#and that is. the life of the person youre 'saving' ends up only being defined by what you make it to be (eva will cease to exist without

[gootube]

i am nothing but a mosaic of every time i've lost you / my life exists only within an outline of you

[pearl-tarotist]

₊˚ପ⊹ Chose a pile: PACs that I never ended ༻¨*:·.

In this Pick A Pile, I bring different piles of various tarot readings that I never ended/ write more than one pile each.

It's random piles that focus on various areas, none of them are +18. I hope all of you enjoy it!

Not all those who wander are lost.

PILE 1: What will your future spouse find beautiful about you?

They like how intensely you are you. They are at aw that no matter how many styles and physical changes you go trough, there’s something unchangeable.

They ardently enjoy the look on your eyes, they think that they are always recognisable. Firmly, on the quote “the eyes are the window of the soul”.

They do also enjoy the touch of your hands, they like how soft they feel and how they can engulf your hands with theis. They like how, sometimes naughtily , you trace their skin with the tip of your fingers.

There’s also a freckle, for some, close to the eye or upper lip, that they enjoy kissing.

With the moon card, they enjoy the part of you no one can see, yes, emotionally and physically-wise. Emphasis on the chest zone. Your future spouse is always eager to see you naked. They deeply enjoy seeing you in the “purest” way, naked, with no make-up, no clothes nor masks that can hide who you are.

They are fond of your curves, the softness and the reaction of your skin, they could enjoy hugging you so hard that they leave some redness on you. You are just too cute not to annoy a little bit.

They also see behaviours on you that they find beautiful. You are strong and mature. They will feel safe around you. They could see you and think you are the perfect person to build a family with.

“There is nothing more beautiful than seeing a person being themselves. Imagine going through your day being unapologetically you.” (Steve Maraboli)

(4oP - The Chariot - The Moon - 10oP - King of Shells - Queen of Gems)

PILE 2: Your life as a fairytale

i.-Your “new” self: skills, magic.

  In a fairy-tale you would wake up in the middle of the night to be the underdog.

You would live in a big city, surrounded by commerce and loud noises, probably, a coastal city. Technology has no place in this city and you constantly hear stories of dangerous sea pirates and magicians. You like to watch through your window how people make business and speak to each other… to understand the real self of all of them… to not suffer the fate of being betrayed. Your skin holds a golden tone due to the sunlight and your cheeks are always sun-kissed. You dress with flowy clothes and leather boots.

You walk through people as a ghost, comfortable on seeing and on not being seen and when you found yourself involved in any drama you unroll the drama enough to end in the position that you want.

              In dangerous situations you would be forced to use your cleverness and intelligence to survive the obstacles of your adventure.  You would have to decide what you want and which option to choose even when both options are dangerous and unfavourable. There wouldn’t be time to smell the salty air of the shores nor to pay attention to the sand between your toes. Self-reflections and risking decisions are your thing. “For the skin of your teeth” would define your path and personality.

Surviving, barely, everything.

Your skills would involve: wittiness, the observation of details no one else sees, always being two steps in front of everyone and in general: finding the answers no one could have found. When someone asks for the answer to the riddle, you will be the only one answering.

“ What goes on four legs in the morning, on two legs at noon, and on three legs in the evening?”

When everything’s lost, you save them.

ii.-Your group of friends:

You have lost friends along the way in this fairy-tale. Some adventures ended and you had to return to your normal life and your daily projects. You do not keep contact with them on the regular, but sometimes at night you stay under the moon’s gaze and think of them. To the ones you can see and the one you are not able to reach.

At least two of them are fine and you can see them from time to time. Once you saw him in the market corner, convincing someone to make an unfavourable business, you smiled and thought about how they have not changed.

Then, you saw her, dancing heavily and breathless in the bar with a little child, hair messy and a smile that reached her eyes. Her skirt flowed graciously at the sound of the music and the cracks of the fire. She saw you looking and asked you to dance with her but you were tired, so you just sat down in a chair drinking a soft drink.

To the ones you have lost, you think about them at night, thinking about if you could have saved them if you had done things differently. You know you need to stop this self-pitying, but you are not ready yet to let them go.

iii.-Your lover/companion of life:

Your lover was a breath of fresh air, he was the beginning that you needed to leave all the pain and sadness behind. He is happiness and a reason to drink… to cheer for the Gods that have put both of you together and have made your cups full of love.

He is a warrior, always ready to defend you and to take care of you. Reckless and unafraid, your lover stole your heart without doubts. In the same way he charges for battle, he charged for you… You love the warmness of waking up in his arms and the coldness that leave your body when he hugs you at night. He cleans your cheeks with affections when you get dirty and is not afraid to argue with you if it is for your well-being.

You have found stability and the person you do not need to convince to stay, he has chosen you.

 2 of swords //The moon + 5 of Cups// Ace of cups + knight of wands.

PILE 3: Shufflemancy:romantic messages 

۵♡۵ Let’s forget about the problems, worries and economical issues. I just want to party and enjoy this beautiful night with you. Let’s forget about anything else that’s just not us. (Time of our lives- Pitbull).

۵♡۵ I want to have a date with you at the beach, next to the water, let’s have the perfect summer date. (Water-Brad Paisley)

۵♡۵ I just want you to be mine, but I know we are not together. That’s why I hate when you keep secrets from me. I worry about every guy you set your eyes on. (Secrets-The weekend).

۵♡۵ I am going to try my best to earn your trust as it seems that you have trust issues, but I cannot do it if you give up and start going after every guy you want because you get bored of the routine. I am also getting tired. (Emergency -Paramore).

۵♡۵ If maybe…I stoped chasing you, would you come to me? Would you lay next to me? Just like butterflies… (Chasing cars - Snow Patrol).

۵♡۵ I don’t want to be friends, I want the all or nothing. I don’t know how to make it more obvious to you, please understand. ۵♡۵ I wonder why you let me get to close to you if you were just going to push me back. I do wonder too if all your words and what you said was a lie. (Fingers crossed - Lauren Spencer Smith).

In general there is someone kind of disappointed about the fact that you decided to break up with them or just stop talking to them; this person is definitly still into you but it’s unable to handle all of your trust issues. This person still thinks about you daily.

[lilia-calderus-pet-goat]

Something of note about Lilia's tarot spread is that—it's hers. The cards she pulls aren't precisely who the characters are to themselves, but who they are and what they represent to Lilia. As her coven, in her life.

Like, I don't really know my tarot that well—I'm just pulling themes from within the episode and my general understanding.

But when she was reading for Billy, he was fittingly represented by the Magician. But for Lilia, he was the “windfall.” He was the tower, reversed. Miraculous transformation. Because she, having put the sigil on him, saved him from the destruction and lead to his miraculous transformation. And to her, he was the windfall, because without him, she wouldn't be here, with her coven. She wouldn't have found herself.

Alice's is very straight forward—“full of fire, fights bravely.” It's how Lilia saw her, what Lilia had once again predicted for her. 'Wound suffered, lessons learned.' Specifically, Lilia wasn't able to warn Alice, but she learned her lesson. So, this time, she makes sure to warn Agatha. “When she calls you a coward, hit the deck.”

And why does she warn Agatha? Agatha represents her 'obstacles,' after all. Maybe so—Lilia's literal obstacle at this stage ends up being the Salem Seven, who merely want Agatha. Yet she chooses to stay behind to save a woman who probably wouldn't do the same for her. And the reason is—for her, Agatha is the Three of Swords. She looks at her and sees Heartbreak, (Rio) Sorrow, (Evanora) Grief (Nicholas). And Lilia is willing to forgive her—to sacrifice herself for her—even if the universe itself doesn't think she deserves it. This is different from how Agatha views herself, or even how Billy views her, since he initially pulls out the Chariot. One might say it's a random choice, but the Chariot is described as representing “determination, success, and control.” It's about overcoming challenges and gaining victory through maintaining control of your surroundings—which, I argue, embodies Agatha pretty well. So The Three of Swords is who Agatha is to Lilia. She doesn't hate her, or see her as a force to be reckoned with. She pities her. After all, the Queen of Cups is defined by her empathy.

Then, of course, Jen. Jen is Lilia's path ahead. Not only because she has a brilliant future of her own ahead of her in the mcu, now with her powers unbound. Because Lilia senses all the trapped light and bound power that Jen carries—“The High Priestess: Immense spiritual power, unable or unwilling to use it--” but also because Jen, the survivor, is the one who will carry on Lilia's memory. All those centuries, Lilia had been alone—there was no 'path ahead.' Everything was a jumbled mess, her “path” was non-linear and twisty. And Jen, after centuries of solitude, was her light in the dark, guiding her through the dark tunnels, as her mind wandered through her timeline searching for answers. Jen was the only person in centuries who bothered to see her as something more, to acknowledge her strength, and to help her fill in the gaps as best as she could. And so Lilia sees so much hope in Jennifer—who won't stop becoming better and better. Because for Jen, the Queen of Cups is her path behind. Wound suffered, lessons learned. “I couldn't save Lilia, I didn't even try to save Alice, I'll be damned if I let you two idiots die.”

Finally, Death, Rio. Well—it's obvious. In tarot, death isn't literal. It's mist often symbolic. Transformation, end of a cycle, new beginnings. Which is why we never see Lilia's corpse, and we never see Rio collect her. Because unlike Alice, Lilia went into the afterlife willingly. And for her, it was a beautiful release. After years of running out of time—she got to start anew—knowing that this time, she managed to save her coven. (I'd also like to think that the reason we don't see Rio collect Sharon is because it was a peaceful death—joining Mr. Davis instead of suffering further. Whereas Alice finally had something to live for, but I digress. I've already made my posts about Alice.)

I think that this is all relatively obvious—but I genuinely can't stop thinking about Lilia and her dynamics with the rest of the coven.

