#and some pretty important elements were that a)

[raven-at-the-writing-desk]

Do you think that the Great Seven are actually just better people in the TWST universe, or a big case of historical revisionism?

Been wondering since in the dream sequences "Yuu" gets, I'm pretty sure the story plays out as they were in their original stories? I originally thought this might just serve as a gameplay purpose rather than a narrative one, in case the player doesn’t know the original story or needs a refresher. But doesn't "Yuu" acknowledge their dreams in the story?

From their dialogue I'm pretty sure they don't recognize any of the Disney characters, or their stories, so from a narrative perspective I wonder if these are dreams they’re getting of the past.

Both concepts are fun to explore, but I gotta wonder which one is closer to twst canon.

Based on what I have seen so far, I think Twst is trying to hint at its history being revised. The latest two books (6 and 7) have strong themes of lingering on the past/a strong desire to maintain a happy lie rather than accept a harsh truth or change from that status quo. Additionally, Lilia drops this suspicious line in book 6: “[…] different cultures and species pass down lore in different ways—not every truth is written down. There is no shortage of historical narratives that have been twisted to suit someone's agenda.”

Yuu then has two dialogue options. The latter of these seems to imply the disconnect between the reality of their Disney dreams and the reality of Twisted Wonderland:

“Twisting historical narratives, huh...”

(For some reason, I've got butterflies in my stomach.)

Yuu doesn’t seem to indicate familiarity with the true Disney versions, but this could be for a variety of reasons such as serving more as a narrative device for the players, Disney not existing in Yuu’s Earth (since they don’t recognize the icon that is Mickey Mouse either), or maybe convenient amnesia. They do have small moments of confusion when faced with Twisted Wonderland parallels of elements from their dreams but only start making the direct connection between their dreams and irl events starting late in book 5. This is why they anticipated “something bad happening” and feel compelled to follow Vil (who, at the time, was intending to poison Neige). Yuu also suffers from several headaches and visions of their Disney dreams while conscious in books 6 and 7, They appear to consistently treat the dreams as premonitions and not as material they are familiar with or see as the truth.

There are cases where the non-villains appear as important historical figures. This includes the original heroes of the Disney films, who are still largely portrayed positively—it’s just that the roles of the villains have changed into positive ones as well. There are also cases of the same story diverging to create multiple variations, which implies that stories do warp and change over time. For example, we are told that the Sorcerer of the Sands exposed a fake prince for lying about his status to win the princess’s hand. At the same time, there’s another story about how a street rat happily married a princess.

I do want to point out that altering history isn’t always done intentionally or with malice. Some stories just naturally change over time or get forgotten if they aren’t recorded properly. Oral retellings tend to get altered as they spread or get painted with bias due to who is sharing it, and variations of the same story can emerge from different cultures. Sometimes it is the case where people want to hide information or are acting out of ill intent, it just isn’t true of all cases.

Maybe this will be something they address in the main story ^^ Personally, I really do hope it’s the revisionist history explanation, as it would be really interesting to see explored. If the truth is that the Disney villains are just good people in Twisted Wonderland ��� it’s convenient for sticking to the status quo, but ultimately far less nuanced.

[greenwitchfromthewoods]

in the forest. l Joel Miller

Summary: your decision led to a quarrel

Warnings:  +18, smut, angst, unprotected sex, two infectes, mention of blood, one missing child, mention of alcohol, one accident at home, a quarrel

A/N: i know i said i wouldn't add anything, but i got home from school early and my mood is pretty good so… i don't know what you'll think about this. i mean, apart from a few mutuals i get little feedback. maybe someday. kisses

your feedback is very important to me and I thank you for all the reblogs, comments and likes. 🖤 sorry for all the mistakes

short stories from life. [masterlist]

How nice it was... When in the morning you would snuggle into his back while he made coffee, your arms would wrap around his waist or at chest level, the corner of his mouth would lift at that little tenderness. 

Or when your hand would just lightly brush his shoulder or back, or neck, or your fingers would slip into his hair when you passed him, and that was a signal "I'm here with you".

"So it's good?" Tommy asked one day when Joel was helping him renovate the porch in one of the houses.

Joel stirred feeling an unpleasant creaking in his knee. "What are you asking?" he mumbled looking at his brother, who shook his head.

"About you and her." He replied "You seem different somehow."

The man frowned, not really understanding what Tommy was talking about.

"She's good for you, Joel." Tommy went back to nailing as if what he said was obvious. "I can see that."

Joel smiled to himself. He saw and felt it himself. Every day.

But there was a side to your relationship, the one that Joel really liked and to which he sometimes returned in his thoughts when his duties allowed him to. Like when he was nailing the freshly replaced boards in the porch, and in his head the scene from the morning, when you rode him in bed, was replaying.

Damn, you looked so beautiful, so sexy. The first rays of sunlight were coming through the thin curtains in your windows, he could see motes of dust floating lazily in their glow. Up and down, you were moving on him in a steady rhythm, a bit lazy because you both had just opened your eyes. Your hands resting on his chest, your head tilted slightly, your eyes closed and lips parted, from which a pleasant purr escaped. 

Joel couldn't get enough of this view. His hand moved along your neck, all the way to your sternum, between the curves of your breasts. He could clearly feel the strong beating of your heart, you were alive and so real.

Your hand grabbed his and directed it to your lower abdomen.

"Do you feel it? You're so deep, Joel..." you whispered, and he felt it then.

He was inside you, filling you up, and you accepted him, giving him warmth, pleasure and closeness, completely different and more intimate. He started to make small and fast circles on your clit with his thumb and he felt your walls tighten around his cock. You were close, so close. Your movements sped up as if you were trying to catch the fulfillment he was giving you and soon the sweetest moan escaped your throat. 

And when he lifted you enough to slide out of you, your hand quickly stroked his cock so he could cum too. Your lips closed around his red tip so he could finish in your throat and he gladly accepted it.

Lazy sex in the morning. In the evening, on the couch when Ellie was supposed to spend the night with her friends. A quickie in the stable when you came to give him a thermos of coffee. Against the wall, when you came back from some dance party and you couldn't even take all your clothes off. Or in the bathroom, when he took you from behind and you rested your hands on the sink, intoxicated by his body and the heat that filled the room.

Joel was breaking you down into its elements, watching you lose the ability to think rationally for him. It was one of the most beautiful sights he had ever seen in his life...

Joel Miller loved you, and it was the best thing that had happened to him in years…

"Mary? Is everything okay?"

The dark-haired woman approached you with a quick step, she was clearly nervous. A strange shiver ran down your spine as she looked at you with eyes full of fear.

"Tell me you saw him!" she said, grabbing your forearm, her fingers painfully digging into your flesh "I beg you! Tell me you saw him?"

"Who? Mary, who are you talking about?" you asked.

"Rory!" the woman groaned, her eyes filling with tears "I've been looking for him for over an hour! Have you seen him?"

You shook your head "I didn't see anyone. I was picking up the laundry, but I didn't see anyone... Mary!"

The woman let go of your hand and grabbed her hair, almost tearing it out in handfuls. "I let him out of my sight for a moment! Just a moment! He's gone!"

You threw Ellie's shirt into the basket and grabbed her hands. "Mary! Calm down. He can't have gone far. You've checked every place."

"Yes!" the woman burst into hysterical sobbing. "I've been everywhere, to every one of his hideouts. He's gone!"

You knew that a five-year-old like Rory couldn't have gone far, but if he was alone in the woods, anything could happen. Your mind was clear. You knew what you had to do.

You grabbed Mary by the shoulders to focus her attention on you. "Find Joel. He should be with Tommy at old Jones'. They were supposed to fix his porch."

"And you? Will you find Rory?"

You nodded. You knew you couldn't wait. When Mary ran towards the main road, you quickly got to her garden and headed towards the fence, which was not far away. Next week they were going to take care of additional reinforcement of this area, so for now no one was there. 

You walked along it for a few minutes and then you noticed it - loose sheet metal at the ground level. Just right for a dog or a fox to get through, or...

You bent the sheet metal further and made it to the other side. Small footprints in the soft ground indicated that Rory was there too. You couldn't wait for Joel and the rest. You set off looking around the forest, stopping every few steps to look for new tracks and you found them. Broken branches, or a visible trace in the ferns. The boy must have gone that way.

A few drops of rain fell on your face. The clouds that had forced you to take off the drying laundry had darkened noticeably. You should find Rory as soon as possible, so you sped up. You couldn't see the fence anymore, the silence of the forest was engulfing you, it was slowly getting darker, and the rain was falling harder and harder.

You thought that Mary must have told Joel and Tommy about what had happened a long time ago. However, you had an advantage over them. You could have reached the boy first. If nothing happened to him...

Your heart was pounding in your chest like crazy, the ringing in your ears was becoming unbearable, but you kept searching. The forest was getting thicker and then...

He was wearing a blue blouse and was sitting curled up under a tree. His pants and hands were all dirty, and huge tears were running down his face.

"Rory..." you groaned, running up to him.

The kid raised his head, he recognized you. Rory raised his little hands, and you quickly took him in your arms. He was so cold.

"Are you okay? Jesus! Your mom is so worried." you said, rubbing his small body.

The boy let out a sniffle. "I wanted to see what was there... And...and... I couldn't get back."

You pushed him away and brushed his dark hair away from his face. "You can't go away by yourself, do you understand? It's not safe here."

He nodded. "Are you mad at me?"

He looked at you with sweet blue eyes, how could you be mad?

"Of course not. Come on, I'll take you home. Mom's worried and..."

This sound froze your blood. You looked up and saw it, the infected was approaching you. Your voices must have lured him, he was probably wandering around aimlessly, but no patrol had come across him yet. You carefully took Rory into your arms. He wrapped his arms and legs around you like a little monkey, trembling all over.

"Hold on tight, buddy." You whispered.

The infected moved quickly towards you. You didn't wait a second longer. You took off running through the ferns and between the trees, thin branches cracking under your shoes, but the screech of the monster was still behind you.

Shit! That's when you remembered. You didn't have a gun. Only a switchblade from Joel, which you always carried with you. It wasn't much. Almost nothing. Rory squeezed you tighter. You had to do something.

You suddenly changed direction of your run, which confused the infected a little, but only for a moment. However, it gave you a little more time. You slid down the small hoard and headed towards the bigger tree.

"Rory, listen to me!" you panted "You have to go up there, do you hear? Go up. I'll help you!"

"I don't want to!" the boy squeezed you tighter "I'm scared!"

"But you have to! I'll come for you, I promise!" With difficulty you tore him away from you and lifted him up to a higher branch "Hide there and stay quiet."

He nodded even though new tears were streaming down his cheeks.

"Be very, very quiet." you repeated, then reached for the knife.

How on earth were you still alive? Rain was falling on your face, your muscles were burning, you were gasping for air, and your hand was still holding the hilt of the knife, now deeply embedded in the monster's head. You were paralyzed for a few minutes by what had happened and how much it had cost you. You slowly got up from the ground and pulled the knife out of the dead body. 

"Rory..." you whispered, your voice sounding strangely alien to you, "Rory..."

You were already turning to go to the place where you had hidden the boy when, to your despair, you saw another one. "Fuck, no..."

He was running faster and faster, and you had no strength left. You would defend yourself, you would fight. As much as your body would allow you. Your fingers tightened around the hilt.

But before you could make any move, a loud gunshot shook the silence in the forest. The infected fell to the ground, hit straight in the head. You turned around.

"Joel..."

He ran towards you. You could see the mixture of fear and anger in his dark eyes, wet hair falling over his face. He grabbed you tightly by the shoulders, and after a moment his hand rested on your cheek as he looked at you searchingly.

"I found him. I found Rory!" you repeated, concerned.

"Are you okay?" Joel asked, shocked by the sight of you.

"I found Rory!" you repeated, completely ignoring his question.

It was only when he shook you and growled loudly "Are you hurt?!" that you shook your head quickly.

"I'm fine. Fine." you finally managed to choke out.

You could see that Joel was furious. His shoulders and jaw were tense. However, you couldn't stay here long, especially since you had already encountered two monsters. You led him to the place where the boy was and Joel helped him down. 

Rory immediately reached out to you so you took him.

"You were so brave." You said letting him snuggle up to you again "C'mon, mommy's waiting for you."

You returned to Jackson in silence. Tommy and a few other men were hanging around the gate trying to split into groups that could go look for the boy. You spotted Mary among them. She ran up to you and took the boy from you.

"He's okay. He got really scared." You said stroking his back.

“God! I will never repay you for this! Never!” Mary sobbed and hugged her son. “Thank you!”

"What the fuck were you thinking?"

Joel slammed the door behind him and looked at you furiously. His jaw was clenched and his hands were on his hips, you could feel his emotions boiling.

"What was I supposed to do?" you asked "Mary came to me. She was shaken and scared."

Joel approached you. "You should have waited for us."

"You didn't see her!"

He hissed and shook his head in disbelief. You didn't understand him. You didn't know what he felt when Mary said you went after Rory alone, or when he saw you in the woods over the remains of one infected and another running towards you, and then when he realized you didn't have a weapon.

"You didn't bring a gun." he growled. "Are you crazy? You could have died! You and that kid!"

"I didn't think we'd meet infected there..." you muttered quietly. "I had your knife."

Joel rolled his eyes and waved his arms in helplessness. "Great. I'm relieved."

"You're unfair... I did what I thought was right."

He looked at you with fury. "That was fucking stupid! If I hadn't shown up there..."

Now you couldn't take it anymore. Joel shouldn't have judged you, he would have done the same in your place. You were grateful that he helped you, but you didn't deserve to be treated like that.

"Now you're overreacting!" you snapped, raising a warning finger. "I've dealt with worse situations before we met."

"So maybe you don't fucking need me then!" he roared and before you could say anything he turned around.

The door slammed and the house fell into silence. Tears welled up in your eyes and you felt as if something very heavy had fallen on your shoulders. You spun around for a moment, not knowing what to do. Finally you decided to wash off everything you had brought from the forest and calm your nerves under hot water.

The house was dark. He didn't know what time it was, but it must have been late. Tommy chased him out of the Tipsy Bison and told him to go home. He didn't want to go back there, or maybe he was afraid? What if you weren't there? 

He drank so much that he struggled out onto the porch and opened the door. Silence. Silence in the house always scared him. And now he was even more scared.

Tommy listened to his confessions, he was a good brother. He understood Joel, but he also knew why you made such a decision. He tried to explain it to Joel, but his brother was still furious.

It was only when Peter, Rory's father and Mary's husband, appeared that something in Joel broke. The man with tears in his eyes approached them, wanting to shake Joel's hand.

"Jesus, you don't even know how grateful I am." he said in a trembling voice. "I came back from patrol, and Mary was panicking. She said you went looking for Rory."

Your name slipped from Tommy's lips. "She found him."

Peter nodded. "I'll thank her in person tomorrow. Mary said she'd bake an apple pie. Thank you, Joel. Thank you so much.”

He patted him on the back and left the bar to join his family. Joel rubbed his hand over his face, sighing quietly. He shouldn't have reacted like that. You did what you thought was right, you always did. He knew he was mad because he loved you and cared about your safety, but he shouldn't have attacked you.

And now, in the dark living room, he took off his jacket and threw it on the couch. He listened for some signals and sounds that maybe you were home after all. That he hadn't fucked up everything. But he didn't hear anything.

So he slowly moved up, step by step. And only when his shoe missed the step and he lost his balance, did he realize how drunk he was. Involuntarily, Joel tried to grab the railing, but it was too late. With a loud bang, he fell onto the stairs, and then slid down them. In an instant, light illuminated the darkness, he heard quick footsteps.

"Jesus! Joel!"

You crouched down next to him as he lay on the floor trying to recover. The world in front of his eyes was spinning. You grabbed his arm to help him up, but he hissed in pain.

"Did you break something?" you asked worriedly.

He shook his head "It's nothing. You're here..."

"Of course I am. Where would I be?" you said, trying to get him up again.

Joel winced, something was wrong. But he wasn't thinking about that now. "But what I said..."

"You need more to get rid of me, Miller." you replied, anxiously looking at him "Joel, did you hurt something?"

"No, I'm fine..."

But when you grabbed his arm he cursed loudly in pain.

"Shit! I think it’s your shoulder."

And you were right.

☆☆☆☆

Thank you for your time.

taglist, i think: @picketniffler @orcasoul @bbyanarchist @o-sacra-virgo-laudes-tibi @somedayheaven @underneath-the-sky-again

[viiinx]

- Isn't imperialism something that all the Lord commit? Beside keeping power over all of Fodlan in every ending, Claude hold power over Fodlan and intervene military with his far superior army as King of Almyra while Dimitri keeps the stolen Sreng territory ( the diplomatic relation does better in some of Sylvain ending, but no mention of relishing the annexed southern half is made ).

And I would say Edelgard is not driven by a desire for imperialism. In hopes, she ally with Claude and it's Dimitri that chose to opt out neutrality to fight the Empire. You cannot attack the Church without attacking the Holy Kingdom of Faerghus and in a war of this scale the Alliance necessarily get involved. Otherwise she has no goal of conquest, as shown by her words towards Brigid ( Petra in chapter 18 explore, Petra endings in CF, Petra support especially in Hopes ) and Almyra ( Insurmontable paralogue )

- "An ideal you have no way of uphold" how so? Edelgard is pretty much shown to succeed in CF, it's what stated and indirectly showed in numerous endings?

- I think an important element to consider is that Edelgard is not only here to get rid of crest. She's explicitly here to get rid of the nobility too ( Edelgard support with Ferdinand (A), Caspar (A) Lysithea (A), Hanneman (B), Constance (A), CF event 10 "Facing the Kingdom" and many other, so many CF endings, etc ).

- Do they actually depend that much on Relics for survival? Holst is one if not the strongest soldier in Fodlan despite lacking a Crest and a relics, and even the strongest crest bearer like Dimitri and Rodrigue can fall easily to simple soldier.

- To be fair what Sylvain is suggesting kinda would be present without the Church influence. While it's not exactly his idea of a flame orb, the Church banned oil "Flammable Black Water: A sticky black liquid was discovered in northern Faerghus. It burns fiercely and emits a highly toxic gas." explicitly for its nature as a weapon "The use of this wicked substance was forbidden by decree of the archbishop for the following reasons:

1. Misuse could result in accidental death.

2. It could be used tactically by those lacking magical ability.

3. Competition for it could cause strife.".

- Dimitri and Edelgard AM dialogue is complex. To me they're both not really listening, their discussion was kinda useless. Dimitri says he comes to try to understand her actions but never actually does and Edelgard is already sure in her belief, none of Dimitri points are something she didn't reflect on before. On both side, they are already convinced of their ideal and aren’t there to change their mind.

- To me it's again important to consider Edelgard wants to abolish crest but also nobility which is very tied to it. Correct me if I'm wrong but the Faergus noble don’t show interest on that point, and in the case of Dimitri pretty strongly maintain it. As an example in one of his ending says he "secure their line as a dynasty that lasted for generations to comes". Or in Hopes he directly state he protect the Church because he needs the Church doctrine to legitimate his power.

As for Edelgard not collaborating it's because it's too risky and require information she does not and cannot have easily. You know what the Blue Lions want because you know them well, but Edelgard’s does not. Fhaergus is known as very traditional and seems to value the crest the most so it’s rational to generally assume they won’t be sympathetic toward reform against. It’s especially the case since the Blue Lions don’t really publicy show their disdain towards crest pre-timeskip. Dimitri even defend them with the same argument you're using on their necessity. Furthermore, Edelgard would risk to give her plan away if she were to try to make her intentions clearer to find ally. She's in a situation were she cannot alert the Church or it's ally ( which Faerghus is ), as well as constantly navigate TWSITD watchful gaze. She does make a careful attempt with Claude in pre-timeskip VW but it does not lead to anything sadly.

- Why is the Church not bad? They banned life changing invention ( the shadow library ), they censor book ( VW cutscene and the shadow library ), they lie about Fodlan whole history, they directly lie about the very religion they're propelling, they show hostility towards other religion ( the woman at the altar in the Abyss ) and non-believer ( Claude and Leonie support, "Dare not doubt or deny the power or existence of the goddess." from the book of Seiros ), in the case of the Nabateans they keep the same figure in power for centuries and present themselves as saints, they military intervene in other country to defend their interests ( all of white clouds ) and they maintain power over the nobility of each nation especially Faerghus, their religion is used to legitimate nobility and especially the Emperor/King/Duke through the idea that crest are a gift of the goddess, etc

my evolution as a fe3h fan is rlly funny to me lol. i played the game for the first time when i was 15 and now at 19 im playing through three hopes (yes im super late dont ask) and the fact that there have been times where ive been obsessed with EVERY HOUSE is rlly funny to me

at the start i was a claude and golden deer stan through and through bc funny meme house and also the nemesis fight

then when i was starting to get a little more politically minded i fell into the “edelgard did nothing wrong” camp because. yeah!!!! meritocracy!!!! united!!!! fuck religion!!!

and now as an adult with a lot more awareness and a lot less edgy atheism i came to the conclusion that not only is imperialism and destroying people’s lives for an ideal you have no concrete way of upholding bad, but the entire “let’s get rid of crests” argument is not even a solid one because it centers adrestia and doesn’t take into account the other two regions’ need for heroes relics.

correct me if i’m missing something or if i’m wrong, but no one in adrestia’s nobility actually has a hero’s crest. if they have crests, they’re saint crests, and saint crests have compatibility with sacred weapons, which are different to heroes relics because anyone can use them without turning into a beast.

additionally, adrestia doesn’t have any immediate neighbors that could cause them trouble. it doesn’t directly border a non-fodlan country, and they seem to have taken care of their brigid situation by kidnapping petra. the empire has no immediate threats.

the kingdom and alliance tho????? they border sreng and almyra respectively, which seem to invade at the drop of a hat and force houses gautier and goneril respectively to be in constant combat. those two houses literally DEPEND ON THEIR RELICS FOR SURVIVAL. until someone figures out a better way for them to defend their lands, they NEED crests!!!

obviously this isn’t necessarily a good thing, since we see the path that miklan and rufus as crestless older sons go down, but it’s not like the kingdom is exactly keen on keeping this in place either. in three hopes they talk a ton abt how crest bloodlines are dying out and how something needs to change. hell, sylvain is someone who directly benefits from faerghus’ crest dependency and yet in his supports with shez, he’s going and devising powerful weapons that people without crests can use!!! we see time and time again that the young nobles of faerghus are interested in the same things edelgard is: establishing a more equal society, and decreasing the need for crests. but why doesn’t she just collaborate with them to that end???? why doesn’t she hear dimitri out when he tries to talk her out of continuing on this path????

oh yeah. the church.

i’m probably gonna yap abt the church later lol i’m running out of steam on this ramble. tiktok is banned and so this is what i’ve resolved to do while i sip my morning coffee lol bear with me

[athenasdragon]

I knowwwww they have square dancing in Ferelden.

