#and so probably was terrified of the man

[bucksboobs]

anyway if you'd met your precious tommy in 2005 he'd have told you to stop trying to be a surgeon and go work at kfc lmao.

Anon did you feel good trying to find the most racist thing to say to me to prove some kind of point about Tommy? Did you contemplate calling me a mongrel? Invoking anti-miscegenation laws? Did you consider calling me a slur? Did you Google “racist things to say to a Black person” to find your little KFC joke or did that live in your heart?

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[yupuffin]

I think the aspect of the 2.7 story that felt most impactful to me was something that was previously addressed in the Penacony main story, but was reemphasized and expanded upon with Sunday being the narrative focus of this update:

Sunday is scared.

His motivation to protect the people and things important to him -- Robin is an excellent example -- manifests as a desire for control, to eliminate potential dangers. This motivation is based in fear; he's afraid to lose what he has to factors beyond his control, like the bullet that nearly took his sister's life.

And part of the "true paradise" he longs for involves preventing the sense of powerlessness that accompanies that fear. He believes that humanity sleeps because "we are afraid to awaken from our dreams." Indeed, the appeal of the "sweet dream" of Penacony is freedom from the uncontrollable and inevitable tragedies of the waking world.

It's part of what made him such an effective villain in the Penacony arc; even though you may disagree vehemently with his actions, you can understand with and sympathize the rationale behind them. In his mind, absolute control over the Dreamscape -- the elimination of frightening unknowns -- is the most effective way to keep everyone safe and happy. However, this undermines the real freedom and autonomy of the affected populace, many of whom are unaware of the Dreamscape's true nature.

In the 2.7 update, Sunday is "nerfed after turning into a good guy," to use March's words. Previously, he enjoyed immense social status as the head of the Oak Family -- and as the imposing, invulnerable, "final boss"-style antagonist. Now, his role is effectively reversed; he's a fugitive who has to disguise himself to evade the potential consequences of simply being seen.

He's an incredibly vulnerable position.

Not just physically -- as the audience, we also get intimate insights into his feelings and thought processes. Now he recognizes the scope of the harm he was previously willing to cause in the name of absolute control, and shoulders the responsibility of dealing with the repercussions.

His newly evident guilt and shame is emotionally moving on its own...

...and becomes even more poignant when you realize that guilt and shame and vulnerability has been a crucial aspect of his character from the very beginning. After all, so much of his deep-seated fear of the unknown stemmed from him blaming himself -- his lack of control over the situation -- for Robin's unforeseen injury.

I found the scene at the Dream's Edge the most touching in this update. Sunday's conversation with Robin is a bit of a paradox: he is deeply sincere and vulnerable in speaking to his own sister, yet guarded because he must avoid revealing his true identity. And Robin, in turn, directly provides an alternate outlook on Sunday's character, describing him as though to someone who's never met him, as though he isn't there.

And Robin's perspective reaffirms that Sunday's apparent invulnerability was essentially a facade. He may have been the head of the Oak Family, and the imposing final boss, but at the same time, on the inside, he was continually paralyzed by fear.

Sunday has always been vulnerable. He has always been scared.

And I think what makes the conclusion to the 2.7 story so satisfying and triumphant is that Sunday begins to properly address his fear, his persistent guilt and shame. He moves beyond simply acknowledging it, and recognizes not just how indulging his fear can bring further harm, but also what good things (that otherwise wouldn't occur) can happen when he overcomes it -- as it were, when he doesn't let his fear control him.