[kaizokuou-ni-naru]

Thoughts on the Seraphim, assuming you have any?

one thing i think is quite interesting in egghead, which hasn't necessarily been highlighted prominently by the narrative but which underlies the whole arc, is the similar treatment of the various artificial humans created by vegapunk: the satellites, the seraphim, stussy, and, to a certain extent, kuma.

i think one of the points of egghead is that it's both inhumane and impossible to try and create a person with no individuality or free will. like, it's immoral, but it also just doesn't work. you can't create a person just to serve your own needs and have them not have any personality or identity of their own; it's antithetical to human nature. one piece consistently says that all things strive, and all things dream, and all things want to be free, and that's why vegapunk's creations keep becoming real people in ways that he didn't intend or foresee.

all of the artificial humans in this arc have some degree of identity and individual thought, even those who were specifically designed to be perfectly obedient. we see this when vegapunk is shocked to hear that s-snake is capable of defying orders to help luffy, and when kuma comes to save bonney despite every fact of science saying that he should be brain-dead.

york's betrayal is also consistent with this. vegapunk didn't see it coming, because he created and viewed the satellites as extensions of himself, but they aren't! they're sentient people with, at least, the potential to develop their own dreams and motivations and goals that don't necessarily align with his. that's what being human is.

in that sense, the fact that vegapunk's downfall is brought about by york's self-actualization is quite karmic. her actions are evil and extreme and cause massive collateral damage, of course, but i honestly think they're also pretty understandable when you consider her as a person who was created to only be an extra limb of someone else, trying to define herself. how else was she ever supposed to be free?

this theme is, i think, particularly embodied in stussy, who is clearly undergoing something of an identity crisis. she's caught between loyalty to the purpose she was seemingly created for and loyalty to the identity and relationships she's developed for herself while living out in the world as her own person; she betrays the latter for the former, which is something that clearly pains her greatly, and then loses the former anyways, leaving her with nothing.

the situation that stussy is put in is really very cruel, and honestly, egghead is a fundamentally inhumane place. it's full of people who are expected to not be people. it's frankly no wonder one of them eventually freaked out and turned evil.

vegapunk pressuring sentoumaru into betraying the world government for him is played for comedy, and it's basically implied sentoumaru would've done that anyways, but at the same time it's rather telling of the way vegapunk tends to treat his subordinates and creations: like their own thoughts and feelings, if they have any, don't really matter. vegapunk doesn't ever intend to be cruel, i don't think, but he's certainly thoughtless and inconsiderate, and when you're dealing with human life that can be just as damaging.

this all brings us back to the seraphim. they're weapons of war, yes, but they're also children who had no say in their own creation, and who clearly have at least somewhat more individuality than vegapunk intended them to have (as we see definitively with s-snake). they're effectively slaves of the world government, currently. even when you look at how they were created, they're products of experimentation on a captive child (king), and two of them, s-snake and s-bear, are cloned from former child slaves themselves.

one piece is a story about freedom. i think one way or another, thematically, the seraphim will have to end up free. i can't predict when or how that'll happen, but everything about egghead and the series as a whole indicates that the desire of living things to be free and dream is irrepressible.

[1moreff-creator]

Is there some type of masterpost for all the crazy hidden stuff for Despair Time? like the hidden quotes, the Mai stuff, a comprehensive guide to LGI?

Well, there’s been a few really useful posts over the years. There’s the Secret Quotes, “All you have to do…” Page, Mai Quotes, About Page Text masterpost by despairing-disaster, which I must have visited 15000 times; accirax’s episode guide is a great resource even if it’s not exactly what you asked for; and at the risk of sounding a bit arrogant, I think my Mai post and my full LGI analysis video “A Full Vivisection of the David MV” are good for their respective subject, though they're more analysis than "masterpost". But, for the purposes of having it all in one place, here’s my

DRDT SECRETS MASTERPOST

Spoilers up to and including CH2 EP16

-About Page Text

The source code of DRDT's About Page holds (or held at some point?) the following text:

“You don’t understand, do you? I used to be like you. I barely remember, but I used to be like you. I cared so much about people, I cried everytime someone was hurt. I suffered for a long time stuck in here caring about people." "I know what you’re going through. You’re going to hold on as long as you have, with hope that you can make it out of here with everyone. Then you’re going to despair. That lasts a while, too." Then you’ll get bored. Like me. And you’ll wish you were still suffering. Anything else is better than boredom. "I wish I could feel something, anything else, other than being bored. I’m stuck in here for eternity, and I know everything that could possibly happen. I know how everyone reacts to a murder, what makes people turn to despair, what fills people with hope and make them survive until we all run out of food and starve to death." "I wish I could feel terrified, or afraid, or angry. But I can’t anymore. I don’t feel anything at all except boredom." Do you understand, Teacher? "This is why I’m letting you suffer as long as possible. Because it’s better than the alternative." I’m sorry. I don’t envy you. You’ll understand eventually.

(Note: The quotations marks are placed exactly as they are in the code, but the importance of this is debatable)

-Secret Quotes

Quotes hidden in the source code of each character’s personal page. Ordered here by the order in the cast list.

Teruko: It is an equal failing to trust everybody, and to trust no one at all. Xander: survivor guilt(n): feelings of guilt for having survived a catastrophe in which others died. Charles: If you forgot it, then it probably wasn’t important to begin with. None of those memories should ever be kept, anyway. Ace: I don’t know what to do with myself anymore. Arei: Because that’s what friends do. Rose: In the end, the only thing I can do is watch my wretched life go on. Hu: I want to pay for what I’ve done. But even then, I still want to live. Eden: You can’t go back, no matter how hard you try. Levi: I always believed that a person is defined by their actions alone. But maybe that’s just a poor excuse for my heartlessness. Arturo: You hated them, but even that doesn’t justify what you did. Min: I wanted to save you. David: I hate you, I hate you, I hate you. I wish you could just die. Veronika: Once something is broken, it can never be pieced together in quite the same way again. The same goes for people. J: Please don’t call me your daughter ever again. Whit: We tend to idolize the dead. Nico: Why should I own up for the mistakes that someone else made? MonoTV: Her name is Mai Akasaki.

-"All you have to do..." Page

By using MonoTV's quote to get the name, typing in https://danganronpadespairtime.tumblr.com/maiakasaki into search shows a page with this text:

“All you have to do is ask for my hand, and I’ll give it to you. Ask for my life, and I’ll give it to you as well. Don’t apologize for asking. I’ll give you my forgiveness too.”

(Bolded text highlighted for reading comfort)

Source code hides the following text:

“Are you still searching for a secret? For some explanation that will satisfy you? There’s no answer I can give you that will make you happy. Maybe I should have lied instead. I’m sorry.”

The bolded letters in this page gives you the code AOAVIEPKRO, which when typed in the same way as Mai's name (https://danganronpadespairtime.tumblr.com/AOAVIEPKRO) gives you the linked Mai Akasaki character page (you can also just Google it nowadays).

-Mai Quotes

Entering the Mai page displays, at random, one of the following quotes. The source code gives them an order and relates them to a specific character. Ordered here in the same way the code does it.

Teruko: Some years ago, she was searching for someone named 'Teruko Tawaki.' Charles: A girl who loves her family. Rose: She remembers everything that is important to others. Arturo: A girl who sees the beauty in everyone. Levi: A girl with a floral tattoo on her arm. Whit: A girl with many friends. Eden: She kept calling the number, even though no one picked it up. J: She kept it a secret, and told no one. Hu: A girl who wanted to keep everyone safe. Nico: Everyone confided in her. Ace: A girl who had a bright future. Arei: She doesn't like it when her friends fight. Min: An average girl with nothing special at all about her. Xander: She couldn't stand to do nothing. Veronika: A girl who didn't foresee the consequences. David: She forgives everyone. MonoTV: It's all your fault.

-Second Anniversary Secret Code

There are two columns, one with letters, a dot, apostrophes and spaces, across from the other, with numbers. By rearranging the "rows" in order (1-2-3...), you get "It's all your fault." (Dot included).

-Character Playlist

At one point, dev uploaded a playlist of sixteen songs, where each one was meant to be connected to one of the characters in some way. The playlist has been privated/deleted, so here’s a recreation made by venus-is-thinking. Below are listed the songs in the order they show up in the playlist, although it’s unclear if the order means anything or they’re completely randomized. I find the latter more likely btw.

-Diamond is Unbreakable from Jojo's Bizarre Adventure OST -Sing Along by Sturgill Simpson -RUNAWAY by half•alive -cartoons by Louie Zong -asymptotic by Louie Zong, Unofficial Extended Edit by Axolotl Dreams -アイアルの勘違い (A Mistaken Belief of Love) by Niru Kajitsu, cover by yama -春嵐 (Shunran) by John -イヱスマン (Yesman) by NILFRUITS, covered by Noristry and カケリネ (Kakerine) -アンデッドエネミー (Undead Enemy) by Suzumu and Giga-P, covered by 松下 (Matsushita) -Drawing Pins by Nothing but Thieves -ハイファイ進化論 (Hi-fi Evolution Theory) by 稀雨 ("Rare Rain") and ふぁるすてぃ (Farusti) -tip toes by half•alive -ポリゴナル (Polygonal) by ふぁるすてぃ (Farusti) -Spitfire (05 Version) by The Prodigy -desk rotation by HALLEY LABS -Good Grief by Bastille

******

Literature Girl Insane

Naturally this gets a whole section for itself. That said, I will ask that you watch Vivisection (linked above) for every visual detail, piece of text, color connection theory, language theory... basically everything that wouldn't be considered a puzzle or a code in some way.

-Footnotes

Numbers which appear attached to certain parts of text, which are referenced in the video's description to give them extra meaning. Refer to this post for images of all the footnotes, as well as a first impression analysis.

[Footnote Number] Description Text -> Text it's attached to in the video. [Time of appearance and link] {Notes}

[1] In this situation, it is better to use full names over nicknames. Exclude our protagonist—he is not “that person.” -> Now [1:22] {Crosswords puzzle}

[2] Other examples include Drosophila melanogaster and E. coli. -> an albino mouse, arabidopsis. [3:02]

[3] From Title 17 of the United States Code. -> A “derivative work” is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a “derivative work”. [2:18] {Tumblr why did you remove yellow you're fucking up my color scheme}

[4] The practice of avoiding the number four; it is most common in East Asia. This superstition arises from the fact that the number four can be read similar to the word “death” in multiple languages. -> subtract 4, due to tetraphobia [1:46]

[5] As the translation has been intentionally botched in many parts, it should not be considered accurate. -> (translation needed) [3:10] {The text is "(translation needed)", not that I need a tanslation :v}

[6] (Prayer) -> 🙏 [2:02] {Extremely small and almost invisible, bottom right of the hands}

[7] Seven is considered an auspicious number in many Western cultures. Let's just skip it. -> Mind [2:41]

[8] ‘Tut, tut, child!’ said the Duchess. ‘Everything's got a moral, if only you can find it.’ -/> N/A. This footnote cannot be found, as it is not in the video. [N/A]

[9] no respect for the classics smh -> So sing a degraded copy [2:07]

[10] The Roman numeral for 10 is X -> X [2:00] {Very small, top right of X}

[11] I admit to lying. There is no one named ••••• •••••. I am, and always have been, an only child -> suspicious gaps [1:32] {Still no idea what the hell is going on here}

[12] “Majority rule” is known to be the fairest method of making decisions for a group. That’s why murderers never complained when we voted for them to die -> Tallying votes… [2:02]

[13] 正 -> correct [2:40] {Refer to "Tally 5" for further information}

[14] Hint: word length of 256 -> = [3:52] {Refer to "Footnote 14 Puzzle" for further information}

[15] “Ignorance is bliss” is an idiom used to say that it is better to remain ignorant about certain harsh truths, in order to avoid causing oneself stress. The expression comes from a 1742 Thomas Gray poem (“Ode on a Distant Prospect of Eton College"): “Where ignorance is bliss, 'tis folly to be wise.” -> Remaining ignorant, isn't that "happiness"? [1:47] {Again excuse the lack of yellow}

[16] While it was originally intended to serve as a military march, today it is most commonly recognized for its association with circuses and tomfoolery. -> [sheet of music] [2:49] {The song referenced is "Entry of the Gladiators," so it's presumed that's what the sheet shows. I couldn't find an exact match, but online sheets look similar enough}

[17] Not a real word. Can't be found in any dictionary. -> Democratic-ly [2:00]

[18] A/N: soz not very good at drawing flowers lol!!! -> dandelions (weed) [3:04]

[19] A dialogue between two individuals that serves as a discussion of moral and philosophical issues. -> Will you forget what you've done, I wonder? [3:42]

[20] It is considered by many to be outdated, providing little-to-no insight on human nature. -> The Kübler-Ross model postulates that those who experience grief go through a s[] of five consecutive stages: [1:53]

[21] Deriving from the Latin phrase “Et cetera” : meaning “and other (similar) things”, “and so forth”, or “and the rest (of such things)” : abbreviated to etc., etc, et cet., &c. or &c -> etc. [3:48]

[22] The rest is silence. -> [4:21] {This footnote shows up on its own on a black screen, that's why there's no associated text}

-Roman Numerals

The crosswords attached to footnote 1 can be completed in the following way, attaching each character (minus David plus Mai) to a numeral.

