#and so the problem doesn't much improve itself

[alexanderwales]

I'm a big fan of wizards-as-programmers, but I think it's so much better when you lean into programming tropes.

A spell the wizard uses to light the group's campfire has an error somewhere in its depths, and sometimes it doesn't work at all. The wizard spends a lot of his time trying to track down the exact conditions that cause the failure.

The wizard is attempting to create a new spell that marries two older spells together, but while they were both written within the context of Zephyrus the Starweaver's foundational work, they each used a slightly different version, and untangling the collisions make a short project take months of work.

The wizard has grown too comfortable reusing old spells, and in particular, his teleportation spell keeps finding its components rearranged and remixed, its parts copied into a dozen different places in the spellbook. This is overall not actually a problem per se, but the party's rogue grows a bit concerned when the wizard's "drying spell" seems to just be a special case of teleportation where you teleport five feet to the left and leave the wetness behind.

A wizard is constantly fiddling with his spells, making minor tweaks and changes, getting them easier to cast, with better effects, adding bells and whistles. The "shelter for the night" spell includes a tea kettle that brings itself to a boil at dawn, which the wizard is inordinately pleased with. He reports on efficiency improvements to the indifference of anyone listening.

A different wizard immediately forgets all details of his spells after he's written them. He could not begin to tell you how any of it works, at least not without sitting down for a few hours or days to figure out how he set things up. The point is that it works, and once it does, the wizard can safely stop thinking about it.

Wizards enjoy each other's company, but you must be circumspect about spellwork. Having another wizard look through your spellbook makes you aware of every minor flaw, and you might not be able to answer questions about why a spell was written in a certain way, if you remember at all.

Wizards all have their own preferences as far as which scripts they write in, the formatting of their spellbook, its dimensions and material quality, and of course which famous wizards they've taken the most foundational knowledge from. The enlightened view is that all approaches have their strengths and weaknesses, but this has never stopped anyone from getting into a protracted argument.

Sometimes a wizard will sit down with an ancient tome attempting to find answers to a complicated problem, and finally find someone from across time who was trying to do the same thing, only for the final note to be "nevermind, fixed it".

[ckret2]

Pictured above: a shape's eye view of the end of the world.

The second dimension has burned; and Bill's been accidentally setting the second dimension's neighbors on fire. At the moment, the Axolotl is trying really, really hard to convince himself that these two facts are unrelated. Here, have a fic.

This is chapter 5 of an ongoing fic about the Axolotl in the wake of the Euclidean Massacre as Bill just keeps on committing atrocities. If you wanna read the earlier chapters (and/or look at more pretty art of Bill committing horrors and the Ax witnessing horrors), here's chapters one, two, three, and four.

####

As soon as the Axolotl and the Time Giant exited Dimension Zero, they were greeted with a faceful of rain. Apparently the storm cloud with the Apocalyptic Threat Task Force had been waiting for them. "The fires in the remaining dimensions around 2Δ are finally acting like normal fires," it said. "No teleporting around, no more targeting the mortals. We've got the worst ones under control. Think we'll save about 40% of Dimension 2 Zeta and 30% of Dimension 2 Epsilon. Whatever you two did in there, it helped."

"Yeah, well." The Time Giant shrugged, nearly dislodging the Axolotl from his perch draped over her shoulder. "It was one of those problems that fixes itself once you figure out what it is."

So the Time Giant had been right. The triangle's attempts to rescue "his" "people" and to stabilize his strange underworld in Dimension Zero had been what was destabilizing all the other dimensions. As much of a relief as it was to hear the situation was improving... part of the Axolotl had hoped that the fires were still as untamed as ever—because that would have meant the triangle wasn't guilty of perpetuating the blaze.

(If the triangle wasn't actively working to keep Dimension Zero stable, how much longer until it collapsed and erased all its imprisoned souls from existence? Would it be long enough to get them all out?)

The cloud asked, "So, did you find out what destroyed 2Δ?" Right. The Axolotl had almost forgotten that was what they'd originally been looking for.

The Time Giant shook her head grimly. "Didn't see any sign of it. But I've got a suspicion who did it."

The Axolotl said sharply, "All we have is circumstantial evidence." And he'd ripped into more than one god who'd tried to damn a mortal based on circumstantial evidence. 

The cloud's sunbeam darted between their faces. Slowly, it said, "I take it you mean our triangular friend. I don't have any proof yet about the original fire; but he's been spreading the fire, I know that much."

"How did you know?" the Axolotl asked. He and the Time Giant had only just learned it themselves inside Dimension Zero.

"We've been interviewing some refugees while you were out. I—think you'll want to speak to them." The cloud directed this statement to the Axolotl.

The Time Giant said, "Later. The triangle says he's willing to move his people to another dimension." She gestured toward VENDOR, flanked by the two cops THEY'd apparently adopted as THEIR personal escorts. THEY were ranting into a phone that the crab-looking cop was holding up for them. "So we've gotta go discuss refugee stuff with Vendy McVendface."

"VENDOR," the cloud corrected.

"Vend 'er? I hardly even know 'er!"

The gods turned to stare at the border of Dimension Zero as the triangle laughed at his own joke until he wheezed. "I had to. It was sitting right there! It woulda been a crime not to pick it up!" His cackles slowly petered out. "What, no laughs? Maybe the joke doesn't translate."

The Time Giant shrugged. "I kinda thought it was funny."

"Ah, whatever."

"Have you been listening the whole time?" the Axolotl asked, not sure whether to be amused or mortified.

"Don't worry about it, I've got something more important to say." He zipped up along the surface of Dimension Zero's border until he was eye level with the Time Giant. "Hey, Hourglass. I didn't say I'm ready to move my people. I said I'm ready to talk about moving. Your guy better sell me on it. If your offer isn't worth it, we're not leaving."

"Are you serious?" She screwed up her face. "Ain't not being erased from existence worth it?"

"I have very high standards. And there are fates worse than death."

"Name one."

The triangle only thought about it a second before he answered, "Captivity."

####

It wasn't until the Axolotl and the Time Giant left the border of Dimension Zero that the Axolotl realized, the moment the triangle had shown up, the storm cloud had disappeared. It was now drizzling surreptitiously near VENDOR, waiting for them to catch up.

As they approached VENDOR, the Time Giant said, "You should give VENDOR the news."

The Axolotl gave her an affronted look. "Why me?" This wasn't his responsibility. He hadn't been hired to do a job here. He shouldn't even be here; he was essentially an over-involved lookie-loo.

"You'd be better at talking to 'em. You move in the same circles."

"I'm not a politician, I'm a lawyer."

"I'm an engineer." She took the Axolotl off her shoulder and nudged his butt to set him gently floating in VENDOR's direction.

The Axolotl twisted around to give her a resentful look, but swam toward the vending machine.

THEY ignored the Axolotl until THEY finished THEIR current call, at which point THEY snapped, "What?" and he explained the situation. Blessedly, THEY didn't ask any further questions or give him any instructions; THEY just grumbled, "Finally," and told the crab cop, "Call the Vitruvian Mandala—we'll need to find places for another ten million 2D refugees."

"And 1D," the Axolotl said.

"Yes, yes." THEY muttered under THEIR fan, "And hopefully we'll get that triangle to the afterlife he deserves and be done with him."

The Axolotl doubted THEY meant a serene eternal paradise. Pointedly, he said, "Which afterlife he goes to is his choice."

Afterlife law was his speciality. Not cases like "based on this mortal's good and bad deeds, which form has she earned for her next reincarnation?" or "has this soul earned entry into his religion's realm of the wicked, the good, or the heroic?" Those were decided on the local level.

Rather, he tended to handle inter-pantheon, sometimes even interdimensional, cases—like, "if a mortal born on one planet lives and dies on another planet, which world's afterlife has claim to his soul?" "Is a soul's right to return to her native afterlife forfeit if she's apprehended in another god's jurisdiction for crimes against reality?" "Can a death god in a dimension where wandering ghosts are banned incarcerate a ghost from a dimension where wandering is legal?" "How does a soul's right to claim an afterlife weigh against an afterlife's right to claim a soul?" "Who has the right to judge a deceased mortal in the first place?"

The Axolotl personally thought that mortals deserved to be treated as mercifully as possible—starting with respecting the dead's own choice of afterlife above all others, and ending with outlawing damnation at the interdimensional level.

The rest of the multiverse... didn't agree with him yet. He didn't intend to stop until they did.

He went on, "Case law has long established that unless the dead made other arrangements premortem, they will be taken to—in order—the afterlife of their birth, their death, or their choice. The afterlife under whose jurisdiction the triangle lived and died has been destroyed, so he can go to any afterlife that says they're willing to take him, whether or not you think it's what he deserves—"

VENDOR's camera rolled and THEY impatiently beeped acknowledgment. "Do you mind, I'm on the phone." THEY turned THEIR back on the Axolotl to focus on THEIR next call. Yeah, most gods didn't like being told they couldn't just smite and damn whoever they felt like.

The storm cloud called the Axolotl's attention with a fork of lightning. It said, "I'll need to help coordinate the rescue efforts with VENDOR. I can get the report on what you learned in there from the engineering inspector; but you need to go talk to some of the witnesses of the fire. Maybe you should ask the Vitruvian Mandala when He's free."

That was the second time it had told him to talk to the refugees. "Why?"

"You said that yellow triangle's your friend, right?"

"I... did, yes."

The cloud didn't explain any further. It only said, "Be careful around him."

####

VENDOR bustled around making preparations to receive ten million new refugees with absolutely no input from anyone else on the scene; the cloud's time was split between coordinating with the ATTF and getting a full debrief from the Time Giant on the conditions inside Dimension Zero; and left alone, the Axolotl found himself staring into the roiling barrier around the bloated singularity.

He swore, no matter where he looked, in the center of his view he could see a tiny, yellow, triangular pinprick of light, like an afterimage burned into his retina. No matter how deeply he looked into Dimension Zero, somehow his eyes always seemed focused on the triangle, making it appear nearer and then farther, like an optical illusion.

Be careful around him. He wished his Oracle were here to ask him questions. Helping her mortal mind make sense of this whole affair might help him make sense of it himself.

He'd seen the horror in the triangle's eye when he realized that he was the one incinerating the dimensions that had once bordered his own. He'd heard the sincerity in the triangle's voice when he said he could feel the deaths of every life that fell into his dream realm—the deaths that he himself was causing. He'd felt the guilt pouring from the triangle when he realized his efforts to save "his people" from being killed were what was killing them. Whatever else the Axolotl knew, he was sure the triangle hadn't meant to cause anyone harm. He hadn't started the fires on purpose. He just... didn't know what he was doing.

And "his people"—what did that mean?

Maybe some of the people in the triangle's dance party were from his dimension. The Axolotl couldn't totally confirm that they weren't; if the triangle had somehow survived, then why not others?

