

I discuss yn ln’s career in the new episode of my podcast, Pretty Intense! Click the link in my bio to hear it all!

tagged prettyintensebydanica

view comments

user36: ms. patrick are you familiar with the idea of having a hobby 🤔

nicorosberg: how are you qualified to be an expert on sky sports?

user37: woman who's never raced in f1 gives her unsolicited opinion on the only black woman to race in f1 😂

user38: danica this screams jealousy girl

user39: nothing is worse than hearing a fellow girl hate like a man smh

user40: "her little songs" disrespectful as hell don't forget one of them charted on billboard's top 10 😤

user41: SHE GOT P5 IN AN ASTON MARTIN how is that not taking f1 seriously????

user42: if her songs were a distraction to the men on the grid aren't they the ones who should be described as unfocused🤫

➥ user42: anyways, yn would be doing us a favor. maybe max wouldn't win as many races if that were the case

instagram • yn0 • 2022 post-season

liked by dominicfike, keithpowers, tchalamet, summerwalker, and 7,988,531 others

yn0: "girls need love," too.

view comments

user43: OH MY GOD the drought is over 😭😭😭

➥ user44: i thought we'd never get another song after the hate she was getting for it 😫

michaelbjordan: are you interested in a private studio session?

➥ landonorris: she don't want u lil bro 🤣

➥ user45: yn's pulling with three photo's and a song,,,teach me your ways

astonmartinf1: the spine tattoo 😍 good choice to get it during the off-season 💚

➥ user46: i misjudged you aston... i thought y'all told her to stop making music glad to see the support is still there :)

mickschumacher: let’s go get some gelato?

➥ yn0: as long as you don’t snitch to my trainer 😚

➥ mickschumacher: i’ll pick you up 😇

➥ landonorris: imma bout to crash TF out ong 💢💢

patriciooward: there's a spot on my side of the garage whenever you want to watch an indycar race

➥ landonorris: oh wow is this really what we're doing pato 😐

➥ user47: the tension in this comment section scares me

jjetas2: if you're near minnesota one day fall through

➥ landonorris: win a superbowl first 🥱😴

➥ user48: LANDO you haven't won a race or a championship either 😭

judebellingham: have you gotten any better at football since the last time we spoke?

➥ landonorris: knew i supported man united for a reason 😒

lore_musetti: call me if you want a real italian to give you a tour of italy x

➥ landonorris: didn't know an italian could disrespect charles like that honestly 🤨

➥ user49: 💀💀💀

instagram • yn0 • 2023

liked by georgerussell, mickschumacher, megantheestallion, and 4,178,063 others

yn0: japanese nightlife captured in my new music video “mamushi” !!! thank uuu yuki-san for being my tour guide 💋💋💋💋💋💋

tagged yukitsunoda

view comments

georgerussell: i quite enjoy this song 😌

➥ alexalbon: bro what

➥ yn0: tEa aND cRuMPets SConEs AnD biScUIts 💂🇬🇧

charlesleclerc: triple platinum in my house rn ⭐️⭐️⭐️

➥ alexandrasaintmleux: i'm responsible for at least a million views on my own 🥱

➥ yn0: 💚💚💚💚💚

user50: at least we know that yn and yuki can qualify for formula drift if they ever lose their f1 seat

➥ user51: 95% of the driving they were doing in that video looked illegal (but fun asl i'm not a buzzkill)

➥ user52: she's a bad influence on yuki 🙄

➥ user53: i don't think you're familiar with yuki tsunoda at all @/user52

maxverstappen: yeah the song is catchy; where's mine 🥱

➥ yn0: damn you're gonna win a third championship this year and you want a song too 😱

