#and some headcanons

[the-moral-of-the-rose]

Yesterday Road, Today Road, Tomorrow Road...

Perhaps it's just another manifestation of my overthinking, but it seems to me that the three paths in Long John's Bush might have been written as a metaphor for Emily's life. Each path seemed to be somehow linked to a person who was important to Emily.

The paths were named by Emily and her friends, because: "The To-day Road is by the brook and we call it that because it is lovely now. The Yesterday Road is out in the stumps where Lofty John cut some trees down and we call it that because it used to be lovely. The To-morrow Road is just a tiny path in the maple clearing and we call it that because it is going to be lovely some day, when the maples grow bigger." (Emily of New Moon).

TO-MORROW'S ROAD (EMILY'S AMBITIONS AND DREAMS. TEDDY KENT):

The metaphor of Tomorrow Road was most clearly outlined. On the one hand, of course, it symbolized Emily's passion for writing and her ascent to the Alpine Path of glory and fame. As for the character with whom Tomorrow Road was most closely associated, it was Teddy Kent.

First of all, To-morrow Road never changed its name, even though by the time Emily reached her early teenage years, the maples grew big. In Emily Climbs, Tomorrow Road became the place of Teddy and Emily's meetings, where they shared their dreams and hopes for the future: "Then Teddy came for me and we walked together up the field and through the To-morrow Road. It is really a To-day Road now, for the trees along it are above our heads, but we still call it the To-morrow Road—partly out of habit and partly because we talk so much on it of our to-morrows and what we hope to do in them. Somehow, Teddy is the only person I like to talk to about my to-morrows and my ambitions. There is no one else." (Emily Climbs).

To-morrow Road was a place that marked the milestones for both Teddy and Emily (Teddy especially). Here he told Emily that his mother decided to allow him to attend Shrewsbury High School; here he told her that he had received an art scholarship and was going to the college in Montreal. Here he proposed. Here she was waiting for him with Dean's letter.

It seemed to me that Teddy and Emily's relationship was all about the future. Thorough Emily Climbs they seemed to think that they couldn't be each other's "today", because they both had their own separate dreams ("to-morrows") to conquer before they would be free to set on their rainbow quest together. (Side note: Montgomery skillfully mentioned that To-morrow Road was in fact - already To-day Road).

By the end of Emily Climbs, as their romance started to blossom, Emily's initial reaction was fear. Early on, she realised that she served a jealous goddess. We didn't get a glimpse into Teddy's feelings, but it was obvious from the start how ambitious and passionate he had been for his art. Perhaps it was something more than just a fear of Emily's refusal that drove him to silence when he had meant to ask her to wait for him? The scene itself happened on To-morrow Road (another symbol that it wasn't their time yet, perhaps?). During this scene, they both experienced a clash of two extremely strong passions: on the one hand, the desire to improve their art and fulfill their ambitions and dreams, and on the other - an awakening love. Teddy, before leaving for Montreal told Emily that there were two things in life that he had wanted "tremendously", but never told her that having her as his wife was one of these things.

I wonder if Juliet and Douglas Starr's tragic story might have forced Teddy's silence. Douglas Starr had once been young and ambitious too, but wouldn't have been accepted by Murrays because of his poverty. The result of this love was tragic; Juliet's elopement broke her family's heart and both she and Douglas died early, leaving Emily all alone. Perhaps Teddy felt that he might have been tolerated as Emily's friend, but not as her suitor. Since he seemed to doubt in his own success (especially since his chosen profession rarely resulted in a fortune), he might have been more likely to keep silent.

One quote of this scene between Teddy and Emily has always intrigued me:

"We walked along the To-morrow Road—[...]—until we reached the fence of the pond-pasture and stood there under the grey-green gloom of the firs. I felt suddenly very happy and in those few minutes part of me planted a garden and laid out beautiful closets and bought a dozen solid silver teaspoons and arranged my attic and hemstitched a double damask table-cloth—and the other part of me just waited." (Emily Climbs).