But it was undeniable that the triangle had been "rescuing"/kidnapping people from other dimensions, and he talked about the people he'd rescued no differently from the people from his own dimension.

Why? Had members of his species spread to neighboring dimensions? Or had his species come from another? Had his people established diplomatic relationships with cultures in neighboring universes, enough for them to consider themselves one people?

"Certainly not," said the Vitruvian Mandala.

He was a god from one of the worlds in Dimension 2 Gamma that the ATTF had managed to evacuate before the dimension was fully incinerated. Now, He was just another refugee, huddled with His confused, terrified people on one of the temporary worlds provided by VENDOR, curved uncomfortably atop the spherical planet. He had to be reeling from the loss of His home just as much as His people were—if not more, since He had known and seen and done and loved much more that any single mortal could. But nevertheless, He'd immediately stepped up to assist with organizing the rescue services, acting as a liaison between VENDOR and the 2D mortals to find new homes for them. 

And some of His people had been among the ones dragged into Dimension Zero—which was no doubt why the cloud had suggested the Axolotl speak to Him.

The Vitruvian Mandala may have been a minor creation god (He'd only created a galaxy) but He was more than powerful enough to know whether any of His people had ever made interdimensional contact. The Axolotl had waited until He had a moment to spare from assisting VENDOR, and then asked Him about their relationship with Dimension 2 Delta.

"I seeded life on all the populated worlds in My galaxy. None of My worlds have ever so much as been colonized by another galaxy in Our own dimension, much less people from another dimension," He said. "And We're a young galaxy—the most advanced starfarers have hardly ventured beyond their own solar systems; none have left Our dimension."

"And they've never spoken to other dimensions...?"

"No. The first contact We ever had with 'Dimension 2 Delta'—or what was left of it—was when the Magister Mentium began dragging My people into his underworld. The leaders I've had a chance to speak to from Dimension 2 Epsilon and Dimension 2 Zeta have told Me the same. " He called the triangle 'Magister Mentium' without any of the halting awkwardness the Axolotl did, or even the self-consciousness the triangle himself did. The Vitruvian Mandala had never known the triangle as anything but the Magister Mentium—and in His voice, it sounded not like an oversized title for a tiny triangle, but like the name of a fellow god.

But—the Axolotl had only asked the Vitruvian Mandala about Dimension 2 Delta. He hadn't brought up the Magister Mentium, nor mentioned that he was asking about the kidnapped people. "How did you know about the Magister Mentium?"

The Vitruvian Mandala said simply, "Because he introduced himself to My people before he started stealing them."

At the Axolotl's shocked silence, He said, "Do you want to see what they saw?"

####

When the agents with the ATTF had started interviewing survivors about the cosmic fire, naturally, they'd first approached the other gods for information. And then the gods had approached the mortals under their charge to get their testimonies and pass them on to the apoc agents.

The Vitruvian Mandala had telepathically extracted His people's memories and copied them into tiny glassy discs with brass rims. He sifted through dozens of discs before offering the memory of a narrow rhombus from one of His most technologically advance worlds; and the Axolotl stared through the disk to experience the mortal's memory.

The memory started with a sight that had become all too familiar to the Axolotl: a distant line of burning blue fire. It took a moment for the Axolotl to orient himself to the mortal's razor-thin two-dimensional view of her world; but once he did, he realized that, from her perspective, it wasn't a line of light. To her, it was the entire sky. The constellations of faraway flat stars had vanished, and their place was taken by an inferno.

The whole world reeked of a stench that the rhombus didn't recognize, but that the Axolotl did: burning hydrogen. In most dimensions, three-fourths of all the matter in the entire universe—including the very stars themselves—consisted of hydrogen molecules. Hydrogen burned a pale blue. The stench in the air, the pale blue light filling the sky, was the smell and sight of the raw materials of reality itself burning away.

The nearby buildings had emptied into the city streets as people abandoned their work to coming outside and stare at the burning sky. Somewhere—it seemed very far away—people were screaming, sirens were wailing, government proclamations were issuing out of radios and loudspeakers; but on these streets, on the border of the city where the sky was most visible, everyone was horribly silent. 

An eerie feeling of unreality hung over the world. It felt like a scene out of a dream. The rhombus's heart filled with dread. She didn't understand why or how the sky was burning, but she felt in her bones that it must mean the end of the world.

She never imagined that it was the end of the entire universe.

And then, more real than reality itself, bright enough to blind, a radioactive-yellow shape appeared in the middle of the crowd. Over the gasps of shock, a voice that echoed between the buildings proclaimed, "Gooood evening! Lines, bis, and tris; quads, quints, and more—my beloved believers and my new friends—I'm sure you all recognize my voice from the news, but it's a pleasure to finally meet you all in the flesh!"

She wasn't sure he had any flesh to meet. He was ghostlike, as insubstantial as smoke—and just as formless as smoke, too: his shape constantly shimmered and shifted and distorted, his skin appearing and disappearing as his internal organs were exposed; one moment a leg visible, the next a hand, then no limbs at all, just his blindingly bright body. His organs were all wrong. When she could stand to squint at the specter's light, in the split seconds that his ghostly form was properly visible, she thought he looked like a triangle.

(She'd never seen the third dimension, never even attempted to imagine what a 3D shape might look like. She didn't realize his appearance shifted because he was a 2D shape tilting in 3D directions trying to lay flat on the 2D plane of Dimension 2 Gamma, and not quite succeeding. )

"Allow me to introduce myself properly: I'm the Magister Mentium, seer of the third dimension! Your gateway to the stars and stardom, your guide to prophets and profits, your mastermind and master of minds; and, if you're lucky, your new eternal party host! I'm sure the honor's all yours—but please, resist the urge to swoon! I have a limited time offer that you cannot afford to miss."

For all his self-aggrandizing, the triangle was still completely unfamiliar. She didn't see recognition in the eyes of any of the shapes around them, either. She doubted he'd ever actually been on the news at all, unless it was in one of those dubious programs about ghost hunting or UFOs. 

But the triangle charged on regardless: "I'm here to bring you salvation from— Whoops! We've got a crying baby over here. Sorry junior, I'm on stage right now." She hadn't even noticed the crying until the triangle pointed it out; the whole world seemed dull and muffled and gray except for the triangle. One of his arms stretched in the child's direction and disappeared; there was a split-second flash of black fingers where the baby used to be; and then both hand and baby vanished, the baby's cries morphing into a shriek of terror that slowly faded into the unseeable distance.

"My baby!" a rectangle wailed. She rushed up to the alien triangle. "What did you do to my baby, you—" She tried to seize his arm, and let out a howl of pain as her hands burst into flame.

"Calm down, Mama, your little brat's okay!" He reached out and flicked the rectangle back. His finger hit her with the force of a catapult. She tumbled away from him through dimensions unknown, skins and bone and organs turning inside-out over each other; and slammed into a nearby building, fusing with the wall. All that was visible of her was a thin cross section of meat. The rhombus couldn't imagine where the rest of her had gone—but she could smell the burning flesh.

"Too bad I can't say the same of you." The triangle turned to stare them all down, gaze darting restlessly from face to face. His pupil was bizarrely long, animal-like; and his gaze burned. She was sure that, if his gaze had lingered on her a moment longer, she would have caught fire, too. "We're burning time, people! Would anyone else like to be excused? Last call!"

There were a few whispers, but no one moved. The crowd was petrified with fear.

"Terrrrific! Then you'd better listen close, because I only have time to say this once," the triangle said. "Here's the deal! There's only two kinds of people: the ones who hate captivity, and the ones who love it. Oh yeah, there are people who love it! Some of 'em like inflicting it, some of 'em are too stupid to think for themselves, and some of 'em just want to do terrible things and pretend they had no choice!

"But I'm here to help the rest of you—you know who you are! You're the ones who never quite tessellated with the other kids! The ones who are sick and tired of your family saying you had so much potential and asking where it's all gone! You can feel the barbs of social obligation hooking into your flesh—yeah, you there, you know what I'm talking about, I see you!—and you'd rip your own skin off if you thought it would set you free! It won't, by the way—take it from a guy who knows! Luckily for you, my way's more effective and less painful! Probably!"

In spite of their fear, more than a few shapes had started pushing closer to the triangle. He was speaking to them.

"So if you crave freedom—from work, laws, morality, physics... death..."

More than a few shapes glanced fearfully toward the sky.

"...if you want to see the stars with me—then raise your hand! Reach out to me! Watch your enemies burn and escape to a realm of dreams with no rules and no responsibilities! That's right, this way!"

As soon as he said raise your hand, it seemed like half the crowd stretched their hands out to him —and the longer he spoke, the more reached out.

She recognized some of the people reaching out—some of them were her neighbors and friends. Here was a beaten-down pentagon who'd spent his whole life being controlled, and just wanted freedom from the ruthless monsters who used and abused him. There was a controlling circle who'd spent her whole life using and abusing others, and wanted freedom to be an even more ruthless monster. They all reached toward the triangle just the same—as if they'd been waiting their whole lives for an opportunity to escape. The desperate, the downtrodden, the dastardly, the barely daring to hope. If the whole burning world felt like a bizarre dream, then this must have felt like a dream come true to them.

But to the rhombus, it felt like a nightmare. She had to fight through the crowd to back away from him. 

"No need to push! If you can't see me, just hold your hand toward my voice, I can see you!"

The smell of burning existence was growing stronger.

Was this a test? An approaching apocalypse and a shapeshifting god of light and fire offering a last-minute rapture. The sky was burning—what hope did they have if they didn't go with him? More of the crowd was reaching for him now—terrified of him, but more terrified of their fate if they didn't. The rhombus reluctantly stretched out a hand.

"Thaaat's right, this way! I've got all of you!" His voice was taking on an edge of impatience. "Just—come on already! Hurry up!"

She was at just the right angle to catch a split second glimpse of the triangle through the crowd. She saw as the person closest to him reached out and grasped his hand. She saw as the first of the triangle's new followers burst into flames. The unlucky soul crumbled to ash before they had a chance to scream.

"I said no pushing."

The rhombus jerked her hand back and hoped the triangle hadn't seen her through the crowd. He wasn't offering salvation.

Most of the crowd wasn't lucky enough to get a view of the unfortunate shapes at the front who were already learning what a deal with the triangle entailed. The rhombus could hear people, as though from a vast distance, calling out to the triangle: "Take me, take me!" "I'll do anything!" It seemed like the whole world was trying to get closer to him; she thought she was the only one trying to move away, until she made it as far back as she could, where the crowd was thinning out, and caught a few other shapes in her peripheral vision who'd moved the same way. More than half the crowd was rushing in toward the triangle.

But apparently, it wasn't enough to satisfy him. "Come on, people!" That enthusiastic voice, halfway between a salesman and a camp counselor, was gone now. His voice went shrill with anxiety. "What's it gonna take?! I'm offering you idiots paradise, why won't you listen? Why don't you ever LISTEN TO ME?!"

