#and sorry for coming at you like this

[captainjonnitkessler]

Sometimes I wish we would start calling out the performative radicalism on this site for the poser bullshit it is. "Remember, it's always morally correct to kill a cop!" "Don't forget to firebomb your local government office!" "Wow, it sure would be a shame if these instructions on how to make a molotov cocktail got spread around!"

Okay. But you're not killing cops or firebombing government offices. You are posting on a dying microblogging website to a carefully-curated echo chamber that has radicalized itself into thinking that taking the absolute most extreme position on any subject is praxis but that anyone discussing the most practical way to effect actual change is your sworn enemy. You do not have the street cred OR the activist cred to be talking about killing cops, babe.

[youthofpandas]

What’s up with how the dunmeshi fandom just lies about this kind of stuff all the time. It is easily confirmable information that it was a monthly series, something incredibly common in the industry.

A not weekly magazine schedule is literally common !! Especially in the seinen shoujo and josei demographics, sometimes monthly, sometimes biweekly, sometimes every two months, sometimes seasonal! Please stop lying about how Dunmeshi was some special unique creation that defies all standards of manga just to hype it up because it is so clear that every single one of these comparisons is centered around Weekly Shonen Jump (and understand that SJ has many magazines under its brand that are monthly or semimonthly). Not everything is WSJ and it needs to stop being the only point of reference in conversations like this 🤧

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[shotmrmiller]

ghost getting himself a cute, soft girl he doesn't talk about much but is clearly obsessed with and price just thinks it's nice he's finally settled down, approves of the home he's made for himself, definitely approves of the one he's taken for himself.

soap asks kyle if he's seen you and he says, "yep. lovely bird he's got tucked away in her little dollhouse. makes great food, too." soap swears there's a subtle shift in his tone when he says "lovely", a hint of something deeper that flickers in his eyes for just a moment. soap simply sucks on his teeth, letting it slide. (although he knows that kyle's always been one to appreciate the good things in life.)

interest gnaws at him, a persistent itch he can't scratch. price likes you just fine, as does kyle. well what about him? he decides to bite the bullet and goes to simon with a knot between his brows, the corners of his lips tugged downwards. they've shared clothes, bullets, beds. if the other two got to meet you, why can't he?

"ya can come over for dinner on tonight. she'd 'ave my neck if she didn't formally meet ya anyway."

soap then asks, out of genuine curiosity more than anything else, if simon would have kept you in the dark from him hadn't he brought you up himself.

"ya meet 'er when i want ya to, boy, and not a moment before." the tone he takes is unmistakeable. his words are a command, not a suggestion, and soap instantly knows to not push further.

soap nods. "ah'll be there."

"course ya will. she'd be terribly disappointed otherwise."

yeah, he'd hate to have that.

soap sits in the living room, the soft glow of the lamp casting a warm light over the cozy place. with a full stomach and an unfastened belt, nursing a glass of kentucky. he can't remember the last time he ate that well or that much.

maybe it's the alcohol that loosens his tongue, or the fact that he wishes he also had a sweet little thing to keep at his side just like simon's doing with you now, but the thoughts he's been mulling over all evening since he first saw you tumble out of his mouth.

"while ah can attest to yer taste in sweethearts, can't say much about your alcohol. bourbon, LT?" he says, chest warm.

simon's arm tightens around your hips, fingers splayed possessively over your thigh. he shrugs, completely unbothered by the backhanded compliment. "can't be perfect in everythin', can we, sergeant?"

soap's cheeks burn furiously hot when you come to his defense with a smack of your palm onto simon's chest. "be nice to johnny. he's got a face that make up for some of his other flaws."

the teasing lilt in your voice unashamedly gets his southern blood pumping. he can't help it if certain things stir when someone as pretty as you look at him like that. soap swirls the amber liquid gently in the glass while keeping his limpid eyes on you, not even trying to hide the fact that his gaze hasn't wavered since your cheeky little comment.

you then whisper something in simon's ear, your cupped hand not even half the size of his head and soap has to rearrange himself from the outside when your teeth catch your bottom lip. simon looks up at you then, eyes heavy and half lidded, and a smirk plays at the corners of his mouth.

"'m not sure, love. you'll just 'ave to ask 'im yourself. go on."

you open that sweet mouth of yours, but simon cuts you off with a decisive wave of his hand. "no. you know how to ask for things."

your reaction to that is visceral, and you're on your knees faster than his alcohol-muddled brain can comprehend. don't look down 'er shirt, don't look down 'er shirt, don't-

"johnny, will you touch my pussy?"

he splutters at your question, completely taken aback, but it seems you're not done just yet.

"hands to yourself, sergeant. tha' not all."

you pout at simon, one that earns you a look that promises consequence, but do as he says.

"will you touch my pussy, johnny? pretty please?"

[anna-scribbles]

inspired by recent events from my sister’s actual real life

[canisalbus]

If only Machete wasn't so distinctly white and waifish. Otherwise one could possibly use a lookalike to fake his death and just run away with vasco. But finding someone that resembles machete would be almost as hard as making the choice to end a life to save your own.

.

[uncharted-constellations]

Them, your honor

Anyways thank you echoes for giving poor a-ttp link a rest

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

thumbnails:

sketch cover thing for imgur link:

[nyancrimew]

i'm a us liberal and i think you're cool

i highly doubt you're a liberal then and just think liberal = leftist which it very much does not

[lucabyte]

sometimes everything just sucks real real real bad

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[hawnks]

You're jealous. It makes you lash out, makes you meet Keigo with claws and teeth and cruel, irrational accusations.

You pack a bag after your last big blow up, shame dogging your every move. A week. Maybe a little more. However long it takes you to stop feeling like a monster, to rein in these dark impulses that have taken hold of you.

He stops you at the door with a firm grip around your arm. Looming over you, leaning down until he's in your space.

"Why?"

How can you even respond. Why? Isn't he angry with you? Doesn't he see how unreasonable you're being?

You tell him the truth. "I'm embarrassed, Keigo."

His hold on you tightens. "So you're running away?"

"I'm not--" You let out a long breath. "I just need to calm down. Get a hold of myself."

"You can do that here. At home."

You tug. He doesn't release you.

"I don't want you to see me like this."

His expression turns stormy.

"You want to keep secrets from me?" You can't even question this before he's continuing, eyes amber bright and sharp as he pulls you further into his space. "You don't want me to see you what --jealous? Don't I have a right to know? Don't I deserve to be with you for this? We're lovers, and you still want to hide pieces of yourself from me?"

Trembling, you let yourself be drawn back into the penthouse. You couldn't fight him even if you tried.

He sets you on the bed, so he can push you down, curl up on top of you, all around you. Caging you in.

"There," he says. "You're not going anywhere. Would it help if I told you about all the times I wanted to kill anyone who touches you? How about how I want to lock you up, forever and ever? I can show you the collar I picked out, if that would make you feel better." He leans up so he can nibble your ear, whisper, "Or you could put it on me, if you want."

[skyburger]

do they celebrate pride month on teo

[kizzer55555]

The Vampire Aesthetic

Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.

Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.

Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.

“So where’s the vampire aesthetic?

Everyone freezes.

Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.

“Come on, I know you guys are hiding it.”

Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.

He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.

People are weird! He doesn’t judge!