#and so... while i was at my wit's end... i remembered... like an anime protag having flashbacks... the artists that drew him in pixiv!!!

[aria0fgold]

The amount of pain and agony and suffering and struggles that this side-view head of Cain subjected me to is so insane I began contemplating my life choices up to this point in time but finally... FINALLY I'M DONE WITH HIM GOODNESS GRACIOUS THAT WAS PAINFUL!

[animecreator3000]

About the Boueibu iceberg

@delphoxqueen asked me to explain about my list for the iceberg so here it is. I might update this from time to time with links and stuff if I stumble across the original posts. This is all from what I know so feel free to add new info. Also, spoiler warning for RobiHachi and the Boueibu manga and novels. (This is like a masterpost it’s very long)

1. There’s a theory in tumblr about which decade the series is set in, using data like the friday the 13th calendar in s2 ep11. In HK we got a second number for when the next monthly Pretty Boy Contest was happening and using the one from Love it was theorized that around a decade had passed since then, which ended up being true.

2. The stage play had a few original songs and characters exclusive to it so unless you watched the full performance, you probably weren’t able to witness all of them. One of the characters is called “Robato Deniro”, as romanized in the stage play booklet I own.

3. The nurse and the cafeteria staff from the s1 mobile game appear in the background in around the first half of s2 ep3.

4. S2 had an unfinished manga that was only available online and was never released on physical format; it was centered around the defense club and sometimes the conquest club and Beppu brothers. All that’s left from what I know are the scans linked on magicalgirlsandcerulean’s blog.

5. This isn’t that obscure because it’s talked about in the anime, but I’m mentioning it because I think many people dropped it before the ova, where right at the beginning it is revealed that the alien that resucitated Mr. Tawarayama twice was, as described by Io, a “mulberry-colored naked mole rat-looking thing”, and was nicknamed “Moley-san” by Yumoto. At least in the anime, we had never heard before of who this was and it never appeared on screen nor was mentioned again.

6. In HK ep8, Karurusu promises the knights to grant a wish if they show him how earthlings spend summer. Kyoutarou reveals at the end of the episode that he wished that summer lasted one more day so he could spend it doing nothing, which prompts Ichiro to theorize that it’s the 32nd of august, and the next day is the second 1st of september.

7. The stage play was was held from march 10th to 13rd, of which the latter is Ryuu’s birthday. There’s an additional recording of a small celebration with cake focused on Ryuu and Io.

8. Atsushi mentions his older sister in the flashback at the beginning of s1 ep4, but she never appears or is mentioned again.

9. There’s a few posts on tumblr theorizing about what happened to the Hakone parents since Yumoto only says in s2 ep3 that according to Gora, “they are busy with their hot springs tour”. En mentions that it’s a bit suspicious, but it’s all the information we have from the anime. Posts talk about the parents perhaps passing away from an accident or an illness, thus the reason why Gora was so worried about Yumoto’s cold in s1 ep10, but from another post I think it’s implied in the second novel that they actually left their home when Yumoto was still a toddler.

10. It’s no secret that the surnames of the characters are all real onsens in Japan that even the seiyuus have visited, but apparently the Arima onsen has two different kinds of water, “kinsen (gold hot spring)” and “ginsen (silver hot spring)”, with different properties each, and the Kusatsu onsen water also has certain properties, both that were used to build the characters. Additionally, Ryuu’s favorite food are Sato Nishiki cherries, which are grown in the same prefecture, Yamagata, as his onsen, Zaou.

11. The press club lose relevance after s1, with only Kinosaki and Tazawa reappearing briefly in s2 ep2 to interview the Beppu twins after they arrive at the school. Tazawa doesn’t even have lines. Hireashi is mentioned by Zundar in ep11.

12. What the heck

13. Exclusively in the manga we see that Arima met Kinshiro and Atsushi when they were little and they were good friends, but when they met again as adults, Kinshiro seemingly didn’t remember Arima. Atsushi, however, stated that Kinshiro’s talent is remembering people’s faces and names, so Arima wonders if he’s just trying to distance himself from him. He also explains to Akoya that he follows Kinshiro and obeys him because as a child, he was fascinated by his radiant smile. This is never talked about in the anime.

14. Like the previous point, the anime never shows Akoya being bullied, at most just a slight dislike of his full name, but the manga shows that he was made fun of for it and how he actually hates his surname, to the point of introducing himself formally to the president and vicepresident of the student council as “Holy Angel Akoya”.

15, 16, 17, 19. Batonama lives were the livestreams done through the franchise by the defense club seiyuus on youtube and niconico. They’re all on youtube, without any kind of translation.

Love-ko is a girl with a shell bikini drawn on a piece of cardboard that was used as a girlfriend in the Batonama Love! lives, acted by the seiyuus themselves.

RobiHachi has one episode full of official Boueibu artwork and a parody of the series too, a Love-ko doll appears, and Wombat appears as well, named “The Don”. It received an english dub, so for a bit, people were excited that Wombat was going to speak in english too. Also, various mechas appear in both Boueibu and RobiHachi.

18. The director of Fairy Ranmaru (Masakazu Hishida if I’m not wrong) revealed in an interview that he was inspired by Boueibu and aimed to make a show like that.

20, 21. The website super-groupies.com has results for defense and conquest club lingerie sets, dc and VEPPer tote bags, the Beppus’ scarf rings, dc bath sets and the pumps magicalgirlsandcerulean mentioned. I’ve found the s1 Loveracelets and Caerula Adamas’ ring on different sites, the True Loveracelets on TheChara’s twitter and the Happybraces (apparently called “Hapibure”) on broccoli.co.jp but I’m not sure where exactly they were all announced and sold, so I’ll just drop that.

22, 33. Boueibu was originally pretty much a copy of Sailor Moon, I think they were all going to be called “Lackluster Moon” and that stuff and be literally Sailor Moon genderbent. They were all different from color palettes to physical features (except Yumoto’s), and Ryuu was a shota, even smaller than Yumoto. Their names were also very reminiscent of the five Sailor Senshis’. Even if they made it more original, the show is still clearly inspired by Sailor Moon (just look at Caerula Adamas lol) and Pretty Cure. It has also referenced, very blatantly, animes like Doraemon, Detective Conan, Aikatsu and even Vocaloid, when Kyoutarou tries to guess what Karurusu is saying with ““Just Google It, Asshole”?” in ep1.

23. Wombat’s real name and the name of his planet sound like gibberish to the earthlings and ends up being named after the Earth animal, but Zundar, Dadacha, Karurusu and Furanui all have original names. And I think Hireashi means “goldfish”?

24. If you google “zundar technology”, it’s actually a company in Shanghai, China. Aren’t Wombat and Zundar always talking about “advanced alien technology”?

25. Zundar and Dadacha are siblings, so are Karurusu and Furanui, and so are their father King Kamopapa and their uncle minister Wao, but neither are the same species and, except the first two, not even the same color. But they are supposedly related because they share birthmarks or something like that...

26. Everyone who’s in this fandom knows about the pixel blur and voice pitch censor from s1, but I’ve added it anyway because it’s so rare for mahou shoujo and shounen animes to explain why the heroes aren’t recognized when transformed.

27. A good while of s2 ep11 is spent discussing Zundar’s ex-wife and his problems to give child support. Naturally, he gets mad at this.

28. “Money doesn’t betray” (s1 ep6) and “The despair hidden behind your smile that comes from not being understood” (s3 ep11) are sentences that came out of nowhere and implied that the people they were said by (Io) or about (Taiju) respectively had some kind of angst going on but were never explained at all. They’re famous for just that.

29. The Beppu twins’ house in Andromeda shown in flashbacks had strange green circles that apparently are from another anime I don’t know but honestly I didn’t get it very well... It was revealed on a tweet from Takamatsu.

30. Alien language mostly appeared in s2 due to the many flashbacks of Aki and Haru in Andromeda, but in Boueibu s1, it appears on the Zundar Needle before it is shot on the human. It appears a lot through RobiHachi as well, due to being a story about travelling through space. There might be an alphabetical chart somewhere, but I can’t assure it exists, I might even have dreamed it.

31. Hikaru Midorikawa as the melon monster, Kousuke Toriumi as the bishounen monster, Yoshitsugu Matsuoka as the kotatsu and panda monsters and Takuya Eguchi as the remote controller monster in s1 and 2, before going on to voice the main cast in HK. Keisuke Koumoto voiced Hatchi Kita in RobiHachi as well as Akihiko in Boueibu, and the characters look similar.

A new addition is that so far Boueibu is the only anime I’ve seen where children weren’t voiced by female seiyuus, but by actual children. Personally, it’s charming and makes it so much more realistic, specifically since no women appear in the franchise at all either (not counting Protag-chan in the game).

32. Speaking of seiyuus, Can I Destroy The Earth? had a dub shown in ep11/12 (?) that made Gora the villain that wanted Earth to stay the same and not progress, against the monsters that supposedly wanted to bring good things to earthlings. Aki and Haru quickly dismissed this dub as fake. (I made a mistake in the title in the previous post btw)

34. As seen in the glossary in the Boueibu Mook (I think, but might not be the mook), Caerula Adamas’ speeches are based on an old japanese detergent commercial that went “Gold, silver, pearl, gift”.

35. In the manga there’s a short parody of the first chapter of Sailor Moon with “Pretty Boy Guardian Gakuran Akoya”. The conquest club manga was released before the anime, so I remember reading somewhere that a fake website appeared for the Gakuran Akoya manga, before turning into the conquest club manga website in the day of its release.

36. Cgi was used a few times in the anime: s2 ep10 for a short sequence of the defense club on a rollercoaster and the carousel monster, ep11 for a cenital shot of the Battle Lovers singing, and HK ep12 for the Honyalaland soldiers and the Wao mecha.

37. The toothbrush incident in s1 ep7. (It’s definitely well-known but it’s so weird lol)

38. “We hope we can see each other again someday!” Something along those lines was the last text to appear in the last episode of HK, implying a s2. We all know how that went.

[magioftheseas]

Boom Through Jabberwock!! Bang Bang!

Summary: An alternate/bonus scene spanning from Matsuda giving Ibuki a certain CD in Chapter 24 of Super Danganronpa 2: Matsuda Yasuke’s Battle of Despair and Wits.

Rating: PG

Warnings: None really.

Notes: It’s the yukata bonus scene but for SDR2 Protag Matsuda Yasuke. There’s a bunch more song references and extra banner. The yukata scene’s probably my favorite of the bonus events in sdr2, so it ended up being the longest. Hopefully that’s okay. It’s also much gayer. Because pride.

Read this fic among others HERE

Main story is HERE

Commission? Donate?

“If dealing with her is your way of dealing with guilt over Koizumi, then—I don’t think you could continue bothering.”

Mioda blinked again. Her mouth hung open, jaw slack before it began to tremble.

“Y-Yasuke-chan, that’s—way harsh! You’re making it sound like I don’t care about Hiyoko-chan at all!”

“It’s suffocating to have someone dote on you because they feel sorry for you,” he said. “It’s even worse when that person is floundering because then you feel bad for them.”

“Wah!”

“The fact that you approached me screams that you’re pulling your hair out over what to do about her.” Matsuda sighed, rubbing his nape. “That’s not remotely helpful. Gather your bearings first. Maybe...”

It’s not that I’m obligated to help, but it would be to my benefit that she and Saionji get along.

“When you kick the gachapon enough times, you can get prizes,” he finds himself saying, digging around in his coat to pull something out. “I happened to get this.”

This being the debut single of the band, The Black Cherries. Summer Festivitrees.

He tossed it to Mioda, but it just smacked against her chest as she gaped and he hurriedly had to catch it before it fell to the ground and broke before even having a chance to play.

“Um,” Mioda uttered as Matsuda handed it to her a second time. She didn’t take the CD. “W... Wow, Yasuke-chan.”

“No good, huh,” he guessed, waving it in front of her. Somehow, that did not make the CD more enticing. “Guess this kind of thing isn’t your jam.”

“I was just thinking that you’re fearless,” she said. “I mean—coulda guessed that from you and Nagito-chan being a thing... But seriously, that you’d have the brass to show me this...”

Matsuda’s frown deepened. His brow furrowed for good measure. However, when he pondered about what the fuck this girl’s problem could be, he could scrounge up a few ideas.

“Rival band?” he guessed, looking at the back of the CD. All it listed, of course, was the songs and artists and some copyright. “Or was there some stupid band drama?”

“Rivals!” Mioda confirmed with a chirp. “Did you not hear about all the hype of boys versus girls?! The battle of the boy bands and the girl bands?! The epic showdown of chicks and di—!”

“...isn’t battle of the sexes so last decade?” Matsuda asked, raising an eyebrow. “Hell, wasn’t it more thing two decades ago? Talk about outdated.”

“It super is,” Mioda agreed. “But that was just the press for ya. Out of time, out of tune, out of touch! My old band’s ticket sales and concert attendance numbers still got compared with the Cherries’ all the time.” She perked right up. “But out with the old, in with the new! It doesn’t matter to me because it’s old news about my old band!!”

“I see...”

