#and take out garbage

[transgender-catboy]

cleaning SUCKS

[fernsnailz]

oh i rewatched the sonic movies AND the knuckles show recently and with sonic 3 out this week i think it's time to share the wishlist i made of crazy things i want to see in the third movie. these are NOT genuine predictions and most would probably make the movie actively worse, but i want them to happen because. i think it would be funny. this list is curated to my specific tastes in trash and my tastes alone

tom dies

bowling is plot relevant

literally any archie sonic reference. can you imagine

musical number (CANNOT be of a licensed song. has to be an original)

eggstone kiss (HAS to be genuinely romantic. cannot be played as a joke)

metal sonic shows up and they kill him within five minutes

the black arms appear but instead of being cgi monsters they're played by actors in practical suits (this would actually rule)

tripod baby by m-flo 2024 remix

shadow's backstory is explained through an extremely tone-deaf medium at some point, such as a puppet show

wade gets a love interest

gerald gets more screentime than shadow (this is my one genuine prediction and something that i Do Not Want. but i will laugh if it happens)

shadow dies dramatically in sonic's arms

no girl cartoon animal character makes an appearance, but one gets a single name drop with no further elaboration (actually i don't want this. this would just make me mad lmfao)

if any of these come true i will draw wade whipple

[redbean-nom]

Cadets

(aka trash children, chaos children, and children who understand 98 is getting graded on this)

Inspired by @thefoundationproject! Closeups under the cut:

jesse got this pic from jangotat:

[kantpattanawat]

The Heart Killers Episode 2 (2024) | Pulp Fiction (1994) contrasting the violence and darkness of the characters' everyday lives by showing them sharing a moment of levity, flirtation, a glimpse of what-could-be normality.

[halfbaked00q]

Im soooo weak to when Bond is like casually being used or exploited at his expense for some ostensible Greater Good except the situation doesn't HAVE to come to that, not really, and he's so inured and even numb to it that he barely pays it any mind; meanwhile, Q absolutely minds and is very indignant on his behalf and works overtime to like either try to avert or forestall the situation before it gets to the point where Bond has to dig his own claws into more of his soft underbelly to offer up on the sacrificial alter of politics of all tawdry things, or to manufacture a way in which he does the needless "needful" so as to spare Bond at least one unnecessary additional wound upon his psyche.

bonus if Bond finds out and maybe after being angry or indignant about it - I don't need you to do my job for me, Q, this is what I'm here to do - and either Q tells him/lets slip or he deduces that like, this isn't Q thinking he can't get the job done, this is Q finding him precious and worthy of protecting, and like. he's just very in awe of that and does in fact feel very safe and cherished within the cradle of his Quartermaster's regard

[tarisilmarwen]

"The Jedi gatekept the Force!"

Ah yes. That's why they coexisted very peaceably with the Baran Do sages, the Bardottan Dagoyan Masters, the Guardians of the Whills, the Church of the Force, the Lasat, the Mirialens, and hell even the Nightsisters.

......I'm not actually sure you know what gatekeeping means.

[omegalomania]

people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.

this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.

fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.

i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.

[servospawn]

A man & his attire...

[chalkscrub]

always forget i can drop off my messy wips and behind the scenes prep work on this blog right here.....until now

[transgender-catboy]

Cleaning today, fingers crossed I get things done!

[front-facing-pokemon]

[a-dauntless-daffodil]

For vaggie that spear is her support animal/therapist

For charlie, it's a rival she'd like to throw in lava but can't cause, it's vaggies support 'animal'

silly headcanon plot twist- Charlie's jealously at the spear ISN'T silly or irrational at all, it's a subconscious manifestation of Charlie's desperation for her girlfriend to actually open up emotionally to HER instead of to a WEAPON, confide fears and problems in CHARLIE, and a very frustrated, very also-emotionally-constipated-in-her-own-way Charlie doesn't wanna pin that frustration on Vaggie directly so she deflects all her anger to the spear, which as an inanimate objects, can't get any hurt feelings over this or decide Charlie is too much and dump her

we've done it. we've cracked the silly headcanon and found the angst waiting underneath XD XD XD

or maybe the above is all just what the hazbin crew speculates together, in their weekly "there's no way those two idiots don't have shit going on in their relationship" chaggie hotel gossip meet-ups

[beneathsilverstars]

Yes I'm just going to use ISAT characters to motivate me to get things done from now on. ISAT gif maker ty for my life

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[dosesofcommonsense]

[izvmimi]

this is for the 'acts of service' hoes, but what mundane chore does your fave do for you that you hate doing?