From Wikipedia: “Square dances contain elements from numerous traditional dances including English country dances, which were first documented in 17th-century England, and 18th-century French quadrilles and cotillions; square dancing travelled to North America with the European settlers and developed significantly there.”

Ferelden is loosely inspired by England, but its landscape, crops, and some aspects of its culture—particularly in agrarian regions—read very North American. With occupation by Orlais still recent (and Orlais inspired by 18th century France), I think one could absolutely assume that Orlesian quadrilles were adapted for folk dance contexts. We already know Ferelden has folk dances from Alistair’s allusion to the remigold in the first game.

[nanashinana]

Okay so I finished the series and I was kinda really mid about the ending, which was nice given the characters and Mash, but I just felt kinda... empty? Like not in the way where you’re like “this was an amazing manga and now I don’t know what to do with my Sundays anymore” but more like “... that’s it?”

There was just a lot to the world that was left not talked about, like things that just appear and they just accept it. Dot’s Ira Kreuz and Abyss’ Evil Eye are the first thing that came to mind. Also the fact that there are so many double liners in the series when they’re supposed to be rare? But that could be explained by the fact this is an academy for magic. 

Anyways so I’m rewriting the story-

[eraenaa]

Unexpected Affections

Aemond Targaryen x Tyrell Reader Tag List

Synopsis: With just a smile, you had managed to bewitch and enthrall the stoic and cold prince. 

Warnings: Sunshine x Grumpy Trope, ¿Softer Aemond?, ¿Simp Aemond?, Jealousy, Mature, 18+, Fingering, P in V Sex, Oral Sex (f receiving), Overstimulation, Not Proof Read

Word Count: 7,287

A/N: Really milking softer Aemond bc I'm pretty sure I'm going to take a break from him once s2 is released.

He’s broken beyond repair. Too far gone to be saved. Aemond knew fully well that is how the others see him. The boy who had his eye taken was never the same. Darkness was his only solace, the walls too far up that no one dared to scale it and reach the true him— simply taking the dark and villainous scrap of his true self that he was willing to give. All seemed to give up on him— simply let him drown in his darkness, except you. 

Like all things good, you came unexpectedly. You were a mere visitor from Highgarden, a noble lady who came with your lord father as he tended to business in the capitol. Aemond could never understand how you looked at everything and everyone with rose-colored glasses, but he supposed he should be grateful because if that trusting naivety in you were lost, your light would never come close to his looming darkness. 

“Who is that?” Aemond asked his family’s most trusted knight, Ser Criston Cole. Your figure caught his attention; it was as if you were floating along the gardens of his home. A small smile on your face and flowers adorned in your hair. He stood near the balcony, discussing important business with the knight, when his train of thought was lost and captured by your mere presence. “Lady Tyrell, her father has business here with the crown,” the knight said absentmindedly. Aemond nodded and took one last glance at you before walking away. 

The thought of you was quickly forgotten by the prince. He saw your presence as just another to add to the list of nobles at court who cowered upon his stature. However, you lingered in the back of his mind as he often saw glimpses of you walking through the halls of his home. Aemond stood in the gardens once more, this time waiting for his sister and her children when he caught your eyes. He waited for fear and apprehension to present themself in your orbs, the same reactions he would elicit from everyone. However, the prince was taken aback as you smiled at him. A small, respectable smile before you stole your eyes and continued to your promenading.

Aemond blinked his eye rapidly, trying to discern if he saw correctly or if it was a cruel trick made by his impaired vision. Aemond pursed his lips as he felt himself walk towards where you had passed. There was this odd pull about you— more than your beauty; if it was just that, a comely face was never one to put the prince in a trance. It was an ethereal element that beguiled Aemond quickly. He had not even spoken to you, yet you had already managed to put such an effect on him. 

He watched from a distance as you bent down and assessed a flower, your fingers caressing the velvety petal and bringing it to your nose to discern the fragrance of it. Aemond felt that pull once more, his feet carrying him closer to you. When you stood straight, your brows raised in surprise as you had noticed you were no longer alone. “My prince,” You greeted with a curtsy, his silvery locks the warning sign that you spoke to royalty. Aemond was rendered silent, his mind already spinning at the sound of your voice. What was this? He could not explain what had overcome him. You bit your lip as no greeting left the prince’s lips, him only staring at you with an unreadable expression on his angular face. “Are… are you well, my prince?” You asked, daring to step closer and take hold of his arm to examine if he was truly well. 

You watched as his lips parted and closed, no sound leaving it. “Perhaps you should find some shade; the heat may be too unbearable,” You say quietly and never take your hold off his arm, guiding him towards the shade of a willow tree in concern. Aemond was screaming at himself on the inside, hating that he was making a fool of himself, that he couldn’t even speak, simply letting you guide him towards the shade and making him sit on a bench. Your concern for his well-being consumes your face and his being. “Do you wish for refreshment, perhaps w—“ Aemond shook his head as he finally regained his senses. 

You chewed on your cheek as the prince stood. “I am fine; I apologize for the— the intrusion, Lady Tyrell,” He said stoically, and you shook your head and smiled at him. “No need for apologies, my prince; no intrusion was made. But are you certain that you are well… you look a bit pale, my prince.” You say and quickly regret it as your mind reminds you that maybe that was just his true complexion. You swallowed thickly as you saw him pursed his lips, fearing that you had offended the prince. Aemond did not know how to take this concern— this kindness that he was never the receiver of. “I am quite well; good day, my lady.” He walked away in haste as he feared that if he stayed longer in your presence, he would make a further fool of himself. You stood there in confusion; your lips parted as the prince almost ran from you. 

The thought of you haunted Aemond until the night, his arm still tingling from where you had placed your touch. He replayed the scene in his mind over and over again, trying to convince himself that your concern was fictitious— that it was a ploy to be in the good graces of the prince. But as he recalled the way your eyes bore into his, nothing but sincerity was evident in your orbs. How are you this kind? To a stranger, no less. Aemond was restless as he lay in his bed; his mind kept conjuring your interaction in the gardens, refusing him any other thought than you. 

When morning came, Aemond had made great lengths to avoid you, silently embraced as he had made a fool of himself in the gardens. As his training ended, Aemond tried to find reprieve from the loud keep in the library. Aemond believed he was successful in his avoidance of you, but as he stood by the threshold of the silent room, he saw, as you were seated in one of the chairs, a book in your hand as you silently read. His presence was still not noticed. He could easily slip away and be successful in his avoidance of you, yet, just like the other days, his body could not help but be pulled towards you. 

When you noticed a presence standing before where you sat, you flickered your gaze upward and locked eyes with the prince once more. “Prince Aemond,” You acknowledge and move to stand to greet him, but he silently raises his hand and hinders your actions. You copied his silence as he took the seat across from you. You traveled your gaze through the library, uncertain what to say or do. “I hope you are feeling better,” You say quietly. Aemond licked his lips as he was subjected to your dazzling presence once more; even though he had willed himself to avoid it, it seemed you were inevitable. 

“I am; I was simply tired,” He said, making certain to place coldness in his tone, hoping it would deter you and no longer present him with your kindness he stubbornly took as deception. Aemond felt his breath catch as you gave him another smile. A relieved smile for his well-being that was so genuine that he could not stubbornly convince himself that it was not. 

You stayed silent as you felt that that was what the prince preferred. You tried to return to your reading, but his velvety voice sounded through the room. “What business did you have here?” He asked. Aemond was testing you, presenting you with his cold and calloused self to see if it would have any effect on you just like it did the other. He watched calculatingly as your lips parted, and he found trouble to remove his gaze from your plush lips. “If I am being honest, I am not quite certain, my prince.” You said truthfully. You watched him raise his brow at you to explain further. “My father has business he needed to tend to here, but he had not disclosed to me the reason for it or why I needed to join.” Aemond nodded and watched as your eyes were never removed from his gaze, surprised that you could hold onto his intensified stare. 

“So you have no purpose here?” He asked harshly. He expected a frown or a look of offense on your face, but he watched as you smiled as if you were amused and shrugged, “I suppose not.” Aemond stayed silent and continued to asses you as you returned to your reading. 

“Do you like philosophy, Prince Aemond?” You asked after a stretch of silence, unable to bear the eerie and suffocating quiet. Aemond took a moment before he answered your query that no one had been interested in asking him before. “I do,” Another small smile appeared on your lips as you nodded. “Then have you perhaps read this? I have been mulling over the proposition of the archmaester for days now, but I cannot seem to comprehend it fully,” You say and turn the book you read towards him. Your fingers brushed as the prince took the book from your hands, and you could not hinder the chill that ran down your spine as you felt his cold, calloused fingers against yours. 

You listened earnestly as the prince began to speak and explain the proposition you had trouble comprehending, going to great lengths to explain his thoughts on it, assisting and receiving any questions you had. Aemond paused in his explanation, feeling as if his mouth had gone dry by his prolonged speaking. He turned to the window and saw as the once high sun began to set; he returned his gaze to you, your chin resting on your palm as you had listened to his every word, clinging onto every syllable he had uttered. Aemond gulped as he realized his mistake. He had revealed too much of him; too much of his thinking was poured out in his explanation of philosophy. “I must take my leave,” he suddenly said, disregarding that he was in the middle of explaining another philosophical theory that was different from the first you had inquired about. 

“Oh,” You said and straightened in your seat. Aemond wanted to frown as he detected disappointment in your tone and eyes. That cannot be, can it? Why would anyone be disappointed in his departure? “Good day, my prince,” You curtsied as you stood, not wanting to take more of his time. Aemond began to walk away, cursing himself for his actions, but he halted by the door as you spoke. “Thank you for your explanations… they were quite enlightening,” You said, and Aemond turned to you; the smile returned to your lips as you looked at him gratefully. Were you truly thankful? Thankful for him? Was that even a possibility? Aemond gave a curt nod and willed himself to walk away from you. 

You were in the gardens once again. You were terribly homesick, and the gardens of the Red Keep were the only resemblance of your home that you could cling to. You were walking distractedly, a buzzing bee following you around as the flowers in your hair attracted the insect. You tried to squat it away, afraid to get stung when you accidentally missed a step, losing your balance, and were met with the cobbled floor of the gardens. Your jaw slacked in pain, and you tried to stand, your cheeks burning in embarrassment that someone may have seen your ungraceful fall. There was a stone by your side, and you tried to hoist yourself upon it, hissing as you accidentally placed pressure on your swollen ankle, but you were determined to stand and walk back to the keep to ask for assistance.   

Unbeknownst to you, Prince Aemond had been observing you from above the gardens, and the moment he saw the sight of you falling, he made hastened steps to reach you. “My lady,” He called, trying to hide his panting, and approached you as if he had only stumbled upon your presence. You sat before a rock, and he noticed you hiding your injured limb from his view, “My prince,” Aemond watched in slight awe as you still tried to stand and curtsied before him, still holding onto formalities even though you were clearly hurt. 

“Are you well?” This time, it was now Aemond to ask the question. You placed a tight smile on your lips, pretending that your injury was not at all bothering you. “I am fine, and you, my prince?” You asked, trying to speak of pleasantries. You shifted your weight on your uninjured leg and, for once, hoped that the prince would leave. “Are… are you certain?” Aemond inquired, wondering why you would pretend. “Y-yes,” You stuttered, and Aemond narrowed his eye. 

You sighed and placed your head on the ground. “I… I tripped, and I think my ankle is injured— but I do not wish to bother you, my prince. I can wait for the swelling to subside.” Aemond frowned at your words. How were you so concerned about his well-being but not your own? Aemond shook his head and stepped closer to you, silently scooping you in his arms. “Wh— My prince!” You said in shock as you were stiffly settled into the hold of Prince Aemond. Your arms circled around his neck to stabilize yourself. “You don’t— I could have just waited for a squire or maid to assist me,” You said in a slight panic and could not even bear to look at the prince in embarrassment. “You are clearly in pain,” Was all he said as he carried you back inside the castle walls, the both of you earning strange glances from the members of the court. 

Aemond returned you to your assigned chambers, trying to ignore the erratic beating of his still heart and the tingles on his skin from where he felt your touch. He placed you gently onto a settee, inhaling a whiff of your scent, and he felt intoxicated. He placed a respectable distance between you as the both of you waited for the maester he ordered a squire to fetch. Your gaze was still planted on the floor, and Aemond noticed the flush on your cheeks and the harsh bit you had on your lip, embarrassment clearly evident in you. 

“I did not wish to bother you, my prince.” You say quietly, your tone heavy with guilt. Aemond could only hum a response, clueless as to why you were apologizing. The maester finally arrived, and Aemond stood by the side as he oversaw the maester, tending your injury. You tried to keep your pained reactions to a minimum as you felt conscious of the prince’s presence, but you could not help but hiss in pain, and your face contorted in discomfort as the Maester tried to move your injury. Aemond swallowed thickly as he himself was overcome with a phantom pain by the mere observation of yours. 

“Will it heal, maester?” He asked in concern, stepping forward. “Yes, my prince, it is only a swollen ankle; it shall heal by the morrow,” The old man spoke and stood, placing a cold, damp towel upon your injury, and you reached forward to secure its place. Aemond gave a nod, and his eye followed the maester who exited your chambers, leaving the door open. Aemond returned his gaze to you, your eyes finally meeting his, and he once again felt his breath caught in his throat as you smiled at him. 

“Thank you for your assistance and kindness, my prince,” You say gratefully, and Aemond felt his knees weak. No one had ever called him kind before. As always, you were met with his silence, but you dared say you were getting used to it. After a few moments of Aemond trying to comprehend your words, he gave a curt nod. “I shall leave you to rest; good day, my lady.” He said and willed himself to walk away from your presence he did not wish to leave. 

Another day had passed, and Aemond had not seen a glimpse of your presence he had been trying to avoid just the day before. He had the urge to knock upon your door and to see how you were faring with your recovery, but he placed great restraint on himself as his mind deemed it inappropriate. So he waited another day. He stood by the gardens, his eye assessing every passerby as he waited for you. He had been stood by the balcony like a statue for the better part of the morning, but your presence had not been noted. 

Aemond decided to walk around the castle, passing along every corridor in search of you and ready to act surprised as you two would eventually encounter once more. It was nearing sundown, and he had not seen a glimpse of you. Perhaps she is still resting. His mind told him, but Aemond was not entirely sold by that reasoning. 

The prince attended his family’s supper in his mother’s chambers. He sat quietly in his seat and saw the aggravated and tired faces of his mother and grandsire as they came to the table late. “We apologize for our tardiness; the small council has been overburdened by a matter.” The queen explained as she took her seat. “What matter?” Aemond asked, always curious about the dealing made. “The crown cannot afford to pay the dues it owes to House Tyrell… it is too great a sum, and the lord has threatened to withhold back crops for the upcoming winter if we do not pay their price.” The hand spoke, and Aemond pursed his lips, knowing that the debt to your house had been since the time of the conqueror. 

“Surely they could be reasoned with— they would not want to offend the rulers of Westeros,” Aemond said quietly and heard his mother sighed deeply. “Perhaps, but no meetings and negotiations can be made at the moment, for they had already left late last night.” Aemond’s hold on his fork tightened as he heard the words. You had gone without even a goodbye.

“I just do not know what we can offer to match their hefty sum,” the lord hand said and downed his wine. Aemond traveled his gaze around the table, his sibling not at all listening to the matter. “Offer me,” Aemond spoke, and he felt all eyes shift toward him. He turned to his mother, the queen’s lips agape in shock at his words. “The crown does not have money to pay our debt— then is it not a custom to offer marriage instead?” He asked rhetorically; the practice was made for centuries, but the price was usually paid with a princess, not a prince. 

“Aemond, mere debts are not paid with a prince.” The queen said. “But it is not just a mere debt, now is it, mother? The Tyrells had as well placed a threat to the kingdom’s security over this winter— and the mere debt you speak of has been established since the age of the conqueror,” Aemond turned to his grandsire, who he knew would understand his proposition. The Hand pondered over his grandson’s words. “But you are set to marry the Baratheon girl,” Alicent countered, and Aemond scoffed. 

“We owe nothing to the Baratheons, and do you not think that this matter looms greater?” He asked, “Lord Tyrell only has a daughter, does he not? In time, the seat shall pass onto me as well, alike with the arrangements with Lord Borros. And with this, the crown will no longer be indebted to their house,” Aemond said, determined to see you once more. “That is a most favorable solution,” The hand commented, quite content by his grandson’s proposition. The queen sighed and took a moment to think of the proposal. “Very well then,” she sighed, and Aemond hindered the smirk threatening to slip his lips. 

“I shall draft the proposal tonight and send a messenger to Highgarden first thing tomorrow,” Otto said in finality. “No need, I shall offer the proposal myself in person,” Aemond said, and he saw apprehension in his mother’s eyes, disbelief by his decision, but none hindered him. 

It was afternoon the following day when he had reached High Garden, Aemond riding atop his dragon through the morning, eager to reach his destination, you. “My prince,” Lord Tyrell greeted him by the gates of their castle. “What business is so urgent that the prince of the realm had to fly his dragon all over here to the reach?” They had not even reached inside the castle walls when Lord Tyrell could no longer hinder his curiosity. 

“It is the matter of the crown’s debt,” Aemond replied, his eye scanning the halls in search of you. He heard your father reply with an ‘oh,’ clearly anticipating the conclusion of the matter. “Is the crown ready to pay us the price owed?” Aemond hummed as he passed a portrait of you hung on the wall of your home, his eye entranced by the picture. “In a way,” The prince danced upon the matter momentarily. “In lieu of a payment, the crown is prepared to offer a marriage,” Aemond stated and watched concussion flush over your father’s face. 

“With respect, my prince, but that is an insulting offer. The crown has owed my house a great sum accumulated since the age of conquest!” Lord Tyrell seethed, and Aemond gritted his jaw. “I believe you are too hasty with your outburst, my lord. The crown is offering a union between me and your daughter— an opportunity for your only child to be a princess… your grandchildren having the Targaryen name.” Lord Tyrell shook his head, “My daughter is already bound to marry another— titles are one thing, my prince, but there is still a debt to be paid.” Aemond felt the fire in his veins awaken at your father’s words. You are to be bound to another; that cannot be. You cannot be anyone else’s when you had consumed his entire being— when you had presented him with such hope and kindness that he was certain he would find in no one else. You could never be not his. 

Aemond licked his lips, certain that the words he would utter would be a gamble. “Very well then… a counteroffer, my lord. The crown cannot fully pay your price, so we offer a royal marriage and a fourth of the sum owed to you,” Aemond said, assessing the father's reaction as he mulled over the proposition. “I shall need time to reach a decision,” Lord Tyrell finally spoke after a long pause. “Of course,” Aemond agreed. “For the meantime, you are welcome to the halls of High Garden, Your Highness.” 

Aemond waited as your father disappeared from his view before he went on his search for you. He walked through the unfamiliar corridors and found himself being led outside towards the gardens where he wagered you would be. When he saw you seated by a fountain, a smirk curled on his lips. However, it was quick to fade as he had noticed you were not alone. Aemond made furious steps towards you to announce his presence. 

You were conversing with another when you felt your skin tingling and the familiarity of a cold gaze upon you. You turned to your side, and your eyes widened as you saw the prince approaching. You blinked slowly, trying to discern if your mind was playing a cruel trick. But when the prince stood an arm’s length away from you, where you could see him clearly, you knew that it was not a trick. “My prince,” You say almost breathlessly, curtsying lowly before the son of the king. 

“How… what brings you here, your highness?” You asked, disregarding the earlier presence you were with. “Business for the crown,” He replied, eyeing the man who stood beside you. You turned your eyes toward where the prince placed his gaze intensely. “Oh, my prince, this is Prince Martin Martell,” You introduced, and you felt Martin stepped forward and bowed. “Martell? Are you not a long way from Drone?” Aemond gritted as he let out his hand to shake the prince’s hand. He wanted to smirk as he saw the man’s tanned face twist into a wince before quickly masking it. “Yes, my prince, I come as a suitor for my lady,” He explained, and Aemond pursed his lips at his words. 

You licked your lips as you suddenly felt the fresh air become tense, “Would anyone like some tea?” You suddenly interrupted the intense gazes of the two princes, walking in between them as you made your way toward a nearby table that had the afternoon’s refreshments. Aemond tapped his finger on the table, his eye shifting between you and your intended whilst you poured tea into everyone’s cup. “If I may ask, what business warrants your presence here, Prince Aemond?” Prince Martin inquired, and Aemond reluctantly shifted his attention from you, who was licking sugar from your fingers. 

“A proposal for House Tyrell,” he said bluntly, swallowing thickly as your lips parted at the mention of your house. “What proposal, if I may ask,” Your turn to inquire. Aemond licked his lips and debated if he should give you the true manner of his visit. “A proposal for you, my lady, to be a princess of Westeros.” You feel dazed by his words, your body freezing in shock, and you seem to forget how to breathe. 

Aemond looked at you expectantly, trying to search for any reaction in your eyes other than the pronounced shock. You were saved from his expectation of a reply when you heard your father calling for you. “I— excuse me, my princes,” You say in a haste and hurriedly went to your father’s call. 

“What is happening— the prince just informed me of his proposal— in front of Prince Martell!” You panicked, recalling the scene to your father with wide eyes. You watched as your father paused his lips, an aggravated sigh leaving his nose. “Bold of him to inform you of such proposals when I had not even given him my reply.” You shook your head and warily turned to the gardens, where you saw two princes seated by a distance. 