“Music shouldn’t be about sales anyway!” she exclaimed. “Down with capitalism! Eat the rich!” A pause. She groaned, pained. “Oogh, Byakuya-chan would have been so yummy and chewy... I miss him so much...”

What the hell am I supposed to say to that?

“The meeting’s about to start,” he reminded her. “And...about Saionji...”

“This lightbulb has now been lit!” Mioda went right back to shouting, undeterred even as Matsuda grimaced. She just looked at him with bright, sparkling eyes. “Yasuke-chan, can I have you for the night?”

“...” His grimace darkened. “...”

“If you’re that busy with Nagito-chan, I gueeeeeeess he can come too,” she says, huffing before outright whining. “But you gotta give me an answer! Even if it’s not the story that I planned, I gotta hear your answer! I wanna know the answer!”

Matsuda squeezed his eyes shut, sighing as he pinched the bridge of his nose.

I really don’t want to, but...

“I guess I might as well go,” he grumbled.

“You should!” Mioda agreed happily. “GOOD answer! There wouldn’t have been much point in this bonus scene if you said no, Yasuke-chan!”

Matsuda stared.

“Ooh, so sharp! So cool! Cutting like the highest note!” she gushed. “Alright! The meeting time is two hours before the evening announcement! At the supermarket! No carts needed!”

Matsuda turned on his heel to hurry on ahead.

“Alright, then, guess that’s that.”

When she shouted some more, he didn’t look back. Only quickened his step.

--

After all the plot-relevant stuff of which the reader shouldn’t be concerned with right now, Matsuda did end up remembering the plans he made.

“Oh, right. It’s probably getting about whatever time that rocker girl wanted to meet up.”

“Oh, Matsuda-kun!” Komaeda exclaimed. “If you had already made arrangements with our Mioda-san, shouldn’t you have respected that first and foremost?”

“I had more important things going on,” Matsuda muttered. “Stuff more...relevant.”

“Geez, you’re such an asshole,” Hinata griped because he was here too for reasons. “Just hurry on. You shouldn’t keep Mioda waiting.”

“Eh.” He really shouldn’t. That said—“She said Komaeda can come, so I guess you should come, too.”

“H-Huh?! Why?!”

“Just...a feeling I have. Come on, you two.” Matsuda gestured for them to follow. “We’re heading to the supermarket.”

“Uwah, how exciting! Mioda-san’s kindness knows no bounds!” Komaeda gushed to which Hinata could only grumble.

“I feel like I’m just going to get pulled into extra work...”

Good news.

--

“O-nya-su-mi! O-nya-su-mi!” Mioda waved them over frantically from behind one of the aisles. “Ready for something to happen?!”

She gasped, gripping one of the cereal boxes with glee when she saw that Matsuda hadn’t arrived either alone or with just the resident crazy on the islands.

“Ooh, you brought Hajime-chan, too! I guess you do know the saying! Three’s a crowd, four’s a party!”

“Hey, Mioda,” Hinata greeted half-heartedly as she put the cereal back. Hinata strode up to her only to pause. What laid scattered before him was undeniable and he could only sigh at his fate. “Okay... What’s all this?”

When Matsuda got close enough for a look, he could see the piles upon piles of cardboard boxes. Komaeda, too, blinked at the sheer volume.

“Kaboom! Through summer!” Mioda exclaimed with a thunderous clap. “You can’t have a summer without fireworks!”

“I’ve had many of those,” Matsuda informed her without missing a beat.

“Loud noises make me a bit nervous,” Komaeda admitted before exclaiming, “How exciting!”

“Oh, right,” Hinata remembered. “Komaeda, on your student profile, it lists your dislikes as...”

“D-Don’t worry about it, Hinata-kun! It’s for the sake of hope!” Komaeda did in fact seem more nervous than excited. “Hope can come in loud, colorful bursts!”

“Eh...?”

“Filthy fireworks disappear into the sky!” Mioda sing-songs. “From Summer Festivitrees! Haven’t you heard it?”

“I don’t really listen to music that doesn’t play in anime,” Matsuda replied.

“Bang! Bang! There go my dreams!” Mioda gasped, but she recovered quickly. “Anyway!” With a salesperson grin, she gave a wide sweeping gesture towards the boxes. She even wiggled her hand while she was at it. “Boys, get those boxes! Let’s go! Set up!”

“Hah,” Matsuda huffed. “You could have gotten literally anyone to do grunt work.”

“Between the four of us, it won’t be too bad,” Hinata points out. “I mean...”

“Yeah, it’s a party!” Mioda agreed. “A super spicy party! Well—it’s a real party since I’ve already invited a few others! Chiaki-chan, Akane-chan, Mikan-chan, Sonia-chan—and did you know?! Hiyoko-chan’s gonna take pictures!”

...that’s good.

“Oh, and Nekomaru-chan juuuuust for Yasuke-chan!” she added, giving him a wink. “Everyone else already brought these fireworks in, so we’ll leave the rest to you! It’s Ibuki yukata time!”

“I suppose everyone else will be wearing yukatas as well?” Komaeda asked, to which she gleefully nodded.

“Yep! Sonia-chan’s gonna wear what she calls a Japanese yukata! So will Nekomaru-chan! Just for Yasuke-chan!”

“Great,” Matsuda griped, unenthusiastic. “What about us?”

“You want to wear yukatas too?!” Mioda yelped. “Unexpected! Aren’t the protagonists supposed to be the normies?! Or—wait! You want to see Nagito-chan in a yukata too, don’t you?! Sly dog! I should’ve known with my Ibuki sense!”

“W-What’s that mean?!” Hinata stammered. “I-I mean... Komaeda...!”

Komaeda blinked twice. His head tilted.

“I guess you’ll change into a yukata, too,” Matsuda told him. “I’ll look for some earplugs. Hinata will handle the boxes.”

“Wait why did I suddenly get saddled with all the work?! If Nidai’s here, he should help, too!”

“Nekomaru-chan helped during the day, Hajime-chan!” Mioda tutted. “Now, it’s your turn! Yasuke-chan has already asserted his dominance as top antenna!”

“What does that even mean?!” Hinata cried.

“Good luck, Hinata-kun!” Komaeda exclaimed. “Work your hardest so that your hope can shine your brightest! Oh, but, Matsuda-kun, please don’t feel obligated to...”

Aaaand Matsuda was already making his way down the aisle. No longer listening. A man single-focused on his mission. Mioda saluted him before marching on her merry way. Komaeda, too, left to go obediently change. Hinata, left alone, could only sigh.

Resigned to his fate, he began to move the boxes with only a mild grumble.

(Thankfully, once he found some earplugs, Matsuda did go back to help. He wasn’t that heartless.)

--

Thus, the night ended with a climactic series of colorful explosions in the starlit sky. Nidai whooped, Mioda cheered, and Sonia chattered excitedly.

Another burst. Nidai whooped again. Tsumiki was stammering in delight. Owari was happy, too.

The only one who wasn’t was...

“Pffft, so fucking lame,” Saionji muttered, but she snapped away with her camera. “It’s just because Mahiru-nee would’ve taken these pics...”

“The Ultimates are more radiant than any blossoming firework!” Komaeda exclaimed, voice uncomfortably loud as he likely couldn’t hear himself with the earplugs. “How wonderful! Sublime! Vibrant!”

Matsuda gave him a thumbs-up before gritting his teeth and adjusting the other’s yukata lest it be too revealing for this rather chilly evening.

Nidai whooped again, much to Nanami’s apparent confusion.

“Nidai-kun...keeps doing that...”

“It’s because when fireworks go up, you...whoop,” Hinata explained. He was looking away quite pointedly from a giggling Komaeda, his ears almost as red as a firework that just dyed the sky. Another whoop from Nidai as Nanami let out a curious hum.

“Girl power!” Sonia exclaimed.

“G-Go...burst...” Tsumiki stammered.

“Oh god, you two are so laaaaame,” Saionji groaned, to Tsumiki’s despair.

“E-Eep! I’m so sorry!”

“Oh! That’s a better face!” Saionji snapped with more enthusiasm. “Bwahaha! Pathetic weeping suits you waaaay more!”

“...Hiyoko-chan’s having a great time!” Mioda shouted. “Wahoo! Ibuki’s decisive victory!”

“W-What the hell are you talking about?!” the dancer shrieked.

“Lit ‘em up, Hajime-chan!” Mioda yelled, whooping with Nidai. “Do it, just DO IT!!”

“Got it, got it,” Hinata sighed, doing as he was told.

“After that one, we’ll trade off!” Nidai laughed. “You gotta enjoy these fireworks TOO, ya know!!”

Hinata did smile back, even warmer under another burst of color above.

“So lovely,” Komaeda cooed, and Matsuda didn’t care to ask if he specifically meant the fireworks.

Regarding everyone’s bright faces, made brighter by the fireworks, nothing else...really mattered.

The scent of summer enveloping the night. Goldfish fireworks trickling down, falling in drops,

Matsuda thought, remembering a song.

With eyes dazzled by the light, your gentle face was reflected for an instant.

When everyone parted, it was with a sense of satisfaction and accomplishment. One could even think it contentment if not for the erratic stumbling of a few stray thoughts.

[jcmorrigan]

I saw the tag- I am gonna ask you about the crossover universe- (omg I’m literally gushing about this)

OH, IT IS TIME!

 So you can find a lot of this on the “What is the WHAM ARMY?” page on my blog – I’ll try to remember to link it; I’m drafting this in a word processor first so I don’t use it. Essentially, this is the universe I’ve created for my fanfic “Taking Back the Crown,” which is about…basically my favorite villains all moving into the same house and trying to take over the multiverse. And then it got lore. And more lore. Because I cannot write anything normal. The fic is nearing its 150th chapter and I’m nowhere NEAR exhausted of all the ideas I want to put in it – it’s just my big playground for hyperfixation fun. Anyway, here’s a rundown of the major points of it!

 THE CAST

 The main characters are the eight villains who are the founders of the WHAM ARMY. The faction name is an acronym of their first initials. They’re my ultrafaves, the villains I always get fluttery heart for, and probably the biggest collection of losers you can imagine. I’ll put them in order of the acronym and give you some background on how each entered the team.

Wuya (Xiaolin Showdown) – So the connecting factor between these people is that Mozenrath (his name is a few slots down) is their team leader and the one who decided to build a team in the first place. Wuya was recruited when Mozenrath found her puzzle box in an ancient vault. This is set post-series for XS (and Chronicles is not at all canon), so what had happened is in the big Showdown right after Raimundo was named team leader officially in the finale, the Xiaolin Monks won ALL the Shen Gong Wu to their side and stuffed Wuya in the box. So Mozenrath found her and let her out so they could be pals. A magic potion let her regain human form fairly early on, and her power isn’t even nerfed either the way Chase Young would’ve done.

Huntsman (American Dragon: Jake Long) – ADJL is also post-series in this timeline. Mozenrath has the power to resurrect people from the dead at will because he’s memorized an ancient and incredibly complex ritual that he can execute mentally (note that this means you can remove this ability from him by tampering with his memories). The Huntsman was resurrected so as to show Mozenrath around the old Huntsclan vault (which is where they found Wuya’s puzzle box). No other Huntsclan member survived the purge except Rose (and 88 and 89, but they don’t count and aren’t in this story), so the Huntsman is starting from square one.

Ayam Aghoul (Aladdin: The Animated Series): Basically just got sick of losing. He’d teamed up with a few other rando Aladdin rogues to try and pick a fight with Maleficent, and she sent him packing. So he ended up finding one of the few residents of the Seven Deserts who was powerful enough to match him AND had a similar grudge against Maleficent.

Mozenrath (Aladdin: The Animated Series): The man of the hour and the creator of the entire team. He starts the fic by crashing Maleficent’s KH Disney Villain alliance and trying to add himself to it, but…ends up being such a disrespectful nuisance that Hades just drags him straight down to the Underworld. That moment inspired him to get his OWN band of friends and start making a name for himself.

Archibald Snatcher (The Boxtrolls): Met Mozenrath in the Underworld after his death in film canon. Annoyed Hades one too many times by claiming that he wasn’t actually supposed to die, seeing as he isn’t allergic to dairy (he is), so Hades threw him in the same cell as Mozenrath and…

Roman Torchwick (RWBY): I started writing this fic in 2016, immediately post-V3, so it’s canon-divergent after the last episode of V3 (but I got all the later-game characters to show up eventually). Which means Roman is ALSO dead at the start of this fic. He ALSO comes storming up to Hades insisting he’s not even supposed to be dead. At the same time as Snatcher is already pestering him. Which is how Mozenrath, Snatcher, and Roman end up in the same jail cell in Tartarus and get the idea that maybe they should break back into the world of the living and try to build something BETTER than what any of the three had beforehand.

Mad Madam Mim (The Sword in the Stone): Mozenrath, immediately after breaking out of the Underworld, attempted to take over Arthur’s kingdom by just walking in and throwing magic around. It backfired horribly when Merlin showed up. But then Mim showed up to counter Merlin and realized that maybe she had a potential friend here who was as blackhearted as she.