Below are all the numerals, listed in numerical order. Refer to this post for images.

[Numeral] [Character] Text it's attached to *Background text* *Other background text* [Time stamp and link] {Notes}

[I] [Xander] (the world of abnormal sentiment dances) *I have always looked up to you* [3:50] {Refer to "Footnote 14 Puzzle" for further information}

[II] [Rose] Ego cogito ergo (turbatus) sum [1:34] {Translation: I think therefore I am (disturbed)}

[III] [Charles] If you doubt brittle things are broken *And now here’s my secret, a very simple secret. It is only with the heart that one can see rightly; what is essential is invisible to the eye* [1:37]

[IV] [Arei] Right now, why do you cry? [1:39]

[V] [Ace] Right now, why you go insane? *A cat has 9 additional lives* *I am but mad north-northwest. When the wind is  southerly, I know a hawk from a handsaw.* [1:42]

[VI] [Arturo] mind exercises 1 2 3 4 [2:41]

[VII] [J] Do it like that, let’s live together! *The Moral La[w] causes the people to be in com[plete accord] with their ruler, so that they wi[ll f]ollo[w] [him] regard[less of] their lives, undis[mayed] by any danger* [2:10]

[VIII] [Nico] even if i try to think, idk!!! [2:44]

[IX] [Levi] look, aside from that, give me the usual medicine *[Extract from a scientific paper on Shoemaker-Levy 9]* [2:46]

[X] [Min] Democratic-ly *In the case of a murder, all survivors must participate in a class trial. During this trial, everyone must discuss and vote for one of the remaining participants as the "blackened" murderer* *👈👈* *👉👉* *🙏* [2:00]

[XI] [Mai] God is dead [1:48]

[XII] [Eden] ???: But you're in my way, aren't you? [2:28]

[XIII] [Teruko] or *Only the eyes belied this assumption. They were small, deep set and crafty. Not only that. As the man, making some remark to his young companion, glanced across the room, his gaze stopped on Poirot for a moment, and just for that second there was a strange malevolence, and unnatural tensity in the glance* *Those are the terms. To exchange all the goodness and grace of every life in Omelas for that single, small improvement: to throw away the happiness of thousands for the chance of happiness of one: that would be to let guilt within the walls indeed.* [1:55]

[XIV] [Veronika] Things like substance of the arts *subtract 4, due to tetraphobia* [1:44]

[XV] [Whit] Remaining ignorant, isn't that "happiness"? *subtract 4, due to tetraphobia* [1:46]

[XVI] [Hu] ???: Go and cry. [2:27]

Windings

At 0:35, windings text flashes on screen. It's the beginning of Never Gonna Give you Up by Rick Astley. Yep.

-"What is the most important thing?"

To this day the best answer we have to this is replacing each question mark with the corresponding letter of "RESOLVE." If you find something else, please tell me.

-Bullet-Finding

The MV tells us to find six bullets, but if you look at the top left book, it says "(hint: no you can't)" Here are the five bullets which can be found.

-Morse Code

At the end of LGI, the following Morse code flashes on screen.

-.-- --- ..- / … - .. .-.. .-.. / -… . .-.. .. . …- . -.. / .. -. / -- . / -.. . … .--. .. - . / . …- . .-. -.-- - …. .. -. --. / .. .----. …- . / -.. --- -. . .-.-.-

-… ..- - / - …. .- - .----. … / .--- ..- … - / ..-. .- -. - .- … -.-- --..-- / .. … -. .----. - / .. - ..--..

.. / … .. -- .--. .-.. -.-- / -.-. …. --- … . / - --- / -… . .-.. .. . …- . / - …. .- - / -.-- --- ..- / -.. .. -.. .-.-.-

.- ..-. - . .-. / .- .-.. .-.. --..-- / .. .----. -- / .. -. -.-. .- .--. .- -… .-.. . / --- ..-. / -… . .. -. --. / … --- -- . --- -. . / .-- .. - …. --- ..- - / -.-- --- ..- .-.-.-

Which translates to:

YOU STILL BELIEVED IN ME DESPITE EVERYTHING I’VE DONE.

BUT THAT’S JUST FANTASY, ISN’T IT?

I SIMPLY CHOSE TO BELIEVE THAT YOU DID.

AFTER ALL, I’M INCAPABLE OF BEING SOMEONE WITHOUT YOU.

-Footnote 14 Puzzle

(Solved by y-prime) (Apologies if I get any of the technicalities wrong, I'm not good with codes)

After Numeral I flashes on screen, you get a bunch of numbers, followed by an ampersand (&), more numbers, an equal symbol (=) attached to footnote 14, and a bunch of question marks. Footnote 14 is "Hint: word length of 256," and 256 is 2^8, which is 8 bits in binary. This tells us we need to get a binary code using the bitwise AND (&). If you're uninformed, I was too, but basically, & first transforms decimal numbers into 5 digit binary, giving the next values:

14631484268173741020143036451175923368636278930404923743082436772069705217326 -> 10000001011001001000000110101001101001011101100110010110101000111100010110110001110111011000010111100111110011001000001110110011101111011011110110101101100101011101000010100001110101011101000010000101111100111011110011000011111001111111110111010100101110

43607886503718811525798764321686495628071353085956330717581498375291444100526 -> 110000001101001001100000110100001100001011101110110010100100000011010010110110001111111011000010111100101110011011100100110110101101111011011110110101101110101011001110010000101111101011100000010100001110100011011110110000001111001011011110111110110101110

Note: The second value is actually 255 digits long in binary, the first is 254 (don't- do not ask me how this happens, it's what the decoder gave me). Arbitrarily, you have to delete the first 1 from the second value.

Then, & compares each number in the binary, and returns 0 if at least one of the values is 0, or 1 if both values are 1. This gives you:

10000001001001001000000110100001100001011101100110010100100000011000010110110001110111011000010111100101110011001000000110110001101111011011110110101101100101011001000010000001110101011100000010000001110100011011110010000001111001011011110111010100101110

Which is 254 characters, you need 256. Arbitrarily, add two 0s at the beginning of that final code. When converted from 8 digit binary to text, you get "I have always looked up to you."

(I hope you appreciate the detailed explanation it took me hours to figure out what y-prime did they're so much better at this than me T_T)

-Tally 5

(Originally solved, to my knowledge, by anderscim)

Although originally we weren't meant to share the solution, I think over a full year after the video, with Part 2 fully out, the embargo is surely over by now.

On the books in LGI, there is a QR code which takes you to https://danganronpadespairtime.tumblr.com/tally5. This page has only a text box where you can input text, and a title asking "Was I correct?"

The "Was I correct?" connects this to the "correct/incorrect" scene attached to footnote 13, which itself is 正, a Chinese symbol which can mean "just" or "correct." Additionally, this is a way that people in eastern countries tally up sets of five, the way you might see someone use something like 卌, which connects it to the infamous "tally5" URL.

Transcribe the text, and separate it in sets of up to five characters (hence the whole "tally 5" thing), and ignore line breaks (the end of line two has four at the end, completed by the d in row three. I more or less followed the line breaks for visual clarity). Pick the first number of each set, as highlighted below.

3aqxw 97pkt c8uki 458fb dpfoa cllex 2f07b f8mg2 4b4mp fx2a(d) c6v3f 5yhxj d8i7s f1l31 2zaj5  1azet 47jod 5jcze c5mvb 6bz2o 59r14 3sf2p e916s czen7 emvbl 55ehe 9iqb2 708tt 83482 c8tw3 c77gn 47ojc a634g bcfz0 0l6s6 47wwl akcn4 6bre1 e0eam 9

Provided you've done everything correctly, you should get39c4dc2f4fc5df2145c653ece5978cc4ab04a6e9. Put that in the "Was I correct?" text box and you get the following image (you will most likely only see the top part, but copying the image and pasting it elsewhere shows the text at the bottom as well):

I became a villain in pursuit of your dream.

I threw away my humanity for an ideal I couldn't understand.

But I don't regret it. To "regret" is to imply that I could have done anything else.

I never told you, but the truth is, I wasn't capable of ever becoming human in the first place.

So in the end, you are always-

****

-Notable Visual Details

This part is mostly subjective. If you feel something shouldn't be here or I missed something, it's because these are just the details I personally consider noteworthy, or I forgot to add something (I'm open to suggestions here). Also I'm ignoring LGI in this section otherwise I would need 15000 screenshots.

+Fork Fun

(From left to right: Pre-prologue scene of bloody hands, Xander's eye wound from the Trial 1 investigation, Eden CG from CH2 Ep13. The first shows a bloody fork on the table, Xander's eye wound is consistent with a slash of a fork, and Eden's hand is bloody, holding a fork)

+Teruko's Mystery Voter

(Voting results in each trial so far. Teruko received two votes in T1, and one in T2)

+Camellias (Unnamed Classmate and Mai connection)

(Left: Mai profile, her tattoo. Right: Bonus episode 2. Same flowers)

+Matching tattoo? (Teruko and Mai)

(Left: CH2 EP2 Teruko changing, a small black line can be seen on her left arm, similar to the stems of the flowers of Mai's tattoo. Right: Jacket off reference, a question mark is shown besides Teruko's left arm)

+Matching phone charms (Teruko and Mai)

(Left: Teruko's Monopad, CH2 Ep1. Right: Unnamed Classmate's phone, from Bonus Episode 1)

+Drawing on Teruko's Floor

(A drawing which appears on the floor of Teruko's room in CH2 EP3, and disappears in CH2 EP7)

+Whit's Hand Behind the Back.

(After the cast learns the elevator won't open after Levi gets shot, Whit pulls out his unhinged sprite, where he has his hand behind his back. Personally I don't find this important, but I'll feel stupid if it is and I didn't add it, so)

+Thanatophobia: Names on the graves.