For a moment, even though the triangle was completely hidden by the crowd, the rhombus could feel his fiery gaze sweep over her. She felt the way her skin threatened to burst into flames, and she knew he saw her.

She backed away until her rear angle bumped into the nearest building.

"Fine! You've had your chance! I've found my people!" The triangle's voice dropped to an angry snarl. "For all I care, the rest of you can burn."

For every hand that stretched out to the triangle, a black hand reached back toward them—dozens and dozens of hands. "Let's blow up this popsicle stand!"

He seized his new believers' hands.

Most of them instantly burst into flames.

Most of the rest were either jerked away into some unseeable direction like the baby had been, or else the burning ghost hand they were shaking yanked something out of them, leaving behind a dry corpse.

Reality warped and distorted in ways her eye couldn't make sense of: buildings wobbling and spilling apart like they were made of liquid; people twisting together with the buildings in sickening multi-corpsed abominations.

"Whoopsie!" The triangle let out a shrill, tittering laugh. It sounded pained. "S-still gotta get the hang of that. Oh well!" He spoke louder and faster. "I saved as many of you as I could, doing the best I can here, the rest of you don't matter, anyway byyye!"

And then he was gone.

And then they were all awake. She hadn't known they were asleep. Whatever happened hadn't been a mere shared nightmare; it was as though the layer of existence that dreams happened on had been pressed into the layer of existence where reality happened, and she hadn't even noticed until the pressure applied by the triangle lifted and the layers popped apart again.

The layers had popped apart too hard. Several of the shapes nearest the triangle that he hadn't taken with him instantly died—the tether between their souls on the plane of dreams and their bodies on the plane of reality snapped like overstretched rubber bands.

The fused corpse abominations had been left behind, still tangled and mangled with the architecture. The buildings were charred. The survivors were covered in burns they hadn't noticed—everywhere the triangle had looked was burned. Anything the triangle looked through was burned.

She was covered in burns. She could feel the burning inside her body. She raised her hands to her face and felt it peeling off.

She couldn't even feel the bright blue fires roaring down from the heavens.

And then something else lifted her out of the world, just before the reality around them began to burn.

She didn't know where all the people the triangle had taken had gone. But as she blacked out, of one thing she was sure: this higher dimension he'd claimed to see, this realm of stars and dreams? They weren't there.

Wherever they were, they'd gone down.

####

When the Axolotl emerged from the recorded memory, he was dizzy with horror. He had to lay down on the prefab planet next to the Vitruvian Mandala while he reeled.

"Are you all right?" the Vitruvian Mandala asked.

Broken, the Axolotl said, "he threw a baby."

"I know."

"Is the baby alright?"

Delicately, He said, "It's beyond the dimensions I'm able to sense."

The Axolotl curled his gills. Not the baby. "What about the rhombus?"

"Her body was too burned; she died shortly after this memory," the Vitruvian Mandala said. "But fortunately, only a small part of her ghost suffered third degree burns. With an ectoplasm graft she's expected to recovery enough to have a fairly normal afterlife. Inasmuch as any afterlife can be considered 'normal' for My people now."

The Axolotl had noted how many ghosts were mingling with the living mortals when he arrived on this planet. He hadn't wanted to say anything; he didn't know whether that was normal for their people. "I can give you the contact rituals of some interdimensional psychopomps I respect. Very professional and compassionate gods." Although they'd be cursing the Axolotl's name for millennia for throwing so much work on their desks.

"I'd appreciate that. Thank you."

The Axolotl returned the memory disc to the Vitruvian Mandala; He momentarily stared into it Himself before returning it to His collection. "He gave speeches like this all across My populated worlds. I've retrieved thousands of memories like this from My people." His voice shook; the Axolotl couldn't tell if it was with anger or grief. "There would have been more—if more had survived."

"I'm so sorry." He didn't know what else he could do for the poor god but be sorry. All the senseless, slapdash slaughter. All of it so casual and accidental.

"Why?" the Vitruvian Mandala demanded. "He didn't speak like he meant My people harm, but he couldn't have done them more harm if he'd tried! I've never heard of him before—what is he, some malevolent trickster god? Why did he do it"

"Because... he thought he was saving them." That was the only thing the Axolotl could cling to.

####

(Thanks for reading!! If the art lured you in and this is the first chapter you read, this is part 5 of a 7-or-8-or-9 part fic that keeps getting more parts, about the Axolotl in the immediate aftermath of the Euclidean Massacre. I'll be posting one chapter a week, Fridays 5pm CST, so stick around if you wanna watch the Axolotl run out of ways to pretend Bill didn't destroy his own dimension.

It's ALSO chapter 65 of an ongoing post-canon post-TBOB very-reluctantly-human Bill fic. So if you wanna read more of me writing Bill, check it out. If you're not sold on the idea of a human Bill fic, I've also got a one-shot about normal triangle Bill escaping the Theraprism if you wanna read that.

If this is NOT your first time here and you already knew all of the above: Bill got SO CLOSE to looking like a misguided good guy last chapter, and that's why he had to throw a baby.

No actually it was because it seemed really really funny. Flipped that flat little thing like a pancake.

Due to real-world reasons, this is another chapter that isn't as edited & polished as usual, so let me know if you noticed any rough spots that need buffing. And let me know what you think! Bill with his cult leader persona cranked up to 100% is probably the hardest Bill to write.)

[pyreo]

handful more dunmeshi thoughts:

I like how their ability to cook is cumulative. they still have stock or leftovers from previous episodes making each meal more varied or better balanced, it honestly feels super enriching having solid evidence that their situation improves the more they experiment.

I like that the main party are immedaitely shown to be veterans of exploring this dungeon, and were fully expecting to comfortably handle the final boss. They're familiar with the layout and overall logic of the place, and how to co-exist as a diverse group.

I like that it's not horny. I mean yeah there's the dwarven upskirts but that just feels like realism. I know there's some kind of yuri bathroom thing but we've been told since episode one that is based on deep-seated emotions. what I mean is nobody is drawn sexily, nobody is getting gratuitous fanservice for no reason, nobody is lusting over other characters. there were even sirens and the opportunity was not taken to draw them like sexy temptresses. All things considered, they are in a work environment. I enjoy this, everybody has more important things to do.

It's based on dungeons and dragons/roguelikes/RPGs obviously, but in a loose method that doesn't get hung up on itself. Also the problems they solve are always realistic/a matter of pragmatism or efficiency rather than having to be more powerful than something else. solutions are based on critical thinking (good example - making a flail out of a vial of holy water because ghosts pass through the glass and get smacked by the water)

An extention of that, it's fun how much logistics and realism form the basis of their problems. Nothing is handwaved. The central dilemma is staying fed and that is a challenge. They can't cross a hall of water in a boat, because two of them wear heavy armour, and would sink. They do not even leave sightlines of each other without informing someone else where they're going, so the alarm will be raised if they don't come back. They're all capable in their own ways and this directly leads to solutions requiring group effort.

also look at these marcilles

[pumpkinbxtch]

— two people, one umbrella ∘⁠˚⁠˳⁠° headcanons

the hoO boys when starts to rain and there's just one umbrella. ft. apollo

who's here: frank zhang, jason grace, leo valdez, percy jackson and apollo

warnings: none

a/n: its friday, so headcanons arrives here. kisses for y'all. enjoy.

— frank *⁠.⁠✧

This guy doesn't hesitate for a second, he's got you covered with the umbrella, most (if not all) of it.

"I don't want you getting sick," he says while holding the umbrella.

He's so tall he doesn't need to raise it any higher than necessary, and you keep pushing it toward the center so each of you gets at least a little covered.

He might pretend he's covered, but his shoulder is getting terribly soaked.

He's thinking about the shape-shift, imagining what it would be like if you had a canary on your shoulder while walking in the dry, safe rain.

But in the end, he obeys you. He takes your hand and tries to cover both of you (because he thought he might get sick, then you'd want to help him, and he doesn't want to bother you).

— jason *⁠.⁠✧

Once the umbrella is fully open, he figures out the best way for both of you to be covered, always putting you first in his mind.

He moves you in front of him, but he can see you might trip.

He considers just covering you, but he knows you'd both end up fighting and getting wet anyway.

So, he wraps his arm around your waist to pull you closer. Now, you're both under the umbrella, dry.

He smiles at you and takes advantage of the closeness to kiss your cheek and your knuckles.

“let me, my love” he says soflty if you try to help him with the umbrella.

He's the type to hold your hand and tuck it into his jacket to keep you warm.

Another thing he could do is control the air so the umbrella holds itself up and you can walk together even more comfortably.

— leo *⁠.⁠✧

"I already anticipated that!" he exclaimed when he saw that both of you weren't completely covered by the umbrella he was carrying and smiled eagerly at you.

He presses a button on the umbrella's handle and it expands even more, Hurray! You're both covered.

But...

As you continue walking on the sidewalk, Leo looks at other couples in similar positions, only much closer, cuddling and lovingly playing around, while the umbrella with the improvements he invented works so well that you even walk a bit away from him.

Oh no... :(

He wants to do those cheesy things with you too, and he plays the fool.

If a child of Hephaestus can fix something, they can also break it, so he presses the button too hard, for breaking it. The extra space is gone.

"What happened?" you ask confused, some drops start to wet your hair, and Leo smiles seeing how beautiful the dew looks on you,

he just shrugs "I don't know, I guess it doesn't work anymore" he says uninterestedly, and he pulls you to him impatiently,

definitely using some of his warmth so you don't get cold.

He adjusts himself, hugs you, and you walk together.

— percy *⁠.⁠✧

He literally gives a fuck if it rains or not, so the problem is, he never carries an umbrella.

But that's because he can control his waterproofing. If Percy Jackson doesn't want to get wet, he won't, but you're not him.

"Don't worry, babe," he says with a confident smile as you cover yourself with your hand from the increasingly heavy rain.

He bites his lips and looks above you, now the rain avoids you both, and you're no longer getting wet.

He winks at you, and you hug him sideways. Let the mist take care of what others see, and he leans in for a kiss. You give it to him.

suddenly feeling the drops hitting your hair again. For a few seconds, neither of you cares, and he hugs you, prolonging the kiss.

A kiss in the rain.

When the water trickles down your noses and you can taste some of those drops, you break apart with a giggle.

"Oops," he says, and he focuses again to keep you both rain-free.

Though you run to get home as soon as possible because for Percy, it's hard not to want to stop and kiss and cuddle you.

— apollo *⁠.⁠✧

He's a god, and the god of the Sun. He could literally make a few calls to get rid of that silly rain bothering his beloved.

But oh no, Apollo lives for the drama, for love, it's for the feelings he exist, so he conjures up an umbrella and covers you.

Apollo will definitely sing "Singing in the Rain" while dragging you along and giving you gentle spins.

For him, it's such a mundane moment, but because he's with you, he wants to turn it into the greatest musical ever told, because it's for the two of you and for him, it's better.

