#and some aro too

[dead-inside-demiboy]

Im sorry but being aromantic and/or asexual is such a beautiful, complex identity that opens up almost endless possibilities and interpretations about sex and romance and relationships and struggles within those,

and i will always absolutely LOATHE how both the outside and the aro/ace community itself have boiled these identities down to just "doesnt have sex" and "doesnt date"

[estragonsgayass]

[cosmicredcadet]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[heartless-aro]

People when a character is aromantic or aromantic coded: Wowie! They’re aroACE! Because they aren’t interested in romance! Look at how aroace they are!

People when a character is aroace or aroace coded: Isn’t it cool that this character is asexual? Asexual icon! They’re such great asexual representation :)

[queerum]

aromantics are way too comfortable implying friendship is the most valuable part of life to bitch about alloros doing the same thing with romance

[the-clotpole-and-the-disgrace]

barbie is one of the best aroace characters ive seen on the big screen yet. in a world where aspecs are slowly getting more recognition, hence increasing the targeted negativity from others that comes with not confirming to societal standards, having such a well known character not only have no interest in sex or romance while others in her environment do, but showing that her lack of romantic or sexual feeling is not something that stands in the way of her being her true fulfilled self sends a powerful message against amatonormativity. in this essay i will

[meaningless-mayhem]

Being asexual and possibly aromantic but also being a huge shipper and hopeless romantic is such a wild experience ngl. I'm always freaking out about my favorite ships and giggling internally reading ship fics, getting invested in characters finally kissing or reading about their pining and their love and I think "I want what they have!!"

But then sometimes you have a slamming realization that your sweet shipping scenarios you imagine in your head look totally different irl and that you are extremely aspec.

One time I went down a YouTube rabbit hole and stumbled across Vsauce's "Why Do We Kiss?" video and let me tell you. When I saw that stock video footage of two people kissing each other I was a little flabbergasted lmaooo

[sysig]

I was inspired from on high (Patreon)

[dukeofthomas]

Jason Todd's the aroace guy who doesn't realize he's aroace but is also not oblivious to how big a driving force sexual attraction is for other people. He's the type to dislike and judge men for thinking with their dicks so much and kind of think himself better than them because of the fact that he doesn't

[mr-president]

I think one of my favorite Funtermina things is how it uses characters as narrative foils, specifically in how those characters interact with each other and everyone else.

Karin and Daan’s is the most discussed as it’s probably the most apparent within the text: their volatile opposing viewpoints on life via their upbringings (despite being extremely similar otherwise). When Karin and Daan interact, it’s like a person arguing with themself. They clash like ammonia and bleach, unable to reconcile how similar they are (haha cleaning chemical analogy) yet toxic in their association.

Marina and Levi represent the different realities of Prehevil, what with Marina’s privileged upbringing versus Levi’s absolute shitshow of an existence. And yet, they get along incredibly well and form a cadence with one another because through each other, they can reconcile their upbringings in Prehevil. Levi is the Prehevil Marina tried to escape—Marina is the Prehevil Levi hoped to return to.

Marcoh and Olivia are interesting because—and I will argue this to the death—their relationship is wholly as siblings. And they’re also deeply connected by their relationships with their sisters, specifically how those sisters formulated and defined how they see themselves. Marcoh has done nothing but live to protect his sister, while Olivia has forever lived in her sister’s shadow. Their identities revolve completely around their sisters, and this also colors their relationship with each other as siblings.

I wish it was explored more, but I think there’s a level of disenfranchisement when Marcoh fervently tries to protect Olivia the same way he protected his younger sister (edit: rb for amendment). He clearly sees her in that role, and Olivia’s already got guilt written into her about her disability making her a “charity case.” I say this also because of their different opinions on guns, power, and death: Marcoh has no bloodlust and seems exhausted when he has to hurt others, while Olivia becomes almost jubilant when she receives a gun. And those reactions to enacting violence are directly informed by their relationships with their sisters: a begrudging responsibility vs empowerment.

My favorite is probably Abella and O’saa as foils. As characters they’re probably my favorites, and their foil makes it even better.

Abella easily connects with everyone around her, ensuring that they’re all getting along (or not killing each other) and she tries desperately to help everyone, even at her own detriment. She cares, so much, even too much.

O’saa on the other hand, is the exact opposite. He actively chooses to connect with everyone as little as possible, to the point where you can kill someone in front of him and he won’t give a shit. This is, obviously, to his detriment in terms of his goal towards enlightenment. He cares too little, even if at all.

They perfectly represent the dichotomy between altruism vs selfishness, the mundane vs the macro, democracy vs individualism. Fundamentally, both Abella and O’saa get shit done, and what makes them so compelling as foils is how similar the results of their different processes are.