“Where did this proposal come from? I… I do not understand,” You whispered, recalling your days in the Red Keep; the moments with the prince that you tried to sell to yourself were meaningless to him. However, you supposed you sold yourself with a lie because those moments were enough for him to ask for your hand. Hope was dangerously blooming in your heart, emotions, and festering feelings you tried hard not to succumb to for the past days, now inevitable. 

“The proposal comes because the crown cannot pay the debt due to us… instead, they are offering a marriage between you and the prince and a fourth of the sum owed,” The hope that was dangerously blooming and had rooted itself in your heart quickly wilted, willing yourself not to show disappointment on your face. “Oh,” Was all you could utter. “What is your decision then?” You asked quietly as your father guided you further into the walls of your home. 

“Your courtship with Prince Martell has been settled for three years since your sixteenth name day, but no formal betrothals are in place, and we are in no obligation to the Martells,” Your father stated as you two walked along the corridors. “But Sunspear is a long way from here,” Your father added, “And though Kingslanding is closer, and if I were being honest, I would prefer you to be a princess of the whole of the seven kingdoms rather than just Dorne,” You twirled with your hair as you listening into your father’s musing. “But this marriage is just a way out of their hefty debt,” You nodded along and waited for your father to decide. 

“So? Which one of them?” You asked as you needed an answer, your nerves growing unbearable. Your father took in a deep breath, “I shall leave that decision to you… it is you who shall marry one of them; the money is not truly that much of a concern— it was simply a bargaining tool for the crown to remember how indebted they were to us,” Your father explained, and your lips parted as you were given a daunting task. 

“Can I speak with Prince Aemond for a moment? I… it is— I need to speak with him,” you say, and your father gives the nod, “I shall have him meet you in the drawing room,” You waited nervously for the prince, your mind running as to what to say to him. You stood when the prince entered the room, your lips parting, ready to speak something you were uncertain of, but Prince Aemond spoke first. 

“I know this is quite abrupt,” Aemond spoke and dared to step close to you, trying not to grow distracted by your mere ethereal presence. “It is my prince,” You agreed. “Could I just ask why?” Aemond frowned at your words; it was quite a straightforward proposal. “The crown owes your house,” He said matter of factly, “I know, but we ask for coins or land but not a marriage,” Aemond licked his lips, “And I am aware that the marriage is a substitute. However, you would understand that no one would be that inclined to accept a proposal just because the one giving the proposal is in debt.” 

“Is this a rejection?” Aemond took another step, closing most of the gap between you. He was aware that he was scowling severely, scarily even, but you did not seem to be frightened, a first for anyone he had encountered. “More of a question,” Aemond’s brows raised at your words. “Well, it’s clear that this proposal is just an obligation for you, and if I am being honest… I prefer someone who would not see a mere business dealing.” 

“All marriages are business dealings,” You pursed your lips at the prince’s words. “I supposed they are… but not every marriage is just a business dealing.” Aemond licked his lips, and the both of you were enveloped in silence. “I guess what I’m saying is… I would not feel inclined to choose someone who proposes because it is their obligation,” You say slowly, surprised that you managed to come across your answer. If it were any other situation where the crown was not indebted to your house, you would accept the proposal eagerly, but your heart idealistic heart yearned for someone who wanted you truly and did not see you as a mere opportunity. 

“My lady, I think you have gotten the wrong idea here,” You furrowed your brows as all were clear to you. The proposal was just an obligation… isn’t it? “No one forced me into this proposal; the queen could not find a solution. This marriage had not even crossed her mind— I…” Aemond passed as you waited on bated breath for his explanation. “I have offered the marriage not because of duty or a way for the crown to escape their debt but because… I— I want you. I want you to be my wife.” 

You looked at him with clear apprehension, and Aemond actually believed that you would flash him your sweet smile— perhaps a blush on your cheeks as he had said words so unlike him. “You want me?” You asked incredulously, and Aemond nodded, boldly taking your hands into his. “But why? We barely know each other?” You asked. Frowning as your eyes go downwards toward your hands clasped with the prince’s cold ones. “Why?” Aemond asked in disbelief you would ask such a question? You nodded. 

“Because I just do,” Aemond licked his lips as it would appear that that was the wrong answer, watching as you stole away your hand and your lips turned into an adorable pout he was very much tempted to kiss. “I— Because you are pretty, overly pretty,” Aemond spoke and hoped that would sway your mind, but that seemed even to offend you. “And because you are knowledgeable, I have never met anyone who had the same philosophical interests as me,” Aemond quickly added, and he wanted to smile as that lessened your frown. 

“And most of all, because you are kind. You are… you are not one to judge— you came to Kingslanding without any criticism or fear of me. You actually saw me as an actual person and not…” Aemond trailed as he felt a sense of relief as he said the words he thought none could ever compel him to do so. “Not like a weapon?” You almost laughed as you often heard others allude to him as such. Aemond nodded and took your hands into his once more. 

“You want me because I was kind and took an interest in you?” You asked, making certain that was his reasoning. Aemond nodded and dared to tuck a stray hair that obstructed his view of your face. “If that is all that it took, what if then another comes along and presents you with such kindness and interest… am I simply to be set to the side?” Aemond sighed and cupped your cheek as he felt his stomach twist at your words and at the look of doubt in your enchanting eyes. “What if—“ You were ready to voice out another doubting scenario, but your lips were kissed shut. 

You feel heat bloom into your cheeks, and you are stunned as you feel the prince’s thin and cool lips upon yours. Your eyes were wide at the sudden contact, but they fluttered to a close as you savored the feel and taste of him. “I do not know what more to say to quench the doubts in you… but you must know, I have never felt such a way— I have never wanted anyone or anything as much as I want you.” Aemond whispered against your lips as you breathed heavily, your body feeling afloat and alight. 

“The situation is not the most favorable one; believe me, I understand your qualms— but it is the only opportunity I had to make you mine,” You feel liquid fill your stomach, and words cannot find you. The only thing you could do was go to the tip of your toes and kiss the prince’s lips once more, a chaste kiss than the first, but it was a kiss that gave the prince his answer. 

Three moons passed before your nuptials were settled. You stood by the door of the great hall, waiting for it to open and lead you to your soon-to-be husband. “Are you certain?” Your father asked as he clasped his arms with yours. You breathed out a laugh and nodded your head eagerly. “I am,” You said with a smile and took a deep breath as you heard the trumpets from the other side of the door. 

Aemond sighed longingly as he saw the smile on your lips again. The smile that he had never been the receiver of before. The sweet and kind smile that led to all of this. 

You beamed at your groom as he took your hand into yours, unable to remove your gaze from his unique lilac eye throughout the whole of the ceremony. “I am his, and he is mine,” You recited after the Maester, feeling Aemond lightly squeeze your hand as you said the words, a ghost of a smile appearing on his lips. When it was Aemond’s turn, you bit your lip as you felt your smile grow wider, your heart beating loudly in your chest, and delight taking hold of your whole body. “I am hers, and she is mine,” Aemond stated, eye filled with sincerity and promise. 

You breathed in a deep breath as your husband stepped forward to seal your marriage with a kiss, your cheeks burning as you heard the cheers of your guests. “My flower,” Aemond whispered against your lips as you parted, his finger brushing away the stubborn lock of your hair once more. You could only smile upon him, your heart in your eyes— just one act of kindness, a simple smile had been the catalyst for you to find your love. 

You chewed on your cheek in anticipation as you were being led down the halls by your husband, the bedding ceremony promptly taking place after the feast. 

Aemond spared no second before claiming your soft, sweet lips once more. Gently pushing you upon a pillar in his chambers to keep you steady and flush against his body. “Aemond,” You called as you clung to his neck, his lips trailing downwards and his fingers undoing the laces of your gown. “You’re all mine, my flower… forever bound to me, my kind little wife.” Aemond hummed as he tasted your skin, his lips kissing your bare shoulders, the sleeves of your dress draping off. “I’m yours, my prince,” You sighed, but you felt slight dread in your stomach as he clicked his tongue in disapproval and slowly shook his head. “I am your husband… you must learn to call me by my name; no more titles and formalities,” Aemond lowly said, wanting to hear his name be uttered from your lips. 

You nodded, “I’m all yours, Aemond,” You said and whimpered as your husband’s eye darkened, and he forcefully slammed your lips. You feel your dress pool to the floor as he successfully removes it; he takes hold of one of your thighs and makes you cling to him, leading you to your shared bed. Aemond gently laid you down and parted your lips to admire the view of you sprawled before him. The thin sheet of your shift reveals all to him. 

You gasped in utter shock as you felt him tear away the thin cover you had, fully exposing you to him. A strained moan left your throat as Aemond dipped down and took one of your tits into the hot cavern of his mouth, his tongue teasing the bud. You clung to his silvery locks; just that action alone made your core tighten painfully. Aemond smirked as he moved to pay attention to the neglected mound, your hips grinding upon his as you sought friction. 

“Aemond, I…” You called, uncertain of what you wanted, but all you knew was that you needed more. “Yes, wife?” He hummed and placed open-mouth kisses upon your stomach. “I… I—“ You stuttered, not knowing what to ask. Aemond sighed and moved his head to kiss your lips, “Do you want more… do you want to be pleasure, my flower?” He asked, as he could not be so cruel to leave you in such a state for much longer. You eagerly nodded your head. 

It did not take long for you to be a moaning mess, your eyes rolled back in your head, and your back arched as Aemond placed his mouth upon your cunny. Licking and teasing your folds, “Aemond! Oh, gods!” You called in utter pleasure as you felt his thin lips enclose your sensitive bud, sucking and licking it. You battled with your mind-numbing pleasure as you propped yourself on your elbows to watch his actions. He looked up at you, grinning as his fingers teased your undefiled whole. You bit your lip and breathed heavily, boldly taking hold of the leather strap of his eye patch. You saw as his eye darkened, and you hesitated, but Aemond gave a nod. 

As you removed his eye patch, Aemond pressed his finger into you, your eyes rolling back as you saw his sapphire eye. Aemond returned his lips to your cunt, sucking on the bud as his fingers pumped in and out. He felt your walls clench around the digits and your moans growing louder. Through your closed eyes, you feel him smirk against your skin and curl the digits inside your cunt— a loud moan leaving your lips as you come undone. Your hips violently move against his face, and the pearl of your cunt hitting gains his angular nose. 

“Oh gods,” You say breathlessly as you feel Aemond’s weight atop of you. You undid the laces of his vest as he removed his trousers. You looked downwards and saw the whole of your husband, his warm, pulsating length resting upon your thigh. The head of his cock weeping a clear liquid. “W… will it fit?” You say in disbelief, never having thought that something so phallic could be so… large and appealing. “Of course, you were made for me, my flower.” Aemond lowly said and kissed your lips as he aligned himself with your cunt. 

You dug your nails onto his shoulders as he slowly tore his way through you. Him hushing your cries of pain and kissing away your tears. “It hurts— Aemond, I… it’s too much,” You cried, your legs wrapping around his waist. Aemond reached downwards and drew circles upon your cunt to aid your pain. You waited for the pain to bleed into pleasure. Aemond tightly shit his eye as he felt the tip of his cock brush against a rough spot in your cunt, him fully sheathed inside you. He made cautious thrusts, watching as you would acclimatize to his length, and when he saw your eyes roll back, that was his sign to fasten his pace. 

Aemond’s found your lips once more, muffling your moans and whimpers as his cock was relentlessly hitting the spongy spot in your cunt that made your core come undone over and over again. You were on the verge of your fourth climax, each of them coming quickly after the other, and your thighs started to shiver at the pleasure that had enveloped you fully. “Aemond… It’s too much. I— husband, I cannot,” You cried as you felt a different sensation, an odd pressure in your core unalike the other times you came. Aemond clenched his jaw as his cock twitched inside your cunt, “Just… come for me one more time, my flower,” He gritted as he wanted to coax another peak from you. 

Aemond laid his thumb flat against your nubbin and rubbed circles once more, your voice already hoarse from your loud moans. “Oh… Aemond!” You cried as the quivering of your thighs grew, and you felt the pressure in your core come undone; a differing climax from the first three overcame you. Aemond groaned loudly and tilted his head back as he spilled his seed deep in your cunt. You breathed heavily as you tried to comprehend what had happened, wetness pooling between your thighs, and an embarrassed blush spread through your cheeks and neck. 

Aemond smirked and shook his head, trying to soothe the mortification in your eyes. “I knew you were capable of it,” He hummed and kissed your lips. He knew it was perhaps too much to test your limits in your first night together, but he could not help himself; he needed to have you in such a way. “My perfect wife,” he hummed against your skin, and your reply came through your tired smile. 

[kathaynesart]

The eye of the hurricane. I like to think Cassandra sometimes called the brothers by the nicknames their dad used, given they were probably pretty close before his passing.

BEGINNING || PREVIOUS || NEXT MASTER POST

Man oh man, this one was way messier and off model than my last few updates but whatever, we got to keep this ball rolling! Life's been crazy so I've had to take some unwanted breaks in between updates. Thanks everyone for your patience as always!

One thing I wanted in this flashback was to really get a sense of how the brothers worked as an experienced team with Leo at the helm as a proper leader. It's something we never got to see much of in Rise and I felt it was important to include since half the team is already gone by the time of Replica. Team Dynamics Ted Talk under the cut!

We know from Casey Jr that Leo stressed the importance of listening to your team. A big part of that also means knowing how to communicate with them in general.

With Michelangelo, he keeps it short and succinct, trusting his brother to know what he's doing when in his element. This trust goes a long way with Mikey, having spent years of his youth as the baby striving for the respect he felt he deserved. Leo knows it's best to not bog Mikey down with details, allowing him to improvise as needed. This unspoken freedom has only grown over time as Mikey has dipped deeper into spiritual arts that, frankly, go completely over Leo's head.

The greatest sacrifice Leo has ever made was read Donnie's Big Book of Bad Guy Codes. While he doesn't remember ALL the numbers, he has memorized the ones that matter and it has helped tremendously in avoiding miscommunication with his genius brother. More importantly it silenced any of Donnie's usual belly-aching. As Leo's "twin"/"equal" the two still butt heads from time to time. Donnie respects his brother's authority (mostly) but will still push the boundaries of what he's allowed on a semi-regular basis. Give Donnie an inch and he will take the mile and then find a loop hole that allows him to go twenty miles more. This is partially due to him often being the one left behind at HQ, making the turtle just a TAD stir crazy. Leo does his best to keep him in line regardless.

Big brother Raph will forever and always be big brother to Leo. As such he holds a place of authority in Leo's heart and is someone he still regularly seeks counsel from in both the ways of leadership and more. Raph is always happy to support his younger brother and does a surprisingly good job (albeit after years of practice) of walking the line so as not to step on his brother's toes in the process. At least not since the secret of "the Key" blew up in their faces several years ago. They don't talk about that anymore. Leo is the leader now and he's done a great job in recent years as far as Raph is concerned. He trusts him to make the right call. The two have a close bond and regularly use mind meld to quickly communicate rather than speak ...this will be important to remember for the future.

Hope that overall feeling came through for this group!

[niteshade925]

Saw these tags in a reblog of my Chinese museum posts, and thought I have to make a response just so everyone is clear on how archaeological studies are carried out in China:

^Well, the Shaanxi Archaeology Museum is a Chinese museum displaying artifacts found in China, it's not the British Museum lol.

But anyway just so everyone knows, modern Chinese archaeology has a rule, which is that unless it's absolutely necessary, an ancient tomb/mausoleum should not be disturbed. This means that many of these artifacts in the museums are found in a few main ways:

Tombs that absolutely had to be excavated because there were clear signs of grave robbing present, for example when tunnels left by grave robbers were found near a known tomb. This is called "excavating to rescue" (抢救性发掘), it's done by teams of archaeologists, the artifacts found will then be studied and eventually find a home in museums in China. In comparison, actual grave robbers would steal artifacts and sell them for money; many stolen artifacts would end up in auctions, mostly outside of mainland China. This is why there is no "general positive sense" in the phrase "grave robbing with grant money" when it comes to archaeology in China. Modern Chinese archaeology and grave robbing are simply not comparable in any way whatsoever.

Tombs that absolutely had to be excavated because new infrastructure will be built in that location. Such exacavations are also included in excavating to rescue. Examples include tombs in Xi'an city that had to be excavated because a metro was being built. Since Chinese people and Chinese culture are native to China, there are no ethical problems whatsoever, this simply a question of what matters more, the welfare of living Chinese people or the abstract afterlives of ancient Chinese people. Obviously, the welfare of living Chinese people is a more important matter. As for the argument of "but this goes against traditional culture", first, a culture is only alive if the people of that culture is alive and doing well, otherwise that culture is as good as dead; second, a major part of traditional Chinese culture IS focused on the welfare of descendants (ex: the belief that the spirits of ancestors will protect their descendants), so I'm sure our ancestors would be proud to see us doing well.

Tombs that were excavated because archaeologists were absolutely sure that artifacts discovered within would make major contributions to the study of Chinese history. This is pretty much the only exception to the rule of "excavating to rescue", and it is very rarely allowed. An example is the Xia-Shang-Zhou Chronology Project (夏商周断代工程), where the main focus is to gain a clearer picture of the timeline of ancient Chinese history, when dynasties began/ended, when major events may have happened, etc.

Artifacts that were found when arresting grave robbers. These are called "recovered artifacts" (追回文物).

Artifacts that returned to China from foreign countries, these are called "returned artifacts" (回归文物). A big portion of these artifacts ended up in foreign countries precisely because of grave robbers, and another big portion were and are still lost for the same reason as why the British Museum has so many artifacts from around the world.

Artifacts that were discovered scattered throughout China. There are three facts to consider here: 1) China has a long history and as a result, there are vast amounts of existing artifacts; 2) tombs are material things and thus are subject to the elements; 3) not everyone is an archaeologist. Combine these, and you have situations were valuable artifacts were found in places like the chicken coop of a farmer (this is how the eagle-shaped pottery ding was found).

Donations. Some artifacts were family heirlooms that were donated to museums.

[gay-dorito-dust]

I'm here with a Wuthering Waves request.

Could I request Jiyan with a s/o who likes talking about how pretty and handsome he is?

‘Look at you,’ you said softly as you held his face within your hands, fingertips caressing his skin as though it was made out of porcelain, while your gaze was transfixed on the many shades that made up his gorgeous eyes that always seemed to be set in a glare or deep thought. ‘Beautiful.’

Jiyan thought that after a while he would’ve gotten use to your honeyed words of sincerity and soft touches, however the general has found himself melting under your adoring gaze more times then he’d like to admit. With him being General it didn’t leave much room for you two to spend much time together, so when you do spend some time together Jiyan tries his hardest to make every second count as reconciliation for how often he’s away performing his duties.

You on the other hand didn’t mind it, sure it got lonely now and then but you’d always remind yourself that when your beloved general does come home from the battlefield, you got the opportunity to show just how much you appreciated him. You knew what you were getting into when you accepted his affections and became his partner, and as his partner it was your duty to take his mind off of his duties and bring about a sense of normality to his life.

‘Is there a reason you’re complimenting me?’ Jiyan asked, righting his hardest to not close his eyes upon feeling your fingertips caress his jaw in a way made every thought escape his head until all he could think of was how careful you were being with him.

‘I’m merely telling the truth my dear general, you are indeed a handsome man to gaze upon.’ You replied smiling warmly at him.

‘Is that why I always catch you looking at me as often as you do when I’m training?’ Jiyan raises his brow knowingly as you could only feel your cheeks flush at being caught but your couldn’t help it, you loved seeing your partner train as you got to watch him in his element and fall even more in love with him then you already had.

‘Guilty as charged,’ you chuckled as you pressed a kiss to his nose, ‘though I will not be made ashamed in watching my beloved general look ethereal and heavenly even when he’s working up a sweat.’ You added shamelessly.

Jiyan tightened his hold on your waist and pulled you in close. ‘You truly are a troublesome one aren’t you my love.’

‘Am I worth the trouble General?’ You asked him, looking deeply into those captivating eyes that you longed to look into their seemingly endless depths of pure gold forever.

‘You are indeed worth it and much more, it is I that should be asking you that question.’ Jiyan said as he recalled the important dates that he had missed due to his duties as general, he knew you didn’t resent him one bit for it, but that didn’t mean he himself had forgiven for missing out on the most important days of your life together.

You furrowed your brows as you saw a look of guilt and remorse cast over his face and you immeditly moved into action by planting kisses all over his face as you whispered sweet nothings to him. ‘You are anything but trouble my sweet, handsome Jiyan. The man with the prettiest golden eyes and the most beautiful blue hair that consumes my every waking thought to the point it maddens me.’ You pull away just to rest your forehead against his.

‘You may hold resentment towards yourself but I don’t, I miss you it’s true but my love for you is unending, I love you when you’re with me and I love you when you’re away fighting to protect our home. You are the most beautiful man I have ever laid eyes upon and I will say that until I have lost my voice completely.’ You steal a kiss from his lips. ‘You are worth every bit of me even if you may not think so but you are and I will spend the rest of my life proving that to you because if I don’t, then may my heart be forever incomplete without you. So please don’t doubt yourself because I don’t doubt who my heart chooses to love wholeheartedly.’ You finished.

Jiyan only pulled you in tightly against his chest as he burrowed his head into your shoulder to hide away his burning cheeks, the words he wanted to say had died upon his tongue when you bore your heart out to him, his eyes sealed shut as he took you in your entirety and engraved it to his memory for when he had to leave once more for the battlefield; hoping that your scent would cling to him so that he’d have something of you to keep him going when stuck in the front lines.

He just wanted to have some aspect of you with him as his own personal morale boost when he was feeling at a loss, but wouldn’t allow for the soldiers to see that side of him, for if the general is shown at a loss, then the soldiers are quick to loose hope, he has to be strong for them like a good general should from his troupes and be a human second. ‘My heart has always belonged to you my dear,’ he began, ‘I didn’t see it fit that I’d receive your honeyed words due to my frequent absences, but with your unconditional love i am sure to see myself the way you see me one day; if you’ll continue to help me.’ He finishes, tightening his hold on you.

You smiled brightly as you stole kiss from his lips. ‘Forever and always my pretty General.’