He takes your hand and swings it with great humor.

He's literally a sun walking on the streets full of people grumpy because of the bad weather and a gray, cloudy landscape.

When he sees you smile and chuckle, his spirit overflows with joy, and unintentionally, the sun appears among those clouds, and the rainbow makes a nice trio in the sky.

He gives you a peck on the lips when you raise your eyebrows at his mischief.

"I can't help it," he says with a smile and links your arm with his to continue the walk.

*⁠.⁠✧

[lucystark12]

milevens are insane

warning now - i get extremely heated in this so if you're going to tell me to calm down leave. before any of you weird bitches tell me to go do something more productive or to touch grass- no. i'm fifteen, it's summer, and i'm a highly involved high school student. i'm not here because i have nothing better to do, i'm here because i understand good writing and am able to have hobbies ❤️

anyways

was on the mileven endgame hashtag just now and because i don't choose violence i wont be addressing any of them directly, but i will be addressing some of the ridiculous bullshit on there. term bullshit used intentionally

the love confession came as a result of mike "gaining the confidence" to tell el how much he loves her because he was afraid that he loved her more than she loved him.

are you listening to the words that are coming out of your mouth right now? i want to sit down and get a coffee with you and dissect what the fuck you meant by that. sure, right, yeah, he gained so much PRODUCTIVE confidence from his conversation he had with will where will was using eleven to mask his own feelings for mike. it makes so much sense narratively that this end all be all mileven event is sparked from will's feelings and not mikes! sure! right! this is such an idiotic piece of reasoning. you are literally saying that you are okay with your endgame ship only being endgame based on faulty communication and lies. are you joking? "you just gotta improve your motivation" ass piece of evidence

also, mike being insecure about loving her more than she loves him is complete, total, utter bullshit. el frequently expresses her love to mike via letters and youre here to say that mike would have any problem with doing the same thing if he were insecure about her love for him? that literally makes no sense. i wouldn't be afraid of loving somebody more than they love me if they are actively putting more effort into insuring me that they love me than i am to them. like, what does that even mean?

“Will Byers is a pathetic loser annoying character and contributed little to the plot of ST. "

yes that is a direct quote. no i'm not kidding.

what kind of fucking neanderthal watches stranger fucking things- a show about a kid who disappears- and thinks the kid who disappears isn't a central part of the narrative? the first episode of the goddamn show is called "the vanishing of will byers"! maybe this is hard for you and your confused brain to get your head around, but el and mike met when mike was out looking FOR WILL. mike and el are still together because mike gained courage from WILL'S LOVE FOR HIM. what a fucking idiot you must be. i would try to explain to you the myriad of other reasons why will is absolutely central to the plot of the show, but since the show itself has clearly gone in one ear and out the other, i probably wont be able to get through to you either.

“what if we learned to cope with world that doesn’t accept us as individuals by embracing each other completely?” said about mileven

um.. what. that's literally byler. closeted gay guys in the 80s. but sure, the ones that aren't being accepted are the two white and allegedly heterosexual individuals. the "world that doesn't accept us" in question is a few high school bullies in comparison with the stigmatization, violence, and ostracization that has longstanding been a part of what it means to be queer. be so serious right now. mileven is not important for being non conformist, the GAY SHIP IN THE 80S IS!!

“The only people who queerbaited, was byler fans themselves lmao.”

even if we're ignoring the horrible grammar there are still SO many things wrong with everything that was just said. what they're saying above for anybody who can't decipher the weird medieval english code this person is using is that bylers actively queerbaited themselves which inherently makes no sense at all.

below i have included the oxford dictionary definition of queerbaiting: "the incorporation of apparently gay characters or same-sex relationships into a film, television show, etc. as a means of appealing to gay and bisexual audiences while maintaining ambiguity about the characters' sexuality."

how is it possible that byler shippers themselves are the ones doing the queerbaiting? are we running the show? nope! before you come on and post something as offensive as this- which i will get into- at least make sure you know what you're saying. xoxo

to insinuate for even a second that mike wheeler not being gay would be anything other than deliberate queerbaiting is insane. there is something wrong with you. aside from the parts of the show where his queerness is deliberately alluded to like music, costuming, analogies, allegories, and set design, netflix has been, weather you like it or not, actively marketing in favor of byler and mike not being straight. all below come from official netflix accounts-

how is this not queerbaiting? genuinely what are you on about. this is literally textbook.

“will is fruity but mike didn't like the fruit on his pizza”

you seriously are basing your argument about mike not being gay on him not liking fruit on pizza? you seriously think that some of the most commended and celebrated writers of the last decade would use symbolism involving a word that can literally be interpreted as a slur when their show has two characters who are canonically a part of the group affected said slur? are you fucking stupid? that was harmless banter used to communicate the differences in habitual action across the country. it wasn't the duffers trying to do for you what they do for us in deliberate, straightforward NON-OFFENSIVE symbolism.

i saw somebody claim that mike's character arc in season four was inherently about not believing in his self worth nor in his competency to be in a relationship with el

while i do for the most part agree with you, i'm going to ask you a question- mike was never anxious about his identity and self worth involving el before season four. why do you think that just came up now if not for the fact that he's been having insecurities involving his sexuality and romantic attraction to women as a whole? in my opinion, mike realized that he might not like girls in that way circa the end of season three- a realization that only festered and grew through the absence of not only the boy he loves that is causing this insecurity but the girl whom he is using as a way to say hey, i can't be gay, i have a girlfriend! mike was clearly going through some serious emotional struggles as we can immediately see in this scene with how suddenly awkward he is with will and the immediate emphasis that's put on the "from mike" on the flowers.

i agree that his season four and part of his season five arc are about his feelings of insecurity about being in a relationship with el, however, i don't think he's insecure because he thinks she's better than him in the sense that she's some superhero, i think he thinks she's better than him because he knows that he'll never be able to love her the way she deserves to be loved. he's not going to outright come and say to will that he doesn't think that he can love her in the way she deserves to be loved. he's closeted. what he says in the van scene is the only way he knows to express his feelings. it's very similar to what will does in the same scene. it makes no sense for this insecurity to randomly manifest in him if it wasn't for an external factor that doesn't involve el, because nothing has really changed with the dynamic of their relationship other than the move. one could argue that mike is feeling insecure over el's supposed popularity she claims to have in her letters, but mike's arc has never been about caring about popularity in school. that's not something on his mind so much as the grand scheme of the world is. lets not forget that he joins hellfire in season four.

“When Mike didn’t say “I love you”, By*ers twisted it to their narrative. When Mike did say “I love you”, By*ers twisted it to their narrative.”

you literally sound like trump going on about the democrats. listen to what your saying right now. also, it's a ship name. there's no need to censor it you fucking weirdo.

wasted time building up mileven

i'm sorry, what build up? i'm confused. there's no "build up". THIS is build up:

above is will, possessed by a monster who feeds off of those lacking love in their lives, only being able to be broken out of possession by a heartfelt monologue by the PERSON HE LOVES detailing how the best decision he ever made was to befriend him.

above is will claiming he will never fall in love, then his love for one of the other main characters becomes a central plot point of the two seasons to come. joyce and i see through will and all of you weird milevens

mike telling will how it's not his fault will doesn't like girls only after he loses the person he's been using to cover up his own insecurity about the same thing- not liking girls. suspicious.

will's LOVE FOR MIKE being the thing to give him the confidence to help el SAVE THE WORLD, only episodes after we establish that mike is bound to be pissed that he was lied to. and theres no buildup? THERE'S REALLY NO BUILDUP?

if you don't see buildup i fear you are literally just a lost cause because it is so painfully obvious to anybody who made it past seventh grade english class that there is something deeper and more intimate than friendship going on between will byers and mike wheeler.

“Women can be independent while being in a relationship guys😭!!”

OBVIOUSLY! i am literally the biggest feminist on the entire western seaboard. i couldn't agree more with this, which is why we have arcs like nancy's where she actively becomes more independent while still maintaining a relationship with jonathan. the difference is that mike and el have been together since they were like thirteen. when el was immersed into the real world for the first time in season two she immediately leaned on mike for support in that. it's not that she can only be independent on her own, it's that mike is directly symbolic to her of a time when she was stumbling around the world with naivete and not quite knowing how to navigate that. by spreading her wings away from that relationship, it will not only give her independence, but also a way to see beyond the barriers of hawkins and a life where she was valued mostly for the qualities she brings to the supernatural equation. el's arc is one of my favorites. i would never claim such a thing and discredit the essence of what makes the emotions behind her character so interesting. she's somebody who was literally raised in a lab. she shouldn't be held back by somebody she is quite literally dependent on.

last but not least, i saw a post that said milevens always win.

"are you sure about that?" i ask, noah schnapp's most recent instagram post open on my phone, finn wolfhard's spotify playlist in my headphones, my mike holding will's painting funko on the desk in front of me, wearing a yellow shirt with a blue sweater over it.

thank u for listening to my ted talk 💙💛

[starnightlover]

Manifestation is instant

You’ve probably heard bloggers say this a million times, but I will say it a million times more. Manifestation is instant. The moment you desire something you have it that instant.

The 4d and 3d have zero separation this as soon as you imagine your desire you have it! All of this, every single thing in front of you is from your imagination. In this world it is just imagination protection imagination. It's all one, and that one is you. It is God. There is no seperation, not even if you think their is.

"So why do my desires not show up instantly?"

Well, here's the answer. You're not accepting that it is!! You are either "trying" to manifest something or you are assuming that there is this imaginary time lag that doesn't exist!! You are creating one.

Do you see your desires as something separate from you instead of being part of you? If so there is one of your problems!! You're desperately trying to get something instead of knowing it is done already.

"Assume the feeling of your wish fulfilled and continue feeling that it is fulfilled until that which you feel objectifies itself. If a physical fact can produce a psychological state, a psychological state can produce a physical fact. If the effect (a) can be produced by the cause (b), then inversely, the effect (b) can be produced by the cause (a). Therefore I say unto you, "What things soever ye desire, when ye pray, believe that ye have received them, and ye shall have them" - Neville Goddard

You seriously only need to accept that your desires are yours right now and persist in that notion! It instantly is done because it is in your imagination, and imagination is all there is.

"So how can I fix this problem?"

I believe people can work on this type of issue by working on self-concept, I know so many people think that self-concept is just how we perceive ourselves but it's so much more than that. Everything is SELF so we should work on how we perceive everything through self-concept, like removing our limiting beliefs, improving our self-belief, and fully transcending the ego through becoming aware of our self-concept. SELF is all there is, it is your physical body, your surrounding, the people around you, even the universe you're in. It is all imagination and that is SELF. That is consciousness, and when we rewire how we perceive that we will overcome all limitations.