➥ yn0: just big and greedy fr 😒

➥ user54: big back attitude

➥ user55: like sheesh leave something for the rest of us 🤯

user50: gets p3 in suzuka driving an aston 🗿-> shrugs when asked how she did it 🗿 -> makes a banger mv in japan with yuki 🗿 -> refuses to elaborate 🗿

pierregasly: yuki explain your behavior in this video

➥ yukitsunoda: no 🤗

➥ user56: maybe he would've told you if you stayed at alphatauri

➥ user57: now you're in an alpine 🫵🏻😭

instagram • yn0 • 2023 post-season

liked by charlesleclerc, logansargeant, glorillathepimp, and 9,337,272 others

yn0: he don't "wanna be" saved don't save him 🤫

tagged maxverstappen

view comments

yn0: i don't need insurance cause a bitch CAN'T WRECK ME

➥ user58: no like she's never been in a crash her entire f1 career 🤓

➥ user59: she's untouchable srs

logansargeant: WHITE BOY WASTED CHANNING TATUM

➥ yn0: hoes love me like justin bieber 👅👅👅

user60: omg an old picture from yn's haas era when max's redbull wasn't a rocket ship 😩

➥ haasf1team: good times

➥ astonmartinf1: 💚💚💚

maxverstappen: you graduated from the max verstappen school of being unstoppable 😼

➥ charlesleclerc: austria 2022

➥ georgerussell: brazil 2022

➥ mickschumacher: my dad’s 7 championships

➥ alexalbon: i have nothing to add (literally)

➥ maxverstappen: out of the five of us we have three total world championships and they're all mine 😐

glorillathepimp: go yn 🥵

➥ yn0: get it glo 👅

➥ user61: i am no better than a man

➥ user62: i want this video tattooed on my eyelids

mickschumacher: i don't wanna be saved don't save me

➥ yn0: on gang 🤞🏾🔒🙅🏾‍♀️

kellypiquet: twenty missed calls...

➥ yn0: i would like to initiate a trade! i offer: max :) in return i receive: my twin p 🤲🏾

➥ kellypiquet: i will have a bag packed for her TONIGHT

➥ user63: kelly definitely won in that trade agreement! a childfree night??? sign me the fuck up ‼️

user64: i didn't think it was possible but this song is the worst thing she's ever made 😂

➥ user65: it's weird. max is in a committed relationship with a woman and has bonded with her kid. yn's getting involved with him when she shouldn't be 🤷‍♀️

➥ user66: girl she's been around since wayyyy before kelly as max's friend.

➥ user67: she forced max into friendship when they were karting back when he thought he couldn't have racing friends🥺

➥ user66: trauma bonded besties fr

sky sports f1 • 2024 testing

instagram • yn0 • 2024

liked by natalie_pinkham, danielricciardo, laybankz and 5,438,023 others

yn0: (my honest reaction when the internet can't stop talking shit about me) can't i make fun music videos without being called a homewrecker or a whore? sometimes "girls just wanna" f1 !

view comments

user68: no bc she makes hot girl music and y'all dont appreciate it 🤷🏽‍♀️🤷🏽‍♀️🤷🏽‍♀️

➥ user69: if you don't like her music you're not a baddie i don't make the rules 🙅🏻‍♀️

user70: did she just make the song of the summer 😱😵‍💫☠️

➥ user71: song of the YEAR !!! and people calling her a whore smh

landonorris: what if you make an mv with me and instead of being called a whore i call you my girlfriend?

➥ mickschumacher: corny. delete your account 🚮

➥ user72: i disagree with mick, he ate that up imo 👀

➥ user73: isn't he messing around with that model/actress though…

➥ user74: you mean m*gui lol

➥ yn0: who's that

➥ user74: lando's recent sneaky link or gf i thought

➥ yn0: oh

charlesleclerc: if i were to call you one thing it would not be homewrecker or whore ✊🏻

➥ charlesleclerc: it would be hit-maker because you DO NOT MISS 😩

➥ alexalbon: one could even call her the 🐐

➥ georgerussell: grammy caliber artist

➥ maxverstappen: they compare her to lebron and simone biles in discussion of being the greatest of all time 😌

➥ yn0: just yesterday y'all said i give slut energy (affectionately) 😕

➥ maxverstappen: many things can be true at the same time

➥ charlesleclerc: false ‼️ accusations

sabrinacarpenter: girls just wanna have fun 😋

➥ user75: OMG sabrina what are you doing here

➥ user76: what in the disney channel crossover episode is going on

imessage • yn -> lando

instagram • yn0 • 2024

liked by mclaren, mickschumacher, lewishamilton, laybankz, and 8,765,392 others

yn0: dropping the "tell ur girlfriend" video tonight as celebration for lando's first win (me next please!) i DO NOT codone cheating but the song is too hard for me to pretend like it's not a banger 🤪

tagged landonorris

view comments

landonorris: you look good in papaya 🧡🧡🧡

➥ astonmartinf1: it's a little too much for our tastes 🤢

➥ yn0: i look good in any color but i do happen to prefer green 💚

➥ user77: i think lando's on to smth w the orange tho 🤔

landonorris: that's my girlfriend !!!!