[chansaw]

i read donald sutherland’s letter to gary ross pleading for the role of president snow and was so struck by his eloquence, wit, and humor. i’m posting it in full below. what a loss </3

Dear Gary Ross:

Power. That's what this is about? Yes? Power and the forces that are manipulated by the powerful men and bureaucracies trying to maintain control and possession of that power?

Power perpetrates war and oppression to maintain itself until it finally topples over with the bureaucratic weight of itself and sinks into the pages of history (except in Texas), leaving lessons that need to be learned unlearned.

Power corrupts, and, in many cases, absolute power makes you really horny. Clinton, Chirac, Mao, Mitterrand.

Not so, I think, with Coriolanus Snow. His obsession, his passion, is his rose garden. There's a rose named Sterling Silver that's lilac in colour with the most extraordinarily powerful fragrance — incredibly beautiful — I loved it in the seventies when it first appeared. They've made a lot of offshoots of it since then.

I didn't want to write to you until I'd read the trilogy and now I have so: roses are of great importance. And Coriolanus's eyes. And his smile. Those three elements are vibrant and vital in Snow. Everything else is, by and large, perfectly still and ruthlessly contained. What delight she [Katniss] gives him. He knows her so perfectly. Nothing, absolutely nothing, surprises him. He sees and understands everything. He was, quite probably, a brilliant man who's succumbed to the siren song of power.

How will you dramatize the interior narrative running in Katniss's head that describes and consistently updates her relationship with the President who is ubiquitous in her mind? With omniscient calm he knows her perfectly. She knows he does and she knows that he will go to any necessary end to maintain his power because she knows that he believes that she's a real threat to his fragile hold on his control of that power. She's more dangerous than Joan of Arc.

Her interior dialogue/monologue defines Snow. It's that old theatrical turnip: you can't 'play' a king, you need everybody else on stage saying to each other, and therefore to the audience, stuff like "There goes the King, isn't he a piece of work, how evil, how lovely, how benevolent, how cruel, how brilliant he is!" The idea of him, the definition of him, the audience's perception of him, is primarily instilled by the observations of others and once that idea is set, the audience's view of the character is pretty much unyielding. And in Snow's case, that definition, of course, comes from Katniss.

Evil looks like our understanding of the history of the men we're looking at. It's not what we see: it's what we've been led to believe. Simple as that. Look at the face of Ted Bundy before you knew what he did and after you knew.

Snow doesn't look evil to the people in Panem's Capitol. Bundy didn't look evil to those girls. My wife and I were driving through Colorado when he escaped from jail there. The car radio's warning was constant. 'Don't pick up any young men. The escapee looks like the nicest young man imaginable'. Snow's evil shows up in the form of the complacently confident threat that's ever-present in his eyes. His resolute stillness. Have you seen a film I did years ago? 'The Eye of the Needle'. That fellow had some of what I'm looking for.

The woman who lived up the street from us in Brentwood came over to ask my wife a question when my wife was dropping the kids off at school. This woman and her husband had seen that movie the night before and what she wanted to know was how my wife could live with anyone who could play such an evil man. It made for an amusing dinner or two but part of my wife's still wondering.

I'd love to speak with you whenever you have a chance so I can be on the same page with you.

They all end up the same way. Welcome to Florida, have a nice day!

sourced from this article

[jarofstyles]

Cabernet

This can be read as a standalone I think, but! Here is a second part of Merlot! It's spicy and sweet so I hope you guys like it. Unsure if there will be any more parts (I’m open if you guys have more ideas!) but I do love a good dilfrry.

Check out our Patreon for early access and 200+ exclusive writings!

WC- 4.1k

Warnings- smut, age gap relationship, anal (for those who asked ur welcome!), unprotected sex, cumplay, Dom/sub elements

-------

Harry was by far the best man she had ever dated. 

Their age gap was evident at times, but not in a bad way. It was rather cute when he had been confused about videos she sent or his own excitement to show her the movies or books he was referencing. The added element of their dynamic was learning from one another. Harry had been teaching her about publishing and helping her flesh out the first draft of her book while she sat in his office some days, helping him out in return by getting him coffee or lunch or an occasional shoulder massage when he got particularly stressed. An unofficial assistant of sorts. 

“I feel like if I have to write the word ‘said’ one more time, my brain is going to explode.” She grumbled, pushing her laptop across the couch and leaning back on it. The leather seat in his office was by far the most comfortable one she had sat on and he happily invited her to come into the office to see him as often as she wanted. It was both practical and selfish on both ends.It was easier to work in a space like this and with the understanding that Harry really did have work he was doing, she focused on her own stuff. A quiet pair of people working in each other’s company. 

Add in the fact that he was the boss man, it made it much easier for her to come and go as she pleased. 

“Mm, sometimes authors get stuck with words in their novels. They’ll have phrases they repeat a few too many times, usually gets called out in editing and fixed. It’s not a bad thing. But with words that are action words like that, there are options. Y’know, depending on the scene and tone. Murmured, muttered, peeped, whispered, whined, moaned, huffed, grumbled. Those sorts of words.” He tapped his pen against the desk as he lifted his eyes to her. 

It didn’t get old. Seeing her pretty face sitting in his office looking the way she did, much more comfortable than the night they’d first met, but still appropriate for an office setting.

Sometimes he did let his mind wander into the roleplay aspect, wondering if she had been his real assistant if he would have made a move. If Y/N was the Y/N he knew now? Probably. Scandalous. 

Today she wore a pair of black flowy pants and a matching turtleneck, but on top she had a chunky knit cardigan that was utterly adorable. It had yellow moons and stars, a deep purple color with sleeves she had to push up so they didn’t hide her hands. His girl leaned into the office aesthetic when she came in so she didn’t stick out too much but with him or when they were at his place or out together, he loved seeing her dressed in her normal clothing. She looked soft, whimsical almost. Like a little fairy. 

“Hm. Good point. I need to write down all the synonyms in my notes app and defer to that because if I’m getting tired of writing it, I know whoever ends up reading it will get tired of seeing it too.” Her lips puffed to blow a strand of hair that had fallen from her bun, brows furrowed as she failed and made her hand ready up to tuck it behind her ear instead. 

Again, cute.

“Not necessarily.” He replied, leaning back in his chair. “We’re our own harshest critics. I doubt they’re paying that much attention to that. The majority of people will be paying attention to world building, character development, plot, sex scenes, all that fun stuff. The exact wording isn’t always the most important thing. But it shows that you care about quality.” He shot her a grin. “So you will be successful.”

“Mmm… and not because I’m fucking the publishing head?” She grinned as she stood up, stretching her arms out. 

“Well. That helps.” He wouldn’t deny it. She had a leg up, but he wouldn’t publish just anything. “If it makes you feel better, I don’t publish shit work. It isn’t worth the reputation of my company. Your writing is genuinely good, my sweet.” He knew the drill by now. Her heeled boots were kicked off by the couch and she made her way over to him, the tiredness starting to hit her as she happily perched herself on his lap. 

“Good to know.” She snorted before pressing a kiss to his scruffy cheek. The facial hair had grown but he was shaping it currently. She promised she’d be okay with whatever he did to it but didn’t want anything to happen to the mustache. That wasn’t allowed to go. “What are you working on? Anything fun?” 

“No, nothing incredibly interesting I’m afraid.” His hand squeezed her hip underneath the cardigan. “I was working on some contracts earlier but every so often I pick up some submissions and read through them myself. This one is very bland, unfortunately. There’s potential, absolutely. Their writing style is lovely, but the plot falls flat and the characters are one dimensional. S’like they chose a specific stereotype and did nothing to differentiate them.” It was unfortunate.” It was a shame he came across all too often.

“It’s obvious this person is trying but they’ve never observed or met someone with these traits. I don’t think you absolutely have to follow the rule ‘write what you know’, but I think a lot of the best works come from drawing from our own experiences. Romance, for them, doesn’t seem to be a passion. They’d do better with mystery with their writing style as it is, but they have to improve on other aspects first.” 

“Is it hard for you to see stuff like that?” She asked curiously, fiddling with the collar of his shirt. “I can tell you’re a little disappointed with it, so I have to wonder if it happens a lot.”

“It does. And it is hard when you see someone with potential not living up to it but I have faith that if we send them some constructive criticism notes that maybe they won’t see it as an attack but as a place of genuine care. I’m going to have someone meet with them I think, give them my notes and have them explain it in nicer terms than the plain ones I used. Maybe they can work on it again and add more and we’d have a best seller.” He shrugged his shoulders. “I can see they care about it in the way they put details in, but it needs more.”

There was something incredibly attractive about listening to him talk about it. It was always attractive to see someone care and talk about their passions; but Harry was on another level. She could see it on his face that he was disappointed and knew the person could do better. While it made it all the more nerve wracking for her own novel, she had him working with her along the way.

He never told her where to go with her story in terms of ideas, but how to improve the mechanics. Reading over bits and telling her to take away a certain detail and add more in other places, or giving suggestions about how things could flow smoother. He’d listened to her storyboard, after showing her the author equivalent of it, and gave his honest feedback from a publisher's point of view and then from a boyfriend’s point of view.

Sometimes it was more obvious that he was the one with miles more life experience in these instances but she couldn’t be upset about it when it only aided in strengthening their relationship. 

“I see.” She looked at the manuscript on the desk with the red pen of doom. “Oof. The red pen is out… and you’ve used it a lot.” 

“Well, there are errors.” He chuffed, kissing her cheek in return. “Did you get enough done?” The word count goal had been 3,000 for today, but he didn’t make it for her. It was all on her. He simply helped keep her accountable.

“I did more. I think… 4.5?” She tilted her head trying to remember. “Now my head feels like soup.” It did feel like mush right now. That was why the laptop was closed and abandoned and she was finding comfort in the man. It was like a reward. 

“That’s ace, my dove. Amazing.” He praised. The pride he felt for her was earned fair and square. She had been applying herself more now than ever. Since their first night together they hadn’t really separated, seeing each other at least a few times a week. Her work ethic was there as she had zeroed in on what she wanted. “Why don’t we finish this up and go back to mine, mm?” 

Harry had been holding off all week. He’d gone a bit rough one night and even though she said she was fine, he wanted to give her body time to relax. As much as he loved sex, he had wanted her body to enjoy it more than anything else. Not be overly swollen and sore the next day. 

Today was going to be the day to break that. A full week of nothing but heated kisses, and she was as needy as needy could get. He felt her perk up at the mention, sitting up straighter in his lap. 

“Please! Let’s go. We can get food on the way home but I think we have some pressing matters to attend to.” She sniffed, standing from him and offering a hand to help him up. “Chop chop. Get a move on, mister.”

——-

Two rounds in and he knew she could take it. Her poor cunt was a mess and he knew that as pretty as it was all drippy and swollen, she had been aching for him to get a try into her other hole. They’d had a proper discussion about it, and he had effectively been edging her the entire night. Fair? No, but she knew how he rolled. The promised pleasure first, experiments after. Just in case she wanted to stop, she got something out of the night. 

She’d been warming his cock for a bit as he held her in his arms, cooing soft praises about how good of a girl she was, how brave she had been to ask for something new tonight when he felt her get impatient. She didn’t need to say it. He knew her well enough now to understand what she wanted. Pulling his cock out and rubbing the tip against her asshole, pressing against it and spreading the sticky cum over the rim.  “Want me t’fuck this tight little ass too?  Fill you from both ends."

“Wanna try.” She nodded, panting as her cunt contracted and his cum dribbled out of her pussy. “You’re so big I… I dunno if I can take it. Go slow.” Y/N knew she was slightly cock drunk but she also trusted him. He’d made her feel good already, took his time with everything else why wouldn’t she want to test this with him?

“Okay, my sweet. Just relax.” Harry wasn’t nervous, but he was cautious. His girl was precious cargo, and he wanted to make sure it felt as good as it could. He’d done the work of stretching her with his fingers, but it was going to be a challenge to get him in there regardless. He slowly pushed his thick head past the tight rim of her back hole. Watching her face intently, his own contorted with pleasure. "You're doing so good, doll," he encouraged softly. "Just relax and let me in. You can take it."

The pressure was intense, and she hissed out a breath as he slowly pushed more and more of himself into her. His thick head stretched her wide, and he paused, letting her adjust to the new sensation. "Breathe." The reminder was whispered as he realized she was holding her breath, his hand carding through her hair tenderly.

"That's it, baby. You're taking it so well. Always do so good f’me." He praised, his voice low and soothing. He slowly pushed more of himself into her, inch by inch, his thick prick spreading her wide. She could feel every vein, every ridge, as he slowly filled her up.

As he slid deeper, Harry could feel the intense pressure and stretch around his girth. Her tight little hole was gripped tightly around his shaft, the muscles fluttering and contracting as he pushed his way inside. She felt like she was being split in two, her body struggling to accommodate his bigger size- but she was. Slowly but surely, he sunk into her fully.

She had done it. 

“Fuck.” She sobbed out, clinging to him as he got down to the base. Never in her life had she felt so full that way, so stretched. Only Harry could make her feel this way. It wasn’t just the physical feeling, but the emotional one too. She trusted him more than she trusted anyone else. His guidance was priceless.

"You're doing so good, You’ve got it all in. Jus’ gotta let it adjust." he soothed, his voice strained as he fought to keep control. Giving her a moment to adjust, his hands stroking her hair and her cheeks, his thumb brushing away her tears. "You feel so hot around me, doll. So tight. Knew y’would be."

“I wanna be… I want you to feel good.” She whispered, looking at him with wet eyes. “It’s just so big. I’m tryin’ to take it.” It surely wasn't a beginner cock but she wasn’t known for taking the easy way.

"You're doing so well, baby," he reassured her, his hands never leaving her. He slowly pulled out halfway before sinking in again, a little faster this time. "That's it... take me all the way in."

It was the fourth time he did it that she felt the pleasure. Both from the action and the thatch of hair at the base of his cock rubbing against her swollen clit, making her gasp. Her eyes fell shut as she leaned her head back, slowly relaxing into the bed.

He watched her face contorted in pleasure, his heart swelling with pride. "Look at me," he commanded, his voice rough. As she opened her eyes, he began to pick up the pace, his hips pressing against hers. "M’so proud of you. Look at you, taking every bit of me.”

Y/N sent him a blissed out smile as her hand slipped between them, rubbing her own clit slowly as he fucked into her ass. There was nothing rushed about it, nothing frantic, and it felt good just to be. Her muscles relaxed, making it feel even better as his cock filled her hole. Soft moans left her mouth as she curled her other hand around the back of his neck, pulling him down so he was close. “Are they the best holes you’ve had?”

Harry’s face was lax in his own pleasure as he felt her tight ass clench around his cock. “Fuck, baby,” he groaned, his breath hot against her lips. “They are. So fucking tight, so perfect. Can’t compare them t’anything else.” He kept up his steady rhythm, loving how her body moved with his. “You feel so good. Can never get enough of you.” He whispered, brushing a stray hair out of her face before stroking her puffy lip. They were so pretty. Kissing wasn’t something he’d thought much of before, but he hadn’t kissed Y/N. She had changed everything for him. 

“Better than that silly ex wife?” She prodded, watching with a little smirk as she watched him think it over. Y/N had a feeling she was by the way be was acting,  but she wanted to hear it.

"Way better." he grunted, his hips snapping forward. "Little minx, y’just need to ask that, hm? No need to be jealous. She never gets t’have me again. Only y-you." He stuttered as her hand moved around his neck and she squeezed down hard on him. "Her holes were nothing compared to yours, doll. Nothing."

Y/N giggled as she choked him a little bit, watching his eyes widen before pulling. It was obvious that while he was the big man in charge- she could have fun too. “That’s what I like to hear. I’ll tell you a secret, Harry.” Her lips brushed his as she kept the grip on his throat. Her lips were swollen and sensitive, the coarse facial hair brushing it and making her want to moan. “None of the boys my age have ever made me cum. They never fucked my ass. Never fucked me raw. And you did it all.”

"And I'm gonna keep doing it," he rumbled, eyes burning with lust as she kissed him. His hand tightened in her hair, tugging gently and pulling her deeper into the kiss. “You’ve got a man now, no need to think of those boys.You want me t’keep being nice to you? Keep making you cum?”

“If you keep fucking me like this, I do. Want my man to be so, so nice to me.” She gasped as he pushed all the way in, balls rested snug against her ass as he slowly humped into her, the comfort of the fullness making her fingers work harder on her clit. “Gotta- Gotta prove you can keep up with me, old man. That you c-can live up to the hype. I like the bit of silver at your temples but…” Her moan was broken as he pulled out and pushed back in, jostling her. “Gotta prove why older guys are b-better for pretty little things like me.”

"Oh, I'll prove it to you," he growled, picking up pace as he pounded into her tight ass. She had no idea just how badly he’d needed her to walk into his life. Thank god she had. This was everything he had ever wanted. "And right now, you need me to wreck this little hole until you can't walk straight. You need me to show you how a real man handles his woman. I'll give you everything you crave, everything you need. You just have to let go and trust me.” The man had every intention of proving how much better he could be for her than she could ever imagine.

"Fuck, look at this cunt." He muttered, reaching down to spread her dripping pussy apart. "It's absolutely soaked, just dripping down. Love it, hm?” The smugness in his tone would usually make her scowl but there was no denying it. The proof was right there. It was undeniable. “You're so turned on, baby. It's making it easier for me to fuck this tight little ass of yours." The glossy, hard flesh glistened with slick, dripping down onto the bed beneath her. His own cum intermingled with her own, making his movements smoother as he pushed in and out of her, coating her holes with their combined essence.

Her face was a mask of pure ecstasy, her eyes rolled back in her head as she whimpered in pleasure, her hands gripping the sheets beneath her. Her asshole clenching and unclenching around his thick cock with each thrust, trying to milk him for all he was worth. Her body was feeling tingly, her legs trembling as he fucking into her ass, the sound of her arousal and his hips hitting her skin filling the room. She was completely lost in the pleasure, her mind clouded by the overwhelming sensation of being thoroughly fucked.

As she reached the peak of her orgasm, he took over and began rubbing her clit with his own thumb, the sensation sending waves of pleasure cascading through her body. She cried out, her pussy gushing as she came harder than she would have imagined being fucked like this. She was so overwhelmed that she could only hold limply onto his arms as he continued to pound into her, his thick cock stretching her hole as it thrust through the waves of her intense orgasm.

His face contorted, vein bulging in his neck as he struggled to hold back. "You feel too good, baby. I can't... I can't hold back any longer." His heavy balls drew up close to his body, ready to unleash another load inside of her. The feeling of her taut muscles milking him, the way she clung to him with every fiber of her being, it was too much. He was sensitive himself, but he wanted to deliver everything she wanted.

"Please, Harry...Please,come inside me... I wanna feel you fill me up. Want it everywhere." She panted, her voice desperate with need. Half of the fun of sex was seeing him lose that control he so easily held in all other scenarios. She wanted to make him feel just as good as he made her feel. He deserved it.

His restraint shattered at her words.  "Fuck, you're gonna get what you asked for."

With a guttural groan, he buried his face in the crook of her neck and let go, his hot load pulsing into her hole in thick ropes. She felt each ribbon scalding her , marking her as his. "That's it, take it all... That’s m’girl.” He kept cumming, his cock twitching as he filled her. Ribbon after ribbon filled her up until she was overflowing with his load, almost overwhelmingly so. He finally slowed, his chest heaving, before gently pulling out of her ass, his cock glistening with the evidence of their fuck.

With a sense of possessive pride, he watched as his cum began to leak out of her stretched hole, dripping down her thighs. It was satisfying in the filthiest way. Primal and caveman in every sense of the word, he loved knowing that he had done it. He’d taken every one of her holes and made her his in the dirtiest type of way. He gently spread her cheeks apart, admiring the sight of his mark leaking from her. "Look at that... You're so full of me, S’that what you wanted?”

“Mhm.” She smiled, slightly drunk on the orgasm and the fact that he had pushed her further than anyone else had before. it was a good feeling in her body, the beginnings of soreness and the calming heat of his hands as he caressed her the way he wanted. “Exactly what I wanted. Think M’gonna have to keep you around so we can do that again.”

“I’d hope so.” He laughed tiredly, pushing back down to take her mouth for another kiss. “I’m far from finished with you, sweet little thing. But I think I’ve ravaged your body enough. Think you need a bath and some tea, get you ready to sleep.” 

Aftercare wasn’t something she’d experienced in any other relationship either, but she realized now it was probably a Harry exclusive thing. He was phenomenal at it. A lot of things, honestly. He experimented with her responsibly, took care of her after every round of sex, checked in on her, made sure she was eating proper meals, and helped her with her career. She’d lucked out with him. Whatever his ex wife was thinking, she had no clue- but she wasn’t about to waste a single bit of him.

“Do you have chamomile?” She asked softly, pecking his lips in return. 

“What do you take me for? Course I’ve got it.” He scoffed, pinching her chin. “But if I didn’t, I’d find some for you. Know it’s your favorite. Added it to the grocery list, along with your cereal, your rancid battery acid energy drinks, and the sweet and salty popcorn.” 

“It’s good battery acid, I’ll have you know.” She giggled, carding her fingers through his hair. He did have a bit of gray going on the temples but it was sexy. Just hearing how much he cared and put effort into the tiny things made her giddy. 

“Yeah, yeah. We can talk about your poison in the morning. It’s time to get clean and go t’sleep. Tomorrow may be the day you write five thousand words. You never know.”

[venus-haze]

Power Play (Soldier Boy x Reader)

Summary: So, you lost focus and had a consensual workplace relationship. It happens all the time. Maybe not quite like this.

Note: Female reader, but no other descriptors are used. Crazy ass 80s Vought debauchery. I might be a little rusty, but it was fun getting back into writing readerfics after two months🖤 Do not interact if you’re under 18, terf or radfem, or post thinspo/ED content.

Word count: 1.5k

Warnings: Power imbalance, cheating (Soldier Boy’s with Crimson Countess). Mentions of drug use. Soldier Boy is his own warning. Sexually explicit content involving elements of forced intox, semi-public sex, breeding kink.

You were dizzy. With Vought’s investor gala rapidly approaching, you spent the better part of your day camped out in your office, flipping back and forth through your rolodex to call and confirm catering, entertainment—you still couldn’t believe the board of directors actually approved Duran Duran’s booking fee—and transportation, off the top of your head. You already told Stan Edgar you were taking the following week off, which he had no qualms about—so long as the gala went off without a hitch.