Yzma (The Emperor’s New Groove): Post-TENG, no KNG or TENS (but I reference things from TENS every now and again). Merlin turned Mozenrath into a rat, so Mim brought him to Yzma’s Secret Lab to change him back. There, they found Yzma as a cat, and she so desperately wanted out of her living situation that she added herself to the team. She was also restored to human form shortly thereafter.

 There is a potential ninth member of the core in the form of Vexen (Kingdom Hearts). KH is canon-divergent after DDD and basically ignores almost every game that comes out after Fragmentary Passage. Vexen, as Even, was trying to integrate into life as a hero in Radiant Garden, except everyone annoyed him way too much, so he decided to go be with people that would give right back any insults he dished out. And then realized he was much happier being on the evil team and doing mad science with no ethics. However, he will not be promoted to the upper ranks because 1. it would spoil the acronym and 2. he is unanimously agreed-upon to be the biggest wet blanket of the group and nobody wants him at the founder parties.

(Imagine my disbelief when the actual canon arc for Vexen was THE REVERSE ONE IN WHICH HE JUST DECIDES TO GO LIVE AT RADIANT GARDEN AND NOT BE ANNOYED BY ANYTHING and that’s why JC doesn’t like Kingdom Hearts III)

 Anyway, this crew is a bunch of silly friends who enjoy partying, singing, dancing, drag, indulging in vices, causing mayhem, taking over cities, arranging for mass murder, piecing together smear campaigns…but they’re all pretty much ride or die for each other. And that goes double for the ships of the set: Mozenrath/Huntsman, Mim/Aghoul, Wuya/Yzma, and my favorite ship to end all favorites, Roman/Snatcher (RedHatBlackHat is the ship name).

From there, you have a B-Squad of, like, seventy other people based on my faves. Nonnie, I know you saw this because of Vincent Edgeworth, Victor Blake, and Albert Krueger, and they are three of COUNTLESS examples. It’s a found crime family that keeps getting bigger as I get more fave villains and there’s hardly a rhyme or a reason. Currently, they live in a floating fortress designed when they stole Terra Cyclonia (Storm Hawks) and hefted it out into the aether between worlds with crystal technology.

 They have a rival hero faction in the form of the Cinnamons: a gathering of people who they’ve wronged who turned out to make pretty good friends themselves. While the WHAM ARMY are the villain-protag team that you feel slightly bad loving the escapades of, the Cinnamons are the rainbows, fluff, sunshine, (secret crippling depression and anxiety), and pep-talkers of the multiverse. They’re the deuteragonist team as opposed to the “villains” of the story. They also have eight “leaders,” but they were picked up a little less quickly than the WHAM ARMY founders, instead coming together over the span of a much longer quest. These people are:

Sora (Kingdom Hearts): Heart of the team and the person who pulled them all together, because Sora loves everyone. He, Riku, and Kairi witnessed the WHAM ARMY wreaking destruction on both Radiant Garden and Disney Castle, and Sora decided no one gets to treat his homes-away-from-home like that and get away with it! Between Mozenrath and the still-looming threats of Maleficent and Xehanort, he’s now collecting pals from all worlds to fight against evil and do as much good as they can do! (While having sleepovers.)

Ruby Rose (RWBY): Before she, Nora, Ren, and Jaune could get into Mistral, Sora interrupted them on their path and directed them right back around to Vale with the news that Roman Torchwick was back in action. After an incident involving the Destiny Trio and Team RNJR having to team up and actually kill the massive Grimm unleashed in the V3 endgame, they all headed out to Radiant Garden together to continue their mission.

Papyrus (Undertale): Sora found him while exploring worlds and they clicked immediately as pals. Then the WHAM ARMY, who was living in Mt. Ebott at the time, sparked an anti-monster racist sentiment through the town, and Papyrus was advised to leave the world for his own safety, so he went traveling with Sora.

Stork (Storm Hawks): Maleficent, who is also an active player in this game, made a power play by destroying the Condor with the entire Storm Hawks team onboard while they were on the Far Side of Atmos (post-series). Stork, believing himself to be the only survivor, attempted to take his own life – only for Sora to show up just in time and offer him something better: hope that his friends survived, and new friends to tag along with until they could prove either way.

Jasmine (Aladdin): The Cinnamons came looking to Agrabah for more information on Mozenrath. When Jasmine heard he was causing chaos, she decided to get personally involved.

Katara (Avatar: The Last Airbender): Post-ATLA, no LoK. Sora made a trip to the Fire Nation to see if he could head off the WHAM ARMY’s latest scheme, and ran into the Gaang along the way. After helping Katara, Aang, and Zuko protect the Fire Nation from a very near miss, Sora invited them to come travel with him. Only Katara accepted at first, the other two wanting to clean things up on their homeworld.

Kazuichi Soda (DanganRonpa): Post-SDR2, no DR3. Xehanort requested Izuru Kamukura be used as a vessel, and Kazuichi went in Izuru/Hajime’s place so his buddy didn’t have to. But the first chance he got, Kazuichi turned and ran from the Castle That Never Was…where Sora had just crash-landed. Kazuichi patched up Sora’s ship, and immediately became part of his crew. (Worth noting: in this AU, the Remnants of Despair were never brainwashed and were completely aware of what they were doing. Kazuichi is basically a redemption story, trying to be a better person to make up for the hell he caused. Also, while on the Despair side, he’d hacked off his leg to sew Junko’s in its place, disabling himself – that leg goes through an arc regarding what prosthesis is in its place.)

Rapunzel (Tangled): After the Vardaros arc of S2 of Rapunzel’s Tangled Adventure. Rapunzel was targeted by the WHAM ARMY because she was essentially a living MacGuffin for one of their spells. Sora showed up, and Rapunzel decided to go along with him for safety AND fun, leaving Cassandra to continue the pilgrimage to the Dark Kingdom. (Wrote this before KHIII was out. And before the Evil Cass twist.)

 And just like the WHAM ARMY, these folks have a huge B-squad that lives in the Radiant Garden castle and helps them deal with the various tragedies they have to clean up after. Riku, Kairi, and Jaune Arc in particular get a decent amount of stage time.

 As you can see, Maleficent (Sleeping Beauty/Kingdom Hearts) and her forces are another big set of chess pieces on the board! After she sent Mozenrath to gay baby jail and it didn’t stick, she’s been trying to continue plans for domination as usual but ALSO wipe the WHAM ARMY off the face of the multiverse. She, Jafar (Aladdin), Ursula (The Little Mermaid), and Hades (Hercules) all came straight here from KH. But I’m working to model that team’s inner circle on the team in “Quite a Glittering Assemblage,” the sister fic by gavillain (it’s basically this premise but Maleficent gets a team to start instead, but similarities end there, his is a whole different, fresh, and fun flavor). I’ve just gotten all these characters intro’d instory, but the other biggies are Loki (Marvel – I based him in the Cinematic Universe but he’s kind of just an amalgamation of Lokis), Dr. Doom (Marvel), Captain Hook (Once Upon a Time), Russell Edgington (True Blood), and Fish Mooney (Gotham). Currently, they operate out of the Forbidden Mountain in the Enchanted Dominion.

 There’s also a very new addition as of the 140’s chapters: the Heathens. This is a squad of villains with moral lines in the sand (and some antiheroes or corrupted heroes). Basically, these aren’t your killers for fun. These are the people who steal candy from the gas station and think they’re slick, but the point is they’re enjoying themselves so just let it happen. The four founders of this one are Harley Quinn (DC – based on The Batman but an amalgamation of Harleys that leans sympathetic), Yang Xiao Long (RWBY), Giovanni Potage (Epithet Erased), and Velvet Crowe (Tales of Berseria). Currently, they operate out of the old mansion in Twilight Town.

 The Xehanorts are here, and that team is largely who you think it is – though I stripped away Vexen, Demyx, Marluxia, Larxene, and Luxord in order to replace them ALL with Xaldin. More crossover shenanigans to come on this front. This team isn’t very active – they’re waiting for the Keyblade War – but they’re operating out of the World That Never Was.

 There’s also another side villain faction: the Morbians, led by Mirage (Aladdin: The Animated Series). These are the demons of fear, the stuff that lurks in your nightmares, and…the villains I really like but who I don’t quite think fit in with the WHAM ARMY or any other more prominent group. But to give you an idea of what the flavor of this team is, she’s recruited not one but TWO Boogeymen – Pitch Black (Rise of the Guardians) and Oogie Boogie (The Nightmare Before Christmas).

 There will be more villain factions to come, and I kind of want to splinter the Cinnamons to multiple bases as well. Obviously it’s easier to split villains up because they’re fun to write at war with each other – when I have hero teams come up against each other, usually they end up becoming best buddies instead of fighting, and that’s how I like it, but that’s why there’s just ONE BIG HERO TEAM as opposed to the many villain squads rattling around.

 THE SETTING

 So as you have probably gleaned, the multiverse setup is largely based on Kingdom Hearts, which is one of my favorite things (in the KH1 through Fragmentary Passage era anyway). There are many worlds that can be visited either by Gummi Ship or Corridor of Darkness. Basically any evil-aligned sorcerer can use Corridors in this ‘verse – they’ve opened their souls to Darkness and have magic, so they can do so.

 The implication is that every world represents a separate “story” or part of one. As in if it’s a work of fiction HERE, it’s a world THERE. Some characters are actually savvy enough to know they’re fictional (e.g. Megavolt from Darkwing Duck, Xayide from The Neverending Story). Most of them aren’t built to handle the news, though, and just shrug it off if told. (No, really, the cosmic order prevents them from taking that news seriously if they’re not from something that regularly leans on the fourth wall anyway.)

 But sometimes, things get AU’d in without their full worlds. I was inspired by how Final Fantasy is treated in canon KH, and once I started bringing in more FF stuff by the same method, I felt motivated to do that with MORE fandoms if I felt the characters could be divorced from their settings and histories easily. I’ve done it for most Disney Channel non-animated properties as well as Satellite City (ain’t that the worst combo you’ve ever looked at). I’m planning to do it for Fire Emblem: Radiant Dawn because I’m coming up on a location I want to delve into the civilization of but don’t have many canon characters for, so guess what, you get the FE cast now.

 Major worlds or relevant locations in play are the Cyclonian warship, Radiant Garden, Twilight Town, and occasionally the Enchanted Dominion, but we move from plotline to plotline with journeys to many, many, MANY worlds of things I want to play with the settings and casts of. Also, the Cyclonian warship is about to get replaced with another WHAM ARMY base; we’ll get there.

 THE STORY

 For the first major “book” of TBTC, the WHAM ARMY has found a spell that they think will let them conquer the entire multiverse by giving them control over Kingdom Hearts itself. All they have do to is collect a bunch of MacGuffins that correspond to twelve elements: fire, water, earth, air, light, darkness, life, death, time, space, entropy, and aether. In order to do this, they visit the worlds of KH, RWBY, Avatar, Storm Hawks, Okami, Undertale, Wakfu, The Legend of Zelda, The Neverending Story, My Little Pony: Friendship Is Magic, and many many more. The Cinnamons catch wind of what they’re doing and start assembling. Meanwhile Maleficent is on the hunt for the Book of Prophecies and starts hiring villains on her team as well. After many madcap adventures and some devastating tragedies near endgame, the Cinnamons accidentally put the Book of Prophecies in Maleficent’s hands at the same time that Maleficent finally captures Mozenrath and gets him under heel. The WHAM ARMY and Cinnamons both launch attacks on Maleficent’s forces, and each walks away with what they came for. This is also the part where we slowburn up to the four major WHAM ARMY ships and many Cinnamon ships. In the end, the WHAM ARMY actually gets all the ingredients for their spell, but what they don’t know is it will actually cause the DESTRUCTION of the worlds. So an outside force intervenes (Discord from MLPFIM, who later joins the WHAM ARMY because he wants friends who actually appreciate him as a villain and won’t make him change) to stop them, and the next thing they know, they’re starting from square one.

 We’re now in the second “book” of this story. The Cinnamons are gathering up all lost friends – the rest of Team RWBY, the Gaang, the Storm Hawks (who did in fact survive the explosion), the lost KH characters. The WHAM ARMY, on the other hand, is gathering up more villains to bolster their forces for a new evil plan: to conquer the worlds one by one, starting with Atlantis (Disney’s Atlantis: The Lost Empire) and using portals to link to other territories of interest. While the WHAM ARMY is essentially working through a to-do list of what they need before they can launch such a massive invasion, the Cinnamons are finding strength in numbers because the writing’s on the wall that between Mozenrath, Maleficent, Mirage, and Xehanort, things are going to get worse before they get better, and as evil builds, good will need to rise to protect the innocent. As for Maleficent, she’s no longer able to chase the Book of Prophecies, and so, because she’s got Hades, Loki, and Salem (RWBY) there and they’re all like “Even though we’re pretty godlike, we are not that happy with how the gods we knew have run things,” Maleficent’s new goal is to slaughter the gods of all pantheons (minus those in her care) and replace them with her allies.