➥ yn0: NO I AM NOT ❌❌❌

➥ yn0: WE WERE ACTING IN THIS MUSIC VIDEO

➥ yn0: LANDO I WILL SUE YOU FOR DEFAMATION 🤬

➥ landonorris: i'll wait for you 😔

➥ mickschumacher: she's so uninterested in you mate 🙃

user78: he gets his first win and a yn ln music video i know he's on cloud nine 😭😭😭

➥ user79: lando how does it feel to be living my dream 😩

oscarpiastri: oh thank god maybe he'll stop talking about you nonstop now that he got a video 🙏🏻

➥ landonorris: bro delete this comment

➥ user80: i screenshotted it too late 🫡

user81: she doesn't condone cheating but makes a song promoting it anyways 😑

➥ user82: she doesn't condone cheating but messes with lando even though she knows he's taken by magui 😑

➥ user83: she doesn't condone cheating but makes a song about it because it sounds fucking fire 🫦👅🔥🔥🔥

alexalbon: great video too much lando for me 😪

➥ georgerussell: he really just ruined the vibe

➥ charlesleclerc: y'all just mad you haven't been in one of her videos yet 🙂‍↔️

➥ maxverstappen: i don't see how you can hate from outside of the club 🤷🏼‍♂️

➥ landonorris: you can't even get in 🫵🏻🤣

twitter • yn0

instagram • yn -> the day ones

instagram • yn0 • 2024 post-season

liked by maxverstappen, fernandoalonso, zhouguanyu24, kaliii and 12,779,436 others

yn0: hoes mad about my roster being INTERNATIONAL smh stay mad and watch the music video for "area codes" it features all the men (my FRIENDS ✨) you'll never have a chance with 😇😚🤗🤭🤤💚💚💚

tagged f1

view comments

user84: no xnda feature but she got lewis in the fucking video

user85: i just wannna know hwo the fuck she got checo to be in the video 💀

user86: idc what the haters say: she just said y'all have no motion, no aura, no bitches and what are you gonna do about it 😳😳😱

user89: she got lando and mick in a photo together??? how they've been beefing in her comments for years 😧

➥ user90: can't believe im saying this but esteban did not deserve to be punished like that 😬

georgerussell: i am the one feeding her pasta and lobster btw

➥ yn0: you don't send me money tho :(

➥ georgerussell: you are an f1 driver too you don't need my money 🧐

charlesleclerc: can you leave some talent for the rest of us 😒

➥ yn0: bro u are mozart on your days off be serious

lilymhe: cause why are u never in town 😞

➥ alexalbon: cause she'll steal you from me 😭😫

➥ yn0: i'm pulling up rn lils 🫦

lewishamilton: you want a mercedes or a xnda feature?

➥ yn0: im tryna take the mercedes seat you left behind 👀

➥ user91: omfg toto sign herrrrrrrr ✍️

maxverstappen: anything for my favorite lady 🙇🏼🧎🏼‍♂️

➥ yn0: i gotta go they just lmk that i could pick up my mercedes 🏃🏾‍♀️💨

user92: lando in two photos? sus

➥ landonorris: you said it not me 🤫

➥ mickschumacher: bro you acted like her shadow the entire night don't let it go to your head 😠

fernandoalonso: very fun song!