You nearly jumped out of your skin when you were interrupted by a knock at your office door, which you’d left open in an effort to be available in the lead up to the event.

“Don’t tell me Edgar’s got you working tonight,” Soldier Boy said, walking in when he saw he had your attention.

“The most important night of the year is less than a week away and I still have a to-do list as long as your dick, so, yeah.”

He huffed out a laugh. “Must be pretty busy then.”

“How about you? Where’s Countess?” you asked.

Soldier Boy probably would have sought you out even if Crimson Countess were around, but from what you’d been hearing through Vought’s extensive grapevine, they were in yet another rough patch. Though, it seemed to you like their relationship was one long, extremely rough patch with some calm once in a blue moon. You weren’t afraid to admit to yourself that you ate up the gossip of their relationship like candy, especially when the other members of Payback—including Countess herself—would rant to Edgar about it. Since your office was right next to his, and most supes had little to no sense of subtlety, you could hear just about everything.

“She’s at one of those wildlife charity things, pandas or some bullshit.” He rolled his eyes. “Bitched at me because I wouldn’t go. She won’t be back until Friday.”

“Soldier Boy, I can’t just—“

“Sure you can. I mean, I’m technically your boss too, aren’t I?” he asked. “So, I say there’s no harm in taking a ten, fifteen minute break. Relieve some stress.”

You sighed. It had been a while since you actually got up from your desk. “Alright. Fifteen minutes, tops.”

He grinned. “Now we’re talking. You keep that minibar stocked?”

“Pick your poison.”

“Whiskey?”

“Sure.”

At least, you were pretty sure. The minibar in your office served as a nice gesture for the variety of people who’d come into your office for meetings related to all of the aspects of event planning you were in charge of. Over the past few weeks, though, you’d been reaching for bottles of whatever you could find to relieve the stress. Powdered your nose every so often, but tried not to make that a habit—not that you blamed your coworkers who did. Working at Vought was brutal and demanding, but hell, who else got to work with superheroes? Especially handsome, smarmy assholes who knew just how to fuck the lingering thoughts of any deadline or event planning out of your mind if you played your cards right. 

He handed you a shot glass. “What should we toast to?”

“To taking next week off.”

“Yeah? What’ve you got planned?”

You threw back your shot. “Nothing.”

“That’s no fun. How does a few days in Miami sound?”

You nearly scoffed. Of course he could make something like that happen on such short notice. For forty years running he was America’s superhero and Vought’s cash cow. After a night of schmoozing at the investor gala, he could very well clear out his schedule and fuck off for a week of sun, sand, and sex, too.

“I might need some convincing.”

“Then make yourself comfortable,” he said, walking back to the minibar to pour another shot for each of you. Almost comical, he’d have to drink the whole bottle and then some to feel the same way you did after two shots.

You glanced at the open door. “Someone might see.”

“Are you gonna make me repeat myself?”

Sparing the door one more glance, you worked at unbuttoning your blouse, tossing it aside. You shimmied out of your skirt and let it fall to the floor. 

“Heels stay on,” he said, his back to you. “Everything else off. Everything.”

With a hesitant huff, you unhooked your bra and pulled off your panties, throwing them in his direction when he turned around with the shot glasses. You made yourself comfortable on top of your desk, pushing some of your belongings aside to accommodate you.

He whistled lowly as you quickly finished off the second shot he gave you. “Look at you sitting pretty for me.” His green eyes burned a hole through you, though your gaze was fixed on the prominent bulge in his pants. He brought his shot glass to your lips. “Drink up, sweetheart.”

And you did, forcing the alcohol down as your vision blurred with tears at the unrelenting burning in the back of your throat. Felt some whiskey dripping from the corners of your mouth when you drained the shot glass. He collected the excess from your lips with his thumb, sucking it clean as he kept his eyes locked with yours.

“See how much fun we have together?” he asked, leaning over you until you laid back on top of your desk. “Could do that all next week.”

He kissed you, hard and mean like you needed him to. Perfect teeth that caught your bottom lip between them for a moment before releasing. Whiskey on his tongue that went to your head even though you knew he could hardly feel it. Rough hands feeling up your breasts, giving your nipples a harsh tug that made you moan in his mouth.

“You’re soaked,” he said, his voice husky as he rubbed his fingers between your slick folds with tantalizingly slow strokes. “If you wanted it, all you had to do was ask.”

“Fuck,” you whispered.

“What was that?” 

You groaned in frustration. “Just fuck me already.”

“Don’t have to tell me twice.” 

His mouth was on yours again, nearly distracting you from the sound of a zipper, the your gut clenching in anticipation as he pulled his cock from his pants.

It’d been a while since you had to brace yourself to take him, but you were wet, and maybe a little more than tipsy, so your body gave little resistance when he slid his cock inside you. Though, if Soldier Boy were anything, it was a guy who took what he wanted anyway, giving you hardly a second to get used to the feeling of how his cock stretched your pussy before he was pounding into you with harsh, unforgiving thrusts that made you grip the edge of your desk. 

Sometimes you forgot how strong he was. Hell, so did he, and there was little else you could do but lay there and take what he gave you. In all honesty, it was nice letting someone else take charge after having to hold it together all day. Let him fuck the stress out of you and replace it with all the aches and bruises that came with having sex with the strongest man on earth. 

“Harder,” you forced out, pushing that damn rolodex onto the floor.

“I go any harder, I’m gonna break you in half, and I don’t wanna do that until I’ve got you locked away in a hotel room for a week.”

“What are you gonna do to me?”

“Whatever the fuck I want. Not like I don’t already.”

You moaned. “Soldier Boy—”

“I’m not pulling out, so you better be on the pill or say your damn prayers,” he growled, his hot breath kissing your skin. You were on the pill, but nevertheless your hips bucked at his words, pussy clenching around his cock. “Oh shit, you want that, don’t you?”

“Yes—oh my god!” you cried out, muscles cramping as your orgasm pulsed through you, pleasure stealing your breath, choking you gently enough to leave you dizzy. “Yesyesyes—fuck!” Your heart was beating so fast you thought it was going to explode in your chest, especially as he kept mercilessly pounding into you, chasing his own release. 

He soon came with a groan, his cock twitching inside you as he bottomed out, practically knocking the wind out of you with a particularly hard thrust. 

You felt empty and sticky when he pulled out, and you didn’t want to think about the poor soul who was gonna be cleaning the mess you and him left behind the following morning, because you sure as hell weren’t in any shape to clean up the cum that was leaking out of you and onto the floor.

You put your hands on your chest, trying to catch your breath as he stood over you. The guy hardly broke a sweat, and you felt like you just ran the New York City Marathon. Super stamina. God fucking bless America.

“Hey,” he said, waving his hand in front of your face. “You good?”

“Sure,” you managed to answer. “Except now I don’t know how I’m gonna walk out of here, let alone get home later.”

“The ride up to the 99th is quicker. And if you need more convincing about Miami—“

You pursed your lips, considering the work you still had left to do before you could reasonably call it a night. But you were tired, and admittedly drunk, and Soldier Boy was already hard again. “I might.”

[phyrestartr]

Divine Favour | Sukuna x Kitsune!Reader (Pt.1)

W/C: 3.5k #full is NSFW, mild yuuji/reader, yuuji and gang are v early 20s, heian sukuna, male reader, typical kitsune shapeshifting, mentions of abuse, canon typical violence, morally grey reader, sukuna has FEELINGS but is BAD AT FEELINGS, unhealthy relationships, power imbalance, dubcon elements, soz if anything is clunky asdkjf; i can only reread the same fic so many times for editing sadge

A/N: Decided to separate this into parts since I'm dying to post some of it lol I've held it in a chokehold in the shadows of my WIPs for too long, some of it has to come out before I explode o(--( there is more to come!

tag: @nyanwko @kamote-kuneho @better-imagination-9

The scripture was incomplete, worn away by age.

…herein lays the God...imprisoned...by...Disgraced One…

Yet the society felt this, the coffin uncovered decades ago, could be an invaluable asset. The vessel was decrepit and ancient, yet still stood strong against the test of time and the wear of nature. Seal papers, no doubt left by a monk of sorts, covered the entirety of its surface, hiding away rotting wood and rusted bands of metal from modern sorcerer's curious eyes.

Few knew why the higher ups kept the vessel under lock and key. Fewer knew why they kept it at all; however, those few understood the importance of such a relic. They'd been the ones to seek it out, to steal it away before malicious forces took it for themselves, warping the supposed deity inside for their own, malevolent purpose, whatever that may be.

And with Ryoumen Sukuna's fingers being found one by one, they could not allow anyone to possess humanity's failsafe: you. A great being imprisoned by the devil.

“Anything?” Gojo trilled, patting Yuuji’s shoulders frantically as he stood behind him and beheld the wooden tub covered in sigils. 

“Uh…” Yuuji tried to focus on Sukuna’s presence inside of him. He didn’t seem intrigued or frightened, nor did he seem too bothered with the idea of them trying to smite him down with a sealed god–he was, however, annoyed that Yuuji continued to poke and prod at him. 

Piss off, runt. 

“Yep. Nope. Sukuna doesn't care,” Yuuji sighed. “He's getting all pissy now that I'm bothering him, though.” 

Gojo laughed and patted Yuuji's shoulders a few more times before all but twirling towards the bound box. “Well, that's a pretty good sign that he's not the one that did this, then! In that case,” he started, walking up to the seal papers keeping everything locked down, “let's pop ‘er open.” 

Before Yuuji could even wonder if that was a good idea, the white-haired witch used an overzealous amount of cursed energy and disintegrated every scrap of seal paper. 

Yuuji braced for impact. Surely something terrible like a bankai or a spirit bomb would send them flying once the coffin came undone. Surely they'd pay for this, for unleashing whatever godly spirit laid locked up for far too long, only to release it back into the modern age and–

“Huh. Weird.”

Yuuji cracked open an eye and saw the dull shine of tattered onyx fur, and his control slipped with a blitz of vertigo. 

Markings flared across his skin as he stormed toward the coffin, heart howling with thoughts and memories crashing through a shared mind; a face he didn't know but knew so well bloomed at the forefront of it all, eyes framed in pointed scarlet, skin bathed in ancient, dappled sunlight.

They reached the edge of the coffin and gripped the edges, splintering the wood as they took in the sight; crimson and curse decay pooled around a figure, curled up and half-submerged. Several black, tattered tails spilled free from the tub, no longer crushed from the force of the lid sealing them inside, but they were bent awkwardly and matted with whatever tincture lay at the bottom.

Then there was the so-called god in the middle of it all–you. Still. Quiet. Curled up in a haori far too big for you. Eyes closed. Almost peaceful.

Confusion tore at Sukuna while nausea ripped through Yuuji; he couldn't bear to look at such a morose scene.

So, Sukuna pushed him aside.

[Heian Era]

You were never supposed to be anything more than a trinket. 

You were a gift from some family trying to show off for Sukuna, so much so that they offered him a delicacy, something he surely didn't have yet–a yokai. A kitsune, to be more exact. One with peculiar black tails. 

Sukuna found it interesting, and similarly desperate, to be brought such a creature as tribute. Certainly, it was meant to be seen as a high honour, yet somehow it felt…off. Why would humans give up something so powerful? 

Unexpectedly, it'd be you who told him. 

They submit me for the sake of convenience and mockery, your withering voice whispered where no one else could hear. You sounded weak. Tired. Maybe afraid, yet brave enough to reach towards the king and unveil the intentions of the men who brought you before him. 

Sukuna's eyes flicked to you, his feigned interest in what the sorcerers said falling straight into dismissal. You were much more intriguing. 

“Oh?” Sukuna asked, a smile creeping onto his face. The speakers ceased their jabbering and stared at your back with fierce intensity. Sukuna grinned wider. Oh, how he loved the way fear twisted mortal faces. 

You didn't shift or crumple into yourself under the eyes of so many, however. You pushed on with what little energy and life you had, so intent on dragging that clan through the mud. 

What I say is true, you assured simply. I expect to die today–

“Speak so everyone hears you, fox,” Sukuna commanded.

“--so I–I–” you coughed and cleared your throat, trying to rid your voice of the scratchy, weakness it struggled through. “I wish to not die with regrets.

"They have rendered me ill and unable to produce children, they see the black of my tails and regard me as an ill omen; yet they bring me to you, daring to spin sweet tales about the value of such an offering. But they lie,” You hissed. Your eyes glinted with molten malice, and Sukuna fell captivated.

“They throw me to you as they would diseased meat to dogs.” 

The courtyard fell silent, and Sukuna basked in it. You really were such a little troublemaker. A quietly chaotic force of nature. 

The king stood, rolling his shoulders as he did, and his pride flared as you dropped to your knees before him in respect. He walked to you and patted your head as one might a child's before appraising the sorcerers stood before him. 

“What a disappointment,” Sukuna sighed, raising another hand. The couple took up position, pooling their cursed energy in hopes of fending off the monster standing before them. The effort was quite cute. “Here I thought your clan might actually earn my mercy.” His hand dropped as the two lunged. Then, the two clansmen fell, too, both in neat, vertical halves. Quite overkill, yes, but he had a point to make. 

Where he expected a reaction from you, he got nothing. Only panting and poorly-stifled coughs came from you, racking through the entirety of your skin and bones frame. Sukuna could see it up close now, the way your body trembled from fatigue, the sickly greying of your skin, the scent of disease clinging to you. 

That wouldn't do. Sukuna liked his things to be in good shape. 

“Uraume,” Sukuna droned as he stared down at you, “fix this.”

It took some time, but you managed to recover. It was an unnerving experience, with the way Uraume tended to you with sincerity. Perhaps it was genuinity born from their devotion to Ryoumen Sukuna, but you greedily soaked it in, filling your stomach with the care they offered you. 

Sukuna didn't bother much with you, not that you really minded; you were much more content to be fed and forgotten than hunted down by the creature that supposedly took ownership of you without enforcing it. If he didn't cause harm or good, if he simply existed somewhere else and forgot you breathed the same air as him, you'd still be at peace. 

But he was more intrigued than you gave him credit for. 

“Ho? So this is where you scamper off to,” Sukuna hummed, leaning over you as you dozed in the nice little spot you'd made for yourself in the garden, right under the crimson cover of a maple tree. You jumped the slightest bit, your daydreams and sunbathing interrupted by the brute’s silhouette eclipsing the sun, but you settled again quickly. The beast of a man wasn't a cause for panic in your little world, after all. 

“Does it displease you?” You inquired, fixing your hair and straightening out your robes. 

Sukuna held onto an overhead branch of the tree as he looked down at you. “Pets are supposed to play in the yard, aren't they?” He smirked as you pursed your lips and flicked your tail before calming it with hasty pets. “What, you don't like being my pet?” 

“I would not refer to myself as a pet,” you countered as the man sat down with you and leaned against the tree. The king's presence calmed you. With him, you knew you were invincible. 

“Pft. Then pray tell what your damn role is around here.” One set of arms folded behind his head while the other set crossed over his chest. “Pets are freeloaders. Pretty sure that's exactly what you are.”

You huffed. “Freeloader. Tch. How rude.” 

“Lookit that. You're copping an attitude now that you're fat and fed. Used to be so much more polite.” 

“Fat and–I am not fat.” You headbutted his side lightly, something that would make more sense had you been in your fox form. You grinding your forehead against him suggested this was more of a human move, however. “I am perfectly normal now. I was brittle and nonexistent prior to now. This is a grand improvement.”

Sukuna scoffed a laugh and looked down at your head pressed up against his side. “Thanks to me,” he boasted. 

“Yes,” you agreed. You held onto his haori and looked up at him, placid and intense. “It is thanks to you. I would not be here if not for your mercy and intervention.” 

Sukuna raised a brow as he regarded you. “Hm. And what will you do to repay me?” 

“My very presence grants you luck, good fortune and fertility.” You tilted your head. “I already repay you by being here.”

Tch. But the gardens and surrounding lands did look more lush and lively since your arrival, he couldn't deny that fact. But he was a king; he could always ask for more and expect to get it. 

“What more?” He prodded.

Your tail flicked as you thought. “What would you ask of me?” 

“Something you haven't given another,” Sukuna replied. Ugh, your flowery, poetry-y, bullshit speak was rubbing off on him. 

You stared at him, gemstone eyes glinting with earthen hues and shards of gold in the yawning afternoon sun. The leaves bristled just perfectly, letting in dapples of citrus sunlight as if trying to make this moment something special, as if to burn your ethereal presence into history for all eternity. All this, just while you thought of what to give him. Perhaps a riddle is what you wanted. Perhaps purple prose suited your fancy. Perhaps it was something else. 

You sat up, carefully raising yourself onto your knees before leaning up towards the hulking king. He turned his face to you in interest, feeling a sort of natural energy begin to pool around the both of you, reaching from the far depths of the earth and the wide stretch of the sky to converge on your existence as you framed his face with gentle hands, and placed a chaste kiss on the corner of his mouth. 

It lasted only a second. But a second was long enough to catch the scent of petrichor and petals on your skin, to indulge in the heat of wildfires raging in your soul, to feel the blasphemy of you against him; then, you parted. 

“For now,” you murmured, and Sukuna swore he saw your single tail fan out into nine, “I give you my divine favor, Ryoumen Sukuna.”

You wondered if your favor was enough. He'd been gone some time, off to accept a duel from the snotty shitheads Sukuna had received you from. Apparently, having two of the eldest boys murdered rubbed them the wrong way. Sukuna was glad for it, you knew–the man lived and breathed for a fight. 

Of course, you stayed put. Uraume assured you'd be fine on your own, and Sukuna reminded his staff they'd all be eaten alive by the king himself if anything uncouth were to take place in his absence. It was more so that Sukuna didn't like the idea of idiots touching his stuff than it was the notion you were important to him, from your understanding. 

Regardless, the time alone left you restless. That king made you invincible. Without him, you were nothing more than the scared kit locked away in darkness, never to emerge lest your stubbornness trick them. But things were different here. Everyday was filled with unknowns and uncertainties when the two you'd forged fragile bonds with fell absent. 

So, you thought of how to repay Sukuna. Your divine favor would only do so much, after all–you didn't think a man like that really needed the extra luck, but he seemed more than intrigued by the manner of delivering the blessing; you remembered how he looked at you, eyes half-lidded, shielding you from the inferno burning out of control. He grumbled something low in his chest, just loud enough that you heard: 

You better be here when I get back.

“Ah–” The thrill those catastrophic words gave you nearly led to stabbing yourself with the needle. You tutted and regained focus, continuing to carefully embroider the sleeves of one of Sukuna's many plain black haori.

You learned how to sew and embroider from watching an elder from that clan work her magic on old, tattered clothes. She never spoke to you nor regarded you, but she never turned you away the rare times you watched her fix garments; you thought it was beautiful–the art of turning something mundane into something meaningful.

Though you wondered if Ryoumen Sukuna, the most powerful sorcerer, the most feared man alive, had a desire for anything useless and meaningful. 

The answer came quickly. You'd found yourself void of confidence when the monarch returned to his palace after (obviously) winning whatever duel he'd agreed to; you weren't sure if you were to congratulate him, celebrate him or something more. On top of that, he'd eventually find that haori you'd slaved over for days, and you weren't sure you could take the heartbreak of dismissal. 

However, those fears were quashed when, from a new little secret garden hovel, you spied the man donning the very haori you slaved over; it wasn't a flashy piece, you didn't want to subtract from the marvel that was the king of curses, so you opted for using black, shimmery thread to weave intricate twisting trees and blackened blooms along the sleeve. Only if the design caught the light would one be able to notice it. 

But that was enough for you. Knowing he accepted such a meaningless gift was reassuring of your place in his world. 

So, you finally let Uraume convince you to stay in the room they'd prepared for you. 

“No need to be nervous,” you hummed, that undying urge inside you to take care of something helping you soothe the young woman's nerves. You fixed her hair, your deft fingers carefully slipping strands into place before sliding a decorative pin in to hold it all together. You took a step back to appraise her, Sukuna's latest concubine. 

“I–thank you.” Sachiko blushed fiercely and bowed the slightest bit, not risking a deep bow for the fear of her hair falling loose. “I can see why all the girls love you.” 

You laughed, low and warm. “Well, it's hard not to love someone who takes care of you, no?” Gently, you tilted her chin up and leaned in, carefully examining the red lacquer staining her lips. The colour matched her kimono and the gems in that exquisite hairpin keeping dark locks at bay. “But I'm glad. I know it's difficult to find respite in these times.” 

Sachiko held her breath as she looked over the natural paint of crimson adorning your eyes. “I-I, um–yes, I do agree.” 

You hummed and carefully fixed the smallest smudge on the corner of her mouth. “Mh. So I hope you do your best to please him.” 

“I will!” Sachiko promised. “But–I wish to–may I give you something?” 

“Of course.” 

She gathered her kimono up in her hands and leaned up toward you. You leaned down, expecting a secret or hushed words, but perfect red lips pressed against your skin instead. And you were dumbfounded; you'd never been kissed before. You'd never had a lady show that interest in you. 

Sachiko got down from her tiptoes and hid her mouth with her sleeve. “Just for good luck!” She squeaked before bowing and hastily running through the doors where Sukuna would no doubt be waiting for his woman for the evening’s events. 

You looked at the doors sliding closed and caught a glimpse of Sukuna stood before the young woman, his frame swallowing hers as you looked on. And you caught a glimpse of his eyes, his stare of shock and utter vexation–clearly, he'd seen the short woman give you a kiss for good luck. 

You turned away, choosing to abandon the girl to her demise as your fingers ghosted against your lips in wonder. 

He showed up in your chambers later that night. You were still awake, quietly embroidering another haori; this time, it was for Uraume. They insisted they didn't want to burden you, but they crumbled under your more insistent insistence, and accepted the offer on the condition it looked subtle and muted. 

Sukuna padded toward you, hardly bothering to announce himself or ask to join you (ugh, how annoying) before plopping himself onto the futon beside you, sighing as he laid down. 

“I see you finished early,” you commented, jumping the littlest bit when large hands caught your flickering tails. He didn't hurt you, no; he was simply an overgrown toddler with a penchant for examining whatever wiggled before him. 