(From left to right: "Elliot Cuevas", "Felicity Giles", "Taylor Riley." I promise it's easier to see when Tumblr doesn't compress the images. This is the main series way we get the names of Charles' brother, Arturo's sister, and Ace's old friend)

+(AltDRDT) Teacher's ID Card

(Transcript: "This ID card is the property of Hope’s Peak Academy. Use of this ID card by any person other than the rightful holder is prohibited. Report lost or stolen ID cards by contacted 555-483-7367.")

+(AltDRDT) XF and Min's matching pin.

(Yep, matching tie pin. Btw, Min doesn't have it in her Bonus Episode or the Sleepy MV. Did she only get this at the start of the killing game?)

-Potentially Important Posts

Nothing "secret," per say, but a compilation of some of the posts the dev has made which I consider to contain important information.

-CH1 QnA.

-Bonus Episode QnA.

-2 Year Anniversary (Already mentioned).

-Jacket off Reference (Already mentioned).

-CH2 PT1 QnA. Note: Certain answers were deleted. Here's a reblog with some of them, and below is a screenshot of a particularly interesting answer which was not saved by any reblog.

-Teruko's Brother Back Reveal (4 year anniversary).

---

That's everything I currently remember for now. If you feel I missed anything, feel free to tell me about it! I'll try to edit this post to remain up-to-date with all the insane stuff in this series.

Anyways, hope that's enough for the ask! Thanks for giving me an excuse to make this!

[phantomrose96]

Actually I'm so incredibly lucky to have The Silt Verses because it gives me the kind of character dynamics I desperately love and so very rarely find.

I am an ABSOLUTE sucker for characters who go "I will move heaven and earth for you. I will be driven to both great and terrible decisions for your sake because of how I am defined by you" but I do... NOT... care about romance. I Don't Care About Romance. I don't want it. I don't relate. My immersion hits a cliff there. I'm an aromantic Character Enjoyer and I do not care about shipping at all.

So as you can imagine, it's a challenge to find "I will do everything for you" character dynamics which, if not canonically romantic, end up being ships that get treated like canon if you try to talk about the characters in fandom spaces.

I am incredibly drawn to sibling media and I think it's largely because that's the primary way I've found these dynamics and they don't get treated as "come on it's basically a canon romance" by the main chunk of the fandom. I'm an FMA enjoyer, a Gravity Falls enjoyer, an Over The Garden Wall enjoyer--fuck I'm a Supernatural enjoyer, for this reason. Do you know what that's like? When Supernatural gets you because you're so hungry?

And then... The Silt Verses... Filled, FILLED, with these "I will move heaven and earth for you" kinds of dynamics--healthy, unhealthy, as sources of hope and sources of absolute destruction. Of course I'm here for it. Of course I'm clocked in.

But it SHOULD be hopeless for me. I mean the only actual sibling dynamics are just within backstories--Carpenter and her brother Em. Faulkner and his brother Charlie. Hayward has no siblings. Paige's aren't relevant. Faulkner and Carpenter have exactly this intense dynamic I love--same with Paige and Hayward--and then Hayward and Carpenter--and I should be taking the L because this always ends in ships.

But Jon Ware and Muna Hussen--who I owe my life to--very intentionally did not do that. Carpenter is aromantic. She gets to be that canonically. There's never a hint of romantic tension between her and Faulkner. When they call each other brother and sister, it's religious formality first, and then it's an actual found-sibling kind of bond.

Hayward and Paige, in like any other media, would have been a couple. The way they save each other, and lean on each other, and leave their old selves behind to become someone new together. It's obvious. I've seen it a million times. But when Jon Ware got asked in a Q&A about what Paige and Hayward -are- to each other ... look I just need to go with direct quotes to do the answer justice

I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ... I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. ... And again, I think [give the people what they want] can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" ... And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ... Because it was freeing because after Season 1, nobody is expecting or hoping that Hayward gets together with anybody. No-one wants that particularly!

And Shrue and Val come along... each of whom has intense interactions and kinds of relationships with the people they encounter but, still, no romance. And nothing among the high katabasians or the adjudicators. If there WAS any kind of romantic read with Rane toward Faulkner, it does nothing to overshadow what was happening there. I liked someone's likening it to Lady Macbeth and Macbeth. The Thing going on between them can't really be reduced to shipping.

We DO even get the family-related bonds and trauma I usually lean on. Paige with her dad. Faulkner with his dad. Carpenter dealing with the trauma of her Nana and brother. Shrue left in harrowing limbo about the safety of their (maybe non-existent) children and husband.

Anyway I didn't even mean this to be so long. I'm just so blessed and lucky to have character dynamics where they're screaming and sobbing each other's names and no one is pulling the "There's no platonic explanation for this" card. I'm so glad.

[thesensteawitch]

IF YOU WERE A MUSE TO A POET 🍁💌

~This Is What They Would Tell You!

Pick A Pile Reading

(Left To Right- Pile 1, Pile 2, Pile 3)

Hello, Senstea Souls!💖

I hope you're doing well. Here's a collective reading about what a poet would tell you if you were their muse! ✨

TAKE A DEEP BREATH AND PICK YOUR PILE INTUITIVELY.

In case you would like to BOOK A READING with me then I am sharing the links below for the same.

BOOKING FORM 💌

RATE CARD $$$

You can also DM me in case of any query.🫶🏻

***

Pile 1

You have so many sides to you, and yet you hold space for more. I am directionless. Where should I lead this poem about you? Or where are you leading me? There’s so much to you that I want to express, but I fear I’ll end up looking like a fool. You’re like the universe—mesmerizing, intriguing, and frightening, with layers and layers of mysteries. You are divine to me. Being a poet feels like a boon when I look at you. Only fated souls get to write about someone so infinitely charming. I sense the never-ending wisdom you hold. I’d forever be your devotee if you’d let me drink just one drop of what keeps you glowing like you do. You’re sharp, kind, wild, and a dream that only slips away. Where are you looking? What inspiration do you need? Come on! You walk to your own rhythm, your shadows delightfully dancing to your beat. The sound of your steps tells me stories of places you’ve been and people you’ve met. You hold no regret, no grudge—only lessons. You think, reflect, and cry for being mistreated. But when it’s your turn, you choose to destroy the weapons that bruised you so deeply, instead of hurting others with them. The venom couldn’t kill you but made you wise. Following your footprints, I find the earth swallowing the shed skin of your old self. How can I define you when you’re constantly transforming? Every time I think I have finally known you, I find something new revealed. My hands fall short of holding your grace, my mind loses the words to portray it. As I said, you’re sharp—you’ll never let me read you. You take me to the end only to throw me into a new beginning. It’s not your fault; I understand that’s who you truly are. Sometimes, while falling asleep, I wonder who would be so lucky to fall in love with you? Or who would you fall in love with? But then again, I don’t feel you’re deprived of love, because YOU ARE love. I look at you the way others look at stars. Everyone attempts to count them at least once in their lifetime but eventually gives up, knowing it’s an attempt they will fail. But I am not tired; I am taking a break. I would like to admire you for now, knowing that maybe I too will never fully know you, but I’ll keep exploring who you are, just like scientists cannot give up on SPACE! Ah! See, I cracked something! Your lover must be someone like you—infinitely charming and holding mysteries as vast.

***

Pile 2

You know what? I am mad at you! Because either you attack or you run away. See? You just revolted back. Or perhaps hid in your closet, knowing that someone knows your little secret. You’re that 22° in astrology. Kill or be killed? You’re neither a prey nor do you need to triumph over someone or something else to keep yourself safe. All I am trying to say is that you’re not meant to just survive; you’re meant to thrive. But hey, I do see your heart. The life around it has withered, and you’re surviving on memories. For how long, may I ask? You’re not a coward; you’re afraid. I heard someone say, “The one who is capable of love is capable of being saved.” At this point, all the love is leaking from the corners of your heart. Make the best use of it, or it’ll go to waste. Life isn’t at the extremes; it’s in the middle. That’s where you find your balance. That’s where you will shine bright. I see you singing to yourself, making stories in your heart but never writing them down for the world to taste. You don’t need to say ‘NO’ to something you want. Openly say what you want and to the person who can give it to you. Don’t keep whispering your wishes into the ears of God. He’s even giving you a side-eye now, haha. You’re the leader! If you don’t take the lead, you’ll never have your pack. Do you get it? Why am I even writing about you? It seems to me that you’re an artist too. You know the depths of your pain better than I do. Gosh, you need a hug! Whoever you’ve lost in this physical world doesn’t like to see those tears rolling down your cheeks. Every time you try to make sense of your emotions, you only make your heart heavier. Love keeps dripping and draining into the river of unexpressed emotions. You’re about to be granted a new life, a restart. But this won’t be handed to you until you decide and do what you’re supposed to do. The pain demands to be felt and yada yada yada! We’ve all watched *The Fault in Our Stars*. But come on, there’s an expiry date to feeling it too. I told you, you’re an extreme case. Pain won’t leave you until you leave it. YOU DESERVE THE WORLD. And I know you don’t believe it, but from where I am seeing, all your wishes are about to come true. You’re just ONE decision away. And I am here watching and waiting for you to make that move. Go where your heart is; that’s where you’re supposed to be. Don’t run away from your destiny. Remember, you’re not the same kid who froze at the point of a horrifying sight and couldn’t do anything about it. You’re grown up now. You can HEAL yourself. You’re not hopeless or helpless. You don’t even need to find your potential; it’s just there, waiting for you to see it and accept it.

***

Pile 3

Excuse me, miss/mister? Do you even have time to read what I have to say? You’re too busy figuring things out. Huff! The amount of mental and physical work you do is commendable. Are you waiting for something or someone? I am not surprised to see your spiritual side. What side, huh? You’re SPIRITUAL—IN & OUT! You’re wise, extremely intuitive, and resourceful but haven’t learned how to avoid burnouts. Can something ever be hidden from you? From where I see, it seems you’re new here but not naive. You’ve completed a tough journey filled with passion, rage, excitement, and burnouts (again!). Life has been preparing you for something bigger than your destiny! You’re heavily protected from the forces that don’t want you to be where God is taking you. But we all know who’s more powerful, don’t we? I see you bumping into your past sometimes, but you quickly realize that’s not where you’re supposed to be. The price you would have to pay to return to the same place or people is quite heavy. You don’t feel comfortable in the old stories anymore. You’re grateful but not greedy to go back. I laugh at those who think they can lure you with temptations! Lol! You are ten steps ahead of them. Stay where you are. All this silence around you is a blessing. You’re about to win. You’re meant to win in this lifetime. This is not your first time around. I have seen you somewhere—not here, but in a different lifetime. You’ve lived all those lives to WIN in this one! The smoke of your burned karmas surrounds you. You’ve cleansed! You’re not in the dark; you’re rising from the ashes. I see the wings of a phoenix on your back. YOU’RE THE CREATOR OF YOUR OWN DESTINY. Evidence of your faith and intuition follows you in the forms of birds, butterflies, feathers, and angel numbers. One day, you may share your story, but you know that day is not today. God, you’re mysterious, and all those stories are tattooed on your skin in a language no one can decipher. Your presence is enough for people to turn around, pause, and reflect. You raise the temperature of the room and melt the ice away. People open up to you naturally. Everyone just wants to experience a drop of you. But you’re not easily accessible. Your magic is sacred and can’t be put on sale. You’re magic. The path you’ve walked on shines so bright. That’s how I trace your past life because you leave glitters behind.