“Consciousness is the one and only reality, not figuratively but actually. This reality may for the sake of clarity be likened unto a stream which is divided into two parts, the conscious and the subconscious. In order to intelligently operate the law of consciousness it is necessary to understand the relationship between the conscious and the subconscious. The conscious is personal and selective; the subconscious is impersonal and non-selective. The conscious is the realm of effect; the subconscious is the realm of cause. These two aspects are the male and female divisions of consciousness. The conscious is male; the subconscious is female. The conscious generates ideas and impresses these ideas on the subconscious; the subconscious receives ideas and gives form and expression to them. By this law-first conceiving an idea and then impressing the idea conceived on the subconscious-all things evolve out of consciousness;” - Neville Goddard

This is why everything and anything you could ever want is yours. It is in your imagination, and being that consciousness is the only reality it is done! Your failure to just accept that is the reason you are not seeing it right now! Manifestaion is always instant.

So be it now. Assume it now. Nothing is separate from you. BE it now!!!

[bitchy-craft]

Messages From Your Future Spouse | Pick A Pile

Hello and welcome to this Pick A Pile! In here you'll find out what your future spouse wants to tell you. I hope you guys enjoy and find this useful. Do make sure to leave comments down below on your experience! I do want to remind you all that this is a General Pick A Pile which means this is for a lot of people; therefore keep what resonates and leave what doesn't.

Masterlist > Questions > Paid Readings

Pick A Pile!

Pile 1:

I can't wait to see you improve on the things you love[for some art related]. I love to see you enjoy your hobby like that, I love to see you enjoy life in general like that. Whenever I see you smile my day is made, my heart is calm and I'll admire you from afar, hoping you won't notice me watching.

The self-improvement you'll make will be impeccable. You'll grow so much confidence, do things you would originally be too scared to do. You'll actually be able to unpop yourself, and I can't wait to see you turn into the beautiful butterfly that you are, I can't wait until you realize how much of a beautiful butterfly you are.

I can't wait to do our nightly walks with our dog, to look at the stars and point out what the patterns might look like. I can't wait to see the shimmer of the moon in your eyes, and to get completely lost in them, I can't wait for that life.

Pile 2:

I'll protect you whenever you need it. I'll teach you to love yourself, I'll teach you confidence, and whatever problem you may be facing, will be facing, I'll help you get through it, you'll never be alone again.

You're beautiful, you're absolutely beautiful, please don't say those things about yourself, please don't think those things about yourself. Don't compare yourself to others, it's not good for you. Everyone is unique, yet everyone is beautiful. If you want to find love and beauty look at yourself in the mirror.

I'll be there, every step of the way, and when you know what you want to do in life I'll be standing next to you to support you and help you. Whatever you want to succeed at, you'll be able to do so.

Pile 3:

I'll share. I'll share my happiness, my wealth, my connections, my family. I'll share it all with you, because you are just as deserving of such an accepting and comfortable situation as I am. You don't need to worry about all those things that hurt you in the past anymore, I'll make sure they won't ever harm you again, we'll find you proper help if that's what you think you'll need.

You'll be able to take a hold of your own life again, and figure out what you want, you, not anyone else, you. You'll be able to understand yourself, control yourself, and thrive on yourself, and I'll love that about you, that independent need to thrive and show itself from time to time.

You'll love my family, I have a few sisters myself and they can't wait to share all their stories with you, and do things with you; go shopping, go swimming, go to restaurants, etc.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[angel-dustspo]

2025 - The year of your Recovery ₊˚⊹ᰔ

2025 is the year of change, and in the first part of January everybody is extremely motivated to "glow up", "reinvent themselves" and "change their lives". I'm all for that, but I believe there is something even more important that we should focus on in 2025: recovering. Learning how to be there for yourself, appreciate your own value, know your worth and finally, how to love yourself should be a priority this year. In order to achieve all of those, you'd have to undo the damage that has been done to your brain by the eating disorder and begin your healing process.

It's an extremely brave thing to acknowledge there is a problem and to actively WANT to change it. Recovery is a hard thing and, at times, it could seem even more challanging than the disorder itself and make you wonder "why did I even begin this, there's no point, i want to give up". It's normal to have bad days too, where you feel like you can't keep going anymore, but it's very important to keep pushing yourself. Recovery isn't linear and it WILL hurt, but it's so worth it to finally enjoy that dessert, have enough energy to hang out with your friends, improve your mood, feel warm again, have the strenght to go for a walk, and to look in the mirror and be happy with the person you see, to love the way you look and to fall in love with yourself again.

✮ Here are some recovery tips that have worked for me:

ׂ╰┈➤ Inspiring youtube videos

My most important tip for any disorder, addiction or problem ever. I know I would still be in the same place the little girl 4 years ago was if I didn't discover the recovery and self improvement youtubers. This has been the most important thing in my recovery journey because it was the starting point, the switch that finally showed me the light. Watching just a few videos made me change the way I am forever. I feel like everybody trying to recover should watch and learn from other people's mistakes and their journeys.

The people I find the most helpful are:

Linda Sun (I basically owe her my life, nothing and nobody ever helped me so much as she did through her inspiring videos!!!)

zoeunlimited (she helped me with beating ana by making me understand how the metabolism actually works and how important food is - please watch the metabolism videos)

growingannanas

Coleen Christensen

LilBigNanc

Mae Alice Suzuki

ׂ╰┈➤ The Tumblr pro-recovery community

A key piece in my recovery, I wouldn't be in such a good mental state without Tumblr. It's true that it helped me beat an0rexia forever, become my best self and develop all my healthy habits. But we all know though that Tumblr can be a very toxic place for obsessive self improvement and that good health achieved by any means is glorified here, and I got myself orth0rexia from here, which I'm still struggling to recover from too. It's important to take the good stuff only and ignore any harmful media on here.

ׂ╰┈➤ Have "allowing days/meals"

My approach was to say "I allow myself to eat this". No reason needed to enjoy something you (used to) love, and I aim to feel no guilt afterwards. It doesn't work all the time, but it's a BIG step towards being able to eat anything guilt-free.

ׂ╰┈➤ Not consuming ED media

Say goodbye Tumblr th1nspo, glorifying eds on Tiktok or saving all those ana pins, all it does is ruin your progress and make you feel miresable about your own journey

ׂ╰┈➤ Changing your end-goals

My end goals changed from being skinny and pretty to being strong and healthy, and doing things towards my new goal has brought me unintentional weight loss and enhanced my features a lot. Chasing that unhealthy beauty only attracts opposite results.

ׂ╰┈➤ Thinking about your reasons for recovering

It's extremely easy to get lost. Always keep in mind your recovery reasons and reassure yourself that you will succeed. Think about what you'll be able to do, what you miss now and how you will feel if you keep going, and stay strong!!!

ׂ╰┈➤ Don't beat yourself up

We all screw up sometimes, and the important thing is to keep hoping and keep working towards our dreams. It's stupid of me to just say this continuously, but you have to never give up on recovery. Most days you will hate yourself so much and not understand what's going on or what are you doing wrong. It might be the worst thing for your mental health right now, but in a week, a month, a year, you will be so happy you started recovery and never gave up on it.

The path is not easy, but it is worth every struggle. I hope 2025 is the year when you recover and you start to love yourself. You're so brave and I'm so proud of you for trying, good luck on your journey <333

[elysiumblue]

Pick a card - Loki's advice on how to improve your life 😬

I'm finally back to this blog. Shit happens in my life, so I took some time to deal with it, and I failed, so I walked away from the situation, which not only allows me to take care of myself but also gives me time to take care of you with some general readings. I feel Loki wants to provide you with some advice to improve your life this time.

As this is a general reading, please remember to take what resonates and leave the rest behind. If one pile doesn't sound right to you, you can pick another one, or more than one pile if you feel called to.

Also, this is just a tarot reading giving you some advice that can help with your situation. You're the one that has the control over your life.

👇🏻 Pick a color that you feel drawn to 👇🏻

(It may be a coincidence, but the randomly generated colors this time match the box of the tarot deck I am using for this reading, which is The Somnia Tarot by Nicolas Bruno 🥴)

And find the corresponding reading for you below!

Pile 1

I see that you may be dealing with tough situations that make you feel extremely isolated right now, or just left one recently. It can be tough family situations that leave you no choice but to be independent from them, or an extremely toxic workplace where you are being bullied. I don’t want to go into details of the situations because it's a general reading, and I also don't want to trigger people. You know what is going on if this pile is resonating with you.

Now, you see nothing good in the past situation, or the one you're dealing with right now that makes you feel you're stuck. All you want to do is fast forward to the future to see what the future can offer you. Loki admires that you have the clarity to see that the situation is indeed shitty, and have the honesty to admit it. Loki will be with you, offering you support in getting rid of the situation. However, Loki also wants you to be more grounded.

For some of you, I see that you're betting a lot on your partner, or a very trusted individual, to take care of you, and to create moments of joy in the future. Loki thinks that it's great for you to enjoy your life with someone you love, but at the same time, he wants you to be cautious and make sure that you're not building your whole life around them. Loneliness is caused by not having someone that knows you, and you have to take time to understand yourself, instead of spending all the time and energy orbiting that person. Their company can give you comfort, but it is never enough to fill the void inside you, if you're not putting effort into fixing the hole in you.

For another part of you, Loki wants to remind you to take time to discover yourself, instead of merely reacting to situations. For example, it's great that you have the idea to leave your toxic family. However, it shouldn't be your sole purpose of existence. You have so much potential, so much more than just the victim of the circumstances. You can develop hobbies, find your philosophy of life, create a network of people that can support your future, and more... You may not be able to see what you can do with yourself right now, but just believing in the potential itself is good enough to open yourself to receive more blessings from life. Otherwise, being too focused on the negative stuff will cause you to attract more negativity into your life, as the universe feels that all you want is more problems to solve.

Overall, Loki's message to this pile is to ground yourself and regain control over your life so you can be the main character in your own life. You are the only one that is able to build strength within yourself. Everyone else in your life is just capable of providing you with the assistance you need. Stop indulging in what others have the potential to do with you, what others are doing to you, or what you can do for others. It will burden you to a point that it can break you down. You can never fully control what others do. All you can do is focus on yourself.

Start acknowledging that you are strong, and it is just as important as any other person in your life. The past was screwed, and the future is never guaranteed, unless you have a clear enough idea yourself. Take time to think about what you truly want to happen in your life. Loki wants to remind you again that you are more than things that happened to you, so it is time to let things happen in your life for your own enjoyment.

Pile 2

First, I feel that someone who's reading this pile is actually considering if you should start working with Loki or not, and you may be looking at this reading to see if Loki is vibing with you. Loki wants you to take this reading as a sign that he wants to work with you.

I see that you are losing hope for life, because it seems that everything that has happened to you is terrible, and it feels like it will continue spiraling. For this pile, I see betrayal, and a fight with someone you care about. It may be a group with a really immature, aggressive leader, with mindless people that can do nothing better than following the leader like an NPC. The vibe I've got from it is a very stereotypical high school mean girl/boy bully type, like you have to please the "boss" or you get no friends at school, but it can also just be an indicator showing me how immature those people are. I also get a vibe of being stuck in a religious group, that has ideas you just cannot agree with, or even harmful for your mental health or sense of identity. Although you feel that what they've done to you is wrong, you don't want to leave them as they mean a lot to you. For example, your whole family, and even the whole community, is following that religion. Letting them know what you actually think, feels like a social suicide.