“That woman kissed you,” Sukuna answered, unhelpful. “Ruined it.” 

“Ah. Well. I didn't expect it either.” You cleared your throat, feeling an unexpected bubble of embarrassment rise in your chest. “I have…I've never been given a kiss before. Not from what I can recall, at the very least.” 

“The hell are you talking about?” Sukuna grouched. “You planted one on me in the gardens.” 

“Giving is not receiving,” you corrected, flicking your tail so as to hit his face. “I've never given a kiss on another's lips, regardless. Though I find myself wondering why I–” 

You yowled when he yanked your tail like he meant to rip the thing off, and you whirled on him, eyes drawn into slits and chunky fangs bared as you dug your nails into his wrist in an effort to make him let go.

Yet the king looked unfazed. He sat up and  tugged you closer by your tail, yank after yank, ripping an impressive collection of vexed noises from you until his broad hand caught you by the throat. You clawed at his wrist and forearm, scrambling to find purchase, idly wondering if he'd finally had enough of you and sought to put you down after dirtying one of his concubines–

But he kissed you instead. His lips were warm and dry, not quite soft yet not unwelcoming. Sukuna knew what he was doing, too; his tongue licked at your bottom lip before pushing inside to finally taste you and taint you from within just a little bit. 

Your grip on him laxed the slightest bit, and you even eased into his hold as he, too, refused to harm you further. If you weren't aware of his malevolent spirit, you might've thought him gentle in that long, simple moment–a special brand of “gentle” that was wholly Sukuna's. Kind, but jagged around the edges. 

He started pulling back, though, and you followed after his touch like a bewitched maiden chasing after the lips of a lover. You nipped at the air like that'd do something for you, but soon settled on leaning into the hand holding you still, even if your throat scratched and ached because of it. 

You found Sukuna's calm stare watching you when you opened your eyes a crack. For once, you thought he looked content; the cruel, mocking lines of his face had smoothed and relaxed, and that annoying, cocky smirk he'd been born sporting had been replaced with a placid, normal lilt. Even the inferno blazing in crimson depths eased into pools of yawning embers–warm and spirited, yet contained. 

The sight relaxed you despite the confusion it brought to your rationale. 

“That,” Sukuna said, so odd and quiet, but powerful and judicial. “Is your first.” His thumb stroked against the side of your neck, pausing to feel the pitter patter of your heart thrumming under his mercy. “It'd serve you to remember that.” 

You nodded shallowly. “Of course.” 

Pleased, he let go of your quite breakable neck and moved like he was about to get up. You grabbed at his hand and pressed his palm to the side of your face like he was cupping your cheek. Your insistence on touching gave the beast pause, but he settled again, content to let you keep him hostage for as long as you wanted.

And you indulged in the simple favour. You nuzzled into his palm with a very fox-like chitter as a bassy, quiet trill of a purr lazily rolled through your chest, eventually reaching Sukuna himself. It somehow had him feeling content. Relaxed. Like he was basking in the warmth of the sun. 

“I request another,” you chirped, and Sukuna quirked a brow. 

“Another?” 

“Kiss.” 

Sukuna twitched a smirk. “It'll cost ya.” 

“Oh?” 

“Give me another blessing.”

And you agreed.

[felassan]

Dragon Age Day 2024 – Developer Reddit AMA (Q&A session) – compilation post

Introduction: “Happy Dragon Age Day! John Epler and Corinne Busche are here to answer your questions for the next ~2 hours. Looking forward to chatting with everyone. We won't be able to get to all questions, but hoping to get to a good mix!”

I gathered the questions and answers from the AMA together in this post, as the AMA has now concluded. The rest of this post is under a cut due to spoilers and length.

Q: "If you could’ve developed DLC, what — and/or where — would you have wanted to explore? Would it have been a new locale with a complementary, self-contained story or something that adds to the main plot and teases the future?"

Corinne Busche: "On the gameplay side, I had a thought about adding a new class option, which is directly related to the environments and story. I've always wanted to revisit the Bard, and I've long felt in the context of Veilguard the best way to handle player-controlled blood magic would have been to build a unique 'Blood Mage' class for it."

Q: "Can we look forward to more lore-supplementary material, for example World of Thedas vol.3?"

John Epler: "With all of the lore reveals in DATV, another World of Thedas is something we'd absolutely love to do. That said, they're complex beasts and require a lot of work from a lot of people, so I can't really promise anything, but it's something we're interested in, at least."

Q: "1. How exactly did Solas's blood magic manipulation of Rook work? Did he only alter Rook's perception to make them think that Varric was still around, or did the blood magic actively prevent Rook from reacting to Varric in a way that would have given up the ruse to the other characters? 2. What is the state of Southern Thedas after the events of DAV?"

John: "Solas' magic caused Rook to see Varric when he wasn't there. Originally, of course, Solas wanted Varric to keep Rook more off-balance - but the thing about the Fade is that things don't always work the way you expect or want them to. As for the state of Southern Thedas - it's been pretty radically altered. The balance of power has shifted, but even those who rode out the storm of the Gods' blight better than others are still reluctant to start anything as the whole place is in rough shape."

Q: "When looking back on DAV, is there any part you wish that you could have spent more time on?"

John: "For me, it's about the Antaam and their split from the rest of the Qunari. There are elements of that story in both the Crows content and in Taash's personal quest, but in a dream world, having the Ben Hassrath as an additional faction (albeit, one you don't know if you can trust) would've been nice."

Corinne: "And for myself, I certainly share some of the desires the community has. Going deeper on romances, and more choices to import. I love our choices and consequences in the game already and maybe we could've added a few more on the scale of the Minrathous/Treviso choice, that significantly alter the remainder of the game. I think we learned how to make that work within our gameflow and content structure, so I look forward to being able to lean in on these beats more heavily. That said, no artist or creator is ever going to be completely content with their work, and even so when I take a step back and look at the game as a whole, I'm extremely proud of what were able to accomplish."

Q: "Can we get confirmation on what happened to the other Evanuris? Will we get any more lore? Shame we didn't hear a whole lot about them besides essentially being behind the previous Blights."

John: "We haven't been SUPER specific about this, but at best the other Evanuris are a shadow of their former selves, and at worst they're dead. The death of their Archdemons, particularly when they were still trapped in the Fade, caused enough magical feedback that it broke their minds and bodies. A couple may have survived as shells, but they aren't in the same state as Ghilan'nain and Elgar'nan."

Q: "Will we get at least anything post launch that via free updates that further expands some story elements? Will rook continue to be the main protagonist going further??"

Corinne: "We've been continuing to improve upon the game post-launch through various bug fixes, balance updates, and quality-of-life improvements. Notably new character creator options and armors for DA Day and N7 Day, and some cool features like Photo Mode filters. Beyond this focus however, we largely view this story as complete and are not planning for further story content. Whether Rook will return in the future, well it's just too early to say :)"

Q: "The marketing for the game claimed that choices not imported from prior games wouldn't be overridden. However, certain dialogue from characters like Harding seemed to establish certain canon events from previous games that were not locked in. Is the intention that a hard canon is being established from DATV forward?"

John: "Ultimately, there's still no intention for there to be a hard canon going forward. These games have been going on for 15 years, though, and with all of the previous games to remember, as well as developing this one, there are absolutely places where we unintentionally suggested there was a hard canon (the one I've seen specifically is that Isabela is always assumed to have joined Hawke's party). I'd say those are oversights and not part of a deliberate strategy. While there are definitely some smaller decisions we will likely never revisit, I want to keep those other choices alive and relevant in the future, and with the state of Thedas the way it is at the end of DATV, I don't really think there's a way forward that DOESN'T involve bringing some of those bigger choices back to the forefront."

Q: "Was there anything at risk of being cut from the game that you fought tooth and nail to keep in?"

Corinne: "Oh, absolutely. There are always those things in game dev that are at risk due to scope and deadlines. There were 3 big ones that immeadiately come to mind: The Transmog feature, the Lords of Fortune Hall of Valor, and Haunts questline. I'll throw in Photo Mode as well, but that was one that we always knew we'd like to do, and had to dig deep to find the time and resources for it."

Q: "Is it set in stone that we will not be getting DLC?"

Corinne: "Correct, our focus was to tell a complete story with the release of Veilguard. Beyond the quality of life improvements and a couple new armor sets we're doing to support the game, we won't have any new story or gameplay content coming to the game."

Q: "Are there any plans to try and increase character saves on console to more than 3?"

Corinne: "This is something we've investigated, but because this touches our save file architecture there are no plans at this time to increase the limit."

Q: "Are you planning to make another Dragon Age after this one ?"

Corinne: "There are so many more stories yet to be told, and threats to defend against, within Thedas, but that's all we can say for now as we don't have anything new to announce."

Q: "With the polarizing nature of this iteration of Dragon Age, how did the media attention affect the team as a whole and the morale leading into and post launch?"

Corinne: "This is a tough one to answer, because it's so personal and specific to each member of the team. So let me say this, we've seen that with each Dragon Age release there has been a passionate, and sometimes polarized, response. When you consider how invested the players are, the nature of reinvention in the franchise, and the commitment to inclusivity, it makes a lot of sense to see the broad array of reactions. What I can say is that the team is really proud of what they have built, and the positive critical reception it's received. Within the team, we've been sharing all of the wonderful letters, fan art, and anecdotes from the players, and listening closely to the constructive criticism. That's really where we focus our attention."

Q: "Could you comment on current logic of Lucanis romance? Him leaving PC because of a certain choice does not make sense, because right after that he picks up the romance arc with Neve, who did exactly same choice. Was it intentional, or are we dealing with a broken plot flag or oversight?"

Corinne: "Lucanis is a deeply passionate individual, and rightly or wrongly, can't overlook that it was Rook's decision as the leader of the Veilguard to support Minrathous, when so many lives were bound to be lost in Treviso. It hasn't dimmed his passions, which is why he ultimately still pursues Neve, but it does come at the cost of the fledgling romance with Rook. As with all people, Lucanis is complex in the way he internalizes his experiences, and this is one he couldn't look past."

Q: "Are there any comics or books planned that are set after the events of DAV?"

John: "Ancilliary media is always tricky but personally I'd love to do more in that space. I think the ending of DATV leaves the world pretty well open to a number of different stories and exploring how the dynamics of Thedas have changed after the events of DATV is, IMO, a really fun path to go down."

Q: "Can we see Sandal in the future Game/DLC?"

Corinne: "That's an interesting possibility to explore. Especially given what we've learned in Harding's quest line and the awakening of her powers through her connection to the Titans. It's a really fascinating side of lore, but like we've mentioned already we don't have any new story content coming to the game or anything further to announce."

Q: "I want to give a shout out to John, Corinne, and Trick in particular. What a great group of people who clearly love this series! Would love to know about their canon Rooks/romances and their playthroughs" 

Corinne: "At this point I've done so many playthroughs it's difficult to keep them all straight! If there was one that I'd say is my "canon" however, I'd say it would be my Shadow Dragon Qunari Rogue, named 'Rin'. She was a Veil Ranger who was always a bit quick on the draw, chose to save Minrathous, selected Maevaris for Archon, and romanced her one true love: Taash! Ultimately Rin and Taash agreed that Taash should honor their life as a Rivani, before we defeated the gods, redeemed Solas, and sent him off into the fade to be with his own true love: The Inquisitor. <3"

John: "Qunari mage Rook who's romancing Harding. He's the handsomest Qunari in Thedas, and that's a burden he bears every day. I'd also just add that while I appreciate the kind words, a game like this couldn't come together without a tremendous number of people, far more than are active on social media. So shout out to the whole team for the hard work they've done."

Q: "Can we hope to see something related to Awakened Darkspawn in the future that the franchise has? (As in prequels or new instalments.)"

Corinne: "Difficult to say. I've always been a fan of the rare cases of Awakened Darkspawn, but if they were to turn up, it would need to be because they were right for the story."

Q: "My question is - what are your plans for upcoming patches? Do you expect that they'll mainly be bug fixes, or is there a possibility that there could be content patches? And if so, any chance for more interaction between Rook and the companions, since that's top of many of our wishlists for the game right now? (Lucanis in particular for me :) but every one of us has their own favorites!)"

Corinne: "I'm so glad you enjoyed it!! I believe we've responded to another question about the post launch plans, but let me include some of that information here as well. We're currently focused on various bug fixes, balance updates, and quality-of-life improvements. Notably new character creator options and armors for DA Day and N7 Day, and some cool features like Photo Mode filters. Beyond this focus however, we largely view this story as complete and are not planning for further story content."

Q: "Where does Andraste and the Maker fit into the world of Thedas given all that was revealed during Trespasser and Veilguard. We obviously know the whole story about the Evanuris and their role in shaping the world as it is, the Black City, the Blight, etc. Is The Maker just a human mythology that sprang up to explain this? Does The Maker still exist?"

John: "That's a weighty question. I do think there are some questions we should never (and likely will never) answer completely - I think the moment you reveal everything there is to know about a fantasy universe, you start to lose some of the mystery that brought people into it in the first place."

Q: "Are you going to add new armor or skins as you added the Mass Effect one?"

Corinne: "We actually just dropped the new Hawke-inspired armor, face paint, and body paint, as of today in celebration of Dragon Age Day!! Really hope you enjoy! I know for me personally, it's going to be my go-to transmog armor from now on."

Q: "What features/storylines were left on the cutting room floor? Followup if you're feeling generous: How was the development of Veilguard viewed internally, and was the majority of the studio satisfied with the time given to develop the game?"

Corinne: "Tightening up content and making cuts is a tough but typical part of game development. A few of the biggest cuts we had to make were trimming down the Faction story arcs, and letting go of a few explorable spaces. There were also a few areas, like blighted Weisshaupt that we could've returned to and explore. In both cases however, I believe we rightly opted to let go of these quests and areas in favor of increased focus on the quality of the existing Faction quests and exploration areas and shipping a high quality performing experience."

Q: "After reading the Dragon Age: The Veilguard book I noticed the jurassic tortoises didn't make the cut into the game, they were also teased in the initial teaser trailer from a few years ago. Any particular reason they were cut?"

John: "It's less about them getting cut and more that they just never moved far enough ahead to be a part of the game with full animation sets (combat, locomotion, etc)"

Q: "Is there any hope that you'll be announcing official mod tools, or a toolset like Dragon Age: Origins?"

Corinne: "No, we don't have any plans for official mod support."

Q: "My question is >! where does Solas/where do Solas and the Inquisitor go off to at the end if he’s redeemed? Back into the prison he made or just the fade in general?"

John: "We're leaving that ambiguous on purpose, but given that the Fade is shaped by dreams and thoughts, I think it's fair to say that the section of the Fade that Solas and the Inquisitor end up in is a lot nicer than the Fade that Solas gets trapped in with the other two endings."

Q: "How do you think Veilguard sets up the future of the franchise? Where would you like to take it from here?"

Corinne: "I'm sure it won't surprise you when I say we riff on this topic a lot! What really captures my imagination now that we've resolved some of the mysteries pertaining to the blight and the Elven gods, is exploring the aftermath of this crisis in a deeply destabilized Thedas. As you can imagine, given a blight of this magnitude, and the revelations of the Elven gods, it's going to have long lasting geo-political implications, and there will be those eager to take advantage of the situation. Not to mention, there is so much yet to explore in the nature of the the Dwarves and Qunari, and their relationship to the Titans and Dragons respectively."

John: "To riff on what Corinne is saying - I think, for myself, I'd love to look at taking it down from 'end of the world' to 'the world is changing, how do you adapt and react'. The balance of power has changed, and the Sword of Damocles that is the Evanuris and the Blight is no longer hanging over the world. What does that look like? Who's on top now? And with all the revelations brought up in DATV, what does that look like for the Dwarves, or the Qunari?"

Q: "1) I've seen people that they believe Andraste was a vessel for Mythal because of a comment Morrigan makes about a previous vessel falling in love with an Almarri Chieftain. Is this the case or was she talking about Flemeth? 2. About the Executors, is their manipulation more on the level of leaking information to select people to guide events, or is it more along the lines of "Loghain suspects that Cailan wants to ally with Orlais, let's stoke his hatred by having him see/hear events that remind him of what they did." 3. Lastly, are there any plans to let us visit Kal Sharok proper in any future games? It was great getting a small glimpse of the Dwarves from there and see an outpost but would love to see the actual city!"

John: "I think I'm going to have to keep the first question a mystery for everyone. :) For the second, it varies. The Executors are very mysterious and, more importantly, incredibly risk averse. They attempt to manipulate events in the most subtle way they can manage. Sometimes that means leaving a particularly inflammatory document on the right desk. Sometimes it means stoking existing fears and doubts. Not everything they try is successful, in part because of how unwilling they are to put themselves at risk. For Loghain, it would have been incredibly subtle. He's smart, strong willed and, in his own way, loyal to Ferelden to a fault. For others, it would've been different. I'd love to do more with Kal Sharok as there are some interesting stories still to tell that involve them, but we don't have anything to announce as it relates to future games."

Q: "If you could make one of the faction leaders a party member in the next game, who would you choose?"

Corinne: "For me, it would absolutely be Evka and Antoine (you have to bring them as a couple, right???). They've come to have place in my heart, and I would love to know what the future of the Wardens looks like. That said, a couple of runners up: Maevaris Tilani, and a reprised companion role for Isabela, would make me very excited!"

Q: "Did you expect so many players to be so thirsty over Emmrich? He is the best player in the game for me, thank you for his lovely presence."

Corinne: "I mean, we definitely had our suspicions. Within the dev team, we are also fans of the game, and what we found was that some of us were very drawn to, and quite vocal about, our resident necromancer. There's something so endearing about his gentle demeanor and that juxtaposition of necromancy as a force for good and reverence, that makes him really compelling."

Q: "I wanted to start out by saying I love this game, but one of my major questions is: What happened with the Lords of Fortune? They have significantly less content and reactivity than the other factions with Rook not even commenting on things that they would already know like Isabela explaining what "Pulling a Barv" is. Similarly, the Lords don't have a theme for the Lighthouse OR colorways or even a real faction quest line like the others have. Were they intended to be a different faction (a qunari/tal vashoth one maybe) and it got swapped late? Where they just added late when time/budget was already running low? Was it determined that fewer players would pick that faction so less resources were allocated? I feel like there's a reason as to why since the difference between playing as a Lord and playing as any other faction feels really extreme."

Corinne: "We always knew that some of the factions needed to have a larger presence in the overall story than others, so when we approached our content planning, we took that into account. They are inherently assymetrical. That said, I think there is a lot of interesting material to now work with in regards to the Lords of Fortune and the Rivain Coast if that's right for another story."

Q: "What was the motivation behind writing the Inquisitior's missives and the ultimate fate of southern Thedas? Is that an area you are likely to revisit in future games? T his question is the result of a lot of discussion that's been had in the fandom as of late and one to which there's no definite answer, but I'm curious: as developers and writers, what features and qualities do you believe make up Dragon Age's core identity?"

Corinne: "Around the time we approached Alpha, we realized that this blight, and the impact of the gods on all of Thedas was so much bigger than what the player would see in the north. We felt this was a natural opportunity to have the Inquisitor serve as that connection to the events happening in the South, to show that the entirety of Thedas was impacted, and the Inquisitor was not one to stand idly by. Sometimes I daydream about exploring the parallel adventures of the Inquisitor in the south while these events are unfolding in the north. That could be a really fascinating tale and perspective. Regarding Dragon Age's core identity. Well, that's a big question and one that will mean different things to different people. I can tell you that internally we've always stood-by the mantra that 'Dragon Age is an experience about people'. That is to say, the setting serves as an opportunity to really explore the depths and motivations of characters during times of crisis, joy, and companionship. Another that I reflect on frequently is how Dragon Age has become a franchise where each game has been different in its approach, and while it can make these titles challenging to develop, it also creates an opportunity to keep the franchise fresh."

Q: "What was the reasoning behind only making Dock Town an explorable area in Minrathous, rather than a combination of areas of the city, such as where the upper class lives?" [I think this comment was edited at some point after posting hence some of the answer below seeming unrelated]

John: "Given the state of Thedas at the end of DATV, Minrathous has become the diplomatic hub for the entire continent. While we could, to some degree, avoid references to the Divine and Ferelden's leader by virtue of this game taking place in Northern Thedas, I don't think that would be possible (or satisfying) going forward. There will, as always, be some choices that we won't reference, but others are, I think, going to be required to tell a coherent story in the future. Focus, more than anything. We originally had a few areas in Minrathous but rather than spread our resources thinly across multiple areas, we chose to focus on Dock Town and make sure it felt coherent and cohesive, as well as doing our best to stamp out any bugs we found. If we ever revisit Minrathous (which I'd love to do), I think we'd spend more time in the other districts. Both Harding and Davrin have specific, non-quantum reasons for being willing to sacrifice everything to stop the gods. For Davrin, he saw Weisshaupt fall - and he had his own opportunity to heroically sacrifice himself taken away. For Harding, she's been on this quest for nearly a decade, and she saw Varric, her friend and mentor, fall. Neve/Lucanis could have worked in either slot but that multiplies the complexity even further - and Neve already was earmarked for the wards."

Q: "During development, did you plan for a cameo of any companion from previous games that ultimately got scrapped? If so, may I ask who? And on this topic, has an appearance of the Hero of Ferelden on the table at any point? Is there a reason they haven't appeared since Origins?"

Corinne: "Thank you so much for the kind words! Glad you enjoyed! While not a companion, for a long while Charter had a role in the game. Ultimately we felt this wasn't the best fit and decided to move away from her appearance. In some cases, the opposite was true, where we added former Companions. Bringing back Isabela was a relatively late call, but we did feel we had the right role for her to fill within the Lords of Fortune. I often think about the role the Hero of Ferelden might play. It's a challenging one due to the choices the player may have made, not to mention how we handle giving them a voice that matches player expectation given they were a silent protaganist. But I do think there is something there, and I would like to explore it, if we can find the right story to tell."

Q: "If an elf were to, say, exist in the Fade for an extended period of time, would they regain the elven magic (if not already a mage) and immortality? 👀 And if, hypothetically, they one day returned to the physical realm, would those qualities persist? (Tried to be as unspoil-y as possible!)"