[abrunettefangirlnerd]

Overwhelmed

Pairing: JJ Maybank x reader

Prompt: Reader has bouncing between so many things in her life that is leaving her chronically exhausted. It hasn’t been too much of a problem until one afternoon. The only one that seems to notice is JJ.

Warnings: Near death experience

The blinding sun crinkles your eyes as you drive your way to the Chateau. Sweat beats down your entire body from the day working with your father. He is a construction worker with his own company, and you work with him during the summer for some spending money. Even though he is your father, he still has you doing all the same heavy lifting as anyone else that works for him.

Normally every summer has been fine. You also work at a local gym on Figure 8 almost every day for a few hours. You’d work with your dad in the morning, work at the gym in the afternoon, and hangout or relax with your friends in the evening. 

Though for some reason this summer your dad thinks any free time you have will be with him, unless you’re sleeping of course. You’ve had talks with him, and he always seems to be on the same page. That is until he starts telling you all that he needs help with and how you are going to come and help before and after the gym all week.

Luckily today ended up being a day he didn’t have much for you to do. Instead of wasting another second you made a beeline for your friends before he could change his mind. You love your dad, and the extra cash, but trying to keep up with work and maintaining your social life leaves very little room to just breathe. 

Though you find yourself struggling to try. From the constant buzz of life that has become almost normal, you find yourself getting anxious anytime you are just laying around. Even if you are with your friends. Anytime you aren’t on the boat or helping with the newest endeavor of finding the gold, you feel like you should be doing something.

“Hey it’s my girl!” JJ shouts from the couch on the porch. Beer in hand.

“Hey babe.” You say with a smile after greeting him with a kiss. “Did you guys catch anything on the boat?”

“Not much but we did manage to save some leftovers for you,” your best friend John B offers. “It’s only been sitting out a few minutes.”

Feeling your stomach rumble, you assure him that you are hungry enough to eat it raw. Walking into the kitchen you let your smile faulter. You allow the wandering exhaustion to settle over you for a moment. Holding back the exhaustion is exhausting enough.

You feel the nice warm water wash your hands of drywall dust, paint, and sweat. Heading over to the counter you find your plate and grab a fork before rejoining the boys. Kie apparently has to work tonight since she was out all day with the boys. Though she promised to come back over after her shift at The Wreck.

You take the empty seat next to JJ, and as you do an involuntary sigh escapes your lips. As you dig into your dinner you hope that the guys haven’t noticed. If they ask you if everything is okay, you’re afraid some tears of frustration and tiredness would break through. Instead you focus your attention on the food in front of you and the latest pointless debate between the boys. Before you know it, every last bite on the plate is gone.

“Hey lets go back out on the HSM Pogue!” John B excitedly gets up. “Sun is setting, nice night dip.”

Everyone excitedly agrees and you head into the spare bedroom to slip into your swimsuit. As you pull up your straps, completing your ensemble, there is a knock on the door. Without asking who it is, you tell them to come in. Only one person would want to come in and that is JJ. It is basically his room after all.

Closing the door behind him, JJ takes in the sight of you. The newly defined muscles on your arms and legs from the work with your dad. You can’t complain about the benefit of the job. Though when his eyes meet yours all you can see is concern.

“If you’d rather stay in and relax I’ll stay with you.” JJ offers you. An overwhelming sweep of adoration floods through your senses, but next comes the wave of anxiety. No, I can’t do nothing.

“It’s okay, we can go on the boat.” Your voice upbeat and convincing of the energy you do not contain. “I’m fine.”

Even as the last two words leave your lips, tears form behind your eyes. Thankfully the room is dark, no power on the Cut from the hurricane. Unconvinced, JJ nods and heads back out with the other two. You take two deep breathes as you clear your eyes and slow your now racing heart. With a quick nod at yourself in the mirror, you make your way out to the HSM Pogue.

The sound of the waves hitting against the boat is almost enough to pull you to sleep. That and the warmth of JJ’s arm around your waist. Leaning into him you find your eyes fluttering shut every few minutes. If this wasn’t the first time you’d physically seen everybody in days, you would have just stayed at the Chateau with JJ.

Situating yourself, you lean toward the cooler for a cold beer. Even though you know alcohol is a narcotic it just gives you something to do than think about how tired you are. From the corner of your eye you see JJ analyzing you. Aside from a beer here and there, you aren’t much of a drinker. It isn’t until you send him a smile that he drops his watchful gaze and smiles back.

“This looks like a good spot.” John B insists as he slows the boat to a stop and throws the anchor over.

The four of you jump into the cool water. The sudden alertness gifted by the water sends you through the break into the sky. Though as your body adjusts to its temperature the feeling of exhaustion returns.

JJ wraps his arms around you and peppers your face with kisses. Squealing, you try to pry him away from you but your efforts are futile. Taking your frame in his, JJ manages to throw you a few feet in the direction of Pope. Who of course fakes offence at the unseen attack. Water is thrashed around by each person until a full blown water war breaks out.

Swimming around to the boat, you take deep breathes as you watch the boys continue splashing around. You plan to hide out for a bit before climbing onto the boat and performing a cannon ball that will soak everyone. The splash to end all splashes. Not wanting to spoil the fun yet, you float on your back in the water. 

You close your eyes and feel the cool water soak into your warm skin. The aches and pains from the day’s work unravel from your body. Dark clouds filter behind your eyelids as the sounds around you become more muffled. You know you should get up but you can’t will your body to move. 

The water around you laps farther up your face, and within a few moments you’re completely submerged into the water. Making the mistake to breathe, a burning sensation fills your lungs and your body fights out of its own slumber. But you’ve already breathed in too much water and your body is still too exhausted to propel your body toward the surface. 

**

Looking around JJ realizes that he hasn’t seen (Y/N) in a few minutes. He calls out (Y/N)’s name while circling around the boat. Giving up on swimming, JJ climbs up on the boat and surveys around the best he can in the dark.

Panic rises within JJ’s chest and his breathing becomes labored. JJ knew he should have suggested harder that you two stay at the Chateau. He could tell through (Y/N)’s eyes how exhausted she truly is. Just a few nights ago he went to surprise her at home. Crawled in through her window with a big bag of snacks and drinks that will keep her up well into the night. However, the moment JJ wrapped his arms around her, (Y/N) was knocked out cold.

With his shaking hands, JJ grabs for a flashlight and shines it on the water. JJ knows he won’t be able to see anything but he can’t think straight. Just before he is ready to radio for help he sees a bubble rise to his right.

Not wasting any time, JJ dives into the water. His eyes spot (Y/N) a few feet down from him, unmoving. A shot of ice cold fear radiates through his body as he fights his limbs to move him toward (Y/N). JJ wraps his arms around her waist and propels his legs to break the surface above.

“HELP!!” JJ screams to John B and Pope. “HELP!!”

The guys hear him and turn to face his panic-stricken face. Realizing that (Y/N) is in JJ’s arms, the guys spring into action. John B gets onto the boat while Pope joins JJ and lifts (Y/N)’s limp body. JJ grabs onto the boat and pulls his body up and is quickly joined by Pope.

“Tell me how to do CPR!” JJ frantically shouts to Pope.

“You think I know?”

“You’re the fucking genius,” JJ lays you flat on your back, “so help me goddammit! I can’t lose her!”

“Okay okay!” Pope presses his fingers against his temple as he thinks about what to do. “Chest compressions! Two sets of 30 and then mouth to mouth. Check for breathing and then start over!”

JJ places his hands over (Y/N)’s chest and begins to press up and down. His actions start off timid, afraid that he will hurt her but feverishly picks up when he sees there is no change. Lowering his mouth to (Y/N)’s, JJ breathes air past her lips and sees her chest rise and fall. JJ can’t believe that only moments ago the last time he was this close the two of you were kissing, and now he is trying to breathe life into her.

I can’t lose her. I can’t lose her. She’s my everything. I can’t lose her…

JJ presses up and down (Y/N)’s chest to this mantra. Years ago, his mother left and his father became a raging drunk who is always on someone else’s meds. (Y/N) made him stable, made his life feel stable. Without her, JJ is scared he will end up just like his father. (Y/N) has showed him that there is more to life than the Outer Banks. They always talked about leaving one day, buying a house, running a business, and eventually starting their own family. Right now, all those happy plans are slipping past JJ’s fingertips along with (Y/N).

**

A burning rush of water flows up your throat as a coughing fit surges through your chest. Grabbing on to something nearby, you flip on your side to help expel the contents. Even as all the water leaves your system you keep coughing and feel as though you will never stop.

After what feels like forever, your coughing subsides and you feel two strong arms wrap around your torso. As you take in what happened, you feel your body begin to shake at the realization that you could have died. Tears flood your cheeks and fall against JJ’s bare shoulders. That’s when you register that JJ is shaking as well.

“JJ,” you say as your hand holds the back of his head, “I’m okay. It’s okay.”

JJ doesn’t speak but shakes his head against your skin. His head fits in the crook of your neck and you feel him breathing in your sent. It’s as if he doesn’t believe that you are awake and breathing.

“JJ look at me.” You whisper.

Reluctantly JJ’s eyes meet yours. You see his blood shot eyes and tear-stricken face. JJ leans his forehead against yours as his fingers run through your hair. A pit hits the bottom of your stomach as you think about how worried JJ was and how reckless you were.

“Next time,” JJ takes a deep breath as his voice catches, “can we just stay at the Chateau?”

“Yes, yes.” You sigh in relief.

JJ connects your lips with his. The kiss starts off soft and gentle, but JJ quickly turns it hungry and desperate. It’s as if he needs you instead of air. In this moment you make yourself a promise that you won’t over work yourself from now on. You’ve realized that you aren’t the only one that will become overwhelmed.

[brucewaynehater101]

I come again w/ another Tim Drake au!!

So there's this fanfic "If We Could Only Utter the Words Left Unsaid" by TaintedCure on AO3

And now I wanna share an idea

TW for suicide because of Timothy + death-fueled-time-travel

Basically, whenever somebody kills Tim, they go back in time, and there's no limit to how many times he can die. they go back far enough to prevent his death or not do an attempt on his life

He dies during Titans Tower? Back in time you go Jason!

Cut his line and he broke his neck and died? Damian is now back in time!

Some goon cracked his skull too well? Say hello to the past bucko!