Because... was it possible that she had seen herself from the future? This was the exact spot where Teddy reconciled with Emily by the end of Emily's Quest. Where he had finally confessed his love [1]. But, most importantly, this was also a spot of the very last scene of the trilogy: Emily, waiting for Teddy to tell him that Dean had gave them a Disappointed House as a wedding gift [2]. There was a certain symbolism in Teddy coming to her - the exact opposite of To-morrow Road's scene that took place in Emily's Climbs, where it was Emily who went away, leaving him alone: "Teddy was looking at the dim gold of Blair Water and scowling. Again I had a feeling that night air was not good for me. I shivered, said a few polite commonplaces, and left him there scowling." (Emily Climbs).

In a way, their story came into full circle. They both achieved success and overcame their own biggest faults (pride, insecurities, selfishness, vanity). Unlike their seventeen year old selves, they got to know what loneliness meant - they found out that their ambitions were not enough to fulfill their heart's desires.

By the end of trilogy, Emily and Teddy still had their own "Alpine Paths" to climb, but from this time, they would have each other's help and support. They also had the dreams of future they share: of home, fireplace, toast and bacon and marmalade.

YESTERDAY ROAD. THE PAST AND FAMILY TRADITIONS. LOST DREAMS. JULIET MURRAY, DOUGLAS STARR, DEAN PRIEST.

Yesterday Road symbolized the past, for it used to be lovely once. Perhaps it might have been a place where Douglas and Juliet used to meet (their own "To-day Road"). For each member of the Murray family, Yesterday Road might have had a different meaning. For Elizabeth, it could have symbolized either her youth, either a period when Juliet was a child; for Laura - her former love for Dr. Burnley; for Jimmy - his lost potential; for Juliet - her childhood, family, first love.

For Emily, Yesterday Road symbolized family traditions (the chapter in which Cousin Jimmy told her family stories was titled "The Book Of Yesterday") as well as her parents' love story. All that shaped her as a woman and a writer, but also nearly became an obstacle to fulfilling her dreams. Due to Juliet's elopement, Aunt Elizabeth almost kept Emily from receiving an education. The whole family tried to marry Emily off to cousin Andrew, so that Juliet's story wouldn't repeat itself. During Emily's later years, Yesterday Road might have symbolized Emily's lost hopes and dreams.

The person who directly referred to Yesterday Road was Dean Priest: "I shall carry pictures of you wherever I go, Star," Dean was saying [...] "pacing up and down in this old garden—wandering in the Yesterday Road—looking out to sea." (Emily's Quest).

In the second part of the trilogy, Dean Priest directly admitted that he was aware that Emily's future would not be his future: 'I hate to hear of your to-morrows—they cannot be my tomorrows.' (Emily Climbs).

During the year that he and Emily had been engaged, Emily rarely thought about the future, and felt anxious about it: "Always to be afraid of to-morrow? Content—even happy with to-day—but always afraid of tomorrow. Was this to be her life? And why that fear of to-morrow?" (Emily's Quest). In the rare moments that Emily thought of her future, she saw Teddy, instead of Dean in those visions. "She saw herself there in the future—flitting through the little rooms—laughing under the firs—sitting hand in hand with Teddy at the fireplace—Emily came to herself with a shock. With Dean, of course, with Dean. A mere trick of the memory." (Emily's Quest).

Perhaps Emily didn't understand what Dean subconsciously realized: that he would never be able to fulfill Emily's future: "to let myself dream something that couldn't come true—that I knew ought not to come true—" (Emily's Quest). During the year they spent together, he allowed himself to dream, but was left with nothing more than memories and ashes. And so, for Dean a Yesterday Road symbolized the one golden year of his engagement; the only glimpse into real happiness he had ever had. Emily became his yesterday. It is interesting how he worded his letter, containing his wedding gift: "And some day I will come to see you in it. I claim my old corner in your house of friendship now and then." (Emily's Quest). Again, he doesn't refer to her future, but her past ("my old corner").

TODAY'S ROAD: CHILDHOOD. FRIENDSHIP. ILSE BURNLEY.