 Anyway, as I had said in the post you saw, Anon – I basically take everything fictional I love and shove it into this AU for daydreams because it lets me imagine my faves having CROSSOVER INTERACTIONS and doing cool epic stuff on a multi-world scale. (But as much as I’ve talked up the epic aspect, a lot of it is just…like…people fucking around and hosting karaoke nights.) Anyway, I hope this gave you a good sense of the madness, and I hope it serves as a reminder to everyone that they can and should just. Make a daydream and/or fanfic universe that’s indulgent as hell. Just do it.

[grahamcarmen]

Okay, but I headcanon that something really bad must have happened to Gray for him to end up on the dark side. Like, post memory wipe Gray would never kill someone, even though flashback Gray was going to. I hope Caen figures out what it is and can help him heal if he ever gets his memories back! I want him to be on Carmen's side!

i ...kinda agree? with the part that there might be a bit more to how graham got to this point but i’m musing as to when a “dark event” might have happened because

-before VILE island- i totally buy that his story to her about his attitude before even being recruited was mostly out of boredom. so i don’t really think it was anything but graham wanting to have more fun by stealing like he told carmen. there might be some rough history when he was a civilian but overall he’s super chill about addressing his decision to join VILE so i’m doubtful that it had much affect on his choice to join VILE

-actually becoming a VILE agent- to pass the second part of the test /aptitude/ he must have shown that he was capable of going that far. i don’t think he would willingly go that far, like willy-nilly go around killing people /like he needed a reminder from el topo that faculty said no witnesses to stop trying to passively subdue the old man/however when he did receive the reminder he went for it.

i don’t necessarily think being the friend who would go that far is inherently a bad trope to begin with but it is less acceptable in CS because we’re talking about murdering civilians for baubles and not wondering how we’re going to take care of some fantasy or supernatural big bad

like here’s an exaggerated example (that kinda reveals that i watch anime //sorry) but these two are friends who when confronted by a dangerous situation found that one of them couldn’t pull the trigger while one of them could. THE SITUATION IS NOTHING LIKE CS but i think the idea /a pal who has less qualms about going to certain lengths is something to consider/

the trope that someone is just of the aptitude to go to farther lengths than their friend is usually less of a big deal in fantasy/ supernatural series, with their willingness to possibly even murder also not needing a mandatory motivation by panic/desperation, because the lengths are usually confined to more serious life or death stakes. and the trope is usually a no murder policy PROTAG AND some pal who is way more chill with it if it ever went that far. 

THIS IS NOT A DEFENSE OF GRAY’S WILLINGNESS TO MURDER CIVILIANS IF IT CAME TO THAT BECAUSE CIVILIANS MATTER DARNNIT

carmen’s “pull yourself together gray” face

this is more of an observation that gray in general was just going to be the friend who does not have such a strict no murder policy. the character type just does not really vibe well in a kids show about thievery and world fun facts as it might in another genre.

^.^ like ~ memory wipe Graham struck neal with no regard to the extent of the damage it might have done to him considering that man WAS SMOKING??

but i agree at the point that no matter how CAPABLE graham is for those lengths doesn’t really explain what drove him that far because you’re right MEMORY-wipe graham is actually just not in that mentality much /besides bbq neal the eel and even then he’s got a lot of plausible deniability/

i do agree that there seems to be a bit more to graduation? because soft hair graham is just *poof* gone after that and gawsh he looks like he’s been put through a wringer after a bit of time as a VILE agent? like that shot of his face after carmen’s eyes close when the cleaners take her away being replaced by absolutely exhausted gray is something?? that haunts me? his nervous laugh as he pointed out that tigress failed before memory wipe like he knew that there was something up?

...and you know what i take some of my /nothing happened before VILE/ a little back. there might have been something that happened just before he joined because Graham is super concerned that they be the good guys despite what they did being SAID AND DONE and the many details that could reassure that doubt in that very mission did nothing for his nerves until carmen herself assured him. whereas as Gray in the beginning of his VILE training was very much prioritizing his fun in thievery and his boredom.

MEMORY-wipe graham just also seems to much more at peace. a little bored sure and a little intrigued by excitement (graham stop accepting shady travel offers). there honestly must be more towards his absolute acceptance of a VILE position and then ALL the possible lengths that meant. because even if there was a  :D its for fun attitude in the beginning there’s no doubt that he soon is made to understand all the conditions and details added to his “fun thievery.” it even shows in how his attitude just shift into something more cold and professional in places. and with such a shift i also kinda point his evolution not only to a possible  “event” but also just gradually allowing his lines be drawn for him by VILE

honestly after his memories come back it will be up to him to choose to do the right thing. Carmen has done all she can already. she’s reached out, she’s protected him, and if he decides to confide in her even more about anything  (?) i believe she’ll listen. but at the end of the day i hope that graham will reflect on the good and the bad that allowed him to get to this point at and remember how great it felt to be a good guy. he still has to answer for VILE agent time but i would just like him to consider what he could be because he’s been given a second chance. i hope he takes it for himself. i hope he chooses once again to be team carmen

[woolishlygrim]

Winter Weebwatch #9

Taking advantage of Tumblr’s draft feature to write this into Tumblr in bits and bobs. Streamlining this whooole process.

Also, Pet didn’t air this week, so I presume it’ll be back next week.

Darwin’s Game.

★☆☆☆☆

Wow! A Darwin’s Game episode I actually remember! This is amazing!

But unfortunately it also had a really weird and uncomfortable scene involving Sui, and that’s … egh, I really considered just dropping the show this week because of it, and to be honest I still might, but I gave Plunderer enough proverbial rope to hang itself, so I may as well do the same here. Either way, I’m hacking off two stars for it.

Beyond that, this episode concludes the Hidden Treasure Game arc, with our protagonist (I still have no idea what his name is) finding the treasure and getting a few boons because of it: A ton of points, a conversation with the Game Master (in which he professes that he didn’t create the game, only the interface for it), and one favour of his choice. That favour turns out to be a month of training with the Boxing Gym Clan that the speedster from a few episodes ago is a part of, and the chance to offer an alliance between clans to said box-y punch-y clan.

All in all, this is an episode which caps off the arc in a predictable but engaging enough fashion. The protagonist’s ploy to distract Snakey Dude Man (I know none of these character’s names except Sui, and that’s only because she’s a hydrokinetic whose name means��‘water’) is so simplistic that it kind of falls flat as the show’s attempt to convince us that Protag Guy is some great strategic planner, but sure, fine, whatever.

We have our main antagonist now, at least.

In/Spectre.

★★★☆☆

Good news! Not a flashback episode. Bad news! Partly a flashback episode, partly just set-up for the next episode.

I have to admit, In/Spectre is growing on me, though. I don’t know what it is, it’s just sort of slowly worming its way into my good graces despite having not much about it that’s really that remarkable.

This episode sees us get some backstory on Rikka, mostly how she is both immortal (due to consuming the kudan and mermaid flesh, like Kuro did) and how she is sick (but unable to die, due to the aforementioned), and was discharged from hospital a year prior, living with Kotoko until she eventually vanished.

This actually sets up a really interesting state of play for the next episode, since now there’s another hitch in Kotoko’s plan: Kuro can change the future every time he dies, slowly steering events towards Kotoko’s desired outcome, but Rikka can do the same, steering events towards her own desired outcome, making the upcoming battle a case of ‘who can put themselves closest to their end goal while making the other person’s end goal less plausible and so requiring more steps to get to.’ That’s actually a really interesting set-up for a battle of wits.

ID: Invaded.

★★★☆☆

Well, ID: Invaded’s five star streak had to end eventually.

In fairness, this isn’t a bad episode by any stretch, it’s actually pretty good (if I could do half stars, I’d give it three-and-a-half for sure), it just doesn’t really manage to live up to the potential the previous episode set up.

As Narihisago continues living out his new life in the Well-within-a-Well, Kiki disappears in mysterious circumstances, with thirteen nurses falling asleep and Kiki mysteriously vanishing while they were unconscious, despite the fact that there’s no way she could have gone anywhere. With that mystery fresh in his mind and starting to believe that maybe this is real and his life before was the dream, Narihisago sets out to continue his serial-killing by tracking down the Perforator, only to come face to face with Hondomachi, who thoroughly disabuses him of any notions that he’s in real life.

As the Well-within-a-Well begins to collapse, Narihisago is dragged out, leaving Hondomachi behind to continue investigating John Walker, and lands back in Not!Momoki’s Well as Sakaido, only for Anaido/The Perforator to reveal that he can actually retain his memories in Wells. As Anaido informs Sakaido of his true identity, a storm whips up, revealing them to actually have been Narihisago’s Well all along, the game board having simply been covered by sand.

So, this episode feels rather rushed, and it basically just caps off and abandons the whole Well-within-a-Well idea as soon as it stops being useful as a stealth-flashback. On top of that, while the twist at the end is interesting, it also doesn’t make a lot of sense: Anaido says that he can keep his memories within Wells because of the hole in his head, but Hondomachi has the exact same hole, and we saw that she didn’t retain any memories while inside Wells.

There’s also just not a whole lot of questions answered this time around. In fact, no questions are really answered, bar ‘if the Well they’re in isn’t Momoki’s, then whose is it,’ and even that raises a question of ‘How can Narihisago have murdered the professor if he himself doesn’t remember doing it?’ Instead, it just raises a dozen more questions, like ‘How did Kiki disappear and what happened to those nurses?’

We only have three episodes left, sixty minutes total, and that’s just not a whole lot of time to answer those questions.

Infinite Dendrogram.

★★★☆☆

This episode is basically all fight scene, just five minutes of preamble that mostly serves to remind us that Shu is still a Superior, and then one fifteen-minute battle between Figaro and Xunyu (who is not, contrary to what I said last week, a Superior of Dryfe, but actually a Superior from Huang He, which we’ve never heard of before).

It’s fun, typical shonen anime fare, not tremendously deep but at least an enjoyable watch with some interesting turns, the main one being the reveal that Figaro’s Embryo amplifies his equipment’s stats equivalent to how many free equipment slots he has. That’s an … almost Dark Souls-y ability, to be honest, and it fits in nicely as an interesting but still very game-y ability for him.

Anyway, not much happens this week that’s actually plot relevant, save for Penguin-san showing up at the end (we actually do get his name this episode, he’s called Franklin) and the reveal that he was the one who killed the King of Alter. Still, fun episode.

[ladyloveandjustice]

Winter 2019 Anime Overview

I enjoyed every single one of the five anime I watched this season: Dororo, My Roommate is a Cat, Mob Psycho 100 II, The Promised Neverland and Kaguya-sama: Love is War.

So here are my reviews! I’ve cut back on the anime overview a lot, so these are shorter reviews than usual (though not quite as short at I’d like. someday I’ll be able to restrain myself)

Since I liked all of the shows, these aren’t in a strict worst-to-best order or anything, but the ones I found most impressive ARE nearer to the bottom. So let’s dig into last season’s anime.

My Roommate is a Cat

Premise: An antisocial writer in his early 20s adopts a cat and they both get their worlds expanded as they bond.

My take: Much like the kitty it centers on, this show is super cute, sweet and fluffy. If you’re a cat-lover and want to bask in some kitty adorableness, I encourage you to check it out. At first, I was afraid the main character Subaru’s grumpy misanthropy might be too much- I could certainly empathize with being socially isolated and avoiding people, but the way he was just rude toward others was grating. Fortunately, his character development is swift, so he quickly went from misanthrope to anxious-introverted-mess-who-awkwardly-muddles-through-social-interaction-for-the-sake-of-his-kitty, which I found EXTREMELY relatable. Subaru is coping with the loss of his parents and the fact he took them for granted while they were alive as well, so there are quite a few heart-string tugging moments.

The show’s central gimmick is that events will be told from Subaru’s point of view and then we’ll get his kitty Haru’s side of things. Yep, the cat narrates part of the show, which is how I knew I was in it for good. And Haru’s a very good cat! She’s adorable without being cloying, and at least realistic in how most of her thoughts revolve around food. Seeing her warm up to her hopeless human is just as sweet as seeing Subaru warm up to her. As a former stray cat, she has a rough backstory, so if even a restrained depiction of kitty death is too much for you, look out for that part. This show isn’t afraid to bring the feels, but it keeps things positive overall. Subaru’s friends are supportive and help a new pet owner out, and we even get a cute doggie in the mix. Overall, if you want a relaxing, nice watch with a simple, sweet story, you could do a lot worse than My Roommate is a Cat.

Dororo (Episodes 1-12)

Premise: Thanks to his father making a deal with demons, Hyakkimaru has to wander Japan and fight monsters to get his body parts back. He meets up with a young thief named Dororo.

My take: Dororo is a very loose adaptation of the 1960′s manga by Osamu Tezuka, who’s known as the godfather of manga. I was familiar with Dororo thanks to watching the live action movie for an article when I worked at epicstream (it must not have left an impression bc I remember very little) so I was curious to check this out. I ended up reading the manga too, and overall, I find it pretty impressive as an adaptation. It does a lot to make a really dated and incomplete-feeling manga more palatable and cohesive for a modern audience. Maybe I’ll do a full post expanding on those thoughts sometime, because the changes really are worth examining.