Hell, even accidental murders still register so if you were to accidentally push him off too high a ledge you're getting the Time Travel Treatment

Hey maybe Tim still is aware of his time travel powers, but only when it comes to natural causes (like hypothermia) or suicides, so as a result he thinks he knows it all when he in fact doesn't

So yeah, unless somebody spills, Tim is clueless to the whole truth of his powers

I imagine only old age would do him in at this rate

It'd be like real interesting to see all the POVs, especially if they think they know all the loops

Like there's Tim who's regularly exploited his powers to get perfect results but is trying to convince himself he isn't being too frivolous with his life since he's saving lives or making them better

Then there's the people who did him in and may or may not even be aware that the time travel they experiences was because they killed the Third Robin or got him killed

Then there's the people who've done him in maybe one, twice or multiple times and have clocked into the fact that murdering Tim is an exercise in futility

TW: suicide (powers revolving traveling time by dying), violence/abuse (skip the angst if you don't want the second one), and death.

Now, this is a very interesting concept, and I'm probably gonna get lost in the setup for a bit.

The way that Tim's powers work would have to be defined really well. How far back can he go? In the fic you mentioned, he has a save point, basically. He can die an infinite amount of times, but he'll only return to his save point unless he reaches past the OG time he died. He can play around as much as he wants between the savepoint and his death, but a new savepoint gets set up after he passes his OG death time. It also indicated a decrease in time he went back (or his savepoint was established) so that he'll eventually die for good if he kept using his powers. That solves a lot of continuity issues.

However, the setup for Tim's powers could be like SSS-Class Suicide Hunter. For those who aren't familiar, the MC revives 24 hours in the past. He ends up killing himself thousands of times to end up at least a decade in the past. It's been a while since I've read it, but that's the basics of it.

If we're working off of those rules, anyone who kills Tim is only working with 24 hours in the past. You can add more or less time to fit your AU better.

I have some questions about the setup. You mentioned that the person who kills Tim would get sent back without his knowledge. Therefore, in Tim's mind, has he never been murdered? Or, is it a two for one ride into the past? Does the villain get sent back into the past, but Tim doesn't know the past has been changed? Or does Tim get sent back as well, but he doesn't know the villain is also sent back?

Imma get into the angst in a bit if Tim doesn't get sent back into the past when he gets murdered.

However, the issue with this is fucking with the timestream. If a goon kills Tim, ends up 24 hours in the past, and past Tim kills himself within those 24 hours, what the hell is the timeline? Does the goon still get sent back in time? Does Tim get sent back, and then, when the goon is supposed to, his consciousness gets sent back during that time? Does Tim killing himself wipe out the goon being able to travel back in time?

Continously, I assume if villains found out about the power, they would gun for Red Robin with prejudice because they know they'll get a cheat that way. They get a ticket to the past if they kill the bird. They get a redo.

Alright. Angst time!

~~

Bruce is the first one to find out about Tim's power. He's training with Tim when, as per usual, he takes it a bit too far. The man has a habit of not pulling his punches in a fucked up version of trying to push Tim away from being Robin. This time, when he punches Tim, the kid doesn't get up. It's a wonder he didn't hear the awful crack or notice Tim's neck wasn't quite right. Only not recieving an answer after berating Tim about not getting up causes Bruce to pause. He doesn't hear breathing.

Oh gods. He doesn't hear breathing. Is Tim dead? Did he kill Tim? Did he break his nec-

Bruce snaps to attention mid lecture to Robin. They are both in the cave (not on the training mats not on the mats not on the mats), and it seems the exact same as it was yesterday when he was yelling at Tim about proper batarang maintenance.

Tim, ever the observant Robin, leans forward as if to ask if Batman was okay. Bruce flinches back.

Tim's eyes widen in shock as he takes a step back. In the year or so he's worked with Bruce, he's never gotten that response to initating touch. Tim's eyes flicker down to his hand in recrimination and puzzlement.

Bruce takes a shaky breath in before dismissing Tim for the night. The child is hesitant to flee but follows the request.

Bruce doesn't know what happened and he's not sure he wants to find out.

This cues Bruce being kinder to Tim and less harsh. The detective figures out that Tim has a time traveling power upon death, but it appears as if Tim isn't aware of it (he doesn't know that Tim constantly kills himself for better results in field). Tim never finds out that Bruce's change in behavior to him was born of guilt. He never learns that his dad killed him.

~~

Next angst!

Two concepts with Jason.

One, Jason creates a fucked up timeloop with Titan's Tower where he kills Tim over and over again in fucked up ways until he satiates his desire for bloodlust. If Tim is still aware of the Tower incident, that's because Jason wanted him to be. Whether Jason becomes guilty about this timeloop he created or not could also be explored. There is a fic out there kind of similar to this concept (timeloop Titan's Tower, not the added element of Tim's powers).

Two, Bruce does end up killing Jason in the showdown with the Joker. He batarang slices Jason's neck, the building blows up, and Jason never emerges. There's a few ways to add on top of this angst. If Titan's Tower happened before this (and Tim was left beaten), that means Tim chose to kill himself to save Jason. Jason will never know. That, or Titan's Tower happens afterwards and Jason tortures Tim not knowing the teen saved him from a second death at the hands of his father (ironically Tim also doesn't know that he's been killed by Bruce).

~~

Last Angst!

Damian finds out about Tim's power and abuses it constantly. He's a kid that was raised to be an assassin and found someone he can kill that also gives him the benefit of getting away with anything. As long as the kill goes through, he's golden.

Eventually, Damian starts to slow down on this. He doesn't really want to see Drake choking on blood again.

He one day finds that he hasn't tried to kill Drake in months and he doesn't really want to try to.

Then he finds that list.

Then he cuts Drake's line.

Then he has to relive those 24 hours again knowing he killed someone he was starting to trust.

Bonus angst if Tim finds out, jokingly asks his family members how many times they have killed them, and finds out Dick is the only one who hasn't (Tim killed himself after the 16th birthday incident and he somewhat blames Alfred for that, though he'll never tell him).

[incognitopolls]

hi, i sent in a comment back when one (not me) anon said they were unfollowing due to constant cisnormativity and gender essentialism in the polls. you didn't answer my ask back then, or maybe the ask disappeared since tumblr does that sometimes, but i would appreciate it if you would answer this, because i think it would be beneficial for everyone to actually talk about this openly.

i'd just like to ask, knowing that you may edit polls submitted to be more inclusive and clearer, why is the recent poll about preferences for a partner's pubic hair specifically for people with penises? and if there is another poll coming that's the same but for people with vaginas, i'm wondering why it would be necessary for a question like it to be separated like that. personally i don't see how that would make a big, or more importantly an interesting difference in the results. to me all it seems like it's doing is excluding intersex people and supporting this idea of "the two sexes" being fundamentally completely different from each other and someone's genitals playing a big part in defining people's preferences.

i'm not intending this as a hate comment, but as a genuine request for conversation around this subject, as you yourself said to the anon that unfollowed, that you'd like to hear about their side. i know i'm not said anon, but i think we're kind of talking about the same subject here, and recently there's been a lot of polls here separating people via genitals, and it's beginning to make me feel a little uncomfortable, in big part due to it implying that a huge portion of people here see gender and/or sex as a binary, and that people on the opposite ends of that binary are fundamentally different from each other due to their sex/gender.

apologies for the long ask, i just really wanted to avoid misunderstandings so i may have rambled a bit more than necessary.

Hi! Thanks for bringing up your concerns. The way I interpreted that question is that anon was curious whether pubic hair affects the sensation on the penetrating partner‘s penis, or whether pubic hair can be a hindrance– for example, acting as a barrier, or adding friction.

The original question was only aimed at people with penises, and I hadn’t planned on posting any variations for different genitals because (from what I’m assuming about anon’s curiosity) the question is so specific in asking about the sensation and/or logistics for a penis navigating around hair. I don’t think it would be helpful or yield any interesting data to post the same poll for people with other genitals. 

In this case, I think my error was in not specifying “does a partner’s pubic hair affect the sensation on your penis during penetration?”. That’s the question I think anon was trying to ask, but unfortunately it was more clear in my and anon’s heads and didn’t come across in writing as clearly as I thought I was saying it. 

Also, in response to the sentiment that there have been a lot of genital-related polls lately, there have been about 3 in the past 2 weeks, or about 3%. (7 polls per day; 49 polls per week; 98 polls every two weeks.) I understand if it seems like a lot, but the actual saturation is fairly low. I'm saying this not to dismiss you, but in the hopes of reassuring you that this blog is not shifting to become more heavily focused on separating people's genitals.

I got a number of helpful messages about the previous conversation on dyadism. I didn't respond to them due to some things in my personal life that limited my time, but I read them and have them saved as a reminder to myself when writing up polls so that I can continue to make these polls more inclusive of intersex people– I promise those messages weren’t ignored.

[absolute-decay]

Do you think in the most twisted, misguided, disgusting, and almost idiotic way, Chisaki saw his young self in Eri, and thought he would be to her what the boss was to him. Like. This lost young orphaned child with nothing but the clothes on their back taken in by a Yakuza. That's literally their only similarities but do you think Chisaki decided that was enough? That he should be the one to "save" her?

I know it sounds ridiculous but just stick with me here.

This single image from chapter 136 screams so fucking much about Kai's brain and his relationship with Eri to me. Because ask yourself. "Why doesn't Kai just put Eri into a coma like he did The Boss?" Because that would solve so many of his problems. No chance of Eri escaping. No chance of any Heroes finding out about her. There'd be minimal resources spent on her since all he needs is to keep her alive regardless of physical condition. It literally solves everything, it almost feels like a plot hole. But then you remember the fact that Eri was entrusted to Kai by The Boss, and then you take another look at the image above, and it kinda clicks, doesn't it?

He doesn't do that because he genuinely, truly wants to take care of Eri. He might even really see himself as her father figure. And I think that makes so much sense, especially with his other relationships. Case in point, Shin Nemoto.

We saw the results of Shin using his Quirk on Kai, and he says straight up, "I like you, I trust you, your presence makes me feel at ease." And he didn't even seem shocked or upset after saying it, so it wasn't a truth he was unaware of or didn't want Shin to know. That's simply how he felt, cut and dry. But, with that being the truth, he was more than willing to use him as an expendable asset, have him be a fall guy after the raid with the other Bullets, and fuse with him, which he seems to believe will fucking kill him. That's not Kai using a pawn: That's just how Kai is with someone he cares about.

So, it wouldn't be far fetched to say, the same applies to Eri, and that really does recontextualize every one of their scenes, huh?

"You're the centerpiece of my plan."

"To this girl, you're no hero."

"You're cursed, every action you take kills someone."

"Someone else is going to die because of you!"

"She doesn't want you."

None of this is manipulation or scare tactics or anything like that. This is just what Kai thinks of humans. That he can hurt and pull and abuse them in the worst ways possible, and do it over and over again, and not understand when they want to run away. And I feel like him being raised in one of Garaki's "orphanages" just rubs salt into this wound.

Because, he takes care of Eri, doesn't he? He gets her toys and a pretty room and a soft bed, and he's nice and calm with her, doesn't even use his quirk to kill her and bring her back to life painfully as punishment! He doesn't seem to be physical with her at all, outside of the blood extractions. She has everything a girl could ask for, and she spurns him? Runs from him? Well, no matter. That's just how children are. Ignorant, illogical, they just don't make sense.