Today's Road symbolized Emily's happy childhood and her friendships. It is the one path that never seems to be stained with bitterness or regrets. As for a character that simply screams "TODAY" - it is obviously Ilse Burnley, who never seemed to care about the past or think of the future:

"As far as Ilse was concerned it seemed as if no quarrel had ever taken place. “Why, that was yesterday,” she said in amazement, when Emily, rather distantly, referred to it. Yesterday and to-day were two entirely different things in Ilse’s philosophy." (Emily of New Moon).

"Ilse was growing, too, blossoming out into strange beauty and brilliance, knowing no law but her own pleasure, recognizing no authority but her own whim." (Emily of New Moon).

"Ilse had always been a merry, irresponsible creature." (Emily's Quest). "All her life she had done exactly as she wanted to do whenever the whim took her. No sense of responsibility whatever." (Emily's Quest).

Besides, Ilse seemed to be the contant "today" of Emily's childhood and youth. She couldn't be Emily's "to-morrow", though, for both girls would have to carve their own separate futures, build their own homes in which the other one would be a cherished guest: "we'll visit each other, you and I—and compare our children—call your first girl Ilse, won't you, friend of my heart—" (Emily's Quest). Emily didn't seem to mind visiting the house Ilse was going to build with her imaginary husband; but she did mind being a guest at Teddy's house, few years later when Ilse repeats her invitation: "When Teddy and I come back and set up house in Montreal you must spend every winter with us, darling. New Moon is a dear place in summer, but in winter you must be absolutely buried alive." Emily made no promises. She did not see herself as a guest in Teddy's home." (Emily's Quest).

That's perhaps the difference: Ilse would be a vital part of Emily's future and vice versa, but it would be their husbands who'd be a part of their to-morrows. Even when Ilse got married to Perry and the three friends reunited, Emily's life wasn't complete. Perhaps it couldn't be, because Ilse - dear as she was - couldn't fill a certain longing in Emily's heart and soul - the voice that needed Teddy's love and presence.

Headcanons for the Long John's paths:

Juliet and Douglas used to walk through Yesterday Road. He asked her to marry him there. Before she eloped, Juliet had a good cry there. She was thinking of her half-sibling and her father - she loved them fiercely, despite everything.

Teddy and Emily said their wedding vows in Long John's Bush, under the firs where they used to meet and where they reunited. (Both Aunts were absolutely mortified by this idea). Or, if it wasn't an official ceremony, at least they had repeated the vows there. (Let's be real, Emily would definitely repeat her vows after the ceremony, changing "Frederick" into "Teddy").

The future generations liked playing on To-day Road.

The names of the paths were never changed, even if the paths themselves did.

The children of four friends invented their own names for the paths, though.

The quotes [1]-[3]:

[1] "Suddenly I heard Teddy's signal whistle in the old orchard. [...] We walked along the To-morrow Road—it has grown so beautiful that one wonders if any to-morrow can make it more beautiful—until we reached the fence of the pond-pasture and stood there under the grey-green gloom of the firs. [...] I'm going to work hard—I'm going to get everything possible out of those two years,' Teddy said at last,[...] '"And when I come back—' he repeated—stopped again. "'Yes?' I said. I don't deny to this my journal that I said it a trifle expectantly. "'I'll make the name of Frederick Kent mean something in Canada!' said Teddy." (Emily Climbs).

[2] "It came clearly and suddenly on the air of a June evening. An old, old call—two higher notes and one long and soft and low. [...] It came again. And Emily knew that Teddy was there, waiting for her in Lofty John's bush—calling to her across the years. She went down slowly—out—across the garden. Of course Teddy was there—under the firs. [..] He put out his hands and drew her to him, with no conventional greeting." (Emily's Quest).

[3] "How very—dear—of Dean. And I am so glad—he is not hurt any longer." She was standing where the To-morrow Road opened out on the Blair Water valley. Behind her she heard Teddy's eager footsteps coming to her." (Emily's Quest).

[thequalityrunaway]

Late again! - Trick and Treat (day 11 and day 12) in one, as a treat to myself to fun robot anatomy (then trick myself into colouring it all).