John: "I think, at this point, no one really knows what's going to happen to an elf who spends an extended time in the Fade. In part because the Elves of today and the Elves of Solas' past are not really the same at all. But also, the Fade has changed since Solas was a spirit. So while he may have theories, he can't say anything for certain."

Q: "Throughout the game there are many hints at a new storyline involving the past of the Qun, The Devouring Storm, and the involvement of The Executors. In what capacity can we expect this new narrative thread to be explored (novels, comics, next game)?"

John: "I think that if these story elements aren't at the core of any new material, they're at the very least going to exist on the periphery. The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

Q: "I was wondering what happened to the forgotten one and why was he scared of the eye does that mean something or is it just him say that he is scared of going back into the fade"

John: "When Anaris is defeated, he's sent back to the Void. What's there isn't something anyone really knows, but if you read the other Codex entries scattered around Arlathan, it's clear that Anaris has touched something far darker and more dangerous than he expected, and now it has his scent, so to speak."

Q: "Compared to previous installments, Dragon Age: The Veilguard makes an effort to de-centralize the moral complexities of Thedas (i.e. the softening of the Antivan Crows, the lack of slavery seen in Tevinter, etc), instead focusing on choices based on character arcs instead of politics and/or morals. Is this shift an intentional one? If so, should we expect these kinds of character choices to be the new standard for Dragon Age games?"

John: "What worked for DATV isn't necessarily what's going to work for the future. Particularly with Thedas left in the state it's in - the balance of power has shifted dramatically. The South is suffering and the North isn't doing much better. Even those who may have forgotten past prejudices and put aside their differences in the name of stopping the gods are now being faced with a very different world than when they began this fight."

Q: "What other player choices from Inquisition and/or Origins & DA2 would you have liked to have implemented if you had more time and resources? Also, what characters would you have wanted to bring back?"

John: "Well of Sorrows. I think that's the biggest one - and we had some ideas for what we wanted to do with it. Unfortunately, making games is rarely a straight line endeavour, and some of the challenges we ran into required us to scrap that choice. I'd have liked to do more with the Divine as well, though with how little we touched on Andrasteism in this game I think it would've been a bigger challenge than expected. I think Fenris is the easy answer, but it's also the real one. Given his history, his relationship with Dorian and Mae could've been fun to explore, particularly depending on how you left him in DA2. That said, the challenge always does come down to 'quantum' - if a character could be dead, you can't make them load bearing, so they end up relegated to a cameo."

Q: "Is there a canon reason (maybe in some supplemental stories) that explains what happened to Fen'Harel's agents? Are some of the Dalish clans still working for Solas? What are the Arishok and the rest of the Qunari doing while the Antaam are conquering parts of Thedas? Does their absence in veilguard imply that they secretly approve of their actions or are planning on using them to their benefit? The faction of crows we interact with is very heroic and often puts aside their role as assassins in order to protect Treviso's citizens. Does their altruism create fiction between them and the other factions, who might see them as weaker or idealistic? What are some of the other factions like?"

John: "Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf. There are Dalish clans who are sympathetic to his goals, but even there, there's an understanding that he's too dangerous to have a more formal connection with, and that he will, ultimately, sacrifice them to his own ends if necessary. The Antaam no longer recognize the authority of the Arishok. Part of why they've split into warring factions of warlords is that they felt his adherence to the Qun (which he still adheres to, even now) was holding them back, so they organized what I'd describe as less of a coup and more of a 'choosing to ignore his orders' and launched their own attack on the mainland. Absolutely. I don't recall if this exchange made it into the final game, so apologies if not, but it's very clear that the faction of Crows you interact with is the 'idealists' of the bunch. The rest of the Crows, on the other hand, are far more pragmatic and willing to work with whoever emerges on top of the pile. Illario's far more representative of the average Antivan Crow than either Teia or Viago, and it's only Caterina that kept him in check this long."

Q: "What led to the player Quanari appearance compared to the Antaam, who look like Quanari from the previous game. Was it an armor modeling issue or just a design choice?"

Corinne: "To be honest, it's both. First let me say that when you have a character creator with the breadth of sliders and options for both head and body, that does create some constraints that you need to work within. We felt this was ultimately a good trade-off for the player, to ensure they could get the full range of face and body sliders that the other lineages were afforded. Also, we viewed the player-created Qunari as a continuation of the style of player-created Qunari in Dragon Age: Inquisition, which in both games, differ from some of the other forms of Qunari we've seen."

Q: "Having reviewed some of the game files, I'm curious about what the "dreamer" mechanics would've looked like? Would there have been dreamers on every map? Would it have just been a dialogue or would we have been able to see/experience the memories/dreams the dreamers are stuck in?"

Corinne: "We explored the idea of Dreamers at several points in developement. I believe the instance you're referring to was a mechanic in which you could encouter a Dreamer in the world, and then also encounter their corresponding consiousness in the Crossroads. We would have used this as a way to encourage a "back-and-forth" set of optional quests and mysteries to encourage exploration and discovery. Ultimately we abandoned the concept because mechanically the Crossroads Gates and corresponding Champions were providing a similar experience in driving the player from the Crossroads, out into the world, and then back to the Crossroads again."

Q: "The hair physics in the game are incredible. When did the studio commit to improving the hair options/physics, and was there any conversation/debate over that? Bad hair has been a staple of the franchise, so this was a delightful change to see."

Corinne: "Thank you so much! We heard the fans loud and clear, when it comes to character customization, that we needed to step up our hair game. This tech was something our engineers, character artists, and technical animators were all deeply passionate about (as you can tell!). So all of that combined it was a relatively early decision to invest in."

Q: "Some of the companions’ questlines left me craving more lore! For example, how did Valta end up as the Oracle and how does her gift differ from Harding’s? How did Zara manage to get Lucanis possessed as a rogue? Are there any other Forgotten Ones like Anaris actively trying to make their way back to the world? In short, might these questions be answered in the next Dragon Age game or additional media, or are they purposefully left open?"

Corinne: "I'm so glad these stories have their hooks in you! We have to leave some threads to tug on for future stories. ;-)"

Q: "(Spoilery question) Do elves or dwarves exist beyond Thedas?"

John: "That's a great question - and it's actually one that Bellara herself asks. I think 'what lies beyond the sea' is one of the most interesting spaces to explore in Dragon Age and whether the same people exist there is something that... well, I have some ideas, but I don't want to get into spoilers."

Q: "What happened to red lyrium? It feels like it was all but forgotten after DAI, even though it is blighted lyrium, and it felt like it would have made perfect sense to dig into its lore and workings a bit more since Ghilan'nain is the mother of the blight, and now knowing what the ancient elves did to the titans for lyrium.Red lyrium caused a lot of grief over the games that feels is just up in the air now, I'm curious if it was written out for the sake of a different narrative. Sortof connected to my previous question, if red lyrium is now not so significant in the lore/missing from it, why did the two gods need a specifically red lyrium dagger after losing Solas' purified red lyrium idol one? How does one purify something/someone of the blight itself?"

John: "Red lyrium is still present in DATV - it's how Ghilan'nain and Elgar'nan are able to craft their dagger, after all, and it ties directly into Harding's personal quest - but at a certain point it felt like it wasn't serving much of a purpose 'out in the world', so to speak, that the Blight wasn't already serving. It made a lot more sense in DAI, where you had the Red Templars who were directly using it to gain power, but without them in the picture, we chose to lighten the emphasis on it for DATV. Particularly in a game where the connection and threat of the Blight is so much more immediate, with the gods out in the world."

Q: "How did you get the hair physics to do all that?"

John: "A lot of tremendous work from character art, programming, tech art and tech animation. I'm sure I'm missing some groups but, yeah, the hair really is incredible. I've been on DA since DAO and I recall the (fair) critiques we got of our hair post-DAI. It was incredible to see it come together."

Q: "Where does Emmrich sleep? He’s the only one without a bed in his room lol"

John: "He sleeps standing up, like a horse."

Q: "which of the three/four endings do you find the most thematically satisfying? in regard to solas and/or rook (because i’m not sure the answer is the same for both!) & why isn’t rook invited to the book club?? sorry this is my villain origin story, why is my beloved emmrich enabling this social ostracism. does rook canonically hate to read?"

Corinne: "As a Solavellan, I personally love the Redeem ending with the Inquisitor/Solas romance variant. I cried my eyes out at the end of Trespasser, and now that they can finally be together to know the joys of their love makes me so happy."

John: "I'm a big fan of Outsmart, largely because I think there's something deeply satisfying in outsmarting someone who is very confident about their cleverness and spends a lot of the game reminding you of it. That said, I will admit that the Solavellan ending is deeply moving, even for someone who, at one point, wanted to fight Solas like a Yakuza boss. As for why Rook's not invited - it's entirely an attempt to avoid forcing roleplay on a character that may not fit your idea of Rook. Some people's Rooks may not have the connection to the team that would let the book club make complete sense. That said, I totally get why people wish their Rook could be involved."

Q: "TLDR: ll some classes be buffed? Iirc in an interview corinne (i think? I dont remember where or who), said shield toss got nerfed cuz it was waaaay too strong. Having playing the game now with pretty much all classes, will there be some balancing changes? I definetely dont want shield toss to be nerfed again, i love it soooo much, but its definetely waaaaaay above everything else i managed to build so far."

Corinne: "We're definitely monitoring class balance, and have generally taken the stance of "buff not nerf". That said, we're finding pretty good viability for all of the specializations, with the right supporting skills, gear, and companion builds. So in terms of priority that's lead us to largely focus on addressing properties on skills and gear that were not functioning as intended. I don't want to dismiss your feedback here though - I'll take a moment to dig deeper into our Veil Ranger data and see how those builds are comparing specifically. Glad you're enjoying the shield toss builds. That playstyle was definitely one that we were very excited about supporting!"

Q: "Why did Assan have to die with Davrin in the Ghilan'nain choice?"

Corinne: "Turlum is a powerful bond. There was simply no way Assan would have given up on Davrin so easily. Hope is a powerful force when it comes to the people you love, and sometimes we risk everything for it."

Q: "Something that has me confused. When Bellara/Neve are blighted but help use the blight to stop Elgarnan and at the end when all the blight in the area died and they were cured of the blight. How did they get cured? Is the blight itself now curable? Also, how did Solas manage to cure the red lyrium idol of the blight so he could have it back to it being the normal lyroum dagger?"

John: "When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure. But without that power behind it, it's less dangerous and deadly than it's ever been before. So while it isn't generally 'curable', it's less of a short-term death sentence than it has been previously. As for how Solas cleansed the idol - another ritual. This one was much smaller scale, but a lot more dangerous."

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Q: "I have just one very important question: what are your thoughts on Solas and Rook as a pairing? Their chemistry and interactions were a highlight in the game for me personally and I need to be able to sass and then kiss that egghead."

Corinne: "Oh gosh, you and me both! I'm not sure any of us could have anticipated how notable that chemistry turned out. And what excites me is how this relationship is something that could be developed even further."

Q: "I was wondering if it would be possible to see Cassandra in Nevarra interacting with Emmerich or Zevran in Antiva interacting with Lucanis? I understand that there a danger of turning any game into a cameo fest that would only appeal to old school fans but I did miss them. Especially as we had Isabella and Dorian in Rivain and Tevinter. To make the question a little more general what are the chances of seeing pre veilguard companions in any future iteration of dragonage?"

John: "I think the joy of the kind of 'fresh start' that the end of The Veilguard gives us is that, if we do make another game, we're no longer spending so much of the early game not only onboarding players into a new story, but also onboarding some of them (namely, those who didn't play DAI or don't remember it) into the story that leads up to this story. And part of what that allows you is more opportunity for returning characters who are meaningful, because their past is less likely to be narratively load bearing to the story. People who recognize them will have a moment of recollection, and people who don't won't be any more confused by the experience."

Q: "How did Jowin achieve the rank of First Warden? Was he ever deserving of the kind of respect Davrin seemed to have for him?"

John: "By the time you meet Jowin in DATV, he's become a political creature more than anything else. Which makes sense - after what happened to the Order in Origins, I think there was an internal realization that they had to spend more time making nice with the leaders of the various countries so no one would ever do to them again what Loghain did back then. But he didn't get that position entirely due to his connections. He was a fearsome warrior and a brave Warden in his own right, saving people and winning against impossible odds time and time again. He's older, though, and is still fighting the last war in his mind. Internally, we always described him as the general who was a brilliant tactician back in his time, but war has changed so dramatically and he refuses to keep up. I think he was deserving of that respect, though - and if you choose to talk him down (which very few of you seem to have done) you'll get a glimpse of the man he used to be."

Q: "If Solas ritual succeeded, what would have happened to the elves? And to the human? The art book make it look like they just drop dead but solas dialogs don't seems to go in that direction"

John: "I think the reality is that even Solas couldn't properly answer that question. In his mind, there would be some pain and suffering, for sure, as everyone adjusted to the raw magic now pouring into the world and the demons everywhere, but eventually everyone would live surrounded by magic and possibility. Immortality would be possible as well, and you can't make a world saving omelette without breaking a few eggs. I also think Solas is a gifted liar to everyone, including himself. Deep down he knew that the ritual was going to result in large scale casualties, but he saw it as an acceptable price to pay to fix what he saw as his mistake."

Q: "Unlike the last game, there were 2 fewer Companions, a rouge, and a warrior less, if it was up to you what sort of characters would fill up those two spots? and also if you could have a character from earlier games temporarily join you for a single quest who would you choose? with the exception of Bioware games which RPG game is your favorite"

Corinne: "Oh gosh, well I'll answer some of questions 1 & 2 together... I would have loved to bring back Fenris, either as a cameo or to fill that Warrior slot. As for the Rogue role, I do think something akin to the Saboteur Specialization would have been an interesting style for a Companion. Favorite RPG outside of BioWare games, well I'll give you three in order: Baldur's Gate 3, then Xenogears, followed by FFXII."

Q: "What happens to the lighthouse and the crossroads after the end of the game? Do the Veiljumpers claim it?"

Corinne: "Good question! I actually daydream about this one a lot! Does Rook, assuming they survived, continue to reside there given what they'd been through with Solas? Is stewardship returned to the Elven people? One thing has always been true for me: The Lighthouse existing as it does is intrinsically linked to the Caretaker, and I doubt we've seen the last of them."

Q: "My questions are mainly centered around the game's lore. Dragon Age Veilguard seems to have established a very elf centric past for the world as well as the races populating the world. Current state of the Titans, the Blight, the Old Gods, and some other things I may be forgetting, they all have links and origins to the Evanuris and the rest of the elves. In future installments, can we hope for other races to get more attention with respect to this? Because right now, it feels that most of the biggest mysteries of the universe as well as circumstances leading to the present state of the world, are a result of the elves... T o me, the magic system in Veilguard felt very different from the other games in the series. When Bellara mentioned stuff like 'recalibrate the matrices', 'readjusting energy flow', etc., it felt more scifi than fantasy. None of the past Dragon Age games had this kind of talk and it felt too big a leap for going from Southern Thedas to the North, especially considering none of the Northern characters in past Dragon Age games spoke like this either. This was one of the few instances in the game that felt immersion breaking to me. Can you guys help reconcile Veilguard's magic system with the magic of the past games?"

John: "I do agree that the elves have had their place in the sun at this point. We're never going to stop telling stories about the elves, but I think there are plenty of interesting stories to tell in Thedas where the Evanuris are tertiary characters at most. I think that's a fair reaction, but I'll answer the question in two parts. First - Bellara assumes she knows everything about magic. She probably knows more about the way ELVEN magic works better than anyone else in the world who isn't an Evanuris - but that doesn't mean she actually knows how magic itself works. The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep. Bellara and Emmrich get into this a little bit in their banter, but so much of the rest of the world - the magic of death that the Mourn Watch wield, for example, or the magic of the deep Fade that Bellara feels when she does some of her experiments in the lighthouse - is not the same as Elven magic. Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right."

Q: "I need to know about companion approval! I understand how companion bond rank works as it is well explained and visible in-game, but I cannot seem to find a good explanation for approval. Are the two linked? What effect does approval/disapproval have in the game? Is there something I'm missing in-game where current approval level is visible and I just haven't found it yet? PS: Spellblade Supremacy"

Corinne: "Yes! They are linked! Approval does contribute a small-to-moderate amount of progress towards your Bond. Disapproval is a small negative, but it's important to note that your Bond cannot de-level. Overall however, the surest way to advance your Bond is by helping the Companions with their personal quests. Also, really glad you enjoyed Spellblade as much as we did! The gameplay team really outdid themselves with that Specialization."

Q: "I'm mostly wondering if/how the griffons can be saved as a species since there's only one surviving clutch. It seems like a lack of genetic diversity would doom them to re-extinction, but I'm hoping there's a lore-friendly way to overcome that."

John: "It's funny you say that because I keep thinking the exact same thing. I can't remember exactly how much genetic diversity you need to have to make a species viable but I am sure it's more than just the clutch of eggs you saved from the Gloom Howler. But in a setting with as much magic and mystery as Dragon Age, I think that's probably the least of the problems the Griffons are going to face going forward."

Q: "With the ending showing a cured Neve/Bellara is that implying that the Blight outside of the Fade has been cured? If so, do Wardens no longer hear the calling, and what does that mean for the Kal-Sharok dwarves? Especially curious about this since DA:I implied the HoF was searching for a cure to the calling. In the concept art book it seemed like there were plans to show us more of Minrathous/Tevinter than just Dock Town. Curious to know what changed and if we will ever have an opportunity to return to other areas of the city?"

John: "The Blight is forever changed. It's less perilous and less virulent than it was before, and whatever motive force was coming through the Veil to empower it at the end of the game has been severed. That said, it still exists in some form, and not everyone is going to be cured in the same way. Beyond that - the Wardens no longer hear the whisper of the Calling, but right at the edges of perception, they're hearing something. What is it? Great question. With how long this game's been in development, there are things that have come and gone over time as we shift the project's scope and direction from one type of game to another. Originally we did have more of Minrathous built out for the player, but we chose to focus on making Dock Town feel meaningfully full of content instead of creating more areas just to put nothing in them. I will say that, for me, I want to revisit Minrathous in the future. I don't think we gave it enough time and there are multiple other stories that can be told both in it and with it. Particularly with the way the game ends, its importance in the world has only gone up, as it's become the diplomatic hub of Thedas, and thus a place of even greater importance in the world."

Q: "Maybe someone else can answer this question but why does Mythal’s essence relieve Solas of his guilt in the romanced Inquisitor ending when in his memories, she’s objecting to what he’s doing? Since winged dragons are female, does that mean the Archdemons/Old Gods are female? I noticed they’re labeled as male on the wiki and was unsure if it’s not updated or Old God followers assumed or were told they were male. I understand if this might pose as a logistical nightmare but would the devs consider polyamorous and/or open relationships instead of monogamy if they haven’t already? Given how diverse sexuality is in Thedas, I’m surprised there aren’t more instances of poly/open relationships. I miss going to brothels too"

John: "People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now. Correct, all Archdemons are female. Elgar'nan, of course, doesn't really care what reality is, only what HIS reality is, and so he's quite happy to see Lusacan as simply being an extension of himself and, thus, male. Something about Elgar'nan that we only really show in the ending is that he is, in truth, just as scarred and blighted as Ghilan'nain, but he uses a portion of his magic to always look handsome and regal, because his ego really is that big. Polyamory is something we've talked about doing before, and it's something that I know the writing team was into, but rather than simply turning it into a 'you can have multiple romances' toggle we wanted to be sure we did it respectfully and properly."

Q: "Does Solas know about the Executors and will he ever appear again in future games (similar to Morrigan)? Was there ever a point that the Inquisitor was considered as the main or secondary protagonist for this game? It was interesting to have a person with no knowledge about Solas–a cunning, ancient elven god–try to track him down especially when that anonymity did not work in their favor anyway (Solas knew about Rook for a year prior to meeting). Was 'rook' initially an alias for the Inquisitor, which they'd utilize to stay under the radar in the north, away from Solas' agents eyes and able to track him down because they knew him well (ex-companion/friend/lover)? Like was this idea ever discussed at the table or suggested by writers but trunked for xyz reasons? Idon't know if Trick Weekes will see this but I just wanted to tell them thank you for writing Solas-- in a HEA ending, what do you think they're upto in the prison? (besides the obvious)"

John: "Solas knows more about the Executors than he's let on - in fact, he knows more about the Executors than any other living being, including the other Evanuris (though I suppose they're not technically living beings anymore). But even he isn't entirely sure what they're up to or who they actually are. Their paths have crossed before, though - beyond the Tevinter Nights story that they briefly show up in. As to whether he appears again - I think it's fair to say Solas' story is done, at least for now. Even back in early development, the protagonist for this game was always going to be someone other than the Inquisitor. I don't recall if, in those early days, we ever discussed the possibility of bringing them back - the struggle with having the same protagonist game after game is that you really do paint yourself into a corner. Either it becomes prohibitively expensive to account for branching, or you ultimately underserve the very people you're bringing them back for. Rook was always the protagonist, though in very early days Rook had a number of other potential monikers including Shrike and a number of other bird names that I do not remember."

Q: "Why aren’t the Tranquil ever mentioned or depicted in the game? Correct me if I’m wrong but I’m pretty sure the word tranquil isn’t used even once. Have they been retconned? During development was there ever a conversation about potentially including a Solas wins ending? Where he succeeds in tearing down the Veil either because you let him or because you fail to stop him? I know I’d be curious to see what Thedas would look like afterward."

John: "Tranquility still exists. While not unheard of in Tevinter, the reality is that it's a far more common punishment in Southern Thedas than it ever was in Tevinter. In Tevinter, in particular, it's used more of a tool of political vengeance - but generally, only against a mage who is utterly without allies or political power. All the Tevinter mages you encounter in DATV, including Maevaris, still have some clout and subjecting them to the rite would be a huge expenditure of political capital for very little gain. Better to leave them alive and stripped of their formal authority. We had a few conversations about some non-standard game over endings, actually - anywhere from 'player takes too long in the Prologue' to an out-and-out 'yeah you know what I think I'll help Solas' conversation choice early on. What we released in the game I'm happy with though, as there are already multiple different endings you can get depending on your choices in the game."