Dororo is definitely not for everyone- it’s a grim, dark show with lots of death and destruction.The story is especially not kind to women, who tend to die or be demons. The exceptions to this (such as a lady demon actually being presented as sympathetic) are mainly anime-original. Actually, while the anime eschews the original manga’s cartoon-y, jokey tone to be more serious, it actually has a much lower body count and more hopeful tone than the original, a contrast I find pretty interesting. But “more hopeful” is still not very hopeful. The story has pretty strong anti-war undertones and criticism of how authority exploits people, and there’s a lot of “these are the horrors of war” scenes and even a scene where Dororo witnesses a woman engaging in unhappy, reluctant sex work.

The premise of the story, a guy made up of mostly prosthetics on a quest to get his body parts and senses back, is also a dicey one in how it treats disability. The anime does at least make updates to the manga that lend the story a little more complexity on that front. In the manga Hyakkimaru can basically hear and speak through telepathy already and he’s portrayed as simply joyous whenever he gets a body part or sense back, despite not having a practical need for them.

The anime wisely jettisons the telepathy thing, meaning that Dororo and Hyakkimaru have some difficulty communicating, something that adds an interesting layer to the story. It means we find out about Hyakkimaru’s personality in bits and pieces alongside Dororo, going on a journey of discovery with him. And Hyakkimaru getting senses back is treated in a more realistic mixed-bag way- when he gets his hearing back, for instance, he has difficulty adjusting to it and experience serious sensory overload. It’s not really clear how he feels about a lot of things, much less the changes he’s going through.

Dororo himself is the heart of the show, really, and I find him to be really endearing and engaging as a character. His boundless energy and chattiness balance out the aloof Hyakkimaru, but he never gets overbearing or obnoxious. He’s been through a lot himself, and has a good heart. One thing worth keeping an eye out going forward is how Dororo’s gender will be handled. Dororo is afab, but in the original manga very vehemently lets everyone know he’s a boy. The anime also lets you know Dororo’s afab halfway through, but hasn’t really done much otherwise in exploring Dororo’s gender identity. I do think it’s unlikely we’ll get a handling of it as bad as the manga’s final chapters (Manga Hyakkimaru had a lot of strong, intrusive opinions about what Dororo “really” is that I think his anime version is unlikely to have based on his restrained characterization so far), but who knows.

Overall, Dororo is a nicely animated and well put-together dark action series so far. I’m not sure I would have ended up watching it if I wasn’t so interested in examining it as an adaptation, but the ride’s been pretty okay and worthwhile.

Kaguya-sama: Love is War

Premise: Miyuki Shirogane and Kaguya Shinomiya are the top students at their prestigious school, and heads of the student council. They also have a crush on each other, but both are too full of pride (and nerves) to make the first move, so they come up with schemes to trick the other into confessing. Hijinks ensue.

My take: Kaguya-sama is a wildly funny rom-com about two idiot smart kids who don’t know how to say how they feel. It’s mostly a really good time. There’s a lot of laugh-out-loud moments. The characters are a lot of fun, especially Kaguya’s friend Chica, who is pure chaos in human form and has some of the best lines in the show. The animation and direction of the show are also impressive and lavish, elevating already good gags into greatness. The finale also does that thing where it’s all suddenly surprisingly emotional and hits you really hard with all the feels, showing a little depth and true friendship among all the characters involved.

However,there are a few “yikes” moments, and the most uncomfortable one and likely the biggest deal breaker was the “Kaguya gets sick” arc, which happens roughly the last half of episode 9 and the start of 10. In it, we’re treated to tropes that are both really tired and really uncomfortable, like Kaguya being sick and her friend, for some reason???, tacitly encouraging Miyuki to take advantage of her in her weakened state. Miyuki does not, but Kaguya pulls him into bed and he falls asleep due to sleep deprivation (which is admittedly relatable) and when they wake up she believes for a time he did assault her and throws shit at him, at which point he whines about being villainized even though he “held back”.

During the next episode, Kaguya is ~secretly kind of upset he didn’t assault her because doesn’t he find her appealing~, a trope that really needs to die bc the myth girls “really want to be assaulted” is dangerous. There were a couple okay moments in the whole thing, like Miyuki deciding he should have shut the whole thing down more firmly and apologizing for an infraction, and since Miyuki didn’t cross a significant line it doesn’t ruin their relationship or make them impossible to root for or anything, but the whole thing is tired and gross and unnecessary and not all that funny. I was able to handle it because I got warned ahead of time, but it was a chore of an arc, so here’s my warning.

The Promised Neverland

Premise: Emma and her friends Ray and Norman are orphans being raised in the happy, idyllic Grace Field House. They’re never been outside it though, and there’s a wall they’re never supposed to approach. When Emma discovers the truth behind the orphanage, a tense thriller begins.

My take: I was looking forward to this one based on word of mouth, and mostly it doesn’t disappoint! The writing hooked me enough that I’ve picked up the manga to continue the story. This a rich story. It’s an intense game of cat and mouse between genius kids and unscrupulous adults where the stakes are super high. Emma and her friends pull out all the stops to outwit and escape the ones holding them captive, and the twists and turns of the narrative are delivered well. There’s also some social commentary buried under its horror to add some bite. This essay goes into how it comments on forced societal gender roles, for instance.

 A thrilling plot can only shine thanks to its characters, and Emma is great protagonist. Her determination to save her family and unpredictable nature make her fun to follow. She’s a rare and refreshing example of a female shonen protag, and she sells that power of friendship stuff pretty well when she has the brains and skills to back it up. The three main kids balance each other well, with Ray’s cynicism and pragmatism contrasting Emma’s stubborn idealism, and Norman stands in the middle as someone who’s inclined to think like Ray but WANTS to be more like Emma. Despite the many conflicts and differences between them, these kids are ride and die, and the show does a good job selling their familial-friendship. A lot of the moments between them are truly heartwrenching.

The story has a big glaring flaw, though, and that’s Sister Krone and the racism regarding her. It’s not my lane, so please read Jackson P. Brown’s essay here for more info. The anime not only replicates the problem with her design but makes things arguably worse than the manga by making her personality a caricature as well. The anime portrays Krone as far more unhinged and exaggerated than her vindictive but more controlled and canny manga counterpart, even adding this weird thing where she rants at and beats up a doll. This review on episode 8 talks about the author feels the anime failed with sister Krone and his feelings on Krone as a black character well, it’s definitely worth a read.

While I have those issues with the anime’s choices, I was impressed with how the last few episodes were directed. They hit it out of the park, leaving me breathless, emotional and wanting more. Thanks to that, I’m now reading an enthralling adventure manga! This anime was definitely flawed but I can’t deny I’m interested in seeing how the second season will shake out.

Mob Psycho 100 II

Premise: Season 2 continues to tale of Mob, a ridiculously powerful psychic middle schooler.  He’s in the employ of Reigen, a con-artist who has fooled many (Mob included) into thinking he has legitimate psychic abilities.

My take: Holy wow. Mob Psycho’s first season had some incredible animation, atmosphere and direction, but season two fires on all cylinders. I’m glad I caught up in time to experience the show with everyone else these last few weeks, because it was always a treat- a visual feast full of heartpumping action and lots of sincere emotion.

Mob Psycho is an animation extravaganza, with some sequences that wouldn’t feel out of place in a high budget movie, dripping with atmosphere, artistry and aplomb. But the story and characters are really solid too and it has some nice themes and messages at its core. Mob is one of the goodest good boys in all of anime and he grows a lot throughout this season. At the core of the show is the idea that no one is worthless and also no one is more “special” than anyone else, that having power doesn’t give you the right to put yourself above others, that no person is inherently superior or inferior to any other, that even if you’re born with some super talent, you still need to try to improve yourself, value other people and the things they can do that you can’t and work hard to live a balanced life. Being powerful or born with a talent doesn’t mean you have the answers or know better-so it’s all about striving to make good, compassionate choices and taking control of your own life.

There’s a lot of stories that pay lip service to themes like these without really doing much to back it up, but this show sells it with an earnestness that few manage. Mob is a quiet and gentle boy, and you genuinely believe it when he says he doesn’t like fighting or using his powers on other people, and when he breaks down in tears because for all his power he can’t figure out how to set someone on the right path this time, your heart aches. The fact that Mob actually has difficulty coming up with the right answers and will sometimes gets overwhelmed by emotion and loses control, but keeps striving for honest communication, makes his approach come off as a lot more believable than the typical shonen-hero-converting-bad-guys-with-a-confident-friendship-speech bit.

The character relationships in the show are also good stuff, particularly the relationship between Mob and Reigen, which develops a lot this season with Reigen having to grapple with how yeah, he’s been kinda terrible and dishonest, especially with this kid he cares about and there’s a point where people have enough of it. There’s a lot of nice growth there.

All together, Mob Psycho is just Good with capital G. I do wish there were more girls in it, and there is a dark skinned character who’s caricature-ish in his design (he barely shows up in this season iirc), but otherwise it’s a quality rec and breathtaking example of the truly transcendent heights anime can reach. 

[bigcats-birds-and-books]

Spliced by Jon McGoran: A Review

Hey I don’t post book reviews here, but dammit I have a Lot Of Thoughts so here’s one. It’s long, and spoilerific, so it’s hiding below the cut.

This book is . . . Not Great. For a lot of reasons, actually. Spoilers ahoy.

Let me start by saying that pieces of the worldbuilding were interesting and thought out well—it’s obvious that the author’s spent a lot of time thinking about a climate changing future and what that entails for us, so there were intriguing bits of that sprinkled throughout. That’s the nicest thing I have to say. Buckle up.

At the top of my list of grievances, because I’m qualified to speak to this: The science is just Bad. I get it, it’s science fiction—theoretically it’s allowed to bend the rules. However, as a biologist, the fake science bugged me A Lot. The general premise is people (usually teenagers, for whatever reason) can get animal DNA/features spliced into theirs for a price. The rich kids can do this with good fancy doctors. Most people, however, do it with back alley “genies,” who apparently can alter someone’s biology within twenty-four hours in a garage or abandoned house by sticking them with a viral vector and infecting them with animal DNA to give them new physical traits. The soon-to-be chimera (that’s what spliced people are called) then undergoes a lengthy process that they call “sweating out the change,” where their biology and organs and bones and literally everything physical rearranges, again over the span of hours, and you emerge on the other side a chimera. If, however, you decide that you don’t like being a chimera, within 24-48 hours you can go to a “fixer,” a doctor who can somehow reverse this process, but if you wait longer than that, you’re stuck forever.

That’s just not how any of that works. Like, at all.

Human bodies fight off foreign invaders (like, for instance, animal DNA injected via viral vector), unless someone is immunocompromised. That’s, like, the whole point of the immune system. There was no mention of immunosuppressants or anything like that to deal with the body’s immune response, and somehow this whole chimera vector thing is in a couple of syringes, max? Plus, bodies don’t just rearrange and grow new organs and bone structures and glands and what have you over the course of hours while someone lies in an abandoned house under a blanket, which is how we witness a couple chimeras “sweating out” their changes. I’m willing to buy some fudged science if it’s at least believable fudged science, and this was definitely not. Oh, and later on a character gets an emergency splice “stacked” onto him, when his first one almost kills him? So theoretically this bigger better one saves him from the first one, which is also just . . . wrong. Like. Why.

In addition to the science being atrocious, it’s also not super well established why people want to be chimeras in the first place? The tagline on the back of the book says “Getting spliced used to be a fashion statement. Now, it’s a death sentence,” but even the “fashion statement” bit isn’t explained super well in text. Most of the chimeras who the MC, Jimi, asks why they wanted to be spliced say something about “getting back to nature” (which humanity has wiped out, basically) and “honoring/remembering the animals we’ve killed,” or something to that extent. Or they just think It’s Neat(TM). The rich kids clearly do it because it’s cool and trendy, but that no longer makes sense given the book’s political climate. There’s an extremist group (a large extremist group) called Humans for Humanity (H4H) trying to get the Genetic Heritage Act (GHA) passed, which means that anyone who’s not 100% human is no longer a person. But there are huge demonstrations and rallies for this thing, and it’s a popular enough idea that chimeras are ostracized. And yet. People. Still. Choose. To get. Spliced. Just cuz it looks cool, basically, is what I got from my read.

So not only did I not buy the fact that people would want to do this to themselves (because it’s always voluntary—no one forces anyone to be a chimera, ever), I also don’t buy the H4H logic and the fact that the GHA ACTUALLY PASSES IN THE STATE OF PENNSYLVANIA IN THIS BOOK. It seems weird to me that what’s essentially an elective body modification surgery can mean that people are no longer people? I feel like it’s one thing if you’ve always been part animal, part human, but these people were literally fully human before the opted for this procedure.

It’s impossible not to understand the Real World Parallels, because this book is incredibly heavy handed: Chimera hate is a stand-in for racism and other types of discrimination (although shout out to the giant YIKES I felt when I actually read the word “homosexuals” with my own two eyeballs in the MC’s narration about other groups a certain mega church has discriminated against), but my issue with that is that it’s a false equivalent. You choose to be a chimera (for whatever awful unexplained Reasons). You don’t choose to be a person of color or queer or neurodivergent or marginalized. Trying to parallel the backlash chimeras face in their quest to be recognized as fully people with the struggles that people of color face Doesn’t Work, period. (This isn’t my lane, by the way, I’m super white, but I’m surprised I didn’t see anything along these lines mentioned in the other reviews I read? So I wanted to at least throw it out there, but I’m by no means an expert. Please listen to people of color.)