Loki acknowledges the suffering you are going through right now, and he agrees that those people have done you wrong. He wants to remind you to stop making excuses for those people, because it's a fact that they've done you wrong, and you're hurt by them. Also, Loki sees no reason why you have to limit yourself, or mold your thoughts for the sake of others, because theirs are not better than yours. To be honest, theirs are probably worse than you.

You're being put to a community that does not match your frequency, and it sucks. Still, it's a test to see if you're brave enough to be honest to yourself and support your own decisions, or waste time to become one of the NPCs following random rules. Loki suggests you leave that group, but in a peaceful way. It can be slowly disengaging from the group, fading away from their life, or just straight up stop showing up, because sometimes, people care less about you than you think, as they don't really care about you at all.

Loki ensures that you will find a better friend group that will be supportive of you and does not intend to hurt you if you start being honest to yourself and your own feelings, because there's a saying that your energy will match the energy of people who surround you, and vice versa. I can see that they may even have the potential to be your lifelong friends or even partners. For those who want to get rid of your existing religious group, Loki invites you to work with him. Loki ensures that he will help you bring better people to your life, as well as helping you to restore honesty to your life. He will make things better in your life.

There may be lonely times that you have to face if you start distancing yourself from the group. However, Loki wants to remind you that he is always here for you to go through the tough times. All you have to do is ask for him to be with you. He also wants to remind you that you are always surrounded by your spirit team, that are constantly protecting you and guiding you to a better path. Use the period of silence to stay tuned to them, review what you want in your life, and ask for their blessings.

Pile 3

For this pile, I feel that you are always the one who takes responsibility and leads others. You can see value in doing so, and you really want to continue guiding others to the better path. However, recently, I feel that you have a feeling that you cannot keep doing this anymore. It can be that the value of the team or company you work for doesn't match your vision anymore, or finding out that people are actually not appreciative of your efforts, or it can just be the stress and effort you have to bear is too much for you to keep doing this.

You question if quitting this position is the best option. It can be you worrying if you can get better pay from elsewhere if it's a job you're thinking of quitting. It can also be you worrying if it's too selfish for you to take care of your own feelings, sacrificing the potential of others staying on a better path. If this is the case, Loki wants to tell you that what you think is the best thing for others, may not be the most suitable thing for them. Some people just lack the energy to stay in a better place, and it's not your responsibility that they're not good enough. Attempting to go through others’ lessons for them, is the worst thing you can do, because not only will they not learn anything from it, now you have to bear the "karma" of screwing up their own lesson. If you don't believe in karma, then I still want to remind you that it's a waste of time and energy to try to make someone become a better person, when they don't have the intention to do so. If you're not the "fated one" to serve them the lesson, then you just cannot do it, no matter how much you care for them, and how much time you spend on them. Also, spoiling them will lead them to keep asking more from you, which probably explains why they're not appreciative of your efforts.

Loki wants to remind you that you're not born to just nurture others. You have to nurture yourself as well. Ironically, if you start taking care of yourself and caring less about how or what others are doing, it helps you to achieve your goal of being a better leader and taking care of others faster. It's because you've been blessed with a great vision that provides you with the charisma and leadership skills to be a leader. What you're worrying about right now is limiting your vision, and it's time to release yourself from it. As soon as the fog is cleared, you will see a new path that leads you to your destination.

[wild-magic-oops]

I had hopes for this but the end result is not particularly an improvement imo

There are 4 options

1st option - ends the dialogue but you can ask the twins again

2nd and 3rd option - end the dialogue and you can't ask the twins again as long as Gale's your LI (I assume)

this is what you get if you try to ask again

And this is pretty much where any positive changes end imo

The 4th option can lead to sex. And they decided to word it like that. In Gale's mind, making love as gods is about intertwining their spirits. It's intimate on a profoundly deep level. It's not just about sex, but also about a connection to the person you love.

And that is used as a reason that he must be curios about having sex in a brothel with a couple of hired randos... It's just so disappointing and yikes to me.

The problem with this whole scene for me wasn't the persuasion roll itself, but the coercive manner the option plays out. That hasn't changed, but now you also don't need to roll for this decision which undermines that it's a shitty decision actually. Does this look like the face of a person who's enthusiastic about smth?

To me it reads that he definitely doesn't want to participate, but would tolerate watching his partner participate. But he sure af doesn't look like he wants any of this.

The rest of the scene plays out like it did before I think, soothing the player for their choice by implying that Gale enjoyed it actually, it's all fiiiine.

[txttletale]

could you elaborate on your thoughts on boom and 73 yards ( i agree with you i am just struggling to put into words why.)

boom was whatever. the initial conceit of the doctor being trapped and having to stay calm was really cool! i really like that. the ambulances that euthanize you if you're not deemed worthy of medical care and the tacky chatgpt hologram ghosts were both really cool ideas. it just doesn't stick the landing for me, the twists are contrived and fall apart given any thought whatsoever. like what the fuck were any of the soldiers Doing if there just straight up weren't any enemies. it's a twist that sounds cool to say more than it has any meaningful impact on the story or the stakes. i guess 'the arms manuifacturer created a fake conflict' is the intended emtional stakes there but that would hit like a hundred times harder if it was an actual conflict between two factions and people were dying, right? like if anything sending a christian militia to blow themselves up tae fuck on a nowhere planet instead of presumably killing actual living people is an improvement, surely?

also the resolution was dumb as fuck lol i am a huge hater of power of love saves the day shit not because i'm a cynical misanthrope but because it never fails to make me say 'oh so i guess nobody ever loved anybody before lol' and this is no exception like if one chatbot can shut down the whole operation beacuse he loves his daughter are we meant to believe that no other parents or hell nobody who loved anybody else for any reason died in this fake war before? it's cheap and schmaltzy and unearned. anyway the first twentyish minutes of this are all-time great doctor who and gatwa/gibson were incredible in it but it absolutely falls apart into a confused pileo f some of the worst Moffatisms at the end

73 yards on the other hand was incredible! obviously like it requires you to approach it with a different mindset to most of doctor who, right, doctor who usually furnishes you with the big explanation scnee where the doctor says 'well the ghosts were actually particle wave vectorforms created with the necros radiation from the god-king's techsceptre' or whatever--this is the usual narrative mode of sci-fi--but 73 yards is fantasy, right, this is the twilight zone, this is 'wouldn't that be fucked up?'. i interrogate the technical and logical specifics of boom so much when i think about it because that's the language boom is speaking, boom is framing itself within this logical, a-to-b worldview, the satisfying click-together puzzlebox. but 73 yards is a nightmare or a folk tale, right? kate stewart¹ says it herself, 'when faced with the inexplicable, we make up rules and apply them to it'.

so yknow reading it that way it all clicks together beautifully, right, (apart from russel t davies' embarassing swing and miss at Political Commentary in the middle. we get it davies you wrote years and years. we know. trust me we know). the doctor and ruby disrupt the binding circle, free mad jack, and are punished -- the doctor, as perpetrator, with being banished (perhaps in jack's place) and ruby with her worst fear coming true constantly, until ruby defeats mad jack, re-sealing him and fixing what she broke, at which point the circle rewards her by reversing the punishments. and the core horror i think is very effective and unsettling! the idea that there is something that someone could say to turn everyone against you, the closest people to you in your life, your own family, the institutions that are meant to deal with the exact problem you're having--that's fucking terrifying! and yknow i think especially as an autistic trans lesbian something that speaks to me a lot

so yeah. i think that boom establishes its logics and framework and then trips and falls onto its face while 73 yards does the same and then makes perfect use of them. that said i think in 20 years people who are autistic about doctor who will be like 'did you know in the 2020s there were two episodes in a row where the doctor caused the entire plot to happen by stepping on something' and thjatll be the main thing they're remembered for

[rocketbirdie]

Can we hear more about your mind meld Zakkura au? Either by itself or with the others, your choice.

OHOHOHO........ cracking open a giant can of worms now are we........

The core idea is that, due to their 4 year involuntary mako jacuzzi session courtesy of Hojo, their "threads" of the lifestream become irreversibly tangled together. You'd have a very hard time telling where one soul ends and the other one begins. Their bodies are separate, and they receive not only their own sensory input, but the other's as well, sort of. More like a distorted, incomplete "echo" of the sensation?

For example if Zack listens to someone talk, Cloud won't necessarily hear what the person is saying, but he'll sense what Zack wants to say in response, so he can get it through context. And if one gets hurt, the other won't feel the pain, but know what the injury is and how bad it is, and have a hard time thinking straight due to it. Etc. It's not that they can hear each other's thoughts— it's that their train of thought is one and the same. So if Cloud wants to leave, he doesn't have to consciously think "hey let's gtfo," Zack will just know.

Because of this, they're very much in sync when they're near each other. Everything feels nice and normal when they have the same experience at the same place at the same time. But when they're apart, hooooo boy...

The au kicks off immediately following Zack's last stand. Everything plays out fairly normally for a bit, Zack is (presumed) dead, Cloud drags the buster sword to Midgar and stumbles his way into Sector 7, yadda yadda. Except he never really shakes off the mako coma all the way. He feels like he's still half asleep. His movements are disjointed and his reflexes are poor. His head is filled with fog, and he forgets things constantly.

So when his health starts to improve a little bit, it's a huge relief to Tifa and the rest of Avalanche! Except it's NOT a relief to Cloud, because all of those problems just get replaced with new ones as some hidden part of him resurfaces bit by bit. It starts out small. Almost like those little Jenova headaches in canon. Intrusive thoughts overwriting his own, emotional outbursts, feeling disoriented. Every now and then he gets struck with a panicked HELP ME HELP ME HELP ME feeling, but he doesn't know how to articulate it, so everyone else thinks he's just losing his marbles.

It escalates when Zack fully regains consciousness, only to find that his "dead body" was taken to another one of Shinra's secret labs to be further experimented on. The result is a total mental cataclysm, as they both slowly but surely begin to understand what Hojo did to them back in Nibelheim, and fear what might happen next.

Cloud tries so hard to convince the gang that they need to go back to Midgar, they need to rescue Zack, they need to do something. Of course Tifa is freaking tf out, because she had just finished convincing herself that the buster sword is standard issue and definitely not Zack's, and that Cloud is just having a little psychotic break and he'll be ok when they get him to a proper doctor...

Haven't thought of much more past that yet. But I do have some ideas for late-game CC... Cloud in his coma, Zack shambling along like a zombie, dragging him to Midgar because the thought of leaving him behind feels like death, with an unshakeable sense that Cloud really IS still in there. He can't prove it, but he's certain of it.