Headcanon:

Squall is a cyborg mercenary, he works for Balamb (they sponsor his repairs, upkeep, and upgrades). Codenamed: Griever.

He is 70% mechanical, and does not remember how he came to be this way. The last thing he remembers is receiving mission orders three years ago …

Still their best agent, even though he is more machine than man, Squall struggles to adjust to his new life and body, often relying on his cute and sassy mechanic for repairs and support.

Cloud is an undercover agent acting as a mechanic and cyborg doctor, working to rescue cyborgs from organisations that deny their humanity and rights.

He's never been able to prove that Balamb is abusing their cyborg staff/soldiers, but legally a person can only be 40% cybernetically enhanced, even on the point of death, and Squall is almost double that.

Griever is a closely guarded secrets in Balamb, and Cloud wants to find out why.

[artstetic-real]

happy pride. or whatever

[macaronniart]

putting astarion's sewing skills to worthwhile use

[violent138]

It would be so funny to have Bruce reckon with his kids' weird forms of schooling. For obvious reasons, a bunch never finished much/are in the process, but he turns to Tim, and goes, "At least you've got your high school--" and Tim gives him a look.

In the midst of babysitting Bruce, concocting a fake uncle, and dealing with vigilantism, and the inability to crawl of out bed after training, Tim hasn't been to school in years.

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[krysmcscience]

Call this the Whoopsie AU (it's barely an AU)

I mean. Narinder never explicitly SAID the Lamb would stay dead... :3c He probably should have been more specific. >:3c

Part Two:

Well. The Lamb tried, but...sorry, Nari, the crown hates you now. Shouldn't have been so quick to lend it out, I guess. :D

Aaaand Part Three:

'Isn't he just adorable?' -The Lamb, probably, while their followers smile and nod and internally scream at the brand new hellcat they now have to share living space with...

Anyway, nothing says 'Dead To Me' like following a person around to loudly remind them of how dead they are to you. Right? Right. Narinder's got this all figured out. <:]

[haveihitanerve]

Gotham fucking loves Brucie Wayne

Some nice Brucie Wayne headcanons for you all

Hes an idiot and a dork but he makes social events interesting because who else would fall into the chocolate fountain?

At any social event where kids are invited as well he can most definitely be found with the kids, talking to them like they are adults

He never treats anyone as inferior unless they're dicks

He once punched riddler in the face because he interrupted a girls birthday party

He has an entire fashion line that is dedicated to giving people actually comfortable practical clothes

Hes an absolute unit in bed. For both men and women. (either top or bottom)

He once held a man upside down by his ankles and shook him until everything had fallen out of his pockets because he had used to be a bully and was now a dick

Can and will walk teenagers home if its late at night. 

Always tips very generously

He was once in line at a batburger and there was a karen yelling at the poor 16 year old cashier and he walked to the front and just started sticking 100 dollar bills into the tip jar with the nastiest smile aimed at the karen. ‘The more you yell the more i tip.’ (the cashier was, coincidently stephanie brown, and she high fived him)

He has a social media but never uses it unless its to draw awareness to a certain cause or to show off his children. 

He also posts beautiful pictures of gotham, or of mundane everyday things, showcasing the beauty in life

(Is canonically a feminist)

Will protect waiters/servers/janitors from creeps or gotham elite who think theyre better than them

He stopped adopting kids but still pays for as many college tuitions as he can

Funded a city wide disability infrastructure plan so people with wheelchairs could go places too

He once rocked three guys with guns’s shit because they were attempting to molest these little boys

Punched a teacher in the face for making a student cry

Will at any time drop everything the second one of his kids asks him to

There is an entire instagram account dedicated to pictures of him helping old people cross the street

Once a month he visits inmates at the prison and offers them jobs

Genuinely cares for his workers and buys them houses and cars if they need it

Literally created gothams public transportation system and made sure it was free

Teamed up with poison ivy to make public gardens for everyone to enjoy

Funds clean energy research

Any celebrity fan mail he receives he answers personally

One time a little girl asked him to come to her birthday party and he did and brought presents

Taught an entire school basic self defense

Brucie Wayne may be an idiotic little shit but he is the Prince of Gotham and Gothamites would lay down their lives for him more willingly than they would for Batman.