In addition to the paralleling not working, it also sets up a nasty “white savior” situation with our MC, Jimi, becoming the Chimera Savior. Jimi is not a chimera. Jimi is the one who miraculously saves the endangered chimeras at the end, and makes a rousing speech on TV about how we all gotta love each other and get along. Jimi saves the day. Which, I get that she’s the MC, but with the paralleling to our own contemporary real world issues . . . yikes. 0/10 do not do, especially when you’re a white man writing a (probably—of course it’s not specified, but her name is actually Dymphna Corcoran, named after an Irish saint, so I’m Guessing) white protagonist.

Other miscellany that’s worth mentioning:

There were at least five (5) references to skeeviness (of the sexual harassment/edging toward narrlowly-avoided assault variety), and one attempted skeevyness on page. Against our 16-year-old girl protag (and one of the referenced ones was when she was a KID ON A PLAYGROUND). I get it, that’s life. As a female-presenting person, trust me I get it. However. Just because it’s life, doesn’t mean I want to read about it in a YA sci-fi thriller that’s not about that sort of thing. It was very jarring, and made my pulse skyrocket every time in panic, and it was borderline creepy to me, because the author is a middle aged man.

Also, holy abuse, Batman. Jimi has one (1) friend, Del, and Del’s cop father is horrifically abusive. Physically violent (and, spoiler, murderously physically violent). Does Jimi or Jimi’s mom (Del’s NEIGHBOR) do anything to get Del out of this house and situation? Nope. Not a thing. Ever. Del just comes running to Jimi’s place when he’s SERIOUSLY INJURED for Jimi to help fix him up so they can share a kiss (their first! They’re best childhood friends but the kiss early on Changes Everything! Ew! Why!), and then start the plot, which is Jimi trying to track down Del before he gets spliced. The abuse is . . . not handled well, or thoughtfully. That’s frustrating and disheartening.

This book is also super info dumpy, especially at the beginning—we’ll be chugging along through (kind of stilted at times) dialogue, and then we’ll get a couple big paragraphs of Jimi explaining the world history, or current political climate (she’s a Very Informed Teenager, okay), or family drama, or whatever, and then we’ll proceed with the chapter. And the timeline is rushed—the whole book happens in like a week? I get that it’s a thriller and it’s supposed to be fast paced, but the plot follows Del 1. Not being a chimera, 2. Becoming a chimera, 3. Running away to a chimera Haven, and 4. Dying when chimera Haven turns out to be a secret hunting ground where people can pay money to track down and shoot chimeras for sport (y i k e s), so naturally he tries to blow up the town nearby and then his dad shoots him and Del’s the only one who gets blown up (double yikes). Oh, but this is all from Jimi’s POV, don’t worry: she’s trying to track down Del and make sure he’s okay this whole time. That’s the plot. I just . . . why. To any of it. To all of it. If you see this cover, like I did, and get excited, please do yourself a favor and put it back on the shelf. You’re not missing anything worth reading.

[perfectackeracy]

Reiner and Falco’s fate

Honestly, I think Reiner and Falco are dead after this encounter. What Eren said about ("I will continue to advance until I wipe out the enemy") sorta fits this. He is beyond *just* anger. He wants the enemy gone, absolutely crushed. And he won't let anyone get in his way. Some innocent people died in his attack. I don't think he'd be opposed to killing Reiner and Falco. But I hope I'm wrong. I love them both dearly, and I can see them working with the Walldians if given the chance.

Hi! I read that ask about Willy and after Armin's miracle survival i'd actually wait to declare him officially dead... i mean, Armin had great mental final words, it seemed an overall perfect way to end his character. And guess what? He was still Alive. And Reiner was hurt in the neck by Levi and later half of his head exploded. We better wait ch. 101.

i love how almost no one is worried about reiner despite the rat literally exploding in his face lol everyone knows the guy is indestructible what a legend

how do you think reiner will survive this one?

@wingsfreedom:  Did Reiner actually die? I remember Eren transform we he was holding Armin and Mikasa in the anime (season one) and none of them received any harm. Maybe Reiner is somewhere inside the Attack Titan, the other shifters got captured, maybe they need the Armored Titan too.

First of all... Reiner... Dying...

Listen to Falco, guys. We’re talking about the same warrior who had his head blown out, his body damaged thanks to anti-titan bullets and the one who can easily survive a Colossal Chute. Narratively and logically, him dying right here, right now would be... lame. The conflict barely started, and Isayama didn’t build up Reiner for 9 months just to have him killed off by a mere blast.

What happened in this scene is Eren leading Reiner in a false sense of security and turning into a titan as Reiner is about to bit his hand:

Looks like he was about to trigger a titan transformation to shield himself and Falco. So Falco may have a chance to survive this if Reiner is quick enough.

When Eren was shielding Armin and Mikasa from the cannon bullets, he managed to bite his hand and generate a partial titan in chapter 10. Reiner could do the same, but Eren was on the verge of transforming himself, and the two of them were in close range of the titansplosion.

The people who tried to restrain Annie before she could enter the underground were found like this:

Shambled bodies - Ch. 32

The transformation can be quite fatal at close range and they’re under a whole building. While Reiner has golden reflexes, I can’t say the same for Falco. He may as well been showed dead in the next chapter. 

I’m 50:50 about Falco. On one hand, he can die so Reiner will suffer more or on the other, he can live and bear the guilt of indirectly helping the enemy. If Falco lives, I fear for the other kids. Gabi in particular. He might as well witness the damage he indirectly caused. Really though. It depends of what Isayama wants to do with his character arc.

who do you think will be the one to stop eren at the end? armin or reiner?

One of my friends talked about a movie called Hime-Anole. It’s one of Isayama’s references and one about a movie involving a serial-killer taking revenge on his bullies. While the protagonist bullied him in school, he acknowledges he built the serial-killer through his bullying and decides to stop him. On another note, said bully’s victim isn’t excused for the killings. When you compare Reiner to the protag, Eren to the serial-killer and the whole situation, it makes sense. Perhaps Reiner will regain some purpose and attempt to stop Eren. He revealed in this chapter how bad he felt about Eren’s mother, and in parallel all the people he killed. The destruction of Eren’s hometown is what prompted him to take revenge on the whole world. If Reiner can stop what he started, his character arc could steer in an interesting direction. At the price of how many lives is a mystery.

I’m pretty sure Armin already tried to stop Eren and failed. We don’t know how exactly Eren crossed the ocean, but someone holding the Founder shouldn’t be left without any supervision. Especially when Armin kept an eye on him since he began acting suspicious.

Armin watching over Eren’s reaction - Ch. 89

Therefore, he must have snuck out of Paradis. I’m quite convinced someone must have smuggled him and it looks like he self-inflicted those wounds. Hell, maybe he was going rogue even before coming in Fort Slava. Who knows. Willy and Magath’s dialogue implies Marley has so many enemies that even the inside looks like Swiss cheese. I thought the previous attempt two decades prior would’ve served as a lesson but I guess not.

[zee-isaiah-pugnacious7-blog]

The Case of Yosuke (Theory)

Ah, Yosuke Hanamura--- the discount Junpei Iori of Persona 4 (my boyfriend’s word, not mine!) Fun-loving, hard working, loyal friend, and all-around womanizer...

OR SO HE WANTS US TO THINK!

I’m here to give my two-cents on how the P4 Protagonist’s best buddy has been putting on an act this whole time... and the ways he blew his cover.

“But Zee, Yosuke is our best buddy! He wouldn’t lie to us!” fellow fans may say... But what if I were to mention he wasn’t just lying to us, but also himself?

What kind of secret has the cyclist student been keeping hidden?

The fact... that he’s got a thing for guys. 

Now you may all call “BULLSHIT!” on this right away, as we’ve seen Yosuke fawn over girls countless times... Yet have you’ve ever noticed he hasn’t been trying hard to impress them?

Think about it...

On the camping trip--- Yosuke pretty much guilt-tripped Chie and Yukiko into wearing bathing suits. 

Then there’s the culture festival--- how he signed up all the girls to be in a beauty pageant.

During both these cases, the girls were beyond pissed with him. Why, if Yosuke wanted to score with the ladies, would he do stuff to piss them off? Why not use some debonair charm to make them feel good about themselves, rather than make them feel embarrassed?

Perhaps he was just picking on them. Perhaps he wanted to live out some perverted desire.

OR...

Perhaps he was trying to impress the guys... mainly the Protag! 

From Day 1, Yosuke has been doing everything to be your (Protag) number-one best bud--- that would include pulling stunts in order to help you check out girls! 

“But wouldn’t that backfire? The Protag dates all the girls, after all...” you may say. 

Well, of course  Yosuke thought of this too... and managed to get you in trouble with the girls during his scheme. However the fault is on the Protag for going along with it (especially in the anime). In the end, the girls are mad at both of you... but hey, at least your best-bud helped you get a good view.

Basically that’s all Yosuke wants from the Protag--- he wants to give him the best experience of his life. Even if his buddy likes other girls, they’ll still have a tight bond.

SPEAKING OF WHICH, let us address the elephant in the room: Yosuke’s Social Link.

At the start, it mainly focuses on Yosuke griping about work as well as trying to overcome the loss of his senpai, Saki Konishi. Yet as it goes on, he manages to conquer his grief and let go of his grudge of living in a small town working at Junes... all because of you, the Protagonist. 

Hell, he pretty much confesses it! “You’re special to me, y’know?” -Yosuke

Then there’s one thing that not only leads to a clue of his sexuality, but also dubs him as a hypocrite: His interactions with Kanji.

Oh yeah! Don’t act like I wasn’t going to bring my main-man into this debate!

First, lets get this out of the way--- the first time we see Shadow Kanji on the Midnight Channel. 

How ironic it is that the night before Yosuke was asking you which girl you prefer (Chie or Yukiko), then the next night we’re both seeing some steamy Kanji fan-service! *no pun intended*

Now in the anime, the Protagonist was staring at the screen, stunned (pretty sure all of us players were on the ground laughing and trying to remember how breathing works); Then Yosuke calls up... and he is just a sputtering mess! It takes him a minute to try to make a clear sentence!

Alright, alright, I guess a few guys would be surprised if the punk-next-door suddenly appeared on TV half-naked and talking like Grell Sutcliffe... but why would someone be so shocked that they could barely speak?

Compare it to when he saw Rise--- his surprise doesn’t even come CLOSE to how he reacted with Kanji! 

“Then why didn’t he want to go into the bathhouse, huh?!” the question would go, and that is a fair point. In the anime, neither he nor the Protag wanted to go into the bathhouse, same goes for his reaction to it in the game.

My thought is... he’s a virgin. Sure he can make the perverted jokes and lewd comments, but when the situation comes up where he has to go into a *ahem* ‘sexualized’ environment, his nerves rack up and he immediately wants to bail. 

Doesn’t help that Shadow Kanji was overdoing it with the ‘yaoi’ dialogue; hearing that, it would be no surprise Yosuke wanted to back out--- no virgin wants to feel pressured or teased into hooking up with someone. No different than someone being at a club and suddenly some yut comes up spouting ‘sexy’ lines in order to score, when actually they’re just scaring them off. 

Am I being biased? ...Maybe. I’m just speaking from my own personal experience, though. What I’m saying is based on my viewpoint on the scenario.

Now, lets get into the part that always--- ALWAYS--- ticked me off: how Yosuke often teases Kanji about his sexuality. 

The camping trip is where it begins--- Yosuke starts questioning Kanji on whether he’s gay or not (while I’m screaming at the screen telling him to keep his trap shut so I can sleep next to my man!); in the anime, he gets the Protag in on it too, resulting in Kanji bailing on them.

[You slept with a barrier between you and the girls... you also wanted to stab Yosuke in his sleep but there were too many witnesses]

Then Teddie turns human... and Yosuke immediately asks Kanji if ‘he’s his type’, evidently taking enjoyment out of teasing the stud. 

Sure, it may all be playful fun... but why keep at it? More importantly, Yosuke, why are you teasing a guy who could bury you under the concrete?! You were scared pissless of him before, now you’re asking if he’s gay and likes Teddie?? Do you NOT want to live long enough to get a motorcycle?!

BUT, once again, I have theories! 

First, the camping trip. Why would Yosuke, right out of the blue, ask Kanji if he’s actually gay? And after Teddie comes along, why would he be asking if he’s his type?

My guess: Yosuke himself is trying to figure out his sexuality. However he’s embarrassed to open up about it... so he shifts the subject onto someone who has/had a similar complex: Kanji. 

It’s his way with coping--- he picks on Kanji for his ambiguous sexuality, because he’s insecure about these new feelings he’s developed himself. 

Of course, hanging out with Kanji only makes his hidden feelings more clear. Need we bring up the beach?