[drunken-ender-art]

Good Huntress Luz

As an energetic, peppy but rather socially awkward child often in her own world full of witches and adventure, Luz was unsure where to go next after a rather unfullfilling and uneventfull highschool... in the end, attracted by its diversified program, from more othodox subjects like history and biology, to classes on occultism and astrology; and by the location itself: Salem, Massachussets, away enough from Connecticut for a change of air but not too much far to remain close to family, she signed up for the Byrgenwerth University.

She was surprise to discovered that two of the most esteemed students, two brothers, originated from her own hometown.

It was during a challenge with other students that she discovered a decrepit crypt beneath the mansion of the campus; a tomb designed to hide a flask full of a strange, dense liquid... it was another challenge that made her drink the entire thing... and thus, the nightmare begin.

"Dang kid... I saw folk going crazy over some blood but this is absurd..."

Now transported into another world and infected with the wretched blood, her only salvation is also her wildest dream come truth: an infusion of Titan Blood and a spark of magic.

Under the wing of a mysterious old magic Huntresses living in a ghostly house, she's harmed and ready to get herself more Titan Blood and finally become the witch she always dreamed of... what's the problem if she'll have to hunt, kill and drain a bunch of monstrous creatures to do so? She has issues to work through after all.

"Look kiddo, you can't learn magic, you either have it in your blood or not... lucky you, we go crazy for infusions 'round here!"

The weapons of an Huntress.

The traditional way to hunt Beasts is with a combination of cold steel and firearm, in this case: a meter long serrated bat equipped with a mechanism that release the teeth turning it into a giant serrated whip, accompanied by a shotgun loaded with quicksilver.

All made by the Clawthorne Workshop, a once famous and higly sought after workshop that is said to be around since the Scourge of Beasts ever began and set off the standard for beasts' hunting all over the Boiling Isles.

The Workshop is now in ruin and abandoned... something Luz doesn't fully understand since she lives there and it's still operational, even if run by a single individual... it's also fair to say that her own mind often seems to not work right since arriving on the Isles, especially in the few occasions where she sleep.

"Dreams? Oh sure kiddo... you could say I'm 'livin the dream' right now..."

Soft rework/repost of my first Owlborne post, now with added text, a new sketch and improved framing to help it blend in with the Amity and Belos' post.

Mostly about Luz's specific journey with a soft lore for how Eda and the Owl House itself fits in with the world.

[macgyvermedical]

can you talk a little about wegovy and muonjaro for weight loss?

The answer is maybe.

If it were just the drugs themselves, I'd say absolutely. But there is a surprising amount of cultural baggage associated with these medications, and I don't really know that I can do them justice.

So first, let's talk about weight. There's a fantastic book called "Fat Talk" by Virginia Sole-Smith, about being overweight or obese in an age that prioritizes thinness, and how diet culture in particular is a threat to young people. Another, called "Intuitive Eating" by Elyse Resch, discusses how calorie restriction- commonly cited as the "way" to lose weight along with exercise- only works once or twice, because our bodies get wise to it and want to hold onto fat.

Humans evolved to gain weight. Fat is how we store energy for times when we might not have enough to eat. And if "not having enough to eat" (whether because of famine or because of calorie restrictive dieting) happens repeatedly, we have evolved to change hormones and metabolism so we a) don't need as much food to stay alive and b) are primed to eat more food than we need when it is available.

Aren't human bodies cool?

In the medical world, there are a lot of things tied to weight. For example, statistically, being overweight or obese means you're more likely to have health conditions like high blood pressure, diabetes, and heart disease. It is unclear, though, if those problems are caused by the weight itself, or other dietary, activity, and behavior patterns that may also happen to contribute to the weight gain. Things like a sedentary lifestyle, frequent consumption of foods with low nutritional value, avoidance of medical care due to stigma, or even chronic calorie restrictive dieting.

Unfortunately, due to this statistical tie, there is a lot of effort made in the medical world to get patients to "lose weight at any cost" instead of recommending dietary, activity, and behavior changes for health reasons alone.

Culturally as well, we prioritize thinness as attractiveness. I remember in high school there was a poster in my health classroom that read "Ideal weight- or it might be hard to get a date!". There are lots of negative associations with people who carry more weight, including that they are lazy or stupid- things that have nothing to do with body size.

Now, that doesn't mean that there aren't things that could be benefits of losing weight. For example, joint and back pain can be improved with weight loss. But weight loss is probably not the end-all be-all cure-all it's touted to be.

Because it is really hard for most people to meet this standard of "lose weight at any cost", there has long been medications that purportedly help people lose weight. Most of these medications have been stimulants, which decrease appetite and make it more comfortable to engage in calorie restrictive dieting. They also increase energy, which can make it easier to exercise or tolerate more exercise than would otherwise be possible.

Before we talk about the drugs, I want to say- there are risks and benefits to all medications, including these! The discussion you should always have is what risks are you and your healthcare provider willing to tolerate for the potential positive outcome. Also, this is a discussion of the drugs when used for weight control. The same drugs used for diabetes are at different dosages and have potentially different risk/benefit comparisons.

Ozempic/Wegovy (semaglutide) and Mounjaro/Zepbound (tirzepatide) are both a type of medication called a GLP-1 agonist. GLP-1 agonists are also called incretin mimics, because they mimic a type of hormone (incretin) that tells the brain and body that it is full. This makes it easier to eat a small amount of high nutrition food and feel satisfied. They also work by increasing metabolism. Between the decreased consumption and the increased metabolism, weight is lost.

Over the course of a year and a half, tirzepatide causes about 15-20% average reduction in body weight with continued use. Over the course of about the same time, semaglutide causes an average of about 15% body weight reduction with continuous use. Say, for example, you weigh 100kg. A year and a half on one of these medications could get you down to 85kg.

The problem is, as soon as that drug is withdrawn, the body realizes it was starving, and tries to compensate. These drugs are good at getting rid of weight, but maintaining a new weight usually means staying on a lower dose of the drug perpetually. Most people regain all weight (and potentially more than they lost) within 5 years of stopping the drugs.

Some studies suggest that repeatedly regaining lost weight may be more detrimental to health than remaining overweight or obese when it comes to statistical risk of type 2 diabetes, heart disease, and other "weight-associated" illnesses.

The main side effects are GI-related. Most of these are nausea, vomiting, diarrhea, gas/bloating, constipation, dizziness, and abdominal pain. More severe side effects include pancreatitis (inflammation of the pancreas) and gasteroparesis (paralysis of the stomach and part of the digestive tract).

[riizebabie444]

𝙬𝙝𝙖𝙩 𝙘𝙖𝙧𝙚𝙚𝙧 𝙞𝙨 𝙢𝙚𝙖𝙣𝙩 𝙛𝙤𝙧 𝙮𝙤𝙪 🩶

🩶 ─── in this reading, we will explore the qualities of the careers and fields you are best suited for, suggested careers for you and other career messages meant for you.

🩶 ─── picking your pile: take a deep breath and allow your soul to centre itself. when you feel your mind balanced and cleared, allow yourself to be drawn to an image. your eyes may gravitate to one, or you may close your eyes and feel which image is calling out.

🩶 ─── be sure to check out my other readings and don’t forget to share and give feedback. disclaimer: all readings done are for entertainment only. please do not use my tarot readings as a replacement for legitimate advice.

🩶 ─── masterlist. paid readings. exchange rules.

donations. games/events. feedback.

🩶 𝙥𝙞𝙡𝙚 𝙤𝙣𝙚

this is a random message but it is very clear. for some or most of you, the career or field you are wishing to go into at the moment, or the one you are already in, is the right one for you. there is also a message to explore your creative potential. it doesn't necessarily mean creating art like music, writing, paintings etc (although that may be true for some of you) it could also mean creative problem solving, a job which requires you thinking outside the box. working in a field where things are done differently to others in the industry. the image i have in mind is google. they do a lot to encourage creativity and the birth of new ideas. you'd fit best in a career which nurtures and encourages your creative side.

it's also best to be in a career where there is the opportunity to grow in every aspect, and to further your position over the years. for example, i don't think you'd feel comfortable and happy in a job where you stay in the same position for years doing the same thing every single day. some people are happy in those jobs. they like the stability and routine. however, you need a job where you can always learn new things and progress. i'm seeing progression is also important to you. it's important to go into a job where you have more opportunities to climb up the ladder, and it doesn't even need to be all about promotions. a job where you regularly switch tasks, or have new projects to work on. as long as you aren't doing the same things every day, you should avoid jobs which do.

a job where you can express the qualities of success and confidence. where you can prove to yourself and others that you are fully capable. it could also be a career which puts you in the public eye. something that makes you feel seen and appreciated. again, promotions are here. you want a job where you can progress to high places. perhaps even becoming a figure of leadership and authority. you may not be confident about such a position right now but when you find something you love and excel in, you would be the right fit for a leader. and for a number of you, caregiving roles may be good for you. it could be anything from nursing to therapy.

okay so here is where it gets a bit negative. with the three of swords you may experience job losses, or disappointment in being rejected from jobs. it could also indicate that you may end up stuck in a very stressful job and toxic work environment. you want to avoid places like that. however, i believe some of you may need to experience it in order to know what is the right or wrong job and workplace for you. and for a number of you i get the message that even though it is difficult and stressful, and the workplace is not good for your mental health, it will not last. you will find a better job or get promoted and belong in a much better space. so if you ever find yourself in that position, have hope that it will improve. i think it is also a message, especially if you are a leader, to not allow a toxic work environment to foster as it is your duty to ensure it is safe and healthy for everyone to work in.

enterprises might also be something you would work well in. i'm seeing representing small or local businesses, as well as larger corporations for a number of you. it could also be setting up your own business. for some of you, you may have a typical job in mind in order to pay your bills and support a family, but deep down you have a dream of having your own business or brand. at one point or another, you might be torn between keeping your job to pay your bills or leaving it all behind and investing in your own business. i think either is fine, however, for most of you who this applies too, the message is to find a balance between the two. you can work full time and have a passion project/business on the side. work on it slowly and over the years it will blossom, i'm hearing. it is crucial you do not pick between the two and instead find a balance.

to add the obvious, you may dream of being your own boss. and i think you would do amazing things as a leader, however, you still need some sort of discipline or balance from elsewhere. if you're your own boss for too long, you can easily get lazy and complacent. so it is important for you to keep a job elsewhere to ensure you don't lose routine or dedication.

one last message is to expect times of change in your career as much as you should expect times of stagnation. any job you have, you will experience boredom at times and excitement at other times. you need to hear this. jobs are not one dimensional. you should expect many things from your career, both good and bad. so don't get your hopes up too high and don't get too disheartened when things don't go your way.

suggested careers/fields: project manager, hair dresser/hair salon owner, investments, influencer, working up the ladder, franchise owner, higher education, professor, networking, entrepreneur, business law, accountant for local businesses, nursing, social worker, therapist, counsellor, childcare, HR, arts and fashion, selling and/or creating luxury goods, beauty guru, acting, admin, consulting, writer, researcher.