I'm going to be real, I probably had an intelligent-sounding conclusion for this, but... it took me several weeks to write this and I've forgotten any idea i might have had previously, so let's just say he definitely hit me right in the feels. 🤣

[king-candybug-backup]

Hey, did you know that Kill Switch is currently the third most kudos'd fic in the whole "King Candy | Turbo (Disney)" character tag on AO3? :3

HI, I'M SORRY, WHAT THE F U C K--

I'VE LITERALLY ONLY BEEN IN THIS FANDOM SINCE LIKE SEPTEMBER OMFG??? 😭😭😭😭 THAT IS INSANE

[russenoire]

on first watch as an anime-only, i remember feeling like ritsu kageyama's descent into evil in episode seven needed a little more air, more space to breathe. i... no longer do. if that slide down the slippery slope feels a bit sudden, there is a reason; and if you know what to look for, it's not actually all that sudden. bear with me here.

from the first episode, the anime sets ritsu up as shigeo's kind, solicitous younger brother. we don't see much of him for the first three episodes, but when we do, he's making bids for shigeo’s attention: helpfully straightening his spoon when it bends and deposits a bite of his dinner on the dining table; noting that he seems out of it and offering himself up as a confidant at least twice; checking in on him in the morning so they can both leave on time. (i actually love the anime for doing this. ritsu doesn't even show up as a character until maybe the middle of the manga's second volume?) except for the spoon, shigeo gently turns him down every time.

and yet. the interview ichi mezato snags with ritsu in episode four confirms a distance between the kageyama boys. you are not seeing things here. he initially refuses her desire for detailed information about shigeo’s powers, only indulging her to find out what shigeo’s been up to. ritsu holds those powers in such awe that he uses a rather hyperbolic phrase to describe shigeo for her: '世界の基本', or sekai no kihon, literally the standard for [his] world.

after he coldly walks out on her, she reviews what little she’s gleaned from their chilly meeting: he's hawt, at the top of his class, athletic, very popular... all things his older brother decidedly is not. the story establishes a duality here between ritsu’s image—indirectly revealed through mezato’s notes—and the reality of ritsu, sat hunched across from her, sullen, barely tolerating her until she coughed up the information she promised him. later on that evening, we see just how deep ritsu's awe goes... or rather, how snared up it is in resentment and envy as he attempts in vain to bend a spoon, just like shigeo did when they were younger. all the trophies of others’ esteem already gathering dust on his shelves don’t mean shit if he can’t have this.

ritsu intercepts shigeo as he leaves for class the next morning: no student council meeting, so an opportunity to actually talk to him. this is rare, his brother notes. and of course dimple is haunting shigeo. when the specter comments on their apparent closeness, the boy side-eyes him hard. this can easily be read two ways: ‘why the hell are you talking to me when no one else can see you?’ and ‘man, fuck you for sticking the knife in deeper.’ ritsu doesn’t ask about the cult meeting here or ever in the entire series. was he really all that interested in mezato’s news? no, he only wants to know why his brother doesn’t use his powers anymore. and this is the first time they’ve talked about this.

it’s such a neat little mystery, these breadcrumbs the story leaves for us until ritsu’s formal introduction in episode six. even though they share the same home and appear to be on friendly terms, the kageyama brothers may as well live on opposite sides of the planet. we don’t even get a sense of why this state of affairs exists until episode five, where teru chokes the breath out of shigeo and his pissed-off soul levels teru’s school before catapulting him into the stratosphere to reflect on his sins: several years prior, shigeo nearly killed ritsu (and possibly ended three much older boys) in an accident neither boy understands; fragments of memory flash before his eyes as his consciousness shorts out.

‘brother, you’re home late, sopping wet. here’s a towel. are you hungry? you seem down; is everything OK? if you need to talk, i’m here for you.’

instead of turning down this bid for connection like all the rest and turning inward again, shigeo actually opens up. he apologizes for the accident—for the first time—then asks for some clarity, since his memories of it are broken. and ritsu clenches the knob to his brother’s bedroom door tighter. he lies to his face, tells him to ‘get over it already.’ this after asking shigeo to confide in him again, no less: too terrified to be honest with him, too used to being shot down. this boy is soaking in fear he has no context for, and he heads downstairs to soak in it alone. shigeo at least has reigen to process his own fears with, though he never trusts the man enough to take full advantage.

ritsu has no one.

he’s already keeping up appearances at home and has been for years; over the course of the spring cleaning big cleanup arc, we learn the extent to which he’s been doing so at school.