“Dude! What are you wearing?! ...I’m seeing parts I don’t wanna see!” -Yosuke

“...Then, why were you looking at those parts in the first place, Yosuke?” -Me *while taking several pictures lolz*

Moving on...

Yosuke always saw himself as a ladies-man, but once the Protag came along and all this TV World stuff happened, he’s been taking another look at himself, discovering things that he doesn’t know how to deal with. 

Finally, lets get to Rank 10 of his social link--- where he challenges you to a fight after confessing how he was jealous of you for a time. 

I think there’s more to it than that. 

After spending so much time with the Protag, learning how popular he is with the girls and eventually will be going back to the city at the end of the year, Yosuke wants to get rid of these feelings once and for all--- via allowing his best friend/secret crush to punch him in the face as hard as he can, signifying that they will be nothing more than friends afterwards.

But... maybe I’m just overthinking things. I’ll leave it up for you all to debate--- are there any points I missed? Is there evidence to rebuke or defend my theory? Have I been looking at too much SouYo fanart?

...okay that last one is a yes :P

Yosuke Hanamura: Closeted Bi, or Just Bromantic? Let me hear what YOU think!

*please be nice in the comments*

[courage-a-word-of-justice]

Blue Exorcist: Kyoto Saga 12 (FINAL)| Classicaloid 25 (FINAL)| Boku no Hero Academia 14 | Kado 0 - 1 | Oushitsu Kyoushi Haine 1 | Sagrada Reset 1

Update: I apologise for all my updates within the spring 2017 debuts. I had stuff due prior to the spring season and so I’ve gone all out in compiling my thoughts and then comparing my thoughts to ANN’s.

(Blue Exorcist: Kyoto Saga 12)

“Monkey”? I thought it had to do with Todo (whose first name is Saburota, remember, and so could be mangled to become saru or monkey) but I guess…not…?

I thought Shiemi was gonna do a love confession! Where’d Nemu go while all the action was happening though? Plus, Nemu reminds me of Yuji Yata (Kurosagi Corpse Delivery Service) and vice versa.

Super Coke and Panta, LOL.

I can’t believe they’re so willing! I remembered this happened but now that I see it animated, it seems a little too fast!

Anmitsu is a red bean dessert – you hear about it for the Kashuu/Yasusada ship in Touken Ranbu (it’s what the ship is called, due to kanji readings). Kuzukiri though…I haven’t heard of it, so here you go.

I never knew you could use the fact Rin is the son of Satan for humour. I never knew it could work, either.

If kemono = pickles…then what are Kemono Friends?! *gasps* (LOL, I kid, I kid…)

Okay, now the “son of Satan’s gonna torch you” gag is tired. That was fast.

What’s a Tawawa? Isn’t that “Tawawa on Monday”?...No? I guess it’s the name of the tower’s mascot then.

Yukio with his straight face, LOL.

Is it “quality brother time” or “brother quality time”? I think it’s the former.

I can finally read Rin’s shirt now. It says “teriyaki” in katakana.

Well, that’s the end of Blue Exorcist for now. See you some other time.

(Classicaloid 25)

Oh, that’s why there are aliens in this show…

It’s interesting to note they used the Bird’s Nest for Beijing rather than Tiananmen Square or the Fobidden City.

So Kyougo was in China. Geez, these stereotypes are a bit hackneyed…

Tchaiko’s so depressed when Bach appears. It makes sense though.

“It just doesn’t strike a chord.” – Perfect phrase for a Classicaloid.

Disco Bach. Now that’s something you don’t see every day.

I haven’t noticed there were white musical notes on the eyecatch until now.

I was wondering why Hasshie, Pad-kun, Kanae and Sousuke were rigged up like how they were in one of the s2 visuals. The reason…let’s just say, I LOVE IT! I’m not entirely a fan of 6th rangers in general, but I love transformations, remember? Rare transformations are all the better to watch again and again!

Doot-doo-doo-doot-doo-doo-doo-doo-doot-doot-doo-doo-doot-doo-doo. It’s Ode to Joy!

Like, look at it. The October airing was definitively confirmed! See you again in October, then.

(Boku no Hero Academia 14)

I skipped the simulcast commentary on the recap episode, as I always do. Disclaimer: I wander around the BnHA wiki a bit so expect to see “I knew that already”s all over the place.

Dang, Deku looks eeeeeeevil in that one intro scene where he’s all lit up.

Those taiyaki (fish-shaped buns) look tasty…

I’ve seen some spoilers so I know Toshinori Yagi is All Might’s real name and All Might’s predecessor (who I thought was the recipient of the letter) was a woman named Nana. Thus, beard man must be Gran Torino, All Might’s mentor.

Katsu, LOL. Ever since YoI, I can’t stop thinking about Yuri K after seeing a pork cutlet.

Best Jeanist (1st person in background), some guy I don’t know…and Endeavour. Spoilers can be annoying like that.

I knew why Ochako became a hero too, but...her name means “carefree”? Never heard that one before.

They say that if there’s a leaf sticking up in your tea, it’s good luck…I think that’s how it goes with green tea, anyways.

I don’t think I’ve seen BnHA go and do a fanservice thing with its girls until now, which 1) is odd for a show with a teacher called “18+ Only Hero Midnight” and 2) simultaneously makes sense as an all ages hero anime. The emphasis in this show is on the action and on Deku, not just the girls, but going to the girls for fanservice only now does kinda show how the audience has grown up enough for this ED trope to be ued.

(Kado 0)

I’ve been hyped for this ever since I found out it was coming. I do have my doubts about the CGI, but somehow I know this work will be good. Besides, it’s my first fully CGI work in the simulcast commentary – I can’t really let that sort of chance go while I can still do it (because most 3D CG anime are Netflix exclusive). Update: Why have I covered an episode 0? This one seems important to the plot, that’s why. (Well, admittedly...they had to have an episode 0 for a reason, right?)

Ooh, that OP’s real pretty and the language (the one “Ninovo” is written in) intrigues me.

I knew I’d be fine with the CG – if there’s CG everywhere one instance of CG doesn’t stand out – but I wasn’t expecting to be dipping my toes in something so…adult.I was expecting the government affairs, but land restitution? If it weren’t for Shizuna-whatshisname and what came before this, I’d be gone, y’know? (Come to think of it though, anime can make even adult things like taxes engaging, so if you gave me an engaging anime about taxes, I’d take it. After SGRS, I’m more open to this sort of mature content, too.)

There’s been a picture on ANN of Dantalian no Shoka and the dude in it looks like Masayoshi (Samurai Flamenco). When Hanamori is shocked and leaning to the side, he looks like Masayoshi too…

I’d like to know how to make those pleated tail birds.

Strangely, this anime is more flat than I thought a 3D CG anime would look. Update: I raised my eyebrow at the part where Shindo pulls the suit pants off Hanamori, but it kinda made sense to me since Hanamori was drunk...at least it’s better than lucky underwear (Marginal #4).

What could be bigger than a land reform project? Oh, I dunno, aliens? (clearly sarcastic)

It’s not even Google, it’s Setten, LOL.

Chicken nanban. Seems tasty. I also didn’t question this until now, but this is MLIT.

Mac laptop! Dangit!

Hanamori is such a shonen protag, I swear he is basically Masayoshi in disguise as a Cabinet worker.

Hanamori’s face in the commemorative photo, LOL.

Uh-oh. Things are starting to look more CG now…

The ED is kind of a disappointment after the wonderful showing I got from the OP and the episode…plus Hanamori is kinda annoying with his “Shindo-kun!” “Shindo-kun!”…one thing’s for sure, this is one show to keep an eye on…for the moment, at the very least.

(Kado ep 1)

UN?! Wow, Shindo’s crazy good at his job…

Sometimes opening sequences of shows (not the OP, but rather the opening few minutes of the show) can be recap-heavy, but at least Kado doesn’t do that.

Interesting to note CR chose metres as opposed to miles, as I have huge gripes about Detective Conan getting all its measurements turned into miles and inches…

Tokyo Netro and NNK, LOL.

“Have there been any casualties so far?” By the way, the government uses Windows. I wonder if any Japanese people use Linux? Update: I did find Kanata Shinawa at odds with how she lead the government, but at least she knew what she was doing.

Ferrofluid.

Overtechnology – it doesn’t seem to be a dictionary word, but it seems to exist in Macross. To quote this page: “Many of the technologies of Overtechnology are stables of Science Fiction, such as Hyperspace and Artificial/Anti-Gravity.”

AP rounds. The AP stands for “armour piercing”.

Yay! Finally whatshisname appears! (I’ll just call him Shunina for now, since I can’t keep typing out his name or “whatshisname” all the time…) Update: I knew Shindo was the protag, but if you went in without that knowledge, you’d mistake Hanamori to be it. Huh. It’s sort of a good twist, but if they could do without Hanamori, that would make the show even better.

(Haine 1)

Why am I interested in this? It’s obvious from the key visual…

Nice use of perspective/camera tricks to fool the viewer, eh? The show really is kinda charming in a Kuroshitsuji-type way, actually.

Leonhard gives the burn straight! Ow!

Leonhard is basically the twins from Boueibu…? Especially Haru.

Licchie? Or Licchan? (did not use volume) I wonder if CR’s getting in on making English equivalents of Japanese nicknames now, too. Update: Licht is ri-hi-to, so it might not actually be CR’s fault there…

Playboy??? *thinks about the magazine* Ew.

Strangely, Kai’s was the funniest introduction out of all 4. (Or was that not strange…?)

Basically Nanny McPhee but with a teacher and students…LOL. Actually, it’s more Denpa Kyoushi, but Denpa Kyoushi doesn’t seem to have this atmosphere.

Come to think of it, maybe this was adapted because of the popularity of Osomatsu-san?

Tschuss.

This is…actually pretty funny, but it seems a tad lackluster because of the dulled shoujo-esque colour scheme. On the other hand, Leo really is both twins from Boueibu in one!

Sachertorte. I’ve heard of it before but I forgot what it was. Also, I didn’t think Japanese people would’ve heard of sachertorte. Witness the mighty skill of the internet to connect the world!

I had a vague suspicion that the reason Leo didn’t like teachers was because of how they treated him (specifically put him on a pedestal) because he was a prince, but there was always this sad feeling lingering since the interview began, as if I understood him.

I have the feeling the word for “language” specifically was kokugo, but since they speak Japanese and don’t confirm their setting is German in any way, shape or form (even though there are hints to the contrary), let’s go with “Japanese” as the national language.

Wiener melange? Or just a melange? By the way, tagebuch.

It turns out I do understand Leo…”I’m not good at socialising” is me to a tee.

Notice Leo called the tutor “Heine”, meaning this may not run off Japanese honorific standards.

GDI, priest guy (Bruno, since his reading a book there makes him look like a priest).

Ooh, the Alphonse Mucha style ending really does the show a favour, although Heine singing makes this a lil’ cliched in a weird way you just don’t expect from this show. Apart from that, I’d never think people would idolise Germany the same way they do Japan…unless 1) they have a person related to them who is/speaks German, 2) they like German food or 3) they like German technology (which is top-notch, to my knowledge). I’m kinda neutral on German stuff myself, so if I follow this I wonder what’ll become of me. Update: Oh yes, no. 4) They are German themselves.

Carrot, bell peppers and sachertorte? Ew.

Well, I’m keeping this show on. It better not let me down even though I only narrowly decided not to pick it for the ANN streaming stuff. It’s not a groundbreaker, but it’ll definitely be nice to have around…

Update: I forgot to mention I was vaguely disturbed by Heine’s reading of Leonhardt’s diary (mostly by the fact Heine found the diary in the first place - who puts an unsecured diary in a place that’s a little too accessible?), but since it didn’t do much damage to anyone but Leo and it was entirely played for comedy, I wrote it off. If it were a serious show, I may have had to bail.

(Sagrada Reset 1)

I dunno why the English translation is Sagrada when the Japanese is Sakurada. It just doesn’t make any sense.

Didn’t the character descriptions say Sumire was gonna die???

David Production – those Jojo’s guys? I don’t think I’ve seen anything from them until now.

Ugly CG cars, ick.

Haruki’s power reminds me of Erased except this exposition dump here makes her sound pretentious.

I would expect Haruki to be the android.

Was the “please let go” meant to be funny? I almost laughed before realising how serious Sakurada Reset is.

(without volume) Haruki’s so lifeless I expect her to disappear any moment now whenever Kei looks to the side. (with volume) I still think she’s lifeless…

Well, at least they explain why she’s so lifeless…by the way, I seem to remember I wrote a story like this: Next to Me.

August 14th, the day of Kagerou Project, LOL. I watch too many time travel shows.

No one rides swings.You sit on the swing!

Even though I can tell this show will go through some themes very thoroughly and the animation is consistent, it’s a bit of a chore to watch. I was waiting for the end of the episode about 17 minutes in, so I’ll put this on hold (because of the Mari twist near the end – that at least shows promise). The Sumire part doesn’t seem as convincing animation-wise though, which is disappointing as that’s the main plot of the show, right? Update: The reason why I label it a chore is because it’s hard to read the subs on this sometimes, the animation is limited and because it’s easy to miss Haruki’s resets - I actually missed the first one.