➥ user93: you too old to be doin all that fernando :/

➥ user94: literally choked when i saw him in the video

logansargeant: hey you did manage to get me in "one of your little music videos" 🤭

➥ yn0: if only they knew that you agreed with a bribe of two zebra cakes

➥ user95: they couldn't fathom the delicacy that is a zebra cake 🤤

yn0: stop pretending to dislike my songs and realize that the boys are my homies. you'll be a lot happier when you come to terms with that 🥱

© httpsserene 2024

[prideprejudce]

I think alot more people would enjoy the show if they learned to see Rhaenyra and Alicent as Unreliable Narrators, and characters who are supposed to have glaring flaws and weaknesses.

Mandatory preface- There are Issues™️ with season 2 that are its own other ask- but the complaints ive seen about character assassination on both women kind of tells me ppl just wanted to see the two just GirlBossing around, not being tragic characters trapped in their own circumstances.

For Alicent specifically- she just isn't written to be Cersei 2.0, and while it was really interesting to see motherhood from cersei's point of view, its already been done!! I actually prefer seeing Alicent's mercurial clinging to and abandoning motherhood- its interesting!! She was made a mother at what- 15? An age where you truly arent mentally developed enough to raise 3 kids, AND be a child bride, AND be a queen, (AND be a lesbian).

Alicent is interesting to me because she's stunted at 15 years old, she's an adult woman who talks to and sometimes bullies her kids as if they are her peers, and is obsessed with her childhood crush(es). She hasn't built any new relationships* past the ones she was entangled with as a teenager, she's obsessed with both acting out to make SOMEONE see that shes suffering, (she's honestly pretty blatant for someone who prides themselves on being the Temperate Voice of Reason) but also to erase herself and reset to before she had to marry the king, before aemma died.

I think most of her 'bad out of character' decisions are just these two impulses winning out, her trying to force a reset, go back to a time where none of this had happened yet, when things were simpler and she had love and every day wasn't the worst day of her life™️.

She sleeps with cole, the man she thought was pretty at 15 (her last uncomplicated attraction just before it all went wrong and aemma died) -she doesnt seem to like it that much, but she does seem compelled to seek him out, esp when upset- shes obsessed with, and desperate to reconnect with Rhaenyra, her childhood best friend (and first love) and get back to where they were as kids, AND she still treats and asks her father for absolution as if he's still the only authority that matters to her just like she did at 15. Alot of her 'victim complex/bewildered they took it so far' behaviour in the plotting of rhaenyra's usurption reads to me like a teenager in over her head, she talked big game and now its real and shes panicking!! She's tragic BECAUSE she's still a teenager- so stunted shes unable to meaningfully grow up and learn to make healthier choices for herself, or move on and stop trying to grasp at the 'if i could just go back' urge.

As a mother, I think this creates an interesting dynamic as well, and I do like that in the casting even, she seems closer in age to her kids than rhaenyra does to hers. I think the contrast ppl are drawing with Alicent Protecting Her Kids in season1 compared to her giving them up in season two isn't bad writing to me, just massive differences in context. Sure she protected Aemond in driftmark, but we cant ignore that she probably felt humiliated by her husband choosing rhaenyra's side over hers in front of everyone, did it seem like a grown woman fighting for her son?? or a teenager furious with her ex winning one over her again? or both!! both sides twisted together is still interesting! When she protected Aegon from Rhaenys, is stepping in front of her son the king to protect him from the enemies dragon fire not the most romantic daydream of a deserving death a child bride could come up with?? Was it the impulse to protect the son she couldnt decide if she loved or hated, or was it to have the most heroic death possible to escape the reality that she sees coming. And if Rhaenyra hears about how Brave she was in the face of a dragons maw, and cries about it forever and feels sooo bad and regrets it til the day she dies, thats an added bonus. I think Alicent loves her kids, but is teenager selfish about HOW she loves and protects her kids, and is unable to be a mature, consistant, protective mother to them when she also sees them as having ruined her life. I think in season 2 when she 'gives them up' shes relieved, and once again following the compulsion of 'if i reset to when Rhaenyra was heir, i had no sons, and i wasn't married or queen, everything will be better'. I think theres complexity to it, i think she does love her sons and feels insane about it, but I think Alicent has been trying to Go Back in more and more Intense ways ever since she got married, and we might be giving her sanity more credit than it deserves when it comes to the need to wipe the board clean and go back to being 15.

hey anon are you trying to get married to me or what

[hecksupremechips]

I’m getting kinda feral about Ryuki today so I wanna bring up something else

Since the entire Ryuki side of the story is pretty much just everything he tells Mizuki about what happened 6 years ago, this begs the question: is his summary including the parts that are from the future, or is this just a writing error?