cards: high priestess, the empress, six of wands, three of swords, two of pentacle, wheel of fortune

🩶 𝙥𝙞𝙡𝙚 𝙩𝙬𝙤

i'm immediately hearing decision making. for some of you, a job where you can make the decisions would be good however for most, i am seeing that you may not fit best in careers where important decisions fall in your lap. to get one thing straight, every career will involve decision making at one point or another. but some careers involve very important decision making and i believe when you have too many important decisions to make on a regular basis, you can become very stressed. perhaps you are an indecisive person. overall, i think working in a position that requires heavy decision making would not be the best. however, if you are working with others to make decisions, i think it would be a good career for you.

for most of you, if not all, you will find success in the career of your taking. and for a lot of you, the cards are representing another person in regards to your career. a colleague or a business partner. if you dream of being your own boss, perhaps you would do well sharing this dream with someone else. it could also be a colleague. your career will lead to you meeting someone important. or vice versa, you will meet someone and they will help you get a really good job, the job of your dream. of course be careful, because people who help others often want help in return later down the line.

communication is a key theme here. a job which requires you to communicate your thoughts and ideas. for example, sharing stories as a writer, or even as an academic writer sharing research, or in law by communicating and mediating for your clients. i think for some of you, you would like a position of power. and for others you may not. for those who do, you would do well to use your power and authority for others rather than not doing so. you'd find more fulfilment and success by helping others. and mediating also. taking on communication responsibilities for third parties would be a good career for you. for example, an agent who helps people find jobs and corporations to find employees. hosting job interviews for the people you work for. even ghost-writing, communicating on behalf of the client. again with law. you may also enjoy the feeling of being responsible for transfers, employees, assets, moving companies. anything that involves moving one thing from one place to another.

i'm seeing disputes/conflict. perhaps you may deal with this a lot in your work environment or otherwise, it could mean your career typically involves this. i'm seeing HR settling an issue between employees. things like that. you might naturally be drawn to conflict or drama, and if not you are just interested in it. therefore, a position which allows you to be involved in it as an outsider would be interesting to you. there would always be something new to keep you on your toes. and you would feel very gratified after helping others solve their problems. in environments where there is lack of communication and poor leadership, you would fit in well in the role of solving these issues. it's very much a behind the scenes job but it is incredibly valuable to companies.

you need a job which will not disturb your work life balance. it's best to only take on a career which does not require you to work overtime, or where workload leaks into your private time and life. it is important to have a job where you can work hard, but only within the working hours. a job where you can give fair and honest work and feel appreciated enough to have your own time to spend with loved ones and yourself.

a job where you can always remain unbiased. you may feel uncomfortable picking sides so a place which encourages objectivity would be a good fit for you. you might also enjoy jobs in health and fitness. somewhere that encourages others to do their best. teaching, also. law and order are important also.

a slow paced environment would be perfect for you. fast paced might lead to high levels of stress. so slow paced is better. successful careers are built over time. you're not too fussed about seeing amazing results straight away because you know the best results always come after long and consistent efforts. so jobs which require you to be very patient would be good. you expect all of your work to pay off in the future. because of this, i also thing agricultural industries may be good. the final message is to not be swayed by other people's thoughts and opinions. there may be some people who have hidden motives with you and your career. you may struggle to make good decisions and not know who to trust which may end up with you trusting the wrong people. be careful, and hone in on your intuition because it will help you in the most crucial times of your career.

suggested careers/fields: animal care, justice system, politics, judge, lawyer, sales person, guidance counsellor, public speaking, doctor (not specifically medical but in other fields), self-employed, problem solving, mediator, HR, teacher, auditor, law, financial institutions, health and fitness, farming, gardening/landscaping, charity worker, social worker, engineer, scientist, STEM, activist, telecommunication, journalism, trading, public relations, events manager, customer service, liaison.

cards: the magician, the sun, two of swords rv, five of swords, justice, seven of pentacles, high priestess rv

🩶 𝙥𝙞𝙡𝙚 𝙩𝙝𝙧𝙚𝙚

overall, this pile feels quiet and mellow. so i think calm jobs that don't involve too much excitement would be good for you. a job that doesn't require far too much effort from you, but you still know exactly what you are doing in the job. which is funny because most of the cards suggest otherwise, but the vibes i'm feeling are different. i randomly heard "beware of snakes" so maybe it is that you want to avoid bad vibes from others. you want to do well and have the personality and potential to perform incredibly (it is represented by the two aces and the magician) but you are afraid of attracting jealousy from others. most of you may believe in nazar, or the evil eye. you want to do well quietly, staying humble and not gaining too much attention from others.

you might want to avoid the overly friendly workplaces, the companies that tell you "we're all like family" because odds are your coworkers will be all up in your business when you don't want them to be. and more often that not, they may not like to see of hear about you doing well. of course, you can choose whichever company you want yo work for, this is all subjective. however, the message is strong here to not let coworkers get too close. if you feel like you need to be cautious, do not doubt it at all. jobs where you can work independently or remotely may be good for you. i think you enjoy the responsibilities and the isolation you can get from those jobs. you can really focus on your own work instead of worrying about socialising and networking (which are important, don't get me wrong but i think you are not the type of person to be heavily involved in such activities).

technology and IT. jobs where you're required to use your brain. you need mental and intellectual stimulation so jobs which require lots of brainwork would be great for you. also jobs which require you to have a sharp and quick mind, and even a quick tongue. a job where you need to respond quickly, on the spot. maybe as a lawyer or judge. i think you are the type of person who tends to avoid making decisions but i believe the best career for you would involve you needing to make decisions as a part of it.

i also see jobs where you can provide stability for others as well as providing stability for yourself. this could mean that setting up your own business to help or guide others would give you a lot of satisfaction. such as a personal trainer, life coach, dietician etc anything that will allow you to improve the lives of others. you could even be thinking of starting your own sales company. i'm seeing a position where you are calm, smart, and powerful. logical and rational, and also honest. key organisational abilities here, like secretarial duties. a job where you can keep things organised tightly.

there is a huge duality here. like, i see you craving to be a bold and confident person in your ideal job, someone who is admired by others but in reality you are afraid to be that person. maybe you are not used to being in the spotlight and you're not ready to start now. so you must find a balance between the two. you can be confident without needing to be in the spotlight. i think your biggest fear in regards to career is conflict. you want to avoid uneasy workplace relationships. you don't want to be too close with your coworkers but at the same time you don't want to be left out. you want to perform well and show off how good you are at what you do but you're terrified of other people being jealous of you. there's not much i can say other than jealousy is often rooted in workplaces. no matter where you work, there will always be others who are jealous of you, some places more than the next. however, what matter the most is your own comfort and confidence. don't admit to defeat out of fear of others. if you love a job. go for it. i'm literally hearing it right now. don't let your fear of others hold you back, but always be careful about what you share.

suggested careers/fields: IT, psychiatry, surgeon, engineer, affiliate marketing, life coach, personal trainer, fertility, army and police, investigations, detective, guide, translator, business job, nine to five, desk job, logistics, bargaining, vlogger, running your own business, innovation, writer, interior design.

cards: ace of swords, ace of pentacles, the magician, king of swords, five of swords, two of swords, nine of wands

🩶 𝙥𝙞𝙡𝙚 𝙛𝙤𝙪𝙧

i cannot say this first paragraph is for all of you however, it will resonate with some of you. the career you have in mind right now, or the one you are currently in, is not the right one for you. i see there needs to be some change or transformation in your career. of course it is not easy to just change career. but if you feel this message is for you, it might be worth looking into a new career which is more worth your time and effort. there is a decision that needs to be made. if you're thinking of switching careers/field, this paragraph and reading is definitely for you.

overall, i'm seeing two different sides to this pile. one side is an authoritarian side, position of power and respect. while the other is more caring and nurturing. your ideal career could be either of those, or both. i see a number of you preferring to be in a job with explicit structure. a jobs that tells you what you need to do. so you know what you need to do every day and there is no confusion over tasks or responsibilities. but at the same time, you want to have some freedom. every day cannot be the same or you'll get bored. that is why is see jobs involved in childcare. you know your responsibilities in regards to caring for children, but with children, no day will be the same. this could also be caring for animals, elderly people, people with disabilities or other vulnerable people.

and although jobs where you can connect with children would be good, any job which can allow you to connect with others in general is a good choice. particularly, partnerships. a business partnership would be great as you can connect with others as well as structure your own enterprise. and since you rely on a structure from others to keep you in order, having other people work with you in an enterprise can keep you in line. also, if you know about the principal agent theory, i think you would perform well as an agent. you do well when performing tasks on behalf of a principal. in addition, when you are working for someone else, you know what you are doing, and what you need to achieve in order to satisfy them. whereas if you are working entirely for yourself, you might often feel confused about what needs to be done.

practical jobs which require thinking (but not too much thinking) would be great for you. you like to be actively involved, both physically and mentally, in your work which means repetitive jobs that have you on autopilot most of the time would be too draining and unsatisfying for you. but still, i think you would greatly appreciate professional settings and/or professional boundaries. i believe some of you may also work well in a field which is somehow connected to your past. for example, if you grew up with financial difficulties, you would be most satisfied in finance. or if you had a difficult childhood, then you would enjoy giving care to children. if you really enjoyed school, you might be most comfortable working in a school. it's that kind of theme and is entirely subjective to your own experiences. but something from your childhood connecting with your career is relevant.

one message here is to let go of insecurities and jealousy and imposter syndrome. because you want to be the best of the best, and you compare yourself to others a lot. you might often feel inclined to outdo others. it's a normal feeling, but the cards here are saying to let go of those thought habits. it will not bring you anything good. building up a successful and stealthy career for yourself will greatly be based on creating a foundation from your values as well as your passion. so don't sabotage yourself or others for your own success. keep in line with your morals. spiritual guidance also comes up here. so perhaps seek some in order to overcome these traits, and maybe consider it as a part of your career.

i can't tell your stance on risk, i feel it is a mixed bunch here. some of you may like taking risk while others do not. if you feel like a career which involves risk is something you are interested in, the cards do tell you that it is a very important decision, however, you must make calculated risks. don't just take the leap of faith. you need a thorough plan. i also see something creative, like art or writing, maybe even food. take it as it resonates and if you feel attracted to pile one also, give it a read because that is the creative pile.

suggested careers/fields: hierarchy, desk job, large corporations, teaching, childcare, primary school, paediatric, healthcare, hospital, banking, army, tax, career advisor, funeral director, financial advisor, insurance, software engineer, therapist, lecturer, spiritual guide, bookkeeping, church, electricity/energy, power plants, technology, chef.

cards: the lovers, death, king of pentacles, six of cups, four of pentacles, the hierophant, the fool, two of swords

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