Update: Just a note on my preferences - the reason why I think such a show is a chore to watch is because I prefer shows with a distinct personality and/or charisma. Sagrada seems to have a personality, but it hasn’t become fleshed out yet because of all the potential under the surface, and it lacks charisma because of how serious it is.

[souichipresents]

Souichi Presents: Tomie, tOmie, toMie....

Kyahaha! Welcome, welcome back to Souichi Presents! The home of a true madman's task... to one day have reviewed every single Junji Itou story ever made! However... perhaps if you’ve noticed, even leaving aside the holiday hiatus, there’s been an unusual uptick in Non Mr. Itou Reviews. 

Why would this be? Well, I could say that I try to take in new horror as much as possible, to keep refreshed... but if I had to be honest in myself, it’s possible... I might be avoiding something. 

THERE'S JUST SO MANY OF HER. THEM. THESE STORIES. There’s so many of them. But that can’t stop me in my sacred duty because I swore an OATH... well I had a random idea when I was a freshman in college which I picked back up again for absolutely no reason I can recall and I’m sticking to it. 

Of course this is a labor of love, make no mistake. And there’s still a lot to love, as we get to... 

JUNJI ITOU’s, TOMIE: THE BASEMENT

(See part 1, MORITA HOSPITAL, here.)

Alright so if you weren’t here for the last part of this series, here’s a QUICK rundown. 

A girl is in the hospital while her not-boyfriend visits, until oh no! Tomie does that weird thing she does where her only enjoyment in stringing dudes along eems to be tormenting girls about it which isn’t weird at all. Sad hopsital girl is very sad, and also absolutely dying from Vauge Anime Organ Failure. But luckily for her, she’s able to get a transplant! Bad news, it’s a Tomie, signed off for the transplant from the sketchiest man alive claiming to be Tomie’s father. Again. Which is creepy because he is 100% actually the teacher from the very first Tomie story who may have impregnated her, was absolutely dating her, and 1000% killed her. So that’s creepy. 

Then it ended with ‘everyone with a uterus screamed internally during THIS bit’, alternate title ‘Aliens but with Tomie’. Now that we’re all caught up... 

(remember this is one of the very early translations, back when official publishers mirrored the art, so it’s left to right. God forgive us.)

Oh right, so this is early EARLY translation here, so it’s left-to-right again. My favorite part of this is that if theres a RUMOR about this, it indicates two things, really: one is that a patient happened to SEE this, which is just hilariously terrible. You get up, maybe getting some water, see- oh hey they’re operating and hhHOOOPS THATS A TINY HAND BYEEEE. 

Or option two: just some real gossipy nurses. “You would not BELEIVE the shit I put up with... yeah between this and whoever put the plastic wrap over the toilet seat, I’m out. I don’t care if it includes dental.”

...sorry, the heck is this?

Why it’s Fumihito! He’s... totaly unrelated to the story so far, and any future stories! But he’s sure here now. Good for you, Fumihito. 

Sure I make fun, but I’m pretty sure he might actually make it out of this ALIVE. Maybe the secret to surviving Tomie is to lack personality. Well he has one personality trait: checking out creepy things for No Reason. It might not get you very far at a party, but it;s gangbusters for moving a horror plot along. 

Well so much for my recap. This one’s probably more factual. Also can I just say I appreciate how in stride these doctors are taking this? Maybe they got all their ‘NO, THIS CAN’T BE’ out of their systems earlier. 

Well this has to be better then the goldfish bowl of hydrocloric acid the last tomie head was in. But whatever THIS is is... opaque... but not from... this side...?

....Mr. Ito, did you just have worries about drawing the doctors through the water at an angle? Well, god knows I wouldn’t want to. 

Now this is interesting, because it’s really the only go at a scientific explanation for Tomie’s... tomieness. But all he’s *really* saying is, hey, she can regenerate! I don’t think the real secret to this story is that Tomie turns out to be a large pile of planarians. ...though that would be amazing. 

...though it does speak badly for earths survival rate... do you eventualy wind up with a Tomie ‘apocalypse’? Crowds of tomies... gigantic tomies, like terrible lighthouses of adoration? Who knows, maybe every second tomie just kind of wanders into the ocean to keep overpopulation down... but still, you imagine it ends poorly. 

Yes well luckily rules don’t apply to NOSY MALE PROTAGONIST MAN! Able to use his amazing powers to satisfy his own vauge curiosity with a single bound. 

“And why are you in my room exactly?” “Plot contrivance! Need a character to follow to see the story happen, you know.” “...Isn’t that *me*?” “Don’t... don’t worry about it. 

This really highlights the difference in horror as a genre, you know? In most other stories someone being able to miraculously heal from major surgery would be a GOOD thing. Or at least even odds. 

See also: reading mysterious books, talking to strange new people, investigating odd noises. Don’t blame horror protags for doing those things; any other genre going into the magic furniture leads to narnia instead of hell. 

Similarly, only in horror is it possible for cancer to not be the worst outcome.

Now, I do feel the urge to make a joke here about just deciding to irradiate the monster why not, but they do actually have a logical train of thought here. They’re assuming something like cancer is happening; so they’re trying to see if radiation therapy could destroy the cells. 

WHICH is in turn interesting to me, because the “rules” of Tomie aren’t... clear. But they do seem to work. For the record-

Acid works. Fire works but you gotta be REAL thorough. Cutting is the opposite of working, bludgeoning not really much better. Water- laughable. Poison- untried. Concrete- ???? Radiation... well you’ll see in a minute. 

Meanwhile we get more of this. You wanted more of this, right? 

Tadashi sucked. Suuuuucked. This guy... exists. 

This does clarify a little more about her- it sounds like she has kind of a lonely life. ...I’m also going to throw this guy a bone and assume whatever he said in the original japanese might have been more of a “Oh, is that right?” then... that. 

Oh right, the monster. Radiation turns out to just make Tomie go from a kind of head-disaster to “barbie doll left on the stove.” Why? It’s a little late to want a scientific reason why THIS happens, because tomie already endlessly self replicates with no apparent need for outside energy... kind of. 

More then a few times we see her eating things (people) to regenerate from, but theres also times where nothing like thats around. Maybe having outside energy just speeds it up...? Or maybe she’s a nonsense curse monster. 

You know, I really didn’t think I’d like RE7 when the demo was out, but I like a lot of what they wound up doing with it in the main game. 

...And you are....?

Okay. Y’all. My dear friends. I love these comics. I love mr. Ito. I do. But we spend FOUR PAGES on, essentially, “Freddy hears noises behind the door, and briefly sees a walking figure.” I’m hitting the fast forward. 

There she is. The crux of this mystery- this and so many more. A living ghost? An endlessly self replicating memory? The guilt and fixation of a murderer imprinted into a endlessly replicating form? The grief of a murdered (pregnant!) teen girl horrifically cut down by a man?

If nothing else, a strange naked girl, in a fishtank, in a hospital basement he just saw a dude walk out of. What a strange sight. What a genuinely beautiful panel, highlighting a subtle, aberrant moment. 

...well. I mean, from a meta point of view, he took the safest available route, but... you can’t help but be disappointed, right?

Well Tomie has better things to do anyways. People to see. Short haired girls to loom over. 

No seriously, always with the short haired girls. Tomie has a.... type? Is that even what you could call it?

I’m not sure it really is about Tadashi, Tomie. I’m not really sure it is. 

Speaking of which, this is actually really unusual for Tomie. While she tends to generate terrible violence and suffering around her, I can’t really think of any time when she actually directly attacks someone. Usually she would have male ‘lackeys’ that she’d assign or manipulate to kill someone for her. This is an unusually direct motion on her part. 

Hey remember when she had slightly curly hair? We’re in the odd midpoint art wise where her design takes a odd turn. I can never figure out if it’s just a drift, or if it’s closer to how Mr. Ito wanted Tomie to look. 

Anyways it was nice knowing you, Dr. McDoctorson. 

Meanwhile, this is going to get a lot worse, and never get better. Note the interesting framing of the flowers here. I wish I knew if this was made before or after Dying Young. It feels like a very similar story thread, but Dying Young focuses more cleanly on the specific idea of ‘an illness making you beautiful, but at a terrible cost’. While this is... well. Tomie tomie tomie tomie. 

In the meantime, the doctors have been debating if tomie material can be used to cure illnesses (spoiler: hhhhooo boy no), and our main character went to visit John Smithee here. Who... does... this. 

...What the hell is he talking about? Her only personality change is she’s suddenly a little happier, and flirting with him. Also, he’s the one who’s been nonsensical in her grill hitting on her? Is this supposed to be like, ~oh I liked you for how you looked before~. 

I hate that. I hate every half-witted story where some boy is praised for seeing a girls ~natural beauty~. Like the discover of a girl is more important then whatever her plans for how she wants to look and feel are. And while this isn’t exactly because she just straightened her hair and got makeup, he doesn’t actually know that. So it just... grates on me. Endlessly. 

WHY IS THIS DUDE IN THIS STORY. 

Like this is supposed to be GASP TOMIE IS TAKING HER OVER but the problem is I don’t LIKE him, and his reason for turning her down is as shallow as anything Tomie has literaly ever said. 

It’s not sweet! And he has no functional personality. This story is supposed to be about her, but because she’s going through this transformation, it feels like he’s there so we see it from outside her point of view. But he just... sucks. 

Me too, totes-not-Tomie. 

Yeah his investment in how much more docile and quiet she was before really makes me feel the emotional weight of this terrible transformation coming over her. Which I guess is really my problem. 

This horrible thing happening to HER is being framed in how it’s affecting HIM. How HE feels about how she looked and behaved. And I could not care. Less. 

WHY CAN’T WE SEE MORE OF HOW SHE FEELS ABOUT THIS. 

meanwhile, Tomie accidentally saves many, many lives by getting rid of the other half of Kidney-Kaijulet, because these morons were going to inject more people with Tomie. 

Then this happens, and it kind of sucks. Even though it’s ~tomie~ and she’s evil or whatever... it... just kind of sucks. Which I guess is what winds up wearing me down in this series. We’re not short of media where ladies get hit and killed a lot. And I fully recognize there is context for this series as existing in japan that I’m not privy to, and will never actually be able to speak to. 

But to me, what the Tomie series has thats genuinely something different gets overshadowed by the monotony of the violence in it. For how little Mr. Ito work in later years includes outright slasher type violence, Tomie just... keeps goin. 

Also, she keeps dying but Creeper Teacher Dude here keeps being alive still, which also Just Sucks. 

Blink and you’ll miss it, here’s the whole reason any of this happened! It’s... this shithead again. Womp womp. 

Unintentionaly this might be the funniest page Ito has ever made. Poor bearded doctor just. 

WHY ARE YOU CUTTING HER UP? WHAT THE HELL IS WRONG WI- WHY THE FUCK DO *YOU* HAVE A CAN OF GASOLINE. WHY IS ANY OF THIS HAPPENING. I SHOULD HAVE JUST TAKEN THE JOB IN KURÔZU-CHO. 

Also.... “squeak squeak?” That cannot possibly be the right sound effect. 

...alright this guys a total shitstain in five directions, but this is also pretty funny. He’s basically doing a Loony Toons exit in a dark horror story. 

Don’t listen to that too long by the way, it’s kind of hypnotic. 

And this... this one page makes, to me, the whole rest of the story.... 

The intensity of the reveal. The tight closeups from her face to his, the way she seems contained inside the arc of the fire. The slant of the panels around them- leading to such a sense of unease, and drawing the eye.  

This. This is a beautiful horror moment. 

What a strange moment. Do they leave together? I don’t remember if he comes back again, though I suspect he must. What happens to her....? 

Is she really completely gone?

And that, at last, is the end of BASEMENT. 

This is a really muddled one for me. I feel like theres so MUCH in it I could enjoy, but somehow it both has too many ideas, and feels stuffed with filler. 

I’d loved to see some of these ideas. A hospital researching tomie? A girl being corrupted BY tomie and slowly losing her sense of self...? Those are both amazing ideas that I wish had been their own stories. I wish the girl becoming tomie had kept the lense on HER. On how she felt, on what she was doing. 

I think in a way I find this pair of chapters to be more frustrating then others because... if there weren’t good moments, I could just freely mock it, and maybe even skip past it. But there is a good story in it! There really is. 

It just feels like it’s happening somewhere else, while the ‘camera’ follows this unrelated person. With a level of decompression that... doesn’t work for me. 

I suppose thats a greater problem I have with Tomie. It can just feel like so MUCH, but it almost never gets bad enough i can comfortably abandon it. 

Almost. 

That’s all for this week, folks! Join us next time won’t you? I’m hoping to get to more Ito, and talk about the hauntingly strange short “Madame Tutli Putli”, and possibly talk about the great classic of horror cinema, Scooby-Doo on Zombie Island. And of course, the souichi presents patreon is now on monthly donations, and I’ll be updating it’s milestones soon! Even a dollar or two makes a really big difference. 

And as always, Souichi WILL... return.