Q: "Any chance we're going to get any behind-the-scenes content? I CRAVE a high-quality video clip of Zach doing mocap for Assan."

Corinne: "You never know! We do enjoy sharing new content from the game on our social channels so follow along in case something pops up."

Q: "What was your favourite region/area to work on (whether that be writing quests, level design, or any aspect)?"

Corinne: "For me, it was definitely Arlathan Forest. The team had so much fun with the exploration, the environmental storytelling, and the strange magic manifesting in the area. In particular I remember the first time I saw people that had been twisted into trees showing up in the area, I was taken back by the inventiveness of the team in capturing that beauty in horror. I must say, I also found the sightlines in the area absolutely gorgeous. It was really fun to watch it develop."

Q: "What are these called? [link]"

John: "Tadpoles is the name we use internally."

Q: "are telemetry surprising you in any regard?"

Corinne: "The biggest surprise for me in the telemetry is that the Save Minrathous/Treviso choice is basically split 50/50. We were all anticipating that saving Treviso would be the clear winner, but I'm happy to see it's not so cut and dry."

Q: "Did you ever thought that players would be addicted to having Rook barrel through crates and chests? There should be an Achievement for non stop barrel rolls lol."

Corinne: "Oh 100% yes! In fact, originally wide-spread destructibles weren't really planned for as a part of the game. We found with our particular take on combat that it just felt reaaaally good to smash the few destructibles that we did have. I think I spent the better part of a year putting in constant requests to make more and more things smash and break apart - not to mention the ability to roll through them! I'm glad to see I'm not alone in my obsession. Let's go break things!!"

Q: "1) Was there any plan with Radonis during concept period? 2) What more about Neve's family can you share? 3) Is there a parallel in the way Solas sacrificed the world to restore the elven world and Celene burned Halamshiral to save Orlais from a civil war? (Trick Weekes p l e a s e)"

Corinne: "At one point we did toy with having Radonis make an actual appearance in the game. In fact, if Minrathous falls to the Venatori, we had discussed having his execution on display, but we ultimately chose not to pursue this."

John: "For Neve, I'll have to ask Neve's writer, as I don't recall off the top of my head. For the question about Solas - I think it's less a direct parallel and more that Dragon Age is a series where major players sometimes have to make incredibly difficult decisions that may NOT necessarily be the best decision, but it's the best for them at the time - true for both Solas and Celene."

Q: "I just want to know... do the other companions also think Davrin's a hunk? Do you think there are companions who were rooting for a Rook x Companion romance as it was happening?"

John: "I think the different companions have different relationships with Davrin. Bellara, for example, sees him as almost a big brother - someone who she has a unique connection that she doesn't share with the other companions. Neve sees him as a fellow professional, who hunts monsters in much the same way as she does, just that his monsters are a lot more literal. As for who's rooting for a romance - I think Bellara is just excited whenever people get together. She's a huge romantic and a believer in happy ever after, so she's going to fully support whoever of her friends get together."

Q: "Please humor my newfound Nevarran cuisine obsession - it seems, based on the menu at the Lords of Fortune bar, that Nevarra is majority vegetarian ("want it Nevarran-style? Ask to leave off the meat!" or something like that), and we know Emmrich is a vegetarian. But Emmrich also reveals his father was a poor butcher. So, my questions - Who is eating the meat produced by Nevarran butchers if Nevarra is vegetarian enough that other countries equate Nevarran = veggie? Do butchers largely cater to non-Nevarran immigrants or visitors? Are the Mortalitasi/Mourn Watch entirely vegetarian (would make sense, just because of being put off by being around corpses all day, and their reverence for said corpses)"

John: "While Nevarra is a primarily vegetarian country, that doesn't mean everyone who lives there is a vegetarian. Nevarra attracts plenty of students and scholars from around the world, given its unique connection to the Necropolis and the specific magic tutelage that the Mourn Watch offers. With that in mind, its cuisine is going to be pretty broad across a number of different cultures and regions - and for some of those cuisines, meat is absolutely a very big part of it."

Q: "My biggest question is this: if Solas had been released by Mythal before Inquisition started, would he have let go of his plan? Was service to her all that was motivating him? Or would he have decided to continue with his plan until the inquisition showed him that the modern world mattered?"

John: "The latter, I think. It took the confluence of everything that's happened to him in the time since he woke back up to get him to where he needed to be for the Redeem ending. Guilt and regret motivate Solas."

Q: "When I’m writing, I tend to listen to music that goes along with it. Did any of the Devs have songs they listened to that they felt tied into the game or the characters?"

John: "I can't speak to the other writers necessarily, but for Bellara I listened to a LOT of Aphex Twin. There's something about the ambient weirdness that really worked for me as I was writing her character (to the point that one of their songs is my most listened song in 2024)."

Q: "Are rivalry paths abandoned for Bioware games? What made you design approval/bond in a way that only goes up?"

Corinne: "Oh definitely not! Rivalry will continue to have a role when the story calls for it. In the case of Veilguard, we conceived of this threat being so large, that your companions would commit no matter the cost. This afforded us some unique opportunities, like being able to tie the progression of the Companions to your relationship with them."

Q: "What are you as a team most proud of and are there any plans for a NG+ Update ?"

Corinne: "Gosh, there are so many ways I could answer this. And I think the answer would differ depending on who on the team you were to ask. So let me just say this: The creation of any game of this scope, with a team this large, is kind of miraculous when you consider all the knowledge, coordination, discussion, and expertise required. So broadly speaking, what I'm most proud of is the way the team came together to pivot and be true to BioWare's roots of creating great single-player party-based RPGs, and delivered such quality and stablity. I'm also quite proud of how player-first the effort was; Everything from being Steam native, to no Denuvo, to no micro transactions. We mustn't take for granted what monumental task it was to make this happen. There are individual features and experiences that I know we are all proud of as well. The character creator, for example, was a really big one for us. We've long sought to put the control over player-characters in the hands of the fans, and this is the game where the team believes we've best done that. In fact, it was central to one of our creative pillars "Be who you want to be". As for NG+, that's something we discussed, but at this point we don't have any plans to support it."

Q: "Can you go into more detail of Spite’s role in Rook and Lucanis’s romance? Did you expect everyone to want to romance Vorgoth?"

John: "Spite gives Lucanis and Rook privacy whenever they're being intimate. This was, I'm sure you'll be surprised to hear, a consistent topic of discussion as we planned out some of our romance scenes - is Spite watching? But no, he wanders off and reads a book (or whatever demons do for fun). At this point I am not surprised about anyone y'all want to romance. Sentient fog bank? Sure"

Q: "Looking further, what parts of Thedas you personally want to explore more (regardless if that will or will not be implemented in the future games)? Maybe specific time periods?"

John: "I don't think it's any secret that I find the idea of 'what lies across the sea' to be fascinating. It shows up a lot in Bellara's content - what happened in the parts of the world that weren't Thedas? But Kal-Sharok is another place I'd love to spend more time in. It has a very unique relationship to dwarven culture, and particularly in a post-DATV world, it feels like it'd be super interesting to get more time with them."

Q: "What made you decide to remove greatswords as an option? It's one of The fantasy weapons. Why did you choose to have a "convergent" design, gameplay wise, of classes? What i mean is that all classes have a melee option, a "parry" of sorts, amd a ranged option, with warriors throwing a nonexistent shield when 2h. Usually, in an rpg, different classes have different capabilities and limits, to make them feel more diverse. What made you choose otherwise?"

Corinne: "Originally when we concieved the 2-handed weapon stance for Warrior we did want to include Greatswords. We moved away from it largely because the movement set when swinging a large blade diverges quite a bit from what you'd see with an axe or a hammer. Ultimately we felt, given the number of bespoke animations and transitions it would take, that the time is better invested in other areas of the experience. Regarding the classes, we opted for a unified control scheme and baseline set of actions each could take (e.g. every class having a ranged attack for example) for several reasons: 1. In knowing that each class has a similar core set of actions, it allowed to better design the encounters, levels, and missions with a greater level of variety. If Warrior, for example, had no ranged attack, a large number of the missions would have much more egregious constraints on what we expect the player to do. 2. It allowed us significantly more space to play with the types of builds and breath of the skill tree. We're all very proud of how this played out in practice, and in our view created a high degree of divergence. 3. Given the real-time nature of the gameplay, it's a benefit to lean into the muscle memory the players have already established on prior playthroughs"

Q: "Hi I'm non-binary and the ability to be non-binary in this game was really special and made me feel seen in a way no game has before. In addition---TAASH! "NUFF SAID. Love em! My question is: how did you get so much past censors in 2024? How did you deal with localization? Was EA supportive of the push for more representation? Do you think we can see more diverse companions like Taash and our own player character in the future in Bioware games? I am a little worried about the backlash to Taash and the player character, especially right now. It is scary to think about going backwards after you've just achieved this amazing thing for video games. Thank you so much for making me feel so loved playing a video game, this game gives me so much hope and joy for being a trans gamer and nerd and person. I know there's a lot of hate but for me it means the world."

Corinne: "I'm so glad Taash meant so much to you, and so many others! There are two mantras we often refer to within the team: 1. We believe stories are better when they reflect a large variety of relatable experiences. 2. Games can be a reflection of the teams that make them. Taash's journey and support we had in bringing it to life, was something everyone on the team wanted to do and was invested in. It was a story and experience we wanted to tell that made sense in this time and place. I wont lie, it wasn't easy. This is a delicate subject, deserving of respect, that is deeply personal to so many. We didn't want to mess it up, especially for those it would mean the most to. We were fortunate to have a lot of support through internal and external partners to ensure we were handling this story with care, and of course the talented writing and experience of Trick Weekes. It lead to a lot of edits, localization challenges, and some rewrites. But as the old adage goes, nothing worth having comes easy."

Q: "If Solas is bald because the ancient elves just go bald during their immortal lifespans, then why does Elgar’nan have hair?"

John: "I think maybe it's more accurate to say that Solas lost hair because of stress. Elgar'nan, on the other hand, doesn't feel stress - he makes other people feel stress. And, honestly, Elgar'nan is incredibly vain. Something that doesn't show up until the end game is that he's also very vain. The reason he doesn't look blighted and corrupted throughout the game is he uses a portion of his magic to remain looking the way he does."

Q: "In the DAI trespasser DLC elves saw the crossroads different from the other races. Why was that not the case in this game?"

John: "The Caretaker gets into it a little bit, but while the Crossroads in Trespasser were 'peaceful', the Crossroads in DATV are under assault by the gods."

Q: "If you could start DAI or DATV again, what would you change/add/remove? Could you share with us the most emotionally difficult moment to achieve in DATV? And the easiest? Favorite moment?"

Corinne: "One of the most difficult moments to land was actually the prologue. It sets up a lot of context for the player, and evokes a lot of big feelings. We did many revisions on it before we found the right balance of pacing, information, and tension. In my experience, prologues always are among your most reworked content"

John: "Absolutely the Varric twist. There's always a balance of trying to leave hints for the players while not having them guess the ultimate end game of it, and it's INCREDIBLY hard to make that judgment yourself, because you KNOW what's coming, and all you can see is 'how could anyone NOT get that this is coming?' But I'm happy with how it was received and how it landed. The actual conversation with Varric at the end, though - that one was a gut punch."

Q: "So… does Bianca know?"

John: "Yeah. Harding would have gotten word to her."

Q: "I'm curious to know two things, both Solas related: -What happened to his followers? Presumably they weren't /just/ following him and were on board with the revolution that he represented. -What was his plan past making a new prison and transferring the two Evanuris? It sounds like still an eventual tearing down of the Veil but how was he actually mitigating the risks across Thedas? (Presumably with that network of followers)"

John: "Essentially that. Keep the Evanuris imprisoned, tear down the Veil, and then Solas was CERTAIN everything would get better, even if some people had to, tragically, die. One of Solas' defining characteristics, of course, is that he overestimates how successful his plans are going to be (if you listen carefully to the argument between Solas and Varric in the prologue, Varric makes this exact point - everything Solas has tried ended in disaster, so why wouldn't this as well?) As to mitigating the risks - he had a few things going on, but as to how effective they would've been, I think it's safe to say that it wouldn't have worked as well as he'd hoped."

Conclusion: "We've answered everything we can for now, thank you all so much for your questions and the love for Dragon Age!"

[source]

[ddarker-dreams]

lock's otome game recs

i received some asks indicating an interest in a compilation of my favorite otome games, so i decided to go for it!! i've played about fourteen otome games, but of those fourteen, only these six left a lasting impression on me. there are still some that i intend to check out, so the rankings may update in the future. i'll give a very general overview of each game and how i'd score the categories that i find the most important in an otome game — the heroine, story, art, enjoyability, along with the characters i liked the most.

number 6 - piofiore fated memories.

heroine: 6/10 story: 6.5/10 characters: 7/10 art: 10/10 enjoyability: 8/10 favorite characters: dante (ishikawa kaito), nicola (kimura ryouhei) and yang (okamoto nobuhiko)

this game centers around the heroine, with the default name liliana adornato, who finds herself entangled in the politics of the region's three most prominent crime organizations. the game has an italian backdrop and iirc, takes place in the 1930s.

the overarching narrative, while it has its fair share of intrigue, isn't the game's strongest point. it's the interactions with the characters themselves that made the game feel worthwhile. each love interest has more to them than what meets the eye, so it's satisfying to watch the relationship between them and the heroine develop.

the heroine takes a passive role throughout much of the game, events sorta just happen to her. still, she has a kind disposition that makes her likable and doesn't make stupid decisions that has you wanting to fling your console across the room. her characterization changes slightly depending on the route. for instance, without getting into spoilers, she's more assertive throughout yang's route. the resulting dynamic made yang's route the most memorable, even if he's my third favorite character from the bunch.

what feels unique to this game is the effort put into the bad endings. in most visual novels, bad endings can feel like gimmicks. you make one or two wrong decisions and you're rewarded with a few paragraphs. the downward spiral of the characters in the bad endings are decently fleshed out and you can see how they arrived at this 'worst' version of themselves. they're suitably dark and it shouldn't come as a surprise that i enjoyed them because of that 😭

then there's the art. it's stunning, the details in each CG are mindboggling. the heroine gets to wear a variety of pretty outfits which is something i like to see. even in the story's weaker moments, a stunning CG would pop up that had me forgiving everything. i still glance through the gallery to this day.

number five - cupid parasite.

heroine: 9.5/10 story: 7/10 characters: 7/10 art: 9/10 enjoyability: 9/10 favorite characters: ryuki keisaiin (junya enoki) & gill lovecraft (kimura ryouhei)

iconic. showstopping. a little bit camp.

cupid parasite stars one of my favorite heroines, lynette. she works as a bridal advisor whose ambition is to ensure everyone finds their soulmate. in actuality, she's the goddess cupid, who left her post in celestia to better understand humanity and create lasting pairs. she's a delight to play as.

this game's presentation and overall aesthetic is the most distinct from any otome game i've played. aside from the presentation, the story itself is unlike any of the others on this list. when it comes to romance, i typically prefer them to be dark and mature. this game opts for a more lighthearted approach. it vacillates between being a romcom and dipping into the absurdist genre. there were times i was literally left speechless (glances at gill's route)... but it makes for an entertaining experience. the game's plenty funny as well.

personally, i enjoyed the more grounded moments when the mythological elements remained in the background. because of this, the true ending doesn't do it for me as much as they do in other games. as with anything, this is a personal preference though. i liked all of the routes and found the game handles the development of each love interest well. we're introduced to these men at their most pathetic and get to help them become a little more well-adjusted. lowering the cringe meter, if you will. it makes their growth all the most satisfying as the narrative progresses.

number four - even if tempest.

heroine: 9/10 story: 8.5/10 characters: 8/10 art: 6/10 enjoyability: 9/10 favorite characters: the heroine herself, tyril i lister (noriaki sugiyama), crius castlerock (makoto furukawa) and lucien neuschburn (kaito ishikawa)

right from the get-go, this game's premise had me hooked. it features the heroine, anastasia (<3!), who leads an incredibly tragic life. she's bestowed the ability to reverse time following each of her deaths and uses this to unravel a mess of mysteries the world's setting is tangled in.

this game is absolutely anastasia's story. without spoiling anything, i loved the approach they took with the time rewinding ability. how it's incorporated is unique to an otome game, which they take full advantage of to amplify the tragic romances. on that note, the romance itself occasionally takes a backseat to the narrative as a whole. personally, i didn't mind this in the moment, since i found the story so interesting. in retrospect, i do wish that we got more moments between the heroine and each love interest, especially in the true ending.

there are more gameplay elements here as well. you have to conduct investigations, gather evidence, and apply what you've learned during these trial segments. when i first read about this, i thought it'd be a gimmick, but i liked playing through them. it incentivizes you to pay extra close attention to the world.

while i liked the narrative as a whole, i do wish we got more worldbuilding. there are hints of political subterfuge and religious oligarchy that, while touched upon, could've been leaned into more to give the setting a distinct feeling.

number three - olympia soiree

heroine: 8/10 story: 8/10 characters: 8/10 art: 10/10 enjoyability: 10/10 favorite characters: akaza (yoshitsugu matsuoka), himuka (shun horie), and yosuga (yuma uchida)

in olympia soirée, the eponymous heroine, olympia, lives in a society divided into castes based on colors. she is the last surviving member of a clan that can perform rituals to keep the sun aglow. this game is a lengthier title, i believe i clocked in around 25 ish hours (i don't use auto-play so that sheds some time). the story benefits from this, as olympia has rich worldbuilding and lore that's revealed throughout the route's progression.

we get to see the consequences of this caste system and olympia's growth as she becomes determined to realize a better future for the islands. this makes the heroine someone that you want to root for. personally, i'm a sucker for stories that center around a sheltered individual being forced to face the harsh realities of the world and maturing in their own way. this, paired with the struggles specific to this setting, make for a gripping backdrop for the character's routes. all the love interests have problems of their own that they need to address.

this is certainly a mature title, there's plenty of steamy scenes featuring gorgeous artwork. seriously... all the pretty CGs are absolute eye candy. i enjoyed the balance between the main narrative and the development of the romantic relationships, i don't remember ever feeling bored.

ironically enough, i think this is the darkest game from the bunch listed here, surpassing the game with actual horror elements. there's a whole litany of trigger warnings to be mindful of when going through the game's bad ends. they are, as the term suggests, Bad. not light or humorous in the slightest. the poor heroine goes through it. please be mindful of these more touchy subjects.

number two - 9 r.i.p

heroine: 8/10 story: 8/10 characters: 9/10 art: 10/10 enjoyability: 10/10 favorite characters: minami (nobuhiko okamoto), hibiki (shunichi toki), kureha (toshiki masuda), and koyo (ryota suzuki)

i was looking forward to the english localization of this game before it was even announced ... i'd been wanting an otome game with this vibe for ages. and it didn't disappoint! there are four different overarching story sections, with two characters each having their routes fall under them. this makes it difficult to give a summary since each route has a vastly different feel. some routes lean heavy into supernatural horror (such as hibiki and kureha), whereas others are just... supernatural (like with yukimaro and koharu).

the basic premise is that the main character, misa, is a high school girl burdened with her career survey. she's uncertain what she wants for the future and is being pressured by his mother to pursue a career in medicine. in one way or another, depending on the story section, she comes into contact with the afterlife and those who inhabit it.

i loved this game, i couldn't put it down. the routes that leaned heavy into horror were my favorites, which shouldn't be a surprise lol. i do feel some love interests were given preferential treatment of others, i wanted more from sena's storyline in particular, since he's voiced by one of my favorite VAs (tetsuya kakihara, the voice of scaramouche) 😭... apparently this game is receiving a fandisc, so hopefully they'll remedy that in the future.

minami stole the show for me. from what i've gauged online, he's a divisive character, you either find him grating or love him (like i do). i'm biased but i do think he has the most interesting and well-written story out of the love interests, i've played through it three times already. i just adored the dynamic between him and the heroine. he's petulant, selfish, and a bit immature, yet he goes to extremes for her as he realizes his unhinged feelings.

hibiki is a close second. the most yandere-coded of the bunch, he's soft-spoken and polite, but that exterior hides a creepy personality. like all of the characters in this game, there's a tragic element to him. i was worried about the role the heroine would play in helping him 'overcome' this, but i think they handled it well. it doesn't feel like the heroine's fixing him so much as she's helping him have a different perspective on certain events.

yeah i'm not normal about this game, i cannot recommend it enough. it would've taken the top slot if some of the routes were a bit more polished. i didn't care for yukimaro's at all, for example. routes like minami's, hibiki's, and koyo's more than make up for it though.

number one - collar x malice

heroine: 10/10 story: 10/10 characters: 10/10 art: 10/10 enjoyability: 10/10 favorite characters: takeru sasazuka (daisuke namikawa), kei okazaki (yuki kaji), and aiji yanagi (masakazu morita)

the holy grail. the otome games that died for our sins. this isn't just a good otome game, it's an excellent story, with a very human cast, commentary on issues like the nature of crime, and you're left wanting to solve the various mysterious as much as the heroine does. speaking of the heroine, miss hoshino ichika is my all-time favorite heroine. she's clever, resolute, compassionate, and you can't help but fall in love with her a little yourself 😭😭

i'm not sure if this makes sense, but the world feels very... full? you get this sense that ichika exists outside just interacting with the love interests. she has her career, friends, and her younger brother that act as more than passing NPCs. the writers ensured all the characters with portraits are given some level of depth. i left caring about more characters than the heroine and love interests.

each route is dedicated to working through a certain case, which keeps the story intriguing as you progress. finally, all of the little hints that have been littered throughout coalesce into the 'true' route, where questions you've had since the first chapter are given satisfactory conclusions. at the same time, you're left wondering about a few things, such as the complete philosophy of the main antagonist.

ichika's relationship with each of the love interests develops alongside the case they're investigating, which almost always have connections or parallels to the LI's past. this helped ground them in reality and flesh them out into dynamic characters. you come to care deeply about them alongside ichika. the romance feels earned and doesn't come on too fast, which some otome games suffer from.

if you like otome games and haven't played collar x malice yet, i fully recommend it!!!!!!!! it's the strongest title from what i've played so far.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”