[mint-mango]

narumitsu x that one scene in sk8 the infinity

matchablossom x unnecessary feelings

[zephyrchama]

[Thoughts about an MC who gets periods]

Getting periods in the Devildom must be pretty rough. Demons probably don’t get them, and the number of humans freely wandering around has to be incredibly low. If MC takes the form of a sheep then they likely don't have to deal with it immediately, but eventually that's going to wear off and they'll revert back to a human. Does the Devildom even have pads and tampons for sale?

MC might have to sheepishly ask Barbatos if he can acquire some in bulk from the human world. Barbatos would remain professional as always when inquiring about the use of these products and their role in daily life. He'd have to report it to the prince. They're both aware of what periods are, but only in a vague "oh yeah, humans do that" kind of way. (Perhaps in the future, Lucifer could use his secret Akuzon account to order more?)

There's surely some plant or potion that prevents them, but they're not meant for long term use. Probably tastes nasty over time and covers human skin in a weird oozing rash if consumed too often.

A month or two into the exchange program, MC might have to call up Solomon for aid.

---

“Can you help me with something?”

Solomon, not too interested in MC yet, agrees just to be amicable with his fellow human exchange student. They must be scared! They must be missing humans! “Is something on your mind?”

“You know how to do magic, right?”

What a silly question. It’s almost refreshing to hear. “I do.”

“Do you know… like, uh, smell…? Reducing magic? Something to cover up smells? Without being obvious, I mean. I feel like I stink and I was really hoping you could help me figure something out.”

How cute, he thinks. He can’t quite remember the time when he smelled fully human anymore, and he can’t really smell the distinct odor on people that demons can, but he knows demons can easily sniff out a human from afar. “Oh, don’t worry about that. It should go away on its own as you spend time here.”

MC isn’t convinced. “I don’t think it will…”

“Trust me. How are you finding Devildom cuisine? I know you’re not used to it, but eating more will help you adjust. I can whip up a few simpler dishes for you to try if you need help.”

MC is silent for a bit. Solomon thinks his job is done until they say quietly, “that’s not the problem.”

“What?”

“I’m pretty sure the brothers I live with can smell, uh, my cycle.” No use being coy about it, better get straight to the point. “They stare at me when I’m on my period. I think - no, I know - they can smell the blood. I’ve seen them sniff the air when I’m around. It's weird. And I can’t exactly stop it from happening every month.”

“Oh.” Now it’s Solomon’s turn to be quiet. He’s embarrassed and surprised, a little humbled, and also really interested in this problem. It’s not something he’s ever thought about before.

MC continues, “I think they can tell when I’m ovulating too, Asmo started lingering around more often, and Lucifer looked scarier than usual, and they all stare more, and-”

“I think I get it.” Solomon can’t stop his face from turning pink. Despite his usual grin, he doesn't think he’s ready to listen to the rest of MC’s sentence.

There should be an easy solution, but it’s something that warrants testing if MC doesn’t want the brothers noticing a sudden spell cast upon them. It could get mistaken for something malicious. Solomon says, “I might be able to help. Can you come over today?”

[supine-ly]

clay doodles

[hiort]

what marinating in my head does to unassuming characters

[ink-ghoul]

hermit fanon swap - an art game!

Reblog this to let your followers know they can send art requests to your ask box

if you are a writer you can also reblog this and make little snippets about hermits and their new traits

Vex!Grian and Avian!Mumbo as fun examples

Artless version behind the cut:

[what-am-i-doing-in-this-fandom]

Suddenly, bell bottoms aren't so bad

Bonus sketch, because I had to vv

"Stop checking out my assistant, Stanley."

[doodledrawsthings]

Yi and Heng doodles

[idkaguyorsomething]

“apollo wrote the hamilton musical in pjo” “hermes wrote the hamilton musical in pjo” you fools. ¿have you forgotten who the greek god of theatre is?