(all those expectations of him weighing him down for so long… he can’t hold out forever.)

student council vice president tokugawa calls him out on trying to melt into the scenery like his brother; his considerable gifts make that impossible. said gifts, however, are so ego-dystonic for him that they’re yet another part of Ritsu Kageyama’s Big Lie. the academically-gifted, popular sprinter so many of his fellow students swoon over isn’t real: why does everyone praise him for things anyone could do? he doesn’t actually have friends, just associates. who cares about charisma? why does everyone think he’s perfect when the only thing he truly wants will never be his? and why does his locker leak chocolate every valentine’s day?

gentle reader. are you still wondering why he snaps when he finally gets his wish? and why it looks the way it does?

[puppetmaster13u]

More art for @phoenixcatch7 Possessed Doll Au Someone gets to meet Black Bat for the first time- though lets be honest Cass probably spooked someone and then went running to Batdad when they started trying to figure out how she got onto the Watchtower and if she's allowed

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[vaguely-concerned]

I'm guarding my heart against expecting adoribull crumbs in veilguard because I really don't believe it's going to happen. I think that might be one of the sweet slender branches on the possibility tree that they'll gently and quietly prune away from relevancy, especially since it doesn't involve a player character. dorian will almost certainly be back (hey hiii bestie how have you been? stressed out of your mind I imagine), but I can't imagine they'll let you get too granular with setting up your world state, especially since after ten years they will be expecting to have a lot of players who are new to the series. like AT MOST I can imagine a little background detail implying an amicable bittersweet breakup rather than dragging out the long distance and danger of it all as tevinter politics heat up, if you're allowed to set them both as being still alive.

all that being said I still want it so fucking badly tho fhdskjfhas

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[djevelbl]

Ace Attorney crossover where, in very typical Phoenix Wright fashion, he's neglected to find out WHO IN HELL his newest client is until he's sitting right across from him at the detention center's visitation room, and he's forced to confront the fact that he's going to bat for a murderous clown who IS innocent this time around

Aka: Ace Attorney crossover, but ClownPierce is his client--

[the-scarlet-witch-22]

little rant, came to the realization today that when I eventually get married my mom definitely will not go. I don’t know why that hurts as much as it does. I’ve always known, like I’ve known for years and thought that I internalized it, but it’s just becoming more of a reality. I’m not even close to her but wow it sucks :)

[mad-hunts]

[ghostboy-art]

I'm casually re-watching Weirdmageddon and well... with all the toxic old man yaoi and love cage talk, I realized that all the townsfolk were turned into stone, but Bill turned Ford into gold. I wonder why......

[kadekae]

Always forever♥ (silly gakutai)

[quackle]

once upon a time, i had a fic idea where chris told nichelle and ripper that they owed the show a million dollars because they both quit in the second season. ripper did not have a million dollars to pay upfront and went to go find a job. then nichelle went to pay her portion with ease (because duh she had the money to do that), but her mom and her agent both agreed that she should actually work an actual entry-level job for the money instead to improve her image to the public eye because it's definitely dwindled after her whole hollywood-star-crisis. and so nichelle was forced to work at some random ass canadian fast food restaurant that just so happened to be the same random ass canadian fast food restaurant ripper just got hired at. and even when they tried to avoid each other, they got stuck working the same shifts because their manager wanted to reel in more customers with that good ol' two-for-one reality tv star rep. and quite literally anything bad that could have happened at this random ass canadian fast food restaurant, happened. but now i'm much too lazy to do write this in fic format. idk. *explodes*

[domeniudulce]

The idea that Gascoigne and Henryk were hunting partners (presumably with Henryk being Gascoigne's elder and mentor) and that Viola was Henryk's daughter is the funniest shit. Like how do you think that went over.