Both of them are the only two that are capable of saving everyone. Abella does so by interacting with many of the other contestants, while O’saa does this by ignoring everyone and just occam’s razoring that shit. They both get shit done and to the greatest net success, but in both cases, because they operate on extremes, it’s to the detriment of themselves. The game shows this literally because, well, they sacrifice themselves to Logic for the greater good, but the game also implies this detriment via their moonscorches.

Chaugnaur represents how others have reduced Abella to a sexual object for their pleasure or a mindless brute for labor. It is a physical manifestation of how interacting and connecting with others can be to one’s detriment because Abella often cannot control how people see and define her. Mastermind, on the other hand, is O’saa’s brain swelling and overtaking everything else on his head to the point where he is blind (save for the eye) and mute, only able to speak in mumbles. Mastermind is how O’saa values logic, knowledge, comprehension over anything else, becoming blind to other viewpoints save for his own. Additionally, it’s unable to communicate or connect with anyone else, only able to ruminate get never share its thoughts.

Abella is one of the first to Moonscorch; O’saa is one of the last. I love them as foils because even though they’re the most different in terms of anything, they don’t hinder one another at much all. They’re just kinda chill. And this makes sense because their dichotomies aren’t volatile like Karin and Daan’s, nor complementary like the others. Rather, they operate in balance—you cannot be too altruistic without some selfishness. To help everyone and to achieve enlightenment, you must consider both the mundane and the greater picture. Society operates on a shared democracy and on empowering individuals.

Still, the fact that even operating on the extremes has the greatest positive effect (in terms of utilitarianism) really says smth abt whether these values even matter. But I’d argue that they do matter, cause it’s that question of whether it’s worth it to suffer or even sacrifice for the greater good.

As a whole, each foil represents a central theme/motif of Fear & Hunger: internal vs external locus of control (Karin and Daan), environment dictating identity (Marina and Levi), relationships and their impact (Marcoh and Olivia), and the thematic shitshow that is Abella and O’saa.

Tldr; the game is about some girls and their boy best friends.

[ddlcbrainrot]

mmm just a bunch of my headcanons lol

[angryducktimemachine]

I think what I personally really enjoy about AroAce Rudyard is that I know, in my heart, that he would not ONCE spend a single thought thinking he was broken. This man is fully convinced everyone else is just being unnecessarily weird, which really resonates with me, who also spend like 22 years of his life not even considering the possibility that there's something "wrong" with me and that everyone else is simply a little overdramatic over love and sex.

[cosmicredcadet]

Some of you people need to stop acting so shitty over aspec stereotypes because it's starting to get to a point that you are just shitting on the people who experiences match the stereotypes and it's hurting a lot more aspects than it's helping.

[heartless-aro]

Instead of celebrating things that include the aromantic, asexual, and aroace flags/communities as “including the whole set,” we need to start asking why alloaros and non-SAM aros are not explicitly included where aroaces are.

[anistarrose]

My current version, of my ever-evolving theory, on what constitutes "aromantic stories" is that first off, there's absolutely a wide spectrum between 1, "this is explicitly undeniably about aromanticism," and 2, "there sure is a noteworthy amount of aro subtext, but representing aros clearly wasn't the author's intent." But the spectrum is best completed not as a straight line, but as a triangle, where the 3rd point is "the story probably wasn't created with aromanticism at the forefront of anyone's mind, but was created with subverting particular expectations related to romantic relationships in mind." And in my experience, a lot of juicy aromanticism-related experiences that are underrepresented in their own right can lie in that third option, regardless of whether the characters are aro-spec or allo or kind of whatever you headcanon.

So, what does make a story on this spectrum "aromantic?" IDK, I wouldn't necessarily include all or most of the firm 2s (unintentional subtext) under the aromantic story mantle. But when you get into the gray areas that inch a little closer to 1 and 3, let alone the gray area between 1 and 3 where intent is ambiguous but ultimately may not matter, it makes sense that different people will have different takes.

[bogkeep]

so a thing about FOMO is that sometimes it turns out things aren't actually that fun or enjoyable for you, and if they're not fun and enjoyable for you, you're not actually missing out on it. there's many things a lot of people are really super into, and it will often feel like you are Wrong for not being into it, and that you're missing out on the thing because you keep doing it wrong. but no! sometimes that thing is just not compatible with how you enjoy things!!

roller coaster for you may feel fantastic and exciting but for me it feels very bad and terrible. i am not missing out on the roller coaster experience by not doing the thing that feels very bad and terrible. the good roller coaster experience was never an option for me to begin with! i may be envious of the way other people have fun on roller coasters, but i enjoy other things that other people cannot relate to. so it goes! diversity of human existence strikes again!