It’d make sense if it was just an error like. First off if Ryuki could see the future that’d be a whole mess, plus the future he’s seeing here isn’t even in the right timeline, it’s all what happens on the B side. Plus, the whole twist of not knowing what the proper timeline is is already a pretty iffy twist because it’s only a twist to the player, not to the characters. Since it’s kinda flimsy to begin with, I can see how the writers could’ve just completely fucking forgotten to fix the Ryuki side to make sense with this twist. They kinda forgot about Ryuki a lot in the second half of the game after all and a lot of the writing around him is messy as hell so I can believe it

But, let’s pretend this all WAS intentional, that Ryuki DID include information about the future in his story to Mizuki. This would go perfectly with the idea that Ryuki is a frayer and that he’s being haunted by knowledge from the past and future and is incapable of distinguishing the two. It’s already true that Ryuki has trouble telling what year it is (during the practice launch on the Mizuki side we see Ryuki in a trance waiting for Shoma to get off the ferris wheel even though that’s an event that happened 6 years ago, Ryuki makes constant references to Date being disappointed in him,etc) so it’d make sense if he got his wires majorly crossed when telling Mizuki what he remembers about the case from 6 years ago. If this is the case, then Ryuki’s powers can extend across not just past and future, but also multiple timelines

It’s not like Ryuki is the only one with this power. Date remembers when he was hospitalized in the Mizuki route during the true ending and gets confused about why he’s remembering things that never happened. Mizuki is able to remember Jin being referred to as the almighty despite her not hearing about it in that timeline. But it is interesting that Ryuki is the only one who seems to be plagued by his knowledge. The other two protagonists will be just kinda weirded out by their ability to know things that didn’t happen, but they recover pretty quickly. Ryuki though, he doesn’t know what timeline he’s in and he’s constantly speaking and thinking in riddles and drowning himself in liquor to forget everything and is only able to function in the A side BECAUSE the somnium failed and he wasn’t able to remember tearer’s true identity

Basically Ryuki cursed with evil timeline powers and it makes me wonder if he’s an unreliable narrator on purpose or on accident and honestly, I don’t know if I wanna know

Had an epiphany last night and I haven’t seen anyone talk about this (maybe because it could be just so obvious no one felt the need to but shhh) but look here at the veeeery beginning of the aini flowchart

We got the Ryuki somnium as the first split and as we know, this split happens based on whether or not you (or ryuki in this case) know the name of Tearer. You can only get the Mizuki side of the story if you have played the Ryuki side and have heard Tearer’s name. The somnium will also be much more complex and dangerous

So essentially on the B side, the psync is unsuccessful. Mizuki doesn’t really help Ryuki, and she barely learns anything about the hb case. Ryuki is left in the same mentally unstable state he was before, and he can’t hold a conversation without babbling and laughing maniacally. This leaves Mizuki to do her investigation without any of the past help at all, which is how the true route of the story is supposed to go

This isn’t anything new, we know this. What I do wanna revisit is the A side, where Ryuki doesn’t remember Tearer. The psync is actually successful and the results are significantly different than the B side. Ryuki sobers up and is able to tell Mizuki everything that happened to him 6 years ago. So basically the Ryuki route (the parts from 6 years ago) is everything that he’s telling to Mizuki

This means that there’s a whole separate version of the story in this timeline where Mizuki learns everything about the past, including what happened to Date. And what’s getting me feral about this is. How did the investigation proceed afterwards??? Did the two of them work together to finish the case? Did Mizuki get a chance to mourn Date? Did she lash out at Ryuki? Did Ryuki even mention his involvement with Tearer or Bibi’s existence at all? How would everything had changed if they worked together?

IM GOING INSANE I NEED TO KNOW ABOUT THE A SIDE TIMELINE DAMMIT-