...It's such an incredibly fucked up way of thinking. And I think it's ingrained so deeply in Kai's mind because it's what he thinks he never had.

I think the way he treats Eri is how he thinks loving parents would have treated him. Pretty toys and nice clothes and good food and absolutely nowhere in his mind does any genuine relationship dynamics or aspects of unique personality come into play because after years and years of not having it he just. Doesn't. Get it.

So that's why it's lacking in his relationship with Eri. In all of his relationships, really. Because The Boss took him in and loved him and cared for him and Kai knows that but he doesn't understand that. So he's trying his best to "love" and "raise" Eri by being an empty photocopy of a parent at his best, because that's all he is. That's what defines Kai, till the very end.

He's empty. And so is his love. So Eri's room will always be full.

[bambi-kinos]

Why do people perceive John's love for Paul as unrequited? I confess that I fail to grasp this perspective. Paul is absolutely infatuated with John in every sense of the word. The difference between him and John, as Paul himself has stated, is that John voices his feelings out loud, while Paul excels at self-preservation; he knows how to navigate the rules of society while also enjoying the thrill of breaking them.

For the same reasons why Hanya Yanagihara wrote her eye wateringly boring novel "A Little Life." In "A Little Life" Yanagihara writes a Stephanie Meyer-esque novel about boys being turned gay via SA perpetuated by adult men and how they eventually grow up and become super rich and also they all have vague disabilities that cause a lot of pain but never get full definition because defining them would be inconvenient to the narrative. (Disabilities are debilitating and Yanagihara wanted to write about Sad Boys Who Were Turned Gay By Child Rape But Also They Are Rich And Go On Globe Trotting Vacations Everywhere All The Time While Being Depressed.) The point of "A Little Life" is not to tell a Sad Gay Man Story about the fallout from CSA, it is to depict a sexually exploitive miseryfest that uses disability as a way to pad the word count and add a layer of fancy fondant to the masturbatory and self indulgent text that makes it look more interesting than it is.

I bring this up because I think the phenomenon are related. There has never been a good justification for why Paul is magically indifferent or blind to John being a gay simp especially when you have so many examples of Paul being a gay simp for John in return. BUT it does make for an even sadder and more exploitive miseryfest where a Sad Gay Man died Forever Alone because he was so in love with a Happy Heterosexual Man who could never Return His Love and that is what a lot of people want. That's the only reason the narrative has any steam IMO.

It's just trying to make a sad story and make it even worse: more sad, more tragic, more gay, etc. If John and Paul were mutually attracted and in love with each other than that means they may have had stretches where they were happy together and that's unacceptable to a certain kind of mind. Because the point is the emotional and sexual gratification of seeing a Sad Gay Man Suffering, not to respect the Sad Gay Man and his story and the events and decisions that lead to his predicament. If Paul reciprocates John's love then the John and Paul love story turns into a mundane tale about a first marriage that started out happy but didn't work out because the two spouses grew apart over time. The point of "A Little Life" is the same, there's nothing genuine or cathartic about the Sad Gay Men or the Sad Painful Disabilities, they only exist so the author can circlejerk with her readers about how enlightened and noble they are. Needing the misery becomes all consuming to the point that entire rest of the story, the three dimensional nature of it, gets destroyed and swept under the rug. It's too real and some people just don't want to engage with that.

There's a mundanity to McLennon. Yes there was all sorts of stuff happening but at the end of the day they were just another couple trying to muddle through life together. The soulmate-ness of it all didn't save them when push came to shove. There wasn't a clear path forward for them to make up and get back together even as friends. This is much harder to bear for some people because it shows how the simple act of living your life can carry you away from the person who loves you most. John and Paul found each other but they still drifted apart eventually and stopped wanting to be together. The romance novel didn't end with "happily ever after." The fact that it was so relatable and downright boring is something a lot of people don't want to know or hear about. How can they jerk off to it? It's not miserable or indulgent enough.

Reducing their dynamic to Sad Gay Man Who Is Forever Alone and his Evil Oblivious Heterosexual Partner Who is Blind To His Yearning flattens it, makes it two dimensional, and thus makes it a lot easier to cope with and masturbate to, emotionally and sexually. And look there may be some people who genuinely believe this and don't type that narrative out with one hand, but they're outliers and outliers get discarded.

[briebysabs]

Lu Guang is a hypocrite and that’s okay (great even)

I must stand ten toes for this man because I’m noticing the slander that went on in September and I cannot allow it. I know I’m six months late but just bear with me. We are introduced to Lu Guang as a rational, stoic, sort of wise protagonist. The brains of the operation if you will (although Cheng is clever in his own right but that’s a whole other discussion). Qiao Ling and Captain Xiao describe him as more mature. Shiguang’s relationship is strong but it’s structured, especially for their work, to where Cheng has to depend on Lu Guang. Should only do as he says and not do anything impulsive.

And it gets to a point where Cheng doesn’t know what to do without him and when LG isn’t there he relies on his past words to guide him. The thing is, we’ve seen that CXS can come up with great plans and make good decisions without Lu Guang’s voice in his head. Like how he caught Min Liu or planning how save Lu Guang from Li Tianchen. But the story has built LG up so much to be a reliable character so it can’t be untrue. But then the s2 finale happens, Cheng gets shot and Lu Guang loses his mind.

And then the ending basically tells you that he’s been winging it and gambling this whole time. Experimenting with god knows how many timelines, simply using his knowledge from the previous one to see if he’ll get lucky this time. Lu Guang has been playing a crane game. So in a story that is all about mistakes, guilt and regrets. Of showing the imperfections of people. Of showing the struggles of moving forward, of being satisfied with the present. Of sacrificing your sanity, your voice, your desires, and happiness for the people you love. How is this bad writing?

Link click has been tricking the audience to believe Lu Guang is an infallible character.

But Link Click was never about perfect people.

What he’s trying to do is no different from Li Tianchen, one of our antagonists. And I love CXS to fucking pieces but this show raises the question of a life’s value. LG is trying to save Cheng and so refuses to change the past for anyone else. Bc it may alter things and doom CXS in the process and ruin all he’s worked towards. But then you ask yourself, is CXS’s life worth more than the twins' mother? Is it worth more than Chen’s mother? Is it worth more than Emma?

It doesn’t matter because it is to Lu Guang. It’s like the question if your sibling and a mailman are trapped in a burning building but you can only try to save one. Unless they’re the absolute scum of the earth, chances are and possibly even despite that, you’re going to pick your sibling. That don’t mean it’s objectively more valuable than the mailman or you didn’t have sympathy for that person, they have loved ones, hopes and joys too. “Lu Guang is a hypocrite, selfish, unreliable, and a liar” yes he is. Because there is something called ‘flawed characters’. It’s okay for your protagonist to not be the best person. It’s okay to write a protagonist whose trauma has defined some of their actions.

If you’ve been forced to have someone you love die in your arms over and over, why is it surprising that you would lie to them? How is it surprising that you’d try to keep secrets? That you’d set things up to be in a position to control the situation? That’ll force you to plan better so maybe, just maybe things will be different? You think Lu Guang lacks self awareness and doesn’t know what this makes him? Of all things you can call LG, he’s not delusional. He knows the weight of his actions.

Link Click has and always will be a story about people. Where our emotions and choices take us. Lu Guang isn’t a robot so why would he be an exception?

Plus everyone should’ve been knew Lu Guang was sus anyway. Idk how that’s mischaracterization, there’s proof of him lying and keeping secrets from CXS in s1. It doesn’t ruin anything it recontextualizes what we were shown back then.

[demonslayerunhinged]

Hello!! I saw your recent post and I thought it was really interesting :3 would you mind going a little more into depth about your opinions?

Hello anon! If you're referring to the sexualization post, then sure! Loooooooong answer incoming! Also, I'm going to be using 'You' a lot, just know I'm not referring to you anon but to the imaginary morality police I'm arguing with in my head. I know I sound like a broken record at this point, but I'm writing an essay about this and I will release it, swearsies! But lemme add some tidbits from it here.

Lemme start by saying that I understand that there's a problem with how female characters are portrayed in anime and manga but in my honest opinion right now sexualization isn't really a major issue when it comes to female characters especially the ones in other popular anime/manga series like My Hero Academia(kinda), Mob Psycho 100, Jujutsu Kaisen(🙄), Attack on Titan, Hunter x Hunter, Naruto, One Punch Man, Tokyo Ghoul, Chainsaw Man, hell even One Piece!

People just throw around the word without knowing what sexualization actually is. So here's a definition:

Sexualization in media is when a character is portrayed as a sexual object and nothing more. The goal of their existence is to titillate the (male) audience. So because of that they hold no relevance, no character growth, no interesting personalities and are essentially stripped of their humanity. They're literally just objects for consumption.

A perfect example is Tamaki Kotatsu from Fire Force, who conveniently has the Lucky Lewd curse where she loses her clothes regardless of the situation. We're introduced to her boobs and the MC Shinra ogling them-who unintentionally gropes her in the next scene-before we get introduced to her as a person.

This is the first of many, many, MANY instances of her 'lucky lewd' curse. There's even not one, but two whole episodes dedicated to the various ways she'll lose her clothes when fighting enemies.

Even in her character defining arc where we get to see more of her backstory and where she is put in a life-threatening situation, her humanity is still denied and is she placed in this sexually suggestive position.

And when she is saved by Shinra because of course she is, the lucky lewd activated, and he crashes into her boobs for no reason and spends a good amount of time ogling her torn outfit I wish I was joking.

This is a serious situation btw. Like she was deadass just about to be killed. Even when she begs for mercy as one of the characters that she sees as an older brother figure attacks her so viciously it leaves her bloody and bruised that she begs for someone to save her, the camera focuses on her lips and portrays her pleads for help in an erotic light.

This was supposed to be her arc that would've not only developed her as a character but allowed us to gain more insight into her compelling backstory but no, instead she got to be a sexual object to be ogled by Shinra and the audience, even during her dire moments when she was brutalized she couldn't even have the chance to be portrayed with basic humanity as a human being. Her arc ended up being more about Shinra that it was about her. I mean, she can't even catch a break in the official art 😭.

This is what actual sexualization of a character looks like, now lets compare this to the 'sexualized' characters in KnY.

Mitsuri

The morality police like to point out her boobs bouncing, running scene and her bath scene as proof of her sexualization, but I disagree. Firstly, Mitsuri wasn't the only one that got a bath scene, Genya and Tanjiro got one too where we saw Tanjiro's bare ass on screen!

Second the running scene was gratuitous yes, but she's never groped, she's never ogled, in fact Tanjiro was more worried about her breasts spilling out than how she was dressed, and the moment was done over in like seconds, the show moves on to establish a character defining trait; her love of food. Already we see that she's humanized, we see her likes and her complaints about being ignored. There are no comments on her body and no other lingering shots of her boobs and she most definitely isn't put in sus positions like this

As for her uniform, I dunno maybe it's because I personally like wearing skimpy clothes because of sensory issues, but I don't see anything wrong with it. Her miniskirt makes sense because her fighting style relies heavily on acrobatics and flexibility, try doing acrobatics in an Amish-length skirt and let me know when you eventually eat shit and end up with a broken neck. Acrobatics are mostly done in either leotards or skintight costumes, and I don't think those were popular in Taisho Japan.

Like yea even though male gymnasts typically wear trousers so y'know their cock and balls don't slip out, a lot of them just wear short shorts.

Then her boob window, honestly come off it. Yea, when I first saw her I didn't like it, but that was because I was scared that she was going to be another fanservice character, but after reading the manga and Gaiden, it doesn't bother me anymore. I've seen some comments such as 'oh her breasts might spill out' and all, but they never do though. Do people forget that she's a fictional, 2D character???!!! Her boobs won't spill out unless the animators want it to.

We also got an explanation for the design; it was the work of the pervy designer Kakushi who's known rightfully as Scum Glasses, and Mitsuri though embarrassed just couldn't bring herself to burn or discard it, which tells us about her character and how she cherishes the hard work of others, no matter how pervy their intentions are.

None of our main characters shame her for it, even ogle her or make sexual comments about her body. Shinobu shames Scum Glasses and offers her matches to burn it, Sanemi's reaction to her embarrassment shows that he doesn't see it as a big deal and when it interfered with the wellbeing of the female slayers, his anger was directed at Scum Glasses, not the slayers.

Even Giyuu's comment in the Corps Records reads more like he's concerned for her safety, and the fact that she doesn't have scars despite her uniform is honestly impressive and a testament to her power as a Hashira.

She's one of the kindest (and frankly realest)characters in KnY-second only to Tanjiro. She was practically the only one against Tanjiro and Nezuko getting executed or punished, she accepted Nezuko without hesitation despite being a demon and treated her like a little sister, she didn't shame Genya for eating demons, in fact I don't think she noticed because all she saw was her junior who needed help.

She's not a 'sexualized female character', she's Mitsuri Kanroji. Who was literally rejected by the world for being different but instead of being bitter chose to use her literal strength to help people, who brings comfort to others with her smile and personality despite seeing so much loss and devastation, who fights and protects not out of spite or revenge or heritage but out of love and duty.

But yea sure, let's focus on her inconsequential uniform and her 10-second bath scene 🙄.

Nezuko and Daki

The main point of contention about Nezuko and Daki's 'sexualization' is because they're 'minors' which is so dumb and a whole other topic, but let's focus on their clothes. I really don't understand the complaints about Nezuko, because the majority of the time when she's not fighting she's dressed in her regular, 'modest' kimono.

What about when she's in demon mode? Oh! Her thighs are exposed when she's fighting? Yes, that tends to happen when you wear fucking skirts. Oh! Her clothes don't fit when she grows twice her size? You mean just like how the Hulk loses majority of his clothes when he grows too? Shocking that her clothes don't grow with her when she's not a fully formed demon. Shocking, I tell you!

Same with Mitsuri, there are no lingering shots of her boobs or her body because the main action is focused on her kicking ass. Go look at comments on anime sites in the episodes where she grows in size and fights, how many of them actually mention her body as opposed to her being kick-ass. The majority of Nezuko simps are simping over her as a moe character rather than a sex object. The most popular image of Nezuko is her shrunken form when she was running away from Kanao as it should because that scene was cute and funny as fuck.

For Daki, it's different, because yea she's wearing super revealing clothing, but here's my take; I don't see anything wrong with Daki's clothing. I'm sorry, but to me her outfit is iconic.

Her character design radiates power and intimidation to me rather than sexual object, and as with Nezuko and Mitsuri, despite her outfit, she never has any lingering shots on her boobs or placed in positions where she's groped and ogled, and she's never shamed by any of the characters because they're too busy trying not to get themselves killed. when I see her I'm not thinking 'heh, I can see her boobs', I'm fearing for my life and hoping she doesn't eat me! I mean look how terrifying she is in this shot.

Also, just like Mitsuri and Nezuko her humanity is never denied, when she had her head cut off by Tengen there were no suggestive shots of her body, in fact more people were shocked at her sudden cries which showed how young she was.

When she and Gyutaro are defeated, it's not portrayed in a sexually suggestive or erotic way, we're not made to see some femme fatale seductress, we're made to see an angry, bitter but ultimately hurt little girl who is spiteful at the world that rejected and abandoned her and her brother.

We see how she's had to survive, how she was brutalized and burnt for just standing up to her brother which in hindsight makes her reaction to Nezuko setting her on fire all the more heartbreaking. We see a girl who rejects 'heaven' if it means that she will be separated from her brother - the only person who was ever there for her, took care of her, comforted her and made her feel safe in a world that made them feel so rejected and so alone, the person who told her this:

If you're given all this character and backstory and all you choose to focus on is how she's dressed, then you need to check yourself and look inwards because you're the one with the problem.

The truth is, female characters are going to be sexualized regardless of what they wear, y'know just like women in real life, so how about we instead focus on making sure that they have relevance in the story, relatable backstories, character growth, rich personalities, and most of all humanity.

Sorry for the long answer anon but I hope this is okay for you, I would still post the full essay on Mitsuri eventually. Thanks for your question! ❤❤❤

[lazycranberrydoodles]

hi i don't know if i have questions specifically but want you to know i'm obsessed with your transfem hua cheng and he xuan and that it's super meaningful to me to see other people doing transfem characters and headcanons and I love to see it and love your art so much too so thank you for doing that!!!

yw!!!

hua cheng and he xuan have such interesting relationships to their bodies and powers. to me, trans headcanons not only acknowledge their complex identities within the text, but also add a layer of meaning. plus i just love drawing and writing girls.

more of my thoughts on trans & tfem huaxuan below.

⚠️warnings for: mention of transphobia, canon typical violence, tgcf spoilers⚠️

hua cheng is incredibly metaphorically trans. being born under the star of solitude with a cursed eye, he spent his childhood enduring abuse and covering up his face. (one thing that especially sticks with me for a transmasculine headcanon is that he is smaller than expected for a 10 year old, canonically due to malnutrition). still, he snuck into the army out of a sense of duty (re: tmasc hc, i believe he lied about both his age and his gender to enlist). however, to become crimson rain sought flower, instead of harming others, he wrenches the source of his pain (his eye) out of his body with his own hands. once he removes his eye, instead of dying like a weaker spirit would have, he becomes much more powerful and starts forging an identity for himself. his self-mutilation doesn't just free him from the burden of his cursed eye; he eventually claims blood as his signature. for his whole life, hua cheng has been injured and beaten, but after tong'lu, blood becomes a symbol of his power. his blood rain shows that he does not shy away from brutality and that he feels at home within violence.

this is why i'm always talking about hua cheng's DIY top surgery within the kiln. hua cheng carved up his own body in a way that massively empowered him. he reclaims violence as his own natural habitat, rather than something he has been forced to endure. i think this is very transgender; transphobic rhetoric often labels medical transition as mutilation, but to many of us, that is how we become our true selves. it is a tool to make us stronger.

hua cheng's story is about self-determination. despite his circumstances, he was able to literally brute force fate and luck into his favor with the power of his devotion. i also like to read ghost city (and hua cheng's other miscellaneous acts of good) as a metaphor for disability. to the public, it's dangerous and sinful, but in actuality it is hua cheng's way of 'saving the common people'. ghost city provides safe haven for the undead and their wares, making both the mortal and ghost realms safer. the traditional channel for serving believers is from heaven, but hua cheng forged his own path and refused to take part in its corrupt system. he has a radically different approach to executing his goals, so he is excommunicated and misunderstood outside of the vilified community that he provides a home for (the ghost city residents).

it's important to me that hua cheng is trans -- whether in hualian or hualesbians -- because her story revolves around forging her own path, turning the parts of her body that she hated into sources of power, and defining herself (SHE NAMED HERSELF FLOWER CITY!!!). as a spirit, she hangs around because she wants to be the best version of herself: not out of self-love, but because she is a means to an end (the end being xie lian's will).

beefleaf are literally genderfluid in the text. i personally read shi qingxuan as a trans woman rather than genderfluid because she is 1) more powerful as a woman and 2) does it for fun -- being a woman brings her joy. she begrudgingly turns back into a man when her brother tells her she needs to be more proper. additionally, she was raised as a girl and -- iirc -- doesn't have a problem with this.

he xuan, in addition switching back and forth between male and female forms, also has a very trans narrative. they were literally forced to live the wrong life. his power, similarly to hua cheng's, also comes from their body (eating other ghosts). however, hers is additive. she, to me, is the type of trans person that doesn't see their transition as a loss of anything, only a gain (hua cheng, on the other hand, enthusiastically lost his weakened past self). hua cheng killed the girl he used to be, while he xuan morphed into an unrecognizable, more powerful version of herself. hua cheng purposefully built his ideal self, while he xuan strayed from her AGAB more passively.

i don't think that he xuan would crossdress with shi qingxuan if she didn't want to. even if that was the case, i think their woman-sona is very developed for a guy that reportedly doesn't like it. in my headcanon, she is still in denial by the end of the novel. i think that both his love for shi qingxuan AND the unsettling feeling of gender dysphoria would keep him from dissipating. my final and silliest reason for headcanoning he xuan as nonbinary tfem is that she eats a ton because she's on estrogen and is trying to gain boob weight.

tl;dr: trans women can accumulate power by cutting out their eyes and eating ghosts and i think that's awesome

[farshootergotme]

When people deny that Bruce is abusive or has abused his kids in canon, what do they define as abuse? Because I comprehend that abuse is the harm of one person to another that can be physical, mental or emotional. Usually it's done out of malice, but you can still intend harm while not being an evil person.

I consider Bruce a very complex and extremely complicated person. He does a lot of good in his city, but he also does bad when it comes to his personal relationships because of his inability to deal with emotions in a healthy or proper manner.

When I think of him as an abusive parent, I'm not thinking of him as a father who doesn't love or care for his children nor am I suggesting he's a horrible and irredeemable person.

I think he's abusive in the sense that he's violent towards his kids when he feels cornered or thinks if they get an opening to fight back it will be a fair fight and his actions will be justified when he doesn't know how to deal with a situation otherwise.

I think he's abusive when he neglects to provide a secure emotional support for his children and pushes them away instead, even when they're trying to reach out to him.

I think his abuse comes in many forms and not always intentionally, but it exists and it will keep happening because he doesn't have healthy coping mechanisms. He doesn't have a normal life, he doesn't have healthy emotional responses and he has too many issues to even start to unpack any of that.

He's far from the perfect parent we all wish he was and he keeps messing up no matter how overwhelming his love for his kids is because he only deals with the problems the city has, never his own.

When you focus too much on something big, you'll end up neglecting other aspects of your life, and in this case for Bruce it means neglecting his family for the sake of a city. And he's a hero, he saves people, he comforts the victims and brings protection to the children of Gotham. Sometimes he will even be a shoulder to cry for the criminals that deserve it. And all of that is too much for just one man, and